Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Georgia Hardinge

Georgia Hardinge SS 2012 by Jane Young
Georgia Hardinge S/S 2012 by Jane Young.

Former One to Watch and Merit Award winner Georgia Hardinge presented her S/S 2012 to an eager audience at Fashion Scout. Cubed was ‘inspired by the dark nature of cubo-futurism‘ – obvious in the multi-layered geometric lines that followed the contours of the female models on sheer blouses, this tight bodycon dresses and swirling capes.

Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
LFW Georgia Hardinge S/S 2012 by Celine Choo
Georgia Hardinge S/S 2012 by Celine Choo.

A predominant colour palette of soft grey was broken with luscious tangerine orange, recipe summery yellow and stark white. With Georgia Hardinge the question has always been how to combine her more avante garde sculptural creations with commercial wearability and if Cubed was anything to go by she has figured this out with the utmost panache: a conversation with an eager buyer confirmed my feelings that this was her most saleable collection yet, especially now that Mary Katrantzou has paved the way for a new generation of extravagantly shaped garments. Even boxy mini skirts with sharpened edges and fold down details on chests were eminently wearable without losing anything of the signature Georgia Hardinge aesthetic.

Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
georgia_hardinge_by_ada_jusic
Georgia Hardinge S/S 2012 by Ada Jusic.

Digital printing has allowed for a revolution in textile design that simply wasn’t possible when I was studying the old methods of screenprinting at university in the 90s. I can’t deny that I sometimes miss the limitations that screenprinting enforced on design but when digital printing is done well the results are wholly unique, as in Georgia Hardinge‘s stunning new collection. In Cubed the complexity and cleverness of Georgia’s print techniques reached its apotheosis in the last dress to float away in a cloud of cubist wonder. A beautiful collection.

Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge SS 2012 review-photo by Amelia Gregory
Georgia Hardinge S/S 2012. All photography by Amelia Gregory.

Categories ,Ada Jusic, ,bodycon, ,Capes, ,Celine Choo, ,Cubism, ,Cubo-Futurism, ,Digital Printing, ,Fashion Scout, ,Futurism, ,geometric, ,Georgia Hardinge, ,Grey, ,Jane Young, ,London Kills Me, ,Merit Award, ,Ones To Watch, ,Orange, ,screenprinting, ,Sculptural, ,Sheer

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Amelia’s Magazine | Fashion Philosophy Fashion Week Poland S/S 2012 in Łódź: Shumik 100% and Aga Pou

Aga Pou S/S 2012 by Marta Spendowska
Aga Pou S/S 2012 by Marta Spendowska.

Time for reports from the last two shows of my trip to Poland… Shumik 100% and Aga Pou.

Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik Fashion Week Poland SS 2012-photography by Amelia Gregory
Shumik 100% S/S 2012. All photography by Amelia Gregory.

I was utterly bemused by the Shumik 100% show – at the back of the catwalk a neon pink backdrop declared ‘Headwear Design‘ so I spent the whole show convinced that the bizarre hats – over the top feathered creations and ugly turbans in every conceivable type of wrap – were all that we were being shown. I thus paid very little attention to the clothes, an insipid and flimsy collection made up of sweetie coloured chiffon and shiny stretch fabrics. I was afterwards informed that the Shumik designers Karina Gozdz and Anna Leszkiewicz have been working professionally for several years and that IN LOVE was their first collection created together. Not impressed.

Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Aga Pou Fashion Week Poland people SS 2012-photography by Amelia Gregory
Much better was the last catwalk show of my visit to Fashion Week Poland, an angular affair from Aga Pou. For S/S 2012 she was inspired by cubism, using transparent fabrics to give the impression of blocks penetrating each other. Unfortunately I was late getting to the show and was only allowed to stand at the side which afforded me a dire view and severely limited my ability to take decent photos, thereby putting me in a foul mood since the collection seemed really quite impressive… all in all the Aga Pou collection was a pretty good way to sign out of the Polish S/S 2012 season.

Categories ,Aga Pou, ,Anna Leszkiewicz, ,Chiffon, ,Cubism, ,Fashion Philosophy Fashion Week Poland, ,geometric, ,hats, ,Headwear, ,IN LOVE, ,Karina Gozdz, ,Lodz, ,Marta Spendowska, ,review, ,S/S 2012, ,Transparent

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Amelia’s Magazine | Carlotta Actis Barone: London Fashion Week S/S 2013 Catwalk Review

Carlotta Actis Barone SS 2013 by gaarte
Carlotta Actis Barone S/S 2013 by Gaarte.

Carlotta Actis Barone always makes great use of the catwalk to showcase her zany aesthetic, but last season I felt that the concept had begun to overshadow the garments.

Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Thankfully this season the charismatic designer took a more lighthearted approach – no seal clubbing or nazi references here: instead she sent out a vibrant collection styled with over the top sculpted wigs of frothy orange curls. These were a reference to her source material – the famous opera The Magic Flute, (and the title of this show) – but they also lent a cartoonish air to the proceedings.

Carlotta-Actis-Barone-by-Isabelle-Mattern-iszaa
Carlotta Actis Barone S/S 2013 by Isabelle Mattern.

As if to truly banish all memory of more macabre collections this was described in the show notes as ‘a celebration of happiness, protection, sisterhood and love.’ Aw. It opened with a bevy of ballet dancers twirling in catsuits and boned pill shaped tutus to Mozart.

Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone S/S 2013 by Antonia Parker
Carlotta Actis Barone S/S 2013 by Antonia Parker.

Each season Carlotta Actis Barone chooses lettering which is imprinted on transparent netting and used in bodystockings: this season it was sheet music that was transcribed into a curvy typographic print design. This was the best I have seen it work, as a neat foil to the bold colour palette of the over garments that included zinging tangerine, deep purple, blinding yellow, plum and lime green. A large swirly print was used in panelling on tight high waisted trousers and intersected by binding in lines that emphasised womanly curves. These ‘ribs’ were inspired by cages carried by Papageno in the opera, this time symbolic of freedom. The idea reached its apogee in a stunning strapless boned gown which flared at the hem to create a unique and dramatic silhouette.

Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone S/S 2013. All photography by Amelia Gregory.

Flouncy feathers accessorised up-does where wigs failed to do the job; opaque tights (not so summery!) and shoes with spike heels echoed the bold tropical palette. Points accentuated shoulders and sharpened ripples of fabric at waists on tailored two pieces, which were worn with draw-waisted jackets made from plasticised fabrics.

Carlotta Actis Barone SS 2013 September 2012-0080
Carlotta Actis Barone by Claire Kearns
Carlotta Actis Barone S/S 2013 by Claire Kearns.

The show closed with a swirling orange satin frock, perfect for sweeping down a grand staircase. And of course another appearance from the ballet dancers, who leapt down the catwalk with Carlotta in tow for a deep formation curtsey in front of Snarfle, who was wearing the gold coin found in our goodie bags as a necklace.

snarfle at fashion week
Jasper at Carlotta
Snarfle was joined on the front row by his friend Jasper.

Categories ,Antonia Parker, ,Carlotta Actis Barone, ,Claire Kearns, ,Fashion Scout, ,Gaarte, ,Isabelle Mattern, ,lfw, ,Mozart, ,Papageno, ,S/S 2013, ,The Magic Flute

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