Amelia’s Magazine | Vivienne Westwood Shoes, An Exhibition 1973 – 2010, at Selfridges


Naomi Campbell wears Vivienne Westwood (1993), viagra sale illustrated by Krister Selin

It isn’t very often that a specific fashion designer is singularly celebrated for their contributions to fashion; when the V&A presented the Vivienne Westwood retrospective in 2004, medicine fashion fans were delirious at the opportunity to revel amongst the creations of our most fashionable Dame. This month, viagra the team at Selfridges reopen the Westwood archives and present a glorious exhibition devoted entirely to Vivienne Westwood’s revolutionary footwear.


Vivienne Westwood, illustrated by Abi Daker

What began as a calm stroll into central London on a bank holiday Monday soon descended into chaos – it was absolutely heaving (and to those of you shouting OF COURSE IT WAS YOU BLOODY IDIOT at the screen – yeah, I know). A text to remind me I was going to a party at Shoreditch House as early as 6pm didn’t help either, so me and the other half legged it down Oxford Street to catch the exhibition, and thank heavens we did.

Located in the chic Ultralounge on the lower ground floor of Selfridges (where previous exhibitions and pop-ups have occurred, including the brilliant 100 years of Selfridges display), the room features long rows of glass cabinets holding a huge selection of Westwood footwear from over the years. The black walls are sparse, with a few large images from advertising campaigns and of Our Viv herself dotted here and there, and a show reel of some of Westwood’s awe-inspiring catwalk shows at the back of the room, featuring a soundtrack of sexed-up national anthems and punk hits. It is, however, row after row of shoes displayed like the crown jewels that capture the imagination the most.

Ordered chronologically, the exhibition charts the literal rise and rise of Dame Viv’s footwear, from surviving examples from SEX and Seditionaries, (including leopard mules worn by SEX shop assistant Jordan) right through to Propoganda pirate boots (worn mostly by the gays and people from Leeds) and pairs seen at the most recent fashion weeks. The most interesting comparison drawn when you’ve seen every pair is that there isn’t much of a comparison at all – similar shapes and themes are echoed through the ages, shoes that have been consistently daring and innovative.


Illustration by Joana Faria

There must be over 100 pairs on display, all of which are a delight to view, but here are some of my favourites:


Mock Crock Elevated Gillie from Anglomania, AW 1993


Frilly petit-pied sandal (there is a shoe in there somewhere) from Blue Sky, SS 2005


Elevated court shoe in PVC, 1994, illustrated by Dee Andrews


Can shoes, from Ultra Feminity, SS 2003


Biba shoes, from Le flou taillé, AW 2003


MAN coin sandals, from MAN, SS 2005


Swarovski court shoe with Gina, from 56, SS 2008

The exhibition is supported by Melissa, the wonderful Brazilian-born ethical label that champions Melflex®, the recycled plastic phenomenon that uses sustainable and environmentally friendly production processes. Beginning with plastic versions of iconic Vivienne Westwood shoes, the collaboration has grown to include many of the archive styles on display at the exhibition (re-imagined in plastic, of course).

Exhibitions of this calibre, celebrating our fashion designers and presented so brilliantly, don’t come around very often. So if you’re in London and anywhere near Selfridges, do check it out – you won’t be disappointed.


Illustration by Meera Lee

Until 22 September, admission free.

Get all the important details here.

All photography by Matt Bramford

Categories ,1973-2010, ,catwalk, ,Dame Viv, ,exhibition, ,footwear, ,Jordan, ,london, ,Meliflex, ,Melissa, ,Oxford Street, ,Plastic dreams, ,Seditionaries, ,Selfridges, ,SEX, ,shoes, ,Ultralounge, ,va, ,Vivienne Westwood

Similar Posts:






Amelia’s Magazine | Rumble in the Jumble

Monday 16th.

Name The Pet and Micron63 supply full-frontal, this remedy hard-hitting electro vogueing tunage at Madame Jojos in Soho, cialis 40mg London.
Madame Jojo’s, Brewer Street, Soho, London.

list_namethepet.jpg
Name The Pet.

Tuesday 17th.

Betty Frances launches her spooky new bluesy folk EP at The Electroacoustic Club, with support from The Johnny Parry Trio. Get there by 8, though, to catch the amazing, 6’9”, delicate-fingered story-crooner The Black Maria Memorial Fund – this chap is a mild-mannered superhero of the first order.
The Slaughtered Lamb 34-35 Great Sutton St, Barbican EC1V 0DX

list_blackmaria.jpg
The Black Maria Memorial Fund.

Televised Crimewave are playing an Instore at Pure Groove.
6-7 West Smithfield, London EC1A 9JX

Wednesday 18th.

The Long Lost play at Prick Your Finger on Wednesday 18th March at 7.30pm. A band on Ninja Tune that sound like Astrid Gilberto dropped into a bubblebath with Bonnie ‘Prince’ Billy, Belle, and Sebastian. http://www.ninjatune.net/thelonglost – London, There is a password for the resourceful with pricked fingers.
Prick Your Finger, 250 Globe Rd, Bethnal Green.

list_longlost.jpg
The Long Lost.

Thursday 19th.

Gold Teeth and Crystal Fighters, two bands from the Amelia’s Intray are sure to pack a lively night with afrobeat rubbing up against dark pervertronic shocks.
The Paradise, 19 Kilburn Lane, Kensal Green W10 4AE

Friday 20th.

Sparks, the band that cannot die, will be fondling their keyboards for their hardcore devotee fanbase. Infiltrate, if you dare. Is Kentish Town big enough for the both of you?
HMV Forum, 9 – 17 Highgate RD, Kentish Town

Meanwhile, Piano Magic perform their sugary wisdom. For fans of classically trained Warp records.
Barden’s Boudoir, 36 Stoke Newington Rd, N16 7XJ

There’s also a warehouse party at the Busey Building.
133 Rye Lane, SE15

list_pianomag.jpg
Piano Magic.

Saturday 21st.

Upload Alldayer Festival. Trek out to Grays, near Thurrock for a loutish slobfest hosted by Front magazine. Highpoint will probably be Kunt And The Gang with his Bontempi synthpop ditties about unspeakably rude things. Did you spill my pint?
In a field.

A bit more relaxing and central, on the other hand, you could see Perunika performing their all-girl acapella Bulgarian Folk music.
The Cross Kings, 126 York Way, King’s Cross N1 0AX.

list_perunika.jpg
Perunika

Sunday 22nd.

Nadja, Cappilary Action and DJs in your dream-local.
Barden’s Boudoir, 36 Stoke Newington Rd, N16 7XJ.
Climate-Camp-City-April-2009-1B-046.jpg

Maybe I have become a bit blase after so much rushing, ask but for some reason the brilliantly termed “swoop” didn’t phase me. To the point that I decided that I had time to visit the G20 Meltdown goings on with a mere half hour to spare before the swoop at 12.30 on the 1st of April outside the European Climate Exchange. Attempting to locate the Climate Action march, viagra approved led by a green horse, approved I headed down Threadneedle Street towards the Bank of England. A friendly female officer ushered me onwards as I sauntered past police lines and I decided that there was no chance of a kettle here, at least not just yet. Ahead of me was the most amazingly constructed dead canary, held aloft to symbolize the death of Canary Wharf.

G20-Meltdown-April-2009-052.jpg

Increasingly aware of the clock ticking I darted further into the morass of people spilling into the junction from all sides, snapping as I went.

G20-Meltdown-April-2009-082.jpg

G20-Meltdown-April-2009-074.jpg

G20-Meltdown-April-2009-098.jpg

G20-Meltdown-April-2009-144.jpg

G20-Meltdown-April-2009-159.jpg

G20-Meltdown-April-2009-163.jpg

G20-Meltdown-April-2009-154.jpg

In ten minutes I was ready to leave, but by now the atmosphere had changed and the kettle was on. Trying my best not to panic I asked a second police officer if I could please please leave. To my utmost surprise – having ascertained that I was on my own —he let me past the cordon where other journalists had failed.

G20-Meltdown-April-2009-208.jpg

With minutes to spare I grabbed my bike and sped off to Bishopsgate, noting the preponderance of people with trays of food, backpacks, pop-up tents and even great wreaths of flowers en route, apparently unhassled by the police. The road seemed already closed to traffic, as if we were expected!

Climate-Camp-City-April-2009-1283.jpg

Climate-Camp-City-April-2009-1293.jpg

Climate-Camp-City-April-2009-1307.jpg

Suddenly there was a commotion at the north end of the street, and a flurry of people clustered together in the road. Someone yelled “not yet!” to which I retorted “too late!” I mean, once you’ve started pitching your tent on a major thoroughfare in central London you’re hardly going to stop politely and wait a minute more to meet GMT time are you?! The police tried half-heartedly to drag people off, as they hastily climbed inside their tents, with one joker popping out the top of his kids’ tent in full hunting gear.

Climate-Camp-City-April-2009-1317.jpg

Climate-Camp-City-April-2009-1323.jpg

Climate-Camp-City-April-2009-1401.jpg

Climate-Camp-City-April-2009-1340.jpg

By the time I had glanced up again the whole street was a bustle of people and tents as far as the eye could see. A Carbon Casino with ghetto blaster sound system was hoisted up onto a carefully scouted bus shelter.

Climate-Camp-City-April-2009-1434.jpg

Bunting was unfurled and strung up between lampposts, food was trundled in on trailers, a toilet gazebo hosting the compost loos arrived and a vegetable stall was set up beneath a banner emblazoned Farmers Markets Not Carbon Markets. Vivienne Westwood walked past. All so surreal, all so very good.

Climate-Camp-City-April-2009-1555.jpg

Climate-Camp-City-April-2009-1482.jpg

Climate-Camp-City-April-2009-1488.jpg

Gradually the infrastructure took shape, with a kitchen sited near the centre of the site and three separate workshop spaces successfully set up at intervals along the road.

Climate-Camp-City-April-2009-1931.jpg

Here people could learn everything from the latest climate science to effective self defence, and of course the more intricate ins and outs of Carbon Trading and why it is such a bad idea. Perhaps now would be a good time to mention more on why Climate Camp decided to focus on Carbon Trading.

Climate-Camp-City-April-2009-1B-105.jpg

Our previous targets have included Heathrow and Kingsnorth, where huge new projects will put in peril our ability to rapidly cut carbon as quickly as we need to if we are to keep Climate Change in check. The government and big business justify their plans for a third runway and a new coal fired power station with Carbon Trading, whereby carbon is bought and sold as if it were any other commodity. The trouble with this concept is that it encourages growth which is simply not possible if we are trying to cut carbon emissions, as any sane person realises.

Climate-Camp-City-April-2009-2075.jpg

So by picking out the European Climate Exchange (which is a worldwide hub for this activity) Climate Camp hoped to highlight a problem that very few people talk about. We chose to swoop on the day before the G20 because this meeting of leaders from the top 20 richest countries was intended to sort out the world’s financial problems. They intend to do this with the same failed economic system that has dreamt up Carbon Trading as a solution to Climate Change. By setting up Climate Camp at the heart of the problem we sent a clear signal to our leaders that we cannot continue putting our faith in the current financial system when it so clearly doesn’t work. Needless to say, the outcome of the G20 has been as ill-considered as expected.

Climate-Camp-City-April-2009-2130.jpg

Over $1 trillion dollars will be magiked out of thin air to push into our failing economic systems. Hurrah, all is well!

Climate-Camp-City-April-2009-1389.jpg

But back to the street that I so often cycle down, now so transformed. Guerilla gardeners wandered past with mini barrows of primula and spray cans in hand – a nod to the guerilla gardening movement which aims to reclaim our common land, planting useful plants on public spaces.

Climate-Camp-City-April-2009-1508.jpg

Ironically, April 1st was also the 360th anniversary – to the day – of the moment when the Diggers reclaimed Saint George’s Hill as common land, and on which they planted parsnips, carrots and beans. The area is now a gated community for the rich and a sad indictment of the way that land has been parcelled off for the elite across the world. We later sang, en masse, the famous Digger’s Song – A World Turned Upside Down, by Leon Rosselson.

The media centre was busy fielding journos, and a welcome group coalesced to meet and greet newcomers, which by now numbered many badly dressed down bankers who were easily spotted a mile off.

Climate-Camp-City-April-2009-1525.jpg

Climate-Camp-City-April-2009-1554.jpg

Climate-Camp-City-April-2009-1580.jpg

If you got closer they could generally be heard saying something moronic, but I think they found it hard to find fault with our actions and we may even have educated some of the more open-minded ones.

Climate-Camp-City-April-2009-1664.jpg

G20-Meltdown-April-2009-036.jpg

However, I think it’s worth noting the sad truth is that some people will never care about any issue unless it directly affects themselves or their family. Happy in their comfortable lives they remain content to consume far more than their fair share of resources, whilst others across the world starve because of their activities.

Climate-Camp-City-April-2009-1625.jpg

Faces were painted, samosas were sold, guitars were strummed. A giant game, an adaption of snakes and ladders – runways and windmills – was played, complete with oversize dice. The police seemed to be leaving us alone.

Climate-Camp-City-April-2009-1583.jpg

Climate-Camp-City-April-2009-1855.jpg

Climate-Camp-City-April-2009-1761.jpg

Climate-Camp-City-April-2009-1808.jpg

Climate-Camp-City-April-2009-1830.jpg

Climate-Camp-City-April-2009-1B-011.jpg

Climate-Camp-City-April-2009-1B-039.jpg

As the day wore on more and more people drifted in from the surrounding protests to see what was going on. On the northern perimeter the legal observers for Climate Camp got stuck in a strange sandwich between police lines and black block.

Climate-Camp-City-April-2009-1727.jpg

Climate-Camp-City-April-2009-1731.jpg

When I returned later the mood had altered dramatically – a group of 5-Rhythms dancers dressed in orange and gold had organised themselves into a self-named gold block. They were dancing frantically, periodically dragging others into their merriment, sweating in enlightened ecstasy.

Climate-Camp-City-April-2009-1B-155.jpg

Climate-Camp-City-April-2009-1B-187.jpg

Gingerbread bankers were handed out to passersby, and everywhere I looked people were sharing their food. I bumped into a bunch of schoolgirls still in uniform from the morning’s classes. One of them recognized me – I looked after her as a small child on a camp. Legal observers sat in a row sketching the police in front of them.

Climate-Camp-City-April-2009-1774.jpg

Climate-Camp-City-April-2009-267.jpg

Climate-Camp-City-April-2009-1903.jpg

Climate-Camp-City-April-2009-314.jpg

Occasionally I would bump into another Climate Camper from our London neighbourhood, looking similarly frazzled to how I was starting to feel. And I bumped into Robots in Disguise, and half of Tatty Devine.

Climate-Camp-City-April-2009-1B-092.jpg

Climate-Camp-City-April-2009-1B-047.jpg

Climate-Camp-City-April-2009-1B-059.jpg

The atmosphere was still up, jovial, but I was worried that my camera battery was getting low and decided to head home to download photos and recharge batteries before the mood changed, as I suspected it would when dusk fell. On my return twilight was approaching rapidly between the tower blocks and the atmosphere had turned still more carnivalesque, with people really getting into the stop-start nature of human powered bike pedal sound systems. Limboing was all the rage and some cheeky girls got on top of a police van to boogie.

Climate-Camp-City-April-2009-2107.jpg

Climate-Camp-City-April-2009-2167.jpg

Climate-Camp-City-April-2009-2172.jpg

Climate-Camp-City-April-2009-2175.jpg

Climate-Camp-City-April-2009-221.jpg

Climate-Camp-City-April-2009-235.jpg

Climate-Camp-City-April-2009-249.jpg

Climate-Camp-City-April-2009-373.jpg

Many more people were joining us from a day at work, but the police were also increasing rapidly in number as they were called off duty elsewhere. Suddenly (at about 7.30pm) and without warning, they pushed forcefully into the site from the south end, beating people out of their way as they did so with riot shields and battons, even as surprised protesters raised their hands in the air and chanted the now familiar refrain “this is not a riot.”

Climate-Camp-City-April-2009-450.jpg

Climate-Camp-City-April-2009-455.jpg

Climate-Camp-City-April-2009-511.jpg

Climate-Camp-City-April-2009-515.jpg

Up until now everything had seemed so relaxed, but I for one knew that it was only a matter of time before the police decided to use more force. They may have stood by mildly amused as we entertained and educated each other in the hot sunshine of the afternoon, but by nightfall it was clear that things were about to get significantly more messy. We were now in a kettle, with people unable to get in or out, a state that remained for the next 5 hours. Those who had just arrived were utterly bemused as to the reasons for this, but there wasn’t any reasoning to do. A big consensus meeting was held at the north end to decide what we should do, and hundreds of people took part in hand wiggling to confirm that they would be staying the night. (I had my doubts about this outcome – those there to party no doubt mistook the implications of this, ie. that it would mean standing our ground and keeping the police out, not more dancing and getting drunk.)

Climate-Camp-City-April-2009-724.jpg

Climate-Camp-City-April-2009-810.jpg

Climate-Camp-City-April-2009-876.jpg

Now seemed a good time to hold the much hyped celidh, so I located our new Climate Camp celidh band, the Carbon Raiders, and we put into practice the music we’ve been practicing over the past few weeks. Soon enough there in front of me was the familiar sight of hundreds of smiling people dancing together.

Climate-Camp-City-April-2009-781.jpg

Climate-Camp-City-April-2009-787.jpg

We only managed to follow a few steps correctly, but it didn’t matter; freestyling joy was the order of the day. It was as if the lines of riot cops were a million miles away, rather than 2 metres over my shoulder. For awhile afterwards much carried on as before, with many enjoying the fluffy baked potatoes for tea that remained warm to the touch – despite having been cooked the day before – many in my very own oven.

Climate-Camp-City-April-2009-593.jpg

Climate-Camp-City-April-2009-584.jpg

Towards midnight many were getting anxious – they’d been planning to get home, to get to work the next day. We started to become aware that there were hundreds of people outside trying to get in and those sitting on the bus shelter could see people being violently beaten back from our perimeter.

Climate-Camp-City-April-2009-915.jpg

It wasn’t until yesterday that I found out the full extent of the surrounding kettles – one friend was caught in a mini kettle of 25 people for 2 hours in a narrow and claustrophobic alley, some beaten to the ground before finally being released. Marina had come down from the Meltdown and, finding herself unable to get in set up camp in the middle of Broadgate with her kettle and teacups. She showed me the bruises from the police the next day – huge great welts down her arm, but she was proud that her fine china remained unscathed throughout the ordeal. Why were these people kept away from us? Many of my friends were unable to get into the camp, despite having travelled long distances to protest. Still others were trying to retrieve belongings left inside the camp, which have since vanished – the police sent in cleaning crews at the end that apparently sent everything straight to landfill. Is this lawful? To keep someone from their belongings and then consign them to oblivion?

Once the police had beaten everyone away from our perimeters they drafted in huge amounts of riot cops (10 deep in places) to drive us off the road. There was clearly no way they were going to let us stay there for the full 24 hours and risk having us block the road for another day of commuter traffic. I believe their orders were something along the lines of needing to keep the streets clear in case a world leader wanted to get past. Most people, tired and intimidated, left as soon as they were able to, with just a dedicated few left to guard the lines. The police surged forward with no advance warning once more, picking up and tossing carelessly aside our beloved Pedals bike powered sound system. A great cry of dismay went up from the crowd – this was willful destruction of property for no discernible reason.

Climate-Camp-City-April-2009-975.jpg

Climate-Camp-City-April-2009-995.jpg

Climate-Camp-City-April-2009-960.jpg

Police, jaws set in aggressive grimaces, were flailing out at cowering protestors who sat on the floor with their hands in the air. Is this what democracy looks like? When the right to protest is treated with such disdain? Despite promises to the contrary, no attempt at communication was made. The same old story seems to be repeating itself time and time again.

Climate-Camp-City-April-2009-1083.jpg

Climate-Camp-City-April-2009-1112.jpg

As a camper climbed a traffic light to retrieve a banner I overheard a policeman sneering that he hoped he slipped and fell. Is this what we pay our taxes for? The police are not here to protect the interest of the ruling elite, they are here to facilitate lawful protest and protect the welfare of all citizens. Yet this attitude is sadly lacking. For every friendly humane copper there are 50 behind him or her who revel in the carnage that provoking a riot ensures.

My friend was snatched from the front line and so I retreated from my position inches from the police to retrieve his belongings and take them out to him. I was also concerned by this point about my camera being taken and the photos erased – there were already reports of this having happened to other photographers earlier in the day. It seemed increasingly obvious how things were going to end, and sure enough when I made it back around the block ten minutes later the street was clear, apart from a dreadful mess of abandoned tents and bedraggled bunting. It was very sad to see the state of the street, when Climate Camp is so committed to clearing up so that no trace remains. But what choice did we have? We just didn’t have the resources to clear up more than those individuals left behind could personally manage. We stuffed as much bunting as we could into a backpack and trundled home, feeling emotionally bruised and battered.

Climate-Camp-City-April-2009-1173.jpg

…But what a day! We swooped, we camped, and we raised the issue of Carbon Trading higher up the political agenda than it has ever been before. I feel certain that many people came away feeling much more empowered and assured that it is possible to create another world. Now we start work on ideas for the Climate Camp this summer, August 26th – September 2nd. Throughout 2009 we will be focusing on the failures of our current economic system, for the same principles of free markets cannot possibly save us from Climate Chaos. The only solution is to decrease consumption, increase efficiency, and find alternatives to fossil fuels, fast. Put the dates in your diary now. And follow us on the main Camp Twitter and Twitter for London-based campers.

Climate-Camp-City-April-2009-2084.jpg

Climate-Camp-City-April-2009-2083.jpg

Coming from a rural upbringing the staple jumble sale was as much engrained into the infrastructure of village life as the Women’s Institute’s flower arranging classes and the humble church cake sale. It sounds decidedly twee but I still recollect as if yesterday the village hall brimming with ornate table clothes, viagra approved wooden chairs, price the bric and brac stands, the tombola, the fairy cakes and the strangely gratifying musty scent of hand me downs.Alas since flying the nest from my pastoral abode in favour of the city hustle. I feared the modest jumble sale would be cast aside as a mere nostalgic whim I would recall fondly in childhood anecdotes .

jumble_01.jpg

However recently fortune led me to unearth a hidden organisation seeking to rekindle this quintessential past time. With the pretence of transforming the jumble sale into the new cultural phenomena, the group aptly entitled “jumble” have set up a monthly event at the Amersham Arms in the depths of New Cross, South London. Jumble has targeted their cliental with outstanding precision, supplying all any fashion-focused individual could ever ask for under one rooftop. Who could scorn at vintage clothing, crafts, records, bric and brac, alcohol and scrabble tournaments, oh and I nearly forgot the cakes! I hope I am not fuelling a stereotype but jumble appear to have catered for every kooky shopping habit of most 18-25 year olds.I am not ashamed to admit I fall right into that category myself!

jumble.jpg

The 300 capacity venue every month transforms into a sea of eager revellers on the prowl for bargains. Watching people transcend from idle window shoppers to style scavenging primitives is a rather refreshing change. With a bar to quench your thirst amidst your hunt jumble provide you all the sustenance you require for a healthy afternoon of hunting.

If the prospect of heading to the uncharted terrain of South London fills you with dread then never fear. If you’re Shoreditch born and bred you don’t have to egress the comfort zone. Emily Morris’s Extraordinary Dancing Bazaar is held at the Old Blue Last, however its on a sporadic basis so this is one you have to really keep your ears pricked up for. The former DJ at Ministry and Turnmills turns her hands to fashion in this hip haven on the second floor. Perfect for those fashion forerunners, but be warned this is not for the fainted hearted, expect some zany finds in this haunt.

There is also the Bi- annual jumble sale at the art gallery Studio 1-1, run by Uscha Pohl publisher and editor of the VERY style guide, a self professed “ store phobia” she hates the concept of hoarding. Artists use this as an outlet to shed everything from kooky furniture to vintage treasures and some odd bits and pieces thrown in their for good measure.

jumble03.jpg

Unlike my school years of the 90′s we have now become akin to second hand clothing, society now fully embraces the jumble sale aesthetic. When I was in secondary school you would not only be scorned at but faced intolerable mockery if someone unearthed you bought from Oxfam. I was profusely laughed at once for giving out Oxfam christmas cards. But in my college years it was deemed highly innovative to shop in charity shops. Second hand clothing now symbolizes a complete rejection of the ubiquity of todays global fashion sphere. Now there is hierachical obscurity, style no longer denotes class it serves in conveying personality and not financial privilege. Even the vintage market is utterly oversaturated and so consciously scouted and merchandised the joy of unearthing a diamond is eradicated. The real exhilarant comes from resorting to our primitive psychological make up, our “hunter, gather” instinct. So go on get hunting those jumble sales and reel in some prize catches!

Categories ,Jewellery, ,Jumble Sale, ,London, ,Retro, ,Shoes, ,Swap, ,Vintage

Similar Posts:






Amelia’s Magazine | UGG Australia launches the I Do Wedding Collection and Piccadilly Flagship Store

UGG Canvas lucianna
Remember UGG? that much derided maker of *comfortable* booties worn by many a D-list celeb? Well, slowly and quietly UGG has undertaken a design transformation and grown up… I had an inkling of this when I was gifted a pair of wonderful sheepskin clog booties a few years ago that rapidly became my favourite footwear of the season, but things have moved on rapidly since then.

UGG Canvas Tawnie
UGG Australia Tawnie.

This season UGG Australia are really ramping things up a gear in the UK… what with the launch of the I Do wedding collection (pearlescent versions of the original boots) and the opening of a big new flagship store in Piccadilly, London. UGG Australia already has concept stores in Knightsbridge, Westfield London, Covent Garden and Manchester, and their new bridal collection will be available exclusively in these shops.

Ugg wedding_collection
ugg i do fluff flip flop

Whilst I find the I Do jeweled Bailey Button and sequinned Classic Sparkles boots to be of dubious taste I can imagine that a certain type of bride would absolutely love their combination of glitz and comfort in the run up to and aftermath of a big schmaltzy wedding. I will concede that the Fluff Flip Flop looks spectacularly cosy: UGG Australia pride themselves on using only the very best sheepskin and craft techniques for their products.

UGG Canvas women's lucianna
UGG Australia women’s Lucianna.

If you are still in any doubt as to the desirability of UGG shoes why not take a peek through this summer’s range: I’m particularly loving the Jolene and Lucianna styles. You can use the widget below to find the styles you like. Now, who’s taking me sailing?


  • WOMEN’S UGG BOOTS

    UGGÆ sheepskin boots are a must-have in any womanís wardrobe. Once you try them on, you wonít want to take them off. Tall or short, thereís a pair for you.



  • MEN’S UGG BOOTS

    Get your hands on a pair of men’s boots from UGGÆ for men – the hottest look for men this winter. Using only the finest materials, they give you a comfort that is like nothing else.




  • MEN’S SLIPPERS

    Relax in style with a luxurious pair of menís sheepskin slippers from UGGÆ. With the legendary warmth and feel of UGG, you wear them in and out of the house.




  • ACCESSORIES

    Slip on the luxurious feel of UGGÆ leather gloves this winter. With its famous sheepskin lining, itís the only way to keep your hands toasty and stylish.




  • ABOUT UGGÆ

    Make sure your UGGÆ Boots are genuine. Be wary of any websites selling discount UGGÆ boots. Visit the official UGGÆ Australia website for authentic UGG products.






UGG Australia womens evera canvas
UGG Australia women’s Evera Canvas.

UGG Canvas lo pro denim jacquard
UGG Australia lo pro Denim Jacquard.

This is a sponsored blog post, but please note I only ever write about products and services that I genuinely like and want to share with my readers.

Categories ,Bailey Button, ,Boots, ,Bridal, ,Classic Sparkles, ,Covent Garden, ,Evera Canvas, ,Flagship Store, ,Fluff Flip Flop, ,footwear, ,I Do, ,Jolene, ,Knightsbridge, ,lo pro Denim Jacquard, ,Lucianna, ,manchester, ,Piccadilly, ,Sheepskin, ,shoes, ,Tawnie, ,UGG Australia, ,Wedding, ,Wedding Collection, ,Westfield London

Similar Posts:






Amelia’s Magazine | London Fashion Week S/S 2012 Showroom Review: EcoLuxe London

'Ecolooks' EcoLuxe London Exhibition LFW SS12 by Maria Papadimitriou aka Slowly The Eggs

‘Ecolooks’ by Maria Papadimitriou aka Slowly The Eggs

I was hugely excited that during this London Fashion Week I had the opportunity not only to go and see but also exhibit at the EcoLuxe London exhibition that took place in a beautiful space on the ground floor of the Kingsway Hall Hotel almost next to the Vauxhall Fashion Scout’s Freemasons’ Hall. Ecoluxe London takes place twice a year during London Fashion Week and is a non-profit platform that promotes fashion related ecoluxury brands and aims to raise awareness of ecological issues with the public. Its organisers, information pills Stamo and Elena Garcia, who are sustainable womenswear designers themselves, featured over 40 brands this year and EcoLuxe London is growing every year – here’s only a few examples that took my fancy!

EcoLuxe London LFW SS12 Lucy Harvey Ethical Stylist

EcoLuxe London LFW SS12 Ethical Stylist Lucy Harvey and Hetty Rose

Ethical stylist Lucy Harvey styling shoe designer Hetty Rose with a Plastic Seconds headpiece and necklace.

Upon entering the exhibition visitors were greeted by superbly talented stylist Lucy Harvey and her assistant Charlie Divall, who offered to upstyle them with various pieces from the exhibitors’ tables and then photograph them and tweet about it. I thought in this way Lucy offered a really fun, interactive introduction to the exhibition and a great way of promoting both the designers’ and the visitors’ work.

EcoLuxe London LFW SS12 Lupe Castro wearing Supported by Rain and Plastic Seconds

Stylist Lupe Castro styled by Lucy Harvey with a Supported by Rain coat and a Plastic Seconds headpiece, photo by Charlie Divall

Walking further into the exhibition the first thing to catch my eye was a series of gloriously colourful raincoats by Maria Ampatielou’s new brand Supported by Rain – seen above. Made of recycled umbrellas and end-of-roll waterproof fabrics, these raincoats are not only beautiful but also cleverly fold into their own pockets or hoods, whose insides have remained dry, so that you can put them back into your bag without any soaked diary dramas!

STAMO EcoLuxe London LFW SS12 by Celine Elliott

By Stamo S/S 2012 by Celine Elliott

EcoLuxe London LFW SS12 STAMO belt

By Stamo, which featured in Amelia’s Compendium of Fashion Illustration, is another brand I enjoyed especially because of the theatricality in the designs and the extensive use of found and recycled materials whose original form is often retained – as seen in this bullet belt.

INALA LONDON EcoLuxe London LFW SS12 by Caire Kearns

INALA London S/S 2012 by Claire Kearns

My neighbour exhibitor Alani Gibbon of INALA London showed some designs which were a natural hit with me becuase of their bright colours, but they further impressed me with their cleverness and versatility. For example a hooded short dress could be turned around and worn as an all-in-one playsuit! Not to mention the use of pulped eucalyptus fabric which felt amazing to touch.

OUTSIDER Ecoluxe London LFW SS12 by Maria Papadimitriou aka Slowly The Eggs

Outsider Fashion S/S 2012 by Maria Papadimitriou aka Slowly The Eggs

I was thrilled to see the brand Outsider winning the JP Selects womenwear award at the end of the show as they stongly promote the notion that ‘ethical’ fashion should just look like very good fashion with their range of classic but very stylish designs.

HEMYCA EcoLuxe London LFW SS12 by Celine Elliott

Hemyca S/S 2012 by Celine Elliott

Hemyca is a multi award winning brand and I was most attracted by this beautifully tailored matching dress and coat.

LFW SS2012 Agnes Valentine Ecoluxe London by Maria Papadimitriou aka Slowly The Eggs

Agnes Valentine S/S 2012 by Maria Papadimitriou aka Slowly The Eggs

Along with Hemyca above, whom I was not aware of, it was great to discover my dream swimsuit designer Agnes Valentine! The brand sources fine italian eco fabrics and their designs are minimal and classic but with bold colours and very feminine indeed.

EcoLuxe London LFW SS12 Hetty Rose shoes

EcoLuxe London LFW SS12 Hetty Rose shoes worn by Alice Wilby

It was an honour to meet another ACOFI designer Hetty Rose whose fun bespoke shoes are made using vintage Japanese kimono fabrics, Alice Wilby from Futurefrock modelled this pair and did not want to take them off!

EcoLuxe London LFW SS12 Golden Grass Company clutch

Next to Hetty Rose I found the friendly couple behind the Golden Grass Company who design jewellery and accessories for native artisans in Brazil to make out of a naturally golden, light and durable fibre, which is grown without chemicals or pesticides, under fair trade standards – LOVED this clutch!

EcoLuxe London LFW SS12 Monique Luttin headpiece

Sharing a table with me was Monique Luttin who makes intriguing headpieces using offcuts or vintage fabrics and found objects – I particularly liked this bird scull one which has a tribal, ritualistic element to it.

EcoLuxe London LFW SS12 Palstic Seconds printer packaging pendand

And finally a piece from the Plastic Seconds recycled jewellery collection I exhibited made out of the plastic, colourful bits one finds when unpacking a new printer…

As Hannah Bullivant pointed out in a previous post on EcoLuxe London, hopefully sustainable practices in fashion design will become mainstream and the brands that are still termed ‘ethical’ will no longer have to exhibit in separate showrooms and sections such as EcoLuxe or Estethica. Hopefully soon.

All photography by Maria Papadimitriou unless otherwise stated.

Categories ,Agnes Valentine, ,Alice Wilby, ,By Stamo, ,Celine Elliott, ,Charlie Divall, ,Claire Kearns, ,Classic, ,Coat, ,design, ,designer, ,Dress, ,ecodesign, ,Ecoluxe, ,Elena Garcia, ,estethica, ,Ethical brands, ,fashion, ,Feminine, ,Freemasons’ Hall, ,Futurefrock, ,Headpiece, ,Hemyca, ,Hetty Rose, ,Inala London, ,jewellery, ,Kingsway Hall Hotel, ,London Fashion Week, ,Lucy Harvey, ,Lupe Castro, ,Maria Papadimitriou, ,minimal, ,Monique Luttin Millinery, ,Outsider, ,Outsider Fashion, ,Plastic Seconds, ,Pulped Eucalyptus, ,Recycled Materials, ,shoes, ,Slow Fashion, ,Slowly the Eggs, ,Supported by Rain, ,Swimwear, ,tailoring, ,Vauxhall Fashion Scout, ,vintage, ,Womenswear

Similar Posts:






Amelia’s Magazine | London Fashion Week S/S 2011 Esthetica Review


Illustration by Annejkh Carson
Partimi Dress by Joana Faria
Partimi by Joana Faria.

I probably shouldn’t do this because I actually don’t believe the ghettoisation of ethical designers is a particularly good thing, more about but for ease of storytelling in the grand scheme of things it makes sense to cover the interesting stuff I came across at Esthetica altogether. This is by no means all the stuff I loved, purchase but I’ll be covering others in my upcoming book Amelia’s Compendium of Fashion Illustration (with an ethical bent) so for now I’ll just stick to a few that may not have been covered on this blog before….

Martina Spetlova
The Centre for Sustainable Fashion were promoting the work of Martina Spetlova, prescription another MA graduate of Central Saint Martins who has a first degree in chemistry and has set up a fair trade embroidery network between women in Pakistan and designers in the UK. She creates clothes made of interchangeable panels and her recent collection features some interesting garments sponsored by waste from the YKK zip company. She is currently building relationships with mills to use more end of line products that are well suited to the small runs of high end designers, but I do wonder what happens once all that waste has been scooped up.

Somerset House SS2011 Martina Spetlova
Somerset House SS2011 Martina Spetlova
Somerset House SS2011 Martina Spetlova
Octavi Navarro - Martina Spetlova
Martina Spetlova by Octavi Navarro.

Little Glass Clementine
I was really pleased to see my friend Clemmie from Little Glass Clementine exhibiting at Esthetica for the first time. We’ve covered Clemmie before, both for her work drawing attention to the imperilled island of Tuvalu and for her beautifully made jewellery.

LFW SS2011 Little Glass Clementine

I feel quite proud that her necklaces, constructed from found objects and lovingly sourced vintage items, are now finding a much wider audience. Read an interview with her here.

LFW SS2011 Little Glass Clementine
LFW SS2011 Little Glass Clementine
All photography by Amelia Gregory.

Sägen
Over in the Scandinavian corner I was most intrigued to discover the finely detailed work of Sägen, also showing at Esthetica for the first time. This is upcycling at it’s best – taking shards of old porcelain and reinvigorating them for a new life as a piece of delightful one off jewellery.

Somerset House SS2011 Sagen

Choose from twee rose patterns or more modern classic Scandinavian leaf designs, all set in nickel free silver. One massive downside: the website does not seem to cater to the English speaking customer, so one can only hope some UK based buyers have bought into the range.

sagen-katie-harnett
Sägen by Katie Harnett.

Nina Dolcetti
I tried on a pair of Nina Dolcetti bouncy platform shoes at Esthetica, and instantly fell in love… perhaps I could even ride a bike in a pair of these?? Inexplicably the head designer is not called Nina Dolcetti. Elisalex de Castro Peake is a Cordwainers graduate who launched her first upcycled shoe in September 2008 and the brand name Nina Dolcetti – meaning Little Sweets – comes from a combination of her nickname and her grandmother’s maiden name.

Somerset House SS2011 nina dolcetti
Somerset House SS2011 nina dolcetti
Somerset House SS2011 nina dolcetti

All shoes are made in a small factory run factory in East London from off cuts and pre-consumer waste, and she utilises only vegetable tanned leather and sustainably sourced cork and wood. So want a pair to bounce around in, but they’re a leetle bit pricey for me. Well worth it if you earn a decent wage though: I urge you to check them out.

LFW-Nina Dolcetti by Chris Morris
Nina Dolcetti by Chris Morris.

Partimi and Joanna Cave
I love Partimi‘s clean simple designs. Designer Eleanor Dorrien-Smith named her label after the architectural term parti, meaning the conceptual starting point for a project, and she makes beautiful wearable dresses adorned with simple graphic prints.

emma_block_partimi
Partimi by Emma Block.

This season she paid homage to costumes from Diaghilev’s Ballet Russes that her mother had collected at auction. I particularly loved her collaboration with ethical jewellery designer Joanna Cave, and am lusting after a pair of graphic cut out dangly earrings.

LFW SS2011 Partimi
Partimi Long dress by Joana Faria
Partimi earing by Joana Faria
Partimi by Joana Faria.

Oria
This jewellery range is the baby of creative duo Tania Kowalski and Synnove Saelthun, who have worked in the jewellery industry for a combined 25 years. Increasingly concerned wih the social and environmental impact of mining they created Oria in 2007 with an intention to make the supply chain transparent.

Somerset House SS2011 Oria

They source from fair-trade companies, all materials are traceable to point of origin and then the jewellery is made in their London studio. I love the delicate dangly cutout earrings featuring bees and birds.

Oria by Faye West
Oria by Faye West.

Michelle Lowe-Holder
I knew Michelle Lowe-Holder as a clothing designer, but after a break from the industry she’s decided to make a come back as an accessory designer. This was prompted by the realisation that she was always most interested in the details so she decided to be more sustainable and make use of the oodles of waste fabric from old collections – that she still has lying around in her studio – to create some stunning accessories: giant arm, neck and leg pieces are stacked to create dramatic silhouettes.

LFW SS2011 Michelle Lowe-Holder
LFW SS2011 Michelle Lowe-Holder
Michelle Lowe by Michelle Urvall Nyrén
Michelle Lowe-Holder by Michelle Urvall Nyrén.

From Somewhere
From Somewhere has been upcycling waste luxury materials since 1997, and as a bastion of sustainable fashion it was to designer Orsola de Castro that the BFC came when they wanted to set up Esthetica in 2006.

LFW SS2011 Orsola From Somewhere
Orsola de Castro.

This season she has been working with offcuts from Speedo to create a lovely limited edition capsule collection.

speedo_by Alia Gargum
Speedo From Somewhere collaboration by Alia Gargum.

Made
Having just returned from a Fashion Business Club get together with the unexpectedly lucid Laura Bailey I thought I would also mention Made, a jewellery brand “by the people for the people” that is reasonably well known thanks to some high profile branding and wide distribution. They are big on their “designer” collaborations, though not designers I’ve ever heard of: since when was Laura Bailey a jewellery designer anyway? Boy do I want her job. I’m not a massive fan of a lot of their stuff (looks wise), but they do undeniably good things by providing trade for impoverished communities in Africa.

made by natsuki otani
Made by Natsuki Otani.

Categories ,Alia Gargum, ,Central Saint Martins, ,Centre for Sustainable Fashion, ,Cordwainers, ,Ecofashion, ,Elisalex de Castro Peake, ,Emma Block, ,esthetica, ,ethical design, ,Fashion Business Club, ,Faye West, ,From Somewhere, ,jewellery, ,Joanna Cave, ,Katie Harnett, ,Laura Bailey, ,Little Glass Clementine, ,MADE, ,Martina Spetlova, ,Michelle Lowe-Holder, ,Michelle Urvall Nyrén, ,Nina Dolcetti, ,Octavi Navarro, ,Oria, ,Orsola De Castro, ,Partimi, ,recycling, ,Sägen Butik, ,scandinavia, ,shoes, ,Speedo, ,sustainability, ,Synnove Saelthun, ,Tania Kowalski, ,Tuvalu, ,Upcycling, ,YKK

Similar Posts:






Amelia’s Magazine | London Fashion Week S/S 2011 Esthetica Review


Illustration by Annejkh Carson
Partimi Dress by Joana Faria
Partimi by Joana Faria.

I probably shouldn’t do this because I actually don’t believe the ghettoisation of ethical designers is a particularly good thing, more about but for ease of storytelling in the grand scheme of things it makes sense to cover the interesting stuff I came across at Esthetica altogether. This is by no means all the stuff I loved, purchase but I’ll be covering others in my upcoming book Amelia’s Compendium of Fashion Illustration (with an ethical bent) so for now I’ll just stick to a few that may not have been covered on this blog before….

Martina Spetlova
The Centre for Sustainable Fashion were promoting the work of Martina Spetlova, prescription another MA graduate of Central Saint Martins who has a first degree in chemistry and has set up a fair trade embroidery network between women in Pakistan and designers in the UK. She creates clothes made of interchangeable panels and her recent collection features some interesting garments sponsored by waste from the YKK zip company. She is currently building relationships with mills to use more end of line products that are well suited to the small runs of high end designers, but I do wonder what happens once all that waste has been scooped up.

Somerset House SS2011 Martina Spetlova
Somerset House SS2011 Martina Spetlova
Somerset House SS2011 Martina Spetlova
Octavi Navarro - Martina Spetlova
Martina Spetlova by Octavi Navarro.

Little Glass Clementine
I was really pleased to see my friend Clemmie from Little Glass Clementine exhibiting at Esthetica for the first time. We’ve covered Clemmie before, both for her work drawing attention to the imperilled island of Tuvalu and for her beautifully made jewellery.

LFW SS2011 Little Glass Clementine

I feel quite proud that her necklaces, constructed from found objects and lovingly sourced vintage items, are now finding a much wider audience. Read an interview with her here.

LFW SS2011 Little Glass Clementine
LFW SS2011 Little Glass Clementine
All photography by Amelia Gregory.

Sägen
Over in the Scandinavian corner I was most intrigued to discover the finely detailed work of Sägen, also showing at Esthetica for the first time. This is upcycling at it’s best – taking shards of old porcelain and reinvigorating them for a new life as a piece of delightful one off jewellery.

Somerset House SS2011 Sagen

Choose from twee rose patterns or more modern classic Scandinavian leaf designs, all set in nickel free silver. One massive downside: the website does not seem to cater to the English speaking customer, so one can only hope some UK based buyers have bought into the range.

sagen-katie-harnett
Sägen by Katie Harnett.

Nina Dolcetti
I tried on a pair of Nina Dolcetti bouncy platform shoes at Esthetica, and instantly fell in love… perhaps I could even ride a bike in a pair of these?? Inexplicably the head designer is not called Nina Dolcetti. Elisalex de Castro Peake is a Cordwainers graduate who launched her first upcycled shoe in September 2008 and the brand name Nina Dolcetti – meaning Little Sweets – comes from a combination of her nickname and her grandmother’s maiden name.

Somerset House SS2011 nina dolcetti
Somerset House SS2011 nina dolcetti
Somerset House SS2011 nina dolcetti

All shoes are made in a small factory run factory in East London from off cuts and pre-consumer waste, and she utilises only vegetable tanned leather and sustainably sourced cork and wood. So want a pair to bounce around in, but they’re a leetle bit pricey for me. Well worth it if you earn a decent wage though: I urge you to check them out.

LFW-Nina Dolcetti by Chris Morris
Nina Dolcetti by Chris Morris.

Partimi and Joanna Cave
I love Partimi‘s clean simple designs. Designer Eleanor Dorrien-Smith named her label after the architectural term parti, meaning the conceptual starting point for a project, and she makes beautiful wearable dresses adorned with simple graphic prints.

emma_block_partimi
Partimi by Emma Block.

This season she paid homage to costumes from Diaghilev’s Ballet Russes that her mother had collected at auction. I particularly loved her collaboration with ethical jewellery designer Joanna Cave, and am lusting after a pair of graphic cut out dangly earrings.

LFW SS2011 Partimi
Partimi Long dress by Joana Faria
Partimi earing by Joana Faria
Partimi by Joana Faria.

Oria
This jewellery range is the baby of creative duo Tania Kowalski and Synnove Saelthun, who have worked in the jewellery industry for a combined 25 years. Increasingly concerned wih the social and environmental impact of mining they created Oria in 2007 with an intention to make the supply chain transparent.

Somerset House SS2011 Oria

They source from fair-trade companies, all materials are traceable to point of origin and then the jewellery is made in their London studio. I love the delicate dangly cutout earrings featuring bees and birds.

Oria by Faye West
Oria by Faye West.

Michelle Lowe-Holder
I knew Michelle Lowe-Holder as a clothing designer, but after a break from the industry she’s decided to make a come back as an accessory designer. This was prompted by the realisation that she was always most interested in the details so she decided to be more sustainable and make use of the oodles of waste fabric from old collections – that she still has lying around in her studio – to create some stunning accessories: giant arm, neck and leg pieces are stacked to create dramatic silhouettes.

LFW SS2011 Michelle Lowe-Holder
LFW SS2011 Michelle Lowe-Holder
Michelle Lowe by Michelle Urvall Nyrén
Michelle Lowe-Holder by Michelle Urvall Nyrén.

From Somewhere
From Somewhere has been upcycling waste luxury materials since 1997, and as a bastion of sustainable fashion it was to designer Orsola de Castro that the BFC came when they wanted to set up Esthetica in 2006.

LFW SS2011 Orsola From Somewhere
Orsola de Castro.

This season she has been working with offcuts from Speedo to create a lovely limited edition capsule collection.

speedo_by Alia Gargum
Speedo From Somewhere collaboration by Alia Gargum.

Made
Having just returned from a Fashion Business Club get together with the unexpectedly lucid Laura Bailey I thought I would also mention Made, a jewellery brand “by the people for the people” that is reasonably well known thanks to some high profile branding and wide distribution. They are big on their “designer” collaborations, though not designers I’ve ever heard of: since when was Laura Bailey a jewellery designer anyway? Boy do I want her job. I’m not a massive fan of a lot of their stuff (looks wise), but they do undeniably good things by providing trade for impoverished communities in Africa.

made by natsuki otani
Made by Natsuki Otani.

Categories ,Alia Gargum, ,Central Saint Martins, ,Centre for Sustainable Fashion, ,Cordwainers, ,Ecofashion, ,Elisalex de Castro Peake, ,Emma Block, ,esthetica, ,ethical design, ,Fashion Business Club, ,Faye West, ,From Somewhere, ,jewellery, ,Joanna Cave, ,Katie Harnett, ,Laura Bailey, ,Little Glass Clementine, ,MADE, ,Martina Spetlova, ,Michelle Lowe-Holder, ,Michelle Urvall Nyrén, ,Nina Dolcetti, ,Octavi Navarro, ,Oria, ,Orsola De Castro, ,Partimi, ,recycling, ,Sägen Butik, ,scandinavia, ,shoes, ,Speedo, ,sustainability, ,Synnove Saelthun, ,Tania Kowalski, ,Tuvalu, ,Upcycling, ,YKK

Similar Posts:






Amelia’s Magazine | Fashion Philosophy Fashion Week Poland S/S 2012 in Łódź: Showroom

Kollana Shoes by Celine Elliott
Kollana Shoes by Celine Elliott.

Time for a quick round up of the best brands that I found in the Showroom at Fashion Week Poland. Held in the industrial sized factory space between the catwalks, this was a chance to catch up with some interesting niche talent from Poland and beyond.

Fashion Week Poland stands SS 2012-Galadea
Fashion Week Poland stands SS 2012-Galadea
First up something a wee bit traditional: Galadea use embroidered folk designs from around Poland as the backbone to a range that includes arm cuffs and colourful belts.

Fashion Week Poland stands SS 2012-Agata Mocarska
This stand displayed bizarre dolls inspired by famous fashion creatures – in this case Anna Wintour – by designer Agata Mocarska.

Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
I was delighted to find the work of an intriguing fashion illustrator on display. Malgorzata Bieniek-Straczek goes under the name of Maggie Piu, and that’s about all I can tell you as the press release was in Polish. Highly decorative stuff.

Fashion Week Poland stands SS 2012-Fiszerowa
Pretty beaded necklaces by Fiszerowa.

Fashion Week Poland stands SS 2012-Kollana
Fashion Week Poland stands SS 2012-Kollana
Fashion Week Poland stands SS 2012-Kollana
Fashion Week Poland stands SS 2012-Kollana
Shoes were a real winner – I especially liked these upcycled heels with appliqued animal motifs by Kollana.

Fashion Week Poland stands SS 2012-Lola Ramona
And there were more cute shoes covered in polka dots and bows at Danish brand Lola Ramona. You can buy Lola Ramona shoes in the UK on Zalando.

Fashion Week Poland stands SS 2012-Bartek Witek
Fashion Week Poland stands SS 2012-Bartek Witek
Bartek Witek had a fetching range of mens’ shirting.

Fashion Week Poland stands SS 2012-Manitic
Perspex necklaces caught my eye at Manitic.

Fashion Week Poland stands SS 2012-owl bags
Fashion Week Poland stands SS 2012-owl bags
Loved these hand crafted fabric owl bags. Sadly I’ve lost the business card so can’t tell you who made them, though I do know she makes each one by hand, and they were displayed on a fab gold papermache cow. Update! I know who made them now! They are by Monika Wyłoga.

Fashion Week Poland stands SS 2012-Ekoista
Fashion Week Poland stands SS 2012-Ekoista
Fashion Week Poland stands SS 2012-Ekoista
Fashion Week Poland stands SS 2012-ekoista
Over in the section dedicated to recycled and environmentally aware fashion I once again met Ekoista, otherwise known as Ania Rutkowska. She creates astonishing jewellery by bending the plastic waste from used drinks bottles.

Fashion Week Poland stands SS 2012-Dr. Martens
Lastly, Dr. Martens lent their shoes to many of the catwalk shows. Liking the flowery ones!

Categories ,Agata Mocarska, ,Ania Rutkowska, ,Anna Wintour, ,Appliqué, ,Bartek Witek, ,Belts, ,Bottles, ,Celine Elliott, ,Danish, ,Dr. Martens, ,Ekoista, ,Fashion Week Poland, ,Fiszerowa, ,Galadea, ,illustration, ,jewellery, ,Kollana, ,Lodz, ,Lola Ramona, ,Maggie Piu, ,Malgorzata Bieniek-Straczek, ,Manitic, ,menswear, ,Monika Wyłoga, ,owls, ,recycled, ,S/S 2012, ,Shirting, ,shoes, ,Showroom, ,Upcycled, ,Zalando

Similar Posts:






Amelia’s Magazine | Fashion Philosophy Fashion Week Poland S/S 2012 in Łódź: Showroom

Kollana Shoes by Celine Elliott
Kollana Shoes by Celine Elliott.

Time for a quick round up of the best brands that I found in the Showroom at Fashion Week Poland. Held in the industrial sized factory space between the catwalks, this was a chance to catch up with some interesting niche talent from Poland and beyond.

Fashion Week Poland stands SS 2012-Galadea
Fashion Week Poland stands SS 2012-Galadea
First up something a wee bit traditional: Galadea use embroidered folk designs from around Poland as the backbone to a range that includes arm cuffs and colourful belts.

Fashion Week Poland stands SS 2012-Agata Mocarska
This stand displayed bizarre dolls inspired by famous fashion creatures – in this case Anna Wintour – by designer Agata Mocarska.

Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
Fashion Week Poland stands SS 2012-Malgorzata Bieniek-Straczek
I was delighted to find the work of an intriguing fashion illustrator on display. Malgorzata Bieniek-Straczek goes under the name of Maggie Piu, and that’s about all I can tell you as the press release was in Polish. Highly decorative stuff.

Fashion Week Poland stands SS 2012-Fiszerowa
Pretty beaded necklaces by Fiszerowa.

Fashion Week Poland stands SS 2012-Kollana
Fashion Week Poland stands SS 2012-Kollana
Fashion Week Poland stands SS 2012-Kollana
Fashion Week Poland stands SS 2012-Kollana
Shoes were a real winner – I especially liked these upcycled heels with appliqued animal motifs by Kollana.

Fashion Week Poland stands SS 2012-Lola Ramona
And there were more cute shoes covered in polka dots and bows at Danish brand Lola Ramona. You can buy Lola Ramona shoes in the UK on Zalando.

Fashion Week Poland stands SS 2012-Bartek Witek
Fashion Week Poland stands SS 2012-Bartek Witek
Bartek Witek had a fetching range of mens’ shirting.

Fashion Week Poland stands SS 2012-Manitic
Perspex necklaces caught my eye at Manitic.

Fashion Week Poland stands SS 2012-owl bags
Fashion Week Poland stands SS 2012-owl bags
Loved these hand crafted fabric owl bags. Sadly I’ve lost the business card so can’t tell you who made them, though I do know she makes each one by hand, and they were displayed on a fab gold papermache cow. Update! I know who made them now! They are by Monika Wyłoga.

Fashion Week Poland stands SS 2012-Ekoista
Fashion Week Poland stands SS 2012-Ekoista
Fashion Week Poland stands SS 2012-Ekoista
Fashion Week Poland stands SS 2012-ekoista
Over in the section dedicated to recycled and environmentally aware fashion I once again met Ekoista, otherwise known as Ania Rutkowska. She creates astonishing jewellery by bending the plastic waste from used drinks bottles.

Fashion Week Poland stands SS 2012-Dr. Martens
Lastly, Dr. Martens lent their shoes to many of the catwalk shows. Liking the flowery ones!

Categories ,Agata Mocarska, ,Ania Rutkowska, ,Anna Wintour, ,Appliqué, ,Bartek Witek, ,Belts, ,Bottles, ,Celine Elliott, ,Danish, ,Dr. Martens, ,Ekoista, ,Fashion Week Poland, ,Fiszerowa, ,Galadea, ,illustration, ,jewellery, ,Kollana, ,Lodz, ,Lola Ramona, ,Maggie Piu, ,Malgorzata Bieniek-Straczek, ,Manitic, ,menswear, ,Monika Wyłoga, ,owls, ,recycled, ,S/S 2012, ,Shirting, ,shoes, ,Showroom, ,Upcycled, ,Zalando

Similar Posts:






Amelia’s Magazine | Happy Birthday Dr. Martens

Happy Birthday to you
Happy Birthday to you
Happy Biiiiiirthday Dr. Martens
Happy Birthday to you!

Today iconic footwear brand Dr. Martens celebrates its 50th birthday! From humble beginnings in Germany to global fashion brand, rx Dr. Martens’ history is an illustrious one.

Originally developed as a replacement for World War II footwear which was deemed uncomfortable and restrictive, this the Dr. Martens boot was developed by its loving creator, cialis 40mg Klaus Märtens, in to what we know and love today. A pioneer of recycled materials, long before today’s eco-friendly brands, Märtens used discarded rubber from Luftwaffe airfields to produce the boots.

Like David Hasselhoff, Dr. Martens boots were originally a hit with German housewives, and it was only in 1960 when the footwear brand was launched internationally that they became a fashion statement.

There’s no other such iconic footwear that so instantly represents so many subcultures; skinheads, punks, emos and grungers all claim them as their emblem, and now the East End gliterrati are pumping them back into fashion – albeit in this season’s colours.

Most recently the brand ventured into designer collaborations, with Raf Simons notoriously treading dangerously by changing the Dr. Marten’s staple yellow stitching to red. The result, however, teamed with patent leather, was a real winner.

To celebrate their birthday Dr. Marten’s flagship store in Covent Garden is selling it’s most famous 1460 boot (so called because it was first produced 50 years ago, on 1st of April 1960) for only £14.60. Yeah, that’s right. So head down there today and buy yourself a piece of history.

Categories ,1460, ,Agyness Deyn, ,Boots, ,Dr. Martens, ,East End, ,Grungers, ,Happy Birthday, ,Punks, ,Raf Simons, ,shoes, ,Skinheads

Similar Posts:






Amelia’s Magazine | Hetty Rose: how to create beautiful shoes from old kimonos

Tania Kowalski was a workshop manager at a well-known contemporary jewellery gallery in London when Synnove Saelthun arrived from New York to join the design team. They soon discovered that they had similar views on design and business ethics, more about cialis 40mg and became good friends. Several years later they started the Oria brand, prescription using Synnove’s design skills and Tania’s production expertise. Synnove is a technically brilliant goldsmith with a passion for design and an eye for detail. Tania is a trained jeweller, viagra with a wide range of experience in the jewellery industry, from design creation through to production. Her expertise includes sourcing ethical materials and ensuring fair business practice.

Tania’s passion for other cultures has led her to visit remote tribes in the Amazon of Brazil, hill tribes in Nepal and the Dogon people of Mali. It was during these travels that she became fascinated with the cultural importance and symbolic meaning of tribal adornment. When designing a new collection, the couple sit down together to discuss what the new collection will symbolise. They research and refine story boards, and after ensuring that the designs are technically feasible Synnove makes an initial prototype, the best of which will go into production.

The use of the phoenix is a symbol of honesty and justice in Chinese mythology, and is one of the inspirations for the Nina collection. The lotus symbolises purity and beauty in many different cultures, and it inspired their silver lotus collection.

Working in Nepal Tania discovered that the safe working conditions and fair living wages which we take for granted in the West are not necessarily the norm in other parts of the world. This early experience was important in persuading Tania to commit to fairtrade sourcing as a founding principle of Oria.

Vintage fashion, about it illustrated by Matilde Sazio

Kim Sklinar, viagra sale aka Preloved Reloved, cheap has set herself an interesting New Year’s challenge. For the duration of 2011, Kim isn’t going to buy any new clothes. No more high-street bargains, no more feeding corporate giants, no more fast-fashion waste, no siree. ‘Another one?’ I hear you cry – and you’d be right. But this one is a little different.

While Kim hopes to raise awareness about the amount of cheap clothing we purchase and what effects that has on the environment and people’s lives, there’s also a bigger reason closer to home. Kim’s father was diagnosed with cancer over 18 months ago, and she decided to set up the project to raise funds for Macmillan, the cancer care and support charity. Unfortunately, as of only last week, Kim’s dad won’t see the project through its fruition. But Kim will dedicate the project to his memory.

So, how do you do it? Well, Kim’s vowed to buy only vintage and from outlets like eBay, and she’ll spend more time in charity shops which also benefits all of the organisations that run them. I had a chat with her about the project and how she thinks she’ll manage it all…


Vintage shop, illustrated by Karolina Burdon

What gave you the idea for Preloved, Reloved in the first place?
Well I always like to dress a little differently. My style is mainstream with a retro edge, I suppose. I always seem to end up with a daft New Year’s resolution – last year I cycled from London to Paris for The Institute of Cancer Research. I like using my time to help others and spread awareness.

Were you a fan of vintage and upcycling before you started the project?
Yes! I always admire my friends’ outfits; well, those who wear vintage and second-hand fashion. Upcycling is something I have experimented with for ages at home and now is the time to make sure I actually finish some projects!

Where will you source your outfits?
Charity shops, vintage stores, eBay, my mum’s wardrobe…! I made a lined cape last night from linen and satin for balmy summer nights (booking a holiday soon!).


Charity shops, illustrated by Rukmunal Hakim

What does the project hope to achieve?
I want to raise awareness of numerous charities related to my Dad’s illnesses. I want my friends to know that too much of an unhealthy lifestyle is probably going to lead to an early demise. I also want to raise the profile of vintage and second-hand fashion; I remember as a kid we use to take the mick out of anyone who dressed from a charity shop. I myself as a student had a stigma against them. Now it’s become kitsch, cool and quirky. It’s good for the environment.

How much do you hope to raise and what are the funds likely to be used for?
£2500 is my Just Giving target – it goes directly to Macmillan. However, with my shopping at many different charity shops, my cash goes straight to them – win win all round! I have my thinking cap on about how to expand the project though.


eBay! Illustration by Avril Kelly

Why did you choose Macmillan?
My dad (and his dad) had cancer – he died last week unfortunately. And it wasn’t the cancer that killed him, it was his heart and his adult-onset diabetes. A poor lifestyle in his twenties and thirties caused it and he was only 57 when he passed. So as I said before, this project benefits other charities focussing on these causes too through me spending money at their outlets.

Not that far in, but have you come accross any problems so far? Has anything that happened that you weren’t expecting?
Avoiding shops is quite hard as I realised I can’t just pop into the Topshop sale and treat myself – which I suppose is good for my wallet and I’m going to do less impulse-buying on the way home from work.
With my Dad passing, I haven’t had as much time to go browsing shops as much as I’d like. This weekend, however, I’m going to the Girls of Guildford vintage fair and gig – for some serious retail therapy, cupcake-nomming and also to check out some great live music away from the bustle of London.


Vintage, illustrated by Jess Holt

What are you wearing today? Where’s it all from?
Dark blue skinny jeans, leather knee boots that I already owned with black and cream patterned blouse from River Island that I bought from Cancer Research UK. I’m also wearing red rose earrings from Magnolia Jewellery.

Do you plan to make or alter any of your clothes? If so, how?
Yes – I love sewing and making jewellery too – I made a cape last week and have upcycled a pair of old, torn jeans from my uni days into a denim mini. I have a small collection of retro patterns including a lovely dress with a pussy bow. I love being able to create something out of fabric I love: last year I went to a lovely Indian wedding and couldn’t find The Outfit – so I made a purple maxi-dress with a halterneck and glammed it up with ribbons dangling down my back. Saved myself a fortune too!


Illustration by Gilly Rochester

What else do you get up to?
I run Never Enough Notes – a music e-zine, and I’m cycling the London-Brighton this summer with my brother and friends to raise money for the British Heart Foundation.

What would be your perfect Preloved, Reloved outfit?
For daytime it would easily be vintage jeans, brown boots that look a bit worn-out, a floaty shirt or cheeky tee, a tweed jacket and a battered satchel.
For evening, I love ball gowns and retro dresses so would be something glam that I could wear with a pair of 1970s heels! Oh there’s way too much choice, I love it!


Photographs by Kim Sklinar

You can follow Kim’s efforts at the Preloved, Reloved blog; donate online here.
Junky Styling S/S 2010 by Aniela Murphy
Junky Styling S/S 2010 by Aniela Murphy.

Annika Sanders and Kerry Seager are self-taught fashion designers. They started up Junky Styling after they received lots of compliments for their deconstructed and restyled secondhand suits made to go out clubbing in during the 1990’s.

What prompted your approach to dressmaking?
Our approach was initially borne out of a lack of money but it soon became a necessity for individuality and quality. At first Annika’s mother did most of the sewing so our designs were heavily directed by her.

Have you seen many changes over the years?
Aside from all the wrinkles on our faces? We have seen the tangible development of a marketplace that never existed before. Education has enabled the sustainable movement to become more widely accepted and understood, approved and now many new brands think about sustainability before they even start designing.

Where did you go out in the past and do you still go clubbing?
We went to a wide mixture of venues that hosted a similar dressy scene. It was such a brilliant time, and we still enjoy socialising and a bit of a shuffle. But we always try to ensure that we are not the oldest at the bar…

Read the rest of this interview and see more illustrations of Junky Styling’s clothing in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
You’ve been going for a very long time. Have attitudes to ethical fashion started to change yet?
Consumers are starting to question the huge exploitation of people and the environment that permits their clothing to be so cheap, treat because it doesn’t add up. There is still a long way to go but the fashion industry is slowly changing the way it does business.

What has the People Tree brand achieved?
We support 5, website like this 000 farmers, case artisans and their families in developing countries by producing well designed fairtrade and sustainable products. For us it’s about creating sustainable livelihoods that put food on the table at the end of the day.

You’ve collaborated with both Bora Aksu and Karen Nichol. What have they brought to People Tree?
We’ve worked with Bora for four years because we share the view that good fashion design should last for years. He is a master of beautiful, feminine draped designs that we produce in organic and fairtrade cotton, and we’ve already started designing an exciting new collection for S/S 2012. Like me Karen is passionate about handicrafts and she loves traditional Japanese textiles and designs. She works with our hand knitters in Nepal to create beautiful appliquéd and hand embroidered embellishments
You’ve been going for a very long time. Have attitudes to ethical fashion started to change yet?
Consumers are starting to question the huge exploitation of people and the environment that permits their clothing to be so cheap, see because it doesn’t add up. There is still a long way to go but the fashion industry is slowly changing the way it does business.

What has the People Tree brand achieved?
We support 5, try 000 farmers, artisans and their families in developing countries by producing well designed fairtrade and sustainable products. For us it’s about creating sustainable livelihoods that put food on the table at the end of the day.

You’ve collaborated with both Bora Aksu and Karen Nichol. What have they brought to People Tree?
We’ve worked with Bora for four years because we share the view that good fashion design should last for years. He is a master of beautiful, feminine draped designs that we produce in organic and fairtrade cotton, and we’ve already started designing an exciting new collection for S/S 2012. Like me Karen is passionate about handicrafts and she loves traditional Japanese textiles and designs. She works with our hand knitters in Nepal to create beautiful appliquéd and hand embroidered embellishments
How did the idea of working with old porcelain come about? 
I was tired of producing other peoples’ ideas (as a stage producer) so in 2007 I decided to start working on my own project, dosage which soon developed into my rapidly growing label, stomach Sägen. I go to flea markets as often as I can for inspiration and to collect source material; I have amassed a huge collection of vintage buttons as well as piles of chipped and damaged porcelain that is no longer wanted. I like to work with my hands and I love turning items from the past into modern accessories. 

Sägen means Old Saga in Swedish – why did you chose this name for your brand?
I come from a small island called Gotland in the middle of the Baltic Sea and I have wonderful memories of listening to all the old myths when I was a kid. I came up with the idea for Sägen when I was there and the name reflects my interest in recycling a little bit of history into new treasures, so I find the name very suitable.

How do you cut the porcelain and set it in silver?
I cut and grind the porcelain with machines, which is a very dirty, dusty and dangerous job: I have been close to losing my fingers many times. When I am working in my basement studio I forget about everything else, instead focusing on the patterns that I am obsessed with. I decide what shapes to make up depending on the motifs in the porcelain, then I set the porcelain in silver (which is 98% recycled) so that it curves, bends and stretches around the shape I have cut out.
Ivana Basilotta S/S 2011 by Bex Glover
Ivana Basilotta S/S 2011 by Bex Glover.

Ivana Basilotta is Italian but has lived in Germany as well as the UK. She channels her observations of different cultures into her work, treatment sometimes the ideas flowing so fast that her pen can’t keep up and her scissors can’t cut the fabric fast enough. Quite often she only realises she was inspired by a certain idea once the collection has been finished. Having previously studied business Ivana is well placed to run her label, prostate and feels that a good business knowledge is as important as the creative force of a design house.

A committed vegetarian, she designs with peace silk, which is made in India without the killing of the silk moth. Because peace silk is spun as a fibre rather than reeled as a thread it is warmer and softer than ordinary silk. “I cannot imagine eating meat,” she says. “I find it strange that people eat dead animals.” She feels that being a vegetarian brings a great sense of freedom and well being, and it is an easy way to lead a greener life. “Farm land that could directly produce food for humans is used to farm and feed animals for slaughter, which uses up far more resources.” She does not like to imagine the stress and sorrow that farmed animals must experience, and wants no part in it…

Read the rest of this interview with Ivana Basilotta in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
bex_glover_howies_collection
Howies by Bex Glover.

Howies has since 1995 pioneered the creation of ethical active clothing with a strong design aesthetic. Based in Cardigan Bay, case Wales, remedy the company has built up a devoted fan base via its affiliation with outdoor sports such as surfing, order mountain biking and skateboarding. Products are made from high performing sustainable fabrics that will last, with a proportion of profits ploughed back into grassroots social and environmental projects via the Earth Tax. Although some clothes are made in China and Turkey they ensure best practice by employing the same factories as other companies they trust, such as M&S…

Read the rest of this interview and see more illustrations of Howie’s clothing in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.
Hetty Rose by Lesley Barnes
Hetty Rose by Lesley Barnes.

You make bespoke shoes… if I wanted a pair of shoes for myself how would the process work?
I create a collection each season from which clients can choose a design, ailment then they decide which vintage Japanese kimono fabric they would like their shoes made up in. Clients can alter the shape and height of the heel so that the shoes are totally unique to them. I usually meet them personally if they are UK based, and we have tea whilst I measure their feet and bring them fabric samples to muse through. It’s a very interactive purchase, with the client involved in every step of the design because I want them to have an emotional attachment to the shoes so that they will treasure them and love wearing them. I email them photos during the process of making the shoes so they can see them being created. At the halfway point they are ready for a fitting and after that I finish off the sole and attach the heels. The whole process takes around six to eight weeks and prices start from £350. With international clients everything is done via email – it’s exciting for them to receive a pair of shoes all the way from a little workshop in England.

How else can someone get a pair of your shoes?
Following increased sales and press attention we have decided to extend the Hetty Rose brand to a wider audience, who will be able to own a precious piece of designer footwear at a more affordable price point and without the long wait for a pair of bespoke shoes. Our Ready to Wear collection features some of our best selling styles in kimono fabrics, and can be bought directly from our website. In the future I plan to add more accessories such as bags, baby shoes, homewares and ties for men…

Read the rest of this interview with Hetty Rose in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,bespoke, ,Eco fashion, ,Essex, ,Ethical Fashion, ,footwear, ,Henrietta Samuels, ,Hetty Rose, ,japanese, ,kimono fabric, ,Lesley Barnes, ,menswear, ,Ready-to-wear, ,recycling, ,shoes, ,Ties, ,Upcycling

Similar Posts: