Amelia’s Magazine | Amy Turnnidge & Dandi Wind

Ever popular indie extravaganza Chalk is packing up for the summer, returning bigger, better and thankfully in a new location. The multi-levelled Scala never really worked as a Saturday night club venue, despite some fantastic line-ups over the past few months the place is rarely packed, leaving the large main rooms with a half-empty disco feel, seemingly endless stairwells giving the impression you’ve spent the whole night trudging around Brent Cross. No matter, tonight’s main acts were worth the walking.

Amy Turnnidge, aka Theoretical Girl, arrived with her new band, the immaculately groomed Equations. Unfortunately, coming on at 1am meant the front row was mainly made up of drunken heckling teens. She and the girls took it well though and even with continuous sound difficulties played a tight, confident set of spiky guitars and retro pop. The band were polished and sharp although Amy as ‘one girl and her pedal’ had always managed to create an interesting lo-fi experience all by herself. Watching her move seamlessly between dark, jagged The Hypocrite and the more melodic 60s inspired The boy I left behind, I realise there’s something brilliantly English about her music and the simplicity of her performance. Definitely one to watch.

Canadian duo Dandi Wind were up next and having previously seen them run glorious rampage at the ICA, I was already well onboard. The group, consisting of wild-eyed acrobat Dandelion and her more sedate keyboardist Szam, is equal parts electro dance outfi to manic stageshow.

Watching leotard-clad Dandi work her way through a series of leaps, flips and kicks is exhausting, but few live acts can create the kind of frenzied, multi-coloured energy of these two. However, style over substance this isn’t and thankfully the music stands up on its own. Particular favourites; Infectious ode to Gary Glitter Searching Flesh and fast-paced industrial inspired Adolescent.

The set is intense, frenetic, even aggressive at times with Dandelion swinging off the speakers, charging through the crowd and eventually leaping on top of a confused security guy. All this theatrical art-noise may sound like a truck load of pretension but that’s kind of the point. Dandi aren’t here to regurgitate their latest album, they’ve come to amaze, bewilder but most of all to entertain the living daylights out you. Superb.

Categories ,Amy Turnnidge, ,Dandi Wind, ,Indie, ,Live, ,Scala

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Amelia’s Magazine | Kotki Dwa introduce the video for new single Poison, created with Plastic Horse

Poison_kotki dwa
Poison is typically and beautifully Kotki Dwa – a jaunty, melodic bounce fest of a song based upon the theme of Poison…. I asked singer Alex Ostrowski about the clever video which accompanies their new release.

YouTube Preview Image
What is your poison?
Pineapple Juice.. Ahhhhhhhh

What’s going on in your new video? You’ve overlaid all sorts of interesting images. What effect were you hoping to achieve and how did you do this?
The song is quite all-over-the-place lyrically and we wanted to reflect that somehow. Our friends Plastic Horse made the video with us, they’re pretty bonkers. We looked a lot at the old title sequence for Roald Dahl‘s Tales Of The Unexpected – brilliant. I suppose the video itself is kind of hallucinatory and poisoned, that’s the idea. Bit delusional.

Kotki Dwa poison video lady
Kotki Dwa poison video
Explain: Canaries, mines, breaking waves, clowns, roulette, Saturn’s rings.
They used to take canaries down mines to detect toxic gases like methane and carbon monoxide. Because the little birds are more sensitive than humans, they’d get poisoned first, giving humans enough time to get out of there. Pretty sad. The waves are about a book I read called Night Haunts that explains what goes on at night in the sewers under the city to prevent these giant grease balls from blocking up the place. Imagine. Clowns = weekend leisure (check out Slava’s Snow Show when you have a minute). Roulette wheel is kind of for Roald Dahl’s Tales of the Unexpected. And Saturn comes from the Planetarium, a personal favourite. Go.

Kotki Dwa poison video canary
Kotki Dwa poison video saturn
What has Kotki Dwa got planned for 2012?
We’re bursting with excitement about this year. We’ve been working on a new album for the last year and a bit, and we’re currently recording it. But there’s a pretty big twist about how we’re going to release it. All secret for now, but big announcements to make at the end of March! Album due this Summer :)

Kotki Dwa poison video police
Posion by Kotki Dwa was released on the 12th March 2012. Get your copy from bandcamp now!

Categories ,Alex Ostrowski, ,Canaries, ,Clowns, ,Kotki Dwa, ,Night Haunts, ,Planetarium, ,Plastic Horse, ,Poison, ,Polish, ,review, ,Roald Dahl, ,Saturn, ,single, ,Slava’s Snow Show, ,Tales Of The Unexpected, ,video

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Amelia’s Magazine | Music Listings

Monday 6th

Gary Nock brings all his sweet melancholy to 93`s Feet East stage this evening. Supported by up and coming indie youngsters Mad Staring Eyes and The Electric Riot, they are certainly the best pick for the beginning of a worthy musical week.
7:30pm, free.

Gary Nock

Tuesday 7th

Swedish married duo Wildbirds and Peacedrums bring blues` best to London and introduce their new album Heartcore at The Luminaire. Supported by American fellows Volcano! they make a perfect foreign match for a Tuesday evening out.

Wildbirds and Peacedrums

Wednesday 8th

After a little break from giging, The Lieutenant’s Mistress make a come back at Monto Water Rats Wednesday for a promised legendary performance leaded by The Panics and The Kits.
7pm. £6 advance or £8 on the door.

The Lieutenant`s Mistress

Thursday 9th

Acoustic Ladyland has a new album due later this summer with now added Chris Sharkey on guitar and Thursday they will be playing live in its entirety at The Lexington! Plus all the psychedelic fun from Screaming Tea Party.
7:30 pm. £8


Friday 10th

It’s a night of legends down at Twee as F*** this April where you can get an unique chance of seeing The High Llamas in a venue as intimate as the Buffalo Bar. Support comes from Gina Birch and Downdime.
9pm. £6/ 5 concessions

The High Llamas

Saturday 11th

Bird on the Wire festival at Bardens Boudoir. Three days of great music. Line up for Saturday is We Have Band DJ set, The Big Pink Dj Set, Post War Years, Master & Servant, Fenech-Soler and Papercuts.
7pm. £8 per day. 3 days £17.

We Have Band

Sunday 12th

You last chance to go check the Bird on the Wire Festival at Bardens Boudoir. This time featuring I Am Kloot, Wave Machines, Dent May, Ark People and Spaghetti Anywhere.
7pm. £8 per day. 3 days £17.

Spaghetti Anywhere

Categories ,Acoustic, ,Live, ,London, ,Music Listings, ,The Lieutenant’s Mistress

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Amelia’s Magazine | Glastonbury 2010 Climate Camp Tripod Stage Review: Friday

Deviating from the subject of Climate Change, viagra 100mg unhealthy Amelia’s Magazine finds ourselves mesmerised by Design Interaction Student, stuff Kjen Wilkens’ Weather Camera.

What is the impact on our relationship with the environment – when existing in a world where sensor monitors constantly interpret our daily surroundings, prescription producing endless streams of data? Are we moving into the final phrase of Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction?

The Weather Camera is Kjen Wilkens response to her search for a human presence within this deluge of electronic readings. Instead of taking a photograph to a record a special moment, the user of The Weather Camera can record the atmospheric conditions, weaving these into autobiographical memory. In time encouraging new methods of narration, titled by the designer as “Sensor Poetics.”

Described as “object of empowerment”, Becky Pilditch‘s prothestics showcase how functional pieces of designs can be both a thing of beauty and an extension of the wearer’s personality. Becky worked and developed the project with Holly Franklin .

Hand 8 the final part of the project, played with ideas of gesture and personality by creating numerous arms that related to Holly’s actions as she spoke or moved around a space. A fantastic aspect of the website is the blog, which can be used by other prosthetic limb users to feed back directly to the project.

In the Animation section of the exhibition Lauri Warsta’s Traumdeutung awaited. A wonderful animation baring the hallmarks (whatever that may mean…) of a “documentary,” the calming, not too dissimilar to the 1940′s DONT PANIC! voiceover narrated the data currently available on the subject matter: The Global Reserves of Dreams. The beauty in this short is it bared the possibility that it was itself entirely a dream.

The subtle block coloring of the animation maintained a ‘warmth’ more similar to hand drawn animation, that can sometimes be lost in 3D animation. An outcome of the animator’s experiments in combining ” two extremes (3D and Handmade) clash and merge. For example; bringing the uncontrollable movement of real hand-held footage to an otherwise sterile computer animation”

Adnan Lalani‘s experiment with augmented reality catches the attention, through being something the viewer can interact with. The action of turning the Pop Up Book’s pages is suplimented by additional narration appearing on the screen placed directly behind the book and inline with the viewers eye.

Below is a video documenting the Pop Up Book’s Prototype. Earlier this week Adnan kindly took a few moments to explain the idea behind combining the narrative structure of a Pop Up Book with Augmented reality: “The pop-up book felt like a natural compliment to augmented reality. I was hoping to see how AR could be used in a more tactile, playful context… i.e. take something we already know and play with, and allow it to be enhanced with animation and digital interactivity.”

RCA Work In Progress Show – Pop Up Book Prototype Documentation from adnan lalani on Vimeo.

Eventually Adnan hopes that as we grow more comfortable with the idea of Augmented Reality, ideas like the Pop Up book ” can allow a progression from the magical, novelty nature of AR, into more of a direct tool by which to communicate narratives and story telling”

The eye catching work of Design Interaction Graduate Louise O’Conner; used experimental dance to convey the movement of the smallest particles, for example: Atoms, in an attempt to connect us to movements that are beyond our physical awareness. Visit the exhibition to watch the film!

A particular lovely idea was the mapping out of the distances of the solar system along Kingsland High Street leading up to Stamford Hill. Eight Shopkeepers were asked if their shop would host one of the planets…

Photography by Mark Henderson

You can find the map and information about the project here:

Katrin Baumgarten’s Aesthetics of Disgust explores humans’ relationship and our reactions; both emotional and physical to the things or materials which disgust us. Using inanimate objects all too often taken for granted, (i.e. Light Switches) Kartin added disturbing features such as goo or hair that moved as the light switch is pressed. By ‘touching’ us back, the presence of these inanimate objects is brought back to the forefront of our attention.

In the installation at the Royal College of Art a screen documents the level of the reaction of each user.

Another subject explored by Katrina is Intimate touch or sexual disgust and how these feelings can be created “merely by inappropriate behaviours in society, such as touching another person in an intimate or sexual way in public, even though that might comfort the two persons involved and is a part of our human nature.” The outcome of which is the Intimate Touch Object, an item which enables you to touch another person secretly…

FINALLY on my second trip (yes second, it’s that big and really worth the time) I came across the brilliant work of Sivaprakash Shanmugam’s Expressive Scribble. Children draw onto the projector screen (this could be the kitchen floor, wall etc…) and an bring their drawings to life by clicking the ‘movie’ button. The idea being to “enrich their visual vocabulary,” sense of narrative and most importantly encourage children’s creativity.

Part two of the RCA show continues until 4th July 2010. It’s open from 11-8 daily at the Royal College of Art, Kensington Gore, London SW7 2EU. Admission is free.

Images Courtesy of the Students and addition photographs by Sally Mumby-Croft

Kirsty Almeida by Lisa Stannard.

On Friday we kicked off with Kirsty Almeida, generic who you can read more about in our interview here. My description of her music as bayou blues meets dub bass might suit her recorded material, but for this small show Kirsty ditched the big band that would later be accompanying her on the Avalon stage and instead took a more stripped back acoustic approach, dressed in a fetching stripy all-in-one pants suit.

Kirsty Almeida by Lisa Stannard.

A particularly creative course of action was required from all the percussionists who visited the Tripod Stage and, in between rattling and banging a wide variety of objects, Kirsty’s drummer once again stole the show… dancing and gurning in accompaniment to her song about the “wrong Mr Right” in a thoroughly endearing fashion.

Glastonbury 2010 Climate Camp Kirsty Almeida
Glastonbury 2010 Climate Camp Kirsty Almeida
cheeky drummer!
Glastonbury 2010 Climate Camp Kirsty Almeida

One of a breed of strong female musicians who have no desire to fit the normal pliable record label mould, Kirsty was relaxed and chatty during her songs: an absolute delight. Her album Pure Blue Green comes out on Decca on 31st August, and she finished painting the album artwork just last night!

Kirsty on the Tripod Stage: I loved how creative yet peaceful the area was. The stage was so beautifully bonkers it brought our bonkersness out of us and gave us a licence to be cheeky too.
Kirsty’s favourite part of Glastonbury: Definitely all the street entertainers. I loved The Dead Weather too but for us as performers the highlight was definitely the chance to entertain and share our music.

Following Kirsty we had a session from Newislands, who despite worries that they would not be able to make a big enough noise managed to wow a small but perfectly formed mid afternoon crowd with their melodic post rock.

Abi Daker - Newislands -Glastonbury
Newislands by Abigail Daker.

It was only after the gig that I discovered they were missing their bassist Bogart…. we are mutual friends of the Mystery Jets and met many years ago at a small festival called Blissfields that we all went to together. Later that night Bogart called on me in my tent with Marina Pepper. I was fast asleep and woke with the fear of God in me…. it wasn’t the best way to be reintroduced but apparently he insisted on seeing me “the nicest person he knows” – I look forward to meeting Bogart again one day when I am wide awake.

Glastonbury 2010 Climate Camp newislands
Glastonbury 2010 Climate Camp newislands
Glastonbury 2010 Climate Camp newislands

Lead singer David’s best bit about playing the Tripod Stage: Well apart from the lovely stage itself, complete with the best speaker system I’ve ever seen, receiving a cup of tea from yourselves midway through the set, was pretty special.
David’s Glastonbury highlight: Apart from playing two amazing gigs, (one for you and one for BBC Introducing), seeing Thom Yorke and Johnny Greenwood on stage together was ace… “For a minute there I lost myself…”
Newislands are playing at Napa Live in Cyprus and then return to the UK to play the Farm Festival. A new single, followed by their debut album, will be released soon. You can watch their other Glastonbury performance here.

We then had our first session from Climate Camp poets Danny Chivers, Claire Fauset and Merrick – all of whom deliver brilliant spoken word commentaries on the state of the world. Danny and Claire have a way of making the environmental/political mess we are in make complete and simple sense, and Merrick takes on the whole system. Why do we work? If you’ve heard Merrick speak you’ll question the sense in ever getting a job.

Glastonbury 2010 Climate Camp Danny Chivers
Danny Chivers.
Glastonbury 2010 Climate Camp Claire Fauset
Claire Fauset by Gareth Hopkins
Claire Fauset by Gareth Hopkins.
Glastonbury 2010 Climate Camp Merrick
Merrick by Natasha Thompson.

After a somewhat more subdued ceilidh we were then treated to the most extraordinary live set from Danny and the Champions of the World, who decided to ditch most of the electrical amplification and instead sprawl towards their audience in a great acoustic morass.

Glastonbury 2010 Climate Camp Danny and the Champions of the World
Glastonbury 2010 Climate Camp Danny and the Champions of the World

This band was made for live gigs…. myself and Dom, the banjo player in Green Kite Midnight, were so enthralled by the set that we dusted ourselves down after dinner and set off to hear them once more at the Croissant Neuf bandstand. Danny is a massively confident and skilled musician who has clearly been playing for years: talents like his ought to be better celebrated.

Danny and the Champions of the World by Donna McKenzie.

Danny liked playing the Tripod Stage because: the audience was really great and there was an atmosphere that seemed very ‘other’ to the mad hustle and bustle of the rest of the festival – like a haven of good vibes and togetherness, like a family or maybe like what my minds eye would conjure up when I think of festivals in the 60′s. We really just love playing and it’s always great to pass the instruments around, have fun with friends and sing a bunch of songs, and it felt like the perfect time for that – we could’ve played for hours. The lentil dal [for supper] was a treat too!  

Danny’s favourite part of Glastonbury this year: I guess the best part of it was getting to play music with friends to loads of folks. We were lucky enough to play on a bunch of different types of stages so we got a pretty broad experience of it all – we played about seven times which was amazing… but my feet still ache! It’s what we live to do: drink a few ciders and pass the guitar around. 

Danny and the Champions of the World on the road: Our band really lives and breathes on the road, meeting good people and having a great time playing tunes. We’re doing… Maverick, Cornbury, Lounge on the Farm, Deershed, Secret Garden Party, Port Elliot, Truck Festival, Summer Sundae and Greenbelt – and maybe a couple more that I’ve forgotten. We’ll probably start to record a new record at the end of the year.

But, it didn’t end there…. like a magic jack-in-the-box, there were more surprises in store. Out of the band popped a duo who’s music I have loved since the very moment their album plopped onto my doormat. Like a butterfly emerging (from a particularly sexy and gorgeous caterpillar) Trevor Moss and Hannah-Lou shed the rest of the musicians to perform a few gorgeous tunes of their own. I was beaming like a motherfucker by this point.

Glastonbury 2010 Climate Camp Trevor Moss & Hannah Lou
A surprise performance from Trevor Moss & Hannah-Lou.

And then… I discovered that the band line up also features the delightful brothers who run Truck Festival, a great independent music festival near Oxford. They also run the smaller and folkier Wood Festival which takes place at the gorgeous Braziers Park, a sustainable community where I have camped on many an occasion. I really hope I can hook up with them some more. A nicer and more talented bunch of folk I have seldom met.

Glastonbury 2010 Climate Camp Danny and the Champions of the World
This man runs Truck Festival.

Moving on, my next blog tackles a very busy Saturday on the Tripod Stage – read it here.

Categories ,Abigail Daker, ,Avalon, ,BBC Introducing, ,Blissfields, ,blues, ,Brazier’s Park, ,Climate Camp, ,Cornbury, ,Croissant Neuf bandstand, ,Danny and the Champions of the World, ,Deershed, ,Donna Mckensie, ,Farm Festival, ,folk, ,Gareth Hopkins, ,glastonbury, ,Greenbelt, ,Kirsty Almeida, ,Lisa Stannard, ,Lounge on the Farm, ,Marina Pepper, ,Maverick, ,Mystery Jets, ,Napa Live, ,Natasha Thompson, ,Newislands, ,Port Elliot, ,Prog Rock, ,Secret Garden Party, ,Summer Sundae, ,The Dead Weather, ,Trevor Moss and Hannah-Lou, ,Tripod Stage, ,Truck Festival, ,Wood Festival

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