Amelia’s Magazine | An interview with Jamie McDermott of The Irrepressibles.

Illustration by Paolo Caravello

Illustration by Stephanie Thieullent

Illustration by Alia Gargum

Illustration by Jo Cheung

Illustration by Kellie Black

The_Irrepressibles_by_Helmetgirl
The Irrepressibles by Helmetgirl.

If Amelia’s Magazine had a wish list of character traits that would perfectly encapsulate its personality then you would struggle to surpass those of Jamie McDermott, viagra sale one of the magazines favourite performers. The founding member, page and centre piece of The Irrepressibles, could have tailored his CV to fit the remit of Amelia’s Magazine. The Irrepressibles’ creator, composer, arranger and avant garde curator wears his heart firmly on his sleeve and is intensely protective and proud of his conception, and rightly so. Their mix of love and lust, longing and tragedy is often borne out as cathartic confessionals. Jamie’s vision and passion, which he so effectively channels through his ‘performance orchestra’, were captured brilliantly, earlier this year on his bands debut album Mirror Mirror.
 
The Irrepressibles, Jamie’s very personal labour of love, have been a regular source of fascination for the Amelia’s Magazine, having been previously featured both in print and on-line. Their very original and ground breaking approach continues to push the boundaries of live popular music, as their choice of venue can also testify to. Having performed in places as diverse as Latitude Festival and the V&A, and from the Hackney Empire to a recent guest appearance at London Fashion Week you are unlikely to experience the norm.
 
It was shortly after their recent LFW performance that I managed to hook up with Jamie. With a little trepidation, a youthful excitement and a great deal of pleasure I tracked him down and interrupted his very busy schedule. I was not only hoping to get a little insight into the world of The Irrepressibles but also an idea of who Jamie really is. I wasn’t to be disappointed. Jamie talked vividly and most candidly about how it all began, where his influences have come from and above all what an incredible journey it has all been. (Just don’t mention the Pope, you’ll only be greeted with silence!) Here is Jamie McDermott from The Irrepressibles.

The_Irrepressibles_Cello_Bass_by_Helmetgirl
Cello and Bass by Helmetgirl.

Way back before the formation of The Irrepressibles was there a pivotal moment in your life where you decided that you would be a performer, a musician, a composer? What lead to your epiphany?
I had fallen in love with my best friend – another boy – and we were inseparable. He had a band and I wanted to be around him so I began to sing in it. But one night I explained how I felt. We fell apart as friends. I felt alone, I knew that I was gay and that people didn’t feel it was right… I wanted to throw myself of the cliffs of the seaside town where I lived. But when stood there in the air I heard music. My own. Instead of jumping I decided to explain to the world through music the beauty of being in love with another man in a way that everyone would understand. 

How did you go about creating The Irrepressibles, did you have a defined vision of how you were going to express yourself? Has it changed at all? Do you see it as an evolutionary process and if so what are the triggers to change? How did you all meet?
I had been writing music focused on what I wanted to say and the emotions I needed to express. I wanted to surround this emotion with a world, a soundscape that could explain the depth of feeling, so I began to work with orchestral instrumentation as they could offer the abrasive and the sublime the surreal and the polyphonic. Initially it was me and four others on a course in popular music studies. I had discovered the library and as a working class boy from North Yorkshire I was starving for the words and pictures. I read about Vivienne Westwood and Malcolm McClaren, Andy Warhol and the KLF’s work with pop music subculture, about the political force of music in the words of Atalli and Eisler and fell in love with the iconic imagery of film makers Fasbinder and Kenneth Anger. I also read about the work with spectacle by Dali, Meredith Monk with The House and Laurie Anderson amongst others. I had been seeing visions since I was a child that accompanied the music in my head, I wanted to create something and these people gave me the confidence to make my visions real. I was irritated by the manufactured pop music and it’s lack of real emotion but also the boring visual aesthetics of indie music at the time and I wanted to create something fresh and reactionary. 

 The_Irrepressibles_Fluteplayer_by_Helmetgi
Fluteplayer by Helmetgirl.

What do you see as your main influences and inspirations, both musically and personally?
The sounds of the world around me. I am most influenced by non musical elements. The world itself is musical everything from the sounds of laughter to the hum of the bus I’m sitting on now are singing. The movement of people and machines all have a complexity of nature a kind of polyphony in their interaction. My music has this interaction. As do my spectacles where movement meets light installation meets interactive set meets music meets movement to create one being of emotion – one machine of emotion. 
 
Of your contemporaries, are there any that you are listening to, any that you are finding particularly creative or challenging?
Yes Simon Bookish is incredible, I adore Peaches, Broadcast are consistently inspirational, The Knife are wonderful…

Many people have tried to capture the essence of your performance and creation without necessarily being able to convey the whole experience adequately on paper. How would you describe your music and performance?
It is an organic machine of emotion. 

The drama and theatre within your music and shows is clearly crucial and only serves to heighten the experience for the audience. At what point in the creative process does this become a consideration? Do you have a structured way of writing a song? How does it all work for you as the writer/composer?
I write automatically i.e. from my subconscious. I let my decisions be as spontanious and uncontrived as possible in order to explain fully the depths of my subconsious. I then see visions of how I can present the music in a space working with the parameters of lighting and set installation, movement and feeling. 

The_Irrepressibles_Violin_by_Helmetgirl
Violin player by Helmetgirl.

There have been comparisons drawn with your style of music to Antony Hegarty and David Bowie among others. For me there is are also the theatrics of early Marc Almond solo work such as Vermin In Ermine as well as a sympathy and empathy with a lot of New Romantic sensibilities. Where do you see your musical style?
I am very much influenced by what I would call the leneage of gay artists. I also believe that gay artists create a slightly different aesthetic of sound and visual generally – a very varied one when you consider Grizzly Bear, Owen Pallet, Patrick Wolf and Me at this time – but there is an aesthetic. I am also massively influenced by female artists like Meredith Monk and Kate Bush of course. I believe like Kate I see music and performance as innately another world a fantasy world were emotions can be better expressed – a dream. 

Many of your songs, such as In This Shirt, are very personal and clearly connect with your audience. Do you find that laying yourself bare, so to speak, gives a song more truth, depth and sincerity and as such it is more credible and infinitely more appreciated? Is that what you strive for?   
I only ever write honestly and cathartically – I am completely open but I was bullied throughout all of my schooling you get to the point were you feel pretty much naked to everyone anyway. Sometimes you wont believe it as the songs sound melodramatic but when you consider that My Friend Jo was in fact about looking in the face suicide at a time of hysterical emotions it does make sense. Why does everything have to be simple in music? Life of course is complex and polyphonic and so I believe music should be too. Sometimes my music is more simplistic because the emotion is, other times it’s like a mad person you can’t understand. We are all mentally ill in some way. 
 
Both the 2009 release, From The Circus To The Sea, and this years album, Mirror Mirror, have been very well received garnering much critical acclaim. Do you now feel the swell of expectation and public consciousness rising as your audience grows ever bigger?
It’s been nothing short of incredible. I spend most of my time talking to fans all over the world. I always feel awful when people complement my work and I don’t get back to them. I have become a whore to Facebook and Myspace… ha ha! 

You have played some decidedly different venues this year from The Roundhouse and The V&A to three shows at Latitude. How were they for you and what can everyone expect from the forthcoming shows that are due to start at the end of this month? 
At the Roundhouse the orchestra performed 10 meters in the air on moving seats, at Latitude we opened the festival with ‘Gathering Songs’ which consisted of several pieces for different parts of the orchestra that were performed desperately all over the forest over 2 and a half hours which accumulated in a spectacle on the water, the year after I created the Light and Shadow spectacle with lighting installation. The V&A commissioned me in 2009 to create a spectacle for their Baroque Exhibition then came the chance to create my Human Music Box installation which was then taken to Latitude the same year. This year I created the Mirror Mirror Spectacle which began with a commission for the Queen Elizabeth Hall. We are touring this internationally now and present it again in London at the Scala tomorrow.  

The Irrepressibles are touring into 2011, are there plans after that to record any new material or are you working on other projects, if so what are they?
I am working on my new AIR spectacle which will be premiered in Modena Italy next week. I am then going to begin work on music for a Manga Opera with Hotel Pro Forma who famously created the opera with The Knife. The next album is now half written and we should begin recording this soon. 

Thank you so much for this, I really appreciate you taking the time. Best of luck for your forthcoming shows.

Categories ,Andy Warhol, ,Antony Hegarty, ,Atalli and Eisler, ,Broadcast, ,David Bowie, ,Fasbinder, ,grizzly bear, ,Hotel Pro Forma, ,Jamie McDermott, ,Kate Bush, ,Kenneth Anger, ,KLF, ,latitude, ,Malcolm McClaren, ,Manga Opera, ,Meredith Monk, ,Mirror Mirror, ,Owen Pallet, ,Patrick Wolf, ,Peaches, ,Roundhouse, ,Simon Bookish, ,the irrepressibles, ,The Knife, ,va, ,Vivienne Westwood

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Amelia’s Magazine | Gig Review: Mi Ami

Jenny Robins Illustration
Illustration above by: Jenny Robins

Words by: Matt Witt – www.creaturemag.com

The London Zine Symposium – The Rag Factory, information pills medical Brick Lane, viagra 100mg 29th May 2010

Zines piled on zines, upon comics, upon fanzines on top of stories and poems and doodles, limited edition prints amongst button badges and cupcakes. All sorts of stalls overflowing with any number of DIY publications, swarmed by enthusiasts all eager to get their eyes and hands on some original lo-fi press. A range of workshops and creative activities and some great food to boot. The London Zine Symposium, a little appreciation please.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

It is a thrill to witness so many individual people each with their own ideas about what constitutes a zine, what it means to make one, what it should be filled with and how it should be printed and sold, if it‘s to be sold at all. Each of these publishers deserve credit for resourcefulness and effort. They have a drive to get their message out and they will adopt any means to do so. To most it goes without saying, it’s what they do because they have to, it’s their means of expression, their creative outlet.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

The London Zine Symposium shines a light on the endless ideas, personality and uniqueness within these pages, each publication is a glimpse into the psyche of it’s maker. Zines are truthful, from the heart. Unadulterated creativity, undiluted expression. I witnessed zines of all shapes, sizes, colours and creeds. On all subjects. Some were twee, some vulgar, some were edgy, some were pretty, some were soft and small, some zines were shouting at you. There were geek zines, gay zines, zines for guys, zines for girls, zines for goons and zines for greens. I saw humorous zines, twisted zines, zines with belief, zines with a bit of attitude, pretentious zines, sinister zines, comic zines, zines for cat lovers, hand written zines, coded zines, zines in boxes, stapled, bound, buttoned, bent and probably in brail. Zines on posters. Zines made by one artist and zines made in collaboration, some displaying the creative outpourings of any number of people from any number of countries from every corner of the earth and all gathered under the same roof to be consumed by the alternative press loving public of London and beyond. It sounds corny but it’s true…It brings people together.

Illustration by Davd Blatch
Illustration by:David Blatch

There is integrity in this. You have pencils, paper and the drive to get your message out, you have a zine, something for people to hold and relate to, something for people to enjoy visually, aesthetically, something to cherish. These DIY publishers are special people with something of much value to offer, they have a vision of a world much more at peace, more intimate and with a strong community of friends at it’s core.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

There is a concentration of love and passion for the arts here that is hard to come across, a buzz of atmosphere and interaction, a melting pot of creativity that is a must for the fans and creators of alternative publications and an eye opener for those intrigued enough to come and find out what it’s all about. Events like this do a good job of bringing like-minded people together, it’s a great platform for upcoming artists and writers, a great opportunity to network and serves to highlight the brilliant diversity of this culture and guide it closer to the public’s consciousness.

The London Zine Symposium, a little appreciation please.

Words by: Matt Witt – www.creaturemag.com

Jenny Robins Illustration
Jenny Robins Illustration
Illustration above by: Jenny Robins

Words by: Matt Witt – www.creaturemag.com

The London Zine Symposium – The Rag Factory, for sale Brick Lane, approved 29th May 2010

Zines piled on zines, viagra buy upon comics, upon fanzines on top of stories and poems and doodles, limited edition prints amongst button badges and cupcakes. All sorts of stalls overflowing with any number of DIY publications, swarmed by enthusiasts all eager to get their eyes and hands on some original lo-fi press. A range of workshops and creative activities and some great food to boot. The London Zine Symposium, a little appreciation please.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

It is a thrill to witness so many individual people each with their own ideas about what constitutes a zine, what it means to make one, what it should be filled with and how it should be printed and sold, if it‘s to be sold at all. Each of these publishers deserve credit for resourcefulness and effort. They have a drive to get their message out and they will adopt any means to do so. To most it goes without saying, it’s what they do because they have to, it’s their means of expression, their creative outlet.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

The London Zine Symposium shines a light on the endless ideas, personality and uniqueness within these pages, each publication is a glimpse into the psyche of it’s maker. Zines are truthful, from the heart. Unadulterated creativity, undiluted expression. I witnessed zines of all shapes, sizes, colours and creeds. On all subjects. Some were twee, some vulgar, some were edgy, some were pretty, some were soft and small, some zines were shouting at you. There were geek zines, gay zines, zines for guys, zines for girls, zines for goons and zines for greens. I saw humorous zines, twisted zines, zines with belief, zines with a bit of attitude, pretentious zines, sinister zines, comic zines, zines for cat lovers, hand written zines, coded zines, zines in boxes, stapled, bound, buttoned, bent and probably in brail. Zines on posters. Zines made by one artist and zines made in collaboration, some displaying the creative outpourings of any number of people from any number of countries from every corner of the earth and all gathered under the same roof to be consumed by the alternative press loving public of London and beyond. It sounds corny but it’s true…It brings people together.

Illustration by Davd Blatch
Illustration by:David Blatch

There is integrity in this. You have pencils, paper and the drive to get your message out, you have a zine, something for people to hold and relate to, something for people to enjoy visually, aesthetically, something to cherish. These DIY publishers are special people with something of much value to offer, they have a vision of a world much more at peace, more intimate and with a strong community of friends at it’s core.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

There is a concentration of love and passion for the arts here that is hard to come across, a buzz of atmosphere and interaction, a melting pot of creativity that is a must for the fans and creators of alternative publications and an eye opener for those intrigued enough to come and find out what it’s all about. Events like this do a good job of bringing like-minded people together, it’s a great platform for upcoming artists and writers, a great opportunity to network and serves to highlight the brilliant diversity of this culture and guide it closer to the public’s consciousness.

The London Zine Symposium, a little appreciation please.

Words by: Matt Witt – www.creaturemag.com

Jenny Robins Illustration
Jenny Robins Illustration
Illustration above by: Jenny Robins

Words by: Matt Witt – www.creaturemag.com

The London Zine Symposium – The Rag Factory, cheapest Brick Lane, ampoule 29th May 2010

Zines piled on zines, hospital upon comics, upon fanzines on top of stories and poems and doodles, limited edition prints amongst button badges and cupcakes. All sorts of stalls overflowing with any number of DIY publications, swarmed by enthusiasts all eager to get their eyes and hands on some original lo-fi press. A range of workshops and creative activities and some great food to boot. The London Zine Symposium, a little appreciation please.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

It is a thrill to witness so many individual people each with their own ideas about what constitutes a zine, what it means to make one, what it should be filled with and how it should be printed and sold, if it‘s to be sold at all. Each of these publishers deserve credit for resourcefulness and effort. They have a drive to get their message out and they will adopt any means to do so. To most it goes without saying, it’s what they do because they have to, it’s their means of expression, their creative outlet.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

The London Zine Symposium shines a light on the endless ideas, personality and uniqueness within these pages, each publication is a glimpse into the psyche of it’s maker. Zines are truthful, from the heart. Unadulterated creativity, undiluted expression. I witnessed zines of all shapes, sizes, colours and creeds. On all subjects. Some were twee, some vulgar, some were edgy, some were pretty, some were soft and small, some zines were shouting at you. There were geek zines, gay zines, zines for guys, zines for girls, zines for goons and zines for greens. I saw humorous zines, twisted zines, zines with belief, zines with a bit of attitude, pretentious zines, sinister zines, comic zines, zines for cat lovers, hand written zines, coded zines, zines in boxes, stapled, bound, buttoned, bent and probably in brail. Zines on posters. Zines made by one artist and zines made in collaboration, some displaying the creative outpourings of any number of people from any number of countries from every corner of the earth and all gathered under the same roof to be consumed by the alternative press loving public of London and beyond. It sounds corny but it’s true…It brings people together.

Illustration by Davd Blatch
Illustration by:David Blatch

There is integrity in this. You have pencils, paper and the drive to get your message out, you have a zine, something for people to hold and relate to, something for people to enjoy visually, aesthetically, something to cherish. These DIY publishers are special people with something of much value to offer, they have a vision of a world much more at peace, more intimate and with a strong community of friends at it’s core.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

There is a concentration of love and passion for the arts here that is hard to come across, a buzz of atmosphere and interaction, a melting pot of creativity that is a must for the fans and creators of alternative publications and an eye opener for those intrigued enough to come and find out what it’s all about. Events like this do a good job of bringing like-minded people together, it’s a great platform for upcoming artists and writers, a great opportunity to network and serves to highlight the brilliant diversity of this culture and guide it closer to the public’s consciousness.

The London Zine Symposium, a little appreciation please.

Words by: Matt Witt – www.creaturemag.com

Jenny Robins Illustration
Jenny Robins Illustration
Illustration above by: Jenny Robins

Words by: Matt Witt – www.creaturemag.com

The London Zine Symposium – The Rag Factory, recipe Brick Lane, 29th May 2010

Zines piled on zines, upon comics, upon fanzines on top of stories and poems and doodles, limited edition prints amongst button badges and cupcakes. All sorts of stalls overflowing with any number of DIY publications, swarmed by enthusiasts all eager to get their eyes and hands on some original lo-fi press. A range of workshops and creative activities and some great food to boot. The London Zine Symposium, a little appreciation please.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

It is a thrill to witness so many individual people each with their own ideas about what constitutes a zine, what it means to make one, what it should be filled with and how it should be printed and sold, if it‘s to be sold at all. Each of these publishers deserve credit for resourcefulness and effort. They have a drive to get their message out and they will adopt any means to do so. To most it goes without saying, it’s what they do because they have to, it’s their means of expression, their creative outlet.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

The London Zine Symposium shines a light on the endless ideas, personality and uniqueness within these pages, each publication is a glimpse into the psyche of it’s maker. Zines are truthful, from the heart. Unadulterated creativity, undiluted expression. I witnessed zines of all shapes, sizes, colours and creeds. On all subjects. Some were twee, some vulgar, some were edgy, some were pretty, some were soft and small, some zines were shouting at you. There were geek zines, gay zines, zines for guys, zines for girls, zines for goons and zines for greens. I saw humorous zines, twisted zines, zines with belief, zines with a bit of attitude, pretentious zines, sinister zines, comic zines, zines for cat lovers, hand written zines, coded zines, zines in boxes, stapled, bound, buttoned, bent and probably in brail. Zines on posters. Zines made by one artist and zines made in collaboration, some displaying the creative outpourings of any number of people from any number of countries from every corner of the earth and all gathered under the same roof to be consumed by the alternative press loving public of London and beyond. It sounds corny but it’s true…It brings people together.

Illustration by Davd Blatch
Illustration by:David Blatch

There is integrity in this. You have pencils, paper and the drive to get your message out, you have a zine, something for people to hold and relate to, something for people to enjoy visually, aesthetically, something to cherish. These DIY publishers are special people with something of much value to offer, they have a vision of a world much more at peace, more intimate and with a strong community of friends at it’s core.

Photography by: Jamie Harrington, www.ShitBirthday.orgPhotography by: Jamie Harrington

There is a concentration of love and passion for the arts here that is hard to come across, a buzz of atmosphere and interaction, a melting pot of creativity that is a must for the fans and creators of alternative publications and an eye opener for those intrigued enough to come and find out what it’s all about. Events like this do a good job of bringing like-minded people together, it’s a great platform for upcoming artists and writers, a great opportunity to network and serves to highlight the brilliant diversity of this culture and guide it closer to the public’s consciousness.

The London Zine Symposium, a little appreciation please.

Words by: Matt Witt – www.creaturemag.com

Jenny Robins Illustration

On Thursday night I was just about to leave work for an evening of pasta bake and Law & Order re-runs on the Hallmark channel. Then the Amelia’s Magazine bat signal lit up the sky – they needed someone to review Mi Ami at Barden’s Boudoir! Well, viagra buy I figured that’s just along the road from my house and I’d probably seen whatever episode of Law & Order was on before anyway… “I’ll do it!”
I didn’t know a lot about Mi Ami, except that they were supposedly really incredible live and that some of their members were previously in the band Black Eyes. I did like Black Eyes a lot, their first album was an experimental hardcore (or post punk? Or post hardcore?) squall a thon put out by Dischord Records. In simple terms, it could be described as somewhere between Arab on Radar and Q and Not U and I LOVED IT. So I was pretty excited to see what they (or some of them) are doing now. I stuck Mi Ami’s new album, Steal Your Face, on my ipod, printed out all the interviews and write ups I could find and ran off to catch the bus to Dalston.
It’s easy for someone who has spent most of my life listening to guitar based music (chill out, I’m not saying I’m right, it’s just what I do) to get a bit turned off by phrases like “new dancey direction” or “experimental electronic” yawwwn… Does that mean po-faced knob twiddling and plinky plonky noises? No, Eleanor, you small minded fool, it doesn’t mean that at all. The press release for Steal Your Face seems to anticipate this sort of reaction, as it points out “Legend has it that when Fugazi came on the scene, the punx were shocked at their incorporation of funky basslines and slower tempos.”

On Steal Your Face, Mi Ami use guitar bass and drums to create something that sounds completely different from your average three piece rock band, I don’t even know how you’d categorise it. The music is intensely rhythmic, with African style drums, and those screaming, squawking vocals I remember from Black Eyes and guitar riffs screaming over the top of it all, this is insane, what the hell is this? I like it.
I had a chance to sit down with frontman Daniel as he was tucking into a plate of chicken wings before the show, and despite me interrupting his dinner to ask him annoying questions he was incredibly nice and even offered me some of the food; (Some kind of amazing roasted onion in chicken, I think, a plum sauce – Turkish restaurant, next to Barden’s Boudoir, would eat again) as he went some way to explain the heck his band are all about.

Would you call Mi Ami dance music?
I’m definitely influenced by dance music, or dance musics. The music is about cycles of repetition and about engaging with the sound physically. I mean, people dance at our shows, but that’s not important to the same extent as it would be with a more typical ‘dance’ band where the sole focus of the music would be to get that physical dance reaction from the crowd. In the world of dance music, everything spins around one singular axis in order to trigger a response which isn’t really the case with us. I mostly listen to dance music though, so it definitely has a lot of influence.

What sort of things do you listen to?
I listen to things like Detroit Techno, Minimalist composition, Mid Western Hardcore and Dubstep. Dance music is a lot more important than rock music to me.

Do you think that the crowd that comes to your shows is very different from the people you’d find at, say, a Dubstep night?
Do you mean like, do we have an indie rock crowd?

Yeah I guess so…
Well I think that the whole live rock band thing is a line that electronic music crossed a long time ago, there is a lot of crossover. If you played our record at a dubstep night it would be a horrible idea, because the points of reference would be so wrong, but if you had a whole night of Daniel’s favourite music it would definitely make sense to have dubstep and our record, so long as you had everything in between.

In terms of your live show, I’m told it’s pretty loud and crazy. Do you think that’s an important aspect of what you do?
I think so, I mean one band that means a lot to me is Dinosaur Jr, I don’t know how well you know them but the delivery of the lyrics just makes you feel everything so much more. There’s a lot of feeling in the lyrics, but the way they’re screamed out just really makes it sort of… Unavoidable, do you know what I mean?

I guess like you’re making sure people sit up and listen?
Yeah, I guess so, I’m sure it’s possible to do that quietly as well but… Yeah I scream in their faces.

On that note, wings finished, it was time to head over to the venue. I was looking forward to seeing support band Islet, made up of members of various Cardiff bands including attack + defend, The Victorian English Gentleman’s Club, I’d heard that Islet were pretty special. I don’t think I was prepared though, they totally blew me away. A ferocious four headed, two drum kitted monster wailing and gnashing and smacking drumsticks against floor and ceiling and somehow managing to be harmonious and emotional at the same time. I was standing on my own in the middle of Barden’s Boudoir, clinging on to my notebook and grinning my head off. At one point the bass amp broke and while ‘technical difficulties’ normally make for boooring silence or stomping petulance, Islet’s charming rambles about “playing a cool London show… Oh shit I’ve said the word cool, that’s not cool… Oh no!” and “Don’t worry, there’s another band on after us and they’re gonna be REALLY good” only made the crowd love them more. When they got the bass back we cheered and clapped like mad for our new favourite band.

If I thought Mi Ami were ferocious and frantic on record, oh boy, live they are something else! The temperature in the room seems to jump up by about ten degrees half way through the first song. That familiar characteristic vocal yelps and howls frenzied lyrics over an unyielding backdrop of bass and drums seared through with jagged guitar. The crowd presses in closer and closer, a mass of nodding heads and jerking shoulders. Daniel wasn’t lying, indie rock kids do dance at Mi Ami shows. This is fun, this is a really fun show and it seems like they’re having fun on stage too, Daniel announces “This is a Whitney Houston cover” before screaming “GIVE ME SOME CRACK” on his knees on Barden’s stage. So much for earnest knob twiddling, Mi Ami are fuckin’ punk rock, duuude!

Categories ,Bardens Boudoir, ,dalston, ,Dinosaur Jr, ,dubstep, ,Indie, ,Mi Ami

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Amelia’s Magazine | The Best Christmas Indie Tunes of 2016: Listen to them all HERE!

hannah-epperson-christmas-tune
It’s nearly Christmas so it must be time for my annual round up of beautiful, interesting, weird and fantastical seasonal tunes, many located this year via Twitter. If you’re reading this in years to come, do get in touch and tell me about your tune so I can include it! That’s what San Diego band Pony Death Ride did a few months back.


Nothing Beats Old People at Christmas was actually released last year and features in the Pony Death Ride annual Christmas show. Look away if you are easily offended, it takes a kooky (and not entirely generous) look at those always tricky family dynamics. Boy can I relate.


Moving on, Low have come up with a gorgeous lilting song that celebrates friendship, Some Hearts (at Christmas Time). I appreciate my true friends more than ever at this time of year.


I love this song by LA based electro singer songwriter Andrew Belle. Back For Christmas is featured on A Very RELEVANT Christmas, Vol. 6, for cool young Christians.


Released in aid of Human Appeal, Christmas Number One (On My Own) by the Raglans continues in the grand tradition of charity singles. It’s a plea to consider the plight of others, with proceeds going to help people in war torn areas. A worthy cause if ever there was one.


An Old Fashioned Christmas Song by Les Bicyclettes de Belsize is a jaunty tune.


If you love your 80s vibes you’ll love You Bring the Snow by The Crookes, complete with fake retro video and subtitles. Dance along to it after one too many sherries.


Featuring an eerily similar knowingly retro video, Christmas Without Snow is by Neon Dreams from Canada. It sounds a bit rave, and more than a bit like Coldplay.


For more 80s electro vibes look no further than This Fucking Time Of Year by Charles Cave, this time with original 80s footage from a family Christmas in Pennsylvania. He says “I think it is every musician’s duty to have a stab at a Christmas song, if only once. The festive season is full of all the emotions that fuel the best songwriting at all other times of the year, so digging into those complicated family dynamics, the bleak weather, the reflecting of the year gone by can be hugely inspiring for an emotive pop song.”

All these 80s vibes resonate with me because I was a child of the 80s, and I also spent quite a few Christmases in the USA, so it all feels (un)comfortably familiar. At one time we lived on a road fondly nicknamed Christmas Tree Lane, where each house competed for extravagant Christmas decorations in the front gardens. We never drew the curtains and I remember that at dinner time I felt like I was living in a dolls house with crowds of people peering in. But I digress…


The Stars Are Made Of Mistletoe is a typical indie Christmas tune by Maylee Todd & Steve Singh, featuring cutesy female vocals and sleigh bells.


Best Coast have released this lovely Beach Boys-esque holiday tune, Christmas and Everyday, which features in the movie An American Girl Story – Maryellen 1955: Extraordinary Christmas.

An exciting new discovery for me this year is the second annual playlist compilation available exclusively from Amazon Music on Prime. Indie for the Holidays features some absolute corkers, some of which are listed below.

Los Campesinos! contribute When Christmas Comes (Boxing Day Version).

I love the sweetly harmonising voices of Joseph in Sister Winter.

Hear Holiday Road by Tennis here:

There are also a few good tunes available on Amazon from their Acoustic Christmas playlist:

Trampled by Turtles sing about Christmas In Prison.

Train contribute I Miss You, Christmas.

Jon McDevitt takes on the mysteries of Father Christmas in his new single, featuring a driving beat and jaunty fiddle. A bittersweet reflection on the real nature of Santa. Listen here as it can’t be streamed elsewhere.


Emma-Lee gives us a sparkling pop song with It Won’t Be Christmas, which owes more than a little debt to Mariah Carey.


Natalie Prass takes a lo-fi approach to the video for Everybody’s Having Fun (It’s Christmas Time) – an ode to the troubled world we find ourselves living in and the difficulty many are having in getting into the Christmas spirit this year.

I absolutely adore this echo-ey electro-pop version of the ancient carol O Holy Night by Nat Jay + Cookie Cartel. Listen to O Holy Night here.


Lastly, Hannah Epperson gives us an experimental Christmas tune in the form of White Flag, which she describes as her “post-apocalyptic Christmas single”, here paired with her simplified version of White Christmas.

With thanks to Andrea Warner for my Canadian finds. Read her original article here. I hope you enjoy listening to these alternative Christmas ditties! A very Merry Christmas all xxx

Categories ,Acoustic Christmas, ,Amazon Music, ,An American Girl Story – Maryellen 1955: Extraordinary Christmas, ,An Old Fashioned Christmas Song, ,Andrea Warner, ,Andrew Belle, ,Best Coast, ,Charles Cave, ,Christmas and Everyday, ,Christmas In Prison, ,Christmas Indie Songs, ,Christmas Music, ,Christmas Number One (On My Own), ,Christmas Tree Lane, ,Christmas tunes, ,Christmas Without Snow, ,Emma Lee, ,Everybody’s Having Fun (It’s Christmas Time), ,Father Christmas, ,Hannah Epperson, ,Holiday Road, ,Human Appeal, ,I Miss You Christmas, ,Indie for the Holidays, ,It Won’t Be Christmas, ,Jon McDevitt, ,Joseph, ,Les Bicyclettes de Belsize, ,Los Campesinos, ,low, ,Maylee Todd & Steve Singh, ,Nat Jay + Cookie Cartel, ,Natalie Prass, ,Neon Dreams, ,Nothing Beats Old People at Christmas, ,O Holy Night, ,Playlist, ,Pony Death Ride, ,Raglans, ,Sister Winter, ,Some Hearts (at Christmas Time), ,Tennis, ,The Crookes, ,The Stars Are Made Of Mistletoe, ,This Fucking Time Of Year, ,Train, ,Trampled by Turtles, ,When Christmas Comes, ,White Christmas, ,White Flag, ,You Bring the Snow

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Amelia’s Magazine | This Is The Kit: Wriggle Out the Restless – Album Review

ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, pharmacy with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, pill which can be seen from clothing brands such as People Tree, that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

IMAGE ETHICAL BEAUTY 3 JENIFFER
Illustration by Jennifer Costello

http://www.jenillustration.com/

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.

ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, visit both used to express the latest trends. Fashion has taken an organic and earth friendly approach for some time now, cheap best epitomised in high profile clothing brands such as People Tree, and of course the beauty industry has followed. Words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America. Recently, for instance, there have been questions raised about the conditions of workers making Katie Price’s branded perfumes, presenting buyers with an ‘ethical dilemma’ once this is known. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, approved both used to express the latest trends. Fashion has taken an organic and earth friendly approach for some time now, cure best epitomised in high profile clothing brands such as People Tree, prescription and of course the beauty industry has followed. Words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America. This standpoint focuses on the conditions and salaries of those individuals who manufacture the products, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, approved with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, visit this which can be seen from clothing brands such as People Tree, that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, information pills with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, price which can be seen from clothing brands such as People Tree, medical that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

It’s clear the beauty industry is relentlessly changing as fast as the fashion industry, order with both mediums always being used to express the latest trends. It would then come as no surprise that while fashion has been taking an organic and earth friendly approach for some time now, which can be seen from clothing brands such as People Tree, that the beauty industry took point and followed. From this new approach, words such as Ethical, Natural and Organic have become somewhat common when it comes to the latest beauty products, however what do these actually mean, and is there a difference? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??Ethical means being conscious about the recognition of individuals all over the world, and their effort and position it took to get the ingredients which are in the products you’re using. It is often linked with Community Trade Programs such as FairTrade and The Body Shop sourcing ingredients from countries such as Africa and South America.

This standpoint focuses on the conditions and pays those individuals who source ingredients receive, such as, recently there has been questions raised as to the conditions of workers in Katie Price’s branded perfumes, which can be considered an ethical dilemma. Also under the ethical standpoint is the adherence to not test on animals. Most beauty and skincare products do not test on animals; however consumers must always check the packaging, as this is another area of controversy.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

?Natural is another term that often gets confused with what it actually means for beauty products. Brands which use this term are Lush, The Body Shop, Naked Shampoo & Conditioners, Origins and many more. Natural generally means nature and the state in which we are to begin with, (i.e. no makeup or enhancements) however there is also the viewpoint of ‘naturally enhancing’ one’s natural features with minimal make up.

?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? More viewpoints come into the fray when questions start to get asked on where that sugar was produced. Has it got more ingredients than sugar? Is that honey, 100% honey? There are two issues which have been raised here, and that is the issue of Organic sourced products, which will be discussed, and secondly, that more often than not, products are not 100% natural. The brand ‘Naked’ Shampoo & Conditioner use 97% natural products and Lush, while try to make their products 100% natural, there are still some of their products which are only partially natural; “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Lending the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

??Organic is another term that seems to be related to natural skincare. Organic skincare focuses on the sourcing and products of the ingredients, often meaning that no parabens or synthetic emollients, synthetic humectants, synthetic emulsifiers, synthetic surfactants; synthetic preservatives, artificial dyes, no colourings, flavourings or additives are included. Brands which are focusing on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. As you can see organic skincare is looking more at the ingredients on the back of a product and often overlaps into natural skincare and ingredients because of the adherence to none synthetic additions.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused with these words, and what they mean, especially if you’re committed to being earth friendly, which kind of products should you be going for? However the decision might be easier than you think. More often than not, ethical products are to some degree, natural and organic, for example, the body shop is a chain which adheres to ethical and fair trade policies, while sourcing natural ingredients in a majority of their products. Also to some degree, using products which are organic, such as the newly released Bourjois Bio-Detox foundation and concealer, which boasts 98% organic and natural ingredients, is helping the planet by not using or supporting the use of chemicals which may not be so environmentally friendly, this is on the pretence that a majority of organic ingredients are bio-degradable and do not destroy the planet – which is where the name of this product can be seen to come from.
Links: – Bourjois –
This change of focus could have easily come from the ever increasing pressure of climate change and being friendlier to our environment; nevertheless capitalism could easily have been an influence on this change as well. Especially since there is pressure for using more environmentally-friendly products on consumers, making it more about profit and less about caring for the planet. As consumers, we can easily be lured into thinking that anything ‘natural’ is good for us and the environment, as after all, it’s made for us, and the promise of natural ingredients often mesmerises us into thinking it will do better than all the other products we have bought. It may be assumed that this shift in market focus is trying to signal the move away from chemically enhanced products as perhaps that doesn’t sound too appealing anymore.

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

The same goes for ethical sourcing of ingredients; this is a great way for other countries to get fair pay and conditions, and however this can be viewed as a way of the market to ease our conscience of buying more and more products, especially in a time of economic crisis. There has without a doubt been a significant rise in brands specialising and advertising their ethical, natural and organic sourced products, when I only remember when I was younger The Body Shop and their adherence to stop animal testing, therefore there is definitely the question to ask whether this shift in market focus was because of research into natural and organic skincare working for the environment and being less harsh on our bodies, ethical trade programs for those individuals who do pick and harvest the ingredients first, as opposed to a purposeful money making scheme.
ethical beauty by sandra contreras
Illustration by Sandra Contreras

The beauty industry changes as fast as the fashion industry, website like this constantly updating in line with the latest trends. Fashion has taken an organic and earth friendly approach for some time now, best epitomised in high profile clothing brands such as People Tree. Now earth-friendly beauty products are burgeoning too. Words such as Ethical, Natural and Organic have become common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as Fair Trade. A good example of an ethical company is The Body Shop, which sources Fair Trade ingredients from countries such as Africa and South America. On the other end of the spectrum questions have been raised about the conditions of workers making Katie Price’s branded perfumes. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? Where were the honey and sugar sourced from? Lush aspires to make 100% natural products but they include this disclaimer: “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Which leads to the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

Organic:
Organic skincare means there is no chemicals, colourings, flavourings or additives in the production of ingredients or at the manufacturing stage. Brands which focus on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. Organic skincare naturally overlaps with natural skincare.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused by these words, especially if you’re committed to being earth friendly, so which kind of products should you go for? The decision might be easier than you think… More often than not, ethical products are to some degree, natural and organic, for example, The Body Shop adheres to both ethical and Fair Trade policies and sources natural ingredients for the majority of their products. But not all organic products are particularly ethical. Take the newly released Bourjois Bio-Detox Organic Foundation which boasts 98% natural ingredients and 21% organic ingredients… how is it maunfactured?

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

Maybe it’s increasing awareness of how harmful chemicals can be to our skin or the ever increasing pressure to be kind to the environment; but the demand for more environmentally-friendly products has certainly inspired companies to seek profit from organic and natural products in growing numbers. As consumers, we are easily be lured into thinking that anything ‘natural’ is good for us and the environment, but it’s important to consider how these products are made as well, so it could be argued that ethical production is by far the most important aspect of any purchase. Ethical production ensures that workers get fair pay and conditions, but there is also the very serious risk of over dependence on the huge markets of the capitalist west: forcing yet another kind of colonialism onto impoverished parts of the world.

In the meantime maybe it’s best to buy from small brands that strive to make things locally from 100% natural and organic ingredients. Coming next…
ethical beauty by sandra contreras
Illustration by Sandra Contreras

The beauty industry changes as fast as the fashion industry, this constantly updating in line with the latest trends. Fashion has taken an organic and earth friendly approach for some time now, more about best epitomised in high profile clothing brands such as People Tree. Now earth-friendly beauty products are burgeoning too. Words such as Ethical, sale Natural and Organic have become common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as Fair Trade. A good example of an ethical company is The Body Shop, which sources Fair Trade ingredients from countries such as Africa and South America. On the other end of the spectrum questions have been raised about the conditions of workers making Katie Price’s branded perfumes. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? Where were the honey and sugar sourced from? Lush aspires to make 100% natural products but they include this disclaimer: “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Which leads to the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

Organic:
Organic skincare means there is no chemicals, colourings, flavourings or additives in the production of ingredients or at the manufacturing stage. Brands which focus on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. Organic skincare naturally overlaps with natural skincare.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused by these words, especially if you’re committed to being earth friendly, so which kind of products should you go for? The decision might be easier than you think… More often than not, ethical products are to some degree, natural and organic, for example, The Body Shop adheres to both ethical and Fair Trade policies and sources natural ingredients for the majority of their products. But not all organic products are particularly ethical. Take the newly released Bourjois Bio-Detox Organic Foundation which boasts 98% natural ingredients and 21% organic ingredients… how is it maunfactured?

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

Maybe it’s increasing awareness of how harmful chemicals can be to our skin or the ever increasing pressure to be kind to the environment; but the demand for more environmentally-friendly products has certainly inspired companies to seek profit from organic and natural products in growing numbers. As consumers, we are easily be lured into thinking that anything ‘natural’ is good for us and the environment, but it’s important to consider how these products are made as well, so it could be argued that ethical production is by far the most important aspect of any purchase. Ethical production ensures that workers get fair pay and conditions, but there is also the very serious risk of over dependence on the huge markets of the capitalist west: forcing yet another kind of colonialism onto impoverished parts of the world.

In the meantime maybe it’s best to buy from small brands that strive to make things locally from 100% natural and organic ingredients. Coming next…
ethical beauty by sandra contreras
Illustration by Sandra Contreras

The beauty industry changes as fast as the fashion industry, order constantly updating in line with the latest trends. Fashion has taken an organic and earth friendly approach for some time now, viagra buy best epitomised in high profile clothing brands such as People Tree. Now earth-friendly beauty products are burgeoning too. Words such as Ethical, discount Natural and Organic have become common when it comes to the latest beauty products, but what do these actually mean, and is there a difference between them? If a product is ethical do we somehow think it is natural as well? If something is natural must it also be organic? I’ll now take you through an explanation of these expressions and what they can mean for your skin, and the planet.??

Ethical:
Ethical means being conscious of the efforts and conditions under which products are produced. It is often linked with Community Trade Programs such as Fair Trade. A good example of an ethical company is The Body Shop, which sources Fair Trade ingredients from countries such as Africa and South America. On the other end of the spectrum questions have been raised about the conditions of workers making Katie Price’s branded perfumes, which were withdrawn from the shelves of Superdrug earlier this year. Most ethical products are not tested on animals, but for this consumers must always check the packaging.

Dee-Andrews-Ethical-Beauty
Illustration by Dee Andrews

Natural:
?Natural is another confusing term when applied to beauty products. Brands which use this term include Lush, The Body Shop, Origins and many more. Natural can be applied to the state in which we are without intervention, i.e. no makeup or enhancements. However one may ‘naturally enhancing’ one’s natural features with minimal make up. ?Natural beauty, figuratively speaking, is made from nature, so if you go get some sugar and honey and mix them together for an exfoliating face mask, it would be natural, and the ingredients would be 100% natural. But would they? Where were the honey and sugar sourced from? Lush aspires to make 100% natural products but they include this disclaimer: “we go for lovely natural ingredients and use as few synthetics as possible. In fact, we have an incredible range of natural products with no synthetics at all. Over 70% of our range is totally unpreserved and we will aim to improve on that.” (Lush, 2010) Which leads to the conclusion that up to 30% of lush’s products are not 100% natural, even though the entire range is marketed to consumers as natural skincare.

Organic:
Organic skincare means there is no chemicals, colourings, flavourings or additives in the production of ingredients or at the manufacturing stage. Brands which focus on organic skincare include Lush, Neal’s Yard, L’Occitane, Organic Surge and Liz Earle. Organic skincare naturally overlaps with natural skincare.

ethical_beauty3_by_jennifercostello
Illustration by Jennifer Costello

?It’s easy to get confused by these words, especially if you’re committed to being earth friendly, so which kind of products should you go for? The decision might be easier than you think… More often than not, ethical products are to some degree, natural and organic, for example, The Body Shop adheres to both ethical and Fair Trade policies and sources natural ingredients for the majority of their products. But not all organic products are particularly ethical. Take the newly released Bourjois Bio-Detox Organic Foundation which boasts 98% natural ingredients and 21% organic ingredients… how is it maunfactured?

ethicalbeauty_aniela murphy
Illustration by Aniela Murphy

Maybe it’s increasing awareness of how harmful chemicals can be to our skin or the ever increasing pressure to be kind to the environment; but the demand for more environmentally-friendly products has certainly inspired companies to seek profit from organic and natural products in growing numbers. As consumers, we are easily be lured into thinking that anything ‘natural’ is good for us and the environment, but it’s important to consider how these products are made as well, so it could be argued that ethical production is by far the most important aspect of any purchase. Ethical production ensures that workers get fair pay and conditions, but there is also the very serious risk of over dependence on the huge markets of the capitalist west: forcing yet another kind of colonialism onto impoverished parts of the world.

In the meantime maybe it’s best to buy from small brands that strive to make things locally from 100% natural and organic ingredients. Coming next…
This is the Kit wriggle out the restless

I’ve always loved France, this harbouring an intention to learn the French lingo for many years. I’m not being frivolous, visit I can assure you. I am able to testify to my desire through my ginger cat, sildenafil whom I named Francois and my half French boy. Oui, j’adore France! Kate Stables wanted to learn French too, so she moved to Paris. Always an observer of life’s idiosyncrasies, she found her vision could stretch even further when she left Bristol’s borough and sat within a caffeinated artery of France. Stables, the singer/musician/protagonist in This Is The Kit, defines the music they create as ‘Screamo/Emo/Flamenco’. Which in a sense it is. A feisty, heart dancing, spirited, emotional flounce. Folky but not in the jingly sense, more soulful and with minimal instruments.

This Is The Kit by Kayleigh Bluck
This Is The Kit by Kayleigh Bluck

Stables is an endearing, dark Rapunzel locked figure. Her voice shoots through you like the first sip of wine after a slog of a day, trapped in an unlit cave. You will find This Is The Kit will gently waft along on a gondolier, tell you it’s all ok, then fighting off the cave bats with their melodies, take you outside to some weeping willow adorned fairy land. She beholds a sound similar to Mary Hampton and Martha Tilston, but more girl next door in pronunciation, realness and the simplicity of lyrics. See: Two Wooden Spoons and Our Socks Forever More. The latter, sang with an acoustic guitar and ukelele, is about wanting to take off your shoes and socks forever more. ‘One of these days’ going to make it back ‘to your mattress’… but ‘I have a thing about sound sufficiency’. It’s a haunting, touching song about decisions, desires and, ‘that someone’. Moon has to be the most splendid of songs about first breath romance. After being lost in the skies, the couple come down, gasping for air and hit by reality. It has only a few lines, but manages an upbeat yet serious undertone feel to it. ‘We had the Moon’ says all it needs to.

This Is The Kit by Kayleigh Bluck
This Is The Kit by Kayleigh Bluck.

It’s nice to be sitting down when you listen to This Is The Kit, with some Pear and Apple cider preferably, or indeed a cafe au lait, if you want to make it French. At many of their relaxed, low key shows (such as Village Halls) you can do this. However, This Is The Kit have also played with big Folk heros like Jeffrey Lewis in their time – so you’ll probably be somewhere bigger, without sitting potential and Maureen and Agnes’ tapestry collections festooning the wooden walls (shame). Multitalented Stables plays guitar, banjo, trumpet and percussion. Often she is joined on stage by her musical friends including Rozi Plain, Jim Barr and Francois and The Atlas Mountains. Tres Bon. Their latest album, Wriggle Out The Restless, on Dreamboat Records, was produced by long term collaborator, Jesse D Vernon, who also often plays on stage as a two piece with Stables.

Continuing to flit across the Channel, This Is The Kit are worth seeing whilst they are this side. They encourage the celebration of the pure and simple things in life. The joy from another person and the beauty right out there. French people will tell you about this: I quote Chamfort, the 18th century French playwright: “Contemplation often makes life miserable. We should act more, think less, and stop watching ourselves live.” Think about this, at a time when most of the world belongs to some form of networking site. Encouraging self evaluation, we discuss our loves, losses, diets and determinations into the abyss. France and This Is The Kit say: look out and to the people we care about.

This Is The Kit released their latest album Wriggle Out the Restless last week on Dreamboat Records. They are also touring at the moment. Catch them in London during mid November, or check out other dates on our listing here.

Categories ,bristol, ,Cider, ,Dreamboat Records, ,folk, ,france, ,Francois and The Atlas Mountains, ,french, ,Jeffrey Lewis, ,Jesse D Vernon, ,Jim Barr, ,Kate Stables, ,Kayleigh Bluck, ,Martha Tilston, ,mary hampton, ,paris, ,Rozi Plain, ,This Is The Kit

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Amelia’s Magazine | Larmer Tree Festival 2011 Review, Friday: Bellowhead, Russell Kane, Yoga, Bane

russell-kane-by-finn-obrien
Russell Kane by Finn O’Brien.

Larmer Tree Festival 2011 review tom leadbetter
We woke up early on Friday at Larmer Tree Festival, order baked out of our tent by the brilliant sunshine… and turned up to witness the very end of the traditional morning yoga session on the main lawn… hundreds of people sat on mats in front of the Garden Stage in what has apparently become a Larmer Tree ritual. That was swiftly followed by Tai Chi… see if you can spot Tom Leadbetter. I’m gutted I didn’t get to sample these classes, viagra but rain was to blight Larmer for the rest of the weekend.

Larmer Tree Festival 2011 review Polly and the Billets Doux, <a target=hospital ” title=”Larmer Tree Festival 2011 review Polly and the Billets Doux,” width=”480″ height=”480″ class=”aligncenter size-full wp-image-45956″ />Larmer Tree Festival 2011 review Polly and the Billets Doux,
Polly and the Billets Doux by Claire Kearns
Polly and the Billets Doux by Claire Kearns.

First act of the day for me was Polly and the Billets Doux, first encountered at Wood Festival a few months back.

Larmer Tree Festival 2011 reviewLarmer Tree Festival 2011 review
Their laid back bluesy folk was the perfect accompaniment to a lazy morning with the Guardian (rather amusingly the locally run general store had heaps and heaps of the Grauniad and, for variety’s sake, about three copies each of every other paper…they know their market alright).

Larmer Tree Festival 2011 reviewLarmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review colour garden
Larmer Tree Festival 2011 review crochet
Larmer Tree Festival 2011 review crochet
Larmer Tree Festival 2011 review dish
During our daily walk through the woods we discovered more interesting stuff… natural dye techniques from foraged plants with Francesca Owen, a bell tent devoted to knitting and crochet, a lovely little cake parlour called Dish.

Larmer Tree Festival 2011 review HEALING
Larmer Tree Festival 2011 review HEALING
Of course I looked longingly inside all the healing tents…mmmm….massage. Didn’t have one though.

Larmer Tree Festival 2011 review cutashineLarmer Tree Festival 2011 review cutashine
Larmer Tree Festival 2011 review cutashine
Cut A Shine Barndance by Hollie McManus
Cut A Shine Barndance by Hollie McManus.

Then we popped over to see my old band Cutashine teach barndancing in the Big Top.

Larmer Tree Festival 2011 review the spreeLarmer Tree Festival 2011 review the spree
Outside I was intrigued by indie anthems from Devon based The Spree. Searching for them online proved a major problem though!

YouTube Preview Image
Turns out Spree is a popular band name… when I did finally locate them I rather handily found this video of them playing the ARC, which I missed

Larmer Tree Festival 2011 review arts tentLarmer Tree Festival 2011 review arts tentLarmer Tree Festival 2011 review arts tentLarmer Tree Festival 2011 review arts tent
Larmer Tree Festival 2011 review arts tent
A quick scout around the arts tent revealed a wealth of grassroots creativity.

Larmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circusLarmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circus
Larmer Tree Festival 2011 review circus
The fine weather continued as children learnt circus skills alongside parents. But we had another destination: Bane, in the Daytime Club Larmer.

Larmer Tree Festival 2011 review Bane Joe BoneLarmer Tree Festival 2011 review Bane Joe Bone
Performed as a one man show by Joe Bone (with a little atmospheric help from guitarist Ben Roe) this was an outstanding blend of fill noir, graphic novel, mime and comedy, as narrated by fictional hit man Bruce Bane. An absolute must see if you get the chance.


Larmer Tree Festival 2011 review The Joker & The Thief,
Back on the stage we listened to The Joker & The Thief, with some excellent sax driven blues tunes… but why the American accent? You’re from London! Someone has been listening to just a bit too much Kings of Leon

Larmer Tree Festival 2011 review -Goodnight Lenin
Larmer Tree Festival 2011 review -Goodnight Lenin
Larmer Tree Festival 2011 review -Goodnight Lenin
Larmer Tree Festival 2011 review -Goodnight Lenin
Goodnight Lenin by Sumi Senthi
Goodnight Lenin by Sumi Senthi.

Then to visit our friends Goodnight Lenin, with whom I’ve been conversing since I first heard them at Wood. They were as charming as ever ‘We never used to be a cabaret act but we’re branching out…‘ They gave away a signed Bookcrossing book… by Jeffrey Archer, and totally wowed the relatively laid back daytime audience: I had to part the crowds when I went to say hi to them in the Songlines signing tent afterwards.

Larmer Tree Festival 2011 review Mama Rosin
Larmer Tree Festival 2011 review Mama Rosin
Mama Rosin must be one of those rare French speaking bands to appeal to Brit audiences. The Larmer Tree crowd thoroughly enjoyed the folky accordion driven tunes of this three piece.

Larmer Tree Festival 2011 review -Kidnap Alice
Larmer Tree Festival 2011 review -Kidnap Alice
We missed My First Tooth for tea (there was a generally very high standard of food on offer at Larmer Tree) but I could hear some beautiful boisterous sounds wafting out of the ARC. Then it was time to see friends in Kidnap Alice, fronted by (unsurprisingly) a girl called Alice – whom I have known for sometime, but had absolutely no idea could sing so amazingly fiercely well. Also in the band are banjo player Joe Buirski, double bassist Felix and other assorted old time musicians who make up the current version of Cutashine. My friend Dan (also known as Danimal for reasons best not mentioned here) was present on accordion – which he seems to have taught himself in the blink of an eye. Well well impressed… particularly by their own Appalachian inspired foot stomping anthems. ‘How come no one’s dancing… are you dead?‘ importuned their dungaree clad mandolinist. I can see his point. Definitely worth checking out live.

Larmer Tree Festival 2011 review Bellowhead
Larmer Tree Festival 2011 review Bellowhead
Larmer Tree Festival 2011 review Bellowhead
Bellowhead by Amy Rogers
Bellowhead by Amy Rogers.

Friday’s big band was Bellowhead… fronted by Jon Boden, with whom I used to attend folk singing Glee camps (well before the term Glee became fashionable) It’s funny because back then he was a right stickler for sticking to prescribed folk techniques, but Bellowhead takes trad folk and blows it right out of the water with a high octane jump up and dance hoedown of a show. I think that for many festival goers this was an absolute highlight of Larmer Tree this year – it was certainly one of mine. Bellowhead have gone out on a limb with something completely unique and different and it works amazingly well. I suppose I should have known where Jon would eventually go when he turned up on camp one year and played a superb fiddle version of Hit Me Baby (One More Time) by Britney Spears.

Larmer Tree Festival 2011 review Kidnap Alice
Kidnap Alice by Claire Kearns
Kidnap Alice by Claire Kearns.

There’s a certain beauty in the way that both Bellowhead and Kidnap Alice have grown in part out of a love of fireside singing on FSC camps – Joe and Dan of Kidnap Alice have taken traditional American tunes of the type we sing and turned them into something totally new, whilst Jon Boden has played around with traditional British songs for Bellowhead. And at Larmer Tree they were programmed up against each other…

Larmer Tree Festival 2011 review -Ozomatli
Larmer Tree Festival 2011 review -Ozomatli
Larmer Tree Festival 2011 review -Ozomatli
Ozomatli were something of a let down straight after Bellowhead, but then I’m not the biggest world music fan.

Larmer Tree Festival 2011 review -James Acaster
Larmer Tree Festival 2011 review -Tom Wrigglesworth
Comedy was compered by a double hatted James AcasterTom Wrigglesworth was on first and I’m ashamed to say I can’t remember much of it… probably because I was sat squished into a small blob on the floor with no view of the stage: the tent was absolutely rammed.

Larmer Tree Festival 2011 review -Russell Kane
Larmer Tree Festival 2011 review -Russell Kane
Luckily I found a boyfriend’s lap in time for Russell Kane, who was my unreserved comedy highlight of the festival. He leapt on stage with a brand new look clearly prompted by a break up that formed the backbone of much of his material… a spinning whirlwind of peroxide blonde quiff and tight jeans. There were many ‘postmodern’ digressions into some hilarious anecdotal stories about the middle class Jemimas whom he had overheard at the festival and I’ve honestly not laughed so much in ages. His hyper energetic set was totally up my street, probably in part because it reminded me of my own manic presenting style (ask anyone who’s seen me talk or call a ceilidh) but also because I could relate so closely to his material… I’ve had my heart totally and utterly broken, and I recognise so many of his traits in other men who would never so honestly admit to their feelings. Want. To see. Again.

Larmer Tree Festival 2011 review
Overheard the next day: a group of posh Devonshire teenagers (pretending they knew how to hold a fag) discussing what Russell Kane meant by the word ‘totes’ peppered liberally through his set – they were convinced he meant Tilly or Antonia. ‘Definitely, yar.’ Hilar.

Larmer Tree Festival 2011 review poetry Polly Malone
Polly Malone performing in Lyrical Lostwood.

Larmer Tree Festival 2011 review tunnel vision
Before bed we took a last minute walk through a ghostly installation in the woods… bubbles of light floating past us as we negotiated the laurel tunnel to the sounds of Brian Eno. Tunnel Vision was put together by Ulf Mark Pedersen.

Categories ,Amy Rogers, ,Appalachian, ,ARC, ,Bane, ,Bellowhead, ,Ben Roe, ,Big Top, ,Bookcrossing, ,brian eno, ,Camps, ,Claire Kearns, ,Cutashine, ,Daytime Club Larmer, ,Dish, ,Finn O’Brien, ,folk, ,Francesca Owen, ,FSC, ,Garden Stage, ,Glee, ,Goodnight Lenin, ,Guardian, ,Healing, ,Hit Me Baby (One More Time), ,Hollie McManus, ,James Acaster, ,Jeffrey Archer, ,Joe Bone, ,Joe Buirski, ,Jon Boden, ,Kidnap Alice, ,Kings of Leon, ,Lyrical Lostwood, ,Mama Rosin, ,My First Tooth, ,Ozomatli, ,poetry, ,Polly Malone, ,Russell Kane, ,Songlines, ,Sumi Senthi, ,Tai Chi, ,The Joker & The Thief, ,The Spree, ,Tom Leadbetter, ,Tom Wrigglesworth, ,Tunnel Vision, ,woodland, ,World Music, ,Yoga

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Amelia’s Magazine | Architecture in Helsinki

Apt that Architecture in Helsinki should choose Kings College as the host for their one and only UK date, as the youthful energy of the student haunt provides an active harmony to the sounds of their latest album Places Like This. Instantly cheery and colourful, the six piece Melbourne based ensemble took to the stage and looked every inch the eccentric and varied spectrum that their musical style denotes.

Famed for their love of layering unusual instruments, Architecture In Helsinki do not disappoint, seamlessly gliding between the triangle to the trombone, synthesizer to drum machine; each member equally contributing to the all encompassing joyous rapture that marks a departure from their back catalogue. Places Like This is an accelerated jaunt from their obscure yet eccentric indie roots and a satisfying arrival into unashamed quirky pop.

Understandably, this genuine love for upbeat, textured sounds has brought them industry admirers, and a legion of eager collaborators. One of whom was present on the night, critically acclaimed producer and performer Max Tundra. Another notable fan is the legendary David Byrne of Talking Heads who they recently supported in New York. And it is Byrne whom Cameron Bird inadvertently channels in his performance; spellbound and transfixed, Bird manipulates his voice to astounding and occasionally comic effect resulting in a tumultuously theatrical experience. Providing effervescent and excitable bubblegum vocal harmonies, Kelly Sutherland is a joy to watch, she is playful on stage; deflecting the warmth and charisma that emanates from Bird.

As an ensemble, Architecture in Helsinki appear to be refreshingly unaware of themselves, with a natural and charismatic demeanour. This proved to be a useful attribute when the ferocious drumming from Bird resulted in a collapsed drum machine. Luckily the rest of the band were on hand to help gaffa tape it to his body while Bird indulged in some light-hearted banter to keep the tempo up.

The warm atmosphere of the night culminated in an uplifting encore performance of the forthcoming single Heart It Races. The Aussies in the crowd were audible in their enjoyment but be warned, we’re fast adopting Architecture in Helsinki as our own.

Categories ,Architecture in Helsinki, ,Gig, ,Indie, ,Live

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