Aiming to promote recent graduates onto a more commercially viable platform, information pills Fashion Mode launched this September with a show on the 19th September amid a lot of glitzy PR and press releases. The initiative is aiming ‘to bring back cutting edge fashion to London’, page enabling our ‘young fledgling designers…to be cultivated, supported and cherished’. Aside from this rather slushy blurb surrounding it, the ensuing show was enjoyable and a few gems were sent down the catwalk. Celeb top spot of the week must go to Nick Knowles of DIY SOS fame, who turned up with a man wearing a huge paper sock hat on his head. If anyone can shed any light on this guy, I would be so happy to find out more.
First onto the runway was Carlotta Actis Barone with a collection that reminded me of the kind of clothes clichéd royals in storybooks wear. Dark dramatic reds, with big shoulders and lots of dangly bits hanging off, the collection featured draped and knotted dresses, plus work style dungarees. The hair, which usually passes me by on the catwalk, was amazing (up do’s with lots of boof) so congrats must go to Toni and Guy who styled the whole event.
Illustration by Michelle Urvall Nyren
The Wear My Skin collection is based on the fight against racism and the clothes attempt to represent workers clothes on the plantation fields. The skin element is portrayed using scribbled-print, black-and-white body con dresses, polo necks and leggings under all of the garments. A bit like those sleeves you buy when you want to look like you have a tattoo but an interesting way of pulling together collection none the less.
Next out was James Hillman, who based his collection on the 59 Bike Club, Teddy Boy look and a desire for simplicity. I will remember it for different reasons: the poor model who had to walk down the runway in a see through dress, the adorable grandma bursting with pride as her grandson (not in a see through dress) walked down the catwalk, and the stifling heat taking hold of the hall. NB Most people had picked up fans from the previous show and were fine…not me though.
Illustration by Michelle Urvall Nyren
His collection was very neutral and very beige/grey/brown. The use of fabrics generally reserved for womenswear was a promising idea but wasn’t used to a great effect. The semi-opaque trousers and jacket/dress were fun but I expected more from someone who defines themselves on their use of simplicity, tailoring and well styled masculinity. I did however, love the army boots which were worn with every outfit including the smarter tailored suits.
Illustration by Gareth A Hopkins
Elson Figueiredo is inspired by 19th century European carnies and uses 100% organic fair-trade cottons. He presented a really strong collection with nicely tailored jackets, mid length coats and loose fit chino-esque trousers. His self-description of ‘quirky and distinctive’ is perfect. The jackets are well cut and the added elbow pads and red edgings on pockets and lapels were definitely a bonus for me in terms of well added details.
The black and blue hooded jacket worn with navy sloucy trousers was the highlight of the show for me, and slightly different from all of the other pieces he sent down the runway.
The star of the show (kept till last) was Florian Jayet. I really enjoyed his collection and many influences were prevalent in his styling – he interned with Alexander McQueen. Jayet’s S/S 2011 collection is inspired by insects and garments as armour style garments.
Using metallic fabrics and leather, his robust exoskeleton pieces are often softened with a long draped skirt or a flimsy top. Also, again with the noticing of the hair, I like the sharp pulled back ponytails sported by all the models.
Ones to watch are definitely Figueiredo and Jayet. They presented collections with distinctive yet restrained looks rather than over designing pieces a la River Island chic.
Aiming to promote recent graduates onto a more commercially viable platform, sale Fashion Mode launched this September with a show on the 19th amid a lot of glitzy PR and press releases. The initiative is aiming ‘to bring back cutting edge fashion to London’, link enabling our ‘young fledgling designers…to be cultivated, supported and cherished’. Aside from this rather slushy blurb surrounding it, the ensuing show was enjoyable and a few gems were sent down the catwalk. Celeb top spot of the day must go to Nick Knowles of DIY SOS fame, who turned up with a man wearing a huge paper sock hat on his head. If anyone can shed any light on this guy, I would be so happy to find out more.
See background for ‘man in hat’ with Nick Knowles
First onto the runway was Carlotta Actis Barone with a collection that reminded me of the kind of clothes clichéd royals in storybooks wear. Dark dramatic reds, with big shoulders and lots of dangly bits hanging off, the collection featured draped and knotted dresses, plus work style dungarees. The hair, which usually passes me by on the catwalk, was amazing (up do’s with lots of boof) so congrats must go to Toni and Guy who styled the whole event.
Illustration by Michelle Urvall Nyren
The Wear My Skin collection is based on the fight against racism and the clothes attempt to represent workers clothes on the plantation fields. The skin element is portrayed using scribbled-print, black-and-white body con dresses, polo necks and leggings under all of the garments. A bit like those sleeves you buy when you want to look like you have a tattoo but an interesting way of pulling together collection none the less.
Next out was James Hillman, who based his collection on the 59 Bike Club, Teddy Boy look and a desire for simplicity. I will remember it for different reasons: the poor model who had to walk down the runway in a see through dress, the adorable grandma bursting with pride as her grandson (not in a see through dress) walked down the catwalk, and the stifling heat taking hold of the hall. NB Most people had picked up fans from the previous show and were fine…not me though.
Illustration by Michelle Urvall Nyren
His collection was very neutral and very beige/grey/brown. The use of fabrics generally reserved for womenswear was a promising idea but wasn’t used to a great effect. The semi-opaque trousers and jacket/dress were fun but I expected more from someone who defines themselves on their use of simplicity, tailoring and well styled masculinity. I did however, love the army boots which were worn with every outfit including the smarter tailored suits.
Illustration by Gareth A Hopkins
Elson Figueiredo is inspired by 19th century European carnies and uses 100% organic fair-trade cottons. He presented a really strong collection with nicely tailored jackets, mid length coats and loose fit chino-esque trousers. His self-description of ‘quirky and distinctive’ is perfect. The jackets are well cut and the added elbow pads and red edgings on pockets and lapels were definitely a bonus for me in terms of well added details.
The beige knee length coat worn with characteristic edging details was the highlight of the show for me, and slightly different from all of the other pieces he sent down the runway.
The star of the show (kept till last) was Florian Jayet. I really enjoyed his collection and many influences were prevalent in his styling – he interned with Alexander McQueen. Jayet’s S/S 2011 collection is inspired by insects and garments as armour style garments.
Using metallic fabrics and leather, his robust exoskeleton pieces are often softened with a long draped skirt or a flimsy top. Also, again with the noticing of the hair, I like the sharp pulled back ponytails sported by all the models.
My ones to watch are definitely Figueiredo and Jayet. They presented collections with distinctive yet restrained looks rather than over designing pieces a la River Island chic.
Aiming to promote recent graduates onto a more commercially viable platform, decease Fashion Mode launched this September with a show on the 19th amid a lot of glitzy PR and press releases. The initiative is aiming ‘to bring back cutting edge fashion to London’, viagra buy enabling our ‘young fledgling designers…to be cultivated, approved supported and cherished’. Aside from this rather slushy blurb surrounding it, the ensuing show was enjoyable and a few gems were sent down the catwalk. Celeb top spot of the day must go to Nick Knowles of DIY SOS fame, who turned up with a man wearing a huge paper sock hat on his head. If anyone can shed any light on this guy, I would be so happy to find out more.
See background for ‘man in hat’ with Nick Knowles
First onto the runway was Carlotta Actis Barone with a collection that reminded me of the kind of clothes clichéd royals in storybooks wear. Dark dramatic reds, with big shoulders and lots of dangly bits hanging off, the collection featured draped and knotted dresses, plus work style dungarees. The hair, which usually passes me by on the catwalk, was amazing (up do’s with lots of boof) so congrats must go to Toni and Guy who styled the whole event.
Illustration by Michelle Urvall Nyren
The Wear My Skin collection is based on the fight against racism and the clothes attempt to represent workers clothes on the plantation fields. The skin element is portrayed using scribbled-print, black-and-white body con dresses, polo necks and leggings under all of the garments. A bit like those sleeves you buy when you want to look like you have a tattoo but an interesting way of pulling together collection none the less.
Next out was James Hillman, who based his collection on the 59 Bike Club, Teddy Boy look and a desire for simplicity. I will remember it for different reasons: the poor model who had to walk down the runway in a see through dress, the adorable grandma bursting with pride as her grandson (not in a see through dress) walked down the catwalk, and the stifling heat taking hold of the hall. NB Most people had picked up fans from the previous show and were fine…not me though.
Illustration by Michelle Urvall Nyren
His collection was very neutral and very beige/grey/brown. The use of fabrics generally reserved for womenswear was a promising idea but wasn’t used to a great effect. The semi-opaque trousers and jacket/dress were fun but I expected more from someone who defines themselves on their use of simplicity, tailoring and well styled masculinity. I did however, love the army boots which were worn with every outfit including the smarter tailored suits.
Illustration by Gareth A Hopkins
Elson Figueiredo is inspired by 19th century European carnies and uses 100% organic fair-trade cottons. He presented a really strong collection with nicely tailored jackets, mid length coats and loose fit chino-esque trousers. His self-description of ‘quirky and distinctive’ is perfect. The jackets are well cut and the added elbow pads and red edgings on pockets and lapels were definitely a bonus for me in terms of well added details.
The beige knee length coat worn with characteristic edging details was the highlight of the show for me, and slightly different from all of the other pieces he sent down the runway.
The star of the show (kept till last) was Florian Jayet. I really enjoyed his collection and many influences were prevalent in his styling – he interned with Alexander McQueen. Jayet’s S/S 2011 collection is inspired by insects and garments as armour style garments.
Using metallic fabrics and leather, his robust exoskeleton pieces are often softened with a long draped skirt or a flimsy top. Also, again with the noticing of the hair, I like the sharp pulled back ponytails sported by all the models.
My ones to watch are definitely Figueiredo and Jayet. They presented collections with distinctive yet restrained looks rather than over designing pieces a la River Island chic.
Aiming to promote recent graduates onto a more commercially viable platform, online Fashion Mode launched this September with a show on the 19th amid a lot of glitzy PR and press releases. The initiative is aiming ‘to bring back cutting edge fashion to London’, page enabling our ‘young fledgling designers…to be cultivated, shop supported and cherished’. Aside from this rather slushy blurb surrounding it, the ensuing show was enjoyable and a few gems were sent down the catwalk. Celeb top spot of the day must go to Nick Knowles of DIY SOS fame, who turned up with a man wearing a huge paper sock hat on his head. If anyone can shed any light on this guy, I would be so happy to find out more.
See background for ‘man in hat’ with Nick Knowles
First onto the runway was Carlotta Actis Barone with a collection that reminded me of the kind of clothes clichéd royals in storybooks wear. Dark dramatic reds, with big shoulders and lots of dangly bits hanging off, the collection featured draped and knotted dresses, plus work style dungarees. The hair, which usually passes me by on the catwalk, was amazing (up do’s with lots of boof) so congrats must go to Toni and Guy who styled the whole event.
Illustration by Michelle Urvall Nyren
The Wear My Skin collection is based on the fight against racism and the clothes attempt to represent workers clothes on the plantation fields. The skin element is portrayed using scribbled-print, black-and-white body con dresses, polo necks and leggings under all of the garments. A bit like those sleeves you buy when you want to look like you have a tattoo but an interesting way of pulling together collection none the less.
Next out was James Hillman, who based his collection on the 59 Bike Club, Teddy Boy look and a desire for simplicity. I will remember it for different reasons: the poor model who had to walk down the runway in a see through dress, the adorable grandma bursting with pride as her grandson (not in a see through dress) walked down the catwalk, and the stifling heat taking hold of the hall. NB Most people had picked up fans from the previous show and were fine…not me though.
Illustration by Michelle Urvall Nyren
His collection was very neutral and very beige/grey/brown. The use of fabrics generally reserved for womenswear was a promising idea but wasn’t used to a great effect. The semi-opaque trousers and jacket/dress were fun but I expected more from someone who defines themselves on their use of simplicity, tailoring and well styled masculinity. I did however, love the army boots which were worn with every outfit including the smarter tailored suits.
Illustration by Gareth A Hopkins
Elson Figueiredo is inspired by 19th century European carnies and uses 100% organic fair-trade cottons. He presented a really strong collection with nicely tailored jackets, mid length coats and loose fit chino-esque trousers. His self-description of ‘quirky and distinctive’ is perfect. The jackets are well cut and the added elbow pads and red edgings on pockets and lapels were definitely a bonus for me in terms of well added details.
The beige knee length coat worn with characteristic edging details was the highlight of the show for me, and slightly different from all of the other pieces he sent down the runway.
The star of the show (kept till last) was Florian Jayet. I really enjoyed his collection and many influences were prevalent in his styling – he interned with Alexander McQueen. Jayet’s S/S 2011 collection is inspired by insects and garments as armour style garments.
Using metallic fabrics and leather, his robust exoskeleton pieces are often softened with a long draped skirt or a flimsy top. Also, again with the noticing of the hair, I like the sharp pulled back ponytails sported by all the models.
My ones to watch are definitely Figueiredo and Jayet. They presented collections with distinctive yet restrained looks rather than over designing pieces a la River Island chic.
Illustration by Jaymie O’Callaghan
As I was leaving the Orschel-Read show at Fashion Scout last week, page I was planning to rush out of the Freemasons’ Hall and dash off to meet fashion editor at Somerset House. However, buy more about on walking into an atrium where I had queued only a little while earlier, I found myself in semi-darkness as part of the audience of an interactive performance presentation. It wasn’t until later that I discovered this was Rachel Freire’s S/S 2011 collection.
Illustration by Jaymie O’Callaghan
(I would like to apologise in advance for the quality of my photos – I was taken unawares and had to snap away fairly blindly in the dark to catch anything I could!)
The room veered between bright light and pitch black, with strobe lights picking out flamboyant reflective detailing on the garments. Models were standing on plinths along the centre and around the edges of the room, all seemingly pretending to play violins and cellos in accompaniment to the riotous and slightly Patrick Wolf-esque backing music. I didn’t realise until a few minutes in when some began to sing, that they weren’t models at all, but members of a band who were playing live, with the frontman hidden by a crowd of photographers at the opposite end of the darkened room.
The clothes were a juxtaposition of 1950s-style flesh-toned corsets and underwear, alongside cutaway assymetric jackets with tudor-style sculptural tailoring. Some of the band members wore huge luminescent head-dresses, staggering through the crowds like mythical beasts on sky-high wedges, stroking people’s faces and running their fingers through their hair. Reflective embroidery and fringing flashed bright white with the strobing, and at some points could even have been lit from inside as it flared up in red tones (although this may have had something to do with dozens of red camera focus lights struggling to function in the dark). Along with the ethereal white make up, the overall impression was part-Midsummer Night’s Dream and part-Cybergoth, with a slight nod towards Diana Dors.
When I made it outside, blinking into the sunlight, the only clue I had to go on was a flyer handed to me for ‘The Irrepressibles’. After a bit of research I discovered the band are no strangers to Freire’s creations; she designs their stage costumes, which seem to be a perfect pairing with their dark, theatrical sound.
Rather than taking the more traditional route of fashion and tailoring, Freire studied Theatre Design at Central Saint Martins, explaining the bold, dramatic themes in her work. Describing her style as period drama meets Bladerunner, her influences are said to stem from her love of historical costume combined with furutistic imagery, which sounds like it could be a recipe for disaster but in fact works amazingly well.
All photography by Naomi Law
Written by Naomi Law on Monday October 4th, 2010 10:24 am
Categories ,1950s, ,A Midsummer Night’s Dream, ,Central Saint Martins, ,Diana Dors, ,London Fashion Week, ,menswear, ,Orschel-Read, ,Patrick Wolf, ,Reflective, ,S/S 2011, ,Somerset House, ,Strobe Lights, ,the irrepressibles, ,theatre, ,Vauxhall Fashion Scout
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