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Ross Harrison, information pills Director and Writer of Beyond the Brink, diagnosis Illustration by Francesca Bourne

Beyond the Brink is young filmmaker Ross Harrison’s personal investigation into the debate on Climate Change. After feeling inundated by the media discussions in the lead up and fall out of Copenhagen, Ross set himself the task of answering the ever present question of “What is Climate Change” followed by the more provocative  “and does it really matter?” To help himself along his journey and to find out more about the current consensus on climate change Ross interviewed a selection of commentators and scientists from  David Attenbrough, Deepak Rughani, Mark Lynas, Dieter Helm to Dr Heike Schroeder.

Amelia’s Magazine interviewed Ross about why he decided to make this film, the impact the film has had in schools and what he now thinks needs to be achieved on a personal and governmental level to tackle the impact of Climate Change.

First things first, what inspired you to make a film that investigates the vast and divisive topic that is Climate Change?

Back in 2009, it seemed like an unavoidable issue – what with the media coverage building up to Copenhagen for nearly the whole year and films like The Age of Stupid being released. I also found the subject cropping up more and more in my school work.

Film Still from Beyond the Brink

What did you feel was missing from the discussion in the media or schools during the lead up to Cop 15 in 2009?

It seemed like a very polarized debate with no middle ground. I was frustrated by hearing the same arguments again and again bouncing between the same groups of people. I didn’t understand why people weren’t cooperating more to work towards a common goal. That hasn’t changed a great deal. Probably and most importantly I wanted to provide a young person’s perspective.

How has the film been received since its release? Has it been taken around schools in the UK?

Since I launched the website at the end of last year there has been a lot of positive feedback, which is encouraging. For the week of screenings I posted about 300 DVDs to schools, universities, community groups and individual volunteers. I’ve been along to some screenings myself, but because they’re all over the country it’s mainly teachers and students using the film themselves, which I’ve tried to make as easy as possible by releasing the film for free.

What -for you- were the most difficult aspects to making this film?

Weighing up the masses of information about climate change – articles, books, blogs, programs, interviews – and trying to filter that down into a documentary that was balanced, accessible and understandable was the first difficulty. The second was trying to think of ways of doing things differently, using different language, presenting the problem in a new way that might make it more inspiring.

Beyond the Brink contains a mixture of talking heads and personal narration, what lead you to construct the film in this way?

The talking heads are in there because I felt that was the best way to convey the experts’ viewpoints. The audience hears what I heard and can draw their own conclusions. I chose to feature myself because it was a very personal project and I wanted to include my slant as a teenager.

Was it particularly important to you that the film was released for free and under a creative commons license?

Definitely. My hope is for the film to get the widest audience possible and I think making it freely available should mean more people watch it that otherwise might.

Beyond the Brink Trailer


On reflection, since Cop 16 and the overshadowing of Climate Change in the media by the recession and the arrival of the coalition government, what do you think is next for the climate movement?

Cancun was not surprising – after such a flop at Copenhagen the officials involved were bound to be desperate to publicize some sort of success. Even so COP16 was a small step rather than the deal people had set their hopes on in 2009. I don’t want to rule out the UN process completely, but I think its limited real impact in the 19 years its been running, is a sign progress needs to be made elsewhere. Those involved in the climate movement need to be pressuring the governments of their own countries to lead by example. The discussion needs to move away from talking about climate catastrophe to selling the benefits of a clean energy infrastructure and low-carbon lifestyles. People are far more likely to be driven by an appealing goal than a danger that could affect them at some point in the future.

What did you learn during the making of the film that surprised you with regards to the debate on Climate Change?

A greater proportion of the scientific community than I realized think that humans are largely causing current climate change. A scientific debate about whether we are contributing to climate change doesn’t really exist anymore, it is widely assumed we are.

Sir David Attenborough by Abi Daker

Have you plans to follow up the film with further interviews?

No, although it’s something I may come back to at a later date, after I’ve finished working on distributing this film I’ll be looking to take on a new project.

How difficult did you find approaching the range of experts -from Sir David Attenborough to Deepak Rughani and Dr Heike Schroeader- that appear in Beyond the Brink?

It was certainly a challenge. Obviously the people I met know a massive amount about the subject, much more than I do, but you still have to research lots to be able to ask good questions. Thankfully all the interviewees were very approachable and generous with their time. Like many things, you get better at interviews with practice and in the end I was really pleased with the responses I had. That’s not to say there weren’t disappointments. Sometimes technical problems meant some of the best answers couldn’t be used.

How did the animations within the film develop and do you feel they were integral to explain a few of the ideas behind the causes of Climate Change?

Concepts like the greenhouse effect are difficult to explain at all, let alone with a strict time limit and so animations seemed like the best option. The problem is they take a long time to create. I’ve still got 100 paper Earths on my shelf that I traced from my computer screen.

Film Stills from Beyond the Brink

What fact or possible event as a cause of Climate Change shocked you the most during the making of this film?

I found that the number of species threatened by potential warming was really startling. One in four land animal and plant species could be threatened with extinction this century.

Which five environmental documentaries would you recommend everybody watches?

The Age of Stupid, The End of the Line, The Planet Earth series is brilliant and Planet Earth: The Future is a conservation focused companion series. The ‘Jungles’ episode of the recent Human Planet series.

What conclusions have you come to since Beyond the Brink was completed?

Being optimistic is important. Working towards a vision of a better world with a reliable renewable energy supply, full employment, smaller bills, and healthier lifestyles, has got a far greater chance of uniting the population than struggling to avoid a catastrophe. You don’t have to be an environmentalist to want those things. And working together is essential. In whatever situation people are taking action, by joining forces with their neighbours, friends, schoolmates or colleagues, they can make their voice much louder.

Film Still from Beyond the Brink

What policies would you like to see Governments world wide implement?

I’d like to see serious investment in green technologies, stricter regulation of energy industries, and policies that make it easier for individuals to reduce their carbon footprint. Channelling money into developing renewable energy and other green products can create jobs. On the one hand if our current energy system is replaced by a carbon neutral one then individuals will not have to make many changes, on the other, behavioral change is essential because we need to start appreciating almost all the resources we use are finite. One policy I think is especially urgent and needs to be implemented by some South American and Indonesian governments is strong protection of rainforests. The rate of deforestation is mind-blowing and can’t go on.

Dr Heike Schroeder by Sam Parr

“Are we really causing Climate Change and who cares?” (Question taken from Beyond the Brink’s website)

It is very likely we are changing the Earth’s climate by changing the composition of its atmosphere and this is a stance that the vast majority of climate scientists and scientific organizations around the world agree on, as far as I can tell. The implications are serious and everybody could be affected, but importantly the poorest people in the world who are less able to defend themselves against potential hazards are likely to be affected first.

Like many problems, climate change is easy to ignore and only a minority are taking action, even if a much larger number might say they are concerned. The next step must be to encourage changes that people want to see and which reduce our impact at the same time, like demanding cheaper, better public transport, or designing more energy efficient products. What really makes me hopeful, though, is education. I’m hopeful people my age will grow up with different attitudes to those of generations before.

After watching the film, what’s the next step for a viewer who would like to be engaged in the Climate Change debate?

Well, for a start the debate has largely moved from are we really causing climate change, to what’s the best way to minimize the impact we are very likely having. If someone wants more information, there are endless books and websites. The Rough Guide to Climate Change is particularly good. But be wary of blogs – it’s very easy for people to write anything they like and pretend to know more than they do.

In terms of getting involved, the best thing to do is join an existing network, of which there are many. There are so many organizations with basically the same aims I sometimes think if they all joined forces then they could really change things. If you’d call yourself young then check out the UK Youth Climate Coalition, some of whose members feature in the film. Other initiatives like 350 and 10:10 are building the movement, making it exciting and making an impact.

Ross Harrison, website like this Director and Writer of Beyond the Brink, approved Illustration by Francesca Bourne

Beyond the Brink is young filmmaker Ross Harrison’s personal investigation into the debate on Climate Change. After feeling inundated by the media discussions in the lead up and fall out of Copenhagen, Ross set himself the task of answering the ever present question of “What is Climate Change” followed by the more provocative  “and does it really matter?” To help himself along his journey and to find out more about the current consensus on climate change Ross interviewed a selection of commentators and scientists from  David Attenbrough, Deepak Rughani, Mark Lynas, Dieter Helm to Dr Heike Schroeder.

Amelia’s Magazine interviewed Ross about why he decided to make this film, the impact the film has had in schools and what he now thinks needs to be achieved on a personal and governmental level to tackle the impact of Climate Change.

First things first, what inspired you to make a film that investigates the vast and divisive topic that is Climate Change?

Back in 2009, it seemed like an unavoidable issue – what with the media coverage building up to Copenhagen for nearly the whole year and films like The Age of Stupid being released. I also found the subject cropping up more and more in my school work.

Film Still from Beyond the Brink

What did you feel was missing from the discussion in the media or schools during the lead up to Cop 15 in 2009?

It seemed like a very polarized debate with no middle ground. I was frustrated by hearing the same arguments again and again bouncing between the same groups of people. I didn’t understand why people weren’t cooperating more to work towards a common goal. That hasn’t changed a great deal. Probably and most importantly I wanted to provide a young person’s perspective.

How has the film been received since its release? Has it been taken around schools in the UK?

Since I launched the website at the end of last year there has been a lot of positive feedback, which is encouraging. For the week of screenings I posted about 300 DVDs to schools, universities, community groups and individual volunteers. I’ve been along to some screenings myself, but because they’re all over the country it’s mainly teachers and students using the film themselves, which I’ve tried to make as easy as possible by releasing the film for free.

Film Still from Beyond the Brink

What -for you- were the most difficult aspects to making this film?

Weighing up the masses of information about climate change – articles, books, blogs, programs, interviews – and trying to filter that down into a documentary that was balanced, accessible and understandable was the first difficulty. The second was trying to think of ways of doing things differently, using different language, presenting the problem in a new way that might make it more inspiring.

Beyond the Brink contains a mixture of talking heads and personal narration, what lead you to construct the film in this way?

The talking heads are in there because I felt that was the best way to convey the experts’ viewpoints. The audience hears what I heard and can draw their own conclusions. I chose to feature myself because it was a very personal project and I wanted to include my slant as a teenager.

Was it particularly important to you that the film was released for free and under a creative commons license?

Definitely. My hope is for the film to get the widest audience possible and I think making it freely available should mean more people watch it that otherwise might.

Beyond the Brink Trailer


On reflection, since Cop 16 and the overshadowing of Climate Change in the media by the recession and the arrival of the coalition government, what do you think is next for the climate movement?

Cancun was not surprising – after such a flop at Copenhagen the officials involved were bound to be desperate to publicize some sort of success. Even so COP16 was a small step rather than the deal people had set their hopes on in 2009. I don’t want to rule out the UN process completely, but I think its limited real impact in the 19 years its been running, is a sign progress needs to be made elsewhere. Those involved in the climate movement need to be pressuring the governments of their own countries to lead by example. The discussion needs to move away from talking about climate catastrophe to selling the benefits of a clean energy infrastructure and low-carbon lifestyles. People are far more likely to be driven by an appealing goal than a danger that could affect them at some point in the future.

What did you learn during the making of the film that surprised you with regards to the debate on Climate Change?

A greater proportion of the scientific community than I realized think that humans are largely causing current climate change. A scientific debate about whether we are contributing to climate change doesn’t really exist anymore, it is widely assumed we are.

Sir David Attenborough by Abi Daker

Have you plans to follow up the film with further interviews?

No, although it’s something I may come back to at a later date, after I’ve finished working on distributing this film I’ll be looking to take on a new project.

How difficult did you find approaching the range of experts -from Sir David Attenborough to Deepak Rughani and Dr Heike Schroeader- that appear in Beyond the Brink?

It was certainly a challenge. Obviously the people I met know a massive amount about the subject, much more than I do, but you still have to research lots to be able to ask good questions. Thankfully all the interviewees were very approachable and generous with their time. Like many things, you get better at interviews with practice and in the end I was really pleased with the responses I had. That’s not to say there weren’t disappointments. Sometimes technical problems meant some of the best answers couldn’t be used.

How did the animations within the film develop and do you feel they were integral to explain a few of the ideas behind the causes of Climate Change?

Concepts like the greenhouse effect are difficult to explain at all, let alone with a strict time limit and so animations seemed like the best option. The problem is they take a long time to create. I’ve still got 100 paper Earths on my shelf that I traced from my computer screen.

Film Stills from Beyond the Brink

What fact or possible event as a cause of Climate Change shocked you the most during the making of this film?

I found that the number of species threatened by potential warming was really startling. One in four land animal and plant species could be threatened with extinction this century.

Which five environmental documentaries would you recommend everybody watches?

The Age of Stupid, The End of the Line, The Planet Earth series is brilliant and Planet Earth: The Future is a conservation focused companion series. The ‘Jungles’ episode of the recent Human Planet series.

What conclusions have you come to since Beyond the Brink was completed?

Being optimistic is important. Working towards a vision of a better world with a reliable renewable energy supply, full employment, smaller bills, and healthier lifestyles, has got a far greater chance of uniting the population than struggling to avoid a catastrophe. You don’t have to be an environmentalist to want those things. And working together is essential. In whatever situation people are taking action, by joining forces with their neighbours, friends, schoolmates or colleagues, they can make their voice much louder.

Film Still from Beyond the Brink

What policies would you like to see Governments world wide implement?

I’d like to see serious investment in green technologies, stricter regulation of energy industries, and policies that make it easier for individuals to reduce their carbon footprint. Channelling money into developing renewable energy and other green products can create jobs. On the one hand if our current energy system is replaced by a carbon neutral one then individuals will not have to make many changes, on the other, behavioral change is essential because we need to start appreciating almost all the resources we use are finite. One policy I think is especially urgent and needs to be implemented by some South American and Indonesian governments is strong protection of rainforests. The rate of deforestation is mind-blowing and can’t go on.

Dr Heike Schroeder by Sam Parr

“Are we really causing Climate Change and who cares?” (Question taken from Beyond the Brink’s website)

It is very likely we are changing the Earth’s climate by changing the composition of its atmosphere and this is a stance that the vast majority of climate scientists and scientific organizations around the world agree on, as far as I can tell. The implications are serious and everybody could be affected, but importantly the poorest people in the world who are less able to defend themselves against potential hazards are likely to be affected first.

Like many problems, climate change is easy to ignore and only a minority are taking action, even if a much larger number might say they are concerned. The next step must be to encourage changes that people want to see and which reduce our impact at the same time, like demanding cheaper, better public transport, or designing more energy efficient products. What really makes me hopeful, though, is education. I’m hopeful people my age will grow up with different attitudes to those of generations before.

Film Still from Beyond the Brink

After watching the film, what’s the next step for a viewer who would like to be engaged in the Climate Change debate?

Well, for a start the debate has largely moved from are we really causing climate change, to what’s the best way to minimize the impact we are very likely having. If someone wants more information, there are endless books and websites. The Rough Guide to Climate Change is particularly good. But be wary of blogs – it’s very easy for people to write anything they like and pretend to know more than they do.

In terms of getting involved, the best thing to do is join an existing network, of which there are many. There are so many organizations with basically the same aims I sometimes think if they all joined forces then they could really change things. If you’d call yourself young then check out the UK Youth Climate Coalition, some of whose members feature in the film. Other initiatives like 350 and 10:10 are building the movement, making it exciting and making an impact.

Ross Harrison, rx Director and Writer of Beyond the Brink, buy Illustration by Francesca Bourne

Beyond the Brink is young filmmaker Ross Harrison’s personal investigation into the debate on Climate Change. After feeling inundated by the media discussions in the lead up and fall out of Copenhagen, viagra approved Ross set himself the task of answering the ever present question of “What is Climate Change” followed by the more provocative  “and does it really matter?” To help himself along his journey and to find out more about the current consensus on climate change Ross interviewed a selection of commentators and scientists from  David Attenbrough, Deepak Rughani, Mark Lynas, Dieter Helm to Dr Heike Schroeder.

Amelia’s Magazine interviewed Ross about why he decided to make this film, the impact the film has had in schools and what he now thinks needs to be achieved on a personal and governmental level to tackle the impact of Climate Change.

First things first, what inspired you to make a film that investigates the vast and divisive topic that is Climate Change?

Back in 2009, it seemed like an unavoidable issue – what with the media coverage building up to Copenhagen for nearly the whole year and films like The Age of Stupid being released. I also found the subject cropping up more and more in my school work.

Film Still from Beyond the Brink

What did you feel was missing from the discussion in the media or schools during the lead up to Cop 15 in 2009?

It seemed like a very polarized debate with no middle ground. I was frustrated by hearing the same arguments again and again bouncing between the same groups of people. I didn’t understand why people weren’t cooperating more to work towards a common goal. That hasn’t changed a great deal. Probably and most importantly I wanted to provide a young person’s perspective.

How has the film been received since its release? Has it been taken around schools in the UK?

Since I launched the website at the end of last year there has been a lot of positive feedback, which is encouraging. For the week of screenings I posted about 300 DVDs to schools, universities, community groups and individual volunteers. I’ve been along to some screenings myself, but because they’re all over the country it’s mainly teachers and students using the film themselves, which I’ve tried to make as easy as possible by releasing the film for free.

Film Still from Beyond the Brink

What -for you- were the most difficult aspects to making this film?

Weighing up the masses of information about climate change – articles, books, blogs, programs, interviews – and trying to filter that down into a documentary that was balanced, accessible and understandable was the first difficulty. The second was trying to think of ways of doing things differently, using different language, presenting the problem in a new way that might make it more inspiring.

Beyond the Brink contains a mixture of talking heads and personal narration, what lead you to construct the film in this way?

The talking heads are in there because I felt that was the best way to convey the experts’ viewpoints. The audience hears what I heard and can draw their own conclusions. I chose to feature myself because it was a very personal project and I wanted to include my slant as a teenager.

Was it particularly important to you that the film was released for free and under a creative commons license?

Definitely. My hope is for the film to get the widest audience possible and I think making it freely available should mean more people watch it that otherwise might.

Beyond the Brink Trailer


On reflection, since Cop 16 and the overshadowing of Climate Change in the media by the recession and the arrival of the coalition government, what do you think is next for the climate movement?

Cancun was not surprising – after such a flop at Copenhagen the officials involved were bound to be desperate to publicize some sort of success. Even so COP16 was a small step rather than the deal people had set their hopes on in 2009. I don’t want to rule out the UN process completely, but I think its limited real impact in the 19 years its been running, is a sign progress needs to be made elsewhere. Those involved in the climate movement need to be pressuring the governments of their own countries to lead by example. The discussion needs to move away from talking about climate catastrophe to selling the benefits of a clean energy infrastructure and low-carbon lifestyles. People are far more likely to be driven by an appealing goal than a danger that could affect them at some point in the future.

What did you learn during the making of the film that surprised you with regards to the debate on Climate Change?

A greater proportion of the scientific community than I realized think that humans are largely causing current climate change. A scientific debate about whether we are contributing to climate change doesn’t really exist anymore, it is widely assumed we are.

Sir David Attenborough by Abi Daker

Have you plans to follow up the film with further interviews?

No, although it’s something I may come back to at a later date, after I’ve finished working on distributing this film I’ll be looking to take on a new project.

How difficult did you find approaching the range of experts -from Sir David Attenborough to Deepak Rughani and Dr Heike Schroeader- that appear in Beyond the Brink?

It was certainly a challenge. Obviously the people I met know a massive amount about the subject, much more than I do, but you still have to research lots to be able to ask good questions. Thankfully all the interviewees were very approachable and generous with their time. Like many things, you get better at interviews with practice and in the end I was really pleased with the responses I had. That’s not to say there weren’t disappointments. Sometimes technical problems meant some of the best answers couldn’t be used.

How did the animations within the film develop and do you feel they were integral to explain a few of the ideas behind the causes of Climate Change?

Concepts like the greenhouse effect are difficult to explain at all, let alone with a strict time limit and so animations seemed like the best option. The problem is they take a long time to create. I’ve still got 100 paper Earths on my shelf that I traced from my computer screen.

Film Stills from Beyond the Brink

What fact or possible event as a cause of Climate Change shocked you the most during the making of this film?

I found that the number of species threatened by potential warming was really startling. One in four land animal and plant species could be threatened with extinction this century.

Which five environmental documentaries would you recommend everybody watches?

The Age of Stupid, The End of the Line, The Planet Earth series is brilliant and Planet Earth: The Future is a conservation focused companion series. The ‘Jungles’ episode of the recent Human Planet series.

What conclusions have you come to since Beyond the Brink was completed?

Being optimistic is important. Working towards a vision of a better world with a reliable renewable energy supply, full employment, smaller bills, and healthier lifestyles, has got a far greater chance of uniting the population than struggling to avoid a catastrophe. You don’t have to be an environmentalist to want those things. And working together is essential. In whatever situation people are taking action, by joining forces with their neighbours, friends, schoolmates or colleagues, they can make their voice much louder.

Film Still from Beyond the Brink

What policies would you like to see Governments world wide implement?

I’d like to see serious investment in green technologies, stricter regulation of energy industries, and policies that make it easier for individuals to reduce their carbon footprint. Channelling money into developing renewable energy and other green products can create jobs. On the one hand if our current energy system is replaced by a carbon neutral one then individuals will not have to make many changes, on the other, behavioral change is essential because we need to start appreciating almost all the resources we use are finite. One policy I think is especially urgent and needs to be implemented by some South American and Indonesian governments is strong protection of rainforests. The rate of deforestation is mind-blowing and can’t go on.

Dr Heike Schroeder by Sam Parr

“Are we really causing Climate Change and who cares?” (Question taken from Beyond the Brink’s website)

It is very likely we are changing the Earth’s climate by changing the composition of its atmosphere and this is a stance that the vast majority of climate scientists and scientific organizations around the world agree on, as far as I can tell. The implications are serious and everybody could be affected, but importantly the poorest people in the world who are less able to defend themselves against potential hazards are likely to be affected first.

Like many problems, climate change is easy to ignore and only a minority are taking action, even if a much larger number might say they are concerned. The next step must be to encourage changes that people want to see and which reduce our impact at the same time, like demanding cheaper, better public transport, or designing more energy efficient products. What really makes me hopeful, though, is education. I’m hopeful people my age will grow up with different attitudes to those of generations before.

Film Still from Beyond the Brink

After watching the film, what’s the next step for a viewer who would like to be engaged in the Climate Change debate?

Well, for a start the debate has largely moved from are we really causing climate change, to what’s the best way to minimize the impact we are very likely having. If someone wants more information, there are endless books and websites. The Rough Guide to Climate Change is particularly good. But be wary of blogs – it’s very easy for people to write anything they like and pretend to know more than they do.

In terms of getting involved, the best thing to do is join an existing network, of which there are many. There are so many organizations with basically the same aims I sometimes think if they all joined forces then they could really change things. If you’d call yourself young then check out the UK Youth Climate Coalition, some of whose members feature in the film. Other initiatives like 350 and 10:10 are building the movement, making it exciting and making an impact.

To visit Beyond the Brink’s website, click here.

Ross Harrison, generic Director and Writer of Beyond the Brink, more about Illustration by Francesca Bourne

Beyond the Brink is young filmmaker Ross Harrison’s personal investigation into the debate on Climate Change. After feeling inundated by the media discussions in the lead up and fall out of Copenhagen in 2009, Ross set himself the task of answering the ever present question of “What is Climate Change” followed by the provocative  “and does it really matter?” To help himself along his journey and to find out more about the current consensus on climate change Ross interviewed a selection of commentators and scientists from  David Attenbrough, Deepak Rughani, Mark Lynas, Dieter Helm to Dr Heike Schroeder.

Amelia’s Magazine interviewed Ross about why he decided to make this film, the impact the film has had in schools and what he now thinks needs to be achieved on a personal and governmental level to tackle the impact of Climate Change.

First things first, what inspired you to make a film that investigates the vast and divisive topic that is Climate Change?

Back in 2009, it seemed like an unavoidable issue – what with the media coverage building up to Copenhagen for nearly the whole year and films like The Age of Stupid being released. I also found the subject cropping up more and more in my school work.

Film Still from Beyond the Brink

What did you feel was missing from the discussion in the media or schools during the lead up to Cop 15 in 2009?

It seemed like a very polarized debate with no middle ground. I was frustrated by hearing the same arguments again and again bouncing between the same groups of people. I didn’t understand why people weren’t cooperating more to work towards a common goal. That hasn’t changed a great deal. Probably and most importantly I wanted to provide a young person’s perspective.

How has the film been received since its release? Has it been taken around schools in the UK?

Since I launched the website at the end of last year there has been a lot of positive feedback, which is encouraging. For the week of screenings I posted about 300 DVDs to schools, universities, community groups and individual volunteers. I’ve been along to some screenings myself, but because they’re all over the country it’s mainly teachers and students using the film themselves, which I’ve tried to make as easy as possible by releasing the film for free.

Film Still from Beyond the Brink

What -for you- were the most difficult aspects to making this film?

Weighing up the masses of information about climate change – articles, books, blogs, programs, interviews – and trying to filter that down into a documentary that was balanced, accessible and understandable was the first difficulty. The second was trying to think of ways of doing things differently, using different language, presenting the problem in a new way that might make it more inspiring.

Beyond the Brink contains a mixture of talking heads and personal narration, what lead you to construct the film in this way?

The talking heads are in there because I felt that was the best way to convey the experts’ viewpoints. The audience hears what I heard and can draw their own conclusions. I chose to feature myself because it was a very personal project and I wanted to include my slant as a teenager.

Was it particularly important to you that the film was released for free and under a creative commons license?

Definitely. My hope is for the film to get the widest audience possible and I think making it freely available should mean more people watch it that otherwise might.

Beyond the Brink Trailer


On reflection, since Cop 16 and the overshadowing of Climate Change in the media by the recession and the arrival of the coalition government, what do you think is next for the climate movement?

Cancun was not surprising – after such a flop at Copenhagen the officials involved were bound to be desperate to publicize some sort of success. Even so COP16 was a small step rather than the deal people had set their hopes on in 2009. I don’t want to rule out the UN process completely, but I think its limited real impact in the 19 years its been running, is a sign progress needs to be made elsewhere. Those involved in the climate movement need to be pressuring the governments of their own countries to lead by example. The discussion needs to move away from talking about climate catastrophe to selling the benefits of a clean energy infrastructure and low-carbon lifestyles. People are far more likely to be driven by an appealing goal than a danger that could affect them at some point in the future.

What did you learn during the making of the film that surprised you with regards to the debate on Climate Change?

A greater proportion of the scientific community than I realized think that humans are largely causing current climate change. A scientific debate about whether we are contributing to climate change doesn’t really exist anymore, it is widely assumed we are.

Sir David Attenborough by Abi Daker

Have you plans to follow up the film with further interviews?

No, although it’s something I may come back to at a later date, after I’ve finished working on distributing this film I’ll be looking to take on a new project.

How difficult did you find approaching the range of experts -from Sir David Attenborough to Deepak Rughani and Dr Heike Schroeader- that appear in Beyond the Brink?

It was certainly a challenge. Obviously the people I met know a massive amount about the subject, much more than I do, but you still have to research lots to be able to ask good questions. Thankfully all the interviewees were very approachable and generous with their time. Like many things, you get better at interviews with practice and in the end I was really pleased with the responses I had. That’s not to say there weren’t disappointments. Sometimes technical problems meant some of the best answers couldn’t be used.

How did the animations within the film develop and do you feel they were integral to explain a few of the ideas behind the causes of Climate Change?

Concepts like the greenhouse effect are difficult to explain at all, let alone with a strict time limit and so animations seemed like the best option. The problem is they take a long time to create. I’ve still got 100 paper Earths on my shelf that I traced from my computer screen.

Film Stills from Beyond the Brink

What fact or possible event as a cause of Climate Change shocked you the most during the making of this film?

I found that the number of species threatened by potential warming was really startling. One in four land animal and plant species could be threatened with extinction this century.

Which five environmental documentaries would you recommend everybody watches?

The Age of Stupid, The End of the Line, The Planet Earth series is brilliant and Planet Earth: The Future is a conservation focused companion series. The ‘Jungles’ episode of the recent Human Planet series.

What conclusions have you come to since Beyond the Brink was completed?

Being optimistic is important. Working towards a vision of a better world with a reliable renewable energy supply, full employment, smaller bills, and healthier lifestyles, has got a far greater chance of uniting the population than struggling to avoid a catastrophe. You don’t have to be an environmentalist to want those things. And working together is essential. In whatever situation people are taking action, by joining forces with their neighbours, friends, schoolmates or colleagues, they can make their voice much louder.

Film Still from Beyond the Brink

What policies would you like to see Governments world wide implement?

I’d like to see serious investment in green technologies, stricter regulation of energy industries, and policies that make it easier for individuals to reduce their carbon footprint. Channelling money into developing renewable energy and other green products can create jobs. On the one hand if our current energy system is replaced by a carbon neutral one then individuals will not have to make many changes, on the other, behavioral change is essential because we need to start appreciating almost all the resources we use are finite. One policy I think is especially urgent and needs to be implemented by some South American and Indonesian governments is strong protection of rainforests. The rate of deforestation is mind-blowing and can’t go on.

Dr Heike Schroeder by Sam Parr

“Are we really causing Climate Change and who cares?” (Question taken from Beyond the Brink’s website)

It is very likely we are changing the Earth’s climate by changing the composition of its atmosphere and this is a stance that the vast majority of climate scientists and scientific organizations around the world agree on, as far as I can tell. The implications are serious and everybody could be affected, but importantly the poorest people in the world who are less able to defend themselves against potential hazards are likely to be affected first.

Like many problems, climate change is easy to ignore and only a minority are taking action, even if a much larger number might say they are concerned. The next step must be to encourage changes that people want to see and which reduce our impact at the same time, like demanding cheaper, better public transport, or designing more energy efficient products. What really makes me hopeful, though, is education. I’m hopeful people my age will grow up with different attitudes to those of generations before.

Film Still from Beyond the Brink

After watching the film, what’s the next step for a viewer who would like to be engaged in the Climate Change debate?

Well, for a start the debate has largely moved from are we really causing climate change, to what’s the best way to minimize the impact we are very likely having. If someone wants more information, there are endless books and websites. The Rough Guide to Climate Change is particularly good. But be wary of blogs – it’s very easy for people to write anything they like and pretend to know more than they do.

In terms of getting involved, the best thing to do is join an existing network, of which there are many. There are so many organizations with basically the same aims I sometimes think if they all joined forces then they could really change things. If you’d call yourself young then check out the UK Youth Climate Coalition, some of whose members feature in the film. Other initiatives like 350 and 10:10 are building the movement, making it exciting and making an impact.

To visit Beyond the Brink’s website, click here.
Ross Harrison, cure Director and Writer of Beyond the Brink, visit this Illustration by Francesca Bourne

Beyond the Brink is young filmmaker Ross Harrison’s personal investigation into the debate on Climate Change. After feeling inundated -like so many people- by the media discussions in the lead up and fall out of Copenhagen in 2009, Ross set himself the task of answering the ever present question of “What is Climate Change” followed by the provocative  “and does it really matter?” To help himself along his journey and to find out more about the current consensus on climate change Ross interviewed a selection of commentators and scientists from  David Attenbrough, Deepak Rughani, Mark Lynas, Dieter Helm to Dr Heike Schroeder.

Amelia’s Magazine interviewed Ross about why he decided to make this film, the impact the film has had in schools and what he now thinks needs to be achieved on a personal and governmental level to tackle the impact of Climate Change.

First things first, what inspired you to make a film that investigates the vast and divisive topic that is Climate Change?

Back in 2009, it seemed like an unavoidable issue – what with the media coverage building up to Copenhagen for nearly the whole year and films like The Age of Stupid being released. I also found the subject cropping up more and more in my school work.

Film Still from Beyond the Brink

What did you feel was missing from the discussion in the media or schools during the lead up to Cop 15 in 2009?

It seemed like a very polarized debate with no middle ground. I was frustrated by hearing the same arguments again and again bouncing between the same groups of people. I didn’t understand why people weren’t cooperating more to work towards a common goal. That hasn’t changed a great deal. Probably and most importantly I wanted to provide a young person’s perspective.

How has the film been received since its release? Has it been taken around schools in the UK?

Since I launched the website at the end of last year there has been a lot of positive feedback, which is encouraging. For the week of screenings I posted about 300 DVDs to schools, universities, community groups and individual volunteers. I’ve been along to some screenings myself, but because they’re all over the country it’s mainly teachers and students using the film themselves, which I’ve tried to make as easy as possible by releasing the film for free.

Film Still from Beyond the Brink

What -for you- were the most difficult aspects to making this film?

Weighing up the masses of information about climate change – articles, books, blogs, programs, interviews – and trying to filter that down into a documentary that was balanced, accessible and understandable was the first difficulty. The second was trying to think of ways of doing things differently, using different language, presenting the problem in a new way that might make it more inspiring.

Beyond the Brink contains a mixture of talking heads and personal narration, what lead you to construct the film in this way?

The talking heads are in there because I felt that was the best way to convey the experts’ viewpoints. The audience hears what I heard and can draw their own conclusions. I chose to feature myself because it was a very personal project and I wanted to include my slant as a teenager.

Was it particularly important to you that the film was released for free and under a creative commons license?

Definitely. My hope is for the film to get the widest audience possible and I think making it freely available should mean more people watch it that otherwise might.

Beyond the Brink Trailer


On reflection, since Cop 16 and the overshadowing of Climate Change in the media by the recession and the arrival of the coalition government, what do you think is next for the climate movement?

Cancun was not surprising – after such a flop at Copenhagen the officials involved were bound to be desperate to publicize some sort of success. Even so COP16 was a small step rather than the deal people had set their hopes on in 2009. I don’t want to rule out the UN process completely, but I think its limited real impact in the 19 years its been running, is a sign progress needs to be made elsewhere. Those involved in the climate movement need to be pressuring the governments of their own countries to lead by example. The discussion needs to move away from talking about climate catastrophe to selling the benefits of a clean energy infrastructure and low-carbon lifestyles. People are far more likely to be driven by an appealing goal than a danger that could affect them at some point in the future.

What did you learn during the making of the film that surprised you with regards to the debate on Climate Change?

A greater proportion of the scientific community than I realized think that humans are largely causing current climate change. A scientific debate about whether we are contributing to climate change doesn’t really exist anymore, it is widely assumed we are.

Sir David Attenborough by Abi Daker

Have you plans to follow up the film with further interviews?

No, although it’s something I may come back to at a later date, after I’ve finished working on distributing this film I’ll be looking to take on a new project.

How difficult did you find approaching the range of experts -from Sir David Attenborough to Deepak Rughani and Dr Heike Schroeader- that appear in Beyond the Brink?

It was certainly a challenge. Obviously the people I met know a massive amount about the subject, much more than I do, but you still have to research lots to be able to ask good questions. Thankfully all the interviewees were very approachable and generous with their time. Like many things, you get better at interviews with practice and in the end I was really pleased with the responses I had. That’s not to say there weren’t disappointments. Sometimes technical problems meant some of the best answers couldn’t be used.

How did the animations within the film develop and do you feel they were integral to explain a few of the ideas behind the causes of Climate Change?

Concepts like the greenhouse effect are difficult to explain at all, let alone with a strict time limit and so animations seemed like the best option. The problem is they take a long time to create. I’ve still got 100 paper Earths on my shelf that I traced from my computer screen.

Film Stills from Beyond the Brink

What fact or possible event as a cause of Climate Change shocked you the most during the making of this film?

I found that the number of species threatened by potential warming was really startling. One in four land animal and plant species could be threatened with extinction this century.

Which five environmental documentaries would you recommend everybody watches?

The Age of Stupid, The End of the Line, The Planet Earth series is brilliant and Planet Earth: The Future is a conservation focused companion series. The ‘Jungles’ episode of the recent Human Planet series.

What conclusions have you come to since Beyond the Brink was completed?

Being optimistic is important. Working towards a vision of a better world with a reliable renewable energy supply, full employment, smaller bills, and healthier lifestyles, has got a far greater chance of uniting the population than struggling to avoid a catastrophe. You don’t have to be an environmentalist to want those things. And working together is essential. In whatever situation people are taking action, by joining forces with their neighbours, friends, schoolmates or colleagues, they can make their voice much louder.

Film Still from Beyond the Brink

What policies would you like to see Governments world wide implement?

I’d like to see serious investment in green technologies, stricter regulation of energy industries, and policies that make it easier for individuals to reduce their carbon footprint. Channelling money into developing renewable energy and other green products can create jobs. On the one hand if our current energy system is replaced by a carbon neutral one then individuals will not have to make many changes, on the other, behavioral change is essential because we need to start appreciating almost all the resources we use are finite. One policy I think is especially urgent and needs to be implemented by some South American and Indonesian governments is strong protection of rainforests. The rate of deforestation is mind-blowing and can’t go on.

Dr Heike Schroeder by Sam Parr

“Are we really causing Climate Change and who cares?” (Question taken from Beyond the Brink’s website)

It is very likely we are changing the Earth’s climate by changing the composition of its atmosphere and this is a stance that the vast majority of climate scientists and scientific organizations around the world agree on, as far as I can tell. The implications are serious and everybody could be affected, but importantly the poorest people in the world who are less able to defend themselves against potential hazards are likely to be affected first.

Like many problems, climate change is easy to ignore and only a minority are taking action, even if a much larger number might say they are concerned. The next step must be to encourage changes that people want to see and which reduce our impact at the same time, like demanding cheaper, better public transport, or designing more energy efficient products. What really makes me hopeful, though, is education. I’m hopeful people my age will grow up with different attitudes to those of generations before.

Film Still from Beyond the Brink

After watching the film, what’s the next step for a viewer who would like to be engaged in the Climate Change debate?

Well, for a start the debate has largely moved from are we really causing climate change, to what’s the best way to minimize the impact we are very likely having. If someone wants more information, there are endless books and websites. The Rough Guide to Climate Change is particularly good. But be wary of blogs – it’s very easy for people to write anything they like and pretend to know more than they do.

In terms of getting involved, the best thing to do is join an existing network, of which there are many. There are so many organizations with basically the same aims I sometimes think if they all joined forces then they could really change things. If you’d call yourself young then check out the UK Youth Climate Coalition, some of whose members feature in the film. Other initiatives like 350 and 10:10 are building the movement, making it exciting and making an impact.

To visit Beyond the Brink’s website, click here.
Lia Ices by Avril KELLY
Illustration by Avril Kelly

If I lived alone in a dark stone castle, find I would make it a priority to listen to Lia Ices. Her notes would float around the turrets and echo through the gaps in the brickwork. You would be able to hear her singing, bringing ‘him’ closer from the meadows and the seas. The strings gently touching the heart, and increasing the speed of the hoofs galloping at an increasingly quickening pace. So beautifully feverish is this music.

As it is, I live in a basement flat in Bristol. Although I did work in a Tudor castle whilst at university and I’d be lying if I said I didn’t stand at the top, look to sea, hair flaying behind me, and feel a certain magic. I’m sure I looked ridiculous/a mess, but there is an at oneness that comes with looking out to the infinity of the sea from up high, it’s filled with an ambition and truth. Also a stark contrast to the steps and blades of tall grass (weeds), I look at from my desk. I’m not implying you need to own a grand sort of graded building to listen to Lia Ices, but her voice is so much more than something to whack on the karaoke on a saturday night, or for a little house shindig. I often get accused of putting on depressing music when people come round to the basement flat, but alas, they are mistaken! But so too am I. This music is not depressing, it is special, not for groups to revel in, red wine tipping on my (cream) carpets. Oh no, this is for wafting.

Lia ices2 by Avril Kelly
Illustration by Avril Kelly

The light notes mix with the heavy use of strings to delicious effect. Classically trained, a graduate of New York’s Tisch School of the Arts, Ices uses her voice together with the instruments with utter ease. A combination of Tori Amos, Enya, Regina Spektor and Sia. The instruments, her voice inclusive, flit between jumpy, feisty to explosions of streaming notes. She has elements of Joni Mitchell to her, filled to the brim with emotion and captivating. New Myth has an almost military sound to it, with trumpets blowing. Ice Wine stops and starts with strings, before unleashing with a ratter of a drum. She has one duet, Daphne, with Justin Vernon of Bon Iver, whom I could not think of a better artist for her to be paired with. Their voices together are intensely hypnotic.

The whole album sounds as if it was born in an enchanted forest. A location removed from the evils of the world. The sacred place, where the queen fairy lives in fantasy books. With 70s hinting, billowing sleeves, Kate Bush and Fleetwood Mac, joined, it’s an album of true quality. Lia Ices album, Grown Unknown, is out now on Jagjauwar.

Categories ,Avril Kelly, ,bristol, ,brooklyn, ,Brooklyn NY, ,fleetwood mac, ,Folk Rock, ,Grown Unknown, ,Haunting, ,Helen Marin, ,jagjaguwar, ,justin, ,Justin Vernon, ,Kate Bush, ,Lia Ices, ,new york, ,Regina Spektor, ,Sia, ,Tisch School of The Arts, ,Tori Amos

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Amelia’s Magazine | Festival Preview: Aeon Festival 2010

AEON Fest by Faye West
AEON Fest by Faye West
Illustration by Faye West.

This will be my third year at Aeon, ailment and for me it’s been a wonderful, treat stress-free experience, no queues, suffocating crowds or over-priced disgusting burgers. It describes itself as a ‘Shoestring Boutique festival’ and is set in the beautiful surroundings in mid Devon. A grassy amphitheatre precedes the main stage which sits on the edge of a lake, you are able to camp under the trees and gather around wood burners with friends and strangers. There is no sponsorship or big branding so it’s one of the most naturally visually pleasing festivals around and there’s something about this festival which has a very simplistic charm which embodies what a music festival only really needs to be – friends, music and fresh air.

There are lots of sweet put-together events that take place throughout the day. Last year I was very tempted by the Speed Date plus free meal for a fiver, a hair fascination workshop and a wood cutting class so that you can whittle down your very own wooden spoon from a branch, but of course was too busy frequenting the bar and resting on the grass whilst soaking up the surrounds. I was however encouraged to take part in the bubble wrap race. Once I was wrapped head to toe in bubble wrap, I thought as we all lay there like grubs that I was in for some kind of relaxing spa treatment. Unfortunately we were asked to try and get to our feet, and race each other round a tree and back. I was just left slumped on the floor, immobile from laughter.

Bubble Wrap Racing Aeon Faye West
Bubble wrap racing at Aeon. Photography by Faye West.

I managed to catch the super busy founder of the fest, Niki Portus for a few words whilst the count down for Aeon is on.

Aeon is in it’s 5th year this August, and I know that festivals tend to change quite a bit every year as crowds get bigger and organisers think up new ways to run an efficient festival. Sometimes this is for the worst! What were your goals for organising this year’s Aeon, and was there much you wanted to change or improve on from last year?

I’m a great believer in if it ain’t broke don’t fix it! I think we have a pretty good formula that seems to work and people really like the laid back feel of it all. We had to put the ticket price up this year which was really hard to get my head round but we’ve expanded on production and line up to reflect that – I think it has been more important though to improve on areas where we know we had problems.

We had a big debrief meeting straight after last year and the main area I wanted to get right was the camping as it filled up very quickly last year and was pretty rowdy. So this year we have added an extra area for noisy camping right next to the main site and kept family camping in the old area away from the rowdy bunch. Some of the programming needed adapting a bit but mostly it’s about us wanting to put on a good show and keep it fun for everyone as well as the element of a few surprises. I guess it’s about being realistic about accommodating natural growth as the word spreads, such as having more loos, better fencing and more security but not so it’s in your face. Little background things that cost more money but can make a big difference to the experience for people.

The main thing about Aeon for me is that it has always been about independent artists and strictly no sponsorship or outside funding – the first year was me taking out a small bank loan and maxing the credit cards but I’ve paid the loan off now *lol* and one day I might actually pay off the credit cards! The festival has sustained itself though for the past 4 years on ticket income and by running our own bar on site so it seems to work. I think people like the fact that we’re home grown – it’s very much like a big family now.

Aeon Ampitheatre Faye West

What do you think it is about Aeon that makes it so special and magical? And are you still achieving what you set out to do?

I have no idea! But we have an amazing crew who come up with all sorts of great ideas and are very creative. I think whilst I never thought it would get this far when I first set out on this journey I do feel its stuck to it’s original goal – that’s something I feel very strongly inside but it’s hard to explain! For me personally it’s definitely a love affair – I’ve don’t draw a salary or wage and if I manage to pay myself back for even something like my phone bill it’s a small miracle.

We’re pretty low key with our publicity as I’m always scared of over hyping things. It’s like ‘wow this is the best festival in the world ever’ well no actually it’s one of over 500 festivals in the country and everyone has their favourites for different reasons – you can’t please all the people all the time and there will always be one or two who think it’s crap, that’s just human nature. You see it all over the forums and I always think ‘god please don’t let that be us’ but you can’t control it. Freedom of speech and all that. This is the first year we will possibly have some ‘proper’ festival press on site – I’m terrified they’ll be rude!

Girls Aeon by Faye West
Illustration by Faye West.

Aeon is a wonderfully afordable festival compared to many others. Is it difficult keeping the cost down, and if so do you think the big festies such as Glastonbury are overpriced?

To the first question – in a word – yes – it’s very difficult keeping costs down! Just the little things like having a full time accountant now all adds up behind the scenes. But I don’t think you can compare it to the likes of Glastonbury – the production that goes in to that one is awe inspiring – in fact The History of Glastonbury is like my bible *lol* I find the stories from behind the scenes really heart warming and you know as an organisation they have set the bench mark for all events – their management structure and Health & Safety awareness is amazing. I like the concept of ’boutique festivals’ though – hence our tongue in cheek ‘shoestring boutique’ moniker.

Equally though there is only so much one person can do in a day and for most people special times involve having a laugh with a group of friends not standing in queues for toilets or over priced warm beers, or spending hours hunting for your friends because you went off on a drunken ramble. That said there are two sorts of people – those who go to festivals and those who work at festivals. All my friends who work at festivals prefer it when they’re behind the scenes making stuff happen.

I do really feel as well that just throwing money at something doesn’t make a party and personally I get a kick from doing things on a tight budget. The crew know I’m tight as a gnat’s arse! We’ve got some awesome artists this year for a really good price and I think part of the reason is the agents know we’re doing it all for the right reasons. It’s not about the big headliners for us – it’s about showcasing the underground well regarded stuff that if you know your music makes you go ‘wow that’s cool’ and if you don’t you know you can take a chance and see something you wouldn’t normally see and it’ll be really good. I did contact a couple of agents about some bigger acts this year out of curiosity to see how much it would be and they were like ‘Aeon who?’

Keeping the balance between family friendly and cool party is in the top 5 of my list of requirements for definite. As a single parent I want to know my son is safe.

Shobrook Park Aeon
Shobrooke Park Estate, Crediton – where Aeon is held.

Aeon takes place in a beautiful part of Devon. It appears to be a very eco-friendly event, is this something important to you, and if so has this been an easy practice to take on?

Honestly? I think it can be easy to over hype being ‘Green’ and in fact not take into account how important it is to support the local economy. I live in a little village on Dartmoor and work at the local preschool there – my family have been there over 30 years so we see firsthand how rural economies struggle and last year I joined a committee to build and start up a village shop after our one was closed down.

At the festival it’s therefore important we use local traders and cafes and encourage them to source locally. There are various community groups from Crediton who run things and fund raise on site as well. We struggled with our recycling last year but this year we have a proper green team on board to take the pressure off us on site and the company we use for our skips has their own processing plant just up the road from the festival site that recycles 85% of stuff. The policies behind landfill are actually really strict these days. We dish out bin bags to everyone and encourage them to take care of the park but in reality we live in a disposable culture that drives me up the wall. I think this isn’t helped by festivals being very fashionable at the moment and companies doing cheap deals on tents and welly boots means that many punters still feel they can leave stuff behind even at small festivals like ours. It’s definitely getting worse for events and certainly puts costs up. We encourage car sharing as well and this year are trying out Festival Coaches to see if a shuttle service from Exeter works too.

*********

Last year I spent a ridiculous amount of money on a larger festival, ensuring I got to see some bands I had always wanted to see. I’m not sure if I am just getting old, or maybe not so rock and roll, but I certainly didn’t enjoy this experience as much as I used to. I got angry at the shear masses kicking up dust, mile long queues to simply refill bottles of water and spending stupid money on horrible food (apart from the tea and toast van, which became my staple). Because others had let us all down by creating fires and explosions with gas canisters, gas stoves had been banned and it was impossible to do any proper camp cooking.

So, when Aeon swung round towards the end of last summer – just as most people were getting over festie camping and portoloos – I surprised myself again with how much I enjoyed the weekend as a whole. There was just no effort or stress involved and it felt like a massive garden party. Although there wasn’t any particular headlining act I had travelled miles to see, the bands were all so easy going and cheerful that everyone danced with the same enthusiam as if hearing their favourite ever song. In fact I shredded my new wellies from all the hopping and jumping. So I’m keeping my fingers crossed that I might do a way with shoes this year and hop about on the grass underfoot instead. Fancy joining me?

The facebook group for Aeon can be found here. Our listing post can be found here.

Categories ,Aeon Festival, ,boutique, ,Devon, ,Faye West, ,festival, ,glastonbury, ,Niki Portus, ,Speed Date

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Amelia’s Magazine | Electrelane @ Koko

It was a Thursday night and practically December. For me that was reason enough to drag Team Amelia out to the Carhartt V Illustrated Ape launch party (perhaps my logic is flawed, page salve but with free drinks, cialis 40mg a new line of t-shirts and the possibility of mince pies, stomach who cares?) Anyway, the packed out Neal Street store was home to the launch of four new Illustrated Ape t-shirts designed by Bob London, Simon Peplow and Danny Sturgess. Not only did their illustrations adorn the limited edition t-shirts but the walls too. I mean they supplied artwork, not that they guerrilla graffittied the shop. Once we had checked out Carhartt’s winter stock featuring super-cool t-shirts and a huge range of men’s sweatshirts and jackets, we spent a good half hour trying on baseball caps. Jess rocked the camouflage Carhartt cap in a homage to GI Jane. While we were keeping ourselves amused, the kids at the Carhartt store had rustled up a celebratory whisky and ginger beer cocktail – a recipe I tried unsuccessfully to pickpocket. The night was a great start to the Christmas season, combining present ideas and alcohol, and we all ended up in Pizza Express. How festive.
Jess%20Carhartt.jpg
IMG_6844.jpg
Not to induce panic, price but its 19 DAYS to Christmas. Having not started my Christmas shopping, viagra finding the Bonbi Forest Indie Emporium may just save my life. This web emporium is a one-stop shop for independent designs from around the world. It sells everything from baby clothes to jewellery and cooking aprons. It’s like a beautifully designed, less corporate, version of John Lewis. Highlights include the collaboration with Bat For Lashes. These t-shirts are designed by artist, designer and owner of The Bonbi Forest Indie Emporium, Lee May Foster. Lee’s illustrations combine images of Pegasus, deer, wolves and stars with the Bat For Lashes logo. But this design is not just for Bat For Lashes aficionados, it is such a discreet reference that you don’t have to be a die-hard fan to wear it. Stocking filler treats can be found in the jewellery section. Fluffstuffs is one such label. Its fabric-covered rings, brooches and earrings feature whimsical cartoon designs, starring elephants, cats, teapots and ferris wheels (though not all at once – that would be madness). For more traditional jewellery, check out the fused glass rings and pendants by Amy Burhoe. They’re striking and still have an element of fun, as they resemble old-fashioned boiled sweets. Mmm. But don’t let my panic over Christmas gifts sway your opinion of this web-store. Like dogs, cats and pretty much all pets, The Bonbi Forest Indie Emporium is not just for Christmas, but for life.

ferriswheel.jpg

Launching into choice selections from their latest long-player, visit this site No Shouts, viagra No Calls, Electrelane took to the stage in Camden’s venue du jour – Koko. Admittedly, this long-standing Brighton 4-piece have all the stage presence of a wet kipper; they remain motionless, refrain from interacting with the audience between songs, and to be frank, would look more at home in an episode of Press Gang.

But. Gently assisted by a fantastic sound system and a powerful lighting display, they go far to fill the grandiose auditorium, swathed with thoughtful types and Parisian gap year students. Electrelane do not claim to be the latest thing to come out of the indie underbelly, nor are they interested in fashion-conscious on-stage posturing; they simply make astute and affecting music, brilliantly. Songs like To The East are heartfelt, honest and unrivalled stylistically, positioning this neu-kraut/new-wave collective as on top of their game. Extended instrumental sections excite the crowd into a chorus of whoops and cheers while slower, more solemn tracks like The Greater Times have some tearing up.

Within their set, we find elements of francophilia, imagery of nature, innocence and a touching emotional honesty that has become so rare in left-field music of today. They easily transcend comparisons with garage-rock favourites, Sonic Youth, and resist quick key changes that would have them sounding too pop-perfect. Instead, they lie more in the ranks of sombre stalwarts, Interpol, as they languish in one corner of a song for as long as they damn well please before lifting the tempo back up again and hammering it home. It’s at these moments that Electrelane truly peak, eliciting joyous rapture from sections of the crowd, creating a wonderful night for all.

This flash in time is already being recalled by those who were there, as a paean to all that Electrelane have achieved over their ten years together. They announced their indefinite hiatus prior to this show, ensuring that it was a bittersweet climax for all their devotees to enjoy. Even potential successor’s Au Revoir Simone will find difficulty in competing with their ability to connect with the hearts of their listeners.

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Amelia’s Magazine | I Blame Coco – Live Review

pic-3-coco-landscapePhoto and Illustration courtesy of Briony Warren

Venturing down to Hoxton Square Bar and Kitchen, I downed an overpriced rum and coke before I Blame Coco came on to play.

Dressed in a waistcoat and shorts, with bare legs and Doc Martens, with smudgy, smoky eyes, she reminded me of a young Charlotte Rampling – less pristine perhaps – but the resemblance was definitely there and she just oozed that same striking bohemian style.

Ever wondered what the look ‘Hobo Chic’ actually looks like? Well Coco epitomizes the look – a look that we all want and one that if we have, we aren’t going to share with others in case they start copying it!

Although her greasy looking locks could perhaps do with a little dry shampoo, I think Alexa Chung is going to have a little competition. Coco is the antithesis of the well groomed private school kid one might picture as Sting’s daughter.

Final-ELIOT-SUMNERS-SKETCH

In terms of vocal sound, and having listened to her on Myspace beforehand, I was blown away hearing her sing live. Her voice is amazing, the vocals delivered in a uniquely husky, growly sort of way to mesmerizing effect. Imagine the voice of Brody Dalle and Alison Mosshart’s love child.

This cover she did with artist Natty really shows off her unique vocal sound:

The crowd seemed drawn to Coco herself – and her stunning performance – rather than to the rest of the band, although I did notice a section of the audience with nose rings staring up at the guitarist who looked like he should have been playing with NOFX.

There was a great atmosphere at this gig and the venue was full. Most of the audience knew the words to her single Caesar, with it’s catchy melody.

Leaving the gig, I got this great feeling you get once in a while when you have seen a truly great band you just know are going to be huge. Well at least for you.

Categories ,Brody Dalle, ,Charlotte Rampling, ,NOFX, ,Sting

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Amelia’s Magazine | Neon Nights Mixtape

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So, you want to be hip but you don’t know where to start? Bought yourself some skinny jeans and a banging fringe but you’ve got no soundtrack to your hot new life? Well, help is at hand. For anyone wanting to get into the recent wave of new music but don’t know their Klaxons from their ketamine, Neon Nights is a pretty good place to start.

The first in a new series from DMC – the people behind the Back to Mine and Under the Influence collections – Neon Nights aims to bring together some of the best new music from the dance-rock scene. Neon Nights stands out from other compilations, featuring much-loved floor-fillers alongside unsigned or obscure bands. Among the 15 acts on the album you’ll find NME luvvies The Gossip and New Young Pony Club, as well as bands you might not have heard of, like Tiger Force or B.M.D (Bono Must Die).

The whole dance-rock scene can so often feel London-centric. Although many of the acts on the album hail from London, DMC have cast their net further afield to include Norwegian duo Data Rock and Toronto’s Crystal Castle, as well as some home grown talent from Leeds-based mouthful Shut Your Eyes And You’ll Burst Into Flames, as well as Glaswegian party boys Shitdisco.

Also included in this collection is chanteuse du jour Kate Nash with Caroline’s a Victim (Tapedeck Remix), an infectiously sulky slice of electro. The Gossip’s Standing In The Way Of Control is surely a staple addition to any party mix these days but it doesn’t seem to tire, particularly when wedged in between Middleman’s Mass Market Wigwams and Shut Your Eyes And You’ll Burst Into Flames Drop the Decade. The swaggering vocals of Blah Blah Blasé’s Infatuation and the stuttering beats of Hadouken!‘s Tuning In, give the whole mixtape an air of confidence.

Neon Nights looks like a promising start to a new series. It’s the perfect mix for those 3am ‘everyone back to mine’ moments, or for lending some much needed credibility to your teenage sisters ‘trash-my-suburban-home’ party.

Categories ,Album, ,Dance, ,DMC, ,Neon Nights Mixtape, ,Review, ,Rock

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Amelia’s Magazine | Jamie T

Emerging from the deep woods into Portland, web see Oregon and subsequently into The Pigeon Hole in London, cialis 40mg is one Alela Diane. Armed with her simple yet meticulously picked guitar and bluesy, plaintive vocals, she quietly charmed the audience with her soft presence.

Alela Diane’s deceptively sweet melodies often belie the darker, more shadowy subject matters of her songs; telling of rural family existences and the cycles of nature and life. If you’re a cynic you’ll be skeptical of her authenticity; her earnest performance may be too sweet for some, but if you suspend disbelief you find that her somewhat selfconscious presence and performance convey exactly what she sings about: hard working pioneers, silt, water and tatted lace.

A contented kind of yearning accompanies her campfire-style, gospel tinged vocals. An encore presented a new song that showed a more complex development of her music. It looks like this young nouveau-folk-singer/songwriter will be conquering the miles of prarie-land ahead in what could be a long career in the biz.

Lovely.

Everyone seems to have a bit of a crush on all-girl keyboard trio Au Revoir Simone , cialis 40mg consisting of hot girls that epitomise geek and their self-proclaimed ‘sandbox chic’.
Au Revoir Simone is like a perfectly whipped pavlova: light, viagra buy fluffy and crunchy, topped with cream and tangy fruit. As leggy and willowy as their music are Annie, Erika and Heather. With five keyboards, omni-chord, a drum machine and a glockenspiel amongst other miscellaneous electronic and otherwise paraphernalia, their synth-driven compositions are quite delectable.

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Amelia’s Magazine | We Choose To Jamboree!

Having been sent out to document the subterranean goings on of a typical East London night out; pop up speakeasies, hypertrendy bars that inexplicably merit write ups in the New York Times, warehouses and disused car parks that receive a midnight makeover to become party locations for the coolest of the cool, it’s natural to be a bit… over it sometimes. When every venue starts competing to out-hype the next one, and the prospect of turning up at a bar where you don’t feel obliged to state your credentials and connections to be allowed entry seems like it’s too much to ask, the urge to just call it a night and go home often seems overwhelming. Until I discovered You Choose Jamboree, that is.

Refreshingly, You Choose Jamboree would fit into none of the categories above. Instead, it’s more like an organic, self-sustaining music and social enterprise that often feels as if it’s powered by good will and community spirit. Essentially, the premise is simple and back to basics. A secret, not revealed until the night venue plays host to musicians who have been previously voted for on the events website; if you want to come to the night, you get to choose the music. The genres of musicians who perform are diverse and eclectic; West African string, cello, experimental folk, acapella choir and jazz fusion are all styles that have already taken to the stage. For an event that is still in its infancy, it has already introduced Londoners to a range of artists and bands that were crying out for exposure. When I pitched up at You Choose Jamborees November outing, I (along with 300 others) was serenaded with the gentle acapella harmonies of Stac and her all-female choir, treated to a typically gorgeous and lush set from Laura J Martin (which had the crowd so hushed and mesmerised that you could hear a pin drop) and finished the night with a rousing performance from Nick Mulvey, normally part of the Mercury Award shortlisted Portico Quartet, but for this occasion he only needed his guitar to create chords that blended Malian blues and Flamenco and had everyone cheering for more.

There is something else that sets You Choose Jamboree apart from the rest London’s frenetic nights out; it’s unbelievably friendly and completely free of pretension and attitude. It’s apparent the moment you step into the door – to actually be cheerfully welcomed into a venue – what’s that all about? There is a reason for this, and it lies in the roots of You Chooses genesis. The night began as a house party in the wilds of Muswell Hill; home to the three Jamboree creators, Chris, Phil and Barney. The trio run firmly under the radar, and normally shy away from drawing attention to themselves, preferring to let the night speak for themselves. However, being incredibly inquisitive sort of girl, I wanted details!

“We used to put on house parties in our flat, and we had musician friends who were of an incredibly high calibre like Portico Quartet play in our lounge ” Chris explained, adding that there is only so long that a (loud) party like that will go unnoticed by the council. By the time said authorities had put a stop to the merriment, the guys had accumulated a motley crew of friends, fans, and musicians who had no intention of breaking up the fun; so when a perfect setting was literally stumbled upon one boozy night in Dalston, You Choose Jamboree got its break into the big wide world. The venue might have expanded, but the ethos remained the same; ” It’s an extension of our lounge” Chris adds;  “our house has always had an open door policy.” Staying true to this theme, the guys pitch up at the beginning of a You Choose Jamboree night with the contents of their lounge and decorate the space with lamps, plants,fairy lights and rugs. While it remains a word of mouth enterprise, and technically a secret one of that, the night is resolutely inclusive and welcome to all. Although they are loathe to over-brand this home brewed venture, they are happy to introduce it to new pastures. This summer, they will be involved with Hackney Council who are running a ‘Parks For Life’ programme to get local residents back into local parks. In typical Jamboree fashion, they are charmingly old-school with their ideas. “We want to reuse bandstands and just rock up with a PA system and a generator and put musicians on” Phil tells me, and outlines plans for various dates in Stoke Newingtons’ Springfield Park, London Fields and Shoreditch Park. (More details will be revealed when we get them).

In the meantime they are happy to let the Jamboree naturally evolve into new directions. “We are learning as we go along” Phil happily admits. “The main aim is to make sure that everyone is enjoying themselves, but also to be really respectful towards the audience and the musicians.”  “Until I think we have done a perfect gig, where everything falls into place we will keep persevering.” adds Chris.  “It’s a magic equation that we are always trying to look for.” You Choose are all for encouraging more audience involvement; they have a page on their website called “The Hat”, where anyone can contribute ideas. One particular concept that they are keen to run with is where the audience, i.e us, curate the night. So if anyone wants to have a event with say, all Malian music, or even a barn dance, the guys will gladly put it together.  This Saturday sees the next installment of the Jamboree; having won the votes this round are  Moulettes, who describe themselves as a ‘folk-stomping, barn-storming swingin’ quartet, featuring an orchestra of cellos, bassoons, guitars, kazoos and five-part harmonies’. Also headlining are the Amber States, who are slightly more sedate in the musical style, but no less delightful. Made up of Southern style harmonising vocals, as well as guitars and cellos (it must be a cello night!), The Amber States are definitely my band to watch in the upcoming months. If you haven’t managed to get your name on the guest-list, check out their Facebook page on ways that you might be able to squeeze your way in (they really are ever so thoughtful). If not, then just keep an eye on their website for all the upcoming dates. It’s a big shame if you have missed out on You Choose Jamboree so far, but at least you know now.



Categories ,dalston, ,folk, ,friends, ,fun, ,live, ,london, ,portico quartet, ,shoreditch, ,you choose jamboree

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