Maria Papadimitriou – Page 4

Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Masha Ma (by Naomi)

Autumn Winter 2011’s ‘DeCon’ is the second collection Masha Ma has shown at Vauxhall Fashion Scout; her MA collection was bought by bStore and she has since gone from strength to strength, viagra 40mg seek winning the Mouse Ji Best International Innovation Award at the 2009 CCDC China Contemporary Design Contest.

Illustration by Avril Kelly

Building on her predominantly white and silver ‘Icebreaker’ collection for Spring Summer 2011, ed Masha Ma used a subtle palette for Autumn Winter, injected with flashes of colour. Patent scarlet thigh high boots and contrast edged exposed zips complemented heavy yet tactile cashmere in a palette of dove grey, eggshell, scarlet, taupe and powder beige.

Illustrations by Maria del Carmen Smith

High-waisted pencil skirts, hourglass silhouettes, bright red lips and victory rolls added a touch of Mad Men, whilst sculpted waterfall folds, leather panelling and Swarovski elements kept the look contemporary and luxurious.

Masha Ma played with the subtle deconstruction and accentuation of the female form, pairing subtly flamboyant cascading shapes with fluid skin-tight elements. The union of contrasting textures and a striking palette created a captivating range of looks that left the audience wanting more.

Illustrations by Maria Papadimitriou

Flashes of scarlet were seen again in the form of cropped high gloss mitts; collars were all high; neatly rolled or delicately starched and geometric.
Figure-hugging skirts were zipped halfway to reveal a flash of pillarbox red; zipped boot sleeves revealed skyscraper spike heels. Hair was slicked back into soft buns and coiffed into twists over the ear.

Illustration by Natasha Thompson

All in all this was a refreshing and original collection, I’m sure I’m not the only one eagerly awaiting Masha Ma’s offering for Spring Summer 2012!

All photography by Naomi Law

You can see more of Natasha Thompson’s illustrations in Amelia’s Compendium of Fashion Illustration.

Written by Naomi Law on Saturday March 5th, 2011 4:41 pm

Categories ,A/W 2011, ,Avril Kelly, ,AW11, ,Catwalk review, ,China Contemporary Design Contest, ,lfw, ,London Fashion Week, ,Maria del Carmen Smith, ,Maria Papadimitriou, ,Masha Ma, ,Naomi Law, ,Natasha Thompson, ,Red boots, ,Vauxhall Fashion Scout, ,Womenswear

Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Olivia Rubin

Tosha by Rebecca Strickson

Danielle Lloyd and Konnie Huq, purchase illustrated by Lisa Stannard

Olivia Rubin’s show was to be held at Jalouse in Hanover Square – a place I’d hear of but never actually ventured in to. It was to be my last womenswear show (although I didn’t know it at the time, ed such is life!) and after a long, grueling day I needed a big drink. Luckily, these were on hand.

Outside, glamorous ladies and gents queued to get in, all throwing their tickets into the air, shouting the names of their publications or various relationships with Olivia. When I finally got inside, the Only Way is Essex girl group Lola were being ravished by a pack of pervy photographers screaming their names. To my left was Danielle Lloyd, an intriguing shade of orange; to my right, Jason Gardiner sat in a booth surrounded by a harem of orange honeyz. Konnie Huq was there. What the hell was going on? I was completely baffled. We’d featured Olivia in the past – I adored her artists-inspired collection, but I had no idea she had such an, erm, orange following.

Illustration by Fritha Strickland

There were no seats available – the show was to take place on a precarious plinth around the main area of the club, with guests littered around the plinth in sunken seats. I positioned myself by a wall and necked a cocktail. Whilst waiting for the show to start, I Twittered and checked my emails, slightly aware of somebody standing next to me but not looking up to notice. Hilariously, it was contributor Lauren, who had been stood there for a good ten minutes without either of us realising. This is the kind of thing that happens to your brain during fashion week. I could have been stood next to Naomi Campbell and wouldn’t have noticed (not that Lauren isn’t gorgeous herself).

Illustration by Michelle Urval Nyrén

The show began to rapturous applause, with the first model coming out from behind a make-shift backstage area right behind where I was standing. It was difficult to know where to look, and I missed the first few outfits due to glaring at the audience and being mesmerised by Jalouse’s crystal ceiling.

Olivia has quickly risen up the fashion ranks with her playful, vibrant prints using a whole load of inspiration. This time was no exception – brick patterns, speech bubbles, floral prints on silk and animal prints were all on display under the glittery lights. The shapes and cuts seemed a little more sophisticated this time around – Olivia’s staple playful dresses were still there in vibrant colours, but the addition of figure-hugging jersey tops and cropped trousers added a new, demure look. Lace details had been added to some pieces, sexing them up a little. Jersey and silks had been married for great effect. Sexy translucent shirts worn over lace underwear add even more kink to this fab collection.

Illustration by Jaymie O’Callaghan

Illustration by Madi Illustrates

Illustration by Maria Papadimitriou

Many of the pieces featured wrap-around details that flatter the figure – not that any of these hot models needed any flattering, but I imagine that sweeping necklines and pinched waists can be pulled off by even the most Rubenesque figure. Longer, almost floor-length numbers with vibrant graphic patterns closed the show – the final walkthrough leaving me on edge as these glamorous girls in vertiginous heels swaggered around the raised plinth.

One of the Only Way Is Essex birds, illustrated by Lisa Stannard

After the show, me and Amelia enjoyed a cocktail or two and had a bit of a gossip, keeping one eye on the attendees. We stood near the official photo point, me with my camera around my neck – one of the guests asked if I could take her picture. She didn’t ask why I was taking pictures or which publication I was from, she just wanted her photograph taken. Well, why not? Here she is – I hope she sees it (and likes it, obv).

All photography by Matt Bramford

See more of Lisa and Michelle’s illustrations in Amelia’s Compendium of Fashion Illustration.

Written by Matt Bramford on Friday March 4th, 2011 1:49 pm

Categories ,A/W 2011, ,catwalk, ,Danielle Lloyd, ,Fritha Strickland, ,Hanover Square, ,Jalouse, ,Jason Gardiner, ,Jaymie O’Callaghan, ,Konnie Huq, ,Lisa Stannard, ,Lola, ,london, ,London Fashion Week, ,Madi Illustrates, ,Maria Papadimitriou, ,Michelle Urvall Nyrén, ,Olivia Rubin, ,Orange, ,print, ,review, ,Tan, ,The Only Way is Essex, ,Womenswear

Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ones to Watch (by Amelia)

We Won! Grow Heathrow by Sam Parr

Grow Heathrow by Rebecca Peacock.

Just over a year ago a group of my friends envisioned a radical new version of the Transition Town model. Activists drawn from groups such as Plane Stupid and Climate Camp decided to squat a rundown old market garden in the village of Sipson that was being used as a dumping ground for car scrap in an area planned for demolition to make way for the third runway at Heathrow. And thus Grow Heathrow was born, click a great big YES in the face of so many NOs.

Over the course of the past year they have utterly transformed the area; growing their own food, malady hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, this site described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Later in March Grow Heathrow will host the Reclaim the Fields European gathering, and then a group of people associated with the project will go on an ambitious 100 day cycle ride to Palestine. P.E.D.A.L. will meet with permaculture projects along the way; sharing ideas and stories for a better world.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, order hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, information pills described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, and hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, drug described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, sickness hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Over the course of the past year they have utterly transformed the area; growing their own food, store hosting bike workshops and ensuring a sustainable community has sprung up that fully involves the locals. What was once an eyesore covered in shattered glass has become an inspiring success story, described by one local as “better than prozac”. In this beautiful short video from You and I Films the misty eyed community get together to reminisce about the past year, describing how what they did was “naughty but extremely worthwhile” and a necessary action to enable the creation of their “own piece of paradise.” As is so often the case, gardening has proved the glue that has brought people together.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Kirsty Ward A/W 2011 by YesGo Illustration.

Every season I eagerly anticipate Fashion Scout’s Ones to Watch because it is invariably a wonderful place to discover raw talent before everyone else does. This season we even ran a preview to prompt early onset salivating.

Kirsty Ward A/W 2011 by Charlotte Hoyle.

Unfortunately I was late to arrive and had to make do with an abysmal spot at the back, medicine hence my far from fabulous photography. The perils of an action packed opening day to LFW. I do apologise.

Kirsty Ward A/W 2011 by June Chanpoomidole.

Straight off the starting blocks was Kirsty Ward, hospital who first came to our attention when she created jewellery for boyfriend David Longshaw when he himself showed as part of Ones to Watch a year ago. Last season she created her first collection, buy information pills on view at the static stands at Fashion Scout… and I knew straight away I’d discovered something very special.

Kirsty Ward A/W 2011. Photography by Amelia Gregory
Kirsty Ward A/W 2011 by Charlotte Hoyle.

Needless to say Kirsty Ward‘s first foray onto the catwalk proper did not disappoint. Working in a range of materials she kept to her sculpted best, whilst also working with new ideas such as the sheer asymmetric flip sided shirt.

Kirsty Ward A/W 2011. Photography by Amelia Gregory
Kirsty Ward A/W 2011 by Gilly Rochester.

As ever the jewellery was an integral part of her designs, sometimes embedded within the fabric, but always well considered. When I spoke to Kirsty at the stands she talked of her ongoing love with everyday household items: coat hangers and miniature hinges get her in an excitable tizz. But there’s no single clear influence in an innovative collection that will no doubt stand the test of time – one stand out piece was inspired by the shape of a Stormtrooper mask, albeit not through any conscious decision. Amusingly she tried to use as many “sick colours” as possible and was almost disappointed that fashionistas have been referring to her colour palette as “autumnal.” I love Kirsty Ward’s vision and an interview with this talented lady is long overdue….

Anja Mlakar A/W 2011. Photography by Amelia Gregory
Anja Mlakar A/W 2011 by Karolina Burdon.

Coming second we were treated to Anja Mlakar‘s collection, which was a confident showing of bouncy tulip skirted dresses in pastels, red and black. Cutaways were a big feature, and I liked the styling with what looked like round padded foam belts, roughly tied at the waist. Definitely an intriguing proposition.

Anja Mlakar A/W 2011. Photography by Amelia Gregory
Anje Mlakar A/W 2011 by Charlotte Hoyle.

Next up was possibly my least favourite, simply because I am not a minimal kind of gal: no offence intended. Tze Goh works in a kind of compacted foam jersey material that can be easily sculpted into shapes which stand proud of the body.

Tze Goh A/W 2011. Photography by Amelia Gregory
Tze Goh A/W 2011 by Sarah Wharton.

Capes, hairy and smooth, were the order of the day – in steely greys, deep purples and heathery blues.

Sara Bro-Jorgensen A/W 2011 by Charlotte Hoyle.

Lastly Sara Bro-Jorgensen created an intriguing collection using trompe l’oeil print and intarsia techniques to play with definitions of clothing. One outfit featured the imprint of a tuxedo, accessorised with a bow tie and knitted hood. She replicated her beloved leather jacket in intarsia, (it also features as part of the collection), using an old 1960s knitting machine available only at the Royal College of Art (the bonus of being an alumni).

Sara Bro-Jorgensen A/W 2011 by Maria Papadimitriou.

At her exhibition stand she freely admitted that she is not sure how she can reproduce the look commercially. Sometimes, it seems, old technology really is best. My favourite outfit was a trompe l’oeil intarsia cape dress out of which the model’s arms protruded frontways, encased in creamy childlike mittens. I wouldn’t recommend adopting such a stance of an evening on the town but on the catwalk this styling was a lot of fun.

Sara Bro-Jorgensen A/W 2011 by Stellabombella.

Sara Bro-Jorgensen A/W 2011. Photography by Amelia Gregory
Sara Bro-Jorgensen A/W 2011. All photography by Amelia Gregory.

Read Florence Massey’s review here. You can see more of June Chanpoomidole’s work in Amelia’s Compendium of Fashion Illustration.

Written by Amelia Gregory on Wednesday March 2nd, 2011 11:36 am

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Anja Mlakar, ,Charlotte Hoyle, ,Fashion Scout, ,Florence Massey, ,Freemasons’ Hall, ,Gilly Rochester, ,Intarsia, ,June Chanpoomidole, ,June Sees, ,Karolina Burdon, ,Kirsty Ward, ,knit, ,Maria Papadimitriou, ,Mhairi-Stella McEwan, ,Ones To Watch, ,Royal College of Art, ,Sara Bro Jorgensen, ,Sarah Wharton, ,Slowly the Eggs, ,Stellabombella, ,Stormtrooper, ,Tze Goh, ,YesGo Illustration

Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ones to Watch (by Amelia)

We Won! Grow Heathrow by Sam Parr

Grow Heathrow by Rebecca Peacock.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Grow Heathrow by Rebecca Peacock.

We Won! Grow Heathrow by Sam Parr.

Inspiring stuff indeed, but I’ll let this lovely video – made to celebrate Grow Heathrow‘s first birthday – do the talking.

You can read more about Grow Heathrow in this blog, written just after it was set up in early 2010.

Kirsty Ward A/W 2011 by YesGo Illustration.

Kirsty Ward A/W 2011 by Charlotte Hoyle.

Kirsty Ward A/W 2011 by June Chanpoomidole.

Kirsty Ward A/W 2011. Photography by Amelia Gregory
Kirsty Ward A/W 2011 by Charlotte Hoyle.

Kirsty Ward A/W 2011. Photography by Amelia Gregory
Kirsty Ward A/W 2011 by Gilly Rochester.

Anja Mlakar A/W 2011. Photography by Amelia Gregory
Anja Mlakar A/W 2011 by Karolina Burdon.

Anja Mlakar A/W 2011. Photography by Amelia Gregory
Anje Mlakar A/W 2011 by Charlotte Hoyle.

Tze Goh A/W 2011. Photography by Amelia Gregory
Tze Goh A/W 2011 by Sarah Wharton.

Capes, hairy and smooth, were the order of the day – in steely greys, deep purples and heathery blues.

Sara Bro-Jorgensen A/W 2011 by Charlotte Hoyle.

Sara Bro-Jorgensen A/W 2011 by Maria Papadimitriou.

Sara Bro-Jorgensen A/W 2011 by Stellabombella.

Sara Bro-Jorgensen A/W 2011. Photography by Amelia Gregory
Sara Bro-Jorgensen A/W 2011. All photography by Amelia Gregory.

Read Florence Massey’s review here. You can see more of June Chanpoomidole’s work in Amelia’s Compendium of Fashion Illustration.

Written by Amelia Gregory on Wednesday March 2nd, 2011 11:36 am

Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Paul Costelloe (by Matt)

Jena.Theo Valkyrie by Matilde Sazio
Jena Theo Matilde Sazio Jena.Theo LFW A/W 2011, abortion Illustration by Matilde Sazio

I was ushered in through the door by a geezer of a Londoner chap, viagra order straight through to a high heeled officious lady, find then again to the very highest heels clinking their way to the front row to show me my seat. There were bags on my seat. Bags filled with goodies. Splendid. The lady next to me was bouncing her baby on her knee, as said baby was knawing on a pain au chocolat. “Nice earmuffs” I said to her, pointing towards her penguin earmuffs on her head. “To protect her from the sound. It can get very loud. But she does love it here. Loves the shows.” How much do I want a chilled out, cute baby like her. Also, cool mother! I know mothers who wouldn’t take their child to Tescos for fear of its screaming the flourescently lit shed down. To the left, was a mad, bright white, highly lit, flashing, mini bulb, sensation. Magic eyes, transfixing, blinding… The lady next to me shields her eyes for a bit, because of the intensity! Then it all went dark and we were treated to intro music as the anticipation built. Dum, dum, dum….dum… dum. EXCITED.

Jena.Theo LFW A/W 2011, Illustration by Karina Yarv

The show began. I was pleased to see that what was being presented was completely wearable. Definitely in London. Perhaps less so in Bristol – it was slightly ‘too’ urban for the West Country. However, if I had a choice (and el cash), some of those pieces would be getting worn in Falfael King and that secret bar we’ve been meaning to go to for a while… at least supper club. Or – ah see, I kind of want to move to London- again. Don’t get the wrong impression of Briz, I beg you. Anyway, the show was very charcoal, black and cream orientated. The models all had black stripes across their eyes and otherwise bare faces. This made them look like mysterious, moody superheros. I liked it, as it really set of the simple coloured, pieces; the models all expressionless (course), their masks and the movement of the light or dark pieces worked together perfectly. It felt like we were on the sea, with norwegian heroines. Swishing slowly about, their heels never falter, their gaze exact, the path has been set and the grey skies are dappled with stars, as the storm takes hold. These strong warriors will take us with their capes flowing behind them, their hair dancing in the wind.

Jena.Theo LFW A/W 2011, Illustration by Matilde Sazio

My favourite piece was one with an almost bustling at the back, flowing down to the ground, in one swipe. The front was a mini, the back was the drama, the fantasy.
Jena Theo Matilde Sazio Jena.Theo LFW A/W 2011, order Illustration by Matilde Sazio

I was ushered in through the door by a geezer of a Londoner chap, straight through to a high heeled officious lady, then again to the very highest heels clinking their way to the front row to show me my seat. There were bags on my seat. Bags filled with goodies. Splendid. The lady next to me was bouncing her baby on her knee, as said baby was knawing on a pain au chocolat. “Nice earmuffs” I said to her, pointing towards her penguin earmuffs on her head. “To protect her from the sound. It can get very loud. But she does love it here. Loves the shows.” How much do I want a chilled out, cute baby like her. Also, cool mother! I know mothers who wouldn’t take their child to Tescos for fear of its screaming the flourescently lit shed down. To the left, was a mad, bright white, highly lit, flashing, mini bulb, sensation. Magic eyes, transfixing, blinding… The lady next to me shields her eyes for a bit, because of the intensity! Then it all went dark and we were treated to intro music as the anticipation built. Dum, dum, dum….dum… dum. EXCITED.

Jena.Theo LFW A/W 2011, Illustration by Karina Yarv

Jena.Theo Valkyrie by Matilde Sazio Jena.Theo LFW A/W 2011, Illustration by Matilde Sazio

I was ushered in through the door by a geezer of a Londoner chap, side effects straight through to a high heeled officious lady, then again to the very highest heels clinking their way to the front row to show me my seat. There were bags on my seat. Bags filled with goodies. Splendid. The lady next to me was bouncing her baby on her knee, as said baby was knawing on a pain au chocolat. “Nice earmuffs” I said to her, pointing towards her penguin earmuffs on her head. “To protect her from the sound. It can get very loud. But she does love it here. Loves the shows.” How much do I want a chilled out, cute baby like her. Also, cool mother! I know mothers who wouldn’t take their child to Tescos for fear of its screaming the flourescently lit shed down. To the left, was a mad, bright white, highly lit, flashing, mini bulb, sensation. Magic eyes, transfixing, blinding… The lady next to me shields her eyes for a bit, because of the intensity! Then it all went dark and we were treated to intro music as the anticipation built. Dum, dum, dum….dum… dum. EXCITED.

Jena.Theo LFW A/W 2011, Illustration by Karina Yarv

Jena.Theo Valkyrie by Matilde Sazio Jena.Theo LFW A/W 2011, Illustration by Matilde Sazio

My favourite piece was one with an almost bustling at the back, flowing down to the ground, in one swipe. The front was a mini, the back was the drama, the fantasy. I would love to wear this one standing at the front of a ship. Not a ferry, a ship. Jena.Theo designs were indeed simple, but they are deserving of their sparkling lights.

Illustration by Maria Papadimitriou

I’ll never say a bad word about Mr Paul Costelloe. His was the first on-schedule show I ever saw, for sale back in 2008. It was a disaster – you can read my review here (my have we come a long way with our fashion week reviews). Despite that particular experience being pretty traumatic, diagnosis I always look forward to what he’ll present us each season, and I genuinely believe he’s the most underrated designer on the schedule – AND he always gets that hideous graveyard 9.30am opening slot. Anyway, enough of the pity, I’m sure he gets along just fine.

Paul Costelloe chatting outside the tent, post-show. All photography by Matt Bramford

Of course, this wouldn’t be fashion week without a cycling trauma, and it was on Friday morning that my back brake completely went so I was left only with the front one, guaranteed to send me flying over the handlebars should I actually need to stop. A quick trip into miserable Evans Cycles soon sorted this but meant I had to dash like a lunatic to Somerset House and just managed to leg it inside before the show started.

Illustration by Lesley Barnes

I was disappointed not to be saddled up against those two lovely old dears I met last time – this time I endured a rather unforgiving fashion blogger. I tend to stand at the top of one of the aisles to secure good pictures, but said fashion blogger deemed it acceptable to stand in front of me. I politely explained that I had chosen that spot on purpose, and I would really appreciate it if she’d take her enormous Mulberry bag and ridiculously large coat somewhere else. She moved an inch to the left. Cheers, then!

God I’m going on a bit, aren’t I? Well, the show itself was brilliant. This season saw Costelloe move in a more sophisticated direction. The catwalk was awash with luxurious tweeds and tartans in vibrant colours. Structured twin-sets with a contemporary edge stood side-by-side a-line dresses in unusual materials; delicious floral prints were teamed with cropped blazers, while hints of military on more a-line dresses were complimented with a roaring forties/fabulous fifties soundtrack of Bobby Darin and The Andrews Sisters (maybe). Poker-straight red wigs added a sexy, playful edge to what is a more mature range of womenswear.

Last season I wasn’t that struck on the menswear, but this year I am ALL OVER IT. Again, taking a more sophisticated direction, sharp suits (in similar tartans and tweeds to those seen on the girls) were aplenty. Floor length coats and double-breasted blazers really complimented the womenswear. Contrasting trousers in really bright colours were paired with tame blazers, allowing Costelloe’s men to be quirky but smart at the same time.

Illustration by Maria Papadimitriou

It was a massive collection – the biggest I saw during the day – but each piece had been carefully selected to compliment the next and never was it boring. The only way I could have enjoyed the show more was if Unforgiving Fashion Blogger hadn’t been such a knob. Hilariously she was fighting for my prime photographer’s spot to take pictures with her Blackberry! Well, I ask you.

Another great outing for PC, though. Long may he reign – in a sea of often miserable A/W 2011 dark collections, his whimsical approach and playful colours are a ray of sunshine.

All photography by Matt Bramford

Written by Matt Bramford on Saturday February 19th, 2011 11:32 am

Categories ,1940s, ,1950s, ,A/W 2011, ,Bobby Darin, ,british fashion council, ,Catwalk review, ,Lesley Barnes, ,London Fashion Week, ,Maria Papadimitriou, ,Matt Bramford, ,Paul Costelloe, ,Ray of sunshine, ,Tartan, ,The Andrews Sisters, ,Tweed

Amelia’s Magazine | London Fashion Week A/W 2011 Menswear Day Catwalk Review: Christopher Shannon

KTZ A/W 2011. Photography by Amelia Gregory.
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KTZ A/W 2011 by Andrea Peterson, order aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, rem…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for styling this show, she who also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

Kokon to Zai by Dan Stafford.

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KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
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KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
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KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
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KTZ A/W 2011 by Andrea Peterson, site aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
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KTZ A/W 2011 by Andrea Peterson, order aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
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KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for the styling; she also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.
Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
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KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011. Photography by Amelia Gregory.
Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
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KTZ A/W 2011 by Andrea Peterson, symptoms aka Artist Andrea.

KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Kayleigh Bluck.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ groupies by Andrea Peterson, aka Artist Andrea.

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away after the show through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.

KTZ A/W 2011. Photography by Amelia Gregory.
Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.

Illustration by Krister Selin

Christopher Shannon burst back on to the catwalk on Menswear Day at London Fashion Week in typical chav-luxe fashion. Menswear day was a bit hot and cold this season – some of the shows were extremely busy, healing but when I arrived at Christopher Shannon’s there didn’t seem to be that many attendees, so I plonked myself on the front row and fiddled with my iPhone in a bid to look belonging and important. I even adjusted my crumbling posture (which is hella difficult after the cruel strains of back-to-back slumping at shows).

Illustration by Michelle Urvall Nyrén

The show soon filled up, mind, and I was squashed along the frankly miserable BFC benches. Shannon’s infamous taste in music with which I wholeheartedly side (Rihanna’s What’s My Name and Te Amo being this season’s choice tunes) began the show, and out popped the street-cast models we’re familiar with. Some of them look terrified, some achingly nonchalant, but all are suited to Shannon’s unique take on menswear.

All photography by Matt Bramford

A mix of jersey sweatshirts, scarves and oversized rucksacks started the show – each with a Shannon twist. Shirts were cut through the middle to mix up the patterns – this time with a more ‘worldly’ influence. His obsession with sportswear derives from the fact that wherever you go, ‘there’s always sportswear’ – too true – and Shannon has drawn upon the variations of sportswear in different cultures for this ‘Hold Yer Head Up’ collection.

Illustration by Oscar Rubio

Bolder prints – abstract forms that have a more biological feel (influenced by his affection for David Attenborough!) make up the body of designs. Later came shirts separated down the middle in varying ways – sometimes texture, sometimes colour. Some shirts had woven-blanket details with different kitsch embellishments – a surprising move but a welcome one nonetheless.

Shannon’s clean nylons were spiced up with some frou-frou details this season – I wouldn’t be seen dead in any of this (mostly because my friends would snort, point and laugh) but I think the aesthetic of it is just fabulous. The lights, imposing over the catwalk, bounced in between each ruffle to give a shiny, futuristic look. A colour palette of navy blue, black, grey came with splashes of colour from the woven elements and bits of baby pink to remind us that this is still sportswear. Flat caps and flashy vibrant trainers complimented each outfit.

Illustration by Maria Papadimitriou

Much preferred the Eastpak collaboration rucksacks this time – again, the woven blanket details showed up and looked ace.

But, in spite of all this, I’ll forever remember Christopher Shannon’s A/W 2011 outing for those incredible Frank Sidebottom-esque hair-dos and embellished eyebrows. Why, you might ask? Because this is FASHION, darling.

See more of Krister Selin and Michelle Urval Nyrén’s illustrations in Amelia’s Compendium of Fashion Illustration!

Written by Matt Bramford on Thursday March 10th, 2011 1:45 pm

Categories ,A/W 2011, ,BFC, ,chavs, ,Christopher Shannon, ,Eastpak, ,Ethnic, ,Eyebrows, ,Flat caps, ,Frank Sidebottom, ,Krister Selin, ,London Fashion Week, ,Luxe, ,Maria Papadimitriou, ,Menswear Day, ,Michelle Urvall Nyrén, ,Oscar Rubio, ,Rihanna, ,Rucksacks, ,Somerset House, ,sportswear, ,Te Amo, ,What’s My Name?

Amelia’s Magazine | Kirsty Ward: The London Fashion Week S/S 2012 Preview Interview

Kirsty Ward by Kassie Berry
Kirsty Ward S/S 2012 by Kassie Berry.

In the past few seasons I’ve been super impressed with the work of up and coming designer Kirsty Ward. She won’t be taking to the catwalk this season but I still thought I’d do a sneaky catch up interview with her to find out what she’s got in store for S/S 2012. Here goes…

Kirsty Ward by Claire Kearns.

How did you come up with your signature look: sculptural boning of organza to create many layered shapes?
It’s something I have been obsessed with since my MA at Central Saint Martins and has evolved since then, check and there’s always a way each season that I want to push it. I probably won’t ever tire of it.

Kirsty Ward S/S 2012
When did your love of the 80s start?
I’m not sure when, and im not sure if its because I was born in 1982 but I like the possibility and forward thinking of the era, it’s when people started to break the mould more.

Kirsty Ward by Maria Papadimitriou aka Slowly The Eggs
Kirsty Ward S/S 2012 by Maria Papadimitriou aka Slowly The Eggs.

You can’t bear stud earrings: do you ever feel the physical effects from your love of such big jewellery? Do you take a break from them when you are working or would we find you hunched over a sewing machine with 3 inch earrings dangling dangerously close to the mechanisms?
Haha when I’m working I will generally be jewelleryless – I like wearing teenage boy clothes, with nothing dangling inbetween pattern cutting and sewing. I’m sure there have been some jewellery related accidents as I’m quite clumsy but I cannot think of any specific incidents.

Why do you think that jewellery is so important these days and what can good jewellery offer to an outfit?
Jewellery is great as it can totally make a boring outfit look cool and it’s also not sizeist, so bigger people can wear it too, as not everyone is built for high fashion garments.

Kirsty Ward SS 2012 inspiration girl
You find lots of jewellery components in hardware shops. Do you have any favourite haunts? eg. Have you ever discovered a treasure trove of ancient hardware bits and if so where was this eureka moment?
I tend to favour the great British institutes such as B&Q, theres this online floristry supplier that I love called Micheal dark and my dad is a carpenter so he has lots of fun stuff in his van/tool box. I also like alot of trade only places filled with guys in high vis vests etc wondering what the hell I’m doing in there buying x40 plumbing parts!

Kirsty Ward by Debbie Ajia
Kirsty Ward S/S 2012 by Debbie Ajia.

Are you still collaborating with David Longshaw and if so what can we except from him this season, any insider tips?
Of course he’s my boyfriend, he can’t get rid of me! Well there’s lots of prints (of course) of his beautiful illustrations mixed with some fucked up florals (fucked up in a good way).

Kirsty Ward SS 2012 blue
Why did you decide to forgo a catwalk show this season and instead present the collection on a static stand with a film? What can you tell us about the film?
To be honest as a young designer a catwalk show is far too expensive for me at the moment. I thought it would be far more sensible to meet with buyers and press in an environment where I can talk them through my collection, this way they can see all the details and craftsmanship.
The film will be one word – FUN!

Kirsty Ward SS 2012 inspiration
Last season you’d been watching a lot of Star Wars and that seemed to sneak into some of the dress shapes. Have you been watching some influential movies this season and if so what?
I’ve been watching quite a few shit sci-fi movies – generally the crapper they are the more I will like it, I especially like bad acting and awful special effects. I don’t think it has rubbed off too much in the collection, but we will see in the final lookbook photos!

Kirsty Ward SS 2012 inspiration
This season you’ve been inspired by a “mundane mix of officewear, stationary, menswear detailing and suspended layering.” How can stationary influence clothing?!
It’s more about the stationary being used in the jewellery, its taken over from the hardware of past seasons.

What new fabrics have you used for the upcoming S/S 2012 season?
Well there’s always a sheer, then there’s a mix of luxurious vs sporty with sand washed silks, neoprene, cotton drills and striped shirting.

Kirsty Ward by Samantha Eynon.

Is music important to you and if so what will you be listening to in the run up to Fashion Week? Any favourites on the decks?
Definitely – I hate working in silence, it puts me on edge. At the moment in the studio were playing: Metronomy, Hot Chip, The Knife, Peaches, Lykke Li, Little Dragon, Yelle.

I’m sure you have loads to do, but what will an average day be like in the final run up to LFW? What will you do to rest and relax?
To be honest my life at the moment revolves around ss12, so if I’m not working on it I’m thinking about it, but as we touched on before I so like to watch the odd shit sci-fi movie.

Kirsty Ward inspiration
No more nipples for S/S 2012: you’ve collaborated with designer Josefine Wing of Mint Siren for an underwear collection this season. What has been the best bit about this project?
It’s good to have another persons knowledge and skills to work with as I didn’t have a clue about the technical side of underwear.

Who is the ideal woman to wear your clothes? Do you think you would ever branch out into menswear?
There’s not a specific example, just someone who likes to have fun with their clothing/jewellery and someone that appreciates the hidden details. I wouldn’t say no to menswear – I often do made to measure pieces for male friends, but who knows about an actual collection!

Where can people get their hands on a piece of Kirsty Ward?
My pieces can be found in China, Japan, Amsterdam, and Italy but In the UK my pieces can be found at Young British Designers, Bengt Fashion and I will be selling select and limited edition pieces on my website (www.kirsty-ward.com)

If you’ve only just discovered Kirsty Ward why not check in with our other blogs about this talented designer (with loads of illustrations):

Kirsty Ward S/S 2011
Kirsty Ward Ones to Watch A/W 2011 Preview
Kirsty Ward Ones to Watch A/W 2011
and another blog about Ones to Watch A/W 2011

You can find Kirsty Ward at the static stands during London Fashion Week.

Written by Amelia Gregory on Friday September 2nd, 2011 2:07 pm

Categories ,1980s, ,B&Q, ,Bengt Fashion, ,Central Saint Martins, ,Claire Kearns, ,David Longshaw, ,Debbie Ajia, ,Earrings, ,Film. Mint Siren, ,Hardware, ,Hot Chip, ,interview, ,jewellery, ,Josefine Wing, ,Kassie Berry, ,Kirsty Ward, ,Little Dragon, ,London Fashion Week, ,Lykke Li, ,ma, ,Maria Papadimitriou, ,metronomy, ,Peaches, ,preview, ,S/S 2012, ,Samantha Eynon, ,Sci-Fi, ,Slowly the Eggs, ,Star Wars, ,Stationary, ,Structural, ,The Knife, ,Yelle, ,young british designers

Amelia’s Magazine | KTZ: London Fashion Week S/S 2014 Catwalk Review

KTZ S/S 2014 by Rose Crees

KTZ S/S 2014 by Rose Crees

Since illustrating KTZ‘s striking A/W 2011 collection for Amelia’s Magazine, I have wished there would come a chance to attend a KTZ catwalk show in person. Koji Maruyama and Marjan Pejowski’s S/S 2014 womenswear collection impressed me both visually and intellectually – welcoming the sweeping winds of change whilst looking back at older, wiser traditions – but unfortunately the new structure of the main catwalk space at Somerset House, plus super tight security measures to control the larger audiences it can hold meant that I found myself impossibly struggling for a good spot to capture properly on camera this much anticipated moment. So what better chance for a lavishly illustrated London Fashion Week review!

KTZ S/S 2014 by Lynne Datson

KTZ S/S 2014 by Lynne Datson

Carrying on from their S/S 2014 menswear collection’s Arabic influences and extensive use of symbols, KTZ focused again for their S/S 2014 womenswear collection on themes related to spirituality, religious attire and nomadic cultures, highlighting the impact on today’s society by migrating populations. Against the backdrop of an upbeat atmosphere and a soundtrack which included howling winds, fire crackling sounds, wild animal growling and western re-mixes of eastern tunes, we saw burqa-style dresses, billowing capes, floral prints reminiscent of Islamic mosaics and graphic monochrome patterns made up from shapes of stars and pentagons. Black bomber jackets covered in silver hardwear, spiked wrist cuffs and hats as well as bold silver jewellery further added to the general feel of determination and optimism I thought this collection exuded.

KTZ S/S 2014 by xplusyequals

KTZ S/S 2014 by xplusyequals

KTZ S/S 2014 by Antonia Parker

KTZ S/S 2014 by Antonia Parker

KTZ S/S 2014 by Dom & Ink

KTZ S/S 2014 by Dom & Ink

KTZ S/S 2014 by Gareth A Hopkins

KTZ S/S 2014 by Gareth A Hopkins

KTZ S/S 2014 by Scott W Mason

KTZ S/S 2014 by Scott W Mason

KTZ S/S 2014 by Karolina Burdon

KTZ S/S 2014 by Karolina Burdon

KTZ S/S 2014 by Claire Kearns

KTZ S/S 2014 by Claire Kearns

KTZ S/S 2014 by Lizzie Donegan at New Good Studio

KTZ S/S 2014 by Lizzie Donegan at New Good Studio

KTZ S/S 2014 by Slowly The Eggs

KTZ S/S 2014 by Slowly The Eggs

Written by Maria Papadimitriou on Monday September 30th, 2013 9:25 am

Categories ,Antonia Parker, ,Arabic, ,BFC Tent, ,british fashion council, ,Burqa, ,Claire Kearns, ,deserts, ,Dom & Ink, ,Floral prints, ,Gareth A Hopkins, ,Karolina Burdon, ,KTZ, ,Lizzie Donegan, ,London Fashion Week, ,Lynne Datson, ,Maria Papadimitriou, ,monochrome, ,New Good Studio, ,prints, ,Religious, ,Rose Crees, ,S/S 2014, ,Scott W Mason, ,Slowly the Eggs, ,Spikes, ,Womenswear, ,xplusyequals

Amelia’s Magazine | Little Shilpa: London Fashion Week S/S 2014 Presentation Review

Little Shilpa S/S 2014 by Slowly The Eggs

Little Shilpa S/S 2014 by Slowly The Eggs

Little Shilpa is the eponymous label of Mumbai born milliner and accessory designer Shilpa Chavan, and this was her first ever Fashion Scout showcase during London Fashion Week. I have recently been rather obsessed with eastern religions’ goddess iconography and images of Green Tara, Shakti merging into Shiva or Hathor crowd my desktop, so attending Little Shilpa’s ‘Grey Matter’ presentation was a welcome gift indeed. The five figures standing in front of us looked like five fantastical deities, delightfully adorned with dramatic headpieces and jewellery whose forms had obvious eastern influences. Their bodies were clothed with equally theatrical textile assemblages, some of them referencing the sari and including tulle, brocade, silk and lace. In both her accessories and garments, Shilpa Chavan holds tradition close but gives them a modern outlook. For example, underneath the deconstructed saris she used men’s shirts, and instead of ornamental jewellery being made in gold metals it was presented in perspex. In fact, according to the designer, this indecision between the traditional and the contemporary was behind the title of her first London Fashion Week outing – I hope there will be more!

Little Shilpa S/S 2014 by Claire Kearns

Little Shilpa S/S 2014 by Claire Kearns

Little Shilpa S/S 2014 photo by Maria Papadimitriou

Little Shilpa S/S 2014 by Daisy Steele

Little Shilpa S/S 2014 by Daisy Steele

Little Shilpa S/S 2014 photo by Maria Papadimitriou

Little Shilpa S/S 2014 by Lynne Datson

Little Shilpa S/S 2014 by Lynne Datson

Little Shilpa S/S 2014 photo by Maria Papadimitriou

Little Shilpa S/S 2014 presentation. All photography by Maria Papadimitriou

Written by Maria Papadimitriou on Friday September 20th, 2013 9:26 pm

Categories ,accessories, ,Claire Kearns, ,Daisy Steele, ,Fashion Scout, ,Goddess, ,Grey Matter, ,Headpiece, ,jewellery, ,LFW Presentation, ,Little Shilpa, ,London Fashion Week, ,Lynne Datson, ,Maria Papadimitriou, ,Mumbai, ,Perspex, ,Sari, ,Shilpa Chavan, ,Slowly the Eggs, ,Tradition

Amelia’s Magazine | Introducing The Rodnik Band: S/S 2012 ‘Cod Save The Sea’ Diffusion Line for ASOS

The Rodnik Band SS12 Cod Save The Sea by Helena Maratheftis

The Rodnik Band SS12 ‘Cod Save The Sea’ by Helena Maratheftis

On a fine London morning in early June – I know, hard to believe – I had the privilege of visiting the colourful studio where the witty designs by The Rodnik Band come to life to interview the man behind them, Philip Colbert. I cannot remember exactly how this brand entered my radar a couple of years ago, but I recall browsing The Rodnik Band website for the first time and feeling really excited that such fun, stimulating, cleverly filled with references – if a little inaccessible – clothes existed out there. Later, during the private view of an exhibition organised by The Stitch Project, I suddenly saw in front of me a girl wearing an exquisitely delicately sequined long gown whose main body had the shape of a fish, while chips were adorning the lower area near the floor. It was delightful. The girl was holding a banner with the slogan ‘Cod Save The Sea’.

The Rodnik Band SS12 by Miss Fay Myers

The Rodnik Band SS12 ‘Cod Save The Sea’ by Miss Fay Myers

The Rodnik Band 'Cod Save the Sea' SS12 collection

‘Cod Save The Sea’ was the theme of The Rodnik Band’s S/S 2012 collection in collaboration with the Environmental Justice Foundation and inspired by EJF’s work to end illegal ‘pirate’ fishing. The reason behind my scheduled interview was the launch of a diffusion line from this S/S 2012 Sea inspired collection for ASOS this June. This is really exciting not only because now The Rodnik Band’s refreshing designs will be available to a wider audience in a more accessible form, but also because this kind of fun, subtle activism – which I think can be very effective – will hopefully catch on.

The Rodnik Band SS12 ASOS diffusion line looks 1+2

The Rodnik Band S/S12 ‘Cod Save The Sea’ diffusion line for ASOS by Helena Maratheftis

The Rodnik Band studio 2012 Phil Colbert painting the book dress for Hay Festival photo by Maria Papadimitriou.jpg

The Rodnik Band studio 2012 Giulia wearing the 'Fashion is Activism' book dress by Phil Colbert photo by Maria Papadimitriou.jpg

During my visit I was lucky to witness the making – fittings and alterations were made in between questions – of a dress in the shape of a book which Philip Colbert was making for his appearance the next day at the Hay Festival, where he would be talking along with Safia Minney, founder of People Tree about fashion activism. Of course, visiting a studio also means that one gets to see all those behind the scenes bits, drawings and processes which I find fascinating. I particularly enjoyed seeing some drawings of funny imaginary scenarios featuring designs from the ‘Cod Save The Sea’ collection, which Philip explained he does when creating the mood for the collections, but which otherwise remain unseen.

The Rodnik Band studio 2012 'Cod Save the Sea' boat scenario sketch by Phil Colbert photo by Maria Papadimitriou

Having watched a few videos by The Rodnik Band before the interview I already had the impression that Philip Colbert was a very charming and vivacious person. Indeed this was the case and I am very grateful to him that he chatted to me in such a friendly, relaxed manner about his work, what excites him and the spirit of his brand – even if he seemed to have quite a bit of work to do… read my interview with Philip Colbert here.

The Rodnik Band studio 2012 'Cod Save the Sea' sailor sketch by Phil Colbert photo by Maria Papadimitriou

All photography by Maria Papadimitriou.

Written by Maria Papadimitriou on Friday June 22nd, 2012 11:40 am

Categories ,activism, ,Alison Jackson, ,ASOS, ,Claire Jones, ,Claire Jones Art, ,Cod Save The Sea, ,Diffusion Line, ,Duchamp, ,Duchamp’s Fountain, ,EJF, ,Environmental Justice Foundation, ,fashion, ,Fay Myers, ,Hay Festival of Literature and the Arts, ,Helena Maratheftis, ,Maria Papadimitriou, ,Mondrian, ,Nicola O’prey, ,People Tree, ,Performance Art, ,Philip Colbert, ,Piet Mondrian, ,Pirate Fishing, ,S/S 2012, ,Safia Minney, ,Sea, ,The Rodnik Band, ,video, ,Yves Saint Laurent

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