Amelia’s Magazine | Yeashin: London Fashion Week S/S 2014 Catwalk Review

Yeashin S/S 2014 by Slowly The Eggs
Yeashin S/S 2014 by Slowly The Eggs.

Last season Yeashin‘s Woodland collection trod a narrow line between dressing up and playing dress up (kid style) so I was intrigued to see how this Korean label would progress with a stand alone show.

Yeashin S:S 2014 by Lynne Datson
Yeashin S/S 2014 by Lynne Datson.

Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
Yeashin S/S 2014. All photography by Amelia Gregory.

Yeashin S:S 2014 by Gaarte
Yeashin S/S 2014 by Gaarte.

The extravagant layering of texture and colour that worked so well in the winter collection were translated with less success into a more summery vibe: plenty of frills, pearls and embroidery splashed across loose little girl bib dresses and used to vamp up cute girly blouses (the best garments in this show), all worn by models with long shimmery limbs. Pleats, bobbly spots and scattered leaves were echoes of last season too, this time accessorised with pie crust paper hats and simple nude coloured heels.

Yeashin S/S 2014 by Claire Kearns
Yeashin S/S 2014 by Claire Kearns.

Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
Yeashin SS 2014-photography by Amelia Gregory
This was a resolutely whimsical collection that erred a little too much towards the saccharine for my taste. I look forward to seeing how Yeashin develops as the seasons go forward.

Categories ,Claire Kearns, ,Fashion Scout, ,Freemasons’ Hall, ,Gaarte, ,Lynne Datson, ,S/S 2014, ,Slowly the Eggs, ,Summer Afternoon Party, ,woodland, ,Yeashin

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Amelia’s Magazine | Yifang Wan: London Fashion Week A/W 2014 Catwalk Review

Yifang Wang A/W 2014 by Slowly The Eggs aka Maria Papadimitriou

Yifang Wan A/W 2014 by Slowly The Eggs aka Maria Papadimitriou.

Yifang Wan showcased a sleek collection accessorised with dagger sharp neckwear as a Fashion Scout Merit Award winner this time last year, so it was great to catch up with her again. Against a backdrop of glitchy beats she sent models down the catwalk in a range of seductive wintery hues – lilac, glittery navy blue, deep plum and grey, paired with bare legs and the simplest of black heels.

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Wan’s talent lies in the creation of super desirable clothing which nevertheless bears a unique twist – this season boxy jackets, simple flip skirts and elegant tapered trousers in wool and mohair were variously cut with patch pockets, pleats, wide collars and dangling lengths of fabric.

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Asymmetric shapes, apron layers and a detachable collar feature gave yet another element of interest to this wonderful collection. Yifang Wan calls this ‘simplistic workwear’ and indeed it is – the perfect way to dress for modern working life at the desk and dashing between meetings. I think she will soon amass countless fawning fans, eager to adopt the Yifang Wan way of dressing for work.

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

Yifang Wang AW 2014-photography by Amelia Gregory

All photography by Amelia Gregory.

Categories ,A/W 2014, ,Fashion Scout, ,lfw, ,Maria Papadimitriou, ,Merit Award Winner, ,review, ,Slowly the Eggs, ,Yifang Wan

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Amelia’s Magazine | Simon Ekrelius introduces Monochrome, his new A/W 2014 collection

Simon Ekrelius A/W 2014 by Slowly The Eggs aka Maria Papadimitriou

Simon Ekrelius A/W 2014 by Slowly The Eggs aka Maria Papadimitriou.

Last week Simon Ekrelius showcased a preview selection of garments from his pared down A/W 2014 collection, titled Monochrome. Inspired by iconic model Lee Miller, this season the Swedish designer has focused on a sleek and eminently wearable silhouette, which features innovative fabric treatments and his razor sharp signature tailoring.

Simon Ekrelius A/W 2014 by Megan Thomas

Simon Ekrelius A/W 2014 by Megan Thomas.

When did you first discover the muse for your latest collection, Lee Miller?
Many years ago when I read into Man Ray‘s life and realised that Lee was very involved with his work and the solarisation technique.

simon ekrelius 1

simon ekrelius 2

How did this translate into elements of the Monochrome collection?
Indirectly I wanted to translate the feeling I had for her relationship with photography, perhaps a longshot for some but my idea was to describe her in the time now if she would be alive. So I cut lines all over the body, which were then sprayed and painted. Many of the constructions retain a certain mood, as does the palette and the structure of the fabrics. She created something very subdued through photography; very beautiful and simple. She was stuck in my mind for a long period and now was the right time to bring it all up.

Simon Ekrelius A/W 2014 by Sangita Kumari

Simon Ekrelius A/W 2014 by Sangita Kumari.

What are the key materials and processes used in these garments?
There is wool, cotton, silk, poly blends and nylon. The crème coloured cotton canvas and the black cotton satin has been painted and then sprayed with acrylic.

simon ekrelius 3

simon ekrelius 4

What are your favourite pieces in the collection?
The wool coat with pleats, the spray painted pieces, the black silk organza blouse and dress, the grey pieces, the black shiny and matt jersey dress and the jumpsuit with lighter vertical lines.

simon ekrelius 5

Simon Ekrelius A/W 2014 by xplusyequals

Simon Ekrelius A/W 2014 by xplusyequals.

Who do you hope will wear these garments and why?
Kate Moss, Tilda Swinton, Lily Cole, and Cate Blanchett: because I know they would carry my pieces perfectly.

You can read our previous interview with Simon Ekrelius here.

Categories ,A/W 2014, ,Cate Blanchett, ,Kate Moss, ,Lee Miller, ,Lily Cole, ,Man Ray, ,Maria Papadimitriou, ,Megan Thomas, ,monochrome, ,Sangita Kumari, ,Simon Ekrelius, ,Slowly the Eggs, ,Tilda Swinton, ,xplusyequals

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Amelia’s Magazine | Xiao Li, Fashion Scout Merit Award Winner: London Fashion Week A/W 2014 Catwalk Review

Xiao Li A/W 2014 by Slowly The Eggs aka Maria Papadimitriou

Xiao Li A/W 2014 by Slowly The Eggs aka Maria Papadimitriou.

We covered Xiao Li when she took part in the graduate showcase at Fashion Scout last season, and this year she returned to the catwalk with a stunning new collection as a winner of the much coveted Fashion Scout Merit Award. Chinese born Xiao Li is yet another example of the great education we provide in the arts, gaining an BA in womenswear from LCF and then an MA in knitwear from the RCA. She sent her clothing down the catwalk to one of my current favourite tunes: a cover of Daft Punk’s Get Lucky by Daughter. It was the perfect accompaniment to her collection, sweet as sugar but totally fresh and modern.

Xiao Li by Katie Rose Johnston

Xiao Li by Katie Rose Johnston.

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Girls wore a simple pink wash in their hair, minimal make up and clumpy platform sandals to accompany billowy mesh, latex and silicon separates covered in geometric 3D decorative details. There were gigantic puffy sleeves, feature pockets, frou frou pencil skirts, wide legged trousers, a cape and even a pair of dungarees.

Xiao Li by Amy Dover

Xiao Li by Amy Dover.

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li AW 2014-photography by Amelia Gregory

Xiao Li by Katie Rose Johnston

Xiao Li by Katie Rose Johnston.

Xiao Li’s strength is in her deft combination of unexpected material, technique and shape to create an extraordinary and often breathtaking silhouette. The predominantly baby blue and cream palette was offset by the use of intense royal blue, with the last outfit spectacularly fading into dark so that the integral LED lights glowed in an otherworldly manner.

Xiao Li AW 2014-photography by Amelia Gregory

All photography by Amelia Gregory.

Categories ,Amy Dover, ,Daft Punk, ,Daughter, ,Fashion Scout, ,Get Lucky, ,iceland, ,Katie Rose Johnston, ,LCF, ,Maria Papadimitriou, ,Merit Award, ,rca, ,Slowly the Eggs, ,Xiao Li

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Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Catwalk Review: Asger Juel Larsen Vs t.lipop

t.lipop LFW SS12 menswear by Faye West

t.lipop S/S 2012 by Faye West

Asger Juel Larsen versus t.lipop – not the first time to appear together – showed at Vauxhall Fashion Scout on the last day of London Fashion Week and gave me my most interesting queueing experience during this season. Upon arriving there was a multitude of cool young things waiting to go in – to my delight a lot of them were boys wearing big chunky jewellery! – while a little later the marvellously coiffured Prince Cassius joined the queue behind me, nurse quickly to be noticed and taken inside by the Blow PR girls. While I felt a little saddened that my co-queueing with Prince Cassius was so brief, approved I overheard a girl saying ‘oh, there is Kate Moss!’, which quickly distracted me from my loss. Immediately the whole queue, as if choreographed, leaned to the right to take a peak and of course a few cameras pointed towards her and husband Jamie Hince.

Asger Juel Larsen LFW SS12 menswear by Gemma Sheldrake
Asger Juel Larsen SS12 by Gemma Sheldrake

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

After being seated in the packed space inside, Asger Juel Larsen‘s models started coming out fast and aggressively. I really enjoyed elements such as the slightly twisted animal prints or the spiked prosthetic beards – reminding me of Bearded Dragons under threat – both of which impressively spelt out ‘wildness’. One of those spiked beards worn by a girl as well as a glorious chain mail army style headpiece with bull horns added the notion of the ‘beast’ to the collection. I am all for a little bit of bearded ladies and mythological creatures such as the Minotaur!

Asger Juel Larsen LFW SS12 menswear by Gareth A Hopkins
Asger Juel Larsen S/S 2012 by Gareth A Hopkins

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Maria Papadimitriou aka Slowly The Eggs
Asger Juel Larsen S/S 2012 by Maria Papadimitriou aka Slowly The Eggs

I thought the themes of wilderness, fighting and survival suggested by the symbolism described above were brilliantly complimented by a number of woolly hats with different metal letters stitched onto them spelling out the phrase ‘we live’. Further allusions to survival through sexual expression were added by a round stitched logo at the back of a jacket reading ‘happiness is a warm pussy’ and the brothel creepers some models wore – shoes originally worn by ex-soldiers visiting nightspots in London.

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Claire Kearns

Asger Juel Larsen S/S 2012 by Claire Kearns

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by The Pern

Asger Juel Larsen S/S 2012 by The Pern

Asger Juel Larsen LFW SS12 menswear by Jess Sharville

Asger Juel Larsen LFW SS12 menswear by Jess Sharville

Asger Juel Larsen S/S 2012 by Jessica Sharville

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear portrait by Maria Papadimitriou

The contrast between Asger Juel Larsen and the designer that followed, t.lipop, was seemingly like war and peace. t.lipop favoured a palette of pale blues, camel, white and stone, with a splash of bright orange. It was an array of generally relaxed and flowing pieces that calmed us a little after what came earlier. We saw tailored smart jackets and trousers, minimal tops and long untucked shirts that were far less aggressive, even with feminine touches such as fringed adornments and embroidery.

t.lipop LFW SS12 menswear by Celine Eliott
t.lipop S/S 2012 by Celine Eliott

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Vasare Nar
t.lipop S/S 2012 by Vasare Nar

Looking closer, however, I thought there were similarities in the underlying themes of the two collections. T.lipop’s gentlemanly clothes reminded me of movies starring wealthy imperialists in warm exotic countries – suggesting aggression and war – while the long hair and full beards on the models evoked images of castaways striving for survival. Some of the monochrome outfits with their collarless round necklines looked similar to uniforms seen in hospitals’ operating theatres or emergency units, whilst wide brimmed hats alluded perhaps to field workers, both adding to the – admittedly subtle this time – undertones of struggle and self-preservation.

t.lipop LFW SS12 menswear by Celine Elliott
t.lipop S/S 2012 by Celine Elliott

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop portrait LFW SS12 menswear by Maria Papadimitriou

With so many interesting references and inspirations in both collections, when Prince Cassius tweeted me to say he really enjoyed the show I could only tweet back in agreement!

All photography by Matt Bramford.
Photo portraits of designers by Maria Papadimitriou.

Categories ,Aggressive, ,Army, ,Asger Juel Larsen, ,Bearded Dragons, ,Bearded Ladies, ,Blow PR, ,Brothel Creepers, ,Castaways, ,Celine Elliott, ,Chain Mail, ,Claire Kearns, ,designer, ,embroidery, ,fashion, ,Faye West, ,Fighting, ,Freemasons’ Hall, ,Fringing, ,Gareth A Hopkins, ,Gemma Sheldrake, ,hats, ,Headpiece, ,Jackets, ,Jamie Hince, ,Jessica Sharville, ,jewellery, ,Kate Moss, ,london, ,London Fashion Week, ,Long hair, ,Maria Papadimitriou, ,menswear, ,minimalist, ,Minotaur, ,Mythological Creatures, ,Prince Cassius, ,Prosthetic Beards, ,Slowly the Eggs, ,Suits, ,Survivalist, ,t.lipop, ,tailored, ,The Pern, ,Tweeting, ,Uniforms, ,Vasare Nar, ,Vauxhall Fashion Scout, ,Wilderness

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Amelia’s Magazine | London Fashion Week S/S 2012 Showroom Review: EcoLuxe London

'Ecolooks' EcoLuxe London Exhibition LFW SS12 by Maria Papadimitriou aka Slowly The Eggs

‘Ecolooks’ by Maria Papadimitriou aka Slowly The Eggs

I was hugely excited that during this London Fashion Week I had the opportunity not only to go and see but also exhibit at the EcoLuxe London exhibition that took place in a beautiful space on the ground floor of the Kingsway Hall Hotel almost next to the Vauxhall Fashion Scout’s Freemasons’ Hall. Ecoluxe London takes place twice a year during London Fashion Week and is a non-profit platform that promotes fashion related ecoluxury brands and aims to raise awareness of ecological issues with the public. Its organisers, information pills Stamo and Elena Garcia, who are sustainable womenswear designers themselves, featured over 40 brands this year and EcoLuxe London is growing every year – here’s only a few examples that took my fancy!

EcoLuxe London LFW SS12 Lucy Harvey Ethical Stylist

EcoLuxe London LFW SS12 Ethical Stylist Lucy Harvey and Hetty Rose

Ethical stylist Lucy Harvey styling shoe designer Hetty Rose with a Plastic Seconds headpiece and necklace.

Upon entering the exhibition visitors were greeted by superbly talented stylist Lucy Harvey and her assistant Charlie Divall, who offered to upstyle them with various pieces from the exhibitors’ tables and then photograph them and tweet about it. I thought in this way Lucy offered a really fun, interactive introduction to the exhibition and a great way of promoting both the designers’ and the visitors’ work.

EcoLuxe London LFW SS12 Lupe Castro wearing Supported by Rain and Plastic Seconds

Stylist Lupe Castro styled by Lucy Harvey with a Supported by Rain coat and a Plastic Seconds headpiece, photo by Charlie Divall

Walking further into the exhibition the first thing to catch my eye was a series of gloriously colourful raincoats by Maria Ampatielou’s new brand Supported by Rain – seen above. Made of recycled umbrellas and end-of-roll waterproof fabrics, these raincoats are not only beautiful but also cleverly fold into their own pockets or hoods, whose insides have remained dry, so that you can put them back into your bag without any soaked diary dramas!

STAMO EcoLuxe London LFW SS12 by Celine Elliott

By Stamo S/S 2012 by Celine Elliott

EcoLuxe London LFW SS12 STAMO belt

By Stamo, which featured in Amelia’s Compendium of Fashion Illustration, is another brand I enjoyed especially because of the theatricality in the designs and the extensive use of found and recycled materials whose original form is often retained – as seen in this bullet belt.

INALA LONDON EcoLuxe London LFW SS12 by Caire Kearns

INALA London S/S 2012 by Claire Kearns

My neighbour exhibitor Alani Gibbon of INALA London showed some designs which were a natural hit with me becuase of their bright colours, but they further impressed me with their cleverness and versatility. For example a hooded short dress could be turned around and worn as an all-in-one playsuit! Not to mention the use of pulped eucalyptus fabric which felt amazing to touch.

OUTSIDER Ecoluxe London LFW SS12 by Maria Papadimitriou aka Slowly The Eggs

Outsider Fashion S/S 2012 by Maria Papadimitriou aka Slowly The Eggs

I was thrilled to see the brand Outsider winning the JP Selects womenwear award at the end of the show as they stongly promote the notion that ‘ethical’ fashion should just look like very good fashion with their range of classic but very stylish designs.

HEMYCA EcoLuxe London LFW SS12 by Celine Elliott

Hemyca S/S 2012 by Celine Elliott

Hemyca is a multi award winning brand and I was most attracted by this beautifully tailored matching dress and coat.

LFW SS2012 Agnes Valentine Ecoluxe London by Maria Papadimitriou aka Slowly The Eggs

Agnes Valentine S/S 2012 by Maria Papadimitriou aka Slowly The Eggs

Along with Hemyca above, whom I was not aware of, it was great to discover my dream swimsuit designer Agnes Valentine! The brand sources fine italian eco fabrics and their designs are minimal and classic but with bold colours and very feminine indeed.

EcoLuxe London LFW SS12 Hetty Rose shoes

EcoLuxe London LFW SS12 Hetty Rose shoes worn by Alice Wilby

It was an honour to meet another ACOFI designer Hetty Rose whose fun bespoke shoes are made using vintage Japanese kimono fabrics, Alice Wilby from Futurefrock modelled this pair and did not want to take them off!

EcoLuxe London LFW SS12 Golden Grass Company clutch

Next to Hetty Rose I found the friendly couple behind the Golden Grass Company who design jewellery and accessories for native artisans in Brazil to make out of a naturally golden, light and durable fibre, which is grown without chemicals or pesticides, under fair trade standards – LOVED this clutch!

EcoLuxe London LFW SS12 Monique Luttin headpiece

Sharing a table with me was Monique Luttin who makes intriguing headpieces using offcuts or vintage fabrics and found objects – I particularly liked this bird scull one which has a tribal, ritualistic element to it.

EcoLuxe London LFW SS12 Palstic Seconds printer packaging pendand

And finally a piece from the Plastic Seconds recycled jewellery collection I exhibited made out of the plastic, colourful bits one finds when unpacking a new printer…

As Hannah Bullivant pointed out in a previous post on EcoLuxe London, hopefully sustainable practices in fashion design will become mainstream and the brands that are still termed ‘ethical’ will no longer have to exhibit in separate showrooms and sections such as EcoLuxe or Estethica. Hopefully soon.

All photography by Maria Papadimitriou unless otherwise stated.

Categories ,Agnes Valentine, ,Alice Wilby, ,By Stamo, ,Celine Elliott, ,Charlie Divall, ,Claire Kearns, ,Classic, ,Coat, ,design, ,designer, ,Dress, ,ecodesign, ,Ecoluxe, ,Elena Garcia, ,estethica, ,Ethical brands, ,fashion, ,Feminine, ,Freemasons’ Hall, ,Futurefrock, ,Headpiece, ,Hemyca, ,Hetty Rose, ,Inala London, ,jewellery, ,Kingsway Hall Hotel, ,London Fashion Week, ,Lucy Harvey, ,Lupe Castro, ,Maria Papadimitriou, ,minimal, ,Monique Luttin Millinery, ,Outsider, ,Outsider Fashion, ,Plastic Seconds, ,Pulped Eucalyptus, ,Recycled Materials, ,shoes, ,Slow Fashion, ,Slowly the Eggs, ,Supported by Rain, ,Swimwear, ,tailoring, ,Vauxhall Fashion Scout, ,vintage, ,Womenswear

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Amelia’s Magazine | Min Wu: London Fashion Week A/W 2014 Presentation Review

Min Wu A/W 2014 by Slowly The Eggs aka Maria Papadimitriou

Min Wu A/W 2014 by Slowly The Eggs aka Maria Papadimitriou.

Min Wu is yet another of the super talented Chinese designers who are training in London and going on to showcase their collections at London Fashion Week. Min Wu gained an MA at London College of Fashion last year, and her Atmosphere and Automation presentation built on the clean lines and sculptural embellishments of her final MA collection. It also used the same eye catching ombre shading, this time on wool separates and mesh fabric crafted into both boxy and blouson shapes. The models wore their hair in intricate plaits, offset by huge swinging bead earrings.

Min Wu A/W 2014 by Briony Jose

Min Wu A/W 2014 by Briony Jose.

Min Wu AW 2014-photography by Amelia Gregory

Min Wu AW 2014-photography by Amelia Gregory

Min Wu AW 2014-photography by Amelia Gregory

Min Wu AW 2014-photography by Amelia Gregory

Min Wu AW 2014-photography by Amelia Gregory

Min Wu AW 2014-photography by Amelia Gregory

Min Wu AW 2014-photography by Amelia Gregory

All photography by Amelia Gregory.

Categories ,A/W 2014, ,Atmosphere and Automation, ,Briony Jose, ,Chinese, ,London College of Fashion, ,Maria Papadimitriou, ,Min Wu, ,Slowly the Eggs

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Amelia’s Magazine | Plastic Seconds creates a wall for Supermarket Sarah

Plastic_Seconds_wall
It’s no secret that I am a big fan of Maria Papadimitriou‘s work. Not only does she produce many wonderful collaged illustrations for Amelia’s Magazine but she also creates the most brilliant recycled jewellery under the Plastic Seconds moniker. It’s not only bold and clever but also fully sustainable, adiposity so I am really happy that people are starting to take notice. Right now she has a wall with Supermarket Sarah, ask where you can buy some beautiful bespoke pieces. I urge you to check it out.

Plastic Seconds Clownish HeadpiecePlastic Seconds Pearls and Bottlenecks Necklace

How did you decide what to make for Supermarket Sarah?
It is absolutely great that Supermarket Sarah often feature one-off items with a lot of personality, which one would perhaps wear to be different or keep as a special fashion object – a few of the gorgeous items they sell come from prop styling and photo shoots. So I wanted most of the Plastic Seconds items for the Supermarket Sarah website to be both unique and larger or more extreme in a fashion sense.

Plastic Seconds British Lids PendantPlastic Seconds Pen Lids Necklace

Can you describe what some of the Plastic Seconds pieces are made from and how you source the materials?
I use a lot of lids – from plastic bottles, glass jars, and other containers. I also love to use one-off finds like the cloakroom tags or the large jigsaw puzzle pieces and other bits from objects that we usually throw away, but their shape and colour is so lovely and fun, especially when used in an unexpected context – examples of this are the pen lids and the sushi soy sauce containers. I have slowly been collecting materials for a few years now from the recycling boxes of the flats I have been living in – and still do. At the moment one of my other main sources is my part-time job where they let me have a Plastic Seconds collection box in the kitchen and where colleagues bring me bags of their collected finds quite regularly – also it is a public space with a lot of visitors and I often do table rounds collecting bottle neck rings from abandoned bottles. Another source is my family in Greece who keep all sorts of bits they can’t recycle in my old desk drawers for me – and I do love sushi…

Plastic Seconds Sushi NecklacePlastic Seconds Plug Necklace

What piece was the most fun to make and why?
They were all quite fun, but as I said above I really enjoyed making the bigger pieces for Supermarket Sarah – like the headpieces – because I really admire people who have a strong sense of personal style or are playful with dressing up and secretly constantly hope people wore colourful big things on all occasions! Also I find it very satisfying that simple, geometric, striking pieces can be made from readily available forms. Other items that were really fun were the ones which were created by combining two different lids by snapping them into each other without using other means to keep them together – I can spend quite a lot of time trying different combinations to see which ones will fit perfectly! And finally pieces that are very satisfying to make are the ones like the big multicharm necklace made out of a thick found chain, discarded key rings collected over some time and ring pulls from soy milk cartons, because every single element – even the clasp –  is a found object and so they are very special.

Plastic Seconds Juggling Balls NecklacePlastic Seconds Make Up Brush Pendant

What next?
I would like to make some even bigger, more complex pieces and perhaps find a way to source materials in a more organised way and a way that might have a wider positive impact. In terms of little things coming up, next week I am taking part in the filming of a new pilot show called Green Screen that introduces environmental thinking in a different light at the National Film and Television School, I am hopefully opening within June my ASOS marketplace boutique in the ethical boutiques section – next to 123 and Goodone! – and in July 29-31st I will be in the Upcycled Market section, curated by the Eco Design Fair, which is part of the Vintage Weekend at the Southbank Centre!

Plastic Seconds Large Lids Headpiece

Maria caught me marvelling at one of her recycled lid pendants at my ACOFI Book Tour evening at Tatty Devine a few weeks ago and has kindly offered to make me a pendant out of my old lids, so I’m busy collecting the most exciting ones. Turning *rubbish* into desirable jewellery, it doesn’t get much better than this!

Categories ,123, ,ASOS, ,Eco Design Fair, ,Ecodesign Fair, ,goodone, ,jewellery, ,Maria Papadimitriou, ,National Film and Television School, ,Plastic Seconds, ,recycled, ,Slowly the Eggs, ,Southbank centre, ,Upcycled

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: FAD Awards


Sabine Bindere by Maria Papadimitriou aka Slowly the Eggs

Last week, salve the best young design talents in the UK topped off London Fashion Week at the Fashion Awareness Direct awards, shop held at Freemason’s Hall. Packed full of family and friends, the atmosphere (as well as being stifling hot – sort it out!) was as relaxed as it was enjoyable – an emotional end to the long journey that the 25 finalists had been on, there were tears!


Gemma Halliwell: winner of Commercial Awareness category

For a bit more background information, read the reviews from Amelia and Matt that they wrote after the 2010 awards last year, with both commenting on the heartwarming nature of the show. Less fraught with the usual Fashion Week pushing and shoving, the FAD show is really about the emerging talents of the upcoming design generation. Just like Matt, I was almost reduced into a blubbering mess by the sheer skills and inspiration of all who were taking part – I defy anyone to go to this show and not feel a bit weepy!

I should explain: basically FAD is a charitable endeavour that aims to give young people the confidence to succeed in fashion – if the enthusiasm and energy of last years winner Karmen Marie Parker is anything to go by, they have definitely suceeded. Over a series of intensive workshops held by the University of East London for 16-19 year old budding designers, the 25 showcasing on the catwalk on the evening were selected from an initial 100 entrants. Out of this final 25, the judges select and agree on an overall winner and several runner ups.

Without further ado…to the winners! 17 year old Sabine Bindere, from Barking and Dagenham College was awarded the top prize of a placement at George at Asda. Her design was one of my clear favourites during the show, as despite being put together from start to finish in just five days, showed originality and technical skill. Her double hooded dress featured a gorgeous graffiti print in red and black that Sabine created herself and would not look out of place on the high street today.



Among the designs that walked the catwalk, there were many that showed clear talent and promise that I really admired. One of these was Yasemin Cakli from City and Islington College. Her so-bright-you-need-sunglasses orange jumpsuit paired with a flared see through plastic cape was absolutely stunning. Worn by one of the best models in the show, the show-stopper of a look was a rip roaring success with the crowd as it strutted past us towards the photographers. Unsurprisingly, Calkli was awarded the runner up prize of a placement with River Island.



Yasemin Cakli by Michelle Pegrume

The beginning and end of the night was started and finished with some words from last year’s winner, Karmen Marie Parker, who gave giddy but very mature and honest advice to everyone who had taken part – the whole night I had to keep pinching myself to remind me just how young these designers were – and so there you have it. I for one, cannot wait for next year.

All photography by Florence Massey

Categories ,A/W 2011, ,Barking and Dagenham College, ,City and Islington College, ,FAD, ,FAD Awards, ,Florence Massey, ,Freemasons’ Hall, ,Gemma Halliwell, ,George at Asda, ,Karmen-Marie Parker, ,London Fashion Week, ,Maria Papadimitriou, ,Michelle Pegrume, ,River Island, ,Sabine Bindere, ,Slowly the Eggs, ,University of East London, ,Vauxhall Fashion Scout, ,Yasemin Cakli

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Alice Palmer


Illustration by Jo Cheung

So after a rollercoaster six days, capsule for sale Menswear Day and London Fashion Week drew to a close with hip-store Kokon To Zai’s label, KTZ, and what would be my final show of this season. I absolutely loved what they did last season, and I couldn’t wait to see what they’d come up with next.


All photography by Matt Bramford

A heavily policed front row meant me and illustrator Gareth took seats on the second, but I managed to get on the end so that my pictures would make it look like I was Frowing all along. I was bloody exhausted and feeling very sorry for myself, and I couldn’t help but wish that they’d just get on with it and stop papping people wearing pig masks. My legs wobbled and I struggled to keep my eyes open, but when the music started and the first look appeared, I quickly forgot my woes.


Illustration by June Chanpoomidole


Illustration by Thomas Leadbetter

Memphis-inspired fashion? I thought I’d died and gone to heaven. A pumpin’ soundtrack blasted from the PA system as gorgeous models (more women than men, but who cares?) sashayed up and down the length of the BFC tent. Stripes were a plenty on figure-hugging dresses with sweetheart necklines that feature extra flaps in that Pop Art/Memphis splatter pattern. Vibrant primary colours made black dresses playful: such a sophisticated, considered collection expertly styled by wonder-styilst Anna Trevelyan.

A whole load of other influences filtered into this power collection – the womenswear referenced power dressing from the 1980s (think Dynasty) and Mondrian’s prints; the menswear also digging up the eighties with (faux!) fur lapels and broad shoulders.


Illustration by Abby Wright

I have to admit, I did prefer the womenswear – it was far more wearable for fashion-forward ladies and it oozed sex appeal with dresses cut above the knee and details in all the right places to emphasise the curves. The menswear featured striped balaclavas topped with pom-poms, acrylic brooches which referenced the womenswear, over-sized imposing puffa jackets and graphic-print trousers. But it’ll be the womenswear that cements Kokontozai’s place as one of London’s hottest design duos.


Illustration by Lesley Barnes

Huge orb-like creations were worn on wrists, picking out patterns from lapels. And, oh, the cuts! Dynamic pieces of fabric were layered onto classic tailored pieces to give them a seriously sexy aesthetic. This was a collection that was playful but sophisticated at the same – a really difficult challenge to pull off.


Illustration by Valerie Pezeron

I loved EVERYTHING about it. I can’t put it into words, so just have a look at the pictures. Oh, and read Amelia’s more comprehensive and articulate review here!

You can see more from Jo Cheung, June Chanpoomidole, Abby Wright and Lesley Barnes in Amelia’s Compendium of Fashion Illustration!


Marnie for Ziad Ghanem A/W 2011 by Tigz Rice
Marnie Scarlet for Ziad Ghanem A/W 2011 by Tigz Rice.

Ziad Ghanem‘s Never End, salve Never End, troche Never End was one of those hotly tipped shows that all my contributors were desperate to go to so I was promised performance catwalking at its best. What I hadn’t expected was to land a prime seat right opposite Boy George, looking remarkably svelte next to Daniel Lismore.

Boy George and Daniel Lismore. Photography by Amelia Gregory
Boy George and Daniel Lismore. Photography by Amelia Gregory.

I remember the allure of Karma Chameleon, back when a dodgy video was sufficient accompaniment for pop songs of such genius. Colour by Numbers was actually the VERY FIRST album that I owned, given to me by my aunt on good old cassette tape.

YouTube Preview Image

But then, ah, the show!!! This collection was inspired by a horror video game called Silent Hill and the work of Romantic painter John Henry Fuseli, and it explored themes of gothic romance. The press release states that the same garment viewed in a dark, gothic context by one viewer will be interpreted as romantic and liberating by the next.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by Jessica Holt
Ziad Ghanem A/W 2011 by Jessica Holt.

The show opened with a stunning piece of performance, as a red-headed model appeared in gothic Tim Burton-esque make up, black skirts tumbling as she grew before our eyes into a 12 foot monster burlesque bride waving great green feathered fans. Thereafter followed a series of printed, billowing capes and tightly corseted dresses, all accessorised with veils, reddened eyes, cracked cheeks and Joker smiles. Apparently Ziad asked each model to choose their own favourite horror film make up for the show.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by Jamie McGregor
Ziad Ghanem A/W 2011 by Jamie McGregor.

Androgynous models wore chiffon and beaded dresses, a spooky ghost couple trailed still more netting behind as they faced the photographers together. Amidst the drama cleverly made outfits showcased traditional haute couture skills using bias cut vintage silk chiffons and duchess satin that flowed around the body.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by The Lovely Wars
Ziad Ghanem A/W 2011 by The Lovely Wars.

A white faced creature smeared its face with black paint and make up took a turn towards our feathered friends: blue winged eyes echoing the giant bird prints on winged dresses. Out stepped a ballet dancer on pointe, edging down the catwalk in frilled lilac, her skull face shrouded in grey. As she retreated backwards a series of busty ladies swept down the catwalk in eminently wearable multi coloured chiffon dresses: amongst them walked transvestites, burlesque artists and a giant lady in grey. I particularly adored the bustle backed electric fuchsia number that emphasised every womanly curve.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by The Lovely Wars
Ziad Ghanem A/W 2011 by The Lovely Wars.

Taking the art of the catwalk to fantastical heights, Ziad Ghanem proved that his shows really are worth the hype, with or without the added bonus of an 80s pop idol in a fabulous yellow fedora. You can read more about his unique selection of models here.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia Gregory
Ziad Ghanem A/W 2011. Photography by Amelia Gregory.

You can also read Florence Massey’s review of the Ziad Ghanem show here.

Alice Palmer A/W 2011 by Maria Papadimitriou
Alice Palmer A/W 2011 by Maria Papadimitriou.

Glaswegian Alice Palmer makes extravagantly shaped knitwear. Now based in London, medical she demonstrated her ‘polyhedra knitting’ skills to the max with her Into the Void collection. The press release cites the minimalism of Anish Kapoor, side effects the eccentric dreams of flying machine enthusiast Gustav Mesmer, who invented an Umbrella Helicopter, and Black Sabbath as diverse influences, but you’d be hard pushed to identify them in anything more than the loosest of contexts.

Alice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 by Gilly RochesterAlice Palmer A/W 2011 by Gilly Rochester
Alice Palmer A/W 2011 by Gilly Rochester.

Abstracted shapes in monochrome and muted gold were the basis of Into the Void, extended and furled from the body in stunning 3D folds like the skin of an exotic ridged lizard. Large dangling flaps resembled the armoured scales of a dinosaur as they capsized down low cut backs, or heaved forwards like ruptured innards. Hair was layered high on top of the head, and eyes pronounced with winged eyebrows in severest black. Tight fitting dresses with a geometric pattern like rippling water were amongst the most desirable in terms of wearability.

Alice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void All photography by Amelia Gregory.Alice Palmer A/W 2011 Into the Void Daniel Lismore photography by Amelia Gregory.Alice Palmer A/W 2011 by Emmi OjalaAlice Palmer A/W 2011 by Emmi Ojala
Alice Palmer A/W 2011 by Emmi Ojala.

I was particularly captivated by the amazing spike jewellery which came bobbing seductively past me at eye level on wrists, and around necks, and dangling in great stacked globes off fingers. It was created by Karen-Ann Dicken of Oread Jewellery, a fellow Glaswegian who trained at the Royal College of Art. For this catwalk show she lent her Geo designs, made from steel, silver, semi-precious stones and cubic zirconia.

Alice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryAlice Palmer A/W 2011 Into the Void. Photography by Amelia GregoryKaren-Ann Dicken geo necklaceKaren-Ann Dicken geo necklace in steel
Geo necklace images courtesy of Karen-Ann Dicken.

Alice Palmer A/W 2011 Into the Void. Rebekah Roy. Photography by Amelia Gregory
Alice Palmer A/W 2011 Into the Void stylist, the lovely Rebekah Roy. All photography by Amelia Gregory.

You can view more work by Emmi Ojala in my first book, Amelia’s Anthology of Illustration, available here.

Categories ,Alice Palmer, ,Amelia’s Anthology of Illustration, ,Anish Kapoor, ,architectural, ,Black Sabbath, ,Cubic Zirconia, ,Daniel Lismore, ,Emmi Ojala, ,Fashion Scout, ,Geo Designs, ,Geo Necklace, ,geometric, ,Gilly Rochester, ,glasgow, ,Gustav Mesmer, ,Into the Void, ,Karen-Ann Dicken, ,knitwear, ,lfw, ,Maria Papadimitriou, ,minimalism, ,monochrome, ,Oread Jewellery, ,Polyhedra Knitting, ,Rebekah Roy, ,Royal College of Art, ,Silver, ,Slowly the Eggs, ,Steel, ,Umbrella Helicopter

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