Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Prophetik (by Amelia)

Prophetik A/W 2011 by Gilly Rochester
Prophetik A/W 2011 by Gilly Rochester.

I will confess now. I may have gone over the top. Yes, nurse physician this blog is positively popping at the seams with illustrations. And it’s the FOURTH, clinic yes the FOURTH one to hit our website. But really it’s no surprise that Prophetik is such a big draw for both writers and illustrators, prostate peddling as he does an uber romantic view of the world that is steeped in a deep love for the natural environment.

Prophetik A/W 2011 by Andrea Peterson
Prophetik A/W 2011 by Andrea Peterson.

For his A/W 2011 Artist Wonderment collection designer Jeff Garner once again referenced times past, this time the “frivolous snobbery” of the court of Louix XV, an epoch that for him epitomises the falsity of impulsive consumption. Having interviewed Jeff Garner for my book, Amelia’s Compendium of Fashion Illustration I know how important it is for him to live a fully accountable life, and it seems to me that the title of this collection refers to the purity of artistic vision which he himself attempts to put into practice in everything he does.

Prophetik A/W 2011 by Gilly RochesterProphetik A/W 2011 by Gilly RochesterProphetik A/W 2011 by Gilly Rochester
Prophetik A/W 2011 by Gilly Rochester.

The show opened in typical Jeff style, with live vocals followed by a madly thrashing classical violinist, who strutted down the catwalk as if her life depended on it.

Analiza Ching by Amelia Gregory
Violinist Analiza Ching by Gabriel 'Gaarte' Ayala
Violinist Analiza Ching by Gabriel ‘Gaarte’ Ayala.

But it was the finer detailing which really stood out as the models swept past me. His ball gowns and corseted dresses were awash with gorgeously constructed patchwork, twirly brocade, gilded buttons and ruffles. At a time when trains, tails, hooped and boned structures of every description have been big across all runways, his is an aesthetic which makes total sense right now.

Prophetik A/W 2011 by Danielle Shepherd
Prophetik A/W 2011 by Danielle Shepherd.

For me the absolute stand outs were a couple of stupendous quilted jackets… and by quilted I really do actually mean made out of antique quilts, one of which belonged on his childhood bed that he must surely have baulked at destructing – just a tiny bit. But as his stylist Rebekah Roy pointed out to me later on, it makes absolute sense to refashion a quilt in this way – a quilt that in the very first place was made from fabric remnants.

Prophetik A/W 2011 by Andrea Peterson
Prophetik A/W 2011 by Andrea Peterson.

This approach of continuous upcycling is certainly innovative, and epitomises what I love most about Jeff: his dedication to sustainable practice. All his fabrics are painstakingly hand dyed with a magical potion of herbs in a process that takes many weeks to accomplish – this season’s special plum colour was obtained by mixing up a unique blend of madder root, sorrel, logwood and indigo.

Prophetik A/W 2011 by Karina Yarv
Prophetik A/W 2011 by Karina Yarv.

The love he puts into every single part of his work is evident in the outcome, and of anyone on the ethical fashion scene I really feel that Prophetik is pushing the way forward by putting on a ambitious catwalk show that ensures excitement amongst mainstream fashionistas. Prophetik opened Fashion Scout for the third season running and the Freemasons Hall was packed to the rafters, including famous front row attendees in the form of Hilary Alexander and Livia Firth, erstwhile wife of Colin and celebrity advocate of ethical fashion. At the end Jeff took a demure bow dressed in a cream silky ruffled top and powder blue peddle pushers, sporting his trademark swept back ponytail: if there’s one major advocate for dressing this way it’s the ever dapper Jeff Garner himself.

Prophetik A/W 2011 by Farzeen JabbarProphetik A/W 2011 by Farzeen Jabbar
Prophetik A/W 2011 by Farzeen Jabbar.

I can only hope that Jeff’s dedication to the ethical cause will rub off on other members of the fashion industry. Soon.

You can read Matt Bramford’s review here, Helen Martin’s review here and Katie Antoniou’s review here.

Prophetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia GregoryProphetik A/W 2011. Photography by Amelia Gregory
Prophetik A/W 2011. Photography by Amelia Gregory.

You can read more about Jeff Garner‘s design philosophy in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Analiza Ching, ,Andrea Peterson, ,Artist Wonderment, ,Danielle Shepherd, ,Ethical Fashion, ,Farzeen Jabbar, ,Fashion Scout, ,Freemasons’ Hall, ,Gaarte, ,Gabriel Ayala, ,Gilly Rochester, ,Hilary Alexander, ,Jeff Garner, ,Karina Yarv, ,Livia Firth, ,Louix XV, ,Prophetik, ,Quilt, ,Rebekah Roy, ,Upcycling, ,Violinist

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Amelia’s Magazine | London Fashion Week A/W 2014: Fashion Illustrations from the Catwalk

Burberry A/W 2014 by Emma Farrarons

Burberry A/W 2014 by Emma Farrarons.

Since I was unable to attend many of my favourite designer’s shows this season, and indeed had no help in covering the shows (apart from this post, written by the fabulous Maria Papadimitriou) I thought it would be a nice idea to do an open callout for illustrators to depict their favourite outfit from any of the London Fashion Week shows. Here are the results, in no particular order: I am sure you will agree that they are fabulous. Long live fashion illustration!

Michael Van Der Ham A/W 2014 by Antonia Parker

Michael Van Der Ham A/W 2014 by Antonia Parker.

Erdem A/W 2014 by xplusyequals

Erdem A/W 2014 by xplusyequals.

Ashish A/W 2014 by Rebecca May Illustration

Ashish A/W 2014 by Rebecca May Illustration.

Eudon Choi A/W 2014 by Mark Goss

Eudon Choi A/W 2014 by Mark Goss

Eudon Choi A/W 2014 by Mark Goss.

KTZ A/W 2014 by xplusyequals

KTZ A/W 2014 by xplusyequals.

Emilio de la Morena A/W 2014 by Carol Kearns

Emilio de la Morena A/W 2014 by Carol Kearns.

Mary Katrantzou A/W 2014 by Maelle Rajoelisolo

Mary Katrantzou A/W 2014 by Maelle Rajoelisolo

Mary Katrantzou A/W 2014 by Maelle Rajoelisolo.

Daks A/W 2014 by Jenny Robins

Daks A/W 2014 by Jenny Robins.

Sibling A/W 2014 by Calamusyychan

Sibling A/W 2014 by Calamus Ying Ying Chan.

House Of Holland A/W 2014 by Antonia Parker

House Of Holland A/W 2014 by Antonia Parker.

Erdem A/W 2014 by Jane Young

Erdem A/W 2014 by Jane Young.

Burberry A/W 2014 by Mitika Suri

Burberry A/W 2014 by Mitika Suri.

Vivetta A/W 2014 by Briony Jose

Vivetta A/W 2014 by Briony Jose.

Tata Naka A/W 2014 by Isher Dhiman

Tata Naka A/W 2014 by Isher Dhiman.

David Koma A/W 2014 by Gaarte

David Koma A/W 2014 by Gaarte.

Categories ,Antonia Parker, ,Ashish, ,Briony Jose, ,Burberry, ,Calamus Ying Ying Chan, ,Carol Kearns, ,daks, ,Emilio de la Morena, ,Emma Farrarons, ,Erdem, ,Eudon Choi, ,Gaarte, ,House of Holland, ,Isher Dhiman, ,Jane Young, ,Jenny Robins, ,KTZ, ,Maelle Rajoelisolo, ,Maria Papadimitriou, ,Mark Goss, ,Mary Katrantzou, ,Michael van der Ham, ,Mitika Suri, ,Rebecca May Illustration, ,Sibling, ,Tata Naka, ,xplusyequals

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Amelia’s Magazine | LCF MA Fashion Show 2013, Womenswear: London Fashion Week Catwalk Review

Yi Xie by Jacqueline Valencia
Yi Xie by Jacqueline Valencia.

London College of Fashion womenswear designers showed a series of polished collections, most of which were accessoried with amazing footwear that I was able to ogle as the models climbed the reflective steps onto the raised catwalk at the Royal Opera House.

LCF MA fashion AW 2013-Maddalena Mangialavori
LCF MA fashion AW 2013-Maddalena Mangialavori
LCF MA fashion AW 2013-Maddalena Mangialavori
Maddalena Mangialavori applied raffia fringing to loose fitting dresses, and pretty ruffs to bodices worn with A-line and pencil skirts. Lop-sided low-brimmed hats collapsed over one eye, lending a jaunty air to muted colours in a variety of different textures.

LCF MA fashion AW 2013 Nadia Scullion
LCF MA fashion AW 2013 Nadia Scullion
Nadia Scullion played with ice cream shades; pastel blues and lemon yellow layered together to create a collection of clean lines that were broken with raggy edged socks and collars. A darker coat decorated with a baby blue waist trim was one of the pieces that caught my eye.

LCF MA fashion AW 2013-Min Wu
LCF MA fashion AW 2013-Min Wu
LCF MA fashion AW 2013-Min Wu
LCF MA fashion AW 2013-Min Wu
Min Wu‘s beautiful collection took the concept of tie-dye to a new level; jelly coloured panels fading into creamy white furls of fabric that lay flat against the waist or swung nonchalantly from the neck. Plastic soled shoes worked brilliantly with these gorgeous garments.

LCF MA fashion AW 2013-Sian Davies
LCF MA fashion AW 2013-Sian Davies
Sian Davies worked in blocky oatmeal shades; tight latex paired with over-sized tops.

LCF MA fashion AW 2013-Yi Xie
LCF MA fashion AW 2013-Yi Xie
LCF MA fashion AW 2013-Yi Xie
yi xie
LFW Yi Xie by Angela Lamb
Yi Xie by Angela Lamb.

I absolutely adored the work of Yi Xie, as did my instagram feed when I shared a photo of her intricate pleated trouser suit, luscious flames of orange licking against the vibrating blues on shoulder, waist and calves. I can see her undulating body con dresses selling really well.

LCF MA fashion AW 2013-Keiko Nishiyama
LCF MA fashion AW 2013-Keiko Nishiyama
LCF MA fashion AW 2013-Keiko Nishiyama
LCF-MA_by_Gaarte
Keiko Nishiyama by Gaarte.

Last and by no means least came possibly my favourite collection of all: Keiko Nishiyama covered blowsy shirts and bib fronted dresses with stunning engineered floral prints that made the digital revolution all her own: fields of flowers on a white ground were styled with matching patterned tights and peasant shoes with exaggerated up-turned toes. Just delightful!

LCF MA fashion AW 2013-Keiko Nishiyama
LCF MA fashion AW 2013-Keiko Nishiyama
All photography by Amelia Gregory.

Categories ,2013, ,Angela Lamb, ,bodycon, ,Digital Prints, ,floral, ,Gaarte, ,graduate, ,Jacqueline Valencia, ,Keiko Nishiyama, ,London College of Fashion, ,London Fashion Week, ,Maddalena Mangialavori, ,Min Wu, ,Nadia Scullion, ,review, ,Royal Opera House, ,Sian Davies, ,Womenswear, ,Yi Xie

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Amelia’s Magazine | Lako Bukia: London Fashion Week A/W 2012 Catwalk Review

Lako Bukia AW 2012 by Love Amelia
Lako Bukia A/W 2012 by Love Amelia.

This season Lako Bukia went all futuristic for Broken Mirrors in shades of silver and black, a collection that was inspired by her Georgian heritage once again, and a traditional fear of looking into shattered glass. In contrast to last season’s floaty print focused offering, this saw a return to more structured tailoring and a harder line – enhanced by the styling of Claudia Behnke, which featured severe metal top knots and an extremely strong flattened black brow. This is something we’ve seen a lot of on the catwalks this season: Desperate Scousewives, you have a lot to answer to.

Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia A/W 2012 by Gemma Cotterell
Lako Bukia A/W 2012 by Gemma Cotterell.

Fabrics were predominantly silverised, in silk, leather or lame – the last being notoriously hard to cut well. I’m afraid that lame reminds me of my pre-pubescent attempts to create party wear, circa 1985, and it’s very hard to make it look like a luxury fabric.

Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia A/W 2012 by Gaarte
Lako Bukia A/W 2012 by Gaarte.

There was an element of the 70s evident in the collection – wide legged glittery pants wouldn’t look out of place in the disco – whilst skater skirts teamed with sheer panelled blouses would look more at home on the deck of the Starship Enterprise. The shoes were possibly from another world entirely – unwearable in everyday life but simply stunning: slightly winged and with heels constructed out of towering pillars of jagged edged glass.

Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia A/W 2012 by Claire Jones
Lako Bukia A/W 2012 by Claire Jones.

There were some beautiful and intriguing elements to the collection, in particular some tight silver trousers and a stunning knee length dress which both featured a shattering glass emblem – the textured shards had the effect of toning down some of the overt glitz, creating a silvery sense of style. Whilst hardly practical I adored the last evening dress, which featured a stunning bodice made out of actual shattered mirror.

Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
For the finale the catwalk head was showered with confetti (in silver, yup you’ve guessed it) – which went off with a loud bang. Down at the catwalk entrance we didn’t know what had happened and it certainly caused a skipping of the heart beat and a few nervous giggles around me. There’s nothing like an unexpected fright at LFW to lighten the mood.

Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
Lako Bukia AW 2012 - photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,70s, ,A/W 2012, ,Broken Mirrors, ,Claire Jones, ,Claudia Behnke, ,Desperate Scousewives, ,disco, ,Fashion Scout, ,Freemasons’ Hall, ,Futuristic, ,Gaarte, ,Gemma Cotterell, ,Georgian, ,Glitter, ,lako bukia, ,Lame, ,Love Amelia, ,review, ,Silver, ,Starship Enterprise, ,Superstition

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Amelia’s Magazine | Fyodor Golan: London Fashion Week A/W 2012 Catwalk Review

Fyodor Golan A/W 2012 by Faye West
Fyodor Golan A/W 2012 by Faye West.

Fyodor Golan were first to show in the newly created Embankment Galleries showspace, a long thin strip in Somerset House that previously housed the stands and necessitates registering at the front desk in order to get to. A year ago I was most taken by Fyodor Golan‘s first catwalk show at Fashion Scout, and last season they were deserving winners of the Fashion Fringe competition, so I was eager to see what these fine art graduates would do next.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan A/W 2012 by Gaarte
Fyodor Golan A/W 2012 by Gaarte.

Welcome to the Machine was inspired by Russian peasantry and aristocratic fashions… marrying tribal styles with extravagant embellishments to great effect. Stepping through a neon pink doorway models wore skater skirted dresses in beetle inspired metallic copper and green, heavy nose rings courtesy of designer Alexandra Druzhinin hanging over their mouths. Insects crawled across the waists of dresses, and the curving lines of their wings were echoed in the finely swept hair slicked to brows. At Fyodor Golan buns were tightly woven into peasant plaits.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan A/W 2012 by Gaarte
Fyodor Golan A/W 2012 by Gaarte.

These clothes are not for the faint hearted – there were heavy quilted metallic textures and pleated furls, followed by light as a feather lambswool or swinging tasselled skirts in wintery white. Punchy red provided dazzling relief from darker hues in the form of skater dresses, and my favourite look (in red) featured a sheer bodice with narrow strips of pleating curled over the bosom and shoulders.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
The finale was preceded by a model who was somewhat inexplicably covered entirely in emerald green glitter – perhaps a reference to beetles too far… This was followed by a stunning pearlised white showpiece, with a weighty golden crown shrouded in netting that also covered the face.

Fyodor Golan A/W 2012 by Gareth A Hopkins
Fyodor Golan A/W 2012 by Gareth A Hopkins.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan A/W 2012 by Marta Madaiva Illustrations
Fyodor Golan A/W 2012 by Marta Madaiva Illustrations.

Once again Fyodor Podgorny and Golan Frydman have proved themselves a fashionable proposition to be reckoned with, and I look forward to seeing how their artisanal creativity develops with each new season.

Fyodor Golan AW 2012 - photography by Amelia Gregory
All photography by Amelia Gregory.

Categories ,A/W 2012, ,Alexandra Druzhinin, ,Aristocracy, ,Beetles, ,Embankment Galleries, ,Fashion Fringe, ,Fashion Scout, ,Faye West, ,Fyodor Golan, ,Fyodor Podgorny, ,Gaarte, ,Gabriel Ayala, ,Gareth A Hopkins, ,Golan Frydman, ,Green Glitter, ,London Fashion Week, ,Marta Madaiva Illustrations, ,Metallic, ,Nose Rings, ,peasant, ,Quilting, ,review, ,Russian, ,Somerset House, ,Trace Publicity, ,Tribal, ,Welcome to the Machine

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Amelia’s Magazine | Fyodor Golan: London Fashion Week A/W 2013 Catwalk Review

Fyodor Golan A/W 2013 by Jacqueline Valencia
Fyodor Golan A/W 2013 by Jacqueline Valencia.

This season design duo Fyodor Golan put on a circular catwalk show in a stately ballroom of The Savoy Hotel. It was a typically clever collection that combined unusual references and brilliant technical talent with a dose of their inimitable wit.

Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013. All photography by Amelia Gregory.

Models wore dark lips and simple slicked back hair to showcase a series elegant leather two piece suits and gorgeous baroque dresses befitting the ornate venue, austere throat ties the only nod to jewellery. Gothic black shapes appeared like the imprint of strange creatures on the creamy silk opening dress, and across the peplum of a maxi skirt: paired with a sheer top to ensure a good photo opportunity. Many garments featured wings of fabric that fanned out in front of the chest like the frills found on exotic lizards. A sparkling black mini coat dress with big sleeves was cinched in with a wide waisted belt to give an alternative curvaceous silhouette.

Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan A/W 2013 by Gaarte.
Fyodor Golan A/W 2013 by Gaarte.

It took until I viewed one of the illustrations I commissioned from photos to realise that Fyodor Golan had cleverly adapted the iconic Smiley face logo for their golden couture minidress, so subtle was the use, with eyes and mouth melding perfectly into a circular design that fell flatteringly around the hips. Smiley may not have been an obvious choice of brand for the designers to work with but as they explain in their press release ‘Music, like fashion, is an expressive form of creativity. It frees the mind and sets a tone.‘ The familiar icon also appeared embossed onto a big collared leather dress suit, and on giant neon badges that were gifted to front row attendees.

Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan A/W 2013 by Isher Dhiman
Fyodor Golan A/W 2013 by Isher Dhiman.

As the show progressed the colours took a fiery turn, with a series of pleated and folded silk dresses in syrupy orange and bright red amongst my favourite looks. One knee length number featured wrist grazing sleeves and bare shoulders, pleats slit from collarbone to waist and up to the crotch; it was a perfect example of how demure and sexy work best when they exist side by side.

Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
Interspersed with these was an unusual toffee coloured chequerboard dress with bulging sleeves and another frilled mini dress bearing a striking blue floral pattern that was echoed on a giant decorated plastic plate worn over the face – a cross between a collapsed wide brimmed hat and a gimp mask. It may have seemed an oddly out of place interlude to those unfamiliar with Fydor Golan‘s idiosyncratic catwalk shows, but remember this is the couple who sent out a woman entirely covered in green glitter a few seasons ago. And of course it made for the second great photo opportunity that all catwalk photographers live for (myself included).

Fyodor Golan AW 2013-photo by Amelia Gregory
Fyodor Golan AW 2013-photo by Amelia Gregory
There were a couple of points where the collection seemed to take off on a wild tangent (a burnt orange short sleeve knit paired with a glossy skirt seemed somewhat out of place in such glamourous company) but overall this confirmed Fyodor Golan as a talent to watch.

Categories ,A/W 2013, ,Belle de Jour, ,catwalk show, ,Fyodor Golan, ,Gaarte, ,gothic, ,Isher Dhiman, ,Jacqueline Valencia, ,London Fashion Week, ,review, ,Savoy Hotel, ,Smiley, ,Trace Publicity

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Amelia’s Magazine | Heohwan Simulation: London Fashion Week S/S 2013 Catwalk Review

Heohwan Simulation S/S 2013 by Gaarte
Heohwan Simulation S/S 2013 by Gaarte.

Heohwan Simulation is the latest recipient of the Fashion Scout Merit Award, which entitles him to £25,000 worth of support over three seasons to build his label. Previous winners include David Koma and Georgia Hardinge, so we can expect great things from this fledgling brand.

Heohwan Simulation SS 2013 September 2012-photography by Amelia Gregory
Heohwan Simulation SS 2013 September 2012-photography by Amelia Gregory
Heohwan Simulation SS 2013 September 2012-photography by Amelia Gregory
Heohwan Simulation S/S 2013 by Gareth A Hopkins
Heohwan Simulation S/S 2013 by Gareth A Hopkins.

Last season Heohwan Simulation showed with Ones to Watch but this time he was able to stage his own fully fledged catwalk show. Designer Hwan Heo, an RCA graduate, continued in his exploration of hard edged womenswear inspired by his background as a menswear graduate.

Heohwan Simulation SS 2013 September 2012-photography by Amelia Gregory
Heohwan Simulation SS 2013 September 2012-photography by Amelia Gregory
Heohwan Simulation S/S 2013. All photography by Amelia Gregory.

Heohwan Simulation S/S 2013 by Gaarte
Heohwan Simulation S/S 2013 by Gaarte.

This was a confident showing which built on his last collection: boxy triangular shapes were softened with the application of abstract painterly placement prints, mesh textures and checks. Slate, ivory and camel tones were worn with bright grassy green and sunshine yellow, whilst belts were wide and zips were prominent, often traversing the length of a garment. I particularly liked the coats: a crop swing jacket with a single double breasted fastening and a blouson worn with this season’s favourite wide legged trousers. It will be interesting to watch Hwan Heo’s progress over the next few seasons.

Heohwan Simulation S/S 2013 by Gareth A Hopkins
Heohwan Simulation S/S 2013 by Gareth A Hopkins.

Categories ,David Koma, ,Fashion Scout, ,Freemasons’ Hall, ,Gaarte, ,Gareth A Hopkins, ,Georgia Hardinge, ,Heohwan Simulation, ,Hwan Heo, ,LFW. S/S 2013, ,Merit Award, ,Ones To Watch, ,rca

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Amelia’s Magazine | Jamie Wei Huang: London Fashion Week S/S 2015 Catwalk Review

Jamie Wei Huang SS15 by Gaarte
Jamie Wei Huang SS15 by Gaarte.

Jamie Wei Huang is fast becoming one of my favourite new designers, adept at delivering sleekly wearable clothing with clever signature detailing. Her SS15 collection was titled Metaphysics; inspired by myriad forms of urban life, from bike courier to banker. Slouchy tops were paired with A-line skirts and wide culottes, with contrasting elements such as leather shoulder straps and feature pockets used with delicate geometric monochromes, silk jacquards, soft leathers and sheep skins. Of particular note were the glorious saturated moss greens, royal blues and silvery reflective hues pared with crisp white detailing.

Bags were slung low on hips or clutched lightly in hands, whilst models wore casually slicked back hair, simple wristbands and clunky low heeled sandals, a reflection of the new everyday aesthetic which currently reigns supreme on the catwalks.

Scroll down to watch a video of the catwalk show.

Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia GregoryJamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,Catwalk review, ,Fashion Scout, ,Freemasons’ Hall, ,Gaarte, ,Jamie Wei Huang, ,London Fashion Week, ,metaphysics, ,S/S 2015, ,SS15

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Amelia’s Magazine | Carmen: A Life in Fashion at the Fashion Space Gallery


Carmen Dell’Orefice by Joanna Gniady

I can’t bear having my photograph taken. That’s why I’m not a model. That’s the only reason. But imagine having your photograph taken consecutively for sixty years, by some of the greatest photographer that ever lived. It’s quite the achievement when you really think about it.

I’m taking about Carmen Dell’Orrefice, affectionately referred to as ‘the world’s most enduring supermodel’. A new exhibition at the London College of Fashion‘s Fashion Space Gallery proves why Carmen deserves that accolade.


All photography by Matt Bramford

It’s rare to find exhibitions that celebrate the career of a model rather than the photographers that document them. In recent years, grand masters like Avedon and Penn have been honoured with mammoth exhibitions, so this collaboration between LCF and David Downton is a welcome break, and it’s been put together with feeling (Dowton is a close personal friend of Dell’Orefice) and no stage of her career is left unrepresented.


Carmen Dell’Orefice by Celine Elliott

Carmen Dell’Orefice was born on Welfare Island in 1931 to an Italian father and Hungarian mother. Her first modelling duty was at the age of 13 – Carmen is now 80 and still modelling. As she moved around the room, talking to Colin McDowell, Frances Corner OBE (head of the LCF) I simply couldn’t take my eyes off her. She’s one of those lucky buggers that have matured with grace and elegance and maintained her unique looks without going anywhere near Wildenstein.

Looking around the room at the works is like an encyclopaedia of the great fashion photographers – Penn, Beaton, Coffin, Avedon, Derujinsky, her second husband Richard Heimann, Parkinson; it’s wonderfully exhausting. Reporductions of Vogue and Harper’s covers are mounted on some walls, while others hold photographs ranging from her frolicking in the Bahamas (shot by Parkinson) and basking in Hawaii (shot by Derujinsky).

The crescendo is a stunning selection of portraits commissioned especially by LCF and photographed by Ali Mahdavi. I’ve purposefully omitted any images of these photographs in the hope that you’ll go along and view the exhibition yourself. They are fresh and classical at the same time – there’s something intimately special about them. Please go.

Categories ,Carmen Dell’Orefice, ,Cecil Beaton, ,Clifford Coffin, ,Colin McDowell, ,David Downton, ,exhibition, ,fashion, ,Fashion Space Gallery, ,Frances Corner OBE, ,Gleb Derujinsky, ,Harper’s Bazaar, ,Irving Penn, ,LCF, ,London College of Fashion, ,Norman Parkinson, ,photography, ,review, ,Richard Avedon, ,Richard Heimann, ,vogue, ,Wildenstein

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Amelia’s Magazine | Corrie Nielsen: London Fashion Week S/S 2013 Catwalk Preview Interview

Interview with Corrie Nielsen, Illustration by Rosa ad Carlotta Crepax, Illustrated Moodboard
Corrie Nielsen S/S 2012 preview by Rosa and Carlotta Crepax, Illustrated Moodboard.

Fashion designer Corrie Nielsen has been wowing us here at Amelia’s Magazine for a number of seasons so we were very excited to discover that for S/S 2013 she has worked in close partnership with Kew… here she describes how the collaboration came about and what we can expect from the new Kew inspired collection.

I am very excited about your upcoming S/S 2013 show, which was done in conjunction with Kew Gardens: how did this relationship come about?
I knew that I wanted to base the season on plants and flowers, so the Royal Botanic Gardens, Kew was the natural first port of call. It is one of my favourite spaces in London. The whole studio went to Kew together and we took countless photos, which are plastered all over the studio walls. My PR, Courtney Blackman, ended up meeting Kew’s Chairman of the Board at an event and if you know her, she makes things happen. The rest is history. They were really excited that my collection would be all about Kew.

Corrie Nielsen Corrie thinking about plants on a bench under a tree at Kew
Corrie Nielsen Peony 038_Pae_dau_ - from KEW ARCHIVE
Your interest in history is well known, how did you take inspiration from the original documentation of Charles Darwin’s journeys, which are stored in the Kew libraries?
After the first studio trip to Kew, I took a secondary trip with my business partners and that’s when we got to explore the seed libraries, browse through Darwin’s original letters, etc. I’m fascinated by the concept of Darwin’s ‘The Origin of the Species’ – seeing his letters was an unbelievable honour. I’ve taken that concept and really explored it by researching actual blueprints of plants and flowers. The complexity is staggering and in tranfering the research into the clothes, I’ve really had to employ serious engineering to some of my more sculpted pieces .

Corrie Nielsen Swarovski Collective by Catherine Moody
Corrie Nielsen S/S 2013 preview illustration by Catherine Moody.

Can we expect to see any other influences from Kew – for example are there any particular seeds, flowers, trees or other plants that have inspired the new collection?
Tulips, peony roses and even the Victorian glass houses of Kew influence the range.

Corrie Nielsen Stairs in a glass house at Kew
Corrie Nielsen One of my favourite shapes at Kew
How do you process this information? eg do you take photos and then create mood boards?
Photos, photos, photos and I study individual specimens. My studio walls are one giant mood board. I also research a lot online for further development once I have the concept in mind.

Corrie mood board
Corrie Nielsen The Peacock
How often have you visited Kew in preparation for this season’s catwalk show? Any particularly fond memories that you can share with us…
I’ve gone a couple of times and had a very friendly experience with one of the garden’s peacocks. Being able to go into the seed libraries and seeing all the varied specimens that Kew works with was staggering.

corrie mood
What kinds of fabrics feature in the new collection and where were they sourced from?
I’m working with a lot of silk: metal-infused silks, gradient silks and cotton and lightweight wool. I source most of my fabrics from France.

Corrie Nielsen Team Corrie Nielsen at Kew
What else can we expect from the show in terms of styling and production?
Rebekah Roy will be styling the show and for a second season, Emma Yeo will be creating headpieces. She’s so talented. AOFM Pro’s Yin Lee is doing the makeup again – I love working with her. She really gets the brand. TONI&GUY are doing the hair and we are working exclusively with M&P Models, so every single model on the catwalk will be from M&P. And lastly, once again my collection will be named after a Medieval Latin word…

Corrie Nielsen by Zulekha Lakeca
Corrie Nielsen by Zulekha Lakeca.

Corrie Nielsen shows at the BFC space on Friday 14th September 2012. After London Fashion Week Corrie Nielsen will be exhibiting in Paris at Vendôme Luxury Tradeshow at Le Meurice Hotel, 75001.

Categories ,AOFM Pro, ,Catherine Moody, ,Charles Darwin, ,Corrie Nielsen, ,Courtney Blackman, ,Emma Yeo, ,Illustrated Moodboard, ,Kew, ,Le Meurice Hotel, ,M&P Models, ,Rebekah Roy, ,Rosa and Carlotta Crepax, ,Royal Botanic Gardens, ,The Origin of the Species, ,Vendôme Luxury Tradeshow, ,Yin Lee, ,Zulekha Lakeca

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