Amelia’s Magazine | London Fashion Week S/S 2012 Presentation Review: Kingston MA

Kingston-MA-by-Alia-Gargum
Stephanie Nieuwenhuyse by Alia Gargum

Located in Kingston upon Thames, buy South West London, more about Kingston University London doesn’t seem to have a buzzing reputation for academia. But with art the institution are widely regarded as one of the best in the country, particularly for fashion education. Kingston fashion graduates have gone on to senior posts in a range of leading labels which include Armani, Burberry, Calvin Klein, Vivienne Westwood and Yves Saint Laurent. And it goes without saying that the Fashion Scout presentation at London Fashion Week is a thoroughly unique opportunity to showcase work to the industry’s elite at such an early stage in a designer’s career.

Kingston Fashion Textiles MA SS 2011 review-002

Kingston Fashion Textiles MA SS 2011 review-004

The university has been presenting the best of it’s MA Fashion graduates at Vauxhall Fashion Scout for two years now, and the theme has remained the same – The Body Laboratory. This time, there was an array of interpretations of the theme from full-on brain-like, mouldy textiles (yes, really) to delicate references through elegant style details. My favourites of the presentation were Stefanie Nieuwenhuyse, Fay Gascoigne, Ninela Ivanova and Han Gu.

Stefanie Nieuwenhuyse Kingston MA LFW S/S 2012 by Kirstie Battson
Stefanie Nieuwenhuyse by Kirstie Battson

I saw perhaps the most bustle around Stefanie Nieuwenhuyse, who had a corset and shoe displayed as part of a collection inspired by Biomimicry. The pieces were created from an intricate shell of thin wood that was broken into tiny hexagonal shapes then arranged in the most impressive and fiddly way; it must have taken yonks to put together. Her business cards were also made out of the thin wood she had used in her collection pieces – a great touch!

Fay Gascoigne
Photography courtesy of Fay Gascoigne.

I asked Fay Gascoigne about her pieces and she spoke with such passion and expression that I couldn’t help but admire her work! She displayed a funky, sporty jacket, formed with purple digital printed fabric, gathered in sections to make a volumnous shape. She also had everyone in the room sniffing her giant white plastic necklace that smelt like lavender.

Kingston Fashion Textiles MA SS 2011 review-014

Kingston Fashion Textiles MA SS 2011 review-012

Ninela Ivanova created a somewhat controversial collection that was displayed in the center of the room in all its glory. The collection, titled Moulded Mind was largely made up of lazer-cut velvet encased in silicone (which created a wonderful veiny/brainy effect). These pieces were named Second Skin. What was even more bizarre was the thick mould that were contained in transparent vests and shoulder pads. This was much more of a textile venture than a fashion one but I was intrigued by the concept, as was everyone else in the room as they touched and stared at the pieces and badgered Ninela with questions.

Han Gu Kingston MA S/S 2012 by Aysim Genc
Han Gu by Aysim Genc

Han Gu‘s work stood out beautifully. It was just a shame that there wasn’t more of her collection on display for the presentation. She’d created pieces that were much more wearable but that still showed fantastic textile skill in minute triangular features that seemed to hark back to Japanese origami. It turns out that the collection, titled Triangular Memories, was inspired by memories of her grandma who liked to fold the smallest notes to make little triangles. My favourite feature was the collar, made from tiny transparent plastic triangles; a simple but beautifully constructed piece.

Kingston Fashion Textiles MA SS 2011 review-007q=
All photography by Amelia Gregory.

The Kingston MA Fashion presentation at Vauxhall Fashion Scout continues to show off the university’s ability to stretch their students’ capabilities, give them the creative freedom to push new boundaries and inject something new into the fashion world.

Categories ,Alia Gargum, ,Amelia Gregory, ,Armani, ,Aysim Genc, ,Biomimicry, ,Body Laboratory, ,Burberry, ,Calvin Klein, ,Fay Gascoigne, ,Freemasons’ Hall, ,Georgia Takacs, ,Han Gu, ,Kingston, ,Kingston MA Fashion, ,Kingston University, ,Kingston University London, ,Kingston upon Thames, ,lfw, ,LFW S/S 2012, ,London Fashion Week, ,London Fashion Week S/S 2012, ,Mould, ,Moulded Mind, ,Ninela Ivanova, ,origami, ,Second Skin, ,Silicone, ,Stefanie Nieuwenhuyse, ,The Body Laboratory, ,Triangular Memories, ,Vauxhall Fashion Scout, ,Velvet, ,Vivienne Westwood, ,YSL, ,Yves Saint Laurent

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Amelia’s Magazine | New A/W 2013 Season Interview: Meet Fashion Designer CC KUO

CC KUO by Laura Hickman
CC Kuo by Laura Hickman

I’ve always wondered about the phrase ‘the sun has put his hat on’. What does it mean exactly? What kind of hat is it? Is it a sombrero or a sunhat, a beret or a beanie? Maybe even a boater tipped stylishly to one side? And why does everyone assume the sun is a ‘he’? Even the French language, with its masculine and feminine nouns describes it as ‘le soleil’, but, I’ve always thought of it as a bit more femme. With CC Kuo around, this is a question (and philosophical debate) that doesn’t need to be answered (or explored in a neverending cycle of questions). Forget the sun putting his headgear on, you can get your sun on.

CC KUO

CC Kuo‘s latest collection is a range of clothes patterned with skylines and sunsets. The pieces feature cloud-cover on dresses, sunlight peeking out of coat shoulders, and even beams bursting out of busts. What more could a gal want than to have something as beautiful as dawn and dusk right there on her lapel?! Just looking at these togs makes me think of the imagery in the (ever overused but still undeniably wonderful) Auden poem Funeral Blues that they read on Four Weddings and a Funeral all that time ago. Maybe even a hint of the sun in Wordsworth’s Composed Upon Westminster Bridge and Shakespeare’s Sonnet 18 thrown in for luck.

CC KUO

Ok, I know you’re probably a bit dubious now, ‘who compares clothes to poetry?’ you ask? Well, the sky is probably one of the most beautiful things that there is, and we, (or at least, I) with our heads in our laptops and our fingers on our keypads, don’t often take notice of those funny, fluffy white things up there or the beautiful yellow gassy lightblub that gives our daylight. Unless of course you’re a big Instagrammer, or it’s about to rain.

CC KUO

CC Kuo brings our attention back to nature. Born in Taiwan CC graduated from Central St Martins. Her signature digital prints and both beautiful and wearable, and her clothes have graced the catwalk at Vauxhall Fashion Scout which is swiftly becoming part of the initiation for young designers. She launched her namesake label in 2010 and since then she’s been featured by a whole army of mags and the like, including Elle, Pop and The Independent.

Whether it’s in the form of a handbag, a heel, a dress or a coat, what could be better than having your very own chunk of the world’s ceiling? With her S/S 2014 collection on the horizon I spoke to CC Kuo about her sunset patterned collection White Lovers, the recently released video to accompany it and what inspires her to make these pretty pieces.

CC KUO

Can you describe CC Kuo in just three words?
Modernism, simplicity and fantasy.

YouTube Preview Image
How did your video collaboration with Robert Rogan and Meng-Chia Lai come about?
I have been friends with Meng-Chia for a long long time since our CSM days and we’ve always talked about working together. My PR (and good friend) Roxanne suggested the idea of an illustrative film this season as a different format of expressing the collection. I thought this would be a good opportunity to work with Meng-Chia and she introduced me to Robert Rogan.

CCKuo
CC Kuo by Maya Beus

Your new A/W 2013 collection is named ‘White Lovers’ and lists swans as one of the inspirations, is this to do with the fact that swans mate for life?
Not in particular as I was more focusing on the contrasting elements within the collection. I didn’t know that swans mate for life but now I know, I love the fact they do.

CC KUO

When did you go on the trip to Lake Balaton in Hungary that inspired this collection?
I went to Hungary last winter. I am inspired by my trips abroad and often use this as an inspiration.

Water and trees are the backdrop of this collection, do you feel that nature and fashion can coexist?
Of course it does! Nature is so important to us as human beings and I hope to use fashion to better illustrate how beautiful nature is.

CC KUO 2 by Laura Hickman
CC Kuo by Laura Hickman

Your print designs are really distinctive, where do you get your inspiration?
I am inspired by everything I see, everything around me.

Is it important to you for your clothes to be wearable?
Yes, extremely important. I think clothing only makes its biggest impact when it’s wearable.

CC KUO

You’ve learnt from the likes of Alexander McQueen and Michiko Koshino, how do you feel this helped you develop as a designer?
My experiences working with these designers has taught me that discipline and passion are essential. Determination and a great work ethic is also a necessity.

CCKuo by Jordan Andrew Carter
CC Kuo by Jordan Andrew Carter

Your graduate collection was featured in Pop magazine, how does it feel to see your clothes featured in magazines?
Proud.

What draws you to opulent fabrics like silk and velvet?
For me, clothing should make women feel good about themselves, so I always use the best materials in a collection.

What projects do you have lined up for the next few months?
I am working on my next collection at the moment but also looking for a good collaborator to develop a diffusion line.

CC KUO

Do you feel like there’s a lot of pressure for each collection to be better than the last?
No, because I put in everything I can into each collection.

What’s your personal style?
I wear a lot of my own designs. I am very comfortable in my own skin.

CC KUO

Don’t be a chicken little, afraid that the sky is falling, grab a piece of it yourself by checking out the CC Kuo website www.cckuo.com

Categories ,A/W 2013, ,Alexander McQueen, ,Bags, ,CC KUO, ,Central St Martins, ,Dresses, ,fashion, ,Hungary, ,illustrative film, ,Jordan Andrew Carter, ,Lake Balaton, ,Laura Hickman, ,Meng-Chia Lai, ,Michiko Koshino, ,nature, ,Pop magazin, ,Robert Rogan, ,sunsets, ,swans, ,trees, ,Velvet, ,wearable, ,Womenswear

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Amelia’s Magazine | London Fashion Week A/W 2011: Paul Costelloe (by Amelia)


Illustration by Artist Andrea

This is my first front row show at London Fashion Week, viagra sale so I’m terribly excited. So far I’ve been stomped on, there pushed and poked in my attempt to view the catwalk, so this good fortune is very much welcomed. A photographer makes his way down the catwalk before the main event starts and snaps the front row. I’m not sure I should be here, but I smile like I own my seat. And as the lights dim, then brilliantly alight once more, my camera is swiftly awakened; lens cap off, switch flicked on, pointing to shoot. Queue the music and it begins.


Illustrations by Fritha Strickland

Monochrome trails the catwalk with authority and chic; a combination of dark strong leather shorts and skirts and light flowing chiffon shirts. Military tailoring softened with fluidity. They’re embellished with a bullet detailing, which, I later learn, is inspired by the Georgian National Ballets costume worn by male ballet dancers. The Georgian National Ballet costumes have also been the source of inspiration for a variety of designers. Did you know that writer Terry Nation’s creation of the Daleks in Doctor Who was inspired by costumes of the Georgian National Ballet too?


The hair compliments the theme. Long Heidi style plaits, careful topknots and intricately braided updos. Clean, neat, confident. And what of the shoes?! I’m tempted to pull a pair of Lako Bukia stunning signature (Mary Jane-esque) heels right off the pretty feet of an unassuming model.

The catwalk changes colour, as the black and whites retreat and the wines, dusky pinks and pearly greys glide in. Colours are good. Colours make me happy. Beautiful swirling chiffon skirts accompanying softly draping silk shirts, then leather trousers and leather skirts and leather shouldered chiffon shirts.


Illustrations by Avril Kelly

On float dreamy wispy dresses. Criss-crossing leather straps add a touch of the urban, reigning in the wearer, back to the city, whilst shoulders of golden coins encourage indulgence and a retreat into the sublime.


Live illustration by Jenny Robins

But it’s the finale that really causes ooohing and aaahing and eyes to widen. A deep blood red dress, its upper half blanketed in golden coins and a skirt that sweeps the floor and ripples as the model moves. It’s obviously the piece the designer is most proud of, as she captures the stage accompanied by her final piece.

More applause and then it’s over and the audience is rushing to get to their next show. A guest sitting in the row behind me is trying to get a hold of something under my seat, so I turn to help her. She jumps back.

“Erm… Can I have your goodie bag,” she asks coyly. Oh my! She had just tried to steal my goodie bag and I had almost let her, I realise. I smile and decline her request. I should probably thank her for alerting me. I’m feeling almost guilty for refusing her now, but hey, this is my first London Fashion Week goody bag and I’m taking it!

All photography by Akeela Bhattay


Illustration by Artist Andrea

This is my first front row show at London Fashion Week, sick so I’m terribly excited. So far I’ve been stomped on, pushed and poked in my attempt to view the catwalk, so this good fortune is very much welcomed. A photographer makes his way down the catwalk before the main event starts and snaps the front row. I’m not sure I should be here, but I smile like I own my seat. And as the lights dim, then brilliantly alight once more, my camera is swiftly awakened; lens cap off, switch flicked on, pointing to shoot. Queue the music and it begins.


Illustrations by Fritha Strickland

Monochrome trails the catwalk with authority and chic; a combination of dark strong leather shorts and skirts and light flowing chiffon shirts. Military tailoring softened with fluidity. They’re embellished with a bullet detailing, which, I later learn, is inspired by the Georgian National Ballets costume worn by male ballet dancers. The Georgian National Ballet costumes have also been the source of inspiration for a variety of designers. Did you know that writer Terry Nation’s creation of the Daleks in Doctor Who was inspired by costumes of the Georgian National Ballet too?


The hair compliments the theme. Long Heidi style plaits, careful topknots and intricately braided updos. Clean, neat, confident. And what of the shoes?! I’m tempted to pull a pair of Lako Bukia stunning signature (Mary Jane-esque) heels right off the pretty feet of an unassuming model.

The catwalk changes colour, as the black and whites retreat and the wines, dusky pinks and pearly greys glide in. Colours are good. Colours make me happy. Beautiful swirling chiffon skirts accompanying softly draping silk shirts, then leather trousers and leather skirts and leather shouldered chiffon shirts.


Illustrations by Avril Kelly

On float dreamy wispy dresses. Criss-crossing leather straps add a touch of the urban, reigning in the wearer, back to the city, whilst shoulders of golden coins encourage indulgence and a retreat into the sublime.


Live illustration by Jenny Robins

But it’s the finale that really causes ooohing and aaahing and eyes to widen. A deep blood red dress, its upper half blanketed in golden coins and a skirt that sweeps the floor and ripples as the model moves. It’s obviously the piece the designer is most proud of, as she captures the stage accompanied by her final piece.

More applause and then it’s over and the audience is rushing to get to their next show. A guest sitting in the row behind me is trying to get a hold of something under my seat, so I turn to help her. She jumps back.

“Erm… Can I have your goodie bag,” she asks coyly. Oh my! She had just tried to steal my goodie bag and I had almost let her, I realise. I smile and decline her request. I should probably thank her for alerting me. I’m feeling almost guilty for refusing her now, but hey, this is my first London Fashion Week goody bag and I’m taking it!

All photography by Akeela Bhattay

See more of Artist Andrea and Jenny Robins’ illustrations in Amelia’s Compendium of Fashion Illustration.

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, more about four fresh designers, drug one after another and always packed to the rafters it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, ambulance read our preview here and last year’s review here. Famous spots in the audience were Susie Bubble and Laura Santamaria.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Sara Bro Jorgensen by Maria Papadimitriou

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, for sale four fresh designers, view one after another and always packed to the rafters, medications it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, read our preview here and last year’s review here. Famous spots in the audience include infamous blogger Susie Bubble and ethical fashion editor Laura Santamaria. The four young designers were profiled ahead of London Fashion Week by Matt, you can read a bit more about their background, influences and style here.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Sara Bro Jorgensen by Maria Papadimitriou

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, stuff four fresh designers, discount one after another and always packed to the rafters, sales it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, read our preview here and last year’s review here. Famous spots in the audience include infamous blogger Susie Bubble and ethical fashion editor Laura Santamaria. The four young designers were profiled ahead of London Fashion Week by Matt, you can read a bit more about their background, influences and style here.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Sara Bro Jorgensen by Maria Papadimitriou

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, viagra sale four fresh designers, one after another and always packed to the rafters, it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, read our preview here and last year’s review here. Famous spots in the audience include infamous blogger Susie Bubble and ethical fashion editor Laura Santamaria. The four young designers were profiled ahead of London Fashion Week by Matt, you can read a bit more about their background, influences and style here.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Sara Bro Jorgensen by Maria Papadimitriou

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, information pills four fresh designers, one after another and always packed to the rafters, it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, read our preview here and last year’s review here. Famous spots in the audience include infamous blogger Susie Bubble and ethical fashion editor Laura Santamaria. The four young designers were profiled ahead of London Fashion Week by Matt, you can read a bit more about their background, influences and style here.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Sara Bro Jorgensen by Maria Papadimitriou

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, online four fresh designers, pharmacy one after another and always packed to the rafters, visit this it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, read our preview here and last year’s review here. Famous spots in the audience include infamous blogger Susie Bubble and ethical fashion editor Laura Santamaria. The four young designers were profiled ahead of London Fashion Week by Matt, you can read a bit more about their background, influences and style here.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Sara Bro Jorgensen by Maria Papadimitriou

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Anja Maklar by Madi

Ones to Watch is always one of my favourite parts of London Fashion Week, sildenafil four fresh designers, doctor one after another and always packed to the rafters, dosage it’s a really nice way to see contrasting styles. Generally it’s a mixed bag, read our preview here and last year’s review here. Famous spots in the audience include infamous blogger Susie Bubble and ethical fashion editor Laura Santamaria. The four young designers were profiled ahead of London Fashion Week by Matt, you can read a bit more about their background, influences and style here.

Anja Maklar

The designer presented a collection of pastels, with cut out and overlap details. In answer to Matt’s pondering in his write up of the designer, she has indeed developed some of the key styles which were seen in her SS11 show, in particular the laser cut detail and the triangle shape of her dresses.

This was a fun, pleasantly pastel, colourful collection with plenty to keep the audience interested.

Kirsty Ward

Kirsty Ward by Anne N’Toko

This is definitely a designer to keep your eye on. Part of a growing crop of young graduates who really bring jewellery into their collections, her AW11 offering was brimming with sparkly adornments and beautiful cut clothes. In particular, the use of cut out panels throughout, was very effective.

A palette with gold, bronze and brown, the autumnal colours were accented with sudden all-in-white outfits and stunning oversized necklaces. A favourite for me was the mesh bronze dress, which caught the light beautifully as the model walked down the catwalk.

Sara Bro Jorgensen

Definitely my favourite collection out of the four, Jorgensen has a hint of Mark Fast and Laura Theiss about her designs but has added an edgier, rocky feel to knitted yarns.

Sara Bro Jorgensen by Maria Papadimitriou

Mostly black, her collection showcased knitted dresses with lots of hanging threads and beads. There were also some highly covetable leggings with shiny black slivers of PVC running down the middle of the leg.

My favourite part of the collection, however, was the cute headgear sported by all the models. Little knitted caps in black and dark blue were worn with nearly every single look.

As well as the black, white knitted cardigans and dresses were worn with grey, splatter print swingy trousers and shorts. The black versus white theme was continued with trompe l’oeil printed dresses complete with tuxedo jacket, waistcoat, shirt and bow tiees.

Tze Gogh

Tze Gogh by Joe Turvey

The last of our Ones to Watch is Tze Gogh who graduated from Parsons in New York and then completed his masters at Central Saint Martins.

Gogh’s collection was understated, with clean simple lines in block colours of midnight blue, husky grey and black. The structured coats, dresses and jackets cleverly retained their shape as the models walked and I would love to know what material he uses, but I couldn’t help feeling that more could have been done to make the collection stand out.

However, I do applaud how he has retained from over designing his clothes and has kept a minimal aesthetic.

Paul Costelloe A/W 2011 by Ellie Sutton
Paul Costelloe A/W 2011 by Ellie Sutton.

Those in the business know that I took quite a few years off from attending the shows, check but I’ve been gradually creeping back into LFW and this season Amelia’s Magazine really has been out in force. I’ve attended a record number of catwalk shows and presentations, approved leaving me very little time to actually write or edit photos and commission illustrations. Meanwhile, side effects my wonderful team of contributors have been working their collective butt off. With the result that this is our third blog post about Paul Costelloe… and only my first. And it’s a WEEK since the shows started. Tut tut.

Paul Costelloe A/W 2011 by Antonia ParkerAntonia-Parker-A-W-2011-Paul-Costelloe-A
Paul Costelloe A/W 2011 by Antonia Parker.

Last season Paul really cemented his comeback with a well received opener to S/S LFW – which would explain why this show seemed so much better attended than the last… good words can spread like wildfire in fashion land. This season he did it again, despite rumours swirling around on the day that the label went into receivership recently – a quick google search revealing that a new backer in the form of Calvelex was unveiled on the same day of his A/W show. This time it was not his sons but his towering opera singing flame-haired daughter that Paul sent down the catwalk. Does he have anymore offspring squirrelled around somewhere? If not, who the hell will do the familial duty next season?

Paul Costelloe A-W 2011-daughter Jessica
Paul’s daughter Jessica opened the show. Photography by Amelia Gregory.

Once Amazonian daughter Jessica had left centre stage with a cocky little smile it was down to business as four pink pyramid-haired ladies strode onto the catwalk en masse, resplendent in emerald and fern green boucle tweed and textured metallic silks swinging coat dresses.

Paul Costelloe A/W 2011 by jenny robins
Paul Costelloe A/W 2011 by Jenny Robins.

Paul Costelloe A/W 2011 by Karla Pérez Manrique
Paul Costelloe A/W 2011 by Karla Pérez Manrique.

The collection swiftly moved through a spectrum of mustards, oranges and red checks on big collared dresses, boxy crop jackets and mini skater skirts, interspersed by the odd splash of luxurious menswear – my favourite being a sumptuous deep red velvet jacket. Swing shapes, splashy flower prints, cowl necks and big collars were the order of the day. Extremely delish, and very more-ish.

Paul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia GregoryPaul Costelloe A/W 2011 by Amelia Gregory

Paul Costelloe A/W 2011. All photography by Amelia Gregory.LFW A-W 2011-Paul Costelloe family
I managed to sneak a quick photo of Paul Costelloe as he was leaving Somerset House with his massive brood; Paul resplendent in a pair of sparkling new white pumps.

Read Matt Bramford’s review of the show here, and Jemma Crow’s review here. You can see more of Antonia Parker and Jenny Robins’ illustrations in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amazonian, ,Amelia’s Compendium of Fashion Illustration, ,Antonia Parker, ,Calvelex, ,Ellie Sutton, ,Flower prints, ,Jemma Crow, ,Jenny Robins, ,Karla Pérez Manrique, ,Matt Bramford, ,Paul Costelloe, ,Velvet

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Amelia’s Magazine | Graduate Fashion Week: Ravensbourne

Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Francis Alÿs Tate Modern La Ronde
La Ronde by Francis Alÿs

Last week Francis Alÿs: A Story of Deception opened at the Tate Modern. In the first room we are faced with the artwork that inspired the exhibition’s name: a film of a flickering mirage in the Patagonian desert. Water appears to flood across a dusty highway… vanishing into the distance in a hypnotising shimmer. Originally from Belgium, viagra 40mg Alÿs has been a resident of Mexico City since the mid 1980s, sickness although his work often explores the politics of a worldwide diaspora. Each room encapsulates a particular project, remedy often showcasing the original source material, such as news clippings, and the tiny but beautifully formed oil paintings that Alÿs produces alongside films and other ephemera.

Francis Alÿs Tate Modern 2010 newsclippings
news clippings collected by Francis Alÿs.

Life in teeming Mexico City has provided rich material to plunder – especially in the constant walking walking walking of the city’s street vendors, echoed in the delicate collages displayed in a light box – and the casual violence which Alÿs imitates by carrying his own gun on prominent display through the streets (in Re-enactments) until he is arrested.

Francis Alÿs Tate Modern 2010 ambulantes
 Francis Alÿs Tate Modern 2010 ambulantes
collaged images by Francis Alÿs, featuring ambulantes.

Paradox of Praxis 1 (Sometimes Doing Something Leads to Nothing) is one of the most famous pieces created by Alÿs. In it Alÿs pushes a block of ice around the streets until it is completely melted. Constant movement is a constant theme: whether kicking a can endlessly around the streets (a performance that ended when the absorbed Alÿs stepped in front of a car) leading sheep in a circle or pouring green paint out of a can to retrace the armistice border between Israel and Jordan.

Francis Alÿs Tate Modern 2010 Paradox of Praxis
Still from Paradox of Praxis by Francis Alÿs.
Francis Alÿs Tate Modern 2010
Still from The Loop by Francis Alÿs.
Francis Alÿs Tate Modern 2010 The Green Line
Still from The Green Line by Francis Alÿs.

Through all his methods of creation Alÿs never reaches a single point of resolution, an idea which is explored in the Rehearsal series, wherein a Beetle car is driven up a hill to the tune of a brass band, rolling backwards every time the music reaches a pause, much like Latin American modernisation, which always seems to find some reason for delay.

Alÿs questions the role of the artist in the political, transforming everyday objects into new roles. Half way through the exhibition the floor of a room is covered with rubber car mats decorated with a pop art graphic of a silenced mouth, and Camguns are created out of scrap wood, metal and film canisters. Since 2000 Alÿs has been throwing himself into the eye of the tornadoes that he chases through the countryside, seeing in these natural phenomena an echo of political chaos. If peace is found in the centre will it be possible for change?

Some of the newest work by Alÿs revolves around the concept of the tornado, implosions and explosions – a work in progress which is presented complete with post it notes on a wall in the last room. Some of the beautiful oils in this collection echo the delicate work of ongoing series Le Temps du Sommeil, which features 111 miniature oil paintings on recycled wood that feature dreamlike scenes reminiscent of the actions that crop up time and again in his other work. Not only does Alÿs enjoy the privacy of working in a traditional medium, he also uses the money from the sales of such paintings to finance his larger and less houseworthy projects.

A must see exhibition for anyone with an interest in how multimedia can be to used to effectively tackle difficult political subjects. It runs until 5th September 2010.
Francis Alÿs Tate Modern La Ronde
La Ronde by Francis Alÿs

Last week Francis Alÿs: A Story of Deception opened at the Tate Modern. In the first room we are faced with the artwork that inspired the exhibition’s name: a film of a flickering mirage in the Patagonian desert. Water appears to flood across a dusty highway… vanishing into the distance in a hypnotising shimmer. Originally from Belgium, try Alÿs has been a resident of Mexico City since the mid 1980s, cheapest although his work often explores the politics of a worldwide diaspora. Each room encapsulates a particular project, often showcasing the original source material, such as news clippings, and the tiny but beautifully formed oil paintings that Alÿs produces alongside films and other ephemera.

Francis Alÿs Tate Modern 2010 newsclippings
news clippings collected by Francis Alÿs.

Life in teeming Mexico City has provided rich material to plunder – especially in the constant walking walking walking of the city’s street vendors, echoed in the delicate collages displayed in a light box – and the casual violence which Alÿs imitates by carrying his own gun on prominent display through the streets (in Re-enactments) until he is arrested.

Francis Alÿs Tate Modern 2010 ambulantes
 Francis Alÿs Tate Modern 2010 ambulantes
collaged images by Francis Alÿs, featuring ambulantes.

Paradox of Praxis 1 (Sometimes Doing Something Leads to Nothing) is one of the most famous pieces created by Alÿs. In it Alÿs pushes a block of ice around the streets until it is completely melted. Constant movement is a constant theme: whether kicking a can endlessly around the streets (a performance that ended when the absorbed Alÿs stepped in front of a car) leading sheep in a circle or pouring green paint out of a can to retrace the armistice border between Israel and Jordan.

Francis Alÿs Tate Modern 2010 Paradox of Praxis
Still from Paradox of Praxis by Francis Alÿs.
Francis Alÿs Tate Modern 2010
Still from The Loop by Francis Alÿs.
Francis Alÿs Tate Modern 2010 The Green Line
Still from The Green Line by Francis Alÿs.

Through all his methods of creation Alÿs never reaches a single point of resolution, an idea which is explored in the Rehearsal series, wherein a Beetle car is driven up a hill to the tune of a brass band, rolling backwards every time the music reaches a pause, much like Latin American modernisation, which always seems to find some reason for delay.

Francis Alÿs Tate Modern Rehearsal
Francis Alÿs Tate Modern Rehearsal
Stills from Rehearsal by Francis Alÿs.

Alÿs questions the role of the artist in the political, transforming everyday objects into new roles. Half way through the exhibition the floor of a room is covered with rubber car mats decorated with a pop art graphic of a silenced mouth, and Camguns are created out of scrap wood, metal and film canisters. Since 2000 Alÿs has been throwing himself into the eye of the tornadoes that he chases through the countryside, seeing in these natural phenomena an echo of political chaos. If peace is found in the centre will it be possible for change?

Francis Alÿs Tate Modern 2010 Silencio
Silencio by Francis Alÿs.
Francis Alÿs Tate Modern 2010 Camguns
Camguns by Francis Alÿs.

Some of the newest work by Alÿs revolves around the concept of the tornado, implosions and explosions – a work in progress which is presented complete with post it notes on a wall in the last room. Some of the beautiful oils in this collection echo the delicate work of ongoing series Le Temps du Sommeil, which features 111 miniature oil paintings on recycled wood that feature dreamlike scenes reminiscent of the actions that crop up time and again in his other work. Not only does Alÿs enjoy the privacy of working in a traditional medium, he also uses the money from the sales of such paintings to finance his larger and less houseworthy projects.

Francis Alÿs Tate Modern Tornado
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Details from Le Temps du Sommeil by Francis Alÿs.
A must see exhibition for anyone with an interest in how multimedia can be to used to effectively tackle difficult political subjects. It runs until 5th September 2010.
Francis Alÿs Tate Modern La Ronde
La Ronde by Francis Alÿs

Last week Francis Alÿs: A Story of Deception opened at the Tate Modern. In the first room we are faced with the artwork that inspired the exhibition’s name: a film of a flickering mirage in the Patagonian desert. Water appears to flood across a dusty highway… vanishing into the distance in a hypnotising shimmer. Originally from Belgium, this web Alÿs has been a resident of Mexico City since the mid 1980s, information pills although his work often explores the politics of a worldwide diaspora. Each room encapsulates a particular project, often showcasing the original source material, such as news clippings, and the tiny but beautifully formed oil paintings that Alÿs produces alongside films and other ephemera.

Francis Alÿs Tate Modern 2010 newsclippings
news clippings collected by Francis Alÿs.

Life in teeming Mexico City has provided rich material to plunder – especially in the constant walking walking walking of the city’s street vendors, echoed in the delicate collages displayed in a light box – and the casual violence which Alÿs imitates by carrying his own gun on prominent display through the streets (in Re-enactments) until he is arrested.

Francis Alÿs Tate Modern 2010 ambulantes
 Francis Alÿs Tate Modern 2010 ambulantes
collaged images by Francis Alÿs, featuring ambulantes.

Paradox of Praxis 1 (Sometimes Doing Something Leads to Nothing) is one of the most famous pieces created by Alÿs. In it Alÿs pushes a block of ice around the streets until it is completely melted. Constant movement is a constant theme: whether kicking a can endlessly around the streets (a performance that ended when the absorbed Alÿs stepped in front of a car) leading sheep in a circle or pouring green paint out of a can to retrace the armistice border between Israel and Jordan.

Francis Alÿs Tate Modern 2010 Paradox of Praxis
Still from Paradox of Praxis by Francis Alÿs.
Francis Alÿs Tate Modern 2010
Still from The Loop by Francis Alÿs.
Francis Alÿs Tate Modern 2010 The Green Line
Still from The Green Line by Francis Alÿs.

Through all his methods of creation Alÿs never reaches a single point of resolution, an idea which is explored in the Rehearsal series, wherein a Beetle car is driven up a hill to the tune of a brass band, rolling backwards every time the music reaches a pause, much like Latin American modernisation, which always seems to find some reason for delay.

Francis Alÿs Tate Modern Rehearsal
Francis Alÿs Tate Modern Rehearsal
Stills from Rehearsal by Francis Alÿs.

Alÿs questions the role of the artist in the political, transforming everyday objects into new roles. Half way through the exhibition the floor of a room is covered with rubber car mats decorated with a pop art graphic of a silenced mouth, and Camguns are created out of scrap wood, metal and film canisters. Since 2000 Alÿs has been throwing himself into the eye of the tornadoes that he chases through the countryside, seeing in these natural phenomena an echo of political chaos. If peace is found in the centre will it be possible for change?

Francis Alÿs Tate Modern 2010 Silencio
Silencio by Francis Alÿs.
Francis Alÿs Tate Modern 2010 Camguns
Camguns by Francis Alÿs.

Some of the newest work by Alÿs revolves around the concept of the tornado, implosions and explosions – a work in progress which is presented complete with post it notes on a wall in the last room. Some of the beautiful oils in this collection echo the delicate work of ongoing series Le Temps du Sommeil, which features 111 miniature oil paintings on recycled wood that feature dreamlike scenes reminiscent of the actions that crop up time and again in his other work. Not only does Alÿs enjoy the privacy of working in a traditional medium, he also uses the money from the sales of such paintings to finance his larger and less houseworthy projects.

Francis Alÿs Tate Modern Tornado
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Details from Le Temps du Sommeil by Francis Alÿs.
A must see exhibition for anyone with an interest in how multimedia can be to used to effectively tackle difficult political subjects. It runs until 5th September 2010.
Francis Alÿs Tate Modern La Ronde
La Ronde by Francis Alÿs

Last week Francis Alÿs: A Story of Deception opened at the Tate Modern. In the first room we are faced with the artwork that inspired the exhibition’s name: a film of a flickering mirage in the Patagonian desert. Water appears to flood across a dusty highway… vanishing into the distance in a hypnotising shimmer. Originally from Belgium, recipe Alÿs has been a resident of Mexico City since the mid 1980s, healing although his work often explores the politics of a worldwide diaspora. Each room encapsulates a particular project, this often showcasing the original source material, such as news clippings, and the tiny but beautifully formed oil paintings that Alÿs produces alongside films and other ephemera.

Francis Alÿs Tate Modern 2010 newsclippings
news clippings collected by Francis Alÿs.

Life in teeming Mexico City has provided rich material to plunder – especially in the constant walking walking walking of the city’s street vendors, echoed in the delicate collages displayed in a light box – and the casual violence which Alÿs imitates by carrying his own gun on prominent display through the streets (in Re-enactments) until he is arrested.

Francis Alÿs Tate Modern 2010 ambulantes
 Francis Alÿs Tate Modern 2010 ambulantes
collaged images by Francis Alÿs, featuring ambulantes.

Paradox of Praxis 1 (Sometimes Doing Something Leads to Nothing) is one of the most famous pieces created by Alÿs. In it Alÿs pushes a block of ice around the streets until it is completely melted. Constant movement is a constant theme: whether kicking a can endlessly around the streets (a performance that ended when the absorbed Alÿs stepped in front of a car) leading sheep in a circle or pouring green paint out of a can to retrace the armistice border between Israel and Jordan.

Francis Alÿs Tate Modern 2010 Paradox of Praxis
Still from Paradox of Praxis by Francis Alÿs.
Francis Alÿs Tate Modern 2010
Still from The Loop by Francis Alÿs.
Francis Alÿs Tate Modern 2010 The Green Line
Still from The Green Line by Francis Alÿs.

Through all his methods of creation Alÿs never reaches a single point of resolution, an idea which is explored in the Rehearsal series, wherein a Beetle car is driven up a hill to the tune of a brass band, rolling backwards every time the music reaches a pause, much like Latin American modernisation, which always seems to find some reason for delay.

Francis Alÿs Tate Modern Rehearsal
Francis Alÿs Tate Modern Rehearsal
Stills from Rehearsal by Francis Alÿs.

Alÿs questions the role of the artist in the political, transforming everyday objects into new roles. Half way through the exhibition the floor of a room is covered with rubber car mats decorated with a pop art graphic of a silenced mouth, and Camguns are created out of scrap wood, metal and film canisters. Since 2000 Alÿs has been throwing himself into the eye of the tornadoes that he chases through the countryside, seeing in these natural phenomena an echo of political chaos. If peace is found in the centre will it be possible for change?

Francis Alÿs Tate Modern 2010 Silencio
Silencio by Francis Alÿs.
Francis Alÿs Tate Modern 2010 Camguns
Camguns by Francis Alÿs.

Some of the newest work by Alÿs revolves around the concept of the tornado, implosions and explosions – a work in progress which is presented complete with post it notes on a wall in the last room. Some of the beautiful oils in this collection echo the delicate work of ongoing series Le Temps du Sommeil, which features 111 miniature oil paintings on recycled wood that feature dreamlike scenes reminiscent of the actions that crop up time and again in his other work. Not only does Alÿs enjoy the privacy of working in a traditional medium, he also uses the money from the sales of such paintings to finance his larger and less houseworthy projects.

Francis Alÿs Tate Modern Tornado
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Francis Alÿs Tate Modern 2010 Le Temps du Sommeil
Details from Le Temps du Sommeil by Francis Alÿs.

Worth it to see these paintings alone, this is a must see exhibition for anyone with an interest in how multimedia can be to used to effectively tackle difficult political subjects. It runs until 5th September 2010.

Vivienne Westwood, viagra 100mg illustrated by Kerry Lemon

While things like free booze and miniature pies are thoroughly good perks of a fashion week, buy information pills it is also completely inevitable that you somehow manage to end up with hundreds of bits of paper and about six half-drunk bottles of water rolling around in your bag, and sure enough by the time I reached the Ravensbourne show I had unwittingly acquired three in the space of forty five minutes. Out of all the shows at Graduate Fashion Week, Ravensbourne is the hottest ticket – so hot, in fact, that only Vivienne bloody Westwood was in the audience. We found out afterwards that she’s working on a climate change television project with the college’s media course and went to support the fashion students. Her presence proved a bit of a personal distraction during the show and I seemed less concerned about what I was thinking than what she was thinking. It was a bit difficult to tell though.
 
Judging by the pleasantly psychotic combinations of ideas on show one can only presume that the class of Ravensbourne BA 2010 took a trip to the zoo on a cocktail of hallucinogens and then sat down to design their collections. With the extensive parade of animals on show it was like the four-footed refugees of Noah’s Ark had washed up on the beaches of Graduate Fashion Week – after a more muted and minimalist BA show from Central St Martins, it was a eye-popping joy to watch, with cartoons and pop art emerging as other pungent themes. The show was opened by Bobby Charles Abley with a menswear collection that proved children’s cartoons and bondage need not be two mutually alienating concepts, even if they are more than a little disturbing when thrown together. Speech bubble printed trousers, stuffed teddy bears and hoods with animal ears were paired with bondage straps in innocuous looking primary colours.
 
While Ravensbourne is particularly well known for producing amazing digital prints, Sera Ulger’s womenswear collection featured beautifully hand painted animal motifs on silk, featuring a crow, a lemur, a tarsier and an owl with its eyes in suggestive places on a selection of mohair dresses.


 
Ravensbourne took the Menswear Award for the second year in a row with Thomas Crisp’s elegantly tailored collection of leather and velvet jackets, based on Parisian street gangs in the late 1800s.


 
Amy Addison’s designs featured digital prints, miniskirts, thigh high socks and sleeves ending in boxing gloves…

…while Jessica Holmes’s cocktail dresses were emblazoned with ducks and Dumbos.


 
We’ve also come to expect a lot of accomplished knitwear. Harriet Clinch’s retro knitwear was basically a walking seventies ski lodge – simple jumpers and a star-spangled poncho with a vast selection of different knits thrown into the mix – stripes, bobbles, fair isle and cables, accessorised with sheepskin oven mitts and even a knitted camera. 

photographs courtesy of catwalking.com

Categories ,1800s, ,Amy Addison, ,Bobby Charles Abley, ,cartoons, ,Central Saint Martins, ,Climate Change, ,Digital Prints, ,ducks, ,Earls Court, ,fashion, ,Graduate Fashion Week 2010, ,Harriet Clinch, ,knitwear, ,london, ,menswear, ,Pop Art, ,ravensbourne, ,Sera Ulger, ,Ski, ,Teddy Bears, ,Thomas Crisp, ,Velvet, ,Womenswear

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Amelia’s Magazine | Christmas Shopping Galore!

If you try to describe this to someone (which you shouldn’t, this web sales don’t give anything away), doctor medications you will sound like you are conjuring from memory a nonsensical and fantastical dream; not something remotely tangible that actually happened in a 25-minute journey through a Shorditch warehouse.

ymbbt.jpg

Enter the ride and find yourself wheeled through 15 distinct scenarios with over 70 artists acting out micro-performances. “Designed to mentally and visually astound”, check; “leaving you overwhelmed and exhilarated’, check and check; and finishing the ride “in a totally different emotional state from the one you were in when you embarked on the journey”, most definitely true: utterly elated, mesmerised, and psychologically discombobulated.

The You Me Bum Bum train represents a new branch of experimental live art where the line between performer and audience is not just blurred, but utterly turned on it’s head; interaction is integral to the experience, and how far you take this is up to you. It’s creators Kate Bond and Morgan Lloyd, intend to strip individuals of decision-making, giving passengers the would-be ordinary experience of somebody else’s shoes. You are left with fleeting slices of alternate realities, one moment you might be a drummer, the next a translator (I really don’t want to say much!). It’s real human experience through the prism of the utterly surreal, and it will take you some time to reclaim your grasp on the two, a most marvellous and novel experience.

The venue is essential to the experience, and they describe Cordy House as their dream venue, lending itself to the most ambitious event they’ve held yet.
There isn’t much time to go, and I whole-heartedly recommend it as an unforgettable experience. It runs every Saturday from now until the 20th of December between 7pm and 11pm.

kitsune_maison_tour_uk.jpg
Hip Parisian fahion and electro label, buy Kitsuné, what is ed are fast becoming as well known for their associated music as they are for their fashion. In fact, there is a clear cut three-way divide at Heaven tonight: scenesters, dressed for the fashion blog photographers collide en masse with those who know Kitsuné for the music and are quite unprepared for the additional rooms full of said scenesters, and with the regular Heaven clubbers, used to G-A-Y Camp Attack on Friday nights and probably the most bemused of everyone here.

Within the four rooms there’s a frustrating mix of real djs and acts like Autokratz, whose Pet Shop Boys go big beat set was a joy to behold and left me humming ‘Stay The Same’ for the rest of the night. Hearts Revolution, Punks Jump Up and Kitsuné house band Digitalism all turned out in force to impress and did so, although at times the acts felt a little repetitive. Alas, alongside these quality acts, we also got a number of vanity djs, including various models and boutique owners, which all blurred into the same set as the night progressed and seemed to play to rooms full of people aiming to get to the bar and move on.

It transpired that the ‘Don’t Panic’ room was the place to be. Inspired by K-Tron, blasting bass heavy No-Wave, they held me and the room in near divine rapture. The highlight of the night however, was Matthew Stone who dragged us back to 1985 via The KLF, his effortlessly sublime musical compass taking us on a seemingly random adventure, fitting perfectly with the tone of the night. There were some true high points tonight, but Kitsuné are probably best enjoyed via one of their compilations than live, based on tonight’s evidence.

earth_listings_image.jpg

Global Day of Action is a direct action environmentalism initiative that started in 2005 Global Climate Campaign to focus world attention on the anthropogenic effect that humans are having on global warming.
Actions take place on this day to coincide with a Climate Change convention; a meeting of world leaders from 189 nations, viagra dosage that meet every year to discuss climate change.
We have the listings for the actions taking place on the 6th in London, viagra 100mg for a list of other cities actions click here.

Global Day of Action
6th December 2008

This will be the Saturday midway through the next round of UN Climate Talks and our best chance to influence the decisions of delegates ahead of the critical UN talks in 2009 at which a post-Kyoto treaty agreement will be decided.

LONDON

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Climate Bike Ride 2008
Assemble 10.30 am Lincolns Inn Fields for a mass bike ride around Central London joining up with the National Climate March at Grosvenor Square (see next listing for National Climate March info)
The three stops on the route are:
-Outside Greenergy, 198 High Holborn – for an agrofuels protest organised by Biofuelswatch
-Outside E.On 100 Pall Mall – for a speaker on NO NEW COAL
-Outside the Department of Transport – for a speaker on sustainable transport
Everyone welcome; decorate your bikes, bring whistles, bring music!
Want to help out for this action? Contact Jeremy Hill on 07816 839883 or jeremy.hill1@btopenworld.com

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National Climate March and Global Day of Action on Climate
The march starts at 12noon at Grosvenor Square and will move via Carlos Place and Mount Street to Berkley Square and Berkley street to Picacadily, Picadilly Circus, Lower Regent street, Pall Mall and Cockspur street to Trafalgar Square and Whitehall to Parliament Square.
We will bring the UK issues of Aviation, New coal and Biofuels to the streets of London, along with a call for more investment in renewable energy, more energy efficiency and more green jobs.
Speakers will include Nick Clegg (leader Liberal Democrat Party), Caroline Lucas (leader, Green party), Michael Meacher (ex-Environment Minister) and George Monbiot (Honorary President, Campaign against Climate Change).
Contact: 020 7833 9311
www.campaigncc.org

There will also be an After-Party in the Synergy Centre from 5.00 pm till late.

The March on Parliament has four main themes –
1) NO to a 3rd runway at Heathrow and the runaway expansion in aviation expansion.
2) NO new coal – no new coal-fired power stations as planned at eg Kingsnorth in Kent
3) NO to the expansion of agrofuels – with negative impacts on forests, the climate and world food supply.
4) YES to a renewable energy revolution and green jobs – a “Green new Deal”
Come with your own banners, costumes on one of these themes and join up with others pushing that theme……

The March on Parliament for the Climate marks the Saturday midway through the UN Climate Talks in Poznan, Poland and we make our demands on the UK government in solidarity with the world’s poorest and most vulnerable communities that will suffer worst and most immediately from climate change caused overwhelmingly by the rich long-industrialised countries.

We need the government to act now on climate, to stop building coal-fired power stations and new runways – and to begin the renewable energy revolution. We need a tidal wave of people outside parliament to make them act to stop climate catastrophe now! Be part of that tidal wave, be there! Next year may be too late.

for more information:
http://www.globalclimatecampaign.org/ – for a list of cities and actions!
www.campaigncc.org

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BUST Magazine Christmas Craftacular
6th – 7th December, St Aloysius Social Club, 20 Phoenix Road, Euston, NW1 1TA
craftacular-uk@bust.com

BUST is a magazine devoted to the female. Providing an unapologetic view of life in the female lane, they break down stereotypes! Based in the US and established in 1993, the magazine addresses a variety of different issues within pop sulture, including music, fashion, art & crafts and news.
Editor-in-Chief, Debbie Stoller, decided to call the magazine BUST, because it was “aggressive and sexy and funny… It was a title that could belong to a men’s porn magazine.”
For Women With Something To Get Off Their Chests!
Click here for the Christmas Craftacular’s Facebook Page


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Jumble Fever
Under the bridge on Beck Road, E8
Saturday 6th December
Midday-4pm, Entry £1
A fabulous jumble sale with a boogie twist! There will be a great deal to see and do and buy.. See you there!

ETSY
An online shopping bazaar; Etsy is a cross between eBay and Amazon with a humble handmade twist. Launched in June 2005 by Robert Kalin, for sale Chris Maguire and Haim Schoppik, the site has grown to be incredibly popular, with tens of thousands of people selling their handmade goods (90% of whom are women!).
As Christmas draws nearer and greener, we have chosen our favorite handmade things to inspire your presents list.
www.etsy.com

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“The Kelsey”; a pleated clutch in paisley mocha
This handmade clutch is one of many adorable bags created by GraceyBags; get in touch through etsy.com to custom order a clutch and choose from a rainbow of fabrics.
Featured is ‘The Kelsey’ in a paisley mocha print on the outside in greens, blues, pinks, yellows and browns. The inside has been sewn from a silky brown fabric and the bag closes with a small magnet.

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Recycled Journal – handbound
Find a lovely selection of hand bound recycled books by Rhonda; bookbinder and book artist.
This particularly wonderful journal is made with a variety of recycled scrap papers ranging from large envelopes, posters, junk mail, blank paper, lined and graph paper, covers from old sketch books, old maps, discarded photocopies, misprints from the computer printer to paper bags.
Perfect as an art journal, the book is covered with an old map of the world, the one pictured above showing the islands of Guatemala, Nicaragua and Costa Rica.
There are 256 pages (when you count both sides of each sheet). The pages are handbound using green and brown linen threads, visible on the spine in 4 rows of chain stitches.
The book size is approximately 4″ x 4¼” and 1″ thick (or 10.5cm x 11cm x 2.5cm).

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French Bulldog cotton tote bag

This adorable cotton tote is the perfect carry-all for any occasion. BellaBlu Designs signature French Bulldog silhouette has been cut from Heather Bailey‘s ‘Sway in Brown’ Pop Garden print and appliquéd to this cotton canvas bag. It is 100% 10 oz. cotton, measures 15 x 13 x 3 inches and can be customized with most other dog breeds.

TREEFORT
http://treefortkids.myshopify.com

We’ve also had a browse round treefort.myshopify.com, for some gift ideas for those of you with little ones in your life!

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Dreamlets Dolls
These cute little creatures would make an adorable gift this season, and as a product that gives 1% back to Artworks, Bridges to Understanding, or Poncho, they’re doing a lot more than making a loved one happy! The dolls come in a variety of shapes and colours, each with their own quirky personality. You are also able to choose which organization will benefit from your gift by registering your doll online.

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Nikki McClure’s Mama & Baby Things
Treefort also sell many of Nikki Mcclure‘s prints, books, cards, and calendars. Nikki McClure creates complex, yet natural designs by cutting away from a single piece of black construction paper with an x-acto knife. Her works are printed on 100% Recycled, 100% Post-Consumer Waste, Processed Chlorine Free paper that was manufactured with electricity that is offset with Green-e® certified renewable energy. Her work is printed by a small family-owned press in Portland, Oregon, US- and uses soy-based inks.

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Kids On Roof “House”
is made of Eco friendly-100% recycled cardboard and is 100% biodegradable. These houses are the perfect gift for creative children, as they’re meant to be decorated and personalised! (see below for examples from treefort) Kidsonroof donates 5% of its profits to specific Unicef projects; €24,000 has now been collected for the Unicef project for building better, small-scale housing for HIV/Aids inflicted orphans in Russia.
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Beyond Retro Christmas Party!

This evening Beyond Retro is throwing it’s annual seasonal gathering – in both it’s shops, viagra buy the original Cheshire St warehouse and new sibling store in Soho – from 6pm – 8pm, there’ll be lots of exclusive goodies for you to browse through and they’ll even throw in some mulled wine and mince pies. Good times.

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Made In Clerkenwell

This evening and all weekend, the Clerkenwell Green Association open their studios for Made in Clerkenwell, an event that showcases the work of over 70 designers they support through providing them with studio space, mentoring and business advice to help them create their work.

The fruits of their labors are exhibited and available for purchase, so you can hunt out that unique Christmas gift and buy all kinds of original and creative wares – ranging from fashion designs to jewellery, accessories, textiles and even ceramics.
What makes this shopping experience so different is that you can mingle with and chat to the designers and find out about their craft, inspirations, working method, becoming a designer, anything you want to know! So pop down, get a great gift and support new designers.

Open 6pm to 8pm, Thursday 27th November 2008 and
12pm to 6pm on Friday 28th, Saturday 29th and Sunday 30th November 2008.
£2.50 entrance – free to the under 16s.

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It’s no secret that Brooklyn’s the place to be for smart indie pop these days, view but look a little closer to home and you might be surprised. Take tonight’s superb support acts, advice for example. First up is Pens, erectile a cute lo-fi local trio who, despite playing to only a handful of people, put on a wonderfully frantic and ramshackle performance – think Karen O‘s kid sisters gleefully bashing at snare, guitar and synths.

Fellow Londoners Chew Lips are up next and are nothing short of a revelation. The threesome cater in captivatingly melancholy electronic music and boast a bona fide icon-in-waiting in singer Tigs; she prowls and creeps around the venue, all black bob and wide eyes, unleashing powerful vocals and jumping on the bar to serenade us, while the boys whip up a glitchy synth and bass storm in the background. ‘Solo’ is the band’s set-closer and an undeniable highlight – scuzzy and danceable yet strangely sad, it will be one of your anthems of 2009, no question.

This bunch are hard to follow, but Telepathe just about manage it. Dave Sitek-produced debut ‘Dance Mother’ is on the way in January, and recreating its majesty live is clearly still a tricky undertaking for the Brooklyn duo. They do their best, unleashing a stream of cluttered soundscapes, layered harmonies and clipped rhythms, and while the effect is hypnotic at times, barely a word is uttered between songs – resulting in a distinct lack of atmosphere. This could of course be due, in part, to the fact that they are playing to a room full of typically disinterested Shoreditch types. Whatever the reason the performance falls a little flat, until final effort ‘Chromes On It’ that is, its spine-tingling beats waking the crowd from its stupor and climaxing with speakers shaking and half the band hanging from the ceiling as the hysterical throng down the front excitedly punch the air. It’s just enough to convince us that we’re not quite prepared to give up on Telepathe as a live proposition yet. More like this please.
Nuclear: Art and Radioactivity
discount -4.064941&sspn=16.764146, visit this site 39.418945&ie=UTF8&ll=51.524712,-0.079694&spn=0.008598,0.019248&z=16&g=E1+6PG&iwloc=addr”target=”_blank”>Nicholls and Clarke Building, 3-10 Shoreditch High Street, Spitalfields, London E1.

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‘Half-life’
Chris Oakley, 2008
High-definition video, 15 minutes

‘The Nightwatchman’
Simon Hollington & Kypros Kyprianou, 2008
Installation

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The Nicholls and Clarke Building hosts an exhibition that explores the changing perceptions of nuclear power. In our rapidly deteriorating climate, the effects of nuclear development from the past have come to haunt us. ‘The Nightwatchman,’ by Simon Hollington and Kypros Kyprianou, captures this disturbing predicament.

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As we entered the installation there was something immediately unsettling about it. A board-meeting table situated in the centre of a large dilapidated storeroom indicated recent activity, and as we crept further through the exhibition space there was more evidence of some night watchmen. But they are no where to be found…

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Together with the film ‘Half-life’ by Chris Oakley, there was a sense of being caught in a crossfire of two different eras: the naïvely optimistic 80′s and the knowledgeable cynicism of the present day.

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The film showed a series of paradoxical images of nature vs. technology, and through it we were reminded of how our idea of what is progressive has been turned on it’s head.

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If you’d like to have something of yours across the chests of music aficionados throughout the country, viagra you might like to apply for this. 100% music, cheap 100% recycled paper (well done), sildenafil Bearded Magazine is preparing for the re-launch of the printed magazine on January 29th, and they’re throwing in a t-shirt as well.

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When it came to deciding what should go on the front of said t-shirt, they mumbled gibberish into their beards and drew blanks, and so they’ve put the task out to you the reader to help them out. In fact, they might be so filled with indecision that there could be four winners, so better chances for you! Have a look at the criteria and send in a design soon, you have until the 15th of December.

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The Wellcome Collection’s new temporary exhibition is entitled ‘War and Medicine’ and focuses on the individual human consequences of war rather than the overall statistics of death and destruction that impersonalise and almost glorify military combat and which we are most often presented with. Soldiers are heroes when they die for their country but uncomfortable representatives of horror when they return wounded and disfigured.

Installation artist David Cotterrell‘s film, sales specially commissioned for the exhibition, salve attempts to rectify this. Covering three walls of a darkened room, more about the film shows wounded soldiers, with varying degrees of injury, being loaded onto a flight back to England from Helmand Province in Afghanistan. The only soundtrack is the constant hum of the plane’s engine, an eerie backdrop to the calm, efficient activity taking place on screen. There is an unsettling disjunction between our inclusion in the scene through the way it is presented to us and the alienness of the sight before our eyes. This slightly dreamlike atmosphere helps separate the artwork from the realms of documentary photography and helps us understand the confusion of this homeward flight, which we are told in the information outside, is often only partially remembered by the soldiers.

What is most striking about this piece is the individual humanity behind the uniforms of the men and women depicted. On the left are the walking wounded with a variety of arm slings and facial injuries being tended to by medical staff and waiting patiently for their journey to begin, on the right, more distressingly, a person is carried in on a stretcher, connected to breathing apparatus. It is heartbreaking to realise that although most of these people will probably survive, and so not register in the public consciousness, they will have been scarred for life both physically and emotionally. I began to see them as people beyond whatever my personal attitudes to their profession and the war they are fighting in was.
A harrowing counterpart to this work is Cotterrell’s written diary, where he describes with civilian horror, the daily minutiae of life amongst the medical staff in Camp Bastion. The exhibition’s mission statement is to explore the dichotomies in a society that is simultaneously developing ever more sophisticated means of destroying life and protecting it. The stalemate futility of this situation is given a human face by Cotterrell’s work.

David Cotterrell is featured in issue 10 of the magazine, out shortly.

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Hurrying through the lights and sounds of Soho, stuff the words ‘bloody hell it’s cold’ rattled my skull. I was heading to see the Canadian singer and illustrator Chad VanGaalen, this known for rarely leaving his basement. In this weather, who would blame him?
Once inside Borderline I was able to thaw out and to take in the cosy surroundings. Kindly folk in chequered shirts patiently waited as they sipped Guinness. But there was something odd about this fresh-faced crowd. Moustaches, I realised. There were loads of them.
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It’s Mo-vember, apparently. The time of year for all socially conscious gentlemen to grow out their fluff to raise money for testicular cancer. ‘That’s nice,’ I thought.
This playful and boyish act of sincerity seemed fitting for the night in store as there’s something of the fourteen-year-old boy about Chad VanGaalen. Deceptively awkward and immediately charming, he’ll break your heart.
Together with a hairy-faced accordionist he delivered a homemade and reflective sound. It was as if we had wandered into his basement, and he seemed a little surprised to see us there.
His hesitancy on stage draws you nearer, and his tight and masterful song-writing capabilities took a hold of my senses like a sedative.
That uneasy fluidity reminded me of Beach House and the unexpectedly punchier tunes provided an excitable energy that twanged some of those moustaches.
Listening to Chad is like putting on a pair of earmuffs and skate boarding down smooth suburban streets.
There’s a yearning to be free and limitless but it only slightly ventures out of the comfortable. A girl behind me whispered excitedly ‘It’s the kind of music I’d ride my bike to.’
It is difficult for any set at the Borderline to not feel intimate and Chad VanGaalen’s was by no means revolutionary.
But the evening was all together thoughtful and enchanting, and as I braved the bitter London streets once more, the words of Electric City wrapped me up like a duvet.

Soft Airplane is available on Flemish Eye.

Photographs by Ro Cemm
for more pictures of the night click here

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At 8am on Friday 28th November on a wet and grizzly morning, stuff the Greenwash Guerillas and a band of allies rallied together outside the E-On Head Office at 100 Pall Mall. We were there to protest against the planned government-approved scheme to build 7 new coal fired power stations. E-on will be responsible for the first of these havoc wreaking death chambers (no hyperbole here) at Kingsnorth, Kent. This power station alone will emit between 6 and 8 million tones of CO2 every year. If all 7 are built, treatment their collective emissions would be approximately 50 million tones of CO2 a year. This would make the Climate Change Committee’s proposal to cut back on CO2 emissions an average of 2% per annum so that by 2050 we’ll have an 80% reduction well… impossible.

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Browsing through E-on’s website, it might be easy to be fooled into thinking they are an environmentally conscientious company promoting ‘clean, green energy that never runs out.’ But it doesn’t take long to realize that their wind farms and claims of boosting local employment are cleverly marketed to cast a rosy sheen over more profitable projects that use coal.

Coal is the grimiest of fossil fuels. It’s carbon-intensity is higher than oil and double that of natural gas. Yet, as the driving force behind the industrial revolution, it has been the primary source of power for the electricity generation. Gathered outside the E-on head office, we are no longer in the 19th century but in the 21st century and in the midst of a climatic crisis. With sea ice disappearing at a never-before-seen rapidity now is the time to use new greener sources of power, not to revert to the practices of the past.

So why is the government supporting what seems a disastrously archaic project?
The government’s answer is that by increasing the cost of carbon, power stations will be forced to use a process of carbon capture and storage (CCS) whereby the harmful carbon dioxide produced by coal is extracted from the air and buried underground.
However, a presentation made by the House of Commons Environmental Audit Committee concluded that this reasoning is implausible. Voicing research from the U.K. Energy Research Centre and Climate Change Capital, it showed that using a process of CCS would in fact be the least cost effective option for power stations. The research they gathered predicted that CCS will cost power companies like E-On 70-100 or 90-155 Euros per ton of CO2, while the government estimates that the price of carbon between 2013 and 2020 will be less at approximately 39 Euros per ton.

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It’s fair to say that it is extremely unlikely that power companies will go for the more expensive option, especially when the margin is as large as it is. In short, the government’s criteria for approving E- On’s power station at Kingsnorth is worryingly unsatisfactory.

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If our government is failing to alleviate the catastrophic predicament of climate change that is costing lives then it is up to us as citizens to take action against the construction of Kingsnorth and others like it. For more information on what you can do please click here and please go to the national climate march on Saturday 6th December, bring your mates and make it fun. This is a serious issue and we need to get the message across but optimism is always the best the way of creating change, in my view anyway.
Klimax is a network for climate activists that started in 2007 by environmentalists who wanted a platform for people with more radical ideas about direct actions. Well known in Sweden for their campaigns against private motorism and the meat industry, viagra sale the group has spread to a number of Swedish cities, cialis 40mg and in Gothenburg they consist of 20 active members.

On the 12th November 2008, capsule after being inspired by Climate Rush, six Klimax members stormed a municipal city council meeting in Gothenburg dressed as suffragettes to commemorate the 100-year anniversary of the British Sufragette Action.

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Members of Klimax initially wanted to protest on the 13th October, which is the actual date of the anniversary, but after finding out there were no meetings that day, postponed to the 12th November. This allowed them the much needed time to plan their action in detail; the first few weeks consisted of a few hours of planning and as the time drew nearer members were working five hours a day to make sure everything was finished. Among writing speeches, making banners and establishing contact with the media, they had to prepare their costumes!
Our contact at Klimax said “We do not always dress up for events but we believe that it is a good way to spice up an action! We sometimes dress up as penguins or polar bears because they are the two types of animal that are severely affected by Climate Change; it is also fun and looks nice!”

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Their aims with the action was threefold; firstly to pay tribute to the work done by the suffragettes- strong women fighting for women’s right to vote, secondly to make the politicians aware that there was strong opposition to the building of another tunnel under the river in Gothenburg; Miahabo Berkelder from Klimax in Gothenberg says that the group believe this to be an awful way to spend a large amount of money, just so that more cars can be on the road; asking ‘What if the money was invested in buses instead? New roads simply lead to more traffic and that is a disaster for our climate.’
The third reason for the protest was to make sure that politicians knew that climate change isn’t just a moral topic, it is a political topic.

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On the day, members were shocked to see the six activists storm the meeting,
but after the action Klimax joked that if they had been politicians sitting there during long and boring meetings, they would have been happy with the distraction!

They certainly created a buzz, and definitely caught the attention of the council! After a short while the six were asked to leave the building and did so with little fuss.
In reaction to the protest, a woman from the Swedish environmental party said Klimax had a valid point, but a man from the conservative party was more concerned about security, wondering what would have happened if terrorists had stormed the meeting instead!

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The plans for the tunnel are still up in the air. The initial decision to build the tunnel was made solely by Göran Johansson, the chairman of the Municipal Council. Because this wasn’t a democratic way of deciding, the case has been reported to the county administrative court.

According to Miahabo, there are a lot of plans in Klimax’s future; new actions will take place during the spring and there will be a new regular event called Climate Café- where anyone can attend to share coffee and discuss climate change, sometimes including an expert on the subject to answer any questions.

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The next big event for Klimax is on the Global Day of Action, taking place in cities all over the world on the 6th of December. At the same time as the leaders of the world will be discussing the climate problems, demonstrations will be arranged all over the world including London and of course Gothenberg.
Klimax have come together with several other groups to arrange a huge demonstration, Miahabo says that Klimax are organising a “Climate Clash” which is a wide spread Klimax phenomenon; they will walk out in the middle of a busy road and block the traffic; a perfect and simple way to make people aware of the climate problems.

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Anyone who is interested in joining Klimax is welcome- it is a flat organization with no board of directors, anyone who wants to be a member is simply one.

This article was written with the help of Miahabo Berkelder of Klimax in Gothenburg, Sweden. Thank you for your contribution and for the photos!

For more information about Climate Rush, please visit: www.climaterush.co.uk
Monday 1st Dec
The Ashni Art Gallery specialises in Indian Art that is both contemporary and of the past. They will be exhibiting the best of their collection from now until the 19th of December.
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Tuesday 2nd Dec

Live in Bristol? Feeling somewhat alarmed by the continued transformation of the city centre to all things consumerist (with 120 new shops having just opened)? Slipping between the gap of reality and fantasy, and Somewhere Here are hijacking advertisement space to provide shoppers with a brief respite during the fall of capitalism. Nine artists take nine advertising hoardings (billboards) until the 3rd of December only. Catch them before they are swallowed by Advertisement Beast.
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Wednesday 3rd Dec
Opening today at the ICA: Dispersion; an exploration by seven artists of the appropriation and circulation of images in contemporary society. They examine money, desire, and power in our accelerated image economy. It runs until Feb 1st.
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Thursday 4th Dec

First Thursdays of the month is here! But aren’t galleries open most Thursdays anyway? It would be silly tell you a single thing to go and see, 100 galleries will be opening their doors until 9pm, so there will plenty to satiate your creative appetites, but if you perhaps feel so inspired that you are driven to the pencil yourself, The Princess Studios will be hosting free life-drawing drop-in sessions throughout the evening.
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Friday 5th Dec

Vauxhall’s best kept secret-art-laboratory, Beaconsfield, curates Late at Tate this Friday, adapting Tate Britain’s Duveen Galleries and transitory places to create a terminal space, with an array of arrival and departure points, in which only the surreal applies …

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Colin McKenzie senses that art ought to be more like a day at Woodstock, or at least what he imagines Woodstock to be like: electric, dynamic, smooth, and mind-expanding. At the Red Gate Gallery. McKenzie strives against order and sense, aiming to manoeuvre without restriction.
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Monday 1st December

The Lady: A Tribute to Sandy Denny, page Royal Festival Hall, treat London
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An evening of songs from the back catalogue of one of the most influential female folk singers, approved Sandy Denny. Various artists including Marc Almond, P.P. Arnold and Johnny Flynn will be performing songs from her Fairport Convention days as well as her solo career. Should be a really interesting night in light of the current trend for new female folkies and a timely tribute to one of the godmothers of the genre.

Asobi Seksu, Hoxton Bar and Grill, London

Sweet, fun indie-pop from Brooklyn. Should be a good one for dancing.

Gallows, The Macbeth, London

Noisy punks celebrate collaboration with Atticus clothing range.

Slow Club, Jay Jay Pistolet and special guests, Union Chapel, London

A lovely gentle way to start the week with this folky-country duo who will hopefully be celebrating the first day of December with a performance of their Christmas single, released next week.

Tuesday 2nd December

Eli ‘Paperboy’ Reed and the Trueloves, Oran Mor, Glasgow
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Big-voiced retro soul.

Deerhoof, ULU, London

In the UK for one night only, this much-loved San Francisco band’s staccato, rough-round-the-edges punk pop is even better live.

Ten Kens, The Duchess, York

Anyone who has a blurry picture of people snogging on their record sleeve is a good bet for a messy live show and these Canadian grungers are reportedly no exception. Should be good in this small venue too.

Baby Dee, Union Chapel, London

New album produced by Will Oldham, harpist on Anthony and the Johnsons first album and with Andrew W.K. providing bass on her new record, this transsexual musician’s musical pedigree is assured.

Wednesday 3rd December

Kitty, Daisy and Lewis single launch, Madame JoJos, London
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Snappily dressed, hearse-driving siblings playing rockabilly at their single launch party.

Liam Finn, Night and Day, Manchester

Introspective folk.

The Wave Pictures, Club Fandango, St Aloysius Social Club, London

Thursday 4th December

Vivian Girls, The Social, Nottingham
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Uber-hyped Brooklyn girl group bring their shoe-gaze tinged grunge-pop to the UK. Time to see if they live up to their recorded promise as a live act.

The Unbending Trees, The Luminaire, London

Leonard Cohen-influenced Hungarians.

Dirtbombs, Faversham, Leeds

Fuzzed out rock and soul. Catch them before they play at the weekend’s All Tomorrow’s Parties.

Friday 5th December

The Pains of Being Pure at Heart, Princess Charlotte, Leicester
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Fuzzy pop from yet another hip hyped Brooklyn band.

Dan Black, Barfly, London

New single ‘Yours’ has been receiving lots of radio play.

Saturday 6th December

Dead Kids, single launch ‘Into the Fire’, Push, Astoria 2
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Should be pretty sweaty and heavy.

I Am Ghost, White Rabbit, Plymouth

Bringing some metal to the South West.

Under One Sky, Queen Elizabeth Hall, London

John McCusker’s diverse folk composition.

Sunday 7th December

Tanlines, Old Blue Last, London

The Brooklyn invasion continues. Did they all club together and hijack a plane from JFK International?

Bon Iver, Victoria Apollo, Dublin

Really bummed about breaking up with some girl called Emma, he headed into the woods alone and wrote an album about it. He must be feeling a bit better as he’s spreading the heartache on a UK tour.

Isobel Campbell and Mark Lanegan, Rock City, Nottingham

Lovely duets from surprisingly compatible artists.

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Pretty Taxing is a fashion collection with a twist, stuff as the end product is not clothes but car tax discs. Unusual – yes, sick but we all know how important accessorising is…

It would seem like a bad idea if such creatively interesting designers hadn’t contributed to the cause. They include Emma Bell, who has twice shown at London Fashion Week, David David and Pam Hogg. Along with artists Natasha Law and Stuart Semple, they have all created unique collectable pieces of fashion memorabilia.

You can pick up these discs of fashion-random-brilliance at Matches or at the pop-up shop KIN in Kingly Court, Carnaby Street. Abiding the law has never looked so good.

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Today I was sent to Coventry, abortion quite literally. Together with 30 other Climate Camp activists dressed as Santa we descended on E.On, health the energy company responsible for the proposed new coal fired power station to be built at Kingsnorth.

This action followed a 48 hour action that happened over last Friday and Saturday – and E.On were not expecting our return. In fact, buy they were probably kicking themselves that the special fencing that they had put in place late last week was now lying dismantled on the floor next to their headquarters.

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As a result our merry busload hopped off easily and headed straight for the main entrance of E.On’s offices.

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Why? Despite spending a lot of time and energy letting the public know that they are one of the biggest investors in renewable energy in the UK (they’ll point out the big array of solar panels on one of their buildings and the lobby features a looped tape about wind farms) they are also pitching to build the first new coal fired power station to be built in the UK in 30 years, which will alone defeat all our CO2 emissions goals. So why spend so unwisely?

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Whilst some merry santas climbed atop the revolving door and superglued their hands to the various entrances, another bunch of santas headed off into the building to see if they could speak to head honcho Paul Golby and let the employees know a bit more about the facts behind new coal.

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Bearing banners that said Stop Coal and E.On F.Off they set off down the corridors singing some specially adapted carol songs.

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Two intrepid santas managed to enter a boardroom meeting, surprising the attendees with some gifts of lumps of coal – for as you know santa gives bad children coal instead of gifts and E.On has been very bad this year. They were ejected from the property, but soon raced back in again…

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We managed to disrupt operations for four hours, stopping employees and visitors as they came to work and giving interviews to the BBC and ITV, and live on the radio. Our action was spoken about on the World at One on Radio 4, which you can listen to here. We are talked about at approximately 8 minutes and 20 seconds into the programme.

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The police were surprisingly even handed, although some employees were clearly fuming, especially the head of security (woops) One indoor santa even managed to locate a cup of tea and a newspaper to read.

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At one point we were able to reenter the building, with the santas forming a conga line for the cameras. We delivered papers written by leading NGOs describing why there is no need for coal power, and generally had a merry old time. All employees and visitors were rerouted through back entrances, so I think it is fair to say that we were fairly disruptive…

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Eventually we decided that once unstuck it was best that we leave, but the police had other ideas, and as we walked off down the road they tried to contain us, managing to trap four of our number and arrest them.

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The rest of us ran off down the street to find our getaway vehicles, parked up in a local pub car park. Our drivers had thoughtfully bought us lunch in the pub, but shortly after we had gulped it down we were asked to leave because the police presence was putting off other customers. The police followed us as we left to pick up the other santas at Warwick university student union, and thereafter ensued the slowest police chase ever, with us managing to lose them after taking a wrong turn.

The purpose of this action was to embarrass E.On and raise awareness of what they up to in a light hearted and humourous way – I think that as a bunch of merry santas we did this exceptionally well. We hope that E.On will take heed and stop greenwashing their plans. It’s simple, don’t build Kingsnorth. Spend your money increasing investment in your (meagre) renewable energy supplies. If you would like to help us stop companies like E.On destroying our world check out what Climate Camp is up to next. More articles on this action can be read on Indymedia here and here.

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We’re having a bit of a Grace Jones moment here at Amelia’s HQ. Obviously we’ve always known she was AMAZING but her majestic new single ‘Williams’ Blood’ goes to prove that she’s still totally got it. In fact, buy it’s been on repeat for about the past week and we’ve all been waving our arms in the air singing “I’ve got the Williams’ blood in me”. There’s an infectious gospel refrain running through this song that really brings out Jones’ strident message. Strongly autobiographical, link ‘Williams’ Blood’ tells the story of her parents’ life together in small-town domesticity and her musician grandfather – he of the Williams blood – philandering his way around the world, an insight into the Grace Jones spirit of rebellion.

There’s a cry for freedom and for breaking away from the strictures and constraints of her background, which you can’t help but feel has been successful for this overtly sexual, bonkers wardrobed, gay icon, hence the joyful bursts of the chorus. It also seems almost subversive for a female singer to talk about the influence of a male ancestor on their lives but Jones has never been one to play by the rules. In fact, as one of our writers proved, she’s perhaps the only woman with such immense stature you could prove your respect for by mooning. But that’s another story…

‘Williams’ Blood’ is released next Monday 8th December on Wall of Sound.

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“The film was an experiment”, abortion says Jonas Cuaron, settling down across from me on a sofa at the Renoir this Saturday. I’ve come for the release of his debut film, Año Uña – year of nails – and the place is abuzz with excitement; I’m especially enamoured by the snippets of Mexican-tilted Spanish I hear that always make me nostalgic (Luisa with no ‘o’, can you guess?), “Ai que deliciosa!” someone behind me exclaims at the sight of a quesadilla in the first few minutes of the film; maravillosa indeed.

“I wanted to make a film”, he continues, “using a format that would be hard to watch”. Hard to watch? A legitimate concern when it dawns on you that you’re in for a feature-length film composed entirely of still-frame photographs. But the merit of any film boils down to one thing, a good story – and the impossible romance between American girl and Mexican boy in the throes of puberty, subsumes this hard-to-watch format and makes it altogether accessible. Plot aside for a moment though, the genesis of the film deserves as much attention, so I asked Jonas how the whole thing came about.

JC: For the film I took photographs of my everyday life for a year. I wanted to break the way in which film is normally done. Normally people write a screenplay first, and then out of the screenplay they do the image, but here I wanted to do it backwards. I took the photographs and then we made an installation where we put them all up in a room, and made a story from that.

Were there other possible narratives, did you find it hard to pick which story to tell?

Well I always knew that it had to be a story of this girl from the US and this boy from Mexico. They were the ones I photographed the most that year, and so I knew they were going to be the main characters and it grew organically from there. But sometimes I think, with all those photographs I could make a different movie, draw something completely different from the same images.

What was exciting about working in that format?

Well I wanted to play with the boundaries between reality and fiction. I wanted to have images that were real, but to show, how with text, or with a narrative over those images, you can have a completely different meaning. All the images in the movie are real, but none of that happened, I wanted to play with that boundary.

So there was no interchange between reality and fiction? There must’ve been!

Well I mean, in the events there was. Like my Grandpa really did get sick and he had cancer, but for instance, the main characters, Diego and Molly, they are my brother and my girlfriend, so I hope that wasn’t real (chuckles).

How did your brother feel about in falling in love with your girlfriend, was that awkward?
Well the narrative was so fictional, so far away from reality that both him and Eireann saw it as an acting job; they never thought of it as real. All the character’s names are real aside from Eireann, which I changed to Molly because I wanted to help Diego and Molly not feel awkward, and I knew that Diego was gonna be saying really dirty things about her character, so I thought it would be easier for him if she was called Molly and not Eireann.

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Throughout the film, Molly seems to be perpetually trying to capture something real from Mexico in a photograph, and failing. Is that Ironic? Seeing as you’re playing with a moment captured and how it can mean lots of things.
With Molly, a lot of what I wanted to play with was the idea of the tourist, being a foreigner in another country, so even though she’s the one seeing, she’s the observer with the camera, in the case of a tourist like Molly, people are also observing her. So with her character I played a lot with the subconscious of being in a new place.

You grew up partially in Mexico and partially in the US, so is that something you link closely too?

For me, that part of the narrative – the interchange between two cultures – it really fascinates me; so when I realised that Diego and Molly would be my main characters, I was happy because the relationship between both cultures is an important one for me. I know what it is to be new in a different place, and I understand the boundaries between the two languages, and a lot of this is seen in the character of Molly. Many of those pictures were taken during Eireann’s first visit to Mexico, and it was at the time when Bush had just been elected. For her it was really hard to be in Mexico because everyone was judging her for what Bush was doing, so I wanted to play with the idea, that I also feel from being a Mexican in the US, that people see you as a nationality and not who you are.

What is the main theme of the film for you?
When I first started making a film with photographs, I realised that the main theme would be the passage of time and the impermanence of things. You can’t do anything about photography and not talk about the passage of time, and particularly in a film – film is always dependent on the idea of time and still-photography doesn’t have time in a way, and so for me, the whole film is an exploration of how nothing lasts forever.

Would you use the format again?
I think it’s a very interesting format to explore, but for me, I’ve done everything I would want to do with that format. It’s been a very important learning experience for me. At the end of the day, the important thing is having a good story.

Muchisimas Gracias Jonas. How do you like London?
It’s cold.

Last night, adiposity to coincide with World AIDS Day, clinic vinspired.com, a youth volunteer organisation website, hosted a charity fashion show to raise money for the children’s HIV Charity, Body & Soul.

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This fashion show was the last stage in a creative process, which started off with four volunteer design teams, based in four parts of the country, who gave their time to find new and exciting designers. The creative workshops were set up by Junky Styling in London, Traid, who nurtured the Bristol designers, the Ethical Fashion Forum in Nottingham and Kesh(pictured above), who worked with the Manchester based designers.

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Said designers had to then compete against each other to create the best outfit from recycled clothes, e.g.: the clothes given to charity shops – and it was at this fashion show where the winner would be decided by designer Ben de Lisi.

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TV presenter Miquita Oliver hosted the event and the celebrity quota was filled by Rolling Stone daughter, Leah Wood (pictured above), who modeled on the catwalk and Radio 1 DJ Edith Bowman, who provided some post-show tunes.

Even bigger names (not in attendance) but supporting the charity include actress Kate Winslet and Prime Minister Gordon Brown, who donated a suit and a shirt respectively, to be remade into something fabulous. Designer Zandra Rhodes is also a big supporter of this recycling fashion cause saying, “It is appalling how much we waste in society these days, but it seems we are entering a new era of resourcefulness. This is really exciting – and the best part of it is young people are leading the new trend.”

Taking place in Central Saint Martins aptly named Innovation Centre; the venue was small and intimate, which perfectly captured the tone of the event. Unlike most fashion shows, this one had a very human element when a representative from the Body & Soul charity got on stage to talk about her experience living with HIV. She spoke about having to live a double life, having to hide her illness from the world due to the level of prejudice that still exists towards the disease. Money raised from this event will go towards generating awareness about HIV.

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As we sat by the catwalk, video screens showed the designers in their workshops making the clothes that would soon appear in front of us. What these guys did with discarded shirts and dresses was pretty impressive, it wasn’t about following trends but making creative, innovative and pretty pieces, and there was a lot of that evident on the catwalk.

Ben de Lisi was there to judge the entries, with only a matter of minutes to decide who the winner would be, he was asked how he would do it and said, “I shoot straight from the hip, I know exactly what I want.”
Who he wanted was designer Anne-Marie Fleming, from the Junky Styling stable. She seemed to me to be a safe choice as although her design was good, it was not the best seen on the catwalk by a long way.

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This event worked so well to promote two causes, the importance of recycling (not always being a slave to trends) and reducing the level of our prejudice about supposedly taboo subjects.

All the clothes can be viewed at vinspired.com/fashion and will be auctioned on eBay from today, so you can get your hands on a uniquely designed piece and give some cash to a very good cause.

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If you’re planning on going to any of these events, viagra buy or have something you want to write an article about for the Earth Blog, more about email us: earth@ameliasmagazine.com!

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Eco-Design Christmas Fair 2008
website +152+Brick+Lane,+London+E1+6RU&sll=51.521668,-0.071497&sspn=0.007423,0.019011&g=152+Brick+Lane,+London+E1+6RU&ie=UTF8&ll=51.522349,-0.072269&spn=0.007423,0.019011&z=16&iwloc=A”target=”_blank”>The Boiler House, The Old Truman Brewery, 152 Brick Lane, London E1 6RU
Saturday 13th December 2008 12pm-7pm
Sunday 14th December 2008 11am-7pm
entry £2 or £1
A great event at which you will be able to see and buy some wonderful eco-design products (including organic clothing, furniture, jewellery, books and alternative technology) directly from the makers.
Exhibitors include Amira Fairtrade Fashion Clothing, Green Oil UK Ltd (Green bicycle chain lubricant & maintenance products) , Lizzie Lee Lighting and Po-zu Ecological footwear, amongst others! For a full list and for more information about the event please visit www.ecodesignfair.co.uk
Contact Louise Kamara: info@ecodesignfair.co.uk or 07956 916 079

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Fair Trade Fair
13th December 2008 Midday-6pm
14th December 2008 Midday-5pm
Admission £3 (concessions £1)
Westminister Hall, Parliament Square, London, SW1A

Make Christmas as ethical as you can this year with another Fairtrade fair at Westminister Hall. Fair Trade Fair is an annual event that has been going on for 20 years; the first of which was organised in 1987 by Benny Dembitzer and opened by Bob Geldof.
Fairtrade events are incredibly important as they play a major role in empowering developing country producers, promoting sustainability and reducing world poverty.
The fairtrade movement encourages the payment of a fair price and the improvement of environmental standards; products range from handicrafts, coffee, tea and sugar to wine, flowers and cotton.
http://www.fairtradefair.org/ftf/index.htm
http://www.myspace.com/FairTradeFair
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Here’s a scary thought: there’s only 21 days left for Christmas shopping… so leave the high street and take advantage as London’s coolest shopping districts throw late night events…


Bermondsey Street
– nearest tube: London Bridge
Thursday 4th December

From 6.30pm to 9.30pm, drugs pop down to this fashion-forward little street, viagra sale where not only will you get 10% off in all the shops but the Fashion and Textile Museum is also open late, stomach with guest appearances by some of the designers featured in the museum. Shopping and culture: the perfect way to spend an evening.

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Cabbages and Frocks Christmas Fair
– nearest tube: Kentish Town
Sunday 7th December

Want designer goodies at bargain prices? This is the place to go. The weekly market pulls out all the stops this Sunday for its annual Christmas Fair, with all the sellers offering special yule-time discounts and the chance for you to get a genuine designer garment into your wardrobe – or give someone the best gift ever – get down there now….well, on Sunday.

Columbia Road – nearest tube: Old Street
Every Wednesday in December

Situated in the heart of the east-end, you can browse in over 50 boutiques and shops, which are all open until 9pm and listen to live music to get you in that Christmas spirit while you browse for gifts.

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The Shoreditch Triangle – nearest tube: Old Street
Every Thursday in December

As the title suggests, this shopping experience takes place within three roads – Old Street, Great Eastern Street and Shoreditch High Street – the shops taking part are offering special discounts on their wares, free gift wrap and the chance to pick up a brilliant present for the fashion-conscious people in your life. More details below:
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Categories ,Bermondsey Street, ,Cabbages and Frocks, ,Columbia Road, ,Fashion, ,Listings, ,The Shoreditch Triangle

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