Amelia’s Magazine | Introducing The Rodnik Band: S/S 2012 ‘Cod Save The Sea’ Diffusion Line for ASOS

The Rodnik Band SS12 Cod Save The Sea by Helena Maratheftis

The Rodnik Band SS12 ‘Cod Save The Sea’ by Helena Maratheftis

On a fine London morning in early June – I know, hard to believe – I had the privilege of visiting the colourful studio where the witty designs by The Rodnik Band come to life to interview the man behind them, Philip Colbert. I cannot remember exactly how this brand entered my radar a couple of years ago, but I recall browsing The Rodnik Band website for the first time and feeling really excited that such fun, stimulating, cleverly filled with references – if a little inaccessible – clothes existed out there. Later, during the private view of an exhibition organised by The Stitch Project, I suddenly saw in front of me a girl wearing an exquisitely delicately sequined long gown whose main body had the shape of a fish, while chips were adorning the lower area near the floor. It was delightful. The girl was holding a banner with the slogan ‘Cod Save The Sea’.

The Rodnik Band SS12 by Miss Fay Myers

The Rodnik Band SS12 ‘Cod Save The Sea’ by Miss Fay Myers

The Rodnik Band 'Cod Save the Sea' SS12 collection

‘Cod Save The Sea’ was the theme of The Rodnik Band’s S/S 2012 collection in collaboration with the Environmental Justice Foundation and inspired by EJF’s work to end illegal ‘pirate’ fishing. The reason behind my scheduled interview was the launch of a diffusion line from this S/S 2012 Sea inspired collection for ASOS this June. This is really exciting not only because now The Rodnik Band’s refreshing designs will be available to a wider audience in a more accessible form, but also because this kind of fun, subtle activism – which I think can be very effective – will hopefully catch on.

The Rodnik Band SS12 ASOS diffusion line looks 1+2
The Rodnik Band SS12 ASOS diffusion by Helena Maratheftis

The Rodnik Band S/S12 ‘Cod Save The Sea’ diffusion line for ASOS by Helena Maratheftis

The Rodnik Band studio 2012 Phil Colbert painting the book dress for Hay Festival photo by Maria Papadimitriou.jpg

The Rodnik Band studio 2012 Giulia wearing the 'Fashion is Activism' book dress by Phil Colbert photo by Maria Papadimitriou.jpg

During my visit I was lucky to witness the making – fittings and alterations were made in between questions – of a dress in the shape of a book which Philip Colbert was making for his appearance the next day at the Hay Festival, where he would be talking along with Safia Minney, founder of People Tree about fashion activism. Of course, visiting a studio also means that one gets to see all those behind the scenes bits, drawings and processes which I find fascinating. I particularly enjoyed seeing some drawings of funny imaginary scenarios featuring designs from the ‘Cod Save The Sea’ collection, which Philip explained he does when creating the mood for the collections, but which otherwise remain unseen.

The Rodnik Band studio 2012 'Cod Save the Sea' boat scenario sketch by Phil Colbert photo by Maria Papadimitriou

Having watched a few videos by The Rodnik Band before the interview I already had the impression that Philip Colbert was a very charming and vivacious person. Indeed this was the case and I am very grateful to him that he chatted to me in such a friendly, relaxed manner about his work, what excites him and the spirit of his brand – even if he seemed to have quite a bit of work to do… read my interview with Philip Colbert here.

The Rodnik Band studio 2012 'Cod Save the Sea' sailor sketch by Phil Colbert photo by Maria Papadimitriou

All photography by Maria Papadimitriou.

Categories ,activism, ,Alison Jackson, ,ASOS, ,Claire Jones, ,Claire Jones Art, ,Cod Save The Sea, ,Diffusion Line, ,Duchamp, ,Duchamp’s Fountain, ,EJF, ,Environmental Justice Foundation, ,fashion, ,Fay Myers, ,Hay Festival of Literature and the Arts, ,Helena Maratheftis, ,Maria Papadimitriou, ,Mondrian, ,Nicola O’prey, ,People Tree, ,Performance Art, ,Philip Colbert, ,Piet Mondrian, ,Pirate Fishing, ,S/S 2012, ,Safia Minney, ,Sea, ,The Rodnik Band, ,video, ,Yves Saint Laurent

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Amelia’s Magazine | Ekaterina Kukhareva: London Fashion Week A/W 2013 Catwalk Review

Ekaterina Kukhareva - lfw aw 2013 - catwalk

If you’d been with me and Amelia earlier in the weekend when she hastily gave me a beginners 101 in handling an SLR camera (kindly lent to me by Frances Bonnington), then you’d have been amused to see me passing on the same lesson to my two neighbours in the second row at the upstairs catwalk space at Freemasons’ Hall.

Ekaterina Kukhareva - lfw - aw13 - jenny robins - amelias magazine
Ekaterina Kukhareva A/W 2013 by Jenny Robins

I don’t know what the odds are of three fashion writers ending up next to each other with the exact same Nikon camera and me being the least clueless about how to use it, but it seems like one of those comedy inevitabilities of fashion week. Possibly it’s the way things are going with more and more publications and blogs getting in on the catwalk frenzy without the aid of an official photographer, but with a definite need for images in the visual heavy world of contemporary journalism. Or something.

Ekaterina Kukhareva 1 - amelias magazine - lfw AW 2013

Ekaterina Kukhareva‘s collection was not what could be called contemporary looking, however it was exciting and somewhat psychedelic. The towering models with their novelty oversized hair rollers (by Lara Jensen) were the personification of a 70′s baroque sofa, resplendent in highly patterned sparkly viscose knits in a colour palette of retro fuschias, violets and turquoises.

Ekaterina Kukhareva - lfw aw 2013 - catwalk 1
ekaterina kukhareva - lfw aw 2013 - catwalk 2
I don’t know if it was the shoes or the direction, but the models walked like military marionettes, all stiff legs and startled expressions.

Gabriela Romagna - amelias magazine - lfw aw 2013 - Ekaterina Kukhareva
Ekaterina Kukhareva A/W 2013 by Gabriela Romagna

The PR spiel on the collection contained the story of a group of bored housewives tripping to exotic locations, endowing them with ‘empowered lucidity‘. I’m all for feminine empowerment, but not sure that becoming at one with one’s wallpaper thanks to a chemical binge is the way for it.

Ekaterina Kukhareva 2 - amelias magazine - lfw AW 2013

Ekaterina Kukhareva 3 - amelias magazine - lfw AW 2013

Still, great to see this inventive designer’s intricate patterns artfully deployed across these body-con pieces, certainly living up to the opulance of the show space and the high expectations of the audience.

Categories ,A/W 2013, ,Acid, ,Ekaterina Kukhareva, ,fashion, ,Fashion Scout, ,Freemasons’ Hall, ,Furniture, ,Gabriela Romagna, ,Lara Jensen, ,London Fashion Week, ,psychedelic, ,seventies, ,viscose

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Amelia’s Magazine | Environmentally Conscious Style on a Budget- part one

12445-esthetica-rImage courtesy of Esthetica, approved sponsored by Monsoon

2009 was quite a year for ethical fashion. Dazed and Confused featured an in-depth interview with fashion icon Vivienne Westwood and leading environmentalist James Lovelock. Vogue devoted a sizable spread to green fashion, web and London Fashion Week kicked off with Esthetica, physician a showcase of 28 ethical designers. Ecofashion it would seem edged its way from the periphery into something approaching centre stage. Out were the unshapely, unflattering garments previously seen on only the most hardened of the eco-warriors. In were beautifully crafted clothes with a conscience as a growing number of designers and consumers tackled the prickly issue of clothing, style, and the environment. This momentum seems only likely to gain in strength judging by the numerous events and exhibitions planned for 2010.

Essentially what we are seeing is a growing realisation that while it is absolutely imperative that far more is said on the environmental and human consequences of fast fashion, there is no need to sacrifice a sense of style to take part in this dialogue. Like music and art, fashion is an extension of culture, a manifestation of the changing influences of the society within which it exists. There should be no shame in wanting to take part in this expressive medium, but nor should this interest be at the expense of our planet. However on making the decision to marry an interest in clothing and green issues you may find yourself stumped with where exactly to source reasonably priced stylish garments whose production has not impacted negatively both socially and environmentally. Herein lies something of a problem.

gabmillAlexa Chung in Oxfam Reworked campaign, photographed by Kai Z Feng

Ecofashion may now be occupying headlines, but hugely desirable as this clothing may be, cheap it is not. Dressing sustainably and stylishly can come with a considerable price tag. Of course there is a reason for this and the answer is to save and buy responsibly, but at the cost of most ethical lines and my current income I’d average 2 garments a year and shoes every other. The rise of fast fashion is undoubtedly one of the major scourges of our time, and while I can in no way condone its revolving door of trends, neither do I particularly want to spend my year interchanging two outfits. So until I get a wage that affords me a capsule wardrobe of organically grown, naturally dyed, fairly traded wonder garments, you’ll find me in Oxfam.

2482927517_c779706755Image courtesy of Oxfam Boutique

Rethinking the charity shop
The reinvention of the charity shop is long overdue and still a considerable way from anything you could call complete. Currently thanks to the efforts of fashion guru and creative director Jane Shepherdson, Oxfam would appear to be one of the few charities pulling its stores through a major image reworking and providing us with anything approaching a viable option to mainstream buying.

Shepherdson’s vision of the Oxfam Boutique has reinvented recycled fashion, turning on its head any idea you may have about ill-fitting dresses secured with safety pins. In doing so she has firmly established the charity shop as a major resource for the environmentally conscious style seeker on a budget, while bringing to our attention the main reasons behind why choosing to buy donated clothing is one of the easiest ways to reduce our environmental footprint which, where clothing is concerned, is big.

Stay tuned for part two this afternoon…

Categories ,Dazed & Confused, ,esthetica, ,Ethical Fashion, ,James Lovelock, ,Jane Shepherdson, ,London Fashion Week, ,oxfam, ,Sisi King, ,Vivienne Westwood, ,vogue

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