Amelia’s Magazine | Veja launch ‘Projet Numero Deux’ – satchels and sacks, ethical style

Shannon_Natasha_untitled
Shannon_Natasha_children

Take a look at Shannon’s website, there her Flickr or Tumblr, this web and you’ll get to peek into a world of ‘almost’ – almost grown up, almost ready, almost on your way. I feel I should apologise to Shannon in case that sounds patronising, but I mean this in the best way possible. Looking at Shannon’s photos brings back a feeling of being on the verge, excited and nervous at the thought of everything ahead. Right now, the 17–year-old is finishing her high school exams at home in Australia, and has to choose whether to go on to study photography full time or do something else. Almost entirely self-taught, she’s worried that taking her photography to a more professional level could take the fun out of it. But for one more summer, in a place infinitely more sunny than Britain, she is still free to roam around with friends and her camera.

Shannon_Natasha_selfportrait
Shannon Natasha: self portrait.

Shannon’s photos have a fresh and uninhibited feel, with a playful and sometimes dreamy streak. As her self portrait demonstrates, she knows a thing or two about technique and lighting too, and a browse through her work shows she has a good eye for intriguing detail. I think this is what they mean when they talk about talent.

What is it that you love about photography?
I love having the ability to focus on different points, pinpointing something specific you want people to be drawn to. I love creating stories and dreams in my photos, documenting events and recording emotions. I love being able to alter reality, spinning it whichever way I feel.

What sparked your interest in picture-taking?
I’ve actually had an interest in cameras since I was very young, receiving my first one as a birthday present when I was about five. I really developed my love for photography around the age of 14, and I delved further into the art by purchasing my first DSLR camera last year. This gave me much more manual freedom, which I had desired for so long. Previous to this I would often borrow the DSLRs from my school, or use my friend’s. I also used film SLRs. I’m mainly self taught, although I did learn a little more in choosing digital photography as an elective at school two years ago.
 
Shannon_Natasha_CF_VII

You have some great fashion-themed shots in your collection, but my favourites are probably the more ‘quiet’ photos, such as the wire hanger and the rose-painted doorknobs. Which style of photography do you like best?
My favourite shots are often the simple ones, although my different styles of photos all appeal to different parts of me. I love fashion and that’s why I love taking fashion shots. I also adore story telling, the ability to evoke emotion in others through art, and sometimes just having something pretty to look at, something that will sweeten my eyes and hopefully the eyes of others who see my photos. This is one thing I love about taking photos as a hobby, I take them for me. I don’t have any photos that other people have dictated.

Shannon_Natasha_hang_on
Hang on

You seem to be doing more and more fashion shoots. Is this the direction you’d like to go as a photographer?
I don’t think I could ever decide on one direction. I’m definitely interested in shooting fashion but I’d never want to limit myself. One thing I love about photography is the freedom and having the ability to capture my own visions. Sometimes I may have the intention of shooting a fashion-styled set of photos and end up getting carried away with more abstract or conceptual shots.

Shannon_Natasha_i_see_the_light_surrounding_you
I see the light surrounding you.

From where do you draw inspiration? Who are your favourite photographers?
I often draw inspiration from magazines, websites like Tumblr, amazing artists on Flickr and in the world, through music, through relationships, books and my family and friends. Many of my favourite photographers are not necessarily world-renowned. I absolutely love work by Alison Scarpulla, Jeannine Tan, Mary Robinson, Muszka, Tamara Lichtenstein, Nirrimi Hackanson and Evan Hawke. Their photos just catch my breath. 

Do you spend a lot of time getting the settings and light right, or is it a more impulsive process? Do you do much post-production?
It’s becoming much more impulsive now, although I do remember when it would take me four or five shots to get the settings right. Now it only takes one or two. Crazy weather in Australia, when the sun can’t make up its mind, doesn’t help. I don’t edit much if I’m shooting fashion or would like the photos to look more realistic, but if I’m going for something a little more magical I tend to spend a bit of time editing.

Shannon_Natasha_140410

With school over, what’s your plan?
The next thing for me will be university or possible an art college, where I will major in photography. At the moment I’d like to do both photography as well as something like law or psychology, but I may not even pursue photography in future study. I enjoy it very much as a hobby, so pushing money and survival into the equation may take some of my love from photography and replace it with nerves and fear which would ultimately be negative.

Shannon_Natasha_black

Other than photography, what makes you happy?
Other than taking photos, my passion is dancing. Mainly hip hop. Definitely dancing.

Shannon_Natasha_children

Take a look at Shannon’s website, this her Flickr or Tumblr, and you’ll get to peek into a world of ‘almost’ – almost grown up, almost ready, almost on your way. I feel I should apologise to Shannon in case that sounds patronising, but I mean this in the best way possible. Looking at Shannon’s photos brings back a feeling of being on the verge, excited and nervous at the thought of everything ahead. Right now, the 17–year-old is finishing her high school exams at home in Australia, and has to choose whether to go on to study photography full time or do something else. Almost entirely self-taught, she’s worried that taking her photography to a more professional level could take the fun out of it. But for one more summer, in a place infinitely more sunny than Britain, she is still free to roam around with friends and her camera.

Shannon_Natasha_selfportrait
Shannon Natasha: self portrait.

Shannon’s photos have a fresh and uninhibited feel, with a playful and sometimes dreamy streak. As her self portrait demonstrates, she knows a thing or two about technique and lighting too, and a browse through her work shows she has a good eye for intriguing detail. I think this is what they mean when they talk about talent.

What is it that you love about photography?
I love having the ability to focus on different points, pinpointing something specific you want people to be drawn to. I love creating stories and dreams in my photos, documenting events and recording emotions. I love being able to alter reality, spinning it whichever way I feel.

Shannon_Natasha_untitled

What sparked your interest in picture-taking?
I’ve actually had an interest in cameras since I was very young, receiving my first one as a birthday present when I was about five. I really developed my love for photography around the age of 14, and I delved further into the art by purchasing my first DSLR camera last year. This gave me much more manual freedom, which I had desired for so long. Previous to this I would often borrow the DSLRs from my school, or use my friend’s. I also used film SLRs. I’m mainly self taught, although I did learn a little more in choosing digital photography as an elective at school two years ago.
 
Shannon_Natasha_CF_VII

You have some great fashion-themed shots in your collection, but my favourites are probably the more ‘quiet’ photos, such as the wire hanger and the rose-painted doorknobs. Which style of photography do you like best?
My favourite shots are often the simple ones, although my different styles of photos all appeal to different parts of me. I love fashion and that’s why I love taking fashion shots. I also adore story telling, the ability to evoke emotion in others through art, and sometimes just having something pretty to look at, something that will sweeten my eyes and hopefully the eyes of others who see my photos. This is one thing I love about taking photos as a hobby, I take them for me. I don’t have any photos that other people have dictated.

Shannon_Natasha_hang_on
Hang on

You seem to be doing more and more fashion shoots. Is this the direction you’d like to go as a photographer?
I don’t think I could ever decide on one direction. I’m definitely interested in shooting fashion but I’d never want to limit myself. One thing I love about photography is the freedom and having the ability to capture my own visions. Sometimes I may have the intention of shooting a fashion-styled set of photos and end up getting carried away with more abstract or conceptual shots.

Shannon_Natasha_i_see_the_light_surrounding_you
I see the light surrounding you.

From where do you draw inspiration? Who are your favourite photographers?
I often draw inspiration from magazines, websites like Tumblr, amazing artists on Flickr and in the world, through music, through relationships, books and my family and friends. Many of my favourite photographers are not necessarily world-renowned. I absolutely love work by Alison Scarpulla, Jeannine Tan, Mary Robinson, Muszka, Tamara Lichtenstein, Nirrimi Hackanson and Evan Hawke. Their photos just catch my breath. 

Do you spend a lot of time getting the settings and light right, or is it a more impulsive process? Do you do much post-production?
It’s becoming much more impulsive now, although I do remember when it would take me four or five shots to get the settings right. Now it only takes one or two. Crazy weather in Australia, when the sun can’t make up its mind, doesn’t help. I don’t edit much if I’m shooting fashion or would like the photos to look more realistic, but if I’m going for something a little more magical I tend to spend a bit of time editing.

Shannon_Natasha_140410

With school over, what’s your plan?
The next thing for me will be university or possible an art college, where I will major in photography. At the moment I’d like to do both photography as well as something like law or psychology, but I may not even pursue photography in future study. I enjoy it very much as a hobby, so pushing money and survival into the equation may take some of my love from photography and replace it with nerves and fear which would ultimately be negative.

Shannon_Natasha_black

Other than photography, what makes you happy?
Other than taking photos, my passion is dancing. Mainly hip hop. Definitely dancing.

Shannon_Natasha_children

Take a look at Shannon’s website, more about her Flickr or Tumblr, and you’ll get to peek into a world of ‘almost’ – almost grown up, almost ready, almost on your way. I feel I should apologise to Shannon in case that sounds patronising, but I mean this in the best way possible. Looking at Shannon’s photos brings back a feeling of being on the verge, excited and nervous at the thought of everything ahead. Right now, the 17–year-old is finishing her high school exams at home in Australia, and has to choose whether to go on to study photography full time or do something else. Almost entirely self-taught, she’s worried that taking her photography to a more professional level could take the fun out of it. But for one more summer, in a place infinitely more sunny than Britain, she is still free to roam around with friends and her camera.

Shannon_Natasha_selfportrait
Shannon Natasha: self portrait.

Shannon’s photos have a fresh and uninhibited feel, with a playful and sometimes dreamy streak. As her self portrait demonstrates, she knows a thing or two about technique and lighting too, and a browse through her work shows she has a good eye for intriguing detail. I think this is what they mean when they talk about talent.

What is it that you love about photography?
I love having the ability to focus on different points, pinpointing something specific you want people to be drawn to. I love creating stories and dreams in my photos, documenting events and recording emotions. I love being able to alter reality, spinning it whichever way I feel.

Shannon_Natasha_untitled

What sparked your interest in picture-taking?
I’ve actually had an interest in cameras since I was very young, receiving my first one as a birthday present when I was about five. I really developed my love for photography around the age of 14, and I delved further into the art by purchasing my first DSLR camera last year. This gave me much more manual freedom, which I had desired for so long. Previous to this I would often borrow the DSLRs from my school, or use my friend’s. I also used film SLRs. I’m mainly self taught, although I did learn a little more in choosing digital photography as an elective at school two years ago.
 
Shannon_Natasha_CF_VII

You have some great fashion-themed shots in your collection, but my favourites are probably the more ‘quiet’ photos, such as the wire hanger and the rose-painted doorknobs. Which style of photography do you like best?
My favourite shots are often the simple ones, although my different styles of photos all appeal to different parts of me. I love fashion and that’s why I love taking fashion shots. I also adore story telling, the ability to evoke emotion in others through art, and sometimes just having something pretty to look at, something that will sweeten my eyes and hopefully the eyes of others who see my photos. This is one thing I love about taking photos as a hobby, I take them for me. I don’t have any photos that other people have dictated.

Shannon_Natasha_hang_on
Hang on

You seem to be doing more and more fashion shoots. Is this the direction you’d like to go as a photographer?
I don’t think I could ever decide on one direction. I’m definitely interested in shooting fashion but I’d never want to limit myself. One thing I love about photography is the freedom and having the ability to capture my own visions. Sometimes I may have the intention of shooting a fashion-styled set of photos and end up getting carried away with more abstract or conceptual shots.

Shannon_Natasha_i_see_the_light_surrounding_you
I see the light surrounding you.

From where do you draw inspiration? Who are your favourite photographers?
I often draw inspiration from magazines, websites like Tumblr, amazing artists on Flickr and in the world, through music, through relationships, books and my family and friends. Many of my favourite photographers are not necessarily world-renowned. I absolutely love work by Alison Scarpulla, Jeannine Tan, Mary Robinson, Muszka, Tamara Lichtenstein, Nirrimi Hackanson and Evan Hawke. Their photos just catch my breath. 

Do you spend a lot of time getting the settings and light right, or is it a more impulsive process? Do you do much post-production?
It’s becoming much more impulsive now, although I do remember when it would take me four or five shots to get the settings right. Now it only takes one or two. Crazy weather in Australia, when the sun can’t make up its mind, doesn’t help. I don’t edit much if I’m shooting fashion or would like the photos to look more realistic, but if I’m going for something a little more magical I tend to spend a bit of time editing.

Shannon_Natasha_140410

With school over, what’s your plan?
The next thing for me will be university or possible an art college, where I will major in photography. At the moment I’d like to do both photography as well as something like law or psychology, but I may not even pursue photography in future study. I enjoy it very much as a hobby, so pushing money and survival into the equation may take some of my love from photography and replace it with nerves and fear which would ultimately be negative.

Shannon_Natasha_black

Other than photography, what makes you happy?
Other than taking photos, my passion is dancing. Mainly hip hop. Definitely dancing.


The Darkroom on Lamb’s Conduit Street, drug illustrated by June Chanpoomidole

A little while ago (read: ages ago and I’m only just getting around to writing this) I went along to the launch of Veja‘s new luggage line. I’ve digged Veja for ages – purveyors of neat trainers that are totally ethical in production and manufacture. They add a je ne sais quoi to the Shoreditch plimsoll trend, doctor in a host of vibrant colours and fashion-forward designs.

So when I heard they were to develop a line of bags I was over the moon. The launch happened at the Darkroom– the latest hipster shop on Lambs Conduit Street, with its achingly cool dark interior stocking some fabulous products that are hard to find elsewhere. A great atmosphere ensued due in large to cocktail after cocktail, which is brave of Veja considering their new range was dotted around the shop. I always have an acute fear of throwing a flirtini over an over-priced frock extremely over-priced artwork when I attend these functions.


Illustration by Katie Walters

The new line of bags is, quite simply, brilliant. In a range of a cool colours including dark blues, browns and creams, the bags come in a variety of shapes and sizes- from rucksacks to larger luggage styles. They’re al quality crafted, whether it be a canvas day bag or satchels in soft leather. And, as always, they’re totally ethical. The pure cotton canvas is always organic, the leather is vegetable-tanned and they’re all produced in Brazil using skilled workers who are paid well and looked after. So, not only do you look super-stylish, you can swagger guilt-free.


Illustration by Stacie Swift

Since the bag launch, Veja have released their latest season of trainers, which I reckon is the best range yet. Vegetable-tanned suede and wild Amazonian rubber make up this delicious new footwear range, called the Indigenous. You can watch the video of the shoot right here:

Veja — LOOKBOOK INDIGENOS from Veja on Vimeo.

Here are some photographs from the event for your delectation:

The best thing about Veja is that their ethical products won’t break the bank. Find out more about them on their website, and you can read more about ethical labels in Amelia’s new book.

Enjoy!

Categories ,Amazon, ,Bags, ,brazil, ,Darkroom, ,ethical, ,fashion, ,Lambs Conduit Street, ,leather, ,Rucksacks, ,Satchels, ,Veja

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Amelia’s Magazine | London Fashion Week A/W 2011 Menswear Day Catwalk Review: Christopher Shannon

KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Andrea Peterson, <a target=link aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, cheap aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, order aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, rem…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for styling this show, she who also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.

KTZ A/W 2011 by Andrea Peterson, <a target=ed aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, for sale aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, rem…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for styling this show, she who also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
KTZ A/W 2011 by Andrea Peterson, <a target=more about aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, rem…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for styling this show, she who also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
KTZ A/W 2011 by Andrea Peterson, <a target=pills aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, rem…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for styling this show, she who also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
KTZ A/W 2011 by Andrea Peterson, <a target=discount aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, remedy aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, site aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for styling this show, she who also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
KTZ A/W 2011 by Andrea Peterson, <a target=hospital aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, pilule aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, order aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing. This collection was by no means for the faint hearted, but that, in my book, is a very good thing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for styling this show, she who also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.
KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
KTZ A/W 2011 by Andrea Peterson, <a target=medications aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, buy information pills aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing. This collection was by no means for the faint hearted, but that, in my book, is a very good thing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for the styling; she also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
KTZ A/W 2011 by Andrea Peterson, <a target=look aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, hospital aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing. This collection was by no means for the faint hearted, but that, in my book, is a very good thing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for the styling; she also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.
KTZ A/W 2011 by Andrea Peterson, <a target=erectile aka Artist Andrea” title=”KTZ A/W 2011 by Andrea Peterson, medical aka Artist Andrea” width=”480″ height=”595″ class=”aligncenter size-full wp-image-37005″ />
KTZ A/W 2011 by Andrea Peterson, symptoms aka Artist Andrea.

I wasn’t going to go into Somerset House on Wednesday, I really wasn’t. But the lure of a new Kokon To Zai collection was just too much. And boy was I glad that I did head into town for what turned out to be one of my very favourites shows of the week.

KTZ A/W 2011 by LJG Art and Illustration
KTZ A/W 2011 by LJG Art and Illustration.

On entering an extremely packed BFC tent (menswear seemed much busier this season) I was left wondering where to sit when Lida Hujic grabbed me and led me to a prime spot near the catwalk entrance, right next to Prince Cassius, Leroy of Diary of a Clothes Horse and, erm…. the Bosnian ambassador. There’s nothing like a bit of diversity on the front row!

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Kayleigh Bluck
KTZ A/W 2011 by Kayleigh Bluck.

Building on their monochromatic S/S season KTZ served up a primary coloured delight…. a little bit 80s, a little bit Memphis and a whole lot of fun. Calder-like 80s graphic sculptures rose in whorls out of heads. Huge ball bangles created bold wrist protuberances.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Maria Papadimitriou
KTZ A/W 2011 by Maria Papadimitriou.

Earrings, necklaces, brooches and sunglasses were striped, gold, abstracted statements. And for the men? Primary coloured balaclavas with bobbles: part bank robber, part cold small child.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ groupies by Andrea Peterson, aka Artist Andrea
KTZ groupies by Andrea Peterson, aka Artist Andrea.

But, onto the main course. This was a massive collection that took in easy to wear striped jersey tops and Dynasty meets Mondrian statement dresses with amazing marbled, flounce waists and layered tailoring. For men there were patent leather jackets, striped trousers and zig zag braces. The shoes are most definitely worth a mention – striped and block-heeled for women, platformed and buckled for the men – they were a wonderful complement to the clothing. This collection was by no means for the faint hearted, but that, in my book, is a very good thing.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011 by Antonia-Parker-
KTZ A/W 2011 by Antonia Parker.

But then I started to worry, just a little bit, that a dampener was about to be put on my enthusiasm. These days it really is so hard to tell what is real fur and what is not, and without the aid of a press release I presumed the former. Luckily I was put right straight away after the show through the power of twitter when KTZ informed me that only fake fur was used to create the fabulous oversized pompom scarf and killer colour hooded duffle coat.

KTZ A/W 2011 by Kellie Black
KTZ A/W 2011 by Kellie Black.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

I think I’m in love… I actually left this show beaming from ear to ear, and I can’t often say that. Major kudos must surely be given to Anna Trevelyan for the styling; she also styled the Alex Noble installation, and Charlie Le Mindu’s show. This lady has got some seriously diverse and wonderful ideas going on. You can follow her adventures on twitter here.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.Kokon to Zai by Dan Stafford
Kokon to Zai by Dan Stafford.

KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.KTZ A/W 2011. Photography by Amelia Gregory.
KTZ A/W 2011. Photography by Amelia Gregory.

You can see more work by Andrea Peterson, Antonia Parker and Kellie Black in Amelia’s Compendium of Fashion Illustration.

Illustration by Krister Selin

Christopher Shannon burst back on to the catwalk on Menswear Day at London Fashion Week in typical chav-luxe fashion. Menswear day was a bit hot and cold this season – some of the shows were extremely busy, healing but when I arrived at Christopher Shannon’s there didn’t seem to be that many attendees, so I plonked myself on the front row and fiddled with my iPhone in a bid to look belonging and important. I even adjusted my crumbling posture (which is hella difficult after the cruel strains of back-to-back slumping at shows).


Illustration by Michelle Urvall Nyrén

The show soon filled up, mind, and I was squashed along the frankly miserable BFC benches. Shannon’s infamous taste in music with which I wholeheartedly side (Rihanna’s What’s My Name and Te Amo being this season’s choice tunes) began the show, and out popped the street-cast models we’re familiar with. Some of them look terrified, some achingly nonchalant, but all are suited to Shannon’s unique take on menswear.


All photography by Matt Bramford

A mix of jersey sweatshirts, scarves and oversized rucksacks started the show – each with a Shannon twist. Shirts were cut through the middle to mix up the patterns – this time with a more ‘worldly’ influence. His obsession with sportswear derives from the fact that wherever you go, ‘there’s always sportswear’ – too true – and Shannon has drawn upon the variations of sportswear in different cultures for this ‘Hold Yer Head Up’ collection.


Illustration by Oscar Rubio

Bolder prints – abstract forms that have a more biological feel (influenced by his affection for David Attenborough!) make up the body of designs. Later came shirts separated down the middle in varying ways – sometimes texture, sometimes colour. Some shirts had woven-blanket details with different kitsch embellishments – a surprising move but a welcome one nonetheless.

Shannon’s clean nylons were spiced up with some frou-frou details this season – I wouldn’t be seen dead in any of this (mostly because my friends would snort, point and laugh) but I think the aesthetic of it is just fabulous. The lights, imposing over the catwalk, bounced in between each ruffle to give a shiny, futuristic look. A colour palette of navy blue, black, grey came with splashes of colour from the woven elements and bits of baby pink to remind us that this is still sportswear. Flat caps and flashy vibrant trainers complimented each outfit.


Illustration by Maria Papadimitriou

Much preferred the Eastpak collaboration rucksacks this time – again, the woven blanket details showed up and looked ace.

But, in spite of all this, I’ll forever remember Christopher Shannon’s A/W 2011 outing for those incredible Frank Sidebottom-esque hair-dos and embellished eyebrows. Why, you might ask? Because this is FASHION, darling.

See more of Krister Selin and Michelle Urval Nyrén’s illustrations in Amelia’s Compendium of Fashion Illustration!

Categories ,A/W 2011, ,BFC, ,chavs, ,Christopher Shannon, ,Eastpak, ,Ethnic, ,Eyebrows, ,Flat caps, ,Frank Sidebottom, ,Krister Selin, ,London Fashion Week, ,Luxe, ,Maria Papadimitriou, ,Menswear Day, ,Michelle Urvall Nyrén, ,Oscar Rubio, ,Rihanna, ,Rucksacks, ,Somerset House, ,sportswear, ,Te Amo, ,What’s My Name?

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