LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Whilst in the press lounge I had a natter with a benefits investigator and a lady who runs an art gallery. The benefits investigator did the media bits as a relief from fraud and because ‘the people are always so friendly.’ This is true, viagra 100mg help somewhat surprisingly. I have met some super and interesting people at LFW, seek and this man was no exception. A delight to chat to. All three of us were heading for the Fashion Mode show, cure but I was faffing about with Toni and Guy etc. so didn’t walk with the investigator or art lady. But I saw them opposite me in the audience and it was obvious, although we had talked mostly about high class fraud, investigator man, liked his threads. And why not? I love it that Charlie, my boyfriend, loves his clothes, and he’d be all over watching a male fashion show, like the one at Fashion Mode: James Hillman.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Most men, I want to say ALL MEN, look great in a well cut suit. Boys turn to men, and previously bland chaps, turn to hotness. Is it the shoulders? Is it the old school charm? Or is it because it’s almost rare to see everyday, thus special and alluring? It’s a shame, because men look fantastic when they’re wearing something cut correctly. Why not embrace the suit more? Have you not seen Mad Men, with Don etc. and err Don? In real life Jon Hamm looks like Bon Iver in the middle of his woods escapade. In Mad Men, he is all that millions of women desire. I don’t think it’s the 50s ideologies of man protecting woman, whilst woman looks perfect and alert. It’s just a suit looks NICE.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
So, James Hillman shows that men look good dressed in black clothes, cut well, particularly suits. The collection is all black because James used crude oil as his inspiration for his designs. Embracing crude oil wholeheartedly, he has studied the distillation of crude oil, learning that different temperatures produce different iterations of oil. Each fabric thus, represents a different tier in the crude oil process. The heavyweight oils are represented with heavyweight woollen cashmere mixes and reindeer leather. Whilst the lightweight oils are represented in rip stock and lightweight wax cottons.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
The deigns are sleek and sharp. Whilst the pockets and necklines are detailed, with for example; reflective fabric; pock and crepe pocket panelling; high neck or collarless necklines, all the pieces retain luxurious simplicity. I still have issues with man bags, but the rest of the show was hot to trot. This was confirmed by a man, by the investigator who I saw at the end of the show. “I don’t normally go in for men’s fashion, but I loved that. I would wear all of that. Hmmm…may need to investigate this James Hillman further.” Indeed. And spread the word.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Whilst in the press lounge I had a natter with a benefits investigator and a lady who runs an art gallery. The benefits investigator did the media bits as a relief from fraud and because ‘the people are always so friendly.’ This is true, viagra 100mg somewhat surprisingly. I have met some super and interesting people at LFW, and this man was no exception. A delight to chat to. All three of us were heading for the Fashion Mode show, but I was faffing about with Toni and Guy etc. so didn’t walk with the investigator or art lady. But I saw them opposite me in the audience and it was obvious, although we had talked mostly about high class fraud, investigator man, liked his threads. And why not? I love it that Charlie, my boyfriend, loves his clothes, and he’d be all over watching a male fashion show, like the one at Fashion Mode: James Hillman.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Most men, I want to say ALL MEN, look great in a well cut suit. Boys turn to men, and previously bland chaps, turn to hotness. Is it the shoulders? Is it the old school charm? Or is it because it’s almost rare to see everyday, thus special and alluring? It’s a shame, because men look fantastic when they’re wearing something cut correctly. Why not embrace the suit more? Have you not seen Mad Men, with Don etc. and err Don? In real life Jon Hamm looks like Bon Iver in the middle of his woods escapade. In Mad Men, he is all that millions of women desire. I don’t think it’s the 50s ideologies of man protecting woman, whilst woman looks perfect and alert. It’s just a suit looks NICE.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
So, James Hillman shows that men look good dressed in black clothes, cut well, particularly suits. The collection is all black because James used crude oil as his inspiration for his designs. Embracing crude oil wholeheartedly, he has studied the distillation of crude oil, learning that different temperatures produce different iterations of oil. Each fabric thus, represents a different tier in the crude oil process. The heavyweight oils are represented with heavyweight woollen cashmere mixes and reindeer leather. Whilst the lightweight oils are represented in rip stock and lightweight wax cottons.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
The deigns are sleek and sharp. Whilst the pockets and necklines are detailed, with for example; reflective fabric; pock and crepe pocket panelling; high neck or collarless necklines, all the pieces retain luxurious simplicity. I still have issues with man bags, but the rest of the show was hot to trot. This was confirmed by a man, by the investigator who I saw at the end of the show. “I don’t normally go in for men’s fashion, but I loved that. I would wear all of that. Hmmm…may need to investigate this James Hillman further.” Indeed. And spread the word.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Whilst in the press lounge I had a natter with a benefits investigator and a lady who runs an art gallery. The benefits investigator did the media bits as a relief from fraud and because ‘the people are always so friendly.’ This is true, viagra approved somewhat surprisingly. I have met some super and interesting people at LFW, try and this man was no exception. A delight to chat to. All three of us were heading for the Fashion Mode show, but I was faffing about with Toni and Guy etc. so didn’t walk with the investigator or art lady. But I saw them opposite me in the audience and it was obvious, although we had talked mostly about high class fraud, investigator man, liked his threads. And why not? I love it that Charlie, my boyfriend, loves his clothes, and he’d be all over watching a male fashion show, like the one at Fashion Mode: James Hillman.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Most men, I want to say ALL MEN, look great in a well cut suit. Boys turn to men, and previously bland chaps, turn to hotness. Is it the shoulders? Is it the old school charm? Or is it because it’s almost rare to see everyday, thus special and alluring? It’s a shame, because men look fantastic when they’re wearing something cut correctly. Why not embrace the suit more? Have you not seen Mad Men, with Don and err Don? In real life Jon Hamm looks like Bon Iver in the middle of his woods escapade. In Mad Men, he is all that millions of women desire. I don’t think it’s the 50s ideologies of man protecting woman, whilst woman looks perfect and alert. It’s just a suit looks NICE.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
So, James Hillman shows that men look good dressed in black clothes, cut well, particularly suits. The collection is all black because James used crude oil as his inspiration for his designs. Embracing crude oil wholeheartedly, he has studied the distillation of crude oil, learning that different temperatures produce different iterations of oil. Each fabric thus, represents a different tier in the crude oil process. The heavyweight oils are represented with heavyweight woollen cashmere mixes and reindeer leather. Whilst the lightweight oils are represented in rip stock and lightweight wax cottons.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
The deigns are sleek and sharp. Whilst the pockets and necklines are detailed, with for example; reflective fabric; pock and crepe pocket panelling; high neck or collarless necklines, all the pieces retain luxurious simplicity. I still have issues with man bags, but the rest of the show was hot to trot. This was confirmed by a man, by the investigator who I saw at the end of the show. “I don’t normally go in for men’s fashion, but I loved that. I would wear all of that. Hmmm…may need to investigate this James Hillman further.” Indeed. And spread the word.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Whilst in the press lounge I had a natter with a benefits investigator and a lady who runs an art gallery. The benefits investigator did the media bits as a relief from fraud and because ‘the people are always so friendly.’ This is true, unhealthy somewhat surprisingly. I have met some super and interesting people at LFW, tadalafil and this man was no exception. A delight to chat to. All three of us were heading for the Fashion Mode show, but I was faffing about with Toni and Guy etc. so didn’t walk with the investigator or art lady. But I saw them opposite me in the audience and it was obvious, although we had talked mostly about high class fraud, investigator man, liked his threads. And why not? I love it that Charlie, my boyfriend, loves his clothes, and he’d be all over watching a male fashion show, like the one at Fashion Mode: James Hillman.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Most men, I want to say ALL MEN, look great in a well cut suit. Boys turn to men, and previously bland chaps, turn to hotness. Is it the shoulders? Is it the old school charm? Or is it because it’s almost rare to see everyday, thus special and alluring? It’s a shame, because men look fantastic when they’re wearing something cut correctly. Why not embrace the suit more? Have you not seen Mad Men, with Don and err Don? In real life Jon Hamm looks like Bon Iver in the middle of his woods escapade. In Mad Men, he is all that millions of women desire. I don’t think it’s the 50s ideologies of man protecting woman, whilst woman looks perfect and alert. It’s just a suit looks NICE.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
So, James Hillman shows that men look good dressed in black clothes, cut well, particularly suits. The collection is all black because James used crude oil as his inspiration for his designs. Embracing the concept wholeheartedly, he studied the distillation of crude oil, learning that different temperatures produce different iterations of oil. Each fabric thus, represents a different tier in the crude oil process. The heavyweight oils are represented with heavyweight woollen cashmere mixes and reindeer leather. Whilst the lightweight oils are represented in rip stock and lightweight wax cottons.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
The deigns are sleek and sharp. Whilst the pockets and necklines are detailed, with for example; reflective fabric; pock and crepe pocket panelling; high neck or collarless necklines, all the pieces retain luxurious simplicity. I still have issues with man bags, but the rest of the show was hot to trot. This was confirmed by a man, by the investigator. I saw him at the end of the show. Statement on James Hillman follows: “I don’t normally go in for men’s fashion, but I loved that. I would wear all of that. Hmmm…may need to investigate this James Hillman further.” Indeed. And spread the word.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Whilst in the press lounge I had a natter with a benefits investigator and a lady who runs an art gallery. The benefits investigator did the media bits as a relief from fraud and because ‘the people are always so friendly.’ This is true, nurse somewhat surprisingly. I have met some super and interesting people at LFW, view and this man was no exception. A delight to chat to. All three of us were heading for the Fashion Mode show, but I was faffing about with Toni and Guy etc. so didn’t walk with the investigator or art lady. But I saw them opposite me in the audience and it was obvious, although we had talked mostly about high class fraud, investigator man, liked his threads. And why not? I love it that Charlie, my boyfriend, loves his clothes, and he’d be all over watching a male fashion show, like the one at Fashion Mode: James Hillman.
LFW A/W 2011 James Hillman Collection. Illustration by Anne N’Toko
Most men, I want to say ALL MEN, look great in a well cut suit. Boys turn to men, and previously bland chaps, turn to hotness. Is it the shoulders? Is it the old school charm? Or is it because it’s almost rare to see everyday, thus special and alluring? It’s a shame, because men look fantastic when they’re wearing something cut correctly. Why not embrace the suit more? Have you not seen Mad Men, with Don and err Don? In real life Jon Hamm looks like Bon Iver in the middle of his woods escapade. In Mad Men, he is all that millions of women desire. I don’t think it’s the 50s ideologies of man protecting woman, whilst woman looks perfect and alert. It’s just a suit looks NICE.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
So, James Hillman shows that men look good dressed in black clothes, cut well, particularly suits. The collection is all black because James used crude oil as his inspiration for his designs. Embracing the concept wholeheartedly, he studied the distillation of crude oil, learning that different temperatures produce different iterations of oil. Each fabric thus, represents a different tier in the crude oil process. The heavyweight oils are represented with heavyweight woollen cashmere mixes and reindeer leather. Whilst the lightweight oils are represented in rip stock and lightweight wax cottons.
LFW A/W 2011 James Hillman Collection. Photography by Amelia Gregory
The deigns are sleek and sharp. Whilst the pockets and necklines are detailed, with for example; reflective fabric; pock and crepe pocket panelling; high neck or collarless necklines, all the pieces retain luxurious simplicity. I still have issues with man bags, but the rest of the show was hot to trot. This was confirmed by a man, by the investigator. I saw him at the end of the show. Statement on James Hillman follows: “I don’t normally go in for men’s fashion, but I loved that. I would wear all of that. Hmmm…may need to investigate this James Hillman further.” Indeed. And spread the word.
I will confess now. I may have gone over the top. Yes, information pills this blog is positively popping at the seams with illustrations. And it’s the FOURTH, order yes the FOURTH one to hit our website. But really it’s no surprise that Prophetik is such a big draw for both writers and illustrators, capsule peddling as he does an uber romantic view of the world that is steeped in a deep love for the natural world.
For his A/W 2011 Artist Wonderment collection designer Jeff Garner once again referenced times past, this time the “frivolous snobbery” of the court of Louix XV, an epoch that for him epitomises the falsity of impulsive consumption. Having interviewed Jeff Garner for my book, Amelia’s Compendium of Fashion Illustration I know how important to him it is to live a fully accountable life, and it seems to me that the title of this collection refers to the purity of artistic vision with which he himself attempts to live his own life.
It was the detailing which really stood out as the models swept past me. His ball gowns and corseted dresses were awash with gorgeously constructed patchwork, twirly brocade, gilded buttons and ruffles. But the absolute stand outs were a couple of stupendous quilted jackets. And by quilted I really do actually mean made out of an antique quilt, one of which belonged on his childhood bed that he must surely have baulked at destructing – just a tiny bit. But as his stylist Rebekah Roy pointed out to me later on, it makes absolute sense to refashion a quilt in this way – a quilt that in the very first place was made from fabric remnants.
This approach of continuous upcycling is certainly innovative, and what I love most about Jeff is his dedication to sustainable practice. All his fabrics are painstakingly hand dyed with a magical potion of herbs in a process that takes many weeks to accomplish – this season’s special plum colour was obtained by mixing up a blend of madder root, sorrel, logwood and indigo. Of anyone on the ethical fashion scene I really feel that Prophetik is pushing the way forward by putting on a ambitious catwalk show that ensures excitement amongst mainstream fashionistas. Prophetik opened Fashion Scout for the third season running and the Freemasons Hall was packed to the rafters, including famous front row attendees in the form of Hilary Alexander and Livia Firth, erstwhile wife of Colin and celebrity advocate of ethical fashion.
I can only hope that Jeff’s dedication to the ethical cause will rub off on other members of the fashion industry. Soon.
I will confess now. I may have gone over the top. Yes, store this blog is positively popping at the seams with illustrations. And it’s the FOURTH, yes the FOURTH one to hit our website. But really it’s no surprise that Prophetik is such a big draw for both writers and illustrators, peddling as he does an uber romantic view of the world that is steeped in a deep love for the natural world.
For his A/W 2011 Artist Wonderment collection designer Jeff Garner once again referenced times past, this time the “frivolous snobbery” of the court of Louix XV, an epoch that for him epitomises the falsity of impulsive consumption. Having interviewed Jeff Garner for my book, Amelia’s Compendium of Fashion Illustration I know how important to him it is to live a fully accountable life, and it seems to me that the title of this collection refers to the purity of artistic vision with which he himself attempts to live his own life.
The show opened in typical Jeff style, with live vocals followed by a madly thrashing classical violinist, who strutted down the catwalk as if her life depended on it. But it was the finer detailing which really stood out as the models swept past me. His ball gowns and corseted dresses were awash with gorgeously constructed patchwork, twirly brocade, gilded buttons and ruffles. But the absolute stand outs were a couple of stupendous quilted jackets. And by quilted I really do actually mean made out of an antique quilt, one of which belonged on his childhood bed that he must surely have baulked at destructing – just a tiny bit. But as his stylist Rebekah Roy pointed out to me later on, it makes absolute sense to refashion a quilt in this way – a quilt that in the very first place was made from fabric remnants.
This approach of continuous upcycling is certainly innovative, and what I love most about Jeff is his dedication to sustainable practice. All his fabrics are painstakingly hand dyed with a magical potion of herbs in a process that takes many weeks to accomplish – this season’s special plum colour was obtained by mixing up a blend of madder root, sorrel, logwood and indigo. Of anyone on the ethical fashion scene I really feel that Prophetik is pushing the way forward by putting on a ambitious catwalk show that ensures excitement amongst mainstream fashionistas. Prophetik opened Fashion Scout for the third season running and the Freemasons Hall was packed to the rafters, including famous front row attendees in the form of Hilary Alexander and Livia Firth, erstwhile wife of Colin and celebrity advocate of ethical fashion. At the end Jeff took a demure bow dressed in a cream silky top and powder blue peddle pushers: if there’s one major advocate for dressing this way it’s the ever dapper Jeff Garner himself.
I can only hope that Jeff’s dedication to the ethical cause will rub off on other members of the fashion industry. Soon.
LFW A/W 2011 Carlotta Actis Barone Collection. Illustration by Abby Wright
Well the third of Fashion Mode’s designers this Sunday was simply put: stunningly pretty and explosive. Frosted make up, and backcombed and massive hair, more about beige skyscraper heels and icy pouts – all complimented utterly beautiful pieces from the designer. Carlotta Actis Barone drew gasps and ‘ooohs’ as her models sashayed down the catwalk. These girls were ice princesses. With enormous hoods, view fluffy shrugs, pom poms, exposed zips, extravagant fishtail dresses, flamboyant netting and super sleek, pencil skirts; they all had a heavenly, intense, snowy fairytale vibe.
LFW A/W 2011 Carlotta Actis Barone Collection. Illustration by Gemma Milly
Reading about the designer, her artistic training has been life -long. Carlotta Actis Barone is the daughter of Italian visual artist Manuela Corti and writer Gianni Actis Barone. Although she discovered her true passion for fashion at the age of 24. During her study at Central St. Martin’s College of Art and Design for a BA in Fashion Print, she went on a gap year, working with Korean designer Moon Young Hee, B.C.B.G Max Azria Manoukian and Balmain.. Explaining the bold colour use in her collection, we discover that Carlotta’s pieces are based around strong, feminine women. She often also has a political edge to her designs, and is extremely passionate about the ethical issues surrounding fashion. These ethical opinions are often reflected in her designs, this season being no exception. The Autumn/Winter 2011 collection focuses on cruelty against animals, with particular focus on fur, and seals. We all know fur is wrong, our animals should be celebrated, not worn. We at Amelia’s feel very fiercely about this. See Amelia’s own ethical fashion book, here.
LFW A/W 2011 Carlotta Actis Barone Collection. Illustration by Gareth A Hopkins
Hence for Carlotta, the frosted lipped models, beige faux fur and red, white and navy blue palette. The seals being the beige faux fur, the blue the cold sea, and the white symbolic of the snow and ice. Red is obviously the horrendous slaughter of the seals, shown in the underskirts and showpieces.
LFW A/W 2011 Carlotta Actis Barone Collection. Illustration by Matilde Sazio
The enormous, white eyelashes, iced lips and enormous hair, paired with fitted 50s influenced dresses, short knitted, luxurious, hooded pieces… faux fur shrugs, hand muffs, sleeves and collar details… were so strong and and almost, beautifully angry. Carlotta also referenced Inuit people in her designs, each of the skirted models wore transparent leggings and geometric patterns ran through the collection, similar to their attire. The whole collection represents how I’m sure many girls would love to look in the winter time. It’s so feminine, heavenly and bold. A mixture of prom dresses, Narnia and Victorian fashion – a fantasy, a drama – and of course in terms of the seals; a harsh reality.
LFW A/W 2011 Carlotta Actis Barone Collection. Illustration by Kayleigh Bluck
I adored the pronounced peplum dress, the fitted black coat, with full skirt from the waist. The blue, white and red mixed beautifully, if slightly shocking. Which of course, is part of the message Carlotta is making with her show. Without doubt the finale piece, a red fishtail, strapless dress, with a faux fur beige, large shrug, was just INCREDIBLE. I was in love with that dress. I still am in love with that dress. It was the perfect ending to a show that inspired, amazed and informed. This fabulous collection, left me in awe.
LFW A/W 2011 Carlotta Actis Barone Collection. Photography by Amelia Gregory
Buy Amelia’s Book on Ethical Fashion: here. You will also find illustrations by Abby Wright, Gemma Milly and Gareth A. Hopkins in the book.
Written by Helen Martin on Thursday February 24th, 2011 9:04 pm
Categories ,Abby Wright, ,Amelia Gregory, ,Carlotta Actis Barone, ,Fashion Scout, ,Gareth A Hopkins, ,Gemma Milly, ,Helen Martin, ,Kayleigh Bluck, ,lfw, ,LFW A/W, ,Matilde Sazio
Similar Posts:
