Amelia’s Magazine | Style Passport: An interview with fashion retail website entrepreneur Sarah Walter

Sarah Walters by Gemma Cotterell
Sarah Walter by Gemma Cotterell.

Style Passport is the brainchild of Sarah Walter, formally a fashion director at Marie Claire, now retail entrepreneur. Realised as a one stop shop for the ultimate holiday wardrobe, Style Passport champions many smaller designers and artisan makers. I caught up with Sarah to find out how she got into the internet business, how her previous career has impacted her work and what she recommends for the ultimate vacation look this season.

Style Passport Matthew Williamson silk print utility dress blue
Matthew Williamson silk print utility dress in blue.

Hi Sarah, I believe I did a short work experience stint in the fashion cupboard when you were still at Marie Claire… what drew you to working in magazines during the first part of your career?
Did you really? How did you find that experience? I too started in a cupboard in a fashion department at Vogue, it still seems to be the only way to break into the business. Why was I drawn to magazines? Well, when I started they were wildly creative with photo shoots taking up 20 pages and really extending the editors’ and photographers’ imagination. Coming from art college this merged my two great loves – art and style – so was the perfect career path for me.

Nicole Fahri by Chloe Douglass
Nicole Fahri Easter patchwork print shirt dress. Illustration by Chloe Douglass.

How did becoming a mother inspire your career swerve into retail?
I experimented in retail just before I had my first daughter and found the whole experience pretty interesting. Not only was I trying to create something interesting to wear but then I got to see if it was actually bought and worn by someone. My daughters became experts in spotting a dress or bag I had created and we all shared the same excitement. It’s pretty addictive actually. Oh, and the pay is generally much better.

Fiona paxton coral and wood necklace £175 style-passport
Fiona Paxton coral and wood necklace.

How has your experience of working on fashion editorials influenced the way that you approach retail?
Creating a story in a magazine has all the same elements as creating a window in a shop or a page on a web site. All need a good idea to start with, then great creative and copy that hooks you in. The fact that more and more editors have left magazines in recent years to move into e-commerce and retail just shows you how blurred these worlds are now, whereas 20 years ago there were distinct barriers. The internet and technology has changed and will continue to change everything.

Style Passport Belize Rajasthan Ombre sequin top charcoal
Cool Change Belize Rajasthan Ombre sequin top in charcoal.

What factors do you consider when looking for a new brand to stock on the website?
Well, we start by thinking ‘Where is she going and what does she need to take with her to ensure she has the easiest and most stylish trip possible?‘ We love colour (we do mostly think of holidays in colour, not black and white, don’t we?), print and items that are easy to fold up, so jersey features strongly and unstructured jackets too. Some brands particularly scream ‘holiday’ like Matthew Williamson and Antik Batik; you can literally imagine yourself on the beach when you see them. We have a broad price architecture too, it’s very much the Fashion Editors‘ choice, so we try to choose what you can get for a reasonable amount of money (Armor Lux bretons for example are perfect, you don’t need to buy a designer version).

Matthew Williamson multi coloured column digital blossom jersey dress by Shy Illustrations
Matthew Williamson multi coloured column digital blossom jersey dress. Illustration by Shy Illustrations.

What have been your most exciting discoveries when hunting down new labels? Are there any particular finds which stick in your mind?
I’m very excited about Visconti & du Reau gladiators which will be on the site in March. Sam and I saw them in Paris and literally dropped everything on the spot.

Matthew Williamson style-passport
Matthew Williamson hat, an exclusive collaboration with Style Passport.

Where do you source your artisanal goods from, and why are these products so exciting to you?
Artisanal goods to me have always been the holiday ‘finds’ which tell the stories of your adventures and create your personal style. They are personal and remind us of the best times in our lives. We find our artisanal items from our own travels and now increasingly, artisans approach us with their goods and we love to find out about them and bring their stories to our customers.

Tam Tam one piece noir swimsuit Style Passport
Tam Tam one piece noir swimsuit and Vida Vida embroidered leather clutch.

How do you balance your stock of expensive high end products with more affordable items?
It’s all determined by our approach to style. Items on the site are there because they are loved and we believe they are worth the money. Sometimes it’s a designer piece that will make all the difference and sometimes a trusted basic or artisanal find. To me, this combination is true style.

Matthew Williamson by Isher Dhiman
Matthew Williamson oversized digital blossom cutout t-shirt. Illustration by Isher Dhiman.

How do you decide which beauty brands to promote on Style Passport?
Again, we try to focus on brands we love which support our travel ethos. We have to have suncream and mosquito spray so our customers really can come to us and get their bag packed in one place.

Style Passport mood board 1
Style Passport mood board.

You’ve spoken of plans to expand the website to include menswear and kidswear – what else would you like to do with Style Passport in the future?
One step at a time! We would love to eventually have our own label associated with the best travel items, so let’s see what happens.

Style Passport mood board 1
Style Passport mood board.

What have been the best and hardest parts of going it alone with your own business?
The best is creating what you want in the way you want to and surrounding yourself with hugely passionate, talented people. The worst is raising money to drive forwards and getting the call at 1am when the alarm goes off in the warehouse.

Style Passport mood board
Putting it all together: Style Passport looks.

Lastly, what are the three most important things to pack: for a hot destination?
1. A scarf that keeps you relaxed on the plane, is nice enough to wear out at night, can be doubled and belted to make a skirt and of course used as a beach coverup or a hair protector…… I can go on about scarves for ever.
2. Great sunglasses. Nothing makes you feel more glamorous and in the mood like these. Plus, after a long journey they cover puffy and tired eyes.
3. Your favourite dress. Dresses are the easiest way to get dressed as most decision making is removed. For me they are the most versatile of items. Very little work is required to take the same dress from a market shop (basket, flats, headscarf) to a dinner (heels, lipstick, ear rings).
Some of my key holiday looks are included in this blog. For S/S 2013 I’d go for a Matthew Williamson blue shirt waister dress, an Indonesian sarong – always a sarong, the gladiators in lizard and neon by Visconti & du Reau and a Seafolly Goddess swimsuit which just fits and improves every body that it is put on. 

And for a winter holiday this season?
A down coat. ADD and Barbour are great. Light, warm and stylish.
Lip salve – the cold really affects your lips. Carmex is the original and best in my view and the yellow pot is very friendly.
Base layers. American Vintage cotton fitted longjohns and roll necks should be the first thing you put on after your underwear.

Thanks Sarah! It’s so interesting to hear from someone who has created a successful retail experience. Do visit Style Passport to discover more great holiday ideas.

Categories ,ADD, ,American Vintage, ,Antik Batik, ,Armor Lux, ,Barbour, ,Beauty, ,Carmex, ,Chloe Douglass, ,Cool Change, ,fashion, ,Fashion Editors, ,Fiona Paxton, ,Gemma Cotterell, ,Hoilday, ,Holiday Wardrobe, ,interview, ,Isher Dhiman, ,Key holiday looks, ,Marie Claire, ,Matthew Williamson, ,Nicole Fahri, ,S/S 2013, ,Sarah Walter, ,Seafolly Goddess, ,Shy Illustrations, ,Style Passport, ,summer, ,Swimwear, ,Tam Tam, ,Vida Vida, ,Visconti & du Reau, ,vogue, ,Winter

Similar Posts:






Amelia’s Magazine | Zeynep Tosun: London Fashion Week A/W 2013 Catwalk Review

Zeynep Tosun A/W 2013 by Chloe Douglass
Zeynep Tosun A/W 2013 by Chloe Douglass.

There was one designer who made a unanimously good impression on the massed guests of Fashion Scout, and the one who had us all talking was Zeynep Tosun. She’s shown in London before but this was the first catwalk show that I’ve attended and I was very impressed.

zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
Zeynep-Tosun-by-Alexandra-Haddow
Zeynep Tosun A/W 2013 by Alexandra Haddow.

Zeynep Tosun is a graduate of the Istituto di Marangoni in Milan, she has worked at Alberta Ferretti and I was not surprised to discover that she has a flagship store in Istanbul from where she sells her couture pieces: this was an ultra professional show featuring a huge and immaculately conceived collection, styled to perfection. Of particular note were the fabrics and construction: fine tooled leather thigh high cowboy boots, swirling embroideries reminiscent of 70s furnishings, brocade, complex digital prints on velvet and jewelled embellishments galore. There be money behind this ‘ere label.

zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
Zeynep Tosun A/W 2013. All photography by Amelia Gregory.

Models wore deep red lips and slicked back centre parted hair, a few loose tendrils curling in front of the ears. This season’s high neckline came as a chin skimming ruff of Tudor proportions, lending the collection an air of primness. Silhouettes from different eras somehow sat well together: boxy jackets and flared pencil skirts from the 80s met brown and gold wide legged trouser suits from the 70s. All this came in a charming colour palette of cream, red, gold and black that was reminiscent of Renaissance paintings.

zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory
zeynep tosun AW 2013-photo by Amelia Gregory

With funds to back this impressive talent we should be seeing plenty more of Turkish lass Zeynep Tosun in the seasons to come.

Categories ,70s, ,A/W 2013, ,Alberta Ferretti, ,Alexandra Haddow, ,Chloe Douglass, ,Fashion Scout, ,Istanbul, ,Istituto di Marangoni, ,London Fashion Week, ,Milan, ,Turkish, ,Zeynep Tosun

Similar Posts:






Amelia’s Magazine | PPQ: London Fashion Week A/W 2013 Catwalk Review

PPQ A/W 2013 by Jodan Webster
PPQ A/W 2013 by Jordan Wester

We waited – for what felt like hours – in the notoriously inevitable ‘PP-Queue’, but as the gorgeous PPQ party girls of all decades strutted down the runway at the BFC Courtyard Showspace I forgave all.

PPQ AW 2013 by Amelia Gregory
PPQ AW 2013 by Amelia Gregory

Design duo Percy Parker and Amy Molyneaux kept true to PPQ’s signature youthful vibe for A/W 2013, but perked things up with luxe tailoring. The colour palette was delightfully eye scorching with vibrant bursts of neon pink, banana yellow and lime green. References to various eras were made throughout the show; 60s fitted pea coats, loud 70s style graffiti print on off-the-shoulder dresses, 80s stretch velvet bodycons and 90s cut out features were all liberally featured. The models were uniform in huge tousled beehives, held delicately together with a chunky black ribbon.

PPQ AW 2013 by Amelia Gregory
PPQ AW 2013 by Amelia Gregory

Although the show was refreshing, some of the combinations were rather too garish for my liking: the neon duchess silk dresses paired with black organza felt too much like American-Prom disaster. Nonetheless, construction and tailoring were immaculate throughout.

PPQ AW 2013 by Amelia Gregory

Accessories were en-pointe in this collection; a variety of colourful heels, dramatic wide brim suede hats and luscious boxy weekender bags – personal dibs on the black one. I couldn’t have asked for a more titillating way to end the first day of London Fashion Week.

PPQ by Chloe Douglass
PPQ A/W 2013 by Chloe Douglass

PPQ AW 2013 by Amelia Gregory
PPQ AW 2013 by Amelia Gregory
PPQ AW 2013 by Amelia Gregory
PPQ AW 2013 by Amelia Gregory
All photography by Amelia Gregory

Categories ,1960, ,1970, ,1980, ,1990, ,60s, ,70s, ,80s, ,90s, ,Amy Molyneaux, ,BFC Courtyard Showspace, ,bodycon, ,catwalk, ,Chloe Douglass, ,Colour Blocking, ,Jordan Wester, ,lfw, ,London Fashion Week, ,party, ,Percy Parker, ,ppq, ,Prom, ,runway, ,Somerset House, ,tailoring

Similar Posts:






Amelia’s Magazine | Heohwan Simulation: London Fashion Week A/W 2013 Catwalk Review

Heohwan Simulation A/W 2013 by Chloe Douglass
Heohwan Simulation A/W 2013 by Chloe Douglass.

We’ve been keeping a close eye on the Korean RCA graduate Hwan Heo since he won the Fashion Scout Merit Award a year ago, and for his third showing at Freemasons’ Hall he built on the beautiful structured minimalism for which his label Heohwan Simulation is known.

Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation A/W 2013 by Isher Dhiman
Heohwan Simulation A/W 2013 by Isher Dhiman.

The show opened with a stunning oversized skirt and jacket combination in a beautiful grey fabric, it’s boxy panels layered like petals on a giant metallic flower. This was teamed with a long petrol blue shirt, the simplest of swept back ponytails and panel fronted hi-heeled sandals, creating a look that was pure Heohwan Simulation; simple, brilliantly executed and utterly unique. With the following looks he explored this new layering technique in an A-line skirt and dress, and a wide collared coat. Hwan Heo‘s obsession with the design potential of zips is never far away and this season they were subtlety integrated into all his garments, part functional and part decorative.

Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation A/W 2013 by Sarah Underwood
Heohwan Simulation A/W 2013 by Sarah Underwood.

The middle part of the collection was dominated by more casual looks, with his round shouldered tops given the sweatshirt treatment, and the addition of abstract rectangular panels in shiny white and blue fabric, which ran top to bottom or slanting across the chest. A painterly collage print containing zingy splashes of turquoise and yellow was splashed across trousers, shirt and blouson jacket. After the relaxed layering of sportswear influenced designs Hwan Heo returned to more tailored shapes with a gorgeous parade of leather panelled outfits. The finale featured three outstanding outfits in a grey horizontal ikat design. How I would love a double breasted coat with winged neck, or a high necked Heohwan Simulation cape…

Heohwan Simulation A/W 2013 by Isher Dhiman
Heohwan Simulation A/W 2013 by Isher Dhiman.

Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation AW 2013-photo by Amelia Gregory
Heohwan Simulation A/W 2013. All photography by Amelia Gregory.

Categories ,Chloe Douglass, ,Fashion Scout, ,Freemasons’ Hall, ,Heohwan Simulation, ,Hwan Heo, ,Isher Dhiman, ,Korean, ,Merit Award Winner, ,rca, ,Sarah Underwood

Similar Posts:






Amelia’s Magazine | Carlotta Actis Barone: London Fashion Week S/S 2013 Catwalk Review

Carlotta Actis Barone SS 2013 by gaarte
Carlotta Actis Barone S/S 2013 by Gaarte.

Carlotta Actis Barone always makes great use of the catwalk to showcase her zany aesthetic, but last season I felt that the concept had begun to overshadow the garments.

Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Thankfully this season the charismatic designer took a more lighthearted approach – no seal clubbing or nazi references here: instead she sent out a vibrant collection styled with over the top sculpted wigs of frothy orange curls. These were a reference to her source material – the famous opera The Magic Flute, (and the title of this show) – but they also lent a cartoonish air to the proceedings.

Carlotta-Actis-Barone-by-Isabelle-Mattern-iszaa
Carlotta Actis Barone S/S 2013 by Isabelle Mattern.

As if to truly banish all memory of more macabre collections this was described in the show notes as ‘a celebration of happiness, protection, sisterhood and love.’ Aw. It opened with a bevy of ballet dancers twirling in catsuits and boned pill shaped tutus to Mozart.

Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone S/S 2013 by Antonia Parker
Carlotta Actis Barone S/S 2013 by Antonia Parker.

Each season Carlotta Actis Barone chooses lettering which is imprinted on transparent netting and used in bodystockings: this season it was sheet music that was transcribed into a curvy typographic print design. This was the best I have seen it work, as a neat foil to the bold colour palette of the over garments that included zinging tangerine, deep purple, blinding yellow, plum and lime green. A large swirly print was used in panelling on tight high waisted trousers and intersected by binding in lines that emphasised womanly curves. These ‘ribs’ were inspired by cages carried by Papageno in the opera, this time symbolic of freedom. The idea reached its apogee in a stunning strapless boned gown which flared at the hem to create a unique and dramatic silhouette.

Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone SS 2013 September 2012-photo by Amelia Gregory
Carlotta Actis Barone S/S 2013. All photography by Amelia Gregory.

Flouncy feathers accessorised up-does where wigs failed to do the job; opaque tights (not so summery!) and shoes with spike heels echoed the bold tropical palette. Points accentuated shoulders and sharpened ripples of fabric at waists on tailored two pieces, which were worn with draw-waisted jackets made from plasticised fabrics.

Carlotta Actis Barone SS 2013 September 2012-0080
Carlotta Actis Barone by Claire Kearns
Carlotta Actis Barone S/S 2013 by Claire Kearns.

The show closed with a swirling orange satin frock, perfect for sweeping down a grand staircase. And of course another appearance from the ballet dancers, who leapt down the catwalk with Carlotta in tow for a deep formation curtsey in front of Snarfle, who was wearing the gold coin found in our goodie bags as a necklace.

snarfle at fashion week
Jasper at Carlotta
Snarfle was joined on the front row by his friend Jasper.

Categories ,Antonia Parker, ,Carlotta Actis Barone, ,Claire Kearns, ,Fashion Scout, ,Gaarte, ,Isabelle Mattern, ,lfw, ,Mozart, ,Papageno, ,S/S 2013, ,The Magic Flute

Similar Posts:






Amelia’s Magazine | Charlie May: S/S 2014 Preview Interview

Charlie May S/S 2014 by Rebecca May Higgins
Charlie May S/S 2014 by Rebecca May Higgins.

Last season I was most impressed with the new collection from up and coming designer Charlie May: sadly this time around I missed her show at St Martins Lane Hotel. Here the talented young designer talks about her love of minimalism, working with British mills to create bespoke materials, and teaming up with Hudson shoes.

Charlie May S/S 2014 by Claire Kearns
Charlie May S/S 2014 by Claire Kearns.

Where does your love for sleek minimalist designs come from – can you trace it back to any early influences or inspirations?
That’s a tough one – I think coming from a farm where it’s always busy and messy and you have to dress for the mud, you natural want to create the opposite. I’m always inspired by the feeling I get from being in the countryside, there’s a calmness that I like to translate into my collections.
 
Charlie May S:S 2014
Charlie May S:S 2014
The Charlie May girl wears a lot of white and pale colours – any tips for keeping the look fresh and clean?
Every season I plan to use black and I always manage to phase it out! I think it’s got something to do with a clearer cleaner vision and the same goes with personal style. I always feel like I’m dressed better when I’m wearing lighter colours. At the moment I love the look of black shoes with a white look, I think that looks fresh and not overdone.
 
Charlie May S/S 2014 by Slowly The Eggs
Charlie May S/S 2014 by Slowly The Eggs.

I understand you worked closely with mills to create a range of exclusive fabrics this season, what was that process like?
It was really fun and quite eye opening. I’m used to working with exclusively natural materials, so weaving polyester and silk together created something quite unique to me. I think it was a natural step for me to push for more creative fabrics and something that’s not readily available, I’m looking forward to doing it again for AW14.


Charlie May S:S 2014
Charlie May S:S 2014
You used some stunning pearlescent and metallic print fabrics for S/S 2014 – where did you source these from? 
Thank you, it started with working with the mills on the pink metallic woven fabric, and when I saw the butter soft blush foil leather I knew it would be the perfect accompaniment. The collection was meant to be a bit tongue in cheek with references to my youth and the spice girls – so it goes without saying that pink leather was meant to be there! 


Charlie May Dress by Claire Kearns
Charlie May S/S 2014 by Claire Kearns.

How did you get involved with Hudson shoes and what was the process of producing a limited edition shoe? where can fans buy a pair?
I met Hudson through my blog, Girl a la Mode. We quickly got talking about collaborating on a shoe for my SS14! I love their classic, elegant brogues and boots and knew they’d be the perfect choice. They will be a limited edition, available to buy through my site (www.Charlie-May.co.uk) from January. 
 
Charlie May S:S 2014
Charlie May S:S 2014
What are your aspirations for the coming year?
I hope to keep growing as I am and developing the collections and brand image, I’m excited to develop knitwear for AW14 too. 

Categories ,Charlie May, ,Claire Kearns, ,Girl a la Mode, ,hudson, ,interview, ,London Fashion Week, ,Rebecca May Higgins, ,S/S 2014, ,Slowly the Eggs, ,St Martins Lane Hotel

Similar Posts:






Amelia’s Magazine | Dans La Vie: London Fashion Week S/S 2013 Catwalk Review

Dans La Vie S/S 2013 by Jenny Robins
Dans La Vie S/S 2013 by Jenny Robins.

And so for London Fashion Week S/S 2013, which I am covering in a reduced capacity this season due to Snarfle demands: he will intermittently be joining me at the shows and no doubt vocalising his opinions. Our first show of Friday was Dans La Vie by Rira Sugawara at Fashion Scout, and I was pleased to find that Snarfle was perky and very interested in his first front row experience, particularly the flashing lights of the photographers at the end of the catwalk.

Dans La Vie S/S 2013 by Gareth A Hopkins
Dans La Vie S/S 2013 by Gareth A Hopkins.

Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie S/S 2013 by Jenny Robins
Dans La Vie S/S 2013 by Jenny Robins
Dans La Vie S/S 2013 by Jenny Robins.

For her Moving Print Bodies collection the Japanese designer used her signature plasticised printed fabrics to create a range of dramatic silhouettes in unusual colour combinations of mossy greens, pastel blues, mustard, blood red and teal. Gingham and python happily co-existed with gigantic bows and pictorial prints inspired by traditional Japanese gods. Waists were a big feature, cinched in with wide belts and exaggerated with tulip skirts and widened shoulders. The theme went somewhat haywire with the appearance of printed mesh catsuits that had panels across crotch and thighs in the style of Pam Hogg.

Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie S/S 2013. All photography by Amelia Gregory.

Fantastical make up was inspired by the patterns of the fabric…. blackened eyes topped with chequerboard foreheads or square blocks smeared across cheek and chins. For the finale Sugawara sent out my favourite look: a searing azure blue swing skirted dress with bodice frills spiked over the face in great fans like the frilled neck of a lizard.

Dans La Vie SS 2013 September 2012-photo by Amelia Gregory
Dans La Vie S/S 2013 by Deborah Moon
Dans La Vie S/S 2013 by Deborah Moon.

Dans La Vie has a very strong signature look but this season if felt a bit as if Sugawara was trying to shoehorn in as many of the prevailing trends as possible. The result? Individual pieces worked well but the collection as a whole came across as a bit of a style mish mash. Still, Snarfle gave it the thumbs up, so who am I to judge? Watch the catwalk show here:

Categories ,Dans La Vie, ,Deborah Moon, ,Fashion Scout, ,Gareth A Hopkins, ,London Fashion Week, ,Moving Print Bodies, ,Pam Hogg, ,Rira Sugawara, ,S/S 2013, ,Snarfle

Similar Posts:






Amelia’s Magazine | Valentines Day 2013: Card Ideas and Prints for Gifts

A Book Of Hearts by Sarah Morpeth seek and adore
It’s creeping up on us fast once more: the day you either love or hate. Wondering what to give as an expression of your feelings on Valentines Day? Here I present to you some great ideas for handmade cards and screen prints to send to your beloved one. Beautiful typography, supremely clever paper cutting and adorable lovebirds reign supreme.

Book of Hearts Sarah Morpeth
This gorgeous Book of Hearts by paper artist Sarah Morpeth is available from Seek and Adore: with hearts, birds and leaves bursting out of the covers it makes a unique gift.

Kethi Copeland card
Fancy something a bit different? How about these beautiful printed notebooks inspired by a Dolly Parton song, created by Kethi Copeland of Cockpit Arts and available on Culture Label.

bex bourne love print
This pretty typographic print is by Amelia’s Magazine contributor Bex Bourne and does exactly what it says on the tin

Dereks Shop You are Yummy valentine card
Rebecca Crompton has created a collection of card designs for Derek Shop which would make a sweet token of love and appreciation. I particularly like YOU ARE YUMMY.

Kissing birds by Louise Jenkins
Kissing birds are forever a Valentines favourite: how about this delightful pair by Louise Jenkins?

Helen Lang All you need is love print
More song lyrics inspired this latest offering from artist Helen Lang, also featuring a pretty pair of birds: All You Need is Love comes in glossy black and shimmering gold foil.

Jessica Draws valentine card
Maybe your lover is a Valentines Day cynic? Then check out marmite cards‘ by Jessica Draws

The Aviary Floral Heart Gift Card
This gorgeously delicate floral heart design is from The Aviary and is available to buy on Not on the High Street.

Crafty Lou Love Papercut
I love this delicate papercut by Louise McLaren which features the word Love and the infinity symbol (as well as the all important two birds). Read a description of how Crafty Lou came up with this design here: fascinating!

Stacie Swift Dancing Foxes
Illustrator and contributor Stacie Swift stocks a lovely selection of alternative Valentines day cards on her etsy shop.

Chloe Douglass Valentine Card heart kitty
And if you prefer something a bit more traditionally cute how about this sweet kitty from contributing illustrator Chloe Douglass?

Tom Woolley ecard Valentines
What about that last minute panic attack, when you haven’t bought a thing? Then check out Tom Woolley‘s range of bright statement Valentines‘ ecards right here.

Fancy being featured in one of my regular round ups? Make sure you follow me on twitter @ameliagregory: most of these artists responded to open callouts for Valentines ideas. Next up: ideas for unique and individual Valentines gifts.

Categories ,All You Need is Love, ,Bex Bourne, ,Book of Hearts, ,Chloe Douglass, ,Cockpit Arts, ,Crafty Lou, ,Culture Label, ,Derek Shop, ,Dolly Parton, ,Helen Lang, ,Jessica Draws, ,Kethi Copeland, ,Lasercut, ,Louise Jenkins, ,Louise McLaren, ,Lovebirds, ,Marmite card, ,Not On The High Street, ,Papercut, ,Rebecca Crompton, ,Sarah Morpeth, ,Seek and Adore, ,Stacie Swift, ,The Aviary, ,Tom Woolley

Similar Posts: