Amelia’s Magazine | Swedish School of Textiles: London Fashion Week S/S 2014 Catwalk Review part one

Swedish school of textiles by-Antonia-Parker
Jesper Danielsson by Antonia Parker.

As in previous years, the Swedish School of Textiles at Boras took to the catwalk at Fashion Scout to showcase the best of their graduates. As the press release stated, this was not about commerciality but about promoting the myriad creative ways in which their students approach the use of textiles in fashion. At 35 minutes long this trip was not for the faint hearted and I felt sorry for the later designers, who lost audience members to the Holly Fulton show. Luckily me and my bike are fairly swift so I saw the show out, and was very glad I did since the closing collection was one of my favourites. I’ve split my coverage into two posts, but I’ll keep my commentary short.

Swedish School Of Textiles SS14 by Gareth A Hopkins
Jesper Danielsson by Gareth A Hopkins.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Jesper Danielsson opened the show with a series of Functional Cuts for men: my favourites being the orange ombre jumpsuit, a playful splatter print coat and a huge hooded gold puffa.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Emelie Ahlner presented a clever collection titled Kurbitch! that featured curly laser cut panelling on multiple forms of fabric: neon perspex, plastic, denim, glitter and pearlescent fabrics were all used with wild abandon.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Units from Anna Margareta Svensson was a far more minimalist affair, presenting boxy shapes in an intriguing juxtaposition of textures and an on trend colour palette of muted colours mixed with a pop of tangerine. One outfit was accompanied with a fab clutch bag and I liked the flip flops that were styled with panels of latex, which gave a subtle Japanese feel to the collection.

Swedish School of Textiles for LFW - Becca Corney
Elias Hogberg by Becca Corney.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Elias Hogberg merged utilitarian winter fashions with peasant styling in the form of furry hoods, warm shearling coats and elaborate floral prints on apron-like panels.

Swedish School Of Textiles SS14 by Gareth A Hopkins
Emelie Johansson by Gareth A Hopkins.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Menswear from Emelie Johansson successfully combined the sheerest of fabrics with both tailoring and sporty details. And the large round sunglasses were a real winner.

Stay tuned for the second part of my review, which includes a video of the show.

Categories ,Anna Margareta Svensson, ,Antonia Parker, ,Becca Corney, ,Boras, ,catwalk, ,Elias Hogberg, ,Emelie Ahlner, ,Emelie Johansson, ,Fashion Scout, ,Freemasons’ Hall, ,Functional Cuts, ,Gareth A Hopkins, ,graduate, ,Holly Fulton, ,Jesper Danielsson, ,Kurbitch!, ,london, ,menswear, ,review, ,Swedish, ,Swedish School of Textiles, ,textiles, ,Units, ,Womenswear

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Amelia’s Magazine | Swedish School of Textiles: London Fashion Week S/S 2014 Catwalk Review part two

Emma Lindqvist by Novemto Komo
Emma Lindqvist by Novemto Komo.

Following on from part one of my review I present the next six graduates to show on the catwalk with the Swedish School of Textiles at Fashion Scout in Freemasons’ Hall. As always, there were some ace looks to grace the runway…

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Saina Koohnavard was enamoured of brocade and optical geometric prints in Chickipedia, using the lines to emphasise womanly curves in puff sleeved dresses and bodiced playsuits.

Swedish school of textiles by-Antonia-Parker
Emelie Arvidsson by Antonia Parker.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Emelie Arvidsson‘s End of Line played with sportswear styling: oversizing the familiar stripes on maxi dresses and jackets.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
For Duo Klara Hobbs played with simple panels of fabric that exposed the unexpected.

Swedish School Of Textiles SS14 2 by Gareth A Hopkins
Gustav Falgen by Gareth A Hopkins.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Gustav Falgen looked to multiple subcultures to create a bleached, puffered, braced and booted collection that was not for the faint hearted. Bears on the Loose, indeed.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Emma Lindqvist had fun layering abstract prints on different opacities of fabrics to create optical illusions as the clothes moved.

Swedish School of Textiles SS14 by Vicky Ink
Karolina Persson by Vicky Ink.

Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Swedish School of Textiles SS 2014-photography by Amelia Gregory
Karolina Persson took next season’s favourite powder pink and spruced it up for colder climes. Her incredibly clever collection featured a round shouldered coat that had been quilted to resemble a chunky knit. Further garments played with this tromp l’oeil effect, emphasising cables with print and stitch. It was a great collection to end on. Graduates of the Swedish School of Textiles never fail to impress.

All photography by Amelia Gregory. Watch a video featuring all of the designers below:

Categories ,Antonia Parker, ,Bears on the Loose, ,Chickipedia, ,Duo, ,Emelie Arvidsson, ,Emma Lindqvist, ,End of Line, ,Exit 13, ,Fashion Scout, ,Freemasons’ Hall, ,graduate, ,Gustav Falgen, ,Karolina Persson, ,Klara Hobbs, ,london, ,London Fashion Week, ,Novemto Komo, ,review, ,Saina Koohnavard, ,Swedish, ,Swedish School of Textiles, ,textiles, ,Vicky Ink

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Amelia’s Magazine | Tabernacle Twins: London Fashion Week S/S 2014 Catwalk Review

Tabernacle Twins S/S 2014 by Karolina Burdon
Tabernacle Twins S/S 2014 by Karolina Burdon.

Tabernacle Twins was a new brand to me, but having visited the website my interest was piqued. The label is described as an exploration of fashion, textiles and illustration by designer Vibe Lundemark, a graduate of the RCA now relocated home to Denmark.

Tabernacle Twins S/S 2014 by Rose Crees
Tabernacle Twins S/S 2014 by Rose Crees.

The show began with the appearance of the ‘Tabernacle Twins‘ who, as Vibe Lundemark‘s creative muses, take fictional journeys through surreal landscapes. This season the scene was set for a Cobra Casablanca, with our handouts describing a desert quest to search for a magic cobra, meeting fortune tellers, jesters and street magicians along the way. These ideas were translated into colourful abstract illustrations that crept and curled across large panels of fabric on dresses and blowsy shirts. Vibe Lundemark used a bold colour palette of lilac, purple, peach and ochre which was lightened by plentiful white across this relaxed collection. Girls with bright matte orange lips swung talismans from their wrists and paced the catwalk in patent white DMs with ankle socks. Alongside blouson shapes that were the perfect canvas for prints there were tailored details that included cowl necks, a crop top covered in pointy scales and a lacey matching shorts suit. A marbled chequerboard in deep purple on white created an arresting all over effect.

Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins S/S 2014. All photography by Amelia Gregory.

It seemed odd that the girls chosen as twins were barely alike, and not even the same height, but that aside the twins were an appealing visual concept, who cropped up several times on the runway wearing key pieces. I liked the use of narrative to drive ideas behind the collection and look forward to seeing more from the Tabernacle Twins on future Fashion Scout runways.

Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory
Tabernacle Twins SS 2014-photography by Amelia Gregory

Categories ,catwalk, ,Cobra Casablanca, ,copenhagen, ,Danish, ,Denmark, ,Fashion Scout, ,Freemasons’ Hall, ,Karolina Burdon, ,London Fashion Week, ,rca, ,review, ,Rose Crees, ,S/S 2014, ,Tabernacle Twins, ,Vibe Lundemark

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Amelia’s Magazine | The 2013 FAD Awards: London Fashion Week Catwalk Review


Stephanie Kitchen by Warren Clarke

The Fashion Awareness Direct (FAD) Awards are always an end-of-fashion-week treat. After five days of the freshest fashion talent dominating the catwalks at the Fashion Scout venue, FAD looks even further into the future at the best of the country’s undergraduate talent, based each season around a different theme.


Louis Anderson-Bythell – all photography by Matt Bramford

There could be no better a theme in this age of global change and austerity than ‘Future Optimism‘, which was the brief for this year’s students. Over 100 undergraduates submitted work for the competition, with fifteen entries showcased at this climatic event.


Anna Kim by Gabriel Ayala

Here’s a quick photographic rundown of the fifteen entries:

MATTHEW O’BRIEN

LUCINDA ROBERTS

STEPHANOS KONSTANTIOU


Stephanos Konstantiou by Laura Hickman

ROBERT MILLS

STEPHANIE KITCHEN

JOSEPH HORTON

CHELSEY CROSSLAND

LOUIS ANDERSON-BYTHELL

AYSHA SIMPSON

NNEKA OKORIE

KIMBERLEY PHILLIPS

LAURA CHITTENDEN

ANNA KIM

ESTELA NEVINSKAITE

MORWENNA DARWELL

And so on to the winners. It must have been a tough job for Hilary Alexander, Fashion Scout’s Martyn Roberts, Topshops’ Geraldine O’Brien, FAD’s Claire Muldoon and our pal Milly Jackson (who won the 2011 Award) to choose a winner.


Sitting at the end of the catwalk is fantastic for shots of models but not so fantastic if the awards action takes place at the opposite end.

One of my personal favourites, Nneka Okorie‘s glorious menswear, took one of the runner up prizes. Her slick trench-coats with digital printing techniques brought both expert tailoring and vivid colours to the catwalk and I loved the discrete details of city skylights on a backpack and trouser hems.

Stephanos Konstantiou took the other runner up prize with his futuristic neoprene collection with rigid cutaway details. His laser-cut houndstooth pattern was completely original, and I enjoyed the sharp silhouettes that his collection projected. Nneka and Stephanos both take home five hundred quid and an industry placement. Well done, pals!

The winner, described by Hilary Alexander as ‘unanimous’ and ‘one to watch’ for the coming seasons, was, deservedly, Stephanie Kitchen. A final year student at Bath Spa University (always a good show at Graduate Fashion Week), Stephanie’s innovative cycle wear earned cheers when it first appeared at the beginning of the show and rapturous applause when it was announced Stephanie had won. This collection brought together wearability, sustainability, style and functionality all in one. The cycle sunglasses were a hit, too.

Stephanie wins £1000 and an industry placement and her designs were also shown at London Fashion Weekend. I don’t think this will be the last time we see Stephanie on the London fashion catwalks.


Winner Stephanie Kitchen by Milly Jackson for FAD

Categories ,2013, ,Anna Kim, ,Awards, ,Aysha Simpson, ,BA, ,catwalk, ,Chelsey Crossland, ,Estela Nevinskaite, ,FAD, ,Fashion Scout, ,Freemasons’ Hall, ,Gabriel Ayala, ,Hilary Alexander, ,Joseph Horton, ,Kimberley Phillips, ,Laura Chittenden, ,Laura Hickman, ,London Fashion Week, ,Louis Anderson-Bythell, ,Lucinda Roberts, ,Matt Bramford, ,Matthew O’Brien, ,menswear, ,Milly Jackson, ,Morwenna Darwell, ,Nneka Okorie, ,review, ,Robert Mills, ,Stephanie Kitchen, ,Stephanos Konstantinou, ,students, ,sustainability, ,undergraduate, ,Warren Clarke, ,Womenswear

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Amelia’s Magazine | The Amazon: Can Fashion Save the Rainforest? A talk with Bia Saldanha


Illustration by Charlotte Hoyle

“We are consumers, capsule addicted. We need to ask ourselves – this t-shirt, this where did it come from? A devastated place with devastated people?” – Bia Saldanha, health 28 July 2011??

Through Bia’s hesitant English – impressively peppered with the vocabulary of her respective fields – there was a message, a mantra, that seemed to resonate from her core with every sentence she spoke. The message? That as people, as a united force of humanity, we must end the selfishness, stop the excuses and start acting on the fact that our Earth cannot bear the brunt of our reckless lifestyle choices much longer. ??I was sitting at the far back of the still, woody space of The Hub, King’s Cross, looking on at Bia, eco journalist Lucy Siegle and novelist Ed Siegle’s discussion unraveling.

If there’s one thing I learnt on that warm Thursday evening, it’s that when a lady like Bia Saldanha gives out such a message from across the room, you sit up straight, strain your ears and listen. Living in the heart of the Amazon rainforest for 20 years definitely grants you a credible opinion on our Earth’s complex ecosystem and how it can be saved. And it only takes a minute or two of hearing Bia speak on the subject to get a sense of just how special she really is. A Brazilian woman who’s dedicated her years to both supporting the indigenous rubber farmers of Amazonia and aiding the battle against deforestation, Bia traded in a life running a stylish clothing boutique in Rio de Janeiro to live in the rainforest with her family and help the Seringueiros (the native rubber tappers) overcome their defeat by mainstream industrial production.


Illustration by Michelle Urvall Nyrén

But why should we care? Why should we listen? We all know of the damage upon the rainforest through mass deforestation and, for example, that Brazil lost nearly 150,000 square kilometers of forest—an area larger than Greece – between 2000 and 2006 alone. But the basis of why we should think again before discarding these past few lines as just another statistic lies in the words of Lucy Siegle; that we are in “the last chance saloon” when it comes to saving the rainforest. And, to further quote the fabulous Bia,

“You can’t imagine how strong, powerful and important the rainforest is if you haven’t been there”.


Illustration by Claire Kearns

With a background in the fashion industry, Bia began her pioneering work after a trip into the Amazon to search for new materials for her clothing line. She described how she found the indigenous rubber tappers storing their goods in traditional waterproof sacks. She then relayed her excitement of noticing how the sack material looked remarkably like leather when it was, in fact, cotton canvas covered in the extracted rubber from the trees. Bia took the idea for wild rubber “leather” handbags and had hundreds made, all of which completely sold out in the 1992 UN Earth Summit in Brazil. And so her crusade against the mass producers began. ?

The Amazon is, in fact, the only place in the world where rubber trees grow in the wild. When ecological and fair-trade brand Veja began their essential collaboration with Bia in 2007, they were already buying wild rubber from the rubber tappers. Veja are a French brand known for their ultra-cool sneakers and luxe accessories, whose products are sourced and produced solely in Brazil. They now work with Bia and use her independent, direct means of extracting wild rubber to produce their bags and footwear.

VEJA – CAOUTCHOUC SAUVAGE D’AMAZONIE from Veja on Vimeo.

In what can only be seen as a triumph in the fight for sustainable fashion, Bia Saldanha has also worked with Hermès, using her ‘vegan leather’ made of wild rubber to collaborate on an accessories collection for the luxury French fashion house.

Despite the dedication and ground-breaking work that’s been recognized the world over, however, Bia hasn’t received the support she justly deserves. In the discussion, she spelt out the level of sheer power and influence that Brazil’s central bank has over what is and isn’t permitted to function in the country. After struggling against many financial disagreements, Bia even faced being shut down completely, despite the continuous funding to unsustainable companies and projects, including the vast amount of cattle ranches that make up 60-70% of deforestation in the Amazon today.?

“I’ve now devoted 16 years to this,” said Bia. “It’s more than a business; it’s a cult.”


Illustration by Charlotte Hoyle

It’s not that she aims to trade with the giant companies, however. “There’s not enough wild rubber to supply the big companies. We don’t want to trade with anyone in particular but we do want to ask those companies, where does your rubber come from? These companies are just looking for marketing, they don’t care.”

Ed Siegle, author of new book Invisibles which is partially set in Brazil, contributed stating “With a lot of these issues, we’re all aware of them but we don’t do anything about it.” Lucy intervened – “That’s because we don’t know what the options are.”

To me, Lucy Siegle made an invaluable contribution to the event. She spoke of writing her latest book ‘To Die For” (Harper Collins; 2010) which she described as “engaging with the producer’s story”, and how she felt about the “contrast between her and the mainstream industry”, recounting fashion as a “vacuum that we know nothing about”. “We are now so distant from the producer,” she said “that the degradation of the consumer, the producer and the place is now inevitable.”


Photographs courtesy of Veja

She went onto ask the frustrating question, something I’d never put my mind to, of “Who are these people telling us what to wear? Telling us to buy this fast, discount fashion?” She feels that we are “told to shop for the economy”. Her answer to this has been to find a few brands that she can “rely on”.

The discussion moved on to the debate of ‘design and production – which should come first?’. Lucy Siegle, naturally, spoke in favour of production, upholding it as the healthier method in place of paper designs being sent across the world for the fastest and cheapest production possible. She believes instead that we need to be taking inspiration from the methods of Bia, who at the outset went into the forest – to the source – in search of materials, from which she then created her designs. This, she says, is a solution.


Photographs courtesy of Veja

Bia declares that her long-standing mission is to “protect the rainforest through economic alternatives”. And I say we need more ground-breaking fashion entrepreneurs like her. In the constant clash between nature and human demands, the more Bias we have in the world today, the brighter our future will be.

And with this mantra that seemed to beam from Bia’s every sentence; she most certainly wasn’t aiming it at the big logger companies or sweat shops or factories, definitely not. It’s US she meant. All of us. It’s you who sits right there wearing clothes that you really know nothing about. Someone’s hands, somewhere in the world, grew that cotton and dyed that fabric and stitched that pocket and, thus far, to you in your life it has made no difference. We’re all perpetrators and I’m most certainly one too. But after last Thursday, I’ll definitely be doing two things – reading Lucy Siegle’s book “To Die For” and taking a long, hard look at me and my wardrobe. And may I suggest you do the same.

Categories ,Amazon, ,Amazonia, ,Bia Saldanha, ,brazil, ,Ed Siegle, ,environment, ,ethical, ,fashion, ,Invisibles, ,Lucy Siegle, ,rainforest, ,review, ,Sustainable Fashion, ,Talk, ,The Hub, ,To Die For, ,Veja

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Amelia’s Magazine | Topman Design: London Collections: Men A/W 2014 Catwalk Review


Topman Design A/W 2014 by Dom&Ink

It was raining, men at the Old Sorting Office on Monday for my first show of this (awkwardly branded) London Collections: Men A/W 2014 season – Topman Design.


Topman Design A/W 2014 by Dom&Ink

I can’t be bothered to drone on about the usual fuss that preceded this event, but I’ll just say that my standing ticket offered zero VIP service. Inside I stood in a herd of people five rows deep, aiming my Canon zoom lens through heads while those around me took terrible photographs on point-and-shoot cameras, iPhones and iPads. There’s a whole other piece I could write here, touched on much more eloquently than I could by Michael over at Anastasia Duck, but I will say this: I’ve invested in a decent camera and pride myself on taking decent images that I hope offer a slightly different insight to the normal catwalking shots we’re all familiar with. This is why I continue to work with Amelia because we share the same values when it comes to documenting the shows, but it seems to be getting increasingly difficult to do the job and I left feeling somewhat frustrated.


All photography by Matt Bramford

I probably say the same thing every season, but I’m always reserved about Topman. Aesthetically they’ve upped their game, and whoever is in charge seems to know what they’re doing in the hope of offering a collection akin to the strong contenders on the LC:M schedule. This season relied heavily on a palette of black and red with an injection of pale blue pieces. Box-shaped overcoats offered a different silhouette, sharp tailored blazers worked effortlessly with plaid shirts and heavy knitwear pieces adopting a variety of techniques were exciting.

As usual there were some slightly off pieces – a red tee with graphic lettering (above) looked like something you’d buy on a whim in Kavos after two fishbowl cocktails and some of the double-breasted coats looked awkward on slight-framed models, but overall this was a coherent collection. A reasonable price point means it does offer something more interesting than the rest of the High Street without an outrageous price tag.

For the finale, the heavens (well, the rigging) opened to soak the models as they reappeared for the recap. Not for the first time in history but it was a spectacle none-the-less, but I sure as hell don’t fancy getting caught in the rain in one of those chunky knits. I’m not sure if there was a message here, or how it related to the clothes. Perhaps it was an unsubtle way of saying LOOK OUR THREADS WITHSTAND RAIN, WE’RE NOT CHEAP; maybe it was merely for the aesthetic, but I bloody enjoyed it and everybody else seemed to.

Categories ,A/W 2014, ,catwalk, ,Dom&Ink, ,Dominic Evans, ,fashion, ,knitwear, ,LCM, ,LCMAW2014, ,london, ,London Collections Men, ,Matt Bramford, ,Old Sorting Office, ,Rain, ,review, ,Topman Design, ,Weather Girls

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Amelia’s Magazine | Treasure Jewellery Show 2013: Review

Treasure jewellery show review
This year I got my first taste of the Treasure jewellery show at Somerset House, a vast showcase now on its sixth outing during Jewellery Week. Here’s the familiar talents and hot new jewellery discoveries that caught my eye.

Ostrich little finger ring in rose gold with iolite gemstone by Dominique Lucas
The first thing to grab my attention was this unusual ostrich little finger ring in rose gold with an iolite gemstone by Dominique Lucas. Dominique trained with master craftsmen in Italy, Mexico and London. She’s created some bold pieces based on animals, and I love her current collection, featuring big bullet gem rings.

A clever neon lot display for silicone bracelets by #brazelights
Brazelights had created this clever neon lit display to show off modern silicone bracelets.

Ros Millar Nugget_Stud_Earrings
I couldn’t get close to Ros Millar‘s stand – an young award winning designer from Northern Ireland, who creates on trend organic metal jewels with a ‘Gothic Luxe‘ feel.

Tessa Metcalfe jewellery

Jeweller Tessa Metcalfe looked amazing in her own jewels. This young jeweller trained as an illustrator and has been championed by the Secret Emporium for some time. Now I see why her bold bird claw rings and necklaces are fast gaining a loyal following. Check out her innovative video look book above.

Rosita Bonita jewellery
Beautiful Rosita Bonita looked gorgeous sporting her new embossed leather collection (inspired by a combination of Japanese and Spanish styles) at her fabulously appointed stand. She’s another jeweller who trained as an illustrator before settling on her profession – read our recent interview with Rosita Bonita here.

An outsized showpiece ring containing fruit Atelier Laibach
This outsized showpiece ring containing fruit was worn by Kerstin Laibach of Atelier Laibach. She is an entirely ethical jeweller, so nothing is newly mined and her collection is vegan friendly. This wasn’t something I have ever considered before, but apparently many of the items used in the day to day production of jewellery feature animal products.

Pretty necklace of found objects by Sarah Drew with ecoluxe london
Ecoluxe London has recently launched a shopping site to compliment its trade fair presence during London Fashion Week, and their stand featured a variety of represented designers. This pretty necklace of found objects is by Sarah Drew, who finds all sorts of interesting things to work with on the beach where she lives in Cornwall.

Öhlund silver mens jewellery
These recycled sterling silver pendants are by men’s jewellery designer Öhlund and are inspired by aviation and industrial design. I think the shapes in the Boneyard 13 collection look like bullets or cartridges.

Myia Bonner
Jeweller Myia Bonner builds on her deconstruction of the traditional diamond shape with these dangly earrings. As one part of the Metric Collective she’ll be showcasing new work at their annual pop up store between 7th July – 1st September on Columbia Road.

It’s not often that I am gobsmacked. But three quarters of my way around Treasure this is what I stumbled upon: astonishing moving stainless steel rings by Atelier Michael Berger. His kinetic jewels swing around the finger on invisible mechanisms as if by magic.

Abby Carnevale jewellery New York
abby carnevale
Another beautiful jeweller wearing her wares was New York based Abby Carnevale, who solders fine chains together with gems to create intricate waterfall designs. This was her first visit to London, but she hopes to return again.

Michele White jewellery
Without a doubt the most fabulous person I met at Treasure was Michele White, sporting amazing thigh length hair that was dip dyed purple to match her clothes. It was a delight to talk to this former ceramics teacher turned master jeweller and gemologist based in the famous Birmingham jewellery quarter. Her timeless art nouveau inspired designs (below) make the most of the natural beauty of opals and other gems, and really stood out amongst a sea of very similar jewels.

michele white gold opal ring
Michele White opal earrings
Now I can’t wait to discover more graduate talent at the New Designers shows!

Categories ,Abby Carnevale, ,Atelier Laibach, ,Atelier Michael Berger, ,Birmingham, ,Boneyard 13, ,Brazelights, ,Cornwall, ,Dominique Lucas, ,Ecoluxe London, ,Gothic Luxe, ,jewellery, ,Jewellery Week, ,Kerstin Laibach, ,Metric Collective, ,Michele White, ,Myia Bonner, ,Öhlund, ,review, ,Ros Millar, ,Rosita Bonita, ,Sarah Drew, ,Secret Emporium, ,Somerset House, ,Tessa Metcalfe, ,Treasure

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Amelia’s Magazine | UCA Rochester: Graduate Fashion Week Catwalk Review


Graduate collection by Elisabeth Boström

UCA Rochester is always a hot ticket at Graduate Fashion Week. It usually takes a late evening slot, so there’s always a more ritzy atmosphere. This year was no different.


Graduate collection by Emily Houghton

When I joined the queue I was pleased to note that I was maybe 10 or 15 attendees from the front. ‘Marvellous’, I thought to myself as I politely waited. As the door-opening grew closer, one by one various other press, sponsors and ‘VIPs’ did that hilarious thing that only fashion people know how to do. I marvel every time it happens. It’s the Magical Fashion Queue Jumper. Here’s a quick step-by-step guide:

1. Look for somebody you’ve vaguely met once, follow on Twitter, are connected with on LinkedIn, or somebody who looks like somebody you know;
2. Scream ‘HAI darling!‘ at them and swing from their neck with glee;
3. Go a bit red, hoping nobody has noticed you’ve been incredibly rude and pushed in;
Voila – you’ve jumped the queue.

Sigh. Somehow I don’t think I’ll ever be able to do it. It’s just so impolite. I’d tell you how I then got kicked off the front row but managed to get back onto it with half a dozen seats going begging, but then I’d just be a big moaner.


All photography by Matt Bramford

Anyway, yes, back to the show. An usual start unfolded – I’d already noticed that there were a sole pair of shoes and a selection of menswear on hangers to the right of the stage. The lights dimmed and a model appeared wearing white underclothes. Two men wearing white lab coats, I presume students, dressed the man in silence. As soon as he was dressed and styled, the lights shone brightly, the music pounded, and the tattoo-clad model stormed the catwalk.

Here’s a round-up of my favourites from UCA Rochester:

Daniel Holliday

It was Daniel’s model who was dressed live on stage and opened the show. It was a strong menswear opener, with digital print shirts, tweed blazers with contrasting sleeves and flashes of neon green juxtaposed with a dark colour palette.

Lucy Mellor


Graduate collection by Lucy Mellor

Lucy’s collection was our first taste of Rochester womenswear. Fitted knee-length dresses were sculptured at the shoulders and hips, creating futuristic silhouettes, embellished with organic felt shapes.

Richard Sun


Graduate collection by Richard Sun

The future according to Richard Sun sees women wearing utilitarian geometric dresses accessorised with wire cages. Inspired by Hong Kong architecture, this was an innovative fashion vision.

Olivia Salmon


Graduate collection by Olivia Salmon

Juxtaposed to Richard’s fashion future came Olivia Salmon‘s playful collection of cute floral dresses. Silhouettes were soft and prints were hand-drawn – a welcome break from digital. Models were styled with clusters of flowers in this uplifting collection.


Olivia Salmon graduate collection by Sandra Contreras

Emily Houghton


Graduate collection by Emily Houghton

Emily also took her inspiration from architecture – notably Richard Rogers‘ ‘inside-out’ Lloyds building. Visible seams and outer pocket bags explore this concept – a dark colour palette with some flashes of neon and some elements of sportswear made this a really polished collection.

Annie Mae Harris

Blink and you might miss Annie Mae’s attention to detail in this fusion of print and materials. Soft silks and organzas were treated with hypnotic, organic swirls that elegantly floated by. Leather accessories, including a headpiece embellished with gold teeth, added an extra dimension.

Jenny Prismall


Graduate collection by Jenny Prismall

War Horse was the inspiration for Jenny’s womenswear and was one of my favourite collections of the week. Military cuts were given a chicer treatment. Leather straps like horses reins were carefully added to garments creating a luxurious look with a hint of kink, whilst also sculpting silhouettes. Oh, and the digital-print sunset – just wonderful.

Marianne Sørensen


Graduate collection by Marianne Sørensen

Marianne presented a beautiful all-black collection teaming luxury materials with dynamic cuts: one of the most polished presentations of the week.

Callum Burman
Callum’s modern Miami Vice male had me squealing. Influence had come from the TV show and the Art Deco buildings of Miami (love). Cropped-sleeve shirts, short shorts, oversized sweater and skinny trousers all in a range of cool pastel colours. It was fun, relaxed and infinitely wearable.

Sharon Osborne
Sharon presented a beautiful collection of flattering, body-hugging dresses of varying glamorous lengths. Ruching around the necks and into seams was used to dazzling effect, with cloud-like forms printed onto the garments. But it was Sharon’s transparent perspex accessories that really caught my eye; beautiful, organic shapes creeping up models’ arms.

Elisabeth Boström


Graduate collection by Elisabeth Boström

Elisabeth’s offering was another contender for my favourite collection of this year’s graduates. Sweeping frocks in gorgeous silks featured digital streaks of varying bright colours fused with natural browns. Elisabeth was inspired by natural vs. unnatural, effortlessly blending the two together. Some dresses were embellished with hair for a fashion-forward look with maximum appeal.

Emma Beaumont


Graduate collection by Emma Beaumont

I wasn’t at all surprised to see Emma’s collection nominated for the Gold Award at the Gala ceremony the following evening. Inspired by harvest, Emma’s feminine cuts and adept use of the most visually stimulating materials provided a real treat. I loved the aesthetic appeal of the opening woven coat and a gold woven dress.

Until next year, UCA Rochester!

Categories ,2012, ,Annie Mae Harris, ,Callum Burman, ,catwalk, ,Daniel Holliday, ,Elisabeth Bostrom, ,Emily Houghton, ,Emma Beaumont, ,fashion, ,GFW, ,Graduate Fashion Week, ,Jenny Prismall, ,knitwear, ,Lucy Mellor, ,Marianne Sorensen, ,Matt Bramford, ,menswear, ,Olivia Salmon, ,review, ,Richard Sun, ,Sandra Contreras, ,Sharon Osbourne, ,UCA Rochester, ,University, ,Womenswear

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Amelia’s Magazine | Vita Gottlieb: London Fashion Week A/W 2014 Catwalk Review

Vita Gottlieb A/W 2014 by xplusyequals

Vita Gottlieb A/W 2014 by xplusyequals.

We ran a preview of Vita Gottlieb’s fourth collection, so I had an inkling of what to expect from the Fashion Fringe finalist before she took to the Fashion Scout catwalk for the first time for a stunning rendition of what she does best: combining sumptuous textiles with an intriguing silhouette.

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb by Kit Wagstaff

Vita Gottlieb by Kit Wagstaff.

Vita Gottlieb names this collection Caged, after an imaginary film featuring Grace Jones in a Majaraja’s palace. The idea of birds in flight at sunset (this would obviously be a beautiful cinematic experience) influenced the romantic warmth of the fiery colour palette, with prints and textiles rich in multi-coloured spice hues. A more literal interpretation came in the form of birds floating across a pretty landscape print.

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

The caged theme appeared in a skirt and jacket made up entirely of strips, and appeared in more commercial form as glossy black bindings, highlighting womanly curves. Alongside skin tight separates there were also boxy jackets and eye-catching layered maxi skirts. Furled scarfs gave detail to the neck, buckled arm cuffs added edge and sheer and textured black fabrics were rendered especially stunning with the addition of multi coloured appliqué details. The show closed with a magnificent yellow dress, split to the upper thigh and resplendent with a dramatic zig-zag design.

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-photography by Amelia Gregory

Vita Gottlieb AW 2014-end

All photography by Amelia Gregory.

Categories ,A/W 2014, ,Caged, ,Fashion Fringe, ,Fashion Scout, ,Grace Jones, ,Kit Wagstaff, ,Majaraja, ,review, ,Vita Gottlieb, ,xplusyequals

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Amelia’s Magazine | Yeashin: Fashion Scout Ones to Watch A/W 2013 Catwalk Review

Yeashin A/W 2013 by Sylwia Szyszka
Yeashin A/W 2013 by Sylwia Szyszka.

South Korean designer Yeashin Kim‘s Woodland collection juxtaposed traditional Korean dress with inspiration from the swinging 60s. The colourful results built on the look she has been honing since completing her studies in fine arts and then attending the London College of Fashion.

Yeashin A/W 2013 by Laura Hickman
Yeashin A/W 2013 by Laura Hickman.

ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
Yeashin A/W 2013 by Victoria Wright
Yeashin A/W 2013 by Victoria Wright
Yeashin A/W 2013 by Victoria Wright.

A multitude of textures were thrown together and somehow emerged victorious. Oversized embellished hats, plenty of colourful trims and digitally printed woodgrain based on Korean furniture lent the collection a fairytale feel, with bespoke woolly boots adorned with pompoms adding to the idea that the models could have stepped off the pages of a children’s book (no bad thing in my world).

Yeashin A/W 2013 by Laura Hickman.
Yeashin A/W 2013 by Laura Hickman.

ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
Yeashin-by-Sylwia-Szyszka
Yeashin A/W 2013 by Sylwia Szyszka.

Skirts were predominantly short and flared, collars adorned with on trend details, cuffs beautifully buttoned or trimmed in wool. Knitwear came in the form of a dotty cape, bolero and cosy looking chequerboard coat. Yeashin‘s was a delightfully unique collection in this time of monochrome madness, and all the better for it.

ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
ones to watch yeashin AW 2013-photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,A/W 2013, ,Fashion Scout, ,Freemasons’ Hall, ,knitwear, ,Laura Hickman, ,London College of Fashion, ,London Fashion Week, ,Ones To Watch, ,review, ,South Korean, ,Sylwia Szyszka, ,Victoria Wright, ,woodland, ,Yeashin, ,Yeashin Kim

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