Amelia’s Magazine | London Fashion Week S/S 2012 Presentation Review: Tata Naka

Taka Nata S/S 2012 by Alison Day
Taka Nata S/S 2012 by Alison Day.

Turning up to the Tata Naka presentation I had very little idea of what to expect but I had been most intrigued by their invitation, try a dance card with mini pencil attached as if to list dances. I have always loved Tata Naka; their combination of colourful painted print designs and loose fitting but cleverly cut shapes is right up my street.

Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka S/S 2012 by Yelena Bryksenkova
Tata Naka S/S 2012 by Yelena Bryksenkova.

The presentation was held in the Portico Rooms and as I walked in I felt as though I’d chanced upon a private studio session. Huge lights, photographer, cure stylist. It took me right back to the days when I spent a lot of time loitering around on fashion shoots for magazines such as The Face and I-D. And, it turns out that this was the entire intention. By combining their time in Somerset House with the creation of look book images, Tata Naka had very cleverly made the most of their time and money as well as opening up the creative process for all to see. Absolutely genius.

Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka S/S 2012 by Yelena Bryksenkova
Tata Naka S/S 2012 by Yelena Bryksenkova.

The shoot had been going for some hours when I arrived, and the team were onto the last look of the day – seven girls clad in fabulously colourful drop waist, oversized and kaftan shaped tropical dresses. For S/S 2012 Tata Naka were inspired by 1950s east coast chic, combined with flowery resort glamour… and these last garments screamed Aloha.

Taka Naka S/S 2012 by Clare Twomey
Taka Naka S/S 2012 by Clare Twomey.

The models stood in formation on chairs against a black background with rose petals scattered across the floor, in an approximation of a famous Pina Bausch dance sequence. The much loved choreographer’s work had inspired the whole shoot, hence the dance card invitations.

Tata Naka Fashion Illustration By Vicky Newman
Tata Naka S/S 2012 by Vicky Newman.

Attendees were served fresh lemonade in Tata Naka themed bottles decorated with carnations as we circulated around the shoot. We were able to take our own photos and see the others on a computer screen as the team scrutinised the latest official shots.

Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka S/S 2012. All photography by Amelia Gregory.

Twin sisters Tamara and Natasha Surguladze graduated from Central Saint Martins in 2000, and their label, Tata Naka, celebrated it’s tenth anniversary recently. The brand, which encompasses diffusion lines Stolen Memories and Tata Naka Shrunk for children, is celebrated worldwide yet curiously they have no stockists in the UK. It seems utterly bizarre to me that these talented designers are not more widely feted in the country where they trained and have chosen to make their home. Let’s hope that changes soon.

Categories ,Alison Day, ,Aloha, ,Central Saint Martins, ,Choreographer, ,Clare Twomey, ,dance, ,lfw, ,London Fashion Week, ,Look Book, ,Pina Bausch, ,Portico Rooms, ,Presentation, ,S/S 2012, ,Shoot, ,Somerset House, ,Stolen Memories, ,Tamara and Natasha Surguladze, ,Tata Naka, ,Tata Naka Shrunk, ,Twins, ,Vicky Newman, ,Yelena Bryksenkova

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Amelia’s Magazine | London Fashion Week S/S 2012 Presentation Review: Tata Naka

Taka Nata S/S 2012 by Alison Day
Taka Nata S/S 2012 by Alison Day.

Turning up to the Tata Naka presentation I had very little idea of what to expect but I had been most intrigued by their invitation, a dance card with mini pencil attached as if to list dances. I have always loved Tata Naka; their combination of colourful painted print designs and loose fitting but cleverly cut shapes is right up my street.

Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka S/S 2012 by Yelena Bryksenkova
Tata Naka S/S 2012 by Yelena Bryksenkova.

The presentation was held in the Portico Rooms and as I walked in I felt as though I’d chanced upon a private studio session. Huge lights, photographer, stylist. It took me right back to the days when I spent a lot of time loitering around on fashion shoots for magazines such as The Face and I-D. And, it turns out that this was the entire intention. By combining their time in Somerset House with the creation of look book images, Tata Naka had very cleverly made the most of their time and money as well as opening up the creative process for all to see. Absolutely genius.

Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka S/S 2012 by Yelena Bryksenkova
Tata Naka S/S 2012 by Yelena Bryksenkova.

The shoot had been going for some hours when I arrived, and the team were onto the last look of the day – seven girls clad in fabulously colourful drop waist, oversized and kaftan shaped tropical dresses. For S/S 2012 Tata Naka were inspired by 1950s east coast chic, combined with flowery resort glamour… and these last garments screamed Aloha.

Taka Naka S/S 2012 by Clare Twomey
Taka Naka S/S 2012 by Clare Twomey.

The models stood in formation on chairs against a black background with rose petals scattered across the floor, in an approximation of a famous Pina Bausch dance sequence. The much loved choreographer’s work had inspired the whole shoot, hence the dance card invitations.

Tata Naka Fashion Illustration By Vicky Newman
Tata Naka S/S 2012 by Vicky Newman.

Attendees were served fresh lemonade in Tata Naka themed bottles decorated with carnations as we circulated around the shoot. We were able to take our own photos and see the others on a computer screen as the team scrutinised the latest official shots.

Tata Naka SS 2012 LFW review -photo by Amelia Gregory
Tata Naka S/S 2012. All photography by Amelia Gregory.

Twin sisters Tamara and Natasha Surguladze graduated from Central Saint Martins in 2000, and their label, Tata Naka, celebrated it’s tenth anniversary recently. The brand, which encompasses diffusion lines Stolen Memories and Tata Naka Shrunk for children, is celebrated worldwide yet curiously they have no stockists in the UK. It seems utterly bizarre to me that these talented designers are not more widely feted in the country where they trained and have chosen to make their home. Let’s hope that changes soon.

Categories ,Alison Day, ,Aloha, ,Central Saint Martins, ,Choreographer, ,Clare Twomey, ,dance, ,lfw, ,London Fashion Week, ,Look Book, ,Pina Bausch, ,Portico Rooms, ,Presentation, ,S/S 2012, ,Shoot, ,Somerset House, ,Stolen Memories, ,Tamara and Natasha Surguladze, ,Tata Naka, ,Tata Naka Shrunk, ,Twins, ,Vicky Newman, ,Yelena Bryksenkova

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Amelia’s Magazine | Ronaldo Fraga AW10 at Sao Paulo Fashion Week- Exclusive Report

The third day at the Sao Paulo Fashion Week saw the show of one of the hippest brands among Brazilian youngsters. Triton has been showing at the biggest fashion week in Brazil for a while now, prostate with the main inspiration behind their designs having always been music, technology and a cool lifestyle.

trit_i10_093_altaImages throughout courtesy of Triton

For AW10 they invited CSS‘s lead singer Lovefoxxx (who used to work for the brand before becoming famous) to design not only some of the prints, but also the show’s soundtrack, which started dense and melancholic, with the sound of Crystalised, by English band The XX.

trit_i10_063_altaPrimarily inspired by the trendy Japanese area of Harajuku, Lovefoxxx, together with Triton’s designer Karen Fuke, created one of the most playful scenarios seen on the runways of Sao Paulo. With models made up to look like Gothic Lolita’s taking to the runway Triton superbly illustrated the epicentre of Japanese excesses to a Brazilian audience.

trit_i10_001_altaThere were so many patterns, so many shapes, so many references, that it was impossible to sort the designs in any distinct trend. The kooky prints referenced everything from spider webs and owls to mushrooms, teamed with heavy boots with super high heels which broke the romantic vibe. It couldn’t have ended better than with a rainbow coloured jumpsuit, making Luisa Lovefoxxx’s input and presence clear to all.

trit_i10_084_altaTriton’s AW10 show was a great example of creativity and coherence, from a brand to its public. No wonder it had one of the most amazing finales so far; with a standing ovation from the fashion-hungry crowd.

trit_i10_015_alta
The third day at the Sao Paulo Fashion Week saw the show of one of the hippest brands among Brazilian youngsters. Triton has been showing at the biggest fashion week in Brazil for a while now, visit this with the main inspiration behind their designs having always been music, ask technology and a cool lifestyle.

trit_i10_093_altaImages throughout courtesy of Triton

For AW10 they invited CSS‘s lead singer Lovefoxxx (who used to work for the brand before becoming famous) to design not only some of the prints, approved but also the show’s soundtrack, which started dense and melancholic, with the sound of Crystalised, by English band The XX.

trit_i10_063_altaPrimarily inspired by the trendy Japanese area of Harajuku, Lovefoxxx, together with Triton’s designer Karen Fuke, created one of the most playful scenarios seen on the runways of Sao Paulo. With models made up to look like Gothic Lolita’s taking to the runway Triton superbly illustrated the epicentre of Japanese excesses to a Brazilian audience.

trit_i10_001_altaThere were so many patterns, so many shapes, so many references, that it was impossible to sort the designs in any distinct trend. The kooky prints referenced everything from spider webs and owls to mushrooms, teamed with heavy boots with super high heels which broke the romantic vibe. It couldn’t have ended better than with a rainbow coloured jumpsuit, making Luisa Lovefoxxx’s input and presence clear to all.

trit_i10_084_altaTriton’s AW10 show was a great example of creativity and coherence, from a brand to its public. No wonder it had one of the most amazing finales so far; with a standing ovation from the fashion-hungry crowd.

trit_i10_015_alta
The third day at the Sao Paulo Fashion Week saw the show of one of the hippest brands among Brazilian youngsters. Triton has been showing at the biggest fashion week in Brazil for a while now, treatment with the main inspiration behind their designs having always been music, information pills technology and a cool lifestyle.

trit_i10_093_altaImages throughout courtesy of Triton

For AW10 they invited CSS‘s lead singer Lovefoxxx (who used to work for the brand before becoming famous) to design not only some of the prints, medicine but also the show’s soundtrack, which started dense and melancholic, with the sound of Crystalised, by English band The XX.

trit_i10_063_altaPrimarily inspired by the trendy Japanese area of Harajuku, Lovefoxxx, together with Triton’s designer Karen Fuke, created one of the most playful scenarios seen on the runways of Sao Paulo. With models made up to look like Gothic Lolita’s taking to the runway Triton superbly illustrated the epicentre of Japanese excesses to a Brazilian audience.

trit_i10_001_altaThere were so many patterns, so many shapes, so many references, that it was impossible to sort the designs in any distinct trend. The kooky prints referenced everything from spider webs and owls to mushrooms, teamed with heavy boots with super high heels which broke the romantic vibe. It couldn’t have ended better than with a rainbow coloured jumpsuit, making Luisa Lovefoxxx’s input and presence clear to all.

trit_i10_084_altaTriton’s AW10 show was a great example of creativity and coherence, from a brand to its public. No wonder it had one of the most amazing finales so far; with a standing ovation from the fashion-hungry crowd.

trit_i10_015_alta
The third day at the Sao Paulo Fashion Week saw the show of one of the hippest brands among Brazilian youngsters. Triton has been showing at the biggest fashion week in Brazil for a while now, abortion with the main inspiration behind their designs having always been music, buy more about technology and a cool lifestyle.

trit_i10_093_altaImages throughout courtesy of Triton

For AW10 they invited CSS‘s lead singer Lovefoxxx (who used to work for the brand before becoming famous) to design not only some of the prints, but also the show’s soundtrack, which started dense and melancholic, with the sound of Crystalised, by English band The XX.

trit_i10_063_altaPrimarily inspired by the trendy Japanese area of Harajuku, Lovefoxxx, together with Triton’s designer Karen Fuke, created one of the most playful scenarios seen on the runways of Sao Paulo. With models made up to look like Gothic Lolita’s taking to the runway Triton superbly illustrated the epicentre of Japanese excesses to a Brazilian audience.

trit_i10_001_altaThere were so many patterns, so many shapes, so many references, that it was impossible to sort the designs in any distinct trend. The kooky prints referenced everything from spider webs and owls to mushrooms, teamed with heavy boots with super high heels which broke the romantic vibe. It couldn’t have ended better than with a rainbow coloured jumpsuit, making Luisa Lovefoxxx’s input and presence clear to all.

trit_i10_084_altaTriton’s AW10 show was a great example of creativity and coherence, from a brand to its public. No wonder it had one of the most amazing finales so far; with a standing ovation from the fashion-hungry crowd.

trit_i10_015_alta
rfra_i10_100_altaImagery throughout courtesy of Marcelo Soubhia / Ag. Fotosite

Being one of the most eagerly-awaited collections of every season of São Paulo Fashion Week, treatment it wouldn’t be inappropriate to think of Ronaldo Fraga’s fashion shows as art installations. Each season, about it the designer brings a new theme to the catwalk and makes up a world of beauty and dreams. His AW10 collection saw the German choreographer Pina Bausch as a muse because, in Ronaldo’s own words, “While you expect of Pina some kind of German discipline, she would put up a circus!”

rfra_i10_005_altarfra_i10_034_alta

Born in Brazil, Ronaldo graduated in Fashion Design and then finished a post graduation course at Parson’s School in NY. From there he travelled to London and undertook another degree at Central Saint Martins. His official debut as a fashion designer was in 1997 and he has been showing his collections at SPFW since 2001.

rfra_i10_020_altaDuring the AW10 men and women’s collection, everyone’s attention was caught by the play with forward and reverse. The models were hiding in their ambiguity having their faces covered with wigs and a mask placed on the back of their heads. They walked around wooden chairs with a purposeful rhythm, as if they were dancing.

rfra_i10_094_altaThe strongest highlights of the collection were the construction of several suits designed back to front, and the intense volume on the frilled shoulders and fringed coats. Silhouettes were loose and there was a clear kaleidoscope of colours that ranged from grey and black to bright warm tones such as yellow, pink, red, and orange. To top off what was a unique show the models came down from the catwalk to shake hands with random people in the audience.

rfra_i10_109_altaPina broke through the boundaries and barriers between dancers and audience and made a revolution in the concept of dancing. Without trying to understand Pina Bausch’s processes, Ronaldo just tried to have fun with it, delivering one the most entertaining show of the season.

rfra_i10_113_altaThe designer himself- Ronaldo Fraga.

Categories ,Central Saint Martins, ,Mariana Guimaraes, ,Parsons The New School for School of Design, ,Pina Bausch, ,Ronaldo Fraga, ,Sao Paulo Fashion Week

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Felder Felder

Felder Felder SS 2011 by t.reidy

Felder Felder S/S 2011 by t.reidy.

Felder Felder are identical twin sisters Annette and Daniela Felder, and who studied together at Central Saint Martins (of course). According to the press release their S/S 2012 collection BANG! looked to the ‘bravery and bitten romance‘ of choreographer Pina Bausch, dosage which inspired their ‘modern undone style‘ of the kind preferred by uptown girls such as Jen Brill. Having never heard of Jen Brill I had to go google her: a model and photography agent of Chinese Australian origin she has or is apparently dating Terry Richardson. Which would account for her sudden it-girl infamy.

Felder Felder S/S 2012 by Gaarte

Felder Felder S/S 2012 by Gaarte.

Since the twins graduated just a few years ago they have quickly built a reputation for quirky combinations of girly and rock n roll aesthetics: attracting some famous patrons that include Rihanna, website like this Gwyneth Paltrow, and if the front row was anything to go by the ultimate Brit it-girl Peaches Geldof.

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory
Felder Felder S/S 2012 by Gaarte

Felder Felder S/S 2012 by Gaarte.

A very gaunt looking Peaches was sat right across from me, her mouth dangling agog through the whole show as if desperate for a good meal. For god’s sake woman, eat! She kept self consciously adjusting her pose but luckily she didn’t distract me for long.

Felder Felder SS 2011 review-photo by Amelia Gregory peaches geldof

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder S/S 2012 by Barb Royal

Felder Felder S/S 2012 by Barb Royal.

BANG! began with stunning graphic prints that swirled and splatted across flirty skater skirts paired with loose blouses. Over the top bondage inspired neck collars criss-crossed the chest and joined with belts to give a more hard edged feel. Stunning shoes by Kat Maconie were also given a matching print treatment, whilst metallic jackets, a dress and miniature backpack in glitzy pale blue added pizazz.

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder S/S 2012 by Gaarte

Felder Felder S/S 2012 by Gaarte.

Sheer fabrics were embellished with signature Felder Felder studs, this time offered in dangling bullet shapes on sweeping black dresses and short white frocks. Orange made a sunny appearance on models with slicked back locks and a collaboration with Triumph produced some sexy bikinis: oh to have a body like one of those models. It did at times feel as though there were too many incongruous shapes within one collection: A-line, bodycon, maxi, draped, flirty, they were all there.

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder S/S 2012 by Barb Royal

Felder Felder S/S 2012 by Barb Royal.

Back at Somerset House I copped a quick feel of the gorgeous fabrics at the Felder Felder stand and quickly understood their appeal: no wonder it-girls, singers and actresses love the pretty yet hard-edged Felder Felder look.

Felder Felder SS 2011 review-photo by Amelia Gregory

Felder Felder SS 2011 review-photo by Amelia Gregory

Categories ,BANG!, ,Barb Royal, ,BFC Tent, ,bodycon, ,Bullet, ,Central Saint Martins, ,Choreographer, ,Embellishment, ,Felder Felder, ,Gaarte, ,Gabriel Ayala, ,Gwyneth Paltrow, ,it-girl, ,Jen Brill, ,Kat Maconie, ,leather, ,lfw, ,London Fashion Week, ,Metallic, ,Peaches Geldof, ,Pina Bausch, ,print, ,Rihanna, ,S/S 2012, ,Somerset House, ,Studs, ,t.reidy, ,Tina Reidy, ,Triumph, ,Twins

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Amelia’s Magazine | Fashion Philosophy Fashion Week Poland Off Out Of Schedule S/S 2012 in Łódź: Paulina Plizga

Paulina Plizga S/S 2012 by Cruz
Paulina Plizga S/S 2012 by Cruz.

For her S/S 2012 collection Paulina Plizga was inspired by dance, so leading the Flesh & Bone collection down the catwalk was contemporary dancer Kaya Kolodziejczyk, who threw a series of crazy shapes in front of the unsuspecting crowd. The next models walked at a stately pace, some fast, some two by two or in hand – the back lighting emphasised their tousled hair and their blackened eye sockets gave the classical ballet aesthetic a dark, distressed edge. Paulina Plizga showed us a predominantly white collection with intermissions of grey, ochre and black in a range of textures, from holey knits and ancient lace to patchworked fabrics and reappropriated sheers.

Paulina Plizga SS 2012 by Geiko Louve
Paulina Plizga S/S 2012 by Geiko Louve.

When I spoke with Paulina Plizga after the show she described how all of her outfits are constructed from scraps which she forages from the couture houses in Paris (where she lives) and these are mixed with antique laces that she finds in markets. For relaxation she likes nothing better than to go to the cinema, and so recent viewings of Black Swan, The Red Shoes and Pina Bausch films helped form ideas for S/S 2012, along with the Greek story of Pygmalion, wherein a statue comes to life. This was a welcome second chance for me to view Paulina Plizga’s clever design aesthetics; read my review of Paulina Plizga‘s previous A/W 2011 collection here.

Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga S/S 2012. All photography by Amelia Gregory.

Categories ,ballet, ,Black Swan, ,couture, ,Cruz, ,dance, ,Eco fashion, ,Fashion Philosophy Fashion Week Poland, ,Flesh & Bone, ,Geiko Louve, ,Kaya Kolodziejczyk, ,knitwear, ,Lodz, ,Off Out Of Schedule, ,paris, ,Patchwork, ,Paulina Plizga, ,Pina Bausch, ,Pygmalion, ,recycled, ,Red Shoes, ,Sheer, ,The Red Shoes, ,Upcycled

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Amelia’s Magazine | A review of Companie XY: Le Grand C at CircusFest, Roundhouse, April 2010

Companie XY-Roundhouse
Companie XY-Roundhouse

I listed the Companie XY performance Le Grand C as part of CircusFest at the Roundhouse mainly because the PR asked nicely and there appeared to be some good deals on tickets. But frankly I didn’t know what to expect – there is hardly any information about this acrobatic circus company from France to be found on the internet. At least, this not in a language I understand.

As the lights dimmed on the central stage the crowd went quiet in anticipation. In the shadows a group of people climbed up each other and then descended. It stayed quiet. And dark. So quiet that I could hear myself sucking loudly on the lemon sherbet I’d picked up from a stand at the London Book Fair earlier. Characters climbed on top of an upright log for no particular reason.

Companie XY-Roundhouse

Let’s be honest here, prostate for the first ten minutes of this performance I was seriously contemplating how I could make a hasty exit without being heard. But then things radically improved; with the addition of music and lighting came life, information pills and verve. Companie XY may only do one thing – climbing on each other’s shoulders in various gravity defying combinations – but they do it very well. The acrobats swirled around and on top of each other, swinging up into handstands, standing on heads, soaring skywards from a see-saw to land gently in the waiting arms of their comrades. It was gasp-inducing stuff and the audience were not shy with their applause.

Companie XY-Roundhouse

On multiple occasions the anticipated stunt failed and the performers came tumbling down to the floor, yet it was almost as if this was to be expected – a morass of acrobats gathered, arms outstretched beneath the four tall human skyscrapers, suggesting that a fall was not an uncommon occurrence. Somehow these mistakes didn’t detract from the performance, instead making the hardest successful stunts seem all the more impressive. We were rooting for these acrobats. A failed move was just the price one pays for attempting something so insane, and it merely served to highlight the extraordinary feats they were performing.

Companie XY-Roundhouse

What didn’t work so well was the confluence of comic interludes and contemporary dance: the hugely influential German choreographer Pina Bausch has a lot to answer for. I went to see the Australian Circa troupe at the Barbican last month, and they too revel in circus with a touch of both comedy and modern dance. Why do circus acts try to be the best of all worlds when what they are naturally best at is combining bizarre contortions with the lightness of humour? Whenever I have seen them dance they appear weighty, their bodies dragging downwards rather than soaring to acrobatic heights.

Companie XY-Roundhouse

Towards the end the entirety of Companie XY burst into a French song – an extraordinary event and one which I can’t imagine from an English company. Harmonies died down to the lone voice of the one man left on stage, who continued singing as he formed the base of the last human tower, his voice wobbling as each extra person clambered upon him. The performers were clearly tired by now and the tension in the Roundhouse was palpable. Would everything come crashing down just as we reached the finale? No, our singer remained steady, gasping his final note as the tower was completed.

Companie XY-Roundhouse

If you can get past the first ten minutes then this performance is the most adrenalin filled way you can spend an hour sitting down. It may veer wildy between the dull and the sublime but it is a must see for those intrigued by the astonishing things that *some* human bodies can do. And a note to Companie XY: less silence and pretentious dance, more music and light comedy.

For more information on tickets and times please see the original listing for this performance here.
You can read a review in The Times here, and in the Guardian here.

Categories ,Acrobatics, ,barbican, ,Circa, ,Circus, ,CircusFest, ,Companie XY, ,dance, ,french, ,Pina Bausch, ,Roundhouse

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