Amelia’s Magazine | New Designers 2012 Printed Textiles and Surface Design Graduates: part three

New Designers part one 2012 -Emily de Vale
New Designers part one 2012 -Emily de Vale
Here’s my final round up of New Designers 2012 printed textiles and surface design talent. At the Glasgow School of Art Emily de Vale worked in 3D, embroidering laser cut bones onto fabric to create curious patterns.

New Designers part one 2012 -Sylvie McGowan
Sylvie McGowan‘s display of peachy pink, mint and dusky geometric patterns (super popular colourways) was very appealing.

New Designers part one 2012 -Rachel McIndoe
Inspired by microscopic structures, Rachel McIndoe created every kind of exotic texture possible.

New Designers part one 2012 -Laura Turquand Young
A riot of colour from Laura Turquand Young at Heriot-Watt University.

New Designers part one 2012 -Claire Corstorphine
At Duncan of Jordanstone College of Art and Design textile designer and illustrator Claire Corstorphine favoured a fashion forward combination of lilacs with blues and peaches.

New Designers part one 2012 -Amelia Wonders
I was bound to home in on Amelia Wonders by Annie Mae Harris at UCA Rochester (though her own name is pretty wonderful too).

New Designers part one 2012 -Daisy Eloise Hopwood
Daisy Eloise Hopwood had put together a great display to showcase her textile designs.

New Designers part one 2012 -Elisabeth Bostrom
It was great to see Elisabeth Bostrom‘s astonishing hairy textiles, which we have already written about.

New Designers part one 2012 -University of Derby
The University of Derby had an imaginative stand involving laser cut crowns.

New Designers part one 2012 -Louisa Heyworth
At University of Leeds I liked these neon leaves by Louisa Heyworth.

New Designers part one 2012 -Ludicrious Prints
New Designers part one 2012 -Ludicrious Prints
At LCC Rebecca Dinnage‘s Ludicrious Prints mixed imagery from different times and places: polar bears roamed the streets of London in her playful papercut sculpture.

New Designers part one 2012 -Rosemma Hollis
Delicate tree papercutting by Rosemma Hollis created intriguing shadows.

New Designers part one 2012 -Lucy Jones
I liked the painterly retro feel of these bold boats on a print design by Lucy Jones.

New Designers part one 2012 -Maya Nije
A wonderful collar and pantaloon set by Maya Nije.

New Designers part one 2012 -Annita Sung
A stripy golden racoon lounging on a plate by Annita Sung.

There was some marvellous work on the LCC stand, which had been put together in an eclectic manner that echoed the walls of a large country house. See more from LCC surface designers on their tumblr here.

Don’t forget to check in with my first two reports from New Designers 2012 – find the best printed textiles and surface design graduates here and here. Coming up next: craft and jewellery.

Categories ,2012, ,Amelia Wonders, ,Annie Mae Harris, ,Annita Sung, ,Claire Corstorphine, ,Daisy Eloise Hopwood, ,Duncan of Jordanstone College of Art and Design, ,Elisabeth Bostrom, ,Emily de Vale, ,Glasgow School of Art, ,Heriot-Watt University, ,Laura Turquand Young, ,LCC, ,Louisa Heyworth, ,Lucy Jones, ,Ludicrious Prints, ,Maya Nije, ,New Designers, ,Printed Textiles, ,Rachel McIndoe, ,Rebecca Dinnage, ,review, ,Rosemma Hollis, ,surface design, ,Sylvie McGowan, ,UCA Rochester, ,University of Derby, ,University of Leeds

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Amelia’s Magazine | New Designers 2012 Printed Textiles and Surface Design Graduates: part two

New Designers part one 2012 -Phillippa Copping
Following on from my first review of printed textiles and surface design graduates at New Designers 2012, here’s my second pick of the student work. At Cleveland College of Art and Design bright geometric patterns by Phillippa Copping reigned supreme. I wasn’t surprised to learn that she has interned with Zandra Rhodes, whose influence was clear.

New Designers part one 2012 -Robyn Taylor
Robyn Taylor had fun with embroidered fashion illustrations.

New Designers part one 2012 -Holly Stevens
Crazy robots with 3D embellishment sprung out of graph paper in these interactive wallpaper designs for children by Holly Stevens.

New Designers part one 2012 -Tori Arrighi
At Edinburgh College of Art Tori Arrighi mixed fractal patterns with bold swipes of bright colour.

New Designers part one 2012 -Gillian Boyd
Gillian Boyd is an acoustic textile designer who designers decorative panels for maximum sound absorption.

New Designers part one 2012 -Danielle Lunn
At University of Bolton Danielle Lunn embroidered curious patterns that looked like sea creatures created in the style of Indian folk art.

New Designers part one 2012 -Emma Mcvan
Emma Mcvan mixed photorealist imagery with abstract design to great effect.

New Designers part one 2012 -Velvet Jade
New Designers part one 2012 -Velvet Jade
The fabulously named Velvet Jade mixed vibrant geometrics with 3D rosettes.

New Designers part one 2012 -Viktoriya Zarvanska
At UCLAN oversized squirrel and deer designs were attracting a lot of attention on Viktoriya Zarvanska‘s very busy stand.

New Designers part one 2012 -Jane Bridges
The English Country Garden Collection by Jane Bridges featured some beautiful modern acidic and plum colour combinations.

New Designers part one 2012 -Shayna Begum
New Designers part one 2012 -Shayna Begum
New Designers part one 2012 -Shayna Begum
At UEL I was immediately drawn to modern woodland designs from nature lover Shayna Begum: read an interview with her by Kate Lynch here. Her love of Timorous Beasties is evident.

New Designers part one 2012 -Netanya Barber
At Northbrook College in Sussex Netanya Barber mixed photo real birds and flowers with intricate wirework patterns.

New Designers part one 2012 -Melody Ross
At the Arts Uni College in Bournemouth Melody Ross went wild with neon laser cut acrylic for interiors products.

New Designers part one 2012 -Alice Skipp
At Swansea Metropolitan layered stencil designs by Alice Skipp were applied with great joy across plates, tea cosies, teatowels.

New Designers part one 2012 -Sam Fenn-Johnston
Retro inspired upholstery by Sam Fenn-Johnston was showcased on old fashioned style arm chairs in the One Year On section.

Third review of printed textiles and surface design graduates at New Designers 2012 coming soon!

Categories ,2012, ,Acoustic textiles, ,Acrylic, ,Alice Skipp, ,Arts Thread, ,Arts Uni College in Bournemouth, ,Cleveland College of Art and Design, ,Danielle Lunn, ,Edinburgh College of Art, ,Emma Mcvan, ,Gillian Boyd, ,Holly Stevens, ,Jane Bridges, ,Kate Bell, ,Kate Lynch, ,Melody Ross, ,Netanya Barber, ,New Designers, ,Northbrook College, ,One Year On, ,Phillippa Copping, ,Printed Textiles, ,review, ,Robyn Taylor, ,Sam Fenn-Johnston, ,Shayna Begum, ,Stunt Giraffe, ,surface design, ,Sussex, ,Swansea Metropolitan, ,The English Country Garden Collection, ,Timorous Beasties, ,Tori Arrighi, ,UCLan, ,UEL, ,University of Bolton, ,Velvet Jade, ,Viktoriya Zarvanska, ,Zandra Rhodes

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Amelia’s Magazine | Nova Chiu: London Fashion Week A/W 2012 Ones to Watch Preview

Nova Chiu S/S 2012 by Dana Bocai

Nova Chiu S/S 2012 by Dana Bocai

Nova Chiu’s creations look like they’ve leapt straight off the pages of ancient fairytales. Strong, architecturally inspired silhouettes burst with colour, texture, beads and print. Her LCF graduate collection was a case of Art reflecting reality, as Nova drew inspiration from her birthplace, the Yunnan province of China, also known as the ‘mystical, earthly paradise’ that is Shangri-La. The aptly named Shangri-Ladida collection mixed traditional Chinese and contemporary dressmaking methods, winning the prestigious Collection of The Year award and creating a buzz of interest around what the designer will do next.

Nova Chiu by Cassandra Mayers

All photography courtesy of Nova Chiu

Chiu will be starting as a brand-new designer this London Fashion Week, but that doesn’t mean she’s new to fashion. Nova has worked for big-name designers such as Anna Sui, Richard Nicoll, and Matthew Williamson, who are all known for their use of colour, texture and shape.

Nova Chiu by Abi Hall

Nova Chiu by Abi Hall

For her graduate collection, Nova Chui drew inspiration from China for more reasons than it being her birthplace. Feeling that although China produces most of the clothes sold around the world, not much is known about traditional and contemporary Chinese fashion. Nova decided she wanted to unveil unknown Chinese culture through her work, mixing traditional and contemporary techniques together in a collection fit for a modern-day princess.

Nova Chiu by Dark Lens

Nova Chiu by Dark Lens

Nova’s background in Surface Textiles is evident in her choice of modern and traditional prints, embellishments, and fabrics. I love her use of different textiles and creativity with red and yellow faux fur, which she embroidered into or pressed prints onto. Not many people could whip up a traditional Chinese ‘ink and wash’ painting method and place it on cotton and nylon to such a fresh effect. Jade and wooden beads poke through faux fur and run along edges as decoration. Sequins and different types of bells were also embedded in the fabric, meaning a girl wearing Nova Chiu will most definitely be seen and heard.

Nova Chiu by Dana Bocai

Nova Chiu by Dana Bocai

The beauty of a graduate collection, and Nova’s in particular, is that burst of energy from the pages of a student sketchbook into a catwalk collection. With her sketchbook lovingly displayed on her website, visitors get a sneak peak at the work that went into her attention-grabbing graduate collection. The illustrator in me loves the detailed, feminine and surreal drawings Nova creates. This designer spends a lot of time illustrating.

Nova Chiu by Jo Ley

Nova Chiu by Jo Ley

Nova Chiu by Cassandra Mayers

This London Fashion Week, I truly cannot wait to see what Nova has in store. Will it be a development of the graduate collection or a complete change? I think we can predict more fascinating displays of her expertise and playfulness with surface textiles. I know I want to see more of her beaded and embellished faux fur; seeing shimmering stones poking out from candy-coloured fur reminds me of some type of fairytale animal. Whatever colour, inspiration, shape or customer she chooses to create for, I’m sure this London Fashion Week will be heaven on earth for Nova Chiu.

Nova Chiu by Jo Ley

Nova Chiu by Jo Ley

Nova Chiu will be debuting her A/W 2012 collection this London Fashion Week on Friday the 17th of February at the Vauxhall Fashion Scout Ones to Watch show

Categories ,A/W 2010, ,Abi Hall, ,Alia Gargum, ,Anna Sui, ,China, ,colour, ,Dana Bocai, ,Fashion Illustration, ,Faux Fur, ,Jo Ley, ,london, ,London College of Fashion, ,London Fashion Week, ,Matthew Williamson, ,Nova Chiu, ,Ones To Watch, ,Richard Nicholl, ,Shangri-Ladida, ,surface design, ,Vauxhall Fashion Scout, ,Womenswear

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Amelia’s Magazine | Eley Kishimoto & Cancer Research UK: Fukuro Bag

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With such dry, look visit ironic observations as ‘home is where the house is‘, this cialis 40mg Superabundance introduces itself as a melodious continuation of the faux-geek, visit web insightful pop-rock that first emerged in Voices of Animals and Men, but proceeds to take us on a spiralling journey into the dark depths of the Young Knives‘ psyche. In Terra Firma, we are confronted with the beginnings of the climactic incantations that slowly envelop us in a humming and howling hypnosis in Current of the River, which follows a sombre, medieval chant in the delightfully foreboding, pagan harmonies of Mummy Light the Fire. I don’t like to compare bands, but I found some of their wistful, nautical narratives redolent of the Decemberists‘ historical fictions.

While the insinuations of suicide in Counters left me feeling tempted to phone the three band members to see that they were alright, Rue the Days has a positively nonchalant nineties feel and Flies, a gentle meditation on the natural world, seems to encapsulate a recurring fascination with human-animal relationships; a little idiosyncratic perhaps, but I get the feeling this album is somewhat an eruption of the Young Knives’ musical multiple personality.

I listened to every word of the album, and realised it was poetry; a super abundance of philosophical metaphors immersed in a synthesis of unexpected genres, undulating from pensive, orchestral flickers to thick, satisfying explosions of bass, good old enthusiastic shouting and some of the catchiest hooks around. It may leave you weeping, but it may just as well have you running out the house in your dancing shoes.

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Photograph by Jason Nocito

Thrilling things happen when oddballs get their hands on dance music, sickness and Hercules And Love Affair are the perfect latest example of that. These five colourful characters currently breathing new life into disco are an NYC-based collective comprising of Hawaiian-born jewellery designer/DJ Kim Ann Foxman, illness Amazonian CocoRosie and Debbie Harry collaborator Nomi, about it gay B-boy dancer Shayne, Miss Piggy-loving ex-waiter Andrew Butler and new rave hoodie-donning keyboardist Morgan. And then there’s Antony Hegarty of course, he of the Johnsons fame, and it is his beautifully crooning vocals combined with the pulsing rhythms, incessant bassline and playful horns of Blind that has worked both dancefloor enthusiasts and bloggers into a frenzy since it leaked onto the internet late last year.

The outfit’s self-titled debut is littered with more of his famously melancholic performances over shimmering beat-driven efforts, but do this eccentric bunch have the talent and songwriting capabilities to sustain an entire album? The answer is yes – by the bucketload. Hercules And Love Affair slinks delicately into action with dark and sultry opener Time Will as Hegarty pleads “I cannot be half a wife” repeatedly over finger clicks and minimal backing before segueing nicely into Hercules Theme; a more upbeat affair driven by sweeping strings, soft female vocals and discordant brass snatches. This track along with the light and breezy sway of Athene, Iris’ stripped down stomp and the headspin-inducing walking bassline and scat singing of closer True False/Fake Real prove that Butler and co. can shine magnificently even when they don’t play the Antony trump card. One trick ponies this lot certainly are not.

Blind, of course, is sumptuous, sounding more and more like a classic with every listen, but it is cushioned by album tracks that each stand up admirably alongside it, and which reference everything from Chicago house to punk funk, techno and disco simultaneously through the irresistible ice cold veneer conjured up by killer production duo main-man Butler and DFA’s Tim Goldsworthy. In fact, Hercules And Love Affair is the perfect example of an epic work so cleverly constructed that its wide-ranging influences seep out subtly instead of bombarding the listener. Heartbreaking and dramatic yet utterly danceable, it boasts intelligence, heart and soul and features musical prowess that will stop you dead in your tracks. Prepare for this to soundtrack your life for months to come.

Once upon a time there was a hunter, help who woke one day to find himself transformed into the deer he killed before he had rested. Is he now the hunter? Or is he the prey?

Fashion, illness performance, advice and storytelling merged into one as Daydream Nation’s design duo Kay and Jing presented their ominous tale ‘Good Night Deer’ at the Institute of Contemporary Arts. Whilst the audience sauntered in, a man stood behind the branched mic stand donning a furry animal head. He cackled, and whistled, and screeched, and crooned ‘There’s nothing in this world for you my dear’, whilst the band played at his side. The stage had morphed into a forest.

The lights dimmed, and the performers crept in with what looked like a white drum, acting as a moon. Each of them haunted the stage wearing sleeveless t-shirts in dark brown, with bark print on the front. By pulling them up over their heads giving the illusion of trees, the indoor theatre became a night scene. With all the garments made by manipulating old clothes, Kay and Jing create new myths each season. Two girls merged together in one outfit and became a deer, whilst others had t-shirts, and dresses in earthy beiges, browns and greens, and were embroidered with antlers and deer’s.

A large silver sheet was laid on the floor, with the hunter concealed beneath it. It rustled, and lifted, before finally revealing the deer. Looking up at its audience, it was literally a deer caught in the headlights. Draped coats fastened up with bows, and a brown pinafore was worn over a silk, blue blouse. Daydream Nation’s show was an utterly enjoyable evening, full of enthusiasm and creativity.

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I LOVE THIS SONG SO MUCH.

Young Love is the beautifully melancholic ode of a one-night stand. The Mystery Jets are bang-on in featuring Laura Marling, more about the latest young darling of the music scene, tadalafil on the first single to be taken from their second album, Twenty One. I’ve never been a huge Mystery Jets fan (I wasn’t fooled, and I most certainly wasn’t called Denis) but the dialogue between Laura and Blaine telling both sides of a brief encounter won me over within the first ten seconds.

In a move I haven’t seen since the works of Jane Austen, the love affair is cut short by that damnably unpredictable British weather. Far from regarding this as twee, the lyrics “you wrote your number on my hand but it came off in the rain” melted my icily sarcastic heart.

Laura sings of how “young love never seems to last”, and it’s with this stark honesty the dialogue tells of the ephemeral nature of youthful liaisons and the quiet acceptance of the pains of growing up. It’s this self-effacing honesty combined with the vintage handclaps, oohs and aahs that create one of the best pop songs of this year.

Oh, and check out the video: it’s bound to be at the top of the YouTube hit parade in no time, as Laura and the Mystery Jet boys are involved in a game of human curling. Now that should be an Olympic sport.
‘Five Portraits of Cloth’, site a large scale, tadalafil cunningly crafted work by Jayne Archard could have been an enveloping piece – if it hadn’t had to compete with cramped canteen style tables and chairs. The Tricycle Gallery suffers a problem often seen in community arts spaces: areas are not properly defined, this meaning that an exhibition space can be transformed into a cinema’s ante-room, and a café’s overspill seating space. I’m all for showing artwork in something other than the traditional White Cube, but it can only be a hindrance to the work when you have to battle with a chair to see it properly.

‘Other Visible Things’
is part of the Tricycle Gallery’s Recent Graduates 2008 programme; giving artists like Archard and Knight valuable exposure that can be difficult to achieve so soon after graduation. Regrettably, in this case the work shown doesn’t function as well in the outside world as in the bubble of the art college – why should the artists assume that all the gallery goers would be able to read, or even care about, the references to conceptual art history? Adam Knight’s ‘Studio Corner (After Mel Bochner)‘(below) is an interesting photograph that investigates illusion and the documentation of a sculptural object, so why the need for the clever nudges and winks to those with a subscription to Art Review?

Even the title of this show is taken from Bochner‘s influential exhibition: ‘Working Drawings And Other Visible Things On Paper Not Necessarily Meant To Be Viewed As Art‘. In the confines of the art college studio, Archard and Knight’s works are accessible as the viewers are more likely to have a similar knowledge to that of the makers. In the Tricycle Gallery, a space attached to a café, theatre and cinema in Kilburn, the art history allusions can seem like an elitist in-joke. I can see that Knight’s work in particular could be viewed as a playful re-working of ideas about Minimalism and Conceptual Art, but unfortunately the humour falls short.

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Walking into Gramaphone five minutes into Tom James Scott‘s set was not a good idea. His music sounded so delicate that even the whir of the drinks refrigerators was distracting, this web so the sound of a door opening and two stumbling youths almost threatened to destroy the ethereal atmosphere he had created. His fragile guitar sound had an almost filmic quality; evoking images of cinematic landscapes. The performance seemed shyly self conscious, order perhaps a little fractured, but in a way that only enhanced its subtle beauty.

The acapella sound that began Wounded Knee’s set also demanded the audience’s full attention: the quiet fell once more. The singular figure of Drew Wright concocted an alchemy of sounds that ranged from the ghostly to the jubilant. Relying on effects pedals to build up intricate and textured music, the songs still sounded firmly traditional. Who’d have thought that a looped kazoo and bassy scat singing could sound so Gaelic! His music contrasts a sense of history with a playful method of music-making to create a joyful racket.

Having been lulled into a state of wooziness by the last two acts, I’m not sure I was quite ready for Jenny Hoyston. Perhaps it wasn’t that well-considered a line up by Upset The Rhythm, as previously I was more than eager to see the solo efforts of Erase Errata’s vocalist/guitarist. Hoyston’s back and forth with the audience seemed to amuse most people present, but to me it jarred after the pathos of James Scott and Wounded Knee. However, there’s no doubt that the slightly scrappy sound of Hoyston and her drummer revived me slightly; driven on by the sparse yet considered drum sound. Brief, low fi songs shined when they included rhythmic Krautrock references. It’s just a shame that the vitality of Hoyston’s music seemed oddly displaced after the previous acts.

The toilet paper is really thin here in Brazil. And it’s tropical as all hell. In an invigorating, this though makes-me-wilt-severely kinda way. And that’s about all I have to complain about so far.

We’ve been here since Wednesday and since then it’s been non-stop. We touched down on Wednesday at 6.30am after a smooth and fairly non-eventful flight on a Brazilian airline. The lights inside the cabin were getting all new rave and glo-stick on us, prostate which I actually quite enjoyed. Plenty of leg room, this site and even better: not one, but TWO spare seats adjacent to us. I live for the movies and the food when I fly, and was really impressed with the whole thing until I settled in to watch Nanny Diaries, when halfway through it, it switched over to Pirates of the Caribbean in Portugese. Nooooooooo I’m forever doomed to the dis-satisfaction of never being bothered to want to watch the first half of that film again to get to the part where Nanny gets with cute boy and affects loving change in her employers’ lives.
The effects of global warming are clearly upon us. Whether it’s on the front page of the newspaper, stuff or staring us right in the face, abortion climate change is the greatest environmental challenge facing us today. Blooming and reproducing in February; even nature and wildlife seem to be getting confused what time of year it is! The world seems to be wilting before our eyes. Environmental activists have been pushing the seriousness of this problem for a long time now, and thankfully the rest of the world are starting to take note. Artists, historically, are often first on the mark too, defining such issues. ‘Climate 4 Change’ exhibition does just that.

Leaflets and posters emblazoned with ‘Campaign against climate change’, and ‘Do you know the constitution of human rights?’ overwhelmed me as I entered. The smell of incense hit my nose.

Allie Biswas’ ‘No Rave’ painting (below) propped against the wall on the floor. Her abstract blue painting was organic, with orange, green and yellow forms, often dripping down the canvas. Frustrated with the ‘anonymous’ theme running throughout the exhibition, she claimed her work by scribbling her name on a post-it-note, and sticking it to the wall.
In the ‘Bombastic Bureau’, a man with his oversized army jacket, wearing a shiny wrestling mask protests: ‘Don’t worry I’m here, here to kill the rabbit!’ As the notes on a keyboard haunted the space, on the wall were projections of war. In a small room on its own was a short film where hands pushed and pulled, gripped and slipped throughout, defining gravity.

There was a small, perspex house, suitable for a hamster, but filled with furniture, beds, a TV, kitchen, even a parked car outside. Sawdust covered the floor, and food pellets spilled over the sink. Opposite, a man sat on the floor and asked me to shred pages of newspaper. As I proceeded on doing so, he took the tears, put them in a sealable food bag, and signed it ‘Don’. “What does it mean?” I asked, “It would take too long, I’ll tell you in the pub afterwards! Make of it what you want,” he replied. I wasn’t sure what I wanted to make of it, and maybe he didn’t either, but the bag is sitting next to me now, so thank you Don!

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Glasgow School of Arts textiles degree has churned out some pretty talented folk in its time; Jonathan Saunders and Pam Hogg are just two of their previous students. So all eyes will be on the graduates showcasing their womenswear collections in the Fashion as Textiles show at the Atrium Gallery. This exhibition aims to explore the relationship between textiles and fashion and dispel the idea of these as two separate disciplines.
Suspended from the ceiling Emmi Lahtinen‘s simple shift dresses hang like clouds, more about weightless yet substantial. Inspired by Finnish minimalism and Cecil Beaton, Lahtinen’s dresses embody a sense of light, depth and wonder. Her rain-soaked palate of greys, blues and greens are created using a mixture of screen printing and dying with digital inkjets.
Inspired by the stained glass windows in Glasgow’s Burrell Collection, Lori Marshall’s collection features high-waisted leggings with digital-prints of stained glass, laser etched velour and layered tops of sheer fabric with Tudor-style ruffled necklines.
Florence To moves away from conventional approaches to textile design. Working in neutral colours, To wraps strips of raffia and polyvinyl around wooden rings. These are linked together to create large-scale accessories, which are draped over tailored silhouettes, creating serene and lightweight designs.
Combining woven fabrics with synthetic materials, Shona Douglas’ collection challenges traditional approaches to weaving. Using raw edged silks and wools cut to fold around the body, Douglas’s skirts and tunics combine a rough-hewn aesthetic with a minimalist approach.
Huddling in the corner like a murder of crows, Louise Browns blue and black coats are dramatic and elegant, featuring appliquéd velvet roses, and topped with light-as-moor-mist ruffles. Brown focuses on volume and as a quote from Coco Chanel overhead reminds us: ‘Fashion is architecture, it is a matter of proportions’.
Although the layout of the Atrium means that some of the students have had to cramp their work into one corner, the gallery is flooded is light and its size allows intimacy, encouraging a closer view of the clothes and highlighting the details that are missed in fashion shows. That these textiles stand up to this level of scrutiny is a testimony to the talent of these promising designers.

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Seven pound alcoholic ‘Coconut Grenades’ combined with WAG central a la Mahiki Bar was perhaps not the ideal location for treating my ears to a lovely bit of Swedish pop. However, cialis 40mg I was determined not to let jersey sequinned smock dresses and trout pouts get in the way of seeing my new favourite female artist, stomach Lykke Li, who EVERYONE who is anyone is talking about, singing her wee heart out whilst shakin’ them hips, and proceeded to squeeze my way to the front of the unjustifiably ostentatious venue.

The best thing to come out of Sweden since momma’s homemade meatballs, this innocent-looking, (looking being the operative word) Bambi-eyed 21-year old starlet knocked me off my feet that fine evening, and left me hungry for more. Performing late in the night under extremely dim lighting – advanced apologies about the video quality – it was initially hard to get into the mood, but when Lykke’s alluring voice rang out to Dance, Dance, Dance it was effortless to let go of all previous pent-up bitterness; a perfectly chosen track to start off the show. Creating an all round exhilarating but unperturbed ambience, she continued to deliver hefty handfuls of arousing yet sensitive, alternative pop, with tracks such as I’m Good I’m Gone packing a jaunty punch with an attitude, the heart-wrenching Tonight, and the most painfully addictive song of the year, Little Bit, which just happens to be her forthcoming single. Sincere and honest words of unrequited love, pain, lust and heartache were sung in an omen to the most complicated of relationships.

With dance moves as quirky as her Princess Leia inspired hair-do, and mountainous amounts of raw energy, the pretty young thing owned the stage and was within her own element, even with the rather challenging audience present. Hopefully the next time Lykke will be down in London town her team will be able to find a better-suiting venue to compliment such fine talent. Now if you excuse me, I shall be off to listen to her album, Youth Novels, on repeat again and again. And again.

Lykke Li performing ‘Little Bit’ live @ Mahiki – for more Amelia’s videos click away: AMELIA’S VIDS.
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If Kate Bush was a man, prostate joined a book club with Joy Division, had Patrick Wolf over for cups of tea on a regular basis and they all did each others’ make-up on ketamine, this collective of genius might have produced sounds equivalent to FrYars‘ musical offering. Following last year’s EP The Ides, The Perfidy is a keyboard-borne manifestation of this scenario of auditory dreams, but with unique elements that only FrYars – the pseudonym of nineteen-year-old Ben Garrett – could create; songs formed from prose, telling melancholic folk stories of treacherous impregnation, ‘evil’ and the collapsing marriage of a novelist: “Now you can see there’s a mess you’re in/ No problem solved without ketamine/ And it’s probably best that you stay in your hole/ For I’d rather stick to my ethanol”. The video for Olive Eyes is like a French film noir starring Garrett as a New Romantic enshrouded in horrifying shadows, contemptuously eating a bowl of cornflakes. Indeed, there is something of the k-hole that lingers in this slightly nightmarish scene, but something equally intriguing and seductive; a conflicting attraction which the music itself also provokes. I imagine it is most probable that when he finished the making of this EP, FrYars raised Lord Nelson from the dead, had a duel with him, and won; such is the strength of the message that anything is possible, subliminally communicated through FrYars’ astonishingly original work. Kismet, Hardy! I’m off to join that book club.
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Cruel schoolyard carrot-top (FYI, dosage Redhead Lauren says carrot tops are actually green you bullies) nicknames are to be no more. Gingers got a makeover courtesy of number one, find handsome Ron Weasley, and number two, the quiet but feisty popstrel from Girls Aloud, Nicola Roberts.

In collaboration with luxury cosmetics brand Jelly Pong Pong, the less talked about girl band member has introduced a new make-up range in celebration of pale-skinned Celtic beauties, such as our lovely fashion Ed, Miss. McColl. Dainty Doll offers beautifying products from neutral bases and eye shadows to blushing pink lip-glosses; everything a girl needs to achieve China doll cheeks and plumped up babydoll lips to compliment the whitest of complexions.

For the lucky sun-kissed goddesses out there, their finest offerings include shimmering Venus magical pearls for highlighting your most exquisite features, and gourmet lip salves (which claim to rekindle your soul), comprised of the most indulgent ingredient list of chocolate, sugar, milk, liquorice and honey. Yum yum. Packaging is just as decadent – little pocket-sized boxes in all shapes and sizes, gilded, embossed and ribboned, all dusted off with a little sparkle. If you’re one for splashing out on such facial décor then succumb to these divine temptations, but be prepared to shell out for such extravagance.

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Yes, capsule I know, another ethical, ‘save the planet’ calico bag, but when elite designers start getting their mitts on them you know you can only expect the finest. Eley Kishimoto has teamed up with Cancer Research UK in aid of raising money to help fund research towards beating cancer by launching a self-effacing, reusable organic cotton bag printed (with water based inks, might I add) with a humble orange owl upon a vivid blue moon. No fat ‘I’m not a plastic bag‘ slogans all over the front, this simple bag aims to cause effect without having to rub it in everyone’s faces.

I am not one for drumming the fact that we’re practically killing the planet just by breathing, into your sullied ears, but if we can help out Mother Nature as well as donate to a reputable charity that saves lives, then surely it’s worth forking out a measly £2.99 for this little gem? With countless designs of new reusable bags on the scene it’s become easier than ever to become slightly greener, but add that extra solicitous factor by choosing this bag in particular. Take your wee owl home from March the 1st at all Cancer Research UK shops.

Categories ,Fashion Organic Bag Cancer Research

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Amelia’s Magazine | Tent London 2011 Review: Best Surface Design

Kate Usher wallpaper
Wallpaper by Kate Usher Studio.

The printed textile designer in me will always be a sucker for great decorative surface design. Here’s some fabulous stuff that I found at Tent London this year.

Kate Usher Meerkat wallpaper
At the Designed and Made stand I was immediately drawn to Kate Usher‘s marvellous wallpaper designs with names such as Sharkbait and Hang About. She has set out with an admirable mission to shake up the tired old cliches that appear on most children’s bedroom decor, story so expect bold designs, thumb all printed to order on FSC approved base papers… and with the possibility to add a bespoke Swarovski crystal topping. Wow-wee.

Tent London 2012 review -kate usher and sarah blood
Also at Designed and Made I liked the neon Duck lights by Sarah Blood which offer a fun updated version of this kitsch classic.

Tent London 2012 review -flavor paper
Tent London 2012 review -flavor paper
Tent London 2012 review -flavor paper
Brookyln’s Flavor Paper had flown to the UK to showcase their unique wares. What fun! I particularly loved their hot air balloon display and given their provocative name I couldn’t help asking if any of their designs were actually scratch ‘n’ sniff – to my delight I discovered that indeed the cherries were. All their designs are created to buyer specifications, either digitally or via traditional screenprinting.

Tent London 2012 review -bluebellgray
Digital printing was used to great effect by Scottish designer Fi Douglas of Bluebellgray, retaining the feel of pretty hand painted floral watercolour textiles.

Tent London 2012 review -happy happy bows
I am not sure which section these Happy Happy oversized bows fit into since they are essentially an entirely useless bit of decor. Made by RCA trained designer Stephen Johnson, these kitsch creations are intended to bring a bit of happiness into the world.

Tent London 2012 review -3form tiles
Tent London 2012 review -3form tiles
Gorgeous (but very expensive) irridescent sculpted bespoke tiles were on display from 3Form solutions.

Tent London 2012 review -Lisa Grue avantgarden
And then I chanced upon Lisa Grue, who I last met in Copenhagen a year ago. She was taking in part in Tent London with a group of artist/designers working in multiple disciplines under the name avantGarden.

Tent London 2012 review -Lisa Grue avantgarden
Tent London 2012 review -Lisa Grue avantgarden
Tent London 2012 review -Lisa Grue avantgarden
Titled Beautiful Mortality, all of avantGarden‘s work was inspired by the beauty of life, death and decay and all the designs were rendered in a limited colourway of cream and browns – quite a departure from Lisa’s usual colourful work. I loved her moth and fox designs and her huge hand-appliqued wall hanging.

Tent London 2012 review -Meyer-Lavigne
Tent London 2012 review -Meyer-Lavigne
Bulbous painted ceramic plant pots from Meyer-Lavigne were also particularly wonderful.

Tent London 2012 review -Louise Gaarmann
Louise Gaarmann presented some tactile ceramics in imaginative combinations of shapes. Together with textile designer Tina Ratzer she had created Mr.Craftsman, a huge tribal coat in pure wool accessorised with hanging ceramic talismans.

Our Man_ratzermeetsgaarmann mr craftsman
Don’t forget to take a peek at my pick of this years furniture design too.

Categories ,2011, ,3Form, ,avantGarden, ,Beautiful Mortality, ,Bluebellgray, ,brooklyn, ,ceramic, ,copenhagen, ,Danish, ,Designed and Made, ,digital, ,Duck, ,Fi Douglas, ,Flavor Paper, ,Happy Happy, ,kitsch, ,Lisa Grue, ,London Design Festival, ,Louise Gaarmann, ,Meyer-Lavigne, ,Neon Lights, ,rca, ,review, ,Sarah Blood, ,scratch ‘n’ sniff, ,screenprinting, ,Stephen Johnson, ,surface design, ,Swarovski, ,Tent London, ,textiles, ,Tiles, ,Tina Ratzer, ,Underwerket Projects, ,Wallpaper

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Amelia’s Magazine | Tent London 2013 Review: Best Wall Art, Furniture and Lighting

SPW additions lampshade
Lampshade by Parris Wakefield Additions.

I’ve already brought you the best soft furnishings and homewards from Tent London 2013 at the Truman Brewery, and now here is a round up of wall art, furniture and lighting, with a toy and notebooks thrown in for good measure.

Parris Wakefield Additions sofa
Parris Wakefield Additions is a new brand from husband and wife team Howard Wakefield and Sarah Parris, busy graphic designers once based in central London and now living in rural Norfolk, where they have enough space for an in-house studio. They are inspired by a combination of colour palettes found in the natural world and those of favourite paintings (a huge pastel rug design is based on a famous Hockney painting), resulting in eye catching pattern and colour combinations. Their computer generated abstracts appear on lampshades, wallpaper and fabrics. I love the ethical side to the Parris Wakefield Additions business – this upcycled 20′s armchair (above) was reupholstered by Out of the Dark, a charity that trains youth in new skills.

Rebay lighting installation
This super fun lighting installation by Rebay attracted a great deal of attention on instagram, though I still haven’t figured out it’s purpose since all attempts to Google information bring up ebay.

Geometric prints on lampshades by tamasyn gambell
Cockpit Arts based textile designer Tamasyn Gambell has been busy expanding her decorative offering: her geometric prints now appear on fabulous big hanging lampshades.

Blown glass pendant lights - curiousa and curiousa
Once again I was wowed by blown glass pendant lights from Curiousa and Curiousa.

Tent London Furniture Magpie lighting
The Furniture Magpies breathe new life into discarded items. This year they have turned their attention to old lampshade frames to create these pretty knitted lights that come in a range of jewel colours.

Lizzie mcullen at work on a mural
Illustrator Lizzie Mary Cullen was at work on a chalk mural when I walked past. This prolific artist creates bespoke imagery for many big brands.

Designer KSW studio
Kristjana S Williams has launched a new range of wallpapers featuring her instantly recognisable patterns; combinations of bold natural imagery and stark colourings.

Bear wall art by Kosmos Project from Poland
This 3D bear wall art is by Kosmos Project of Poland, a design studio set up by Ewa Bochen and Maciej Jelski.

Fibre glass stool inspired by an apple juice bottle, by Sit furnishings
Snarfle inspects a fibre glass stool that features tactile nobbles inspired by those on an apple juice bottle. Sit Furnishings is a new brand from Katherine Blamire and established designer Timothy Sheward, creating industrially forged products with a distinctly human touch. I was most impressed by their offering.

wood seat by Ruskasa from Taiwan
At the Taiwanese showcase we both loved this super smooth woven wood seat by Ruskasa.

Wooden magazine stand and stool by Moissue of Taiwan
This tactile wooden magazine stand by Moissue was also a winner: it neatly doubles as a stool.

horse shaped toddler stools by tamasine osher
What a clever idea; I so want one of these ergonomic easy-to-mount horse shaped toddler stools for Snarfle when he gets a bit older. Multi talented designer Tamasine Osher trained in architecture before taking an MA in furniture design whilst also working as an art director at a gallery.

Norwegian wooden toy by Permafrost
On the subject of things for children, this wooden toy by industrial designers Permafrost is utterly Norwegian and bloody brilliant: an oil rig with helipad and detachable helicopter: oil tankers also available in this prototype collection.

Sukie recycled books
Rescued paper notebooks made an attractive wall display at the Sukie stationery stand. The designer behind Sukie is a man, which goes somewhat contrary to expectations. Apparently most people expect him to be female and Japanese.

Next up: my review of the Three Four show further up Brick Lane. Read it here. Follow me on instagram for a first sneak peak at the design discoveries I make.

Categories ,2013, ,Brick Lane, ,Cockpit Arts, ,Curiousa and Curiousa, ,Ewa Bochen, ,Furniture, ,Furniture Magpie, ,Howard Wakefield, ,Katherine Blamire, ,Kosmos Project, ,Kristjana S Williams, ,Lighting, ,Lizzie Mary Cullen, ,Maciej Jelski, ,Moissue, ,Norwegian, ,Out of the Dark, ,Parris Wakefield Additions, ,Permafrost, ,poland, ,Rebay, ,review, ,Ruskasa, ,Sarah Parris, ,Sit Furnishings, ,Snarfle, ,stationery, ,Sukie, ,surface design, ,Taiwan, ,Tamasine Osher, ,Tamasyn Gambell, ,Tent London, ,Timothy Sheward, ,Truman Brewery, ,Upcycled, ,Wall Art

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Amelia’s Magazine | Tent London 2014: Textiles and Surface Design

Zoe Murphy
Yes yes it’s been 6 months since the 2014 edition of Tent London but straight after the show I became ridiculously busy with my 10th anniversary Kickstarter project, That Which We Do Not Understand. I have always wanted to share my finds properly, some of whom I have already profiled at length on this website, and I’m sure this little collection will offer some refreshing and exciting inspiration.

Zoe murphy cushions
From Mexico to Margate was inspired by Zoe Murphy’s summer travels, and is the perfect vehicle for her zingy colour ways. Used to great effect on these cacti fabric designs on cushions. Spot also the Snarfle ghost hand.

Seven Gauge Studios
I love the new geometric woven fabric designs by Seven Gauge Studios.

Room 39
This wonderful new bedding and cushion collection is by Room 39. Designer Petra was also very helpful on the subject of crowdfunding, having funded the fragment bedding range through this method herself.

Sian Elin
Sian Elin excels in the creation of upbeat geometric designs such as these wonderful duotone cushions.

Louise Wilkinson
Louise Wilkinson cushion
As always I adore the designs of Louise Wilkinson, whose new fabrics are a touch folkloric, a touch Scandinavian and a touch of chintz: lots of fruits, vegetables and strange little animals.

Louise Wilkinson hedgehog
I think this gold hedgehog wall decal is out of this world, but she only made them as one offs for Tent. Don’t you reckon they would sell like hot cakes?!

Lorna Syson
It was great to see new designs by Lorna Syson mixing up birds and geometric designs: I’ve since discovered her new Broom and Bee design, which is absolutely magic – check her website to see it.

Otago Design mat
We spent some time admiring coir circle mats made in Africa for Otago Design.

Sonya rugs
Amazing crazy cool bright rugs are by Sonya Winner.

Rose sharp jones
I adore the subtle crochet cushion designs of Rose Sharp Jones: one of a new wave of crafters bringing this traditional technique into the 21st century.

Occipinti
occipinti textiles
Embroidery hoops are a wonderful showcase for fabrics by Occipinti. Find out more about the designer in my recent interview.

Tracey Tubb
These very clever and original origami wall coverings are by Tracey Tubb.

Natalia Yanez
Natalia Yanez utilises a combination of crochet and local Chilean basketweave techniques in her beautiful and unusual structures. Very clever!

candid fabric
These fabulous tropical fruit fabrics are by Hannah Rampley for Candid Fabric – a new project to support emerging graduate textile designers.

Beldi rugs
Beldi rug vintage
I am just a little bit in love with vintage Moroccan Beldi Rugs. These rag rugs cost a fortune but are ever so glorious.

Parris Wakefield additions
Paris Wakefield Additions has released a stunning new fabric design. Since last September I have had the honour of working with Sarah Parris, who produced a beautiful print for my special That Which We Do Not Understand 10th anniversary gold leaf range, available here.

Fanny Shorter
Fanny Shorter skirt
As always I love tropical loveliness by Fanny Shorter, looking wonderful in a pencil skirt made with her fabric.

Kitty McCall
Last but not least, I am enthralled by the colourful abstract designs of Kitty McCall. This fabric looks like a surreal mountainscape.

Read about furniture, lighting and other odds and sods here! All of these images were first shared on my instagram feed.

Categories ,2014, ,Beldi Rugs, ,Broom and Bee, ,Candid Fabric, ,craft, ,crochet, ,Fanny Shorter, ,From Mexico to Margate, ,Hannah Rampley, ,instagram, ,Interior Design, ,Kitty McCall, ,Lorna Syson, ,Louise Wilkinson, ,Natalia Yanez, ,Occipinti, ,Otago Design, ,Paris Wakefield Additions, ,review, ,Room 39, ,Rose Sharp Jones, ,Sarah Parris, ,Seven Gauge Studios, ,Sian Elin, ,Snarfle, ,Sonya Winner, ,surface design, ,Tent London, ,textiles, ,That Which We Do Not Understand, ,Tracey Tubb, ,Truman Brewery, ,Zoe Murphy

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Amelia’s Magazine | New Designers 2013 Product Design Review: The Best Product Designers and More

Elizabeth Roberts product design
To round off my coverage of New Designers I’m going to introduce my random top selections from the product design colleges, as well as some stray surface design and some ace work from the One Year On room. Firstly, Lizzy Roberts at Camberwell College of Art was inspired by ways in which lives can be improved. She calls these curious objects Theraputty, and they are designed for use in Occupational Therapy to help those with poor dexterity to improve strength.

Liv Stevens Pocket shelf
I like the concept of a Pocket Shelf, by Liv Stevens – store all your unsightly stuff and save the surface for cherished objects.

Rosie Holman Cardiff School of Art
It seems odd that Cardiff School of Art and Design chose to show work by their surface pattern designers at part two of New Designers, but they must have had their reasons. Tucked away at the back of a room full of architectural models I discovered some lovely displays. Rosie Holman used a mid century colour palette to hand stamp a mix of organic designs inspired by the Pitt Rivers museum in Oxford.

Louise Webber Cardiff School of Art
I loved Louise Webber‘s laser cut wood inlays featuring animals and plant life, but sadly you’ll have to make do with one slightly out of focus photo, as I can’t find her work anywhere online.

Joanne King Cardiff school of art
Joanne King was inspired by the Art Deco period in her creation of fabrics and wallpaper in a variety of textures, including silks and rich velvet. She envisages these designs in commercial interiors such as hotels and bars.

Lulu & Luca
Over in the One Year On room it was nice to see a familiar display of simple yet elegant textiles designs from Lulu & Luca, who were last spotted in Spitalfields Market.

Decorative lampshades by Josie Shenoy in #oneyearon
These decorative lampshades are by Josie Shenoy, who applies her delicate mirrored illustrations to a host of interiors and stationary products.

Katherina Manolessou hedgehog gardening bakers dozen
I spotted this print of a hedgehog mowing the lawn by Katherina Manolessou at the AOI stand; it was created as part of a project called Baker’s Dozen.

Pot handles by Aidan Blaik at edinburgh napier - productdesign
I’m not one to obsess over the small aspects of kitchenware design, but I can’t resist this exploration of pot handles by Aidan Blaik at Edinburgh Napier.

recycled glass lights from Brenda Curry at birmingham city
And I love these recycled glass lights from Brenda Curry at Birmingham City University.

Patchwork quilt by Joshua Barnes of Brighton
This patchwork quilt comes with an integrated app to help children in hospital, by Joshua Barnes of Brighton University.

Eloisa Henderson-Figueroa
Also at Brighton, product designer Eloisa Henderson-Figueroa had created an intriguing steel tree with magnetic balls, to be added and removed with children to initiate conversation.

ceramics by Alex Allday at loughborough uni
And finally, to round off my reviews of the 2013 New Designers shows, these pretty patterned ceramics by Alex Allday at Loughborough University are clearly inspired by the intricate designs of plant cells.

Here’s hoping many of the designers that I have discovered go on to long and illustrious creative careers!

Categories ,2013, ,Aidan Blaik, ,Alex Allday, ,AOI, ,Art Deco, ,Baker’s Dozen, ,Birmingham City University, ,Brenda Curry, ,Brighton University, ,Camberwell College of Art, ,Camberwell College of Arts, ,Cardiff School of Art and Design, ,Edinburgh Napier, ,Eloisa Henderson-Figueroa, ,Joanne King, ,Joshua Barnes, ,Josie Shenoy, ,Katherina Manolessou, ,Liv Stevens, ,Lizzy Roberts, ,Loughborough University, ,Louise Webber, ,Lulu & Luca, ,New Designers, ,One Year On, ,Pitt Rivers, ,Pocket Shelf, ,Product Design, ,review, ,Spitalfields Market, ,surface design, ,Theraputty

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Amelia’s Magazine | New Designers 2013 Surface Design Graduates – Playful Brights

New Designers show 2013-Hannah Rampley
Next up, my review of splashy abstract brights and lovely playful designs. It’s fair to say that this is a look I will always love, but there did seem to be a lot of very beautiful surface designs and printed textiles that followed this theme in 2013.

surfacedesign by Hannah Rampley at Leeds
At Leeds College of Art I wanted to gobble up these juicy fruit designs by Hannah Rampley.

New Designers show 2013-emma cook
Emma Cook worked in ceramics to create pretty textured decorative tiles.

Dinosaurs and Octopi by Hannah Bowen
New Designers show 2013-hannah bowen
Dinosaurs and Octopi populate surface patterns by Hannah Bowen. I can see her gorgeous designs working really well for children, and her playful prints also snagged her the Harlequin Award at New Designers.

Tropical Pleating from Emily Jane Fisher
I loved the tropical pleating and glittering oversized sequins in a stunning display by Emily Jane Fisher at De Montford University.

Amy Gill textiles
At Nottingham Trent I was taken by these neon floral and graphic textiles by Amy Gill.

Fun surface design by Ozlem Djafer
Fun portraiture based surface design by Ozlem Djafer at Bucks New University was based on fashion hierarchies.

abstract print by Katie Whitton at new designers
These super colourful skeins of abstract print are by Katie Whitton at Norwich University – another understandable award winner, this time from Tigerprint.

Radishes by Charlie O'Byrne
Charlie O'Byrne
A brave move to display your menswear prints on a fruit and veg stall, but I think it paid off Charlie O’Byrne! This UWE graduate interned with Louise Gray, which makes total sense since they are both lovers of all things bright and fun.

Oxana Koroviatskaia - modernist painterly brights
Oxana Koroviatskaia‘s modernist painterly brights were immensely appealing draped across the Glasgow School of Art stand.

New Designers show 2013-Emily Chapman
At London College of Communications I liked this colourful display of patterns by Emily Chapman.

printed textile design by Rosie Cook
Mock ups for graphic printed textile designs by Rosie Cook at Staffordshire University went down a storm when I posted them on instagram. Don’t forget, many of these images first appeared on my instagram feed, where you can view my pick of design graduates as I find them. Read about my favourite designs that follow a strong 50s trend here.

Categories ,2013, ,Amy Gill, ,Brights, ,Bucks New University, ,ceramics, ,Charlie O’Byrne, ,De Montford University, ,Emily Chapman, ,Emily Jane Fisher, ,Emma Cook, ,Glasgow School of Art, ,Hannah Bowen, ,Hannah Rampley, ,Harlequin Award, ,Katie Whitton, ,Leeds College of Art, ,London College of Communications, ,New Designers, ,Norwich University, ,Nottingham Trent, ,Oxana Koroviatskaia, ,Ozlem Djafer, ,Printed Textiles, ,review, ,Rosie Cook, ,Staffordshire University, ,surface design, ,Tigerprint, ,trends, ,UWE

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Amelia’s Magazine | New Designers 2015: Abstract Textiles and Surface Design

New Designers Laura worrall 2
Never mind the heat, I spent three hours trawling the halls of New Designers part one at the Islington Business Centre. By the end I was thoroughly exhausted (I’m 39 weeks pregnant today) but excited, as always, by all the fabulous graduate designers I discovered. I’ll be covering my favourites in a few separate blog posts: first up, abstract textile and surface design, in a celebration of the many dashing variations of this forward looking and vibrant theme.

New Designers Laura Worrall
At London College of Communication I adored painterly abstracts by Laura Worrall, adapted for use on a variety of mediums, including textiles and tiles.

New Designers Miriam Bridson
Miriam Bridson put on another beautiful display of bold abstract design.

New Designers Aisha Khan
Aisha Khan at Bucks New University created an intriguing metallic wall installation.

New Designers Alice Ward
Bold brights were put together in this strong wall display by Alice Ward.

New Designers Logan Kelly 2
New Designers Logan kelly
Next up, I really liked this ‘Soft Bling‘ collection of digitally printed designs on crepe satin and cotton drill by Logan Kelly at Falmouth University. The broad strokes and zingy colours have a hint of the 80s and I loved the fresh use of white.

New Designers Jenna Coulthard 2
ND Jenna Coulthard
I always look forward to seeing the work of Leeds College of Artgraduates.

This year I particularly loved the great colours and shapes of Jenna Coulthard who was given a Tigerprint Golden Ticket to come show her portfolio and also recommended for her use of colour by Global Color Research. I am not surprised she got so much attention!

New Designers Benjamin Craven
Marvellous patterns by Benjamin Craven made for a strong collection.

New Designers Jessica Taylor
These juicy colours are by Jessica Taylor.

New Designers Sarah Gibson
And brilliant splashes are by Sarah Gibson.

New Designers Laura Elizabeth coles
Beautiful textural copper filigree weave in rainbow colours is by Laura Elizabeth Coles of Central Saint Martins.

New Designers Georgia Fleck
Georgia Fleck created unique carpet designs. Make your own combination with the pieces!

New Designers Natasha SamaSuwo
New Designers Natasha SamaSuwo collage
Natasha SamaSuwo at Glasgow College of Art made a series of lovely delicate collages, showcasing the resulting prints on some fab photo collages.

New Designers Caitlin Miller
Love the zingy colour combo! Textiles by Caitlin Miller at Duncan of Jordanstone.

New Designers Shauna McGregor
Designs by Shauna McGregor called to mind the 80s with their neon exuberance: overall the standard of design coming out of the Scottish colleges was exceptional throughout the show.

New Designers Elidh Howie
Elidh Howie specialised in metallic 3D accessories design for handbag applications. Very slick and professional.

New Designers Chloe Pullin
At Swansea College of Art Chloe Pullin combined all sorts of techniques to create a fabulous wall of her designs – as you can tell I was really feeling the bright abstracts this year!

New Designers Naomi France
I also loved this display by Naomi France at Swansea, utilising laser etched doors that echoed her textile designs.

New Designers Anna Trainor
Anna Trainor at Ulster Uni designed optical textiles with a modernist flavour.

New Designers Anna Collins
Anna Collins created standout textiles at Birmingham City Uni.

ND Jan Kingsman
Finally, Jan Kingsman at Bath Spa Uni showed on the craft stand, but I thought her gorgeous textiles deserve to appear in this blog!

All of these images first appeared on the New Designers instagram feed (they very kindly asked me to guest post a favourite selection from both part one and part two of the show) or on my own my instagram feed: follow me there to catch my discoveries as I make them!

Categories ,Aisha Khan, ,Alice Ward, ,Anna Collins, ,Anna Trainor, ,Bath Spa Uni, ,Benjamin Craven, ,Birmingham City Uni, ,Bucks New University, ,Business Centre, ,Caitlin Miller, ,Central Saint Martins, ,Chloe Pullin, ,Duncan of Jordanstone, ,Elidh Howie, ,Falmouth University, ,Georgia Fleck, ,Glasgow College of Art, ,Global Color Research, ,Golden Ticket, ,Islington, ,Jan Kingsman, ,Jenna Coulthard, ,Jessica Taylor, ,Laura Elizabeth Coles, ,Laura Worrall, ,Leeds College of Art, ,Logan Kelly, ,London College of Communication, ,Miriam Bridson, ,Naomi France, ,Natasha SamaSuwo, ,New Designers, ,Sarah Gibson, ,Shauna McGregor, ,Soft Bling, ,surface design, ,Swansea, ,Swansea College of Art, ,textiles, ,Tigerprint, ,Ulster Uni

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