Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Catwalk Review: Asger Juel Larsen Vs t.lipop

t.lipop LFW SS12 menswear by Faye West

t.lipop S/S 2012 by Faye West

Asger Juel Larsen versus t.lipop – not the first time to appear together – showed at Vauxhall Fashion Scout on the last day of London Fashion Week and gave me my most interesting queueing experience during this season. Upon arriving there was a multitude of cool young things waiting to go in – to my delight a lot of them were boys wearing big chunky jewellery! – while a little later the marvellously coiffured Prince Cassius joined the queue behind me, nurse quickly to be noticed and taken inside by the Blow PR girls. While I felt a little saddened that my co-queueing with Prince Cassius was so brief, approved I overheard a girl saying ‘oh, there is Kate Moss!’, which quickly distracted me from my loss. Immediately the whole queue, as if choreographed, leaned to the right to take a peak and of course a few cameras pointed towards her and husband Jamie Hince.

Asger Juel Larsen LFW SS12 menswear by Gemma Sheldrake
Asger Juel Larsen SS12 by Gemma Sheldrake

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

After being seated in the packed space inside, Asger Juel Larsen‘s models started coming out fast and aggressively. I really enjoyed elements such as the slightly twisted animal prints or the spiked prosthetic beards – reminding me of Bearded Dragons under threat – both of which impressively spelt out ‘wildness’. One of those spiked beards worn by a girl as well as a glorious chain mail army style headpiece with bull horns added the notion of the ‘beast’ to the collection. I am all for a little bit of bearded ladies and mythological creatures such as the Minotaur!

Asger Juel Larsen LFW SS12 menswear by Gareth A Hopkins
Asger Juel Larsen S/S 2012 by Gareth A Hopkins

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Maria Papadimitriou aka Slowly The Eggs
Asger Juel Larsen S/S 2012 by Maria Papadimitriou aka Slowly The Eggs

I thought the themes of wilderness, fighting and survival suggested by the symbolism described above were brilliantly complimented by a number of woolly hats with different metal letters stitched onto them spelling out the phrase ‘we live’. Further allusions to survival through sexual expression were added by a round stitched logo at the back of a jacket reading ‘happiness is a warm pussy’ and the brothel creepers some models wore – shoes originally worn by ex-soldiers visiting nightspots in London.

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Claire Kearns

Asger Juel Larsen S/S 2012 by Claire Kearns

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by The Pern

Asger Juel Larsen S/S 2012 by The Pern

Asger Juel Larsen LFW SS12 menswear by Jess Sharville

Asger Juel Larsen LFW SS12 menswear by Jess Sharville

Asger Juel Larsen S/S 2012 by Jessica Sharville

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear by Matt Bramford

Asger Juel Larsen LFW SS12 menswear portrait by Maria Papadimitriou

The contrast between Asger Juel Larsen and the designer that followed, t.lipop, was seemingly like war and peace. t.lipop favoured a palette of pale blues, camel, white and stone, with a splash of bright orange. It was an array of generally relaxed and flowing pieces that calmed us a little after what came earlier. We saw tailored smart jackets and trousers, minimal tops and long untucked shirts that were far less aggressive, even with feminine touches such as fringed adornments and embroidery.

t.lipop LFW SS12 menswear by Celine Eliott
t.lipop S/S 2012 by Celine Eliott

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Vasare Nar
t.lipop S/S 2012 by Vasare Nar

Looking closer, however, I thought there were similarities in the underlying themes of the two collections. T.lipop’s gentlemanly clothes reminded me of movies starring wealthy imperialists in warm exotic countries – suggesting aggression and war – while the long hair and full beards on the models evoked images of castaways striving for survival. Some of the monochrome outfits with their collarless round necklines looked similar to uniforms seen in hospitals’ operating theatres or emergency units, whilst wide brimmed hats alluded perhaps to field workers, both adding to the – admittedly subtle this time – undertones of struggle and self-preservation.

t.lipop LFW SS12 menswear by Celine Elliott
t.lipop S/S 2012 by Celine Elliott

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop LFW SS12 menswear by Matt Bramford

t.lipop portrait LFW SS12 menswear by Maria Papadimitriou

With so many interesting references and inspirations in both collections, when Prince Cassius tweeted me to say he really enjoyed the show I could only tweet back in agreement!

All photography by Matt Bramford.
Photo portraits of designers by Maria Papadimitriou.

Categories ,Aggressive, ,Army, ,Asger Juel Larsen, ,Bearded Dragons, ,Bearded Ladies, ,Blow PR, ,Brothel Creepers, ,Castaways, ,Celine Elliott, ,Chain Mail, ,Claire Kearns, ,designer, ,embroidery, ,fashion, ,Faye West, ,Fighting, ,Freemasons’ Hall, ,Fringing, ,Gareth A Hopkins, ,Gemma Sheldrake, ,hats, ,Headpiece, ,Jackets, ,Jamie Hince, ,Jessica Sharville, ,jewellery, ,Kate Moss, ,london, ,London Fashion Week, ,Long hair, ,Maria Papadimitriou, ,menswear, ,minimalist, ,Minotaur, ,Mythological Creatures, ,Prince Cassius, ,Prosthetic Beards, ,Slowly the Eggs, ,Suits, ,Survivalist, ,t.lipop, ,tailored, ,The Pern, ,Tweeting, ,Uniforms, ,Vasare Nar, ,Vauxhall Fashion Scout, ,Wilderness

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Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Day Catwalk Review: James Small


James Small S/S 2012 by Milly Jackson

I arrived at the James Small show pretty early – such is the bonkers London Fashion Week schedule that some shows overlap and then you’re left with huge gaps in your day. I joined the small but perfectly formed queue and waited for a pal to arrive. The show was delayed, prescription I was informed, because of the knock-on effect of late-runners throughout the day. The queue eventually began moving a mere 20 minutes late, and just as we were about to be let in, we were halted by an impossibly gorgeous PR girl. Her colleague came over and whispered ‘Kate’s imminent, we should hold the queue‘. Now, I don’t know if it was the pint I’d just enjoyed or the onset stir-crazy sensation I was experiencing after 6 days of shows, but I started sweating profusely. It couldn’t be, could it? ‘Calm down, Matt’ I internally repeated. It can’t be. She wouldn’t. It might be a code word. It might be Kate Adie.


Kate Moss by Antonia Parker

Eventually, after much discussion, it was decided that we should be allowed in because this mysterious Kate hadn’t yet arrived. We were escorted individually up the grand staircase of the Freemasons Hall, this Vauxhall Fashion Scout venue, and assigned seats on the front row. Seating was heavily policed, and I enjoyed the personal escort, but it was taking bloody ages and another show downstairs was set to take place pretty soon afterwards. Jaime Winstone, looking incredible with a silver grandma up-do and vertiginous heels, entered the room and was seated with little fuss. Now I love Jaime Winstone, but if ‘Kate’ was a codename for Jaime Winstone, I was about to go berserk.


Kate Moss by Claire Kearns


Kate Moss by Gilly Rochester

The personal escort service soon turned into a scrum; somebody had clearly realised that it just wasn’t practical. I let out a huge sigh as I said to my friend ‘Well, Kate clearly isn’t coming.’ ‘What?’ my friend replied, ‘she’s over there!’ I turned to my left to study the front row. Somehow I had missed the arrival of Meg Matthews, Sadie Frost, Annabelle Neilson, James Brown, Jamie Hince and… Kate Moss. Kate FREAKIN’ Moss!


All photography by Matt Bramford

There was little fuss as I struggled to fight the urge to jump out of my seat, leap across the catwalk, gather Kate up in my arms and force her to take my hand in marriage. It all happened so quickly, and of course, now Kate had arrived, the show must go on.


James Small S/S 2012 by Gabriel Ayala

It was tricky to concentrate on the show knowing that My Kate was mere feet away, but being the consummate professional that I am, I took up my camera and started to study the clothes, being carefully to take a picture of Kate in between each look. The fashion on offer was actually great, and I don’t know why I was thinking that it might not be. The secondary venue at Fashion Scout is actually much nicer – a dark wood arch divides the old stone room, dark wood lines the floor and majestic chandeliers hover above the revellers. Models appear almost out of nowhere. You do lose sight of the models as they bound through the arch, unfortunately, but this ensured enough time to snap Kate excessively.


James Small S/S 2012 by Sam Parr

Hysteria mounted thanks to the special guests: Kate and her entourage whooped and cheered every look and wolf-whistled translucent shirts, which sent roars of laughter through the room. Last season’s sharp tailoring continued this time around, but had been given a more casual feel for the discerning gentleman who manages to looking devastatingly cool without any real effort during the summer months.


James Small S/S 2012 by Milly Jackson

Small’s mainstay silk shirts had been jazzed up with the aforementioned translucency, and romantic florals with an air of Liberty were the most aesthetically appealing pieces in the collection, particularly a shirt/shorts combination with identical print. I’m not sure I’d get away with it, but the model did with aplomb.

Small‘s sharp tailoring was dressed down with white ankle-high sports socks and Vans in varying colours – when I read this on the press release I wasn’t so sure about it, but seeing it in the flesh allowed it to make sense. Rich colours: plum and royal blue, and luxe materials: silk and velvet, made this collection Small‘s most sophisticated yet. Retaining an edge above his competitors with leopard print and camouflage short shorts, it’s Small’s sharp cuts and sophisticated tailoring that really set him above the rest. That and his stellar front row, of course.

Categories ,Annabelle Neilson, ,Antonia Parker, ,catwalk, ,Claire Kearns, ,combat, ,fashion, ,Floral prints, ,Freemasons’ Hall, ,Front Row, ,Gabriel Ayala, ,Gilly Rochester, ,illustration, ,James Brown, ,James Small, ,Jamie Hince, ,Kate Moss, ,Leopard Print, ,liberty, ,London Fashion Week, ,Meg Matthews, ,menswear, ,MenswearSS12, ,Milly Jackson, ,review, ,S/S 2012, ,Sadie Frost, ,Sam Parr, ,Silks, ,tailoring, ,The Kills, ,Translucent, ,Vans, ,Vauxhall Fashion Scout

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