With many universities leaning heavily towards womenswear – in some cases wholly – Epsom pleased many with several of its strongest collections coming from menswear designers. One of the running themes throughout the Epsom show seemed to be an obsession with blood, advice buy the body and corporal violence (you’ve got to wonder what’s going on down there) with one dress revealing a Westwood-esque red, cialis 40mg jewelled wound-like gape on its back.
Not pandering to this was Antigone Pavlou, viagra buy who opened the show with loud, bold and funky collection for the streetsmart city boy, with bomber jackets, tracksuits and distressed denim (the latter a phrase that struck fear into my heart when I first read it in the notes, only to be pleasantly surprised). With coloured headphones carelessly slung around the models’ necks, the designer plainly had a clear lifestyle in mind and played to its strengths in all the right ways, combining strong block primary colours with clashing graphic prints.
If some previous designers during GFW have shown a tendency to elevate and romanticise the pastoral, I think Pavlou successfully did the same for the city, offering an attractively laid-back vision of urban life where you pull on some comfortable but sharp threads, plug into your walkman and swagger down the street, content to shut the outside world away for a moment, a sentiment I’ve evidently been drawn to in featuring CTRL and Daniel Palillo in recent weeks. Another menswear designer of note was James E Tutton, whose reversible designs (addressing the issue of functionality in contemporary fashion) we’ll be featuring later in the week.
Soozi Welland’s ‘Geeks Know Style’ penultimate menswear collection was best received by the audience, with an endearing ode to all things geeky: spectacles, anoraks, bobbled hats, bow ties, and socks tucked into trousers. The geek has oft been described as the personification of a roll of duct tape, with functional apparel that will always get you out of a sticky situation, and Welland’s designs seem to celebrate this idea, with an abundance of oversized pockets, accessorising her looks with binoculars and cameras.
By the last look, though, this geek had got himself a makeover, and was now spec-free, with the bow tie sexily hanging loose and sporting a satin and velvet playboy jacket. An endearing and humorous collection that I thought was commercially viable too, and that’s no mean feat.
Amongst the womenswear Stephanie Moran gave us a hard-hitting collection about desire, fabulously quoting Mae West ‘s ‘Ten men waiting for me at the door?…send one of them home I’m tired’, and a vision of the glamorous dominatrix. One of the standout pieces was a cream PVC dress with a cinched feather corset around the waist, and for better or worse, one of the most popular trends during GFW was feathers. This was certainly one of the better examples:
Considering Epsom had given us notes on each designer and their collection, I think it was admirable that Moran’s designs needed no explaining whatsoever, with her models bombing down the runway dressed in all manner of things naughty.
A particularly well-crafted collection was April Schmitz’s, who gave us a series of garments with some serious work put into unusual fabrics including hardware, folded leather and metal rings and eyelets. Entitled ‘Visions of the Future’ it gave a throwback to 1930s aviation with leather flight caps, a retro colour palette and the repetition of some swinging circles, with panels ejecting out of the garments providing strange contraption-esque silhouettes that you expected to take off at any moment.
Feathers popped up again, this time from Lucie Vincini with a stunning jacket from an eclectic menswear collection. Mixing embroidered jumpers with carrier bag trousers, basket weave coats with a jacket constructed out of Royal Mail bags, it showed that it is possible to draw from resources across the board and still construct a cohesive collection. A thrifty delight, and with its recycling sensibilities, obviously an Amelia’s Magazine favourite!
Radical Nature: Art and Architecture for a Changing Planet 1969–2009
Barbican Art Gallery
London EC2Y 8DS
19 June – 18 October
Daily 11am-8pm except Tue & Wed 11am-6pm
Open until 10pm every Thursday
Tickets: £8/£6 concs, ailment £6 online
A new season of ecologically focused exhibits, talks, events and screenings is taking place over the Summer at the Barbican. Kicking off the proceedings is this fascinating exhibition which deals with land art, environmental activism, experimental architecture, and inspiring ideas about utopian solutions to the urgent matter of climate change.
See the Barbican website for full details of all events over the next few months.
Sarah Bridgland: In Place- New Collage Works
Man and Eve Gallery
131 Kennington Park Road
London SE11 4JJ
19th June – 1st August
Thursday – Saturday, 12 – 6pm
Bridging the gap between sculpture and collage, Sarah Bridgland’s intricate paper creations combine her own made printed media with junk shop treasure to form nostalgic pieces of meticulous craftsmenship. Simultaneously dreamlike and miniature while remaining technically genius, Bridgland’s collection of new work will transport you to other colourful, playful worlds.
Various Artists: Two Degrees 2009
28 Commercial Street
London E1 6AB
The opening night of Two Degrees, Artadmin’s week long programme of politically, socially and environmentally charged events, is this Tuesday. Getting it’s name from last month’s report that a hugely damaging global temperature rise of 2C could be a mere 40 years away, the 20 or so artists involved are putting the issue of climate change at the forefront of our concerns.
The opening night features among other things Daniel Gosling’s video installation ‘I Can Feel the Ice Melting’ and the forward thinking London based group Magnificent Revolution generating music for the evening with a live bicycle-powered DJ set.
R-art assist BASH@The Sustainable Art Awards 2009
65-71 Scrutton Street
London EC2A 4PJ
Open Sailing by Cesar Harada
“The Sustainable Art Awards are open to any UK artist working within on the themes of sustainability, environmental issues, climate change and ecology. R-art will provide the awards for the SAA, these mini eco sculptures are the oscars of eco art! Sustainable Art Awards are a 2 week showcase of eco talent @ BASH Studios.
The Sustainable Art Awards is part of Respond! who aim to engage arts audiences in discussing and questioning environmental change. Respond! highlights how the arts industries are in a unique position to communicate environmental issues. Featuring exhibitions, talks, programmes, workshops and other activities. Respond! is an initiative co-founded by the Arts and Ecology center at The Royal Society of The Arts and BASH Creations.”
Camden Arts Centre
London NW3 6DG
12:00 – 5:30pm
Current artist in residence Alexandre da Cunha is putting together a Swapshop, which is becoming an ever increasingly popular means for people to get together and shed some of their unwanted belongings in exchange for new. Anything goes at this particular exchange; buttons, furniture- even art. To book your own stall please contact Ben Roberts on 0207 472 5500.
Out of Range
The Rag Factory
16-18 Heneage Street
London E1 5LJ
12th June 22nd June
12-6pm daily, Saturdays 10-6pm
If the extensive material on show at Brick Lane’s Free Range isn’t enough to satisfy your graduate show cravings, hop along to The Rag Factory to catch Out of Range where work from 29 emerging UK and European photographic artists recently set free from the University for the Creative Arts at Rochester is on display. The work promises to be fresh, innovative, exciting and diverse.
Dominic Allan: The Irresistible Lure of Fatty Gingo
Unit 25a Regent Studios
8 Andrews Road
London E8 4QN
13th June – 5th July
Fri – Sun, 12-6 pm
With what might just be the best title of an exhibition I’ve ever heard, Allan’s work is self described as ‘a world of rotten teeth, bubble and squeak and uncommon sense.’ With an unhealthy interest in British seaside culture and the bizarre link-ins local holiday getaways have with sugar coated junk we feast on, Allan’s work is repelling, alluring, mysterious and addictive all at once.
Monday 15th June
The Freewheeling Yo La Tengo at the Southbank Centre, sales London.
Tonight’s gig is one not to be missed- The Jonas Brothers at Wembley, health only joking of course. If you like your music a little more deflowered and lots more awesome, then I excitedly announce that Yo La Tengo will be playing the Southbank Centre tonight as part of Ornette Coleman’s Meltdown Festival. Yo La Tengo have shaped what is almost the last 20 years with their beautiful music which moves between eerie girl boy woozy vocals and minimal keyboards, to rocking genre bashing highs. Also ‘I’m Not Afraid of You and I Will Beat Your Ass’ is the best album title ever!
Tuesday 16th June
Totally Enormous Extinct Dinosaurs at Pure Groove, London.
I really love dinosaurs, so imagine my delight when I saw that a band called Totally Enormous Extinct Dinousaurs are playing Pure Groove on Tuesday evening. Being a music editor and planing gig going around loving extinct creatures is never the best idea so I checked their myspace and I can conclude my top 3 favourite things about this band, in descending order are:
3. They dress as dinosaurs a lot!
2. They have the longest list of alphabetised dinosaurs listed as their band members (Alphabetisation being my second favourite thing after fore-mentioned dinsosaurs)
1. Their keyboard tinged synthy-fun electro sounds so fun it makes me want to make up all kinds of dances called things like the ‘Triceratops Jive’ and the ‘Stegosaurus Shake’.
What’s your favourite dinosaur?
Wednesday 17th June
Jolie Holland at Dingwalls, London.
When Tom Waits says he likes something you can pretty much tell it’s going to be good and Jolie Holland doesn’t disappoint. This Texan singer has had Waits’ outspoken support since the very beginning of her career, and her fresh take on traditional folk, country, blues and jazz place her as a definite protegée of Waits, as well as a talented musician in her own right.
Thursday 18th June
A Hawk and a Hacksaw at Cecil Sharp House, London.
A Hawk and Hacksaw have skittered and clattered their way into my heart with their Klezmer- Indie hybrid loveable mess music. It sound like if Neutral Milk Hotel (indeed they share a drummer) got lost in the Baltic States for several decades in the early 20th century, armed only with a full brass band and a trusty band of wolves who were also in their own Mariachi band- and quite frankly how could that not sound amazing?
Friday 19th June
Clinic at The Lexington, London.
I was lucky enough to see Clinic play last year and they are terrifying (they wear surgical masks) and brilliant in equal measure- like a melodic nightmare, lots of keyboards, creepy samples, garage-y clatters and wails are a-given, yet they manage to be as enjoyable as they are creepy.
Saturday 20th June
Kitsuné Maison Party at La Scala, London.
We reviewed the Kitsune Maison 7 compilation a while back and liked it, they’re having a party at La Scala featuring Delphic (pictured below underwater), Chew Lips, We Have Band and Autokratz to name but a few. I can’t help but compare it to the Strictly Come Dancing tour that happens after the show ends; with everyone’s favourites appearing live, so maybe it’ll be like that but a very hip, French version.
Categories ,Dinosaurs, ,Electro, ,Folk, ,French, ,Indie, ,Klezmer, ,Listings, ,London, ,Pop, ,Pure Groove