Jasper Garvida A/W 2011. Photography by Amelia Gregory
Jasper Garvida A/W 2011 by Maria Papadimitriou.
As anyone who attends the shows will know, viagra buy guessing who has priority tickets is always an amusing game. Is it the gold star? Surely double gold star is better? Or maybe this season purple or neon yellow signifies top cat for a certain PR? Jasper Garvida tickets certainly had us guessing – we were sent quite a handful, some with green dots on and all with the exciting words VIP. I made an educated guess that VIP with green dot was the most prestigious bet and I got it wrong – green dot was lesser.
Jasper Garvida A/W 2011 by Madi.
So it was that I found myself twiddling my thumbs as a bunch of friendly bloggers were whisked ahead of me, all gabbling excitedly about the “washing machine cocktail party” that they had just attended courtesy of Miele, who had then popped them straight in a taxi to the Freemasons Hall where they were ushered onto the front row. At the end of the day the best sticker to have wasn’t VIP at all, it simply had the immortal word Miele stamped on it.
Jasper Garvida‘s A/W 2011 collection was titled Le Baiser, meaning The Kiss, and was inspired by a confluence of East and West. It featured feminine tailoring with a distinctly vintage feel that was emphasised by the glamourous neatly swept up hairstyles and crystal drop earrings.
The strong opening outfit was a gorgeous black cylindrical backless dress, followed by a series of elegant grey numbers that featured cutouts to reveal the hips, thighs and back. Shoulders were draped, dropped and covered in armour-like sliced plastic embellishments that swung lazily as the models walked. Colour broke through in the form of a stunning chartreuse one shouldered dress followed by silky Fornasetti inspired circular prints and a bold giant keyhole placement print on rusty silk. Gigantic ruffles provided a key focus, counter-balancing the precise and beautiful tailoring.
Jasper Garvida A/W 2011 by Toni Bowater.
Eventually russet gave way to a searing orangey red, quite definitely the colour of the season, but also in this instance noticeably the colour of the large Miele goodie bags under the front row seats. Without so much as a glance at my press release it was obvious to me that these were sponsored garments. Perfect for this season’s trends, but what happens next time round?
Jasper Garvida A/W 2011 by Toni Bowater.
I left slightly bemused by the tenuous connection between domestic appliances and high fashion, but this was nevertheless a collection to remember. Anyway, as I know only too well, you’ve got to get your sponsorship where you can.
Jasper Garvida A/W 2011 by Sandra Contreras.
You can read Katie Antoniou’s blog about the same show right here.
Jasper Garvida A/W 2011 by Maria Papadimitriou.
As anyone who attends the shows will know, website guessing who has priority tickets is always an amusing game. Is it the gold star? Surely double gold star is better? Or maybe this season purple or neon yellow signifies top cat for a certain PR? Jasper Garvida tickets certainly had us guessing – we were sent quite a handful, more about some with green dots on and all with the exciting words VIP. I made an educated guess that VIP with green dot was the most prestigious bet and I got it wrong – green dot was lesser.
Jasper Garvida A/W 2011 by Madi.
So it was that I found myself twiddling my thumbs as a bunch of friendly bloggers were whisked ahead of me, viagra buy all gabbling excitedly about the “washing machine cocktail party” that they had just attended courtesy of Miele, who had then popped them straight in a taxi to the Freemasons Hall where they were ushered onto the front row. At the end of the day the best sticker to have wasn’t VIP at all, it simply had the immortal word Miele stamped on it.
Jasper Garvida‘s A/W 2011 collection was titled Le Baiser, meaning The Kiss, and was inspired by a confluence of East and West. It featured feminine tailoring with a distinctly vintage feel that was emphasised by the glamourous neatly swept up hairstyles and crystal drop earrings.
The strong opening outfit was a gorgeous black cylindrical backless dress, followed by a series of elegant grey numbers that featured cutouts to reveal the hips, thighs and back. Shoulders were draped, dropped and covered in armour-like sliced plastic embellishments that swung lazily as the models walked. Colour broke through in the form of a stunning chartreuse one shouldered dress followed by silky Fornasetti inspired circular prints and a bold giant keyhole placement print on rusty silk. Gigantic ruffles provided a key focus, counter-balancing the precise and beautiful tailoring.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
Jasper Garvida A/W 2011 by Toni Bowater.
Eventually russet gave way to a searing orangey red, quite definitely the colour of the season, but also in this instance noticeably the colour of the large Miele goodie bags under the front row seats. Without so much as a glance at my press release it was obvious to me that these were sponsored garments. Perfect for this season’s trends, but what happens next time round?
Jasper Garvida A/W 2011 by Toni Bowater.
I left slightly bemused by the tenuous connection between domestic appliances and high fashion, but this was nevertheless a collection to remember. Anyway, as I know only too well, you’ve got to get your sponsorship where you can.
Jasper Garvida A/W 2011 by Sandra Contreras.
You can read Katie Antoniou’s blog about the same show right here.
Jasper Garvida A/W 2011 by Maria Papadimitriou.
As anyone who attends the shows will know, dosage guessing who has priority tickets is always an amusing game. Is it the gold star? Surely double gold star is better? Or maybe this season purple or neon yellow signifies top cat for a certain PR? Jasper Garvida tickets certainly had us guessing – we were sent quite a handful, some with green dots on and all with the exciting words VIP. I made an educated guess that VIP with green dot was the most prestigious bet and I got it wrong – green dot was lesser.
Jasper Garvida A/W 2011 by Madi.
So it was that I found myself twiddling my thumbs as a bunch of friendly bloggers were whisked ahead of me, all gabbling excitedly about the “washing machine cocktail party” that they had just attended courtesy of Miele, who had then popped them straight in a taxi to the Freemasons Hall where they were ushered onto the front row. At the end of the day the best sticker to have wasn’t VIP at all, it simply had the immortal word Miele stamped on it.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida‘s A/W 2011 collection was titled Le Baiser, meaning The Kiss, and was inspired by a confluence of East and West. It featured feminine tailoring with a distinctly vintage feel that was emphasised by the glamourous neatly swept up hairstyles and crystal drop earrings.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida A/W 2011 by Sandra Contreras.
The strong opening outfit was a gorgeous black cylindrical backless dress, followed by a series of elegant grey numbers that featured cutouts to reveal the hips, thighs and back. Shoulders were draped, dropped and covered in armour-like sliced plastic embellishments that swung lazily as the models walked. Colour broke through in the form of a stunning chartreuse one shouldered dress followed by silky Fornasetti inspired circular prints and a bold giant keyhole placement print on rusty silk. Gigantic ruffles provided a key focus, counter-balancing the precise and beautiful tailoring.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
Eventually russet gave way to a searing orangey red, quite definitely the colour of the season, but also in this instance noticeably the colour of the large Miele goodie bags under the front row seats. Without so much as a glance at my press release it was obvious to me that these were sponsored garments. Perfect for this season’s trends, but what happens next time round?
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
I left slightly bemused by the tenuous connection between domestic appliances and high fashion, but this was nevertheless a collection to remember. Anyway, as I know only too well, you’ve got to get your sponsorship where you can.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
You can read Katie Antoniou’s blog about the same show right here.
Jasper Garvida A/W 2011 by Maria Papadimitriou.
As anyone who attends the shows will know, this web guessing who has priority tickets is always an amusing game. Is it the gold star? Surely double gold star is better? Or maybe this season purple or neon yellow signifies top cat for a certain PR? Jasper Garvida tickets certainly had us guessing – we were sent quite a handful, some with green dots on and all with the exciting words VIP. I made an educated guess that VIP with green dot was the most prestigious bet and I got it wrong – green dot was lesser.
Jasper Garvida A/W 2011 by Madi.
So it was that I found myself twiddling my thumbs as a bunch of friendly bloggers were whisked ahead of me, all gabbling excitedly about the “washing machine cocktail party” that they had just attended courtesy of Miele, who had then popped them straight in a taxi to the Freemasons Hall where they were ushered onto the front row. At the end of the day the best sticker to have wasn’t VIP at all, it simply had the immortal word Miele stamped on it.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida‘s A/W 2011 collection was titled Le Baiser, meaning The Kiss, and was inspired by a confluence of East and West. It featured feminine tailoring with a distinctly vintage feel that was emphasised by the glamourous neatly swept up hairstyles and crystal drop earrings.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida A/W 2011 by Sandra Contreras.
The strong opening outfit was a gorgeous black cylindrical backless dress, followed by a series of elegant grey numbers that featured cutouts to reveal the hips, thighs and back. Shoulders were draped, dropped and covered in armour-like sliced plastic embellishments that swung lazily as the models walked. Colour broke through in the form of a stunning chartreuse one shouldered dress followed by silky Fornasetti inspired circular prints and a bold giant keyhole placement print on rusty silk. Gigantic ruffles provided a key focus, counter-balancing the precise and beautiful tailoring.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
Eventually russet gave way to a searing orangey red, quite definitely the colour of the season, but also in this instance noticeably the colour of the large Miele goodie bags under the front row seats. Without so much as a glance at my press release it was obvious to me that these were sponsored garments. Perfect for this season’s trends, but what happens next time round?
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
I left slightly bemused by the tenuous connection between domestic appliances and high fashion, but this was nevertheless a collection to remember. Anyway, as I know only too well, you’ve got to get your sponsorship where you can.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
You can read Katie Antoniou’s blog about the same show right here.
Jasper Garvida A/W 2011 by Maria Papadimitriou.
As anyone who attends the shows will know, information pills guessing who has priority tickets is always an amusing game. Is it the gold star? Surely double gold star is better? Or maybe this season purple or neon yellow signifies top cat for a certain PR? Jasper Garvida tickets certainly had us guessing – we were sent quite a handful, some with green dots on and all with the exciting words VIP. I made an educated guess that VIP with green dot was the most prestigious bet and I got it wrong – green dot was lesser.
Jasper Garvida A/W 2011 by Madi.
So it was that I found myself twiddling my thumbs as a bunch of friendly bloggers were whisked ahead of me, all gabbling excitedly about the “washing machine cocktail party” that they had just attended courtesy of Miele, who had then popped them straight in a taxi to the Freemasons Hall where they were ushered onto the front row. At the end of the day the best sticker to have wasn’t VIP at all, it simply had the immortal word Miele stamped on it.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida‘s A/W 2011 collection was titled Le Baiser, meaning The Kiss, and was inspired by a confluence of East and West. It featured feminine tailoring with a distinctly vintage feel that was emphasised by the glamourous neatly swept up hairstyles and crystal drop earrings.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida A/W 2011 by Sandra Contreras.
The strong opening outfit was a gorgeous black cylindrical backless dress, followed by a series of elegant grey numbers that featured cutouts to reveal the hips, thighs and back. Shoulders were draped, dropped and covered in armour-like sliced plastic embellishments that swung lazily as the models walked. Colour broke through in the form of a stunning chartreuse one shouldered dress followed by silky Fornasetti inspired circular prints and a bold giant keyhole placement print on rusty silk. Gigantic ruffles provided a key focus, counter-balancing the precise and beautiful tailoring.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
Eventually russet gave way to a searing orangey red, quite definitely the colour of the season, but also in this instance noticeably the colour of the large Miele goodie bags under the front row seats. Without so much as a glance at my press release it was obvious to me that these were sponsored garments. Perfect for this season’s trends, but what happens next time round?
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
I left slightly bemused by the tenuous connection between domestic appliances and high fashion, but this was nevertheless a collection to remember. Anyway, as I know only too well, you’ve got to get your sponsorship where you can.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
You can read Katie Antoniou’s blog about the same show right here.
Jasper Garvida A/W 2011 by Maria Papadimitriou.
As anyone who attends the shows will know, view guessing who has priority tickets is always an amusing game. Is it the gold star? Surely double gold star is better? Or maybe this season purple or neon yellow signifies top cat for a certain PR? Jasper Garvida tickets certainly had us guessing – we were sent quite a handful, sickness some with green dots on and all with the exciting words VIP. I made an educated guess that VIP with green dot was the most prestigious bet and I got it wrong – green dot was lesser.
Jasper Garvida A/W 2011 by Madi.
So it was that I found myself twiddling my thumbs as a bunch of friendly bloggers were whisked ahead of me, all gabbling excitedly about the “washing machine cocktail party” that they had just attended courtesy of Miele, who had then popped them straight in a taxi to the Freemasons Hall where they were ushered onto the front row. At the end of the day the best sticker to have wasn’t VIP at all, it simply had the immortal word Miele stamped on it.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida‘s A/W 2011 collection was titled Le Baiser, meaning The Kiss, and was inspired by a confluence of East and West. It featured feminine tailoring with a distinctly vintage feel that was emphasised by the glamourous neatly swept up hairstyles and crystal drop earrings by Lucas Jack.
Jasper Garvida A/W 2011 by Toni Bowater.
Jasper Garvida A/W 2011 by Sandra Contreras.
The strong opening outfit was a gorgeous black cylindrical backless dress, followed by a series of elegant grey numbers that featured cutouts to reveal the hips, thighs and back. Shoulders were draped, dropped and covered in armour-like sliced plastic embellishments that swung lazily as the models walked. Colour broke through in the form of a stunning chartreuse one shouldered dress followed by silky Fornasetti inspired circular prints and a bold giant keyhole placement print on rusty silk. Gigantic ruffles provided a key focus, counter-balancing the precise and beautiful tailoring.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
Eventually russet gave way to a searing orangey red, quite definitely the colour of the season, but also in this instance noticeably the colour of the large Miele goodie bags under the front row seats. Without so much as a glance at my press release it was obvious to me that these were sponsored garments. Perfect for this season’s trends, but what happens next time round?
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
I left slightly bemused by the tenuous connection between domestic appliances and high fashion, but this was nevertheless a collection to remember. Anyway, as I know only too well, you’ve got to get your sponsorship where you can.
Jasper Garvida A/W 2011. All photography by Amelia Gregory.
You can read Katie Antoniou’s blog about the same show right here.
Illustration By Artist Andrea
I was very nervous about Jasper’s show, symptoms as I adored his Spring/Summer collection so much that I was worried my expectations would be too high. But I wasn’t disappointed- the sound of rainfall set the mood for the show, order and the slats of the more theatrical pieces replicated this noise as the models walked. One maxi-dress was tied at the waist with a belt hung with oversized keys, information pills which clinked together as she walked. The inclusion of sounds in a catwalk show helps to make it all seem more three dimensional. Reworked, instrumental covers of 90s tunes by the likes of Nirvana also created a great soundtrack.
Whilst a number of the dresses were so ostentatious- and according to reports from friends of mine backstage, so incredibly heavy-that they are unlikely to be worn by the likes of you and me, Jasper cleverly takes the textures of these pieces and works them into accessories like clutch bags and statement ruff-style necklaces that are much easier to integrate into your real-life wardrobe.
Illustration by Artist Andrea
Inspired by the novel ‘Soie’ by Alessandro Baricco about a European man who becomes enchanted with the East, there is a distinct oriental feel to the colour palette and the silhouettes.Lace dresses with thigh-high slits and completely backless, full length evening gowns added to the sensuality of the silk and lace.
Iconic Fornasetti-inspired prints make fantastic statement pieces, as well as a knitted maxi number, the knitwear trend instigated by the likes of Craig Lawrence and Mark Fast showing no sign of dying.The hair was elegantly side-swept in a vintage-inspired up-do; a look complimented by Lucas Jack drop earrings.
Its no coincidence that my favourite shows on Friday, and so far of LFW altogether, are the two that featured lots of colour, a few show-stopping, theatrical pieces, gorgeous vintage-inspired prints, and silhouettes designed for a womanly shape.I’m referring to Prophetik and Jasper Garvida. However, both shows also share the same single criticism from me- these are sexy designs, can you please put them on women with sexier figures?They would look BETTER.Honest.The corsets of Prophetik were desperate for some heaving bosoms a la costume drama, whilst some of Jasper’s models were painfully thin.Its something I noticed at his last show too, and I’ve heard the same feedback from a number of people, even the illustrators I sent my photos to were shocked.Jasper is represented by one of the loveliest, most down-to-earth PR companies around, so I really hope they pass thes comments on to him, as its really the only criticism I have of the show.
Photos by Katie Antoniou
Illustration by Andrea Peterson, recipe aka Artist Andrea.
I was very nervous about Jasper’s show, as I adored his Spring/Summer collection so much that I was worried my expectations would be too high. But I wasn’t disappointed- the sound of rainfall set the mood for the show, and the slats of the more theatrical pieces replicated this noise as the models walked. One maxi-dress was tied at the waist with a belt hung with oversized keys, which clinked together as she walked. The inclusion of sounds in a catwalk show helps to make it all seem more three dimensional. Reworked, instrumental covers of 90s tunes by the likes of Nirvana also created a great soundtrack.
Whilst a number of the dresses were so ostentatious – and according to reports from friends of mine backstage, so incredibly heavy – that they are unlikely to be worn by the likes of you and me, Jasper cleverly takes the textures of these pieces and works them into accessories like clutch bags and statement ruff-style necklaces that are much easier to integrate into your real-life wardrobe.
Illustration by Andrea Peterson, aka Artist Andrea.
Inspired by the novel ‘Soie’ by Alessandro Baricco about a European man who becomes enchanted with the East, there is a distinct oriental feel to the colour palette and the silhouettes.Lace dresses with thigh-high slits and completely backless, full length evening gowns added to the sensuality of the silk and lace.
Iconic Fornasetti-inspired prints make fantastic statement pieces, as well as a knitted maxi number, the knitwear trend instigated by the likes of Craig Lawrence and Mark Fast showing no sign of dying. The hair was elegantly side-swept in a vintage-inspired up-do; a look complimented by Lucas Jack drop earrings.
It’s no coincidence that my favourite shows on Friday, and so far of LFW altogether, are the two that featured lots of colour, a few show-stopping, theatrical pieces, gorgeous vintage-inspired prints, and silhouettes designed for a womanly shape.I’m referring to Prophetik and Jasper Garvida. However, both shows also share the same single criticism from me – these are sexy designs, can you please put them on women with sexier figures? They would look BETTER. Honest. The corsets of Prophetik were desperate for some heaving bosoms a la costume drama, whilst some of Jasper’s models were painfully thin. It’s something I noticed at his last show too, and I’ve heard the same feedback from a number of people, even the illustrators I sent my photos to were shocked. Jasper is represented by one of the loveliest, most down-to-earth PR companies around, so I really hope they pass thes comments on to him, as its really the only criticism I have of the show.
All photography by Katie Antoniou.
You can see more of Andrea Peterson’s work in Amelia’s Compendium of Fashion Illustration.
Illustrations by Ankolie
Even the invitation to this show had me excited; detail of a vintage toile print on a fabric corset lined with vintage style brass buttons and the byline ‘inspired by the court of Louis XV when art became frivolous’ grabbed my attention.Because all of this is frivolous, viagra order isn’t it?We’re in the middle of a recession and yet here we are, purchase still feeding are obsession with fashion and art because it has become such an integral part of our lives.Combining fashion and music is a big part of my job as a stylist to musicians, drugs so opening the show with Analize Ching on the violin was a big hit with me, followed by wonderful orchestral music that evoked the atmosphere of a French royal court.
I’d been a little underwhelmed by a lot of very drab Autumn/Winter collections, where hues vary only from black,to greys, some cream and back to black. The colours Prophetik used are all natural, with plum shades blended from madder root, rumex, logwood and indigo, and burgundy mixed from madder root, curled dock and gallnut. Adding yet more splashes of colour and prints were the quilted pieces, handed down from Jeff’s grandmother Lola from Tennesse. Hemp, cactus silk and ostrich feathers provided stunning texture and shape to the pieces. Accessories label ‘Dotted Loop’ provided reworked vintage accessories and even the shoes were made from vegetable-tanned leather.
Its rare that I can get at all excited by menswear, but the pieces in this collection spoke to the avid period-drama fan inside me. Military inspired jackets and riding boots?Phwoar.Yes please. Jeff himself appeared at the end showing how the look can be worked, though I’m sure he could probably get a way with wearing pretty much anything and still look like he just finished writing poetry/surfing/horse-riding; all listed as his hobbies.Only someone this comfortable with his masculinity could design coats for men made out of pastel pink quilts.
Corsets, tailored jackets and voluminous skirts; Jeff is very good at designing clothes for real women’s bodies.He recently dressed the lovely Livia Firth for the 2011 Golden Globes, and I can only imagine that his celebrity following will continue to increase.The final dress, ‘Mrs Moulton’ features ostrich feathers that shed naturally twice a year (from the ostrich, not the dress-that would be a high maintenance frock indeed) hand sewn on white silk and organza- I can totally picture this as a celebrity wedding dress.Watch this space.
I’ll leave you with Jeff’s take on Renaissance Art.I think it’s very interesting considering our current pre-occupation with all things vintage.
‘Renaissance art is not a rebirth as one implies, but freedom from the past. Unconcerned with what has been said or done, living in the present with an immediate relation to all things…achievement does not birth beauty but raw effort confessing its own failures and in the confession is the beauty of Art.’
Photos by Katie Antoniou
Illustrations by Ankolie.
Even the invitation to this show had me excited; detail of a vintage toile print on a fabric corset lined with vintage style brass buttons and the byline ‘inspired by the court of Louis XV when art became frivolous’ grabbed my attention.Because all of this is frivolous, isn’t it?We’re in the middle of a recession and yet here we are, pilule still feeding are obsession with fashion and art because it has become such an integral part of our lives.Combining fashion and music is a big part of my job as a stylist to musicians, web so opening the show with Analize Ching on the violin was a big hit with me, followed by wonderful orchestral music that evoked the atmosphere of a French royal court.
I’d been a little underwhelmed by a lot of very drab Autumn/Winter collections, where hues vary only from black,to greys, some cream and back to black. The colours Prophetik used are all natural, with plum shades blended from madder root, rumex, logwood and indigo, and burgundy mixed from madder root, curled dock and gallnut. Adding yet more splashes of colour and prints were the quilted pieces, handed down from Jeff’s grandmother Lola from Tennesse. Hemp, cactus silk and ostrich feathers provided stunning texture and shape to the pieces. Accessories label ‘Dotted Loop’ provided reworked vintage accessories and even the shoes were made from vegetable-tanned leather.
It’s rare that I can get at all excited by menswear, but the pieces in this collection spoke to the avid period-drama fan inside me. Military inspired jackets and riding boots?Phwoar.Yes please. Jeff himself appeared at the end showing how the look can be worked, though I’m sure he could probably get a way with wearing pretty much anything and still look like he just finished writing poetry/surfing/horse-riding; all listed as his hobbies.Only someone this comfortable with his masculinity could design coats for men made out of pastel pink quilts.
Corsets, tailored jackets and voluminous skirts; Jeff is very good at designing clothes for real women’s bodies. He recently dressed the lovely Livia Firth for the 2011 Golden Globes, and I can only imagine that his celebrity following will continue to increase. The final dress, ‘Mrs Moulton’ features ostrich feathers that shed naturally twice a year (from the ostrich, not the dress-that would be a high maintenance frock indeed) hand sewn on white silk and organza – I can totally picture this as a celebrity wedding dress. Watch this space.
I’ll leave you with Jeff’s take on Renaissance Art. I think it’s very interesting considering our current pre-occupation with all things vintage:
‘Renaissance art is not a rebirth as one implies, but freedom from the past. Unconcerned with what has been said or done, living in the present with an immediate relation to all things…achievement does not birth beauty but raw effort confessing its own failures and in the confession is the beauty of Art.’
All photography by Katie Antoniou.
Illustrations by Ankolie.
Even the invitation to this show had me excited; detail of a vintage toile print on a fabric corset lined with vintage style brass buttons and the byline ‘inspired by the court of Louis XV when art became frivolous’ grabbed my attention.Because all of this is frivolous, cure isn’t it?We’re in the middle of a recession and yet here we are, generic still feeding are obsession with fashion and art because it has become such an integral part of our lives.Combining fashion and music is a big part of my job as a stylist to musicians, so opening the show with Analize Ching on the violin was a big hit with me, followed by wonderful orchestral music that evoked the atmosphere of a French royal court.
I’d been a little underwhelmed by a lot of very drab Autumn/Winter collections, where hues vary only from black,to greys, some cream and back to black. The colours Prophetik used are all natural, with plum shades blended from madder root, rumex, logwood and indigo, and burgundy mixed from madder root, curled dock and gallnut. Adding yet more splashes of colour and prints were the quilted pieces, handed down from Jeff’s grandmother Lola from Tennesse. Hemp, cactus silk and ostrich feathers provided stunning texture and shape to the pieces. Accessories label ‘Dotted Loop’ provided reworked vintage accessories and even the shoes were made from vegetable-tanned leather.
It’s rare that I can get at all excited by menswear, but the pieces in this collection spoke to the avid period-drama fan inside me. Military inspired jackets and riding boots?Phwoar.Yes please. Jeff himself appeared at the end showing how the look can be worked, though I’m sure he could probably get a way with wearing pretty much anything and still look like he just finished writing poetry/surfing/horse-riding; all listed as his hobbies.Only someone this comfortable with his masculinity could design coats for men made out of pastel pink quilts.
Corsets, tailored jackets and voluminous skirts; Jeff is very good at designing clothes for real women’s bodies. He recently dressed the lovely Livia Firth for the 2011 Golden Globes, and I can only imagine that his celebrity following will continue to increase. The final dress, ‘Mrs Moulton’ features ostrich feathers that shed naturally twice a year (from the ostrich, not the dress-that would be a high maintenance frock indeed) hand sewn on white silk and organza – I can totally picture this as a celebrity wedding dress. Watch this space.
I’ll leave you with Jeff’s take on Renaissance Art. I think it’s very interesting considering our current pre-occupation with all things vintage:
‘Renaissance art is not a rebirth as one implies, but freedom from the past. Unconcerned with what has been said or done, living in the present with an immediate relation to all things…achievement does not birth beauty but raw effort confessing its own failures and in the confession is the beauty of Art.’
All photography by Katie Antoniou.
Illustrations by Ankolie.
Even the invitation to this show had me excited; detail of a vintage toile print on a fabric corset lined with vintage style brass buttons and the byline ‘inspired by the court of Louis XV when art became frivolous’ grabbed my attention. Because all of this is frivolous, health isn’t it? We’re in the middle of a recession and yet here we are, malady still feeding are obsession with fashion and art because it has become such an integral part of our lives. Combining fashion and music is a big part of my job as a stylist to musicians, so opening the show with Analize Ching on the violin was a big hit with me, followed by wonderful orchestral music that evoked the atmosphere of a French royal court.
I’d been a little underwhelmed by a lot of very drab Autumn/Winter collections, where hues vary only from black,to greys, some cream and back to black. The colours Prophetik used are all natural, with plum shades blended from madder root, rumex, logwood and indigo, and burgundy mixed from madder root, curled dock and gallnut. Adding yet more splashes of colour and prints were the quilted pieces, handed down from Jeff’s grandmother Lola from Tennesse. Hemp, cactus silk and ostrich feathers provided stunning texture and shape to the pieces. Accessories label ‘Dotted Loop’ provided reworked vintage accessories and even the shoes were made from vegetable-tanned leather.
It’s rare that I can get at all excited by menswear, but the pieces in this collection spoke to the avid period-drama fan inside me. Military inspired jackets and riding boots? Phwoar. Yes please. Jeff himself appeared at the end showing how the look can be worked, though I’m sure he could probably get a way with wearing pretty much anything and still look like he just finished writing poetry/surfing/horse-riding; all listed as his hobbies. Only someone this comfortable with his masculinity could design coats for men made out of pastel pink quilts.
Corsets, tailored jackets and voluminous skirts; Jeff is very good at designing clothes for real women’s bodies. He recently dressed the lovely Livia Firth for the 2011 Golden Globes, and I can only imagine that his celebrity following will continue to increase. The final dress, ‘Mrs Moulton’ features ostrich feathers that shed naturally twice a year (from the ostrich, not the dress-that would be a high maintenance frock indeed) hand sewn on white silk and organza – I can totally picture this as a celebrity wedding dress. Watch this space.
I’ll leave you with Jeff’s take on Renaissance Art. I think it’s very interesting considering our current pre-occupation with all things vintage:
‘Renaissance art is not a rebirth as one implies, but freedom from the past. Unconcerned with what has been said or done, living in the present with an immediate relation to all things…achievement does not birth beauty but raw effort confessing its own failures and in the confession is the beauty of Art.’
All photography by Katie Antoniou.
Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.
Krystof Strozyna has been on my radar for what seems like forever in fashion… which in practice means a couple of years – ever since we wrote about him in the print version of Amelia’s Magazine, discount shortly after his graduation from Central Saint Martins in 2007. Which makes it all the more annoying that we don’t receive proper tickets to his shows. I hate e-invites, view I really do. I always forget to print them out which usually means I forget to attend the show (I need tickets IN MY HANDS during LFW – there’s just too much to juggle otherwise) and they’re invariably no good for anything better than standing. Basically, they just don’t cut it.
Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.
Luckily my face is so well known around Fashion Scout that I can usually slide into any show with no problem. So it was that I got cajoled in to see Krystof Strozyna‘s A/W collection – well, it didn’t take much to be honest. Apparently Kimberly Walsh was there too, flying the flag for Girls Aloud during a rare break for Nicola Roberts. I can imagine her curves would suit his sexy 80s inspired draped tailoring a little better anyhow.
Krystof Strozyna A/W 2011 by Matilde Sazio.
For the most part this collection did not disappoint, featuring tailored black and flesh tones combined with undulating shades of ruched blue chiffon. A little more awkward was a one legged dress – maybe a good idea in practice but somewhat inelegant on the catwalk.
Krystof Strozyna A/W 2011 by Gabriel ‘Gaarte’ Ayala.
The winning numbers were undoubtedly Krystof Strozyna‘s gorgeous neon fractal prints, which brought a splash of welcome colour to the ubiquitous Little Black Dress… and a devastating punch delivered by the liberal use of acidic orange. Red may have been the favoured highlight of many an A/W collection but on the strength of this I’m voting for vibrant orange. Yum yum.
Krystof Strozyna A/W 2011. All photography by Amelia Gregory.
Written by Amelia Gregory on Tuesday March 1st, 2011 4:16 pm
Categories ,Central Saint Martins, ,Fashion Scout, ,Freemasons’ Hall, ,Gaarte, ,Gabriel Ayala, ,Gabriel ‘Gaarte’ Ayala, ,girls aloud, ,Goodley PR, ,Kimberly Walsh, ,Krystof Strozyna, ,Matilde Sazio, ,Nicola Roberts
Similar Posts:
