Amelia’s Magazine | The Amazon: Can Fashion Save the Rainforest? A talk with Bia Saldanha


Illustration by Charlotte Hoyle

“We are consumers, capsule addicted. We need to ask ourselves – this t-shirt, this where did it come from? A devastated place with devastated people?” – Bia Saldanha, health 28 July 2011??

Through Bia’s hesitant English – impressively peppered with the vocabulary of her respective fields – there was a message, a mantra, that seemed to resonate from her core with every sentence she spoke. The message? That as people, as a united force of humanity, we must end the selfishness, stop the excuses and start acting on the fact that our Earth cannot bear the brunt of our reckless lifestyle choices much longer. ??I was sitting at the far back of the still, woody space of The Hub, King’s Cross, looking on at Bia, eco journalist Lucy Siegle and novelist Ed Siegle’s discussion unraveling.

If there’s one thing I learnt on that warm Thursday evening, it’s that when a lady like Bia Saldanha gives out such a message from across the room, you sit up straight, strain your ears and listen. Living in the heart of the Amazon rainforest for 20 years definitely grants you a credible opinion on our Earth’s complex ecosystem and how it can be saved. And it only takes a minute or two of hearing Bia speak on the subject to get a sense of just how special she really is. A Brazilian woman who’s dedicated her years to both supporting the indigenous rubber farmers of Amazonia and aiding the battle against deforestation, Bia traded in a life running a stylish clothing boutique in Rio de Janeiro to live in the rainforest with her family and help the Seringueiros (the native rubber tappers) overcome their defeat by mainstream industrial production.


Illustration by Michelle Urvall Nyrén

But why should we care? Why should we listen? We all know of the damage upon the rainforest through mass deforestation and, for example, that Brazil lost nearly 150,000 square kilometers of forest—an area larger than Greece – between 2000 and 2006 alone. But the basis of why we should think again before discarding these past few lines as just another statistic lies in the words of Lucy Siegle; that we are in “the last chance saloon” when it comes to saving the rainforest. And, to further quote the fabulous Bia,

“You can’t imagine how strong, powerful and important the rainforest is if you haven’t been there”.


Illustration by Claire Kearns

With a background in the fashion industry, Bia began her pioneering work after a trip into the Amazon to search for new materials for her clothing line. She described how she found the indigenous rubber tappers storing their goods in traditional waterproof sacks. She then relayed her excitement of noticing how the sack material looked remarkably like leather when it was, in fact, cotton canvas covered in the extracted rubber from the trees. Bia took the idea for wild rubber “leather” handbags and had hundreds made, all of which completely sold out in the 1992 UN Earth Summit in Brazil. And so her crusade against the mass producers began. ?

The Amazon is, in fact, the only place in the world where rubber trees grow in the wild. When ecological and fair-trade brand Veja began their essential collaboration with Bia in 2007, they were already buying wild rubber from the rubber tappers. Veja are a French brand known for their ultra-cool sneakers and luxe accessories, whose products are sourced and produced solely in Brazil. They now work with Bia and use her independent, direct means of extracting wild rubber to produce their bags and footwear.

VEJA – CAOUTCHOUC SAUVAGE D’AMAZONIE from Veja on Vimeo.

In what can only be seen as a triumph in the fight for sustainable fashion, Bia Saldanha has also worked with Hermès, using her ‘vegan leather’ made of wild rubber to collaborate on an accessories collection for the luxury French fashion house.

Despite the dedication and ground-breaking work that’s been recognized the world over, however, Bia hasn’t received the support she justly deserves. In the discussion, she spelt out the level of sheer power and influence that Brazil’s central bank has over what is and isn’t permitted to function in the country. After struggling against many financial disagreements, Bia even faced being shut down completely, despite the continuous funding to unsustainable companies and projects, including the vast amount of cattle ranches that make up 60-70% of deforestation in the Amazon today.?

“I’ve now devoted 16 years to this,” said Bia. “It’s more than a business; it’s a cult.”


Illustration by Charlotte Hoyle

It’s not that she aims to trade with the giant companies, however. “There’s not enough wild rubber to supply the big companies. We don’t want to trade with anyone in particular but we do want to ask those companies, where does your rubber come from? These companies are just looking for marketing, they don’t care.”

Ed Siegle, author of new book Invisibles which is partially set in Brazil, contributed stating “With a lot of these issues, we’re all aware of them but we don’t do anything about it.” Lucy intervened – “That’s because we don’t know what the options are.”

To me, Lucy Siegle made an invaluable contribution to the event. She spoke of writing her latest book ‘To Die For” (Harper Collins; 2010) which she described as “engaging with the producer’s story”, and how she felt about the “contrast between her and the mainstream industry”, recounting fashion as a “vacuum that we know nothing about”. “We are now so distant from the producer,” she said “that the degradation of the consumer, the producer and the place is now inevitable.”


Photographs courtesy of Veja

She went onto ask the frustrating question, something I’d never put my mind to, of “Who are these people telling us what to wear? Telling us to buy this fast, discount fashion?” She feels that we are “told to shop for the economy”. Her answer to this has been to find a few brands that she can “rely on”.

The discussion moved on to the debate of ‘design and production – which should come first?’. Lucy Siegle, naturally, spoke in favour of production, upholding it as the healthier method in place of paper designs being sent across the world for the fastest and cheapest production possible. She believes instead that we need to be taking inspiration from the methods of Bia, who at the outset went into the forest – to the source – in search of materials, from which she then created her designs. This, she says, is a solution.


Photographs courtesy of Veja

Bia declares that her long-standing mission is to “protect the rainforest through economic alternatives”. And I say we need more ground-breaking fashion entrepreneurs like her. In the constant clash between nature and human demands, the more Bias we have in the world today, the brighter our future will be.

And with this mantra that seemed to beam from Bia’s every sentence; she most certainly wasn’t aiming it at the big logger companies or sweat shops or factories, definitely not. It’s US she meant. All of us. It’s you who sits right there wearing clothes that you really know nothing about. Someone’s hands, somewhere in the world, grew that cotton and dyed that fabric and stitched that pocket and, thus far, to you in your life it has made no difference. We’re all perpetrators and I’m most certainly one too. But after last Thursday, I’ll definitely be doing two things – reading Lucy Siegle’s book “To Die For” and taking a long, hard look at me and my wardrobe. And may I suggest you do the same.

Categories ,Amazon, ,Amazonia, ,Bia Saldanha, ,brazil, ,Ed Siegle, ,environment, ,ethical, ,fashion, ,Invisibles, ,Lucy Siegle, ,rainforest, ,review, ,Sustainable Fashion, ,Talk, ,The Hub, ,To Die For, ,Veja

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Amelia’s Magazine | Veja launch ‘Projet Numero Deux’ – satchels and sacks, ethical style

Shannon_Natasha_untitled
Shannon_Natasha_children

Take a look at Shannon’s website, there her Flickr or Tumblr, this web and you’ll get to peek into a world of ‘almost’ – almost grown up, almost ready, almost on your way. I feel I should apologise to Shannon in case that sounds patronising, but I mean this in the best way possible. Looking at Shannon’s photos brings back a feeling of being on the verge, excited and nervous at the thought of everything ahead. Right now, the 17–year-old is finishing her high school exams at home in Australia, and has to choose whether to go on to study photography full time or do something else. Almost entirely self-taught, she’s worried that taking her photography to a more professional level could take the fun out of it. But for one more summer, in a place infinitely more sunny than Britain, she is still free to roam around with friends and her camera.

Shannon_Natasha_selfportrait
Shannon Natasha: self portrait.

Shannon’s photos have a fresh and uninhibited feel, with a playful and sometimes dreamy streak. As her self portrait demonstrates, she knows a thing or two about technique and lighting too, and a browse through her work shows she has a good eye for intriguing detail. I think this is what they mean when they talk about talent.

What is it that you love about photography?
I love having the ability to focus on different points, pinpointing something specific you want people to be drawn to. I love creating stories and dreams in my photos, documenting events and recording emotions. I love being able to alter reality, spinning it whichever way I feel.

What sparked your interest in picture-taking?
I’ve actually had an interest in cameras since I was very young, receiving my first one as a birthday present when I was about five. I really developed my love for photography around the age of 14, and I delved further into the art by purchasing my first DSLR camera last year. This gave me much more manual freedom, which I had desired for so long. Previous to this I would often borrow the DSLRs from my school, or use my friend’s. I also used film SLRs. I’m mainly self taught, although I did learn a little more in choosing digital photography as an elective at school two years ago.
 
Shannon_Natasha_CF_VII

You have some great fashion-themed shots in your collection, but my favourites are probably the more ‘quiet’ photos, such as the wire hanger and the rose-painted doorknobs. Which style of photography do you like best?
My favourite shots are often the simple ones, although my different styles of photos all appeal to different parts of me. I love fashion and that’s why I love taking fashion shots. I also adore story telling, the ability to evoke emotion in others through art, and sometimes just having something pretty to look at, something that will sweeten my eyes and hopefully the eyes of others who see my photos. This is one thing I love about taking photos as a hobby, I take them for me. I don’t have any photos that other people have dictated.

Shannon_Natasha_hang_on
Hang on

You seem to be doing more and more fashion shoots. Is this the direction you’d like to go as a photographer?
I don’t think I could ever decide on one direction. I’m definitely interested in shooting fashion but I’d never want to limit myself. One thing I love about photography is the freedom and having the ability to capture my own visions. Sometimes I may have the intention of shooting a fashion-styled set of photos and end up getting carried away with more abstract or conceptual shots.

Shannon_Natasha_i_see_the_light_surrounding_you
I see the light surrounding you.

From where do you draw inspiration? Who are your favourite photographers?
I often draw inspiration from magazines, websites like Tumblr, amazing artists on Flickr and in the world, through music, through relationships, books and my family and friends. Many of my favourite photographers are not necessarily world-renowned. I absolutely love work by Alison Scarpulla, Jeannine Tan, Mary Robinson, Muszka, Tamara Lichtenstein, Nirrimi Hackanson and Evan Hawke. Their photos just catch my breath. 

Do you spend a lot of time getting the settings and light right, or is it a more impulsive process? Do you do much post-production?
It’s becoming much more impulsive now, although I do remember when it would take me four or five shots to get the settings right. Now it only takes one or two. Crazy weather in Australia, when the sun can’t make up its mind, doesn’t help. I don’t edit much if I’m shooting fashion or would like the photos to look more realistic, but if I’m going for something a little more magical I tend to spend a bit of time editing.

Shannon_Natasha_140410

With school over, what’s your plan?
The next thing for me will be university or possible an art college, where I will major in photography. At the moment I’d like to do both photography as well as something like law or psychology, but I may not even pursue photography in future study. I enjoy it very much as a hobby, so pushing money and survival into the equation may take some of my love from photography and replace it with nerves and fear which would ultimately be negative.

Shannon_Natasha_black

Other than photography, what makes you happy?
Other than taking photos, my passion is dancing. Mainly hip hop. Definitely dancing.

Shannon_Natasha_children

Take a look at Shannon’s website, this her Flickr or Tumblr, and you’ll get to peek into a world of ‘almost’ – almost grown up, almost ready, almost on your way. I feel I should apologise to Shannon in case that sounds patronising, but I mean this in the best way possible. Looking at Shannon’s photos brings back a feeling of being on the verge, excited and nervous at the thought of everything ahead. Right now, the 17–year-old is finishing her high school exams at home in Australia, and has to choose whether to go on to study photography full time or do something else. Almost entirely self-taught, she’s worried that taking her photography to a more professional level could take the fun out of it. But for one more summer, in a place infinitely more sunny than Britain, she is still free to roam around with friends and her camera.

Shannon_Natasha_selfportrait
Shannon Natasha: self portrait.

Shannon’s photos have a fresh and uninhibited feel, with a playful and sometimes dreamy streak. As her self portrait demonstrates, she knows a thing or two about technique and lighting too, and a browse through her work shows she has a good eye for intriguing detail. I think this is what they mean when they talk about talent.

What is it that you love about photography?
I love having the ability to focus on different points, pinpointing something specific you want people to be drawn to. I love creating stories and dreams in my photos, documenting events and recording emotions. I love being able to alter reality, spinning it whichever way I feel.

Shannon_Natasha_untitled

What sparked your interest in picture-taking?
I’ve actually had an interest in cameras since I was very young, receiving my first one as a birthday present when I was about five. I really developed my love for photography around the age of 14, and I delved further into the art by purchasing my first DSLR camera last year. This gave me much more manual freedom, which I had desired for so long. Previous to this I would often borrow the DSLRs from my school, or use my friend’s. I also used film SLRs. I’m mainly self taught, although I did learn a little more in choosing digital photography as an elective at school two years ago.
 
Shannon_Natasha_CF_VII

You have some great fashion-themed shots in your collection, but my favourites are probably the more ‘quiet’ photos, such as the wire hanger and the rose-painted doorknobs. Which style of photography do you like best?
My favourite shots are often the simple ones, although my different styles of photos all appeal to different parts of me. I love fashion and that’s why I love taking fashion shots. I also adore story telling, the ability to evoke emotion in others through art, and sometimes just having something pretty to look at, something that will sweeten my eyes and hopefully the eyes of others who see my photos. This is one thing I love about taking photos as a hobby, I take them for me. I don’t have any photos that other people have dictated.

Shannon_Natasha_hang_on
Hang on

You seem to be doing more and more fashion shoots. Is this the direction you’d like to go as a photographer?
I don’t think I could ever decide on one direction. I’m definitely interested in shooting fashion but I’d never want to limit myself. One thing I love about photography is the freedom and having the ability to capture my own visions. Sometimes I may have the intention of shooting a fashion-styled set of photos and end up getting carried away with more abstract or conceptual shots.

Shannon_Natasha_i_see_the_light_surrounding_you
I see the light surrounding you.

From where do you draw inspiration? Who are your favourite photographers?
I often draw inspiration from magazines, websites like Tumblr, amazing artists on Flickr and in the world, through music, through relationships, books and my family and friends. Many of my favourite photographers are not necessarily world-renowned. I absolutely love work by Alison Scarpulla, Jeannine Tan, Mary Robinson, Muszka, Tamara Lichtenstein, Nirrimi Hackanson and Evan Hawke. Their photos just catch my breath. 

Do you spend a lot of time getting the settings and light right, or is it a more impulsive process? Do you do much post-production?
It’s becoming much more impulsive now, although I do remember when it would take me four or five shots to get the settings right. Now it only takes one or two. Crazy weather in Australia, when the sun can’t make up its mind, doesn’t help. I don’t edit much if I’m shooting fashion or would like the photos to look more realistic, but if I’m going for something a little more magical I tend to spend a bit of time editing.

Shannon_Natasha_140410

With school over, what’s your plan?
The next thing for me will be university or possible an art college, where I will major in photography. At the moment I’d like to do both photography as well as something like law or psychology, but I may not even pursue photography in future study. I enjoy it very much as a hobby, so pushing money and survival into the equation may take some of my love from photography and replace it with nerves and fear which would ultimately be negative.

Shannon_Natasha_black

Other than photography, what makes you happy?
Other than taking photos, my passion is dancing. Mainly hip hop. Definitely dancing.

Shannon_Natasha_children

Take a look at Shannon’s website, more about her Flickr or Tumblr, and you’ll get to peek into a world of ‘almost’ – almost grown up, almost ready, almost on your way. I feel I should apologise to Shannon in case that sounds patronising, but I mean this in the best way possible. Looking at Shannon’s photos brings back a feeling of being on the verge, excited and nervous at the thought of everything ahead. Right now, the 17–year-old is finishing her high school exams at home in Australia, and has to choose whether to go on to study photography full time or do something else. Almost entirely self-taught, she’s worried that taking her photography to a more professional level could take the fun out of it. But for one more summer, in a place infinitely more sunny than Britain, she is still free to roam around with friends and her camera.

Shannon_Natasha_selfportrait
Shannon Natasha: self portrait.

Shannon’s photos have a fresh and uninhibited feel, with a playful and sometimes dreamy streak. As her self portrait demonstrates, she knows a thing or two about technique and lighting too, and a browse through her work shows she has a good eye for intriguing detail. I think this is what they mean when they talk about talent.

What is it that you love about photography?
I love having the ability to focus on different points, pinpointing something specific you want people to be drawn to. I love creating stories and dreams in my photos, documenting events and recording emotions. I love being able to alter reality, spinning it whichever way I feel.

Shannon_Natasha_untitled

What sparked your interest in picture-taking?
I’ve actually had an interest in cameras since I was very young, receiving my first one as a birthday present when I was about five. I really developed my love for photography around the age of 14, and I delved further into the art by purchasing my first DSLR camera last year. This gave me much more manual freedom, which I had desired for so long. Previous to this I would often borrow the DSLRs from my school, or use my friend’s. I also used film SLRs. I’m mainly self taught, although I did learn a little more in choosing digital photography as an elective at school two years ago.
 
Shannon_Natasha_CF_VII

You have some great fashion-themed shots in your collection, but my favourites are probably the more ‘quiet’ photos, such as the wire hanger and the rose-painted doorknobs. Which style of photography do you like best?
My favourite shots are often the simple ones, although my different styles of photos all appeal to different parts of me. I love fashion and that’s why I love taking fashion shots. I also adore story telling, the ability to evoke emotion in others through art, and sometimes just having something pretty to look at, something that will sweeten my eyes and hopefully the eyes of others who see my photos. This is one thing I love about taking photos as a hobby, I take them for me. I don’t have any photos that other people have dictated.

Shannon_Natasha_hang_on
Hang on

You seem to be doing more and more fashion shoots. Is this the direction you’d like to go as a photographer?
I don’t think I could ever decide on one direction. I’m definitely interested in shooting fashion but I’d never want to limit myself. One thing I love about photography is the freedom and having the ability to capture my own visions. Sometimes I may have the intention of shooting a fashion-styled set of photos and end up getting carried away with more abstract or conceptual shots.

Shannon_Natasha_i_see_the_light_surrounding_you
I see the light surrounding you.

From where do you draw inspiration? Who are your favourite photographers?
I often draw inspiration from magazines, websites like Tumblr, amazing artists on Flickr and in the world, through music, through relationships, books and my family and friends. Many of my favourite photographers are not necessarily world-renowned. I absolutely love work by Alison Scarpulla, Jeannine Tan, Mary Robinson, Muszka, Tamara Lichtenstein, Nirrimi Hackanson and Evan Hawke. Their photos just catch my breath. 

Do you spend a lot of time getting the settings and light right, or is it a more impulsive process? Do you do much post-production?
It’s becoming much more impulsive now, although I do remember when it would take me four or five shots to get the settings right. Now it only takes one or two. Crazy weather in Australia, when the sun can’t make up its mind, doesn’t help. I don’t edit much if I’m shooting fashion or would like the photos to look more realistic, but if I’m going for something a little more magical I tend to spend a bit of time editing.

Shannon_Natasha_140410

With school over, what’s your plan?
The next thing for me will be university or possible an art college, where I will major in photography. At the moment I’d like to do both photography as well as something like law or psychology, but I may not even pursue photography in future study. I enjoy it very much as a hobby, so pushing money and survival into the equation may take some of my love from photography and replace it with nerves and fear which would ultimately be negative.

Shannon_Natasha_black

Other than photography, what makes you happy?
Other than taking photos, my passion is dancing. Mainly hip hop. Definitely dancing.


The Darkroom on Lamb’s Conduit Street, drug illustrated by June Chanpoomidole

A little while ago (read: ages ago and I’m only just getting around to writing this) I went along to the launch of Veja‘s new luggage line. I’ve digged Veja for ages – purveyors of neat trainers that are totally ethical in production and manufacture. They add a je ne sais quoi to the Shoreditch plimsoll trend, doctor in a host of vibrant colours and fashion-forward designs.

So when I heard they were to develop a line of bags I was over the moon. The launch happened at the Darkroom– the latest hipster shop on Lambs Conduit Street, with its achingly cool dark interior stocking some fabulous products that are hard to find elsewhere. A great atmosphere ensued due in large to cocktail after cocktail, which is brave of Veja considering their new range was dotted around the shop. I always have an acute fear of throwing a flirtini over an over-priced frock extremely over-priced artwork when I attend these functions.


Illustration by Katie Walters

The new line of bags is, quite simply, brilliant. In a range of a cool colours including dark blues, browns and creams, the bags come in a variety of shapes and sizes- from rucksacks to larger luggage styles. They’re al quality crafted, whether it be a canvas day bag or satchels in soft leather. And, as always, they’re totally ethical. The pure cotton canvas is always organic, the leather is vegetable-tanned and they’re all produced in Brazil using skilled workers who are paid well and looked after. So, not only do you look super-stylish, you can swagger guilt-free.


Illustration by Stacie Swift

Since the bag launch, Veja have released their latest season of trainers, which I reckon is the best range yet. Vegetable-tanned suede and wild Amazonian rubber make up this delicious new footwear range, called the Indigenous. You can watch the video of the shoot right here:

Veja — LOOKBOOK INDIGENOS from Veja on Vimeo.

Here are some photographs from the event for your delectation:

The best thing about Veja is that their ethical products won’t break the bank. Find out more about them on their website, and you can read more about ethical labels in Amelia’s new book.

Enjoy!

Categories ,Amazon, ,Bags, ,brazil, ,Darkroom, ,ethical, ,fashion, ,Lambs Conduit Street, ,leather, ,Rucksacks, ,Satchels, ,Veja

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Amelia’s Magazine | Danielle Romeril AW15: London Fashion Week Presentation Review

Danielle Romeril AW15-photo by Amelia Gregory
New Gen designer Danielle Romeril showcased her A/W 2015 collection against an apocalyptic backdrop made fragrant with liberal scatterings of heather. Models wore tumbling quilted capes, asymmetric plaid skirts with appliqué feathered hems and matching clogs. Black was offset with white trim and highlights of moss green, rock beige and seams of red. This was survival clothing for those with an eye for style, salvaging the best they can find.

Danielle Romeril AW15-photo by Amelia Gregory
Danielle Romeril AW15-photo by Amelia Gregory
Danielle Romeril AW15-photo by Amelia Gregory
Danielle Romeril AW15-photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,A/W 2015, ,AW15, ,Danielle Romeril, ,London Fashion Week, ,New Gen, ,Presentation, ,review, ,Show report, ,Somerset House

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Amelia’s Magazine | Introducing Color On! Magazine: An Interview with Mary J. Winters-Meyer

Meditations-On-Serenity Mary J Winter-Meyers
I found entrepreneurial colouring book artist and magazine publisher Mary J. Winters-Meyer when I was searching Facebook to find groups that might like to know about Amelia’s Colourful Colouring Companion and came across her huge Coloring Books for Adults group. Following the links led me to Color On! Magazine, her new venture that caters to the international adult colouring community, featuring exclusive downloadable artwork from colouring artists. Mary is now a full time artist thanks to her new found love of colouring: proof, if ever there was needed, that colouring is a creative endeavour. This brilliant interview explains the lure of the colouring craze, and offers a fascinating insight into the rapid growth of this creative hobby.

Your first colouring book Dragons, Knots, Bots and More! features a lot of different styles, but you seem to be particularly inspired by Celtic knot patterns and Tibetan style Mandala designs. Where does this love stem from?
I’ve been interested in different cultures and mythology for as long as I can remember. I have an entire bookshelf of mythology books – Greek, Roman, Celtic, Norse, etc. The Celtic and Norse mythology especially appealed to my creative side – I just find the Celtic knotwork both mesmerizing and beautiful. It may also have something to do with my love of needlecrafts, as it has similarities to the crochet and knitting that I enjoy.

My love of mandalas started when I first saw Tibetan sand mandalas. There was a demonstration at a local art gallery, where the monks came for a week to create one while people watched, and then swept it away at the end of the week. I found the idea of something so beautiful and yet impermanent both awe-inspiring, and also sad. When I got involved with coloring books, and decided to try my hand at drawing, the idea of doing work that was similar to those mandalas, but with themes derived from my other interests, appealed to me as a design that could be as intricate as the Tibetan mandalas, but in a more permanent form.

Dragons Knots Bots book-front-cover
What else inspires your art?
Science fiction, mythology, fantasy, mathematics, religion, games, nature – actually just about anything in life can inspire a design for me. Generally, though, my designs show my geeky side and love of science fiction and fantasy. Books, especially – I love the idea of creating my own interpretation, putting down on paper how my imagination completes the image created by an author’s words.

Where did you study and how did it inform the way you approach art making now?
I actually don’t have any formal art training. In fact, if you had asked me five years ago to draw something, I would have been rather vehement in my insistence that I couldn’t draw! For me, my mother was the “artist.” She attended the Chicago Art Institute, and worked in oil paints. She can take a piece of scrap paper, and in a few seconds draw someone’s likeness. To me, that was what being an artist meant – someone with the talent to create photo-realistic drawings without any effort.

But then a friend got me interested in coloring books. I enjoyed relaxing with them, putting color on paper and creating something lovely. But after I had purchased my first few coloring books, I found myself leafing through them, and not finding any designs I wanted to color. One day, while leafing through a space-themed coloring book, it suddenly occurred to me that maybe I could create something I wanted to color. Something fun, and geometric (since I still didn’t think I could draw) that just required a ruler and some lines on the paper. Or maybe something geeky, that wouldn’t be difficult to draw because I would have lots of reference materials from the internet. From that idea, I went out and bought a sketchpad, and the next thing I knew, I was creating art!

I was rather surprised to find that drawing wasn’t nearly as difficult as I thought it would be. Sure, I ended up doing a lot of erasing and trying again, but I was creating objects that could be recognized for what I meant them to be! I still remember how excited I was when I first drew a cardinal that actually looked like a cardinal, and a bear that actually looked like a bear. I kept showing my friends and family and saying things like, “Look! It’s a bear! And it actually looks like a bear!” Even now, achieving success at creating some new object or creature has that same sense of thrill for me.

I still approach art the same way I approach anything. I get online and start researching. It might be researching the topic I want to draw, or researching a new drawing technique, or even looking at dozens of images in Google Image to get a sense of the angles and perspective I want to use for a given topic. If I’m creating a mandala with a specific theme, I’ll then decide what kinds of images I want to use for that theme. I prefer to use symbols for ideas rather than concrete images.

For example, in my piece Meditations on Serenity (at the top of the blog), the theme was the TV show Firefly, where the spaceship is named Serenity. This piece was created as a birthday gift for my husband, who is a huge fan of that series. Since the show involves a future where Chinese culture had a huge influence, I created a mandala that has a lot of oriental elements. Each section of the piece represents a different character from the movie. Rather than drawing the actual characters, I drew objects to symbolize them. One of the characters loved strawberries, and often used a parasol, so I used those in her section. Another character was introduced in the first episode killing time by playing with some plastic dinosaurs, so I drew those for his section. It’s a lot of fun for me to research a show or a movie and decide what symbols to use to represent the characters involved.

Mary J Winter-Meyers portrait
When and why did you first pick up a colouring pencil to create your artwork?
When my friend introduced me to coloring, colored pencils were what she was using, so it seemed like the natural medium to use. When I started drawing, I never thought to change to another medium, and even though I now have some art quality markers, I still return to my pencils (or combine markers with pencils) when doing my own art. It’s also great because you don’t have to have any special setup to use them. All I need is my sketchpad and a small space, and I can work anywhere.

I love pencils for their versatility, and especially for the ability to erase mistakes! While you usually can’t erase colored pencils 100%, you can erase them enough that they don’t affect whatever color you use on top of them. I love that about them. I also love that I can create vibrant color with them, which many people don’t think you can do with pencils. When people first see my art, they often ask what medium I used. It’s fun to see their reactions when they learn it is colored pencils. They find it hard to believe you can get such saturated colors with pencils!

What are your favourite type of pencils to use and why?
When I first started, I was using Crayolas. They were the pencils I had purchased to use in coloring books. After my first trip to an art store, though, I quickly graduated to Prismacolors. They had a larger range of colors, and I loved how much more easily they lay down a rich layer of color. It was less aggravating to my hand and wrist! I actually gave my box of Crayolas to my nieces. I sort of regret that now, though, because I do occasionally want a pencil with a harder lead. I tried the Prismacolor Verithins and didn’t really like them. They were almost too hard. So I’ll probably go out and buy myself another box of Crayolas at some point.

nanobot-warmups Mary J Winter-Meyers
How did you get involved in the adult colouring community, and why? 
That’s a rather interesting story actually. I sort of fell into it by accident! As I previously mentioned, a friend had gotten me interested in coloring, but for me, it wasn’t a community hobby, just something I and a couple friends enjoyed doing. But then I started creating my art. I was attending art shows and science fiction conventions and not having a lot of luck selling my work. I wasn’t too worried, though – it was still something of a hobby for me rather than a career.

Then I got laid off. While I was job hunting, I decided that since I had the time, I would work at getting more sales from my art. One of the ideas in the back of my mind over the previous couple years had been doing a “geeky” coloring book from the line drawings I had saved of my various art pieces. So I started working on creating a book, and started doing research into the interest people might have in the idea. (This was before the first news articles about adult coloring, so I had no idea what kind of interest there might be.)

My research indicated a growing trend in searches for “adult coloring books” on Google. An entrepreneur group I belong to encourages people to find a “niche” topic to blog about to raise interest in your own products. So I decided to start a blog about adult coloring. My research had also shown there weren’t a lot of review sites for coloring books, so I decided to focus on that. And of course, my entrepreneur group said posting links on social media was a good idea, so I started looking at Twitter and Facebook, which led to finding several groups on Facebook devoted to adult coloring. I joined a few, before I had finished my website. I wanted to get a feel for what kinds of things the people in the groups were looking for, and what needs I might be able to meet. After joining the groups, I was enjoying the interactions with other coloring enthusiasts, so I stuck around.

Color On Magazine logo
When did you set up your website and Facebook group?
My Facebook group came first. I actually hadn’t intended to start one! My original plan was to set up my website, and point people to existing groups if they wanted to find a community. I figured that way I didn’t have to figure out all the technical aspects of starting a forum on my site. I had even selected a group for that purpose. About three days after I made that decision, the group in question announced it would be closing itself to new members, as the group admins were finding it difficult to keep up with things as the group got larger.

In the meantime, in preparation for my website launch, I had been contacting various coloring book artists to request review copies of their books. One of those artists was very helpful answering my questions about publishing my own book. When I mentioned my dilemma, she suggested I start my own Facebook group, and even offered to point her own group members to it, as her group was limited to posting only colored designs from her books. So I made an impulsive decision and started Coloring Books for Adults. I figured it was still easier than installing and managing a website forum, as I wouldn’t have to worry about technical aspects. That was in late January of this year (2015.)

My website launched a few weeks later in February, using reviews of coloring books I already owned, as most artists and publishers didn’t want to send review copies to an unknown blogger. It took over a month before I was able to get my first review copies. But as with anything, once I had a few weeks of reviews posted, it became easier. I’ll just say that I sent out a LOT of emails and Facebook messages during those first couple months! I was lucky in that a few independent artists were willing to trust an unknown, especially when I promised to link to the reviews in my group.

Mandoade-darasuum Mary J Winter-Meyers
Your Facebook group is huge and very active – how did it grow so rapidly, and what do you think sets it apart from other colouring groups online?
I often refer to the rapid growth as a combination of luck and research. When I was researching search terms in Google for my own website, I discovered that the two terms used most often by people searching for coloring books were “adult coloring books” and “coloring books for adults.” For my website, I was lucky enough to get the URL AdultColoringBooks.com and named the blog Coloring Books for Adults. It made sense to use that same name for the group, and I was lucky because that name had not yet been used for a group.

As for the rapid growth, that’s where luck played an important part. By April, when my book was released, I had about 300 members. At the time, I felt that was amazing and fantastic growth for my little group. Then the first news articles about adult coloring hit the media. Suddenly people were searching for online communities related to coloring. Overnight, my membership requests jumped from 1-2 requests a day to 10-20 requests! Then a month or so later, NBC Nightly News did a segment on the adult coloring phenomenon, and mentioned Facebook groups in the segment. While they didn’t mention my group specifically, several times in the segment they mentioned Coloring Books for Adults, so that term was primed in people’s minds. If I recall correctly, I was just about to hit 2000 members. That same night, within about 4 hours, I had over 500 membership requests, and after that my daily average increased to 100 new members a day. Thankfully, only the week before I had signed on some other admins to help with the group – I needed them!

Since the group was intended as a companion for my website, I set it up a bit differently from other groups. A lot of groups limit or ban advertising – understandable for many reasons – but since I intended to review books, and also wanted to advertise my own books, I decided not to do that. I also wanted to encourage artists to participate, as that would give me new sources for books to review. So my group was set up with a bit more leniency than most. I do have some limits – the ads have to be for products related to coloring, and once the group reached a certain size, I also limited people to only once a week so the group wasn’t flooded with ads.

We’ve also adopted a strict “no negativity” policy in the group. Coloring is a way for people to relax, to meditate, or to think of something other than the problems in their lives. Any kind of negativity, which is hard to avoid online, ruins that state of calm. So any negativity is deleted as quickly as possible. We will chat privately with people the first time they post something negative, to let them know that we discourage those types of posts. People who repeatedly post negatively are banned. It may seem harsh, but the group members appreciate that we work hard to have a community that is positive and encouraging. I also have trained my admins not to do any admonishments in public. I have many years of experience with online forums, and I’ve found that anytime you accuse someone, or warn them, or in any way “attack” them in a public forum, it just leads to escalating the negativity. But if you quietly delete the negative post, with a private message politely asking people to not do that, it most often results in an apology and a promise not to do it again.

Despite being singled out as a pastime to get away from the screen, many colorists are turning to online forums to share their art. Why do you think this has become such an important part of the process?
People love to share their hobbies, and things they’ve created, with like-minded people. I think at first, people went to online forums because they weren’t getting positive feedback from their family and friends. I’ve seen many posts from people who said their family thought they were silly, or childish, or stupid because they enjoyed coloring. I’ve also seen a huge number of initial posts from people saying they thought they were the only ones who enjoyed coloring. But online, they find communities of hundreds or thousands of other colorists who also enjoy it.

There also is a fairly large segment of people who find coloring helps them deal with various chronic conditions. It is easy for such people to feel very isolated, especially if their condition leaves them unable to get out of the house. Online communities give them a way to socialize even when they are stuck at home. And finding other people in similar situations makes them feel less isolated. In a way, I’m one of these people. I have a chronic pain condition, and coloring helps me deal with the bad days.

I think what keeps people coming back, though, is not only that encouragement, but the fact that they can interact with the artists who create the books they enjoy. People love to learn about the people behind the art they buy, and that is as true of coloring books as it is of any other artwork. The fact that so many independent artists involve themselves in the online communities is a powerful attraction.

Family-monogram Mary J Winter-Meyers
Can you tell us more about your colouring parties, they sound fun!
I tend to have colouring events, rather than parties. To me, a colouring party is like any other gathering people have in their homes, like a tea party or book club. People invite their friends over for an afternoon or evening coloring together. The hostess will let people pick designs from her collection, or everyone brings their own books and supplies for coloring.

What I do is similar, but in a more public venue, like a library or convention. While it is still a group of people gathering to colour, it’s open to everyone. In addition to having a bunch of pages printed out from my own book and magazine issues, and some basic coloring supplies, I’ll do a short presentation about coloring as adults, highlighting the therapeutic aspects or letting people know what resources are available. I’ll also give short tutorials on colored pencil techniques. And of course, offer to sell them my books or magazines! ;)

For example, this year, Dover Publications created National Coloring Book Day, to be held August 2nd each year. They encouraged people to hold coloring parties, and to color in public. My first colouring event was held at the Northbrook Public Library as part of National Coloring Book Day. Over 50 people showed up! The library received a lot of positive feedback on the event, and they have invited me back. We’re still working out dates, but I will likely have another afternoon of coloring in Northbrook, IL in February 2016. I’ll also likely have another event during next year’s National Coloring Book Day, but I haven’t decided where or when yet.

Why did you decide to start you own magazine? I understand it recently launched, which is very exciting. What can readers expect to find inside?
The magazine is sort of an extension of my blog. As the blog grew, and especially as my Facebook group became so large, I found that more and more of my time was being taken up by them. I was still job hunting, but finding it harder to drum up enthusiasm for the search. I found the blog and the group much more interesting, so I started trying to determine if there was a way to make a job out of my newfound “hobby.”

One thing I had noticed was that many of the same questions kept getting asked in the group: questions about coloring techniques, or about where to find adult coloring books, or even people asking if there was a magazine about coloring. I had also seen that several publishers were putting out “magazines,” but when I looked into them, they were really just coloring book collections that were released on a periodic schedule. Nothing I saw was being published with articles that answered the questions I was seeing in my group.

I was also seeing a LOT of independent artists in my groups, but when news articles were published about adult coloring, they kept mentioning the same “popular” artists or publishers. As an independent artist myself, I felt it would be great if I could help lesser known artists find an audience. I also love researching new things, and sharing that knowledge with others. It’s just part of my personality – learning for me is almost as necessary as breathing.

The magazine gives me a way to combine all these ideas and interests into a single product. When I mentioned the idea to a few friends, they thought it was an awesome idea, and Color On! Magazine was born. I decided to start it out as a digital publication, since publishing a print magazine has a lot of expensive start-up costs. I also knew from my group that there were a substantial number of international colorists, and I didn’t want to exclude them. Digital allows anyone with a computer and printer to access the designs published in the magazine.

Each issue of the magazine has a collection of at least 15 coloring designs from multiple artists. We always have one feature artist, who provides 5 or more exclusive designs for the magazine, and we interview the artist for one of the articles. The rest of the artists provide designs which may be exclusive, or might be from the artist’s existing publications. We never publish designs, however, that are available online as free samples. We’ve actually been very fortunate in our first few issues – most of the artists have been happy to create new designs for our readers.

In addition to the designs, we have a Coloring 101 column with basic tutorials for beginners, a Coloring 201 column with more advanced techniques, feature articles on various coloring topics, personal stories about coloring, lists of the previous month’s book reviews, lists of upcoming releases, and a humor column that might have a fun coloring activity or a humorous story.

JustAnotherRollOfTheDice Mary J Winter-Meyers
Lastly, where can fans get hold of your magazine, and what are your plans for 2016?
The magazine website is ColorOnMag.com, and the magazine’s Facebook page is ColorOnMag. You can also find us on Twitter @ColorOnMag. People new to the site can read one article for free each month without a subscription, although some articles (like the book reviews and new releases) are always available for anyone to read.

My biggest plan for the next two years is to grow the magazine to the point where I can consider this my full time career. While it is off to a promising start, the magazine has not yet reached the point of generating enough income to replace my former job. When I conceived the idea for the magazine, and considering the amount of time I was spending on coloring-related activities, my husband and I discussed if we could afford for me to stop searching for a job. It was a difficult decision for my husband and me, but he’s been very supportive of the idea. I’d like to see that support rewarded! Most small business fail within their first two years, so I figured that was a good timeframe to set to achieve my goal.

For the magazine, I’m planning on releasing “design only anthologies” – collections of the coloring designs from multiple issues, released as a printed book through Amazon. I’ve had a few inquiries from people who want a printed version, and this lets me explore that option without committing to printing a magazine every month. The first anthology is actually going to be released in early December this year, with the designs from the first 3 issues. I also want to add more video. From the start, I wanted to have videos to demonstrate the techniques from the articles in each issue, but right now I have barely enough time each month to get the issue out. But that is one of my goals for the magazine. After all, it’s a digital publication – I’d like to make use of that technology! There’s nothing quite like watching a technique demonstrated to help people learn.

I intend to continue selling my art, books and magazine at science fiction and fantasy conventions in nearby cities. I already have two conventions planned for next year where I’ll be doing a panel, or otherwise demonstrating coloring techniques.

The first, in January, is an adult ‘Relaxacon‘. This is an offshoot of the sci-fi cons. Members of that community started having “relaxacons” where they gather at a hotel for a weekend without the stress of planning or attending a lot of panels. So rather than a weekend packed with dozens of panels and lots of featured guests, relaxacons are mostly just eating good food, drinking, playing music together, or otherwise relaxing with maybe 3 or 4 panels during the weekend. The one in January, DeConPression, is held in Columbus on Martin Luther King Jr. weekend. It is very definitely an Adult only con, so it’s not for everyone, but is a fun weekend for those with a raunchy sense of humor. Instead of guests of honor, the con has ‘Ghosts of Honor.’ This year, they are the convention’s founder Nick Winks, who passed away last year, and comedian Robin Williams. They’ve invited me to do an ‘Adult Coloring Panel‘ with a humorous theme. There will also likely be a coloring space set up in one of the common areas for those who just want to hang out and color. You can learn more about DeConPression here.

In August, I’ll be attending Musecon in Itasca, IL (near Chicago.) Musecon is also an offshoot from sci-fi cons. At most sci-fi cons, in addition to panels talking about your favorite books or movies, there is always a number of panels about music, writing, and other creative panels of various types. Musecon was started to feature just these creative panels. It’s a convention for makers, crafters, authors, musicians and artists, and people who want to try their hand at creating without having to commit to a large outlay in materials. Color On! Magazine will be sponsoring a coloring space, where we hope to have several coloring book artists sharing techniques, as well as small coloring projects that people can finish in an hour or so. You can learn more about the con at Musecon, although they haven’t put up next year’s information yet.

There may be other events or conventions, but those are the only ones I’ve firmed up so far. You can always learn about what’s going on with me by signing up for the magazine’s newsletter. You’ll find a form in the sidebar at Color On! Mag.

You can buy Dragons, Knots, Bots and More! on Amazon and grab a copy of Amelia’s Colourful Colouring Companion on Kickstarter now.

Categories ,Adult Coloring, ,Adult coloring panel, ,Amazon, ,Amelia’s Colourful Colouring Companion, ,Chicago Art Institute, ,Color On Mag, ,Color On! Magazine, ,Coloring, ,Coloring 101, ,Coloring 201, ,Coloring Books for Adults, ,Colorist, ,Colouring, ,Crayolas, ,DeConPression, ,Dover Publications, ,Dragons Knots Bots and More!, ,Facebook, ,Ghosts of Honor, ,interview, ,Itasca, ,Mandalas, ,Mary J Winters-Meyer, ,Meditations on Serenity, ,Musecon, ,National Coloring Book Day, ,Nick Winks, ,Northbrook Public Library, ,Prismacolors, ,Relaxacon, ,Robin Williams, ,Tibetan sand mandalas

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Amelia’s Magazine | Catlin Guide 2013 Preview: An Interview with Steven Allan

Steven Allan Catlin Guide - We're All In This Together 2012
Steven Allan – We’re All In This Together.

The Catlin Guide returns once more with a selection of 40 recent graduates to watch: an intriguing selection that includes a bevy of painters. I caught up with New Sensations shortlisted RCA graduate Steven Allan, a Scottish painter who specialises in anthropomorphic depictions of everyday objects.

Steven Allan Catlin Guide -There's Always Time for Tea
Steven Allan – There’s Always Time for Tea.

Has being Scottish and your subsequent move to london informed your work? and if so in what way?
I wouldn’t say that being Scottish has had an overriding influence on my paintings, but my roots have certainly influenced the black humor that is evident in most of my work.

Why do you think you focus on a confusing and tragic landscape? Any particularly sad stories in your past that have made you this way?!
I don’t think my paintings are necessarily just tragic or confusing – but they can often be interpreted that way. I think there are many less obvious things at play as well. Like Hogarth, I am interested in the tragicomedy aspect of humanity. I want to depict real life situations but obscure and twist them around to both bend and underline their meanings.

Steven Allan Catlin Guide One-Off-The-Bunch
Steven Allan – One Off The Bunch.

Objects such as bananas and snails are a feature of your art – what draws you to these most curious and disparate of subjects?
I don’t tend to dwell on why I paint this, or why I paint that but If pushed for an answer I guess I Identify in some way with these kind of ridiculous objects. I look at a banana in the fruit bowl, browning, overripe. It’s such a sad image to me – the last banana that no one has gotten round to eating – destined for the bin. It can say a lot about where your heads at to be painting a version of yourself into such an object. The snail I don’t paint so much anymore. Most images are a passing phase. They completely captivate me at the time but at some point I’ll move onto the next image that captures my imagination. With the snail paintings I was just interested by this slimy little creature that carried its house on its back. How I choose an object is pretty much that simple –its really just about my desire to visualize that subject in my paintings.

Steven Allan Catlin Guide- Stains Of A Decade
Steven Allan – Stains Of A Decade.

Subversion is a key element of your artworks – any future subversive ideas that you would like to work on?
Currently I am working on a hybrid painting, which involves two very disparate images that visually seem to fit together. I came across this really odd photograph of a gimp in a pvc balloon suit and then thought about coupling it with something else I’ve been looking at a lot lately – Bertie Basset of the famous liquorish allsorts. As a child I always though there was something quite scary about Bertie Basset. He’s supposed to be approachable and sweet but he’s his strange anthropomorphic figure with a liquorish black hole for a face. Taking Bertie’s head and putting it on an inflatable gimp suit just seemed to be more in spirit with what he was all about in the first place so I decided to make a painting about it.

Steven Allan Catlin Guide - The Faithful Companion
Steven Allan – The Faithful Companion.

What is your work process? (using materials and in the studio)
Well for me it’s a really intuitive, complex process and it can take a long time. I use alot of unconventional tools I find in diy shops and of course an array of paint brushes and palette knives. I’m always on the look out for different objects that I can manipulate paint with. I also use allot of paint mediums, depending on what effect I’m after. Some give the paint a matt finish, some a gloss, some thicken paint and other speed up drying time. It all really depends on each individual painting.

How has being part of the Catlin Guide aided your career and what do you hope for in the future?
Being part of the Catlin Guide so far has been a great experience. I was surprised to see an image of my painting in the Guardian and also get a quick review. I am also going to be putting work in the London Art Fair which will be featured in the Catlin Guide’s stand so I’m looking forward to that. All in all it’s been a great experience so far and I am extremely thankful to Justin Hammond who had the belief in my work to give me this great opportunity to get my work out to a wider audience.

He that’s born to be hanged will never be drowned.

Geoff Litherland catlin guide
Geoff Litherland – I Knew it Would Come to This (The Old Horizon).

Also check out the work of Geoff Litherland, who creates abstract landscape collages that tap into our current obsession with other worlds. To find out more about the selection process read my interview with Art Catlin founder and curator Justin Hammond.

The Catlin Guide 2013 NEW Press Shot
The Catlin Guide 2013: New Artists in the UK is launched at the London Art Fair 2013, 16 – 20 January, listing here. It will also be available from Amazon, Culture Label and selected book sellers (£12.99).

Categories ,2013, ,Amazon, ,anthropomorphic, ,Art Catlin, ,Banana, ,Bertie Basset, ,Catlin Guide, ,Culture Label, ,Geoff Litherland, ,hogarth, ,I Knew it Would Come to This (The Old Horizon), ,Justin Hammond, ,London Art Fair, ,New Sensations, ,Oils, ,One Off The Bunch, ,painter, ,painting, ,rca, ,saatchi, ,Scottish, ,Snail, ,Stains Of A Decade, ,Steven Allan, ,Teapot, ,The Faithful Companion, ,There’s Always Time for Tea, ,Three Legged Haggis, ,We’re All In This Together

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