Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Day Catwalk Review: James Small


James Small S/S 2012 by Milly Jackson

I arrived at the James Small show pretty early – such is the bonkers London Fashion Week schedule that some shows overlap and then you’re left with huge gaps in your day. I joined the small but perfectly formed queue and waited for a pal to arrive. The show was delayed, prescription I was informed, because of the knock-on effect of late-runners throughout the day. The queue eventually began moving a mere 20 minutes late, and just as we were about to be let in, we were halted by an impossibly gorgeous PR girl. Her colleague came over and whispered ‘Kate’s imminent, we should hold the queue‘. Now, I don’t know if it was the pint I’d just enjoyed or the onset stir-crazy sensation I was experiencing after 6 days of shows, but I started sweating profusely. It couldn’t be, could it? ‘Calm down, Matt’ I internally repeated. It can’t be. She wouldn’t. It might be a code word. It might be Kate Adie.


Kate Moss by Antonia Parker

Eventually, after much discussion, it was decided that we should be allowed in because this mysterious Kate hadn’t yet arrived. We were escorted individually up the grand staircase of the Freemasons Hall, this Vauxhall Fashion Scout venue, and assigned seats on the front row. Seating was heavily policed, and I enjoyed the personal escort, but it was taking bloody ages and another show downstairs was set to take place pretty soon afterwards. Jaime Winstone, looking incredible with a silver grandma up-do and vertiginous heels, entered the room and was seated with little fuss. Now I love Jaime Winstone, but if ‘Kate’ was a codename for Jaime Winstone, I was about to go berserk.


Kate Moss by Claire Kearns


Kate Moss by Gilly Rochester

The personal escort service soon turned into a scrum; somebody had clearly realised that it just wasn’t practical. I let out a huge sigh as I said to my friend ‘Well, Kate clearly isn’t coming.’ ‘What?’ my friend replied, ‘she’s over there!’ I turned to my left to study the front row. Somehow I had missed the arrival of Meg Matthews, Sadie Frost, Annabelle Neilson, James Brown, Jamie Hince and… Kate Moss. Kate FREAKIN’ Moss!


All photography by Matt Bramford

There was little fuss as I struggled to fight the urge to jump out of my seat, leap across the catwalk, gather Kate up in my arms and force her to take my hand in marriage. It all happened so quickly, and of course, now Kate had arrived, the show must go on.


James Small S/S 2012 by Gabriel Ayala

It was tricky to concentrate on the show knowing that My Kate was mere feet away, but being the consummate professional that I am, I took up my camera and started to study the clothes, being carefully to take a picture of Kate in between each look. The fashion on offer was actually great, and I don’t know why I was thinking that it might not be. The secondary venue at Fashion Scout is actually much nicer – a dark wood arch divides the old stone room, dark wood lines the floor and majestic chandeliers hover above the revellers. Models appear almost out of nowhere. You do lose sight of the models as they bound through the arch, unfortunately, but this ensured enough time to snap Kate excessively.


James Small S/S 2012 by Sam Parr

Hysteria mounted thanks to the special guests: Kate and her entourage whooped and cheered every look and wolf-whistled translucent shirts, which sent roars of laughter through the room. Last season’s sharp tailoring continued this time around, but had been given a more casual feel for the discerning gentleman who manages to looking devastatingly cool without any real effort during the summer months.


James Small S/S 2012 by Milly Jackson

Small’s mainstay silk shirts had been jazzed up with the aforementioned translucency, and romantic florals with an air of Liberty were the most aesthetically appealing pieces in the collection, particularly a shirt/shorts combination with identical print. I’m not sure I’d get away with it, but the model did with aplomb.

Small‘s sharp tailoring was dressed down with white ankle-high sports socks and Vans in varying colours – when I read this on the press release I wasn’t so sure about it, but seeing it in the flesh allowed it to make sense. Rich colours: plum and royal blue, and luxe materials: silk and velvet, made this collection Small‘s most sophisticated yet. Retaining an edge above his competitors with leopard print and camouflage short shorts, it’s Small’s sharp cuts and sophisticated tailoring that really set him above the rest. That and his stellar front row, of course.

Categories ,Annabelle Neilson, ,Antonia Parker, ,catwalk, ,Claire Kearns, ,combat, ,fashion, ,Floral prints, ,Freemasons’ Hall, ,Front Row, ,Gabriel Ayala, ,Gilly Rochester, ,illustration, ,James Brown, ,James Small, ,Jamie Hince, ,Kate Moss, ,Leopard Print, ,liberty, ,London Fashion Week, ,Meg Matthews, ,menswear, ,MenswearSS12, ,Milly Jackson, ,review, ,S/S 2012, ,Sadie Frost, ,Sam Parr, ,Silks, ,tailoring, ,The Kills, ,Translucent, ,Vans, ,Vauxhall Fashion Scout

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Amelia’s Magazine | KTZ: London Fashion Week S/S 2014 Catwalk Review

KTZ S/S 2014 by Rose Crees

KTZ S/S 2014 by Rose Crees

Since illustrating KTZ‘s striking A/W 2011 collection for Amelia’s Magazine, I have wished there would come a chance to attend a KTZ catwalk show in person. Koji Maruyama and Marjan Pejowski’s S/S 2014 womenswear collection impressed me both visually and intellectually – welcoming the sweeping winds of change whilst looking back at older, wiser traditions – but unfortunately the new structure of the main catwalk space at Somerset House, plus super tight security measures to control the larger audiences it can hold meant that I found myself impossibly struggling for a good spot to capture properly on camera this much anticipated moment. So what better chance for a lavishly illustrated London Fashion Week review!

KTZ S/S 2014 by Lynne Datson

KTZ S/S 2014 by Lynne Datson

KTZ S/S 2014 by Lynne Datson

Carrying on from their S/S 2014 menswear collection’s Arabic influences and extensive use of symbols, KTZ focused again for their S/S 2014 womenswear collection on themes related to spirituality, religious attire and nomadic cultures, highlighting the impact on today’s society by migrating populations. Against the backdrop of an upbeat atmosphere and a soundtrack which included howling winds, fire crackling sounds, wild animal growling and western re-mixes of eastern tunes, we saw burqa-style dresses, billowing capes, floral prints reminiscent of Islamic mosaics and graphic monochrome patterns made up from shapes of stars and pentagons. Black bomber jackets covered in silver hardwear, spiked wrist cuffs and hats as well as bold silver jewellery further added to the general feel of determination and optimism I thought this collection exuded.

KTZ S/S 2014 by xplusyequals

KTZ S/S 2014 by xplusyequals

KTZ S/S 2014 by Antonia Parker

KTZ S/S 2014 by Antonia Parker

KTZ S/S 2014 by Dom & Ink

KTZ S/S 2014 by Dom & Ink

KTZ S/S 2014 by Gareth A Hopkins

KTZ S/S 2014 by Gareth A Hopkins

KTZ S/S 2014 by Scott W Mason

KTZ S/S 2014 by Scott W Mason

KTZ S/S 2014 by Karolina Burdon

KTZ S/S 2014 by Karolina Burdon

KTZ S/S 2014 by Claire Kearns

KTZ S/S 2014 by Claire Kearns

KTZ S/S 2014 by Claire Kearns

KTZ S/S 2014 by Lizzie Donegan at New Good Studio

KTZ S/S 2014 by Lizzie Donegan at New Good Studio

KTZ S/S 2014 by Slowly The Eggs

KTZ S/S 2014 by Slowly The Eggs

Categories ,Antonia Parker, ,Arabic, ,BFC Tent, ,british fashion council, ,Burqa, ,Claire Kearns, ,deserts, ,Dom & Ink, ,Floral prints, ,Gareth A Hopkins, ,Karolina Burdon, ,KTZ, ,Lizzie Donegan, ,London Fashion Week, ,Lynne Datson, ,Maria Papadimitriou, ,monochrome, ,New Good Studio, ,prints, ,Religious, ,Rose Crees, ,S/S 2014, ,Scott W Mason, ,Slowly the Eggs, ,Spikes, ,Womenswear, ,xplusyequals

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Omar Kashoura

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When I was a zit-ridden teenager fingering fashion magazines, website like this what attracted me most was weird and wacky shows presented in strange environments. While the cavernous BFC tent does ‘feel’ like fashion week, I don’t half love a show with a bit of imagination in an unusual venue.

In the little Bedford & Strand bistro, just off the Strand, Omar Kashoura presented his A/W 2010 collection. This quaint bar-cum-restaurant has the decor of chic Parisian cafés, and lines of cocktails in martini glasses decorated the bar. (As did bottles of V Water, which took that roaring forties edge off things, unfortunately).

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Models were instructed to walk accross the bar front, and disappear through a make-shift curtain just to the side of where me and Amelia stood with our Canon 5Ds, trying desperately to get a good shot, which proved nigh-on impossible due to the stark lighting that models walked in and out of. ‘Oooh… oooh…. he’s in the light… CLICK…. ah, MISSED it!’

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Kashoura’s inspiration is relatively simple – it’s day to day life in the urban environment. His ethos is that while clothes should be stylish, a man-about-town type should be able to go about his business unhindered – hell, what if clothes could actually ease our way of life?

I’m getting all this from the press release, mind – I’ll have to take Kashoura’s word for it. I didn’t spot any functional features, such as ‘hidden ankle cinches ideal for cyclists’, but then I wouldn’t, would I?

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What I did see were well-tailored outfits made from luxurious fabrics. High-waisted trousers with intricate fastenings were omnipresent, and were combined with floral print evening scarves and relatively simple, crisp white shirts.

The same floral print – graphical, not feminine – was applied to trousers, bags and shirts, too – I would always air on the side of caution when it comes to floral shirts, unless cleverly teamed with Kashoura’s very masculine tailored trousers.

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Kashoura also made great use of lux fabrics with a high aesthetic appeal – wrinkled waxed cotton shirts and unfinished knitwear being great examples of this.

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One to watch, deffo.

Categories ,A/W 2010, ,Bedford & Strand, ,Bistro, ,Floral prints, ,London Fashion Week, ,menswear, ,Omar Kashoura, ,sartorial, ,tailoring

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