Amelia’s Magazine | New A/W 2013 Season Interview: Meet Fashion Designer CC KUO

CC KUO by Laura Hickman
CC Kuo by Laura Hickman

I’ve always wondered about the phrase ‘the sun has put his hat on’. What does it mean exactly? What kind of hat is it? Is it a sombrero or a sunhat, a beret or a beanie? Maybe even a boater tipped stylishly to one side? And why does everyone assume the sun is a ‘he’? Even the French language, with its masculine and feminine nouns describes it as ‘le soleil’, but, I’ve always thought of it as a bit more femme. With CC Kuo around, this is a question (and philosophical debate) that doesn’t need to be answered (or explored in a neverending cycle of questions). Forget the sun putting his headgear on, you can get your sun on.

CC KUO

CC Kuo‘s latest collection is a range of clothes patterned with skylines and sunsets. The pieces feature cloud-cover on dresses, sunlight peeking out of coat shoulders, and even beams bursting out of busts. What more could a gal want than to have something as beautiful as dawn and dusk right there on her lapel?! Just looking at these togs makes me think of the imagery in the (ever overused but still undeniably wonderful) Auden poem Funeral Blues that they read on Four Weddings and a Funeral all that time ago. Maybe even a hint of the sun in Wordsworth’s Composed Upon Westminster Bridge and Shakespeare’s Sonnet 18 thrown in for luck.

CC KUO

Ok, I know you’re probably a bit dubious now, ‘who compares clothes to poetry?’ you ask? Well, the sky is probably one of the most beautiful things that there is, and we, (or at least, I) with our heads in our laptops and our fingers on our keypads, don’t often take notice of those funny, fluffy white things up there or the beautiful yellow gassy lightblub that gives our daylight. Unless of course you’re a big Instagrammer, or it’s about to rain.

CC KUO

CC Kuo brings our attention back to nature. Born in Taiwan CC graduated from Central St Martins. Her signature digital prints and both beautiful and wearable, and her clothes have graced the catwalk at Vauxhall Fashion Scout which is swiftly becoming part of the initiation for young designers. She launched her namesake label in 2010 and since then she’s been featured by a whole army of mags and the like, including Elle, Pop and The Independent.

Whether it’s in the form of a handbag, a heel, a dress or a coat, what could be better than having your very own chunk of the world’s ceiling? With her S/S 2014 collection on the horizon I spoke to CC Kuo about her sunset patterned collection White Lovers, the recently released video to accompany it and what inspires her to make these pretty pieces.

CC KUO

Can you describe CC Kuo in just three words?
Modernism, simplicity and fantasy.

YouTube Preview Image
How did your video collaboration with Robert Rogan and Meng-Chia Lai come about?
I have been friends with Meng-Chia for a long long time since our CSM days and we’ve always talked about working together. My PR (and good friend) Roxanne suggested the idea of an illustrative film this season as a different format of expressing the collection. I thought this would be a good opportunity to work with Meng-Chia and she introduced me to Robert Rogan.

CCKuo
CC Kuo by Maya Beus

Your new A/W 2013 collection is named ‘White Lovers’ and lists swans as one of the inspirations, is this to do with the fact that swans mate for life?
Not in particular as I was more focusing on the contrasting elements within the collection. I didn’t know that swans mate for life but now I know, I love the fact they do.

CC KUO

When did you go on the trip to Lake Balaton in Hungary that inspired this collection?
I went to Hungary last winter. I am inspired by my trips abroad and often use this as an inspiration.

Water and trees are the backdrop of this collection, do you feel that nature and fashion can coexist?
Of course it does! Nature is so important to us as human beings and I hope to use fashion to better illustrate how beautiful nature is.

CC KUO 2 by Laura Hickman
CC Kuo by Laura Hickman

Your print designs are really distinctive, where do you get your inspiration?
I am inspired by everything I see, everything around me.

Is it important to you for your clothes to be wearable?
Yes, extremely important. I think clothing only makes its biggest impact when it’s wearable.

CC KUO

You’ve learnt from the likes of Alexander McQueen and Michiko Koshino, how do you feel this helped you develop as a designer?
My experiences working with these designers has taught me that discipline and passion are essential. Determination and a great work ethic is also a necessity.

CCKuo by Jordan Andrew Carter
CC Kuo by Jordan Andrew Carter

Your graduate collection was featured in Pop magazine, how does it feel to see your clothes featured in magazines?
Proud.

What draws you to opulent fabrics like silk and velvet?
For me, clothing should make women feel good about themselves, so I always use the best materials in a collection.

What projects do you have lined up for the next few months?
I am working on my next collection at the moment but also looking for a good collaborator to develop a diffusion line.

CC KUO

Do you feel like there’s a lot of pressure for each collection to be better than the last?
No, because I put in everything I can into each collection.

What’s your personal style?
I wear a lot of my own designs. I am very comfortable in my own skin.

CC KUO

Don’t be a chicken little, afraid that the sky is falling, grab a piece of it yourself by checking out the CC Kuo website www.cckuo.com

Categories ,A/W 2013, ,Alexander McQueen, ,Bags, ,CC KUO, ,Central St Martins, ,Dresses, ,fashion, ,Hungary, ,illustrative film, ,Jordan Andrew Carter, ,Lake Balaton, ,Laura Hickman, ,Meng-Chia Lai, ,Michiko Koshino, ,nature, ,Pop magazin, ,Robert Rogan, ,sunsets, ,swans, ,trees, ,Velvet, ,wearable, ,Womenswear

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Amelia’s Magazine | My favourite finds from the Glastonbury Emerging Talent Competition 2014

Ellie Ford by Daria Hlazatova

Ellie Ford by Daria Hlazatova.

A few weeks ago the final showdown between 8 finalists was held at Pilton Working Men’s Club, with the ultimate winner of the 2014 Glastonbury Emerging Talent Competition announced as M+A with their super catchy tune Down the West Side, below.

When I wrote about my top picks for the Glastonbury Emerging Talent Competition I promised to also share some of the great bands and tunes that did not make it on to my short list. I was given a long list of 140 bands and musicians to listen to, from the genres of folk, country, dance, electronic, dance, indie, pop, acoustic and singer/songwriter – so obviously this selection reflects that choice. The eagle eyed amongst you may note that I was mainly given those bands with names starting in the early or late sections of the alphabet. I hope you’ll enjoy these finds as much as I did – you can hear all the tunes I like in no particular order on my soundcloud playlist, embedded directly below. I have a feeling I might be making more of these, and I am certain we’ll be hearing more from a few of these bands too.

I was really taken with the giddy oddity of Maxine, We’re Alive! by Liverpool duo A Lovely War. Unusual, weird and wonderful.

Sunsets is a great tune from Irish singer songwriter Wendy Jack, based in County Tyrone. Over the years she has worked widely to raise awareness of human rights and environmental issues.

Beautiful folk with a harp; Low is from Brighton based Ellie Ford, who is playing at this year’s Wood Festival (listing here).

Who Made Heaven is a beautiful slice of subtle country infused folk from Charlie Law, released through the The Davenport Collection folk label late last year. Despite a foundation in tune making of yesteryear the bittersweet lyrics tell a very modern tale of cross cultural love.

Bless is a slice of Japanese ambient electronica by Akisai.

Live For is a stunning banjo driven duet between Elvina and I.

Horses in Midstream by You, Me and Him was one of my favourite tracks, featuring a distinct 80s vibe in this epic tale of deception and greed.

Firewoodisland by Daria Hlazatova

Firewoodisland by Daria Hlazatova.

Simon is by the enigmatically named Firewoodisland, rollicking ‘celtic viking’ infused folk music made in Cardiff with a Norwegian lead singer.

A strummed guitar is the back bone of Stranger, a luscious slice of folk from Fenne Lily.

A harmonica opens a sweet little ditty called Back On The Bike by Four People.

Think Again is rollicking folk from Welsh singer Geraint Rhys.

And We Disappear is a prime example of 80s influenced dark wave electropop by AlterRed.

Alaskan Faction by Catherine Pape

Alaskan Faction by Catherine Pape.

We Disappear is super twinkly indie from Alaskan Faction.

A touch of the Cure, no? The Heart Transplant by Adam Clark has a subtle start but soon takes on their trademark wobbly vocals.

Like Ted Dexter by Alex Moir is feel good indie a-go-go with a psychedelic interlude!

Lost is by North Ireland based band Amidships.

Empty My Head by Youdid is a catchy piano tune with a female vocal from German singer Judith Severloh.

SwanSong is another cool indie tune featuring soaring vocals and a curling fiddle, from the London based Amberlandband.

There’s something about this that I quite like… Blackpool based Avishek Choudhury sings of the Journey Of A Lifetime in this jaunty tune featuring a female backing singer with bleeps and sirens set against a piano and driving electrobeat.

I like the jazzy big band sound and sultry vocals from rising star Ally Kemp in The Tardis.

Freya Roy is a very young Suffolk based singer songwriter with an ear for a bouncy tune, as shown in her entry Tomorrow.

Local Town comes from Brighton boy Ally Jowett.

They’re going to turn me into sushi & chips…” So goes The Whale Song by All At Sea… overly chirpy or an apt way to draw attention to a big issue?

Kids from the Sky by Young Stadium Club features jangly guitars aplenty in a soaring tune that features a veritable choir of backing vocals.

A Drastic Love by Younger Hall features a grungy baseline combined with a pounding piano. They hail from St Andrews in Scotland.

I loved the soaring Ten Years by Baby Gold, a duo from Leeds, but for some inexplicable reason it’s a private link on soundcloud so you will have to trust me on that one. Their lack of an online presence is a serious down point, but I look forward to hearing more from these guys.

Similarly I can’t share Only One by Devon based Alice Jemima, featuring a lovely breathy vocal over carefully picked chords and a nice little beat.

Finally, I can’t finish without including my favourites: firstly the clever Memphis by Alev Lenz.

George Boomsma by Simon McLaren.

George Boomsma by Simon McLaren.

And the wonderful folk sounds of George Boomsma in How High the Mountain.

Sadly my first choice disbanded just as I chose them to go through (brilliant timing!), hence my renewed desire to give some promotion to all the other bands that impressed me.

Categories ,2014, ,A Drastic Love, ,A Lovely War, ,acoustic, ,Adam Clark, ,Akisai, ,Alaskan Faction, ,Alev Lenz, ,Alex Moir, ,Alice Jemima, ,All At Sea, ,Ally Jowett, ,Ally Kemp, ,AlterRed, ,Amberlandband, ,Amidships, ,And We Disappear, ,Avishek Choudhury, ,Baby Gold, ,Back On The Bike, ,Best Of, ,Bless, ,Catherine Pape, ,Charlie Law, ,country, ,dance, ,Daria Hlazatova, ,Down the West Side, ,electronic, ,Ellie Ford, ,Elvina and I, ,Empty My Head, ,Fenne Lily, ,Firewoodisland, ,folk, ,Four People, ,Freya Roy, ,George Boomsma, ,Geraint Rhys, ,Glastonbury Emerging Talent Competition, ,Horses in Midstream, ,How High The Mountain, ,Indie, ,Journey Of A Lifetime, ,Judith Severloh, ,Kids from the Sky, ,Like Ted Dexter, ,Live For, ,Local Town, ,Lost, ,low, ,ma, ,Maxine We’re Alive!, ,Memphis, ,Only One, ,Pilton Working Men’s Club, ,pop, ,Simon, ,Simon Mclaren, ,singersongwriter, ,Stranger, ,sunsets, ,SwanSong, ,Ten Years, ,The Davenport Collection, ,The Heart Transplant, ,The Tardis, ,The Whale Song, ,Think Again, ,Tomorrow, ,We Disappear, ,Wendy Jack, ,Who Made Heaven, ,Wood Festival, ,You Me and Him, ,Youdid, ,Young Stadium Club, ,Younger Hall

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