Womenswear – Page 10 – AmeliasMagazine

Amelia’s Magazine | Jasper Garvida: London Fashion Week S/S 2012 Preview Interview, part two

Jasper Garvida illustration from the S/S 2012 collection

A main inspiration for the S/S 2012 collection is the painting Autour d’un Point by Frantisek Kupka, visit this which gave the collection its name. What drew you to this particular work by the bohemian illustrator, painter and graphic artist Kupka?
Coincidentally, a new film about Diana Vreeland has just come out called The Eye Must Travel and Autour d’un Point means ‘around the point’. They both are about your eye travelling around, but the painting made me think of the core. When you look at something, your eye goes around it, and you look at the point of it, as in ‘what is the point’? So I found myself inspired by how the painting drew me to a centre point through moving my line of vision around, and what I felt came from the centre of a human being, the heart. How you feel affects how you see things, and if you are open to everything and your heart is open you are able to see the ‘real thing’ in others, the core. To me, when I start a collection it’s really based on how I feel, which I try to translate into clothes, into sound and the senses. And this is why I was inspired by the painting, which I spent the entire afternoon gazing at, thinking about what it was saying to me, enveloping myself in the painting so much so that I can just close my eyes and picture it perfectly.

You’ve obviously got a very strong emotional connection to your work, which I love. Maybe it’s part of why people respond to your clothes so well?
I’m a sensitive and emotional person! When I’m dressing people, I never like to force something on them; I know that for a woman to look incredible she has to feel comfortable inside. There’s nothing worse than going out and not feeling yourself, which I’ve experienced. Trying to be something other than what you are will never work.

Jasper Garvida S/S 2012 illustration by Gareth Hopkins

How was Project Catwalk as an experience?
For me it was really emotional, and I never expected to win it. All the people involved were incredibly talented, and I’m still in touch with all of them. The show helped me reveal myself as a person, as I’m a naturally very shy. I wanted to do Project Catwalk to show my family what I’m all about, as they’d never been to any shows or really seen me as the now grown-up designer. I also hadn’t come out to my family yet to tell them I was gay, so I really wanted them to understand my industry, my world and me. It was difficult as I hadn’t seen my parents for two years, and I had to tell them right there and then backstage at the final catwalk show about my life and my partner. Naturally, I was afraid as I didn’t want to disappoint them or upset them, and I wanted them to accept me. I felt that if I could do something for them to feel proud and happy about the person that I am, that maybe they could accept me. So I did they show, and I couldn’t have been happier, as it opened up my parents’ point of view towards homosexuality and me as an adult with a business of my own. Now, we are closer than ever. So having said that, doing Project Catwalk was one of the best things I’ve ever done, and being myself gave me the confidence to do what I do now.

I love how all of your collections highlight and explore the contrast between the delicate and the strong through your use of silhouettes and fabrics along with hand-embellished details, which it sounds like we are going to see even more of in your S/S ’12 show. Why do you think this is a recurring theme in your work and how you like to dress women?
As I’ve said, never like to push a look onto women, I see myself as a servant to women and their clothing needs! I love creating my embellishments by hand, accentuating parts of a woman’s body like the neck one season or the shoulder another season. Little features and touches go a long way and celebrating the female figure doesn’t have to be something that’s obvious or in-your-face.

Diana Vreeland and her striking sense of style with a passion for the exotic is one of the main inspirations for your collection this season, so I’ve got some Diana-inspired questions (with her memorable answers) for you:
What character in history would you most like to be? (Diana once said she would have liked to be Queen Elizabeth the 1st in all her finery and various intricate hairstyles, which sparked a giggle between Jasper and me about the random dramatic tangents she goes on).
I would have to say Jesus Christ. I try to live my life in goodness; I try to treat people the way I like to be treated. I’m also quite devoted to what I do, I’d do anything for it, which is how passionate I am. I try to be as good as I can and give as much as I am able to.

Jasper Garvida S/S 2012 illustration by Sam Parr

Which era in fashion history have you found most exciting and why? One that Diana loved was the 1920’s, as she has just started to live in Europe, and she felt it defined history with startling backless and knee-length dresses, as well as the artists, music and ‘newness’ surrounding it all.
I’m going to say the same as Diana (he’s a true Vreeland fan) and pick the 20s, as it was a time was fashion ‘became fashion’ and before then only the rich could afford it, and the 20s changed all of that, allowing everyone to enjoy fashion. Without that, I don’t think I would be able to do what I do today. So much was happening, as women were cutting their hair short, throwing out the corset and wearing trousers. It allowed women to use their looks to really make a statement, which is what fashion is to me. It’s quite symbolic, women being rebels and using fashion as power.

Diana was extremely positive about Royalty: I love royalty. They’re always so clean… and the way they dressed. What comes to mind when you think about the new wave of attention Kate Middleton and her sense of style has attracted? (Particularly as you create bridal dresses alongside your main collections).
The wave of New Royalty today, particularly Kate Middleton with her new role, does get a lot of attention. I think that the way she portrays herself is a great example to young people. I love her sensibility; she doesn’t necessarily have to wear designer clothes, and she personifies it all being about how you present yourself. It’s important as a public figure to keep in mind that you’ve got a responsibility towards other people whether you like it or not. You’re in the public eye and in Kate’s case she’s won their admiration. Having the privilege of being Royalty can’t be taken lightly, and with that comes responsibility. In that position especially, you’ve got to think of others and not just yourself.

Diana was extremely well known for her Harper’s Bazaar Why Don’t You… column with suggestions like Why Don’t You… Wear violet velvet mittens with everything? Have an elk-hide trunk for the back of your car? Hermès of Paris will make this. Have your cigarettes stamped with a personal insignia?. What Why Don’t You… suggestions would you come up with?
Why don’t you… eat ice cream in the rain?
Why don’t you… wear a coloured wedding dress instead of white?

Jasper Garvida S/S '12 illustration by Amber Cassidy Jasper Garvida S/S ’12 illustration by Amber Cassidy

While showing at London Fashion Week is an intensely exciting experience for designers, it requires a cool head and inner calm to make sure everything runs smoothly. How do you prepare for the day of the show to help you stay on top of it all?
I like to be as organised as possible. I give myself a deadline of the week before the show, which is when I like to have everything finished. Any stress or worrying can be done before that deadline, as I need to be calm and focused for my team. The day before the show, I like to get up at 6am and sit somewhere in silence or with calming music. I then play the entire day of the show in my head, visualising the prep backstage, the sound of the music, and the entire catwalk show from the first girl out to the finale when they all walk out together. This way, when it comes to the day of the show I’ve seen it all before already, so I’m calm, collected, and positive.

Your collections are getting stronger with more admirers each year, what can we expect from Jasper Garvida in the future?
In the future, I’d like to be able to get more time to focus even further on the collections, always refining and developing the quality and look of each season. I want to keep working towards providing that ‘surprise element’ in my work, always exploring new things and never being categorised.

Jasper will be showing his Spring/Summer 2012 collection on Monday the 19th of September 2011 at the Bloomsury Hotel during London Fashion Week.

Written by Alia Gargum on Thursday September 15th, 2011 10:00 pm

Categories ,Alia Gargum, ,Aliyah Hussain, ,Amber Cassidy, ,Autour d’un Point, ,Diana Vreeland, ,Frantisek Kupka, ,Gareth Hopkins, ,Harper’s Bazaar, ,jasper garvida, ,Kate Middleton, ,Lady Gaga, ,London Fashion Week, ,preview, ,Project Catwalk, ,Queen Elizabeth I, ,Sam Parr, ,Spring/Summer 2012, ,The Bloomsbury Hotel, ,The Eye Must Travel, ,Womenswear

Amelia’s Magazine | Graduate Fashion Week 2010: UCA Rochester

Joo-Hee Chun

Emma Box, illness illustrated by Lesley Barnes

So, reigning champions (or at least winners of 2009 Gold Award) UCA Rochester took to the catwalks on Tuesday to show their wares in a bid to cling on to their title amongst the heavyweights we’d already seen at Graduate Fashion Week.

I’m very pleased to announce that they certainly put up a good fight. With a simple chandelier hung from the ceiling above the catwalk, the show began with a rather long romantic song – thank God too, because my guest was running late and he managed to sneak in during the song in the nick of time.

Live catwalk illustrations by Tom Gilbert

First up was Alexa Papavasileiou who presented a modest yet striking collection that packed a few discrete punches (okay, I’ll stop with the boxing metaphors now). Body-concious printed dresses with full-length sleeves wrapped models in organic suits, while drapes hung over the models creating flattering lines. The most interesting twist was the appearance of constructed stilettos which had a grungy, paper mache effect and gave this sleek collection an edgy twist.

Other escapades in weird and wonderful shoe design were brought to us by Lydia Vousvouni, whose deconstructed womenswear tailoring had a futuristic feel, teamed with crazy shoes that looked like art deco sculptures.

Lydia Vousvouni, illustrated by Abi Daker

Rebecca Watson in stark contrast dressed her models in very eery skeletal masks, bringing a little touch of death-glamour to the runway. The clothes in comparison were relatively simple, consisting of cropped-sleeve tops, two-tone leggings and some pretty neat tailoring.

More digital prints on the catwalk; this time in Emma Box’s structured collection. Micro-skirts and leggings in said prints were teamed with bolero-length jackets with exaggerated shoulders, giving models a dash of sex appeal and masses of style.

Digital prints again, from the Gareth-Pugh-esque Alex Oliver. Her models were transformed into futuristic creatures, with emphasis on shoulders (huge, huge shoulders). Catsuits or short dresses in a psychedelic print were teamed with leather jackets with scary spikes; the climax being a model with a Margiela-style eye covering as part of a hood. It was scary but sexy at the same time.

Alex Oliver, illustrated by Lesley Barnes

The first menswear collection from Rochester was that of Chelsea Bravo, whose models had the appearance of modern-day gladiators. Smock t-shirts with scoop necks emphasised muscular form and Chelsea’s palette of muted colours including sand, burgundy and blue had a sophisticated edge.

Vicky Jolly presented one of the most sophisticated collections I’ve seen this year. Her couturier-like craftsmanship created elegant dresses, with twists and turns in fabrics flattering the female form.

Vicky Jolly, illustrated by Alli Coate

Finally, after what felt like waiting for decades, Hallam Burchett ramped up the glamour factor to a big fat 10. Models sashayed and swished their hips to Donna Summer’s Bad Girls whilst wearing an all-green silky collection, embellished with dazzling crystals and accessorised with demi-gloves. Sod the tits or legs rule in Burchett’s short, short strapless dress and flaunt what you’ve got at the disco! This 1970s-inspired collection had the cuts and lines to make it contemporary, though.

More menswear now, from Anachee Sae Lee and Cherelle Reid. The former was a contemporary take on colloquial dressing and conjured up images of Sherlock Holmes, Oliver Twist, chimney sweeps and Victorian funeral directors all at the same time. High values in tailoring made this a tip-top collection, with fitted suits teamed with neck-bows and crisp shirts with bib detailing were accessorised with sleek shirt-armbands and porkpie hats.

Anachee Sae Lee, illustrated by Abi Daker

Cherelle Reid, whilst employing similar tailoring elements, was an entirely different look. In a strong micro-collection worthy of a slot in any upmarket store come Autumn Winter 2010, models wore silky harem pants which tapered tightly, low-cut v-neck tops and formal jackets. The craftsmanship look exquisite, but the pecs were a bit much *fans brow*

In amidst a whole load of futuristic and structured collections at GFW this year, a welcome breath of fresh air came from show closer Carla Grima. Her magical Grecian-inspired collection was a burst of much-needed colour, and while it wasn’t a clangy hipster spectacle like some show finales, it was understated glamour at its best. Each dress created an illusionary effect as it hung effortlessly from the models, flattering their waif figures.

Having written this post-Gala Show, I now know that UCA Rochester didn’t manage to hold onto their crown as Gold Award winners for 2010. Amongst so much incredible talent, it’s so difficult to stand out. Nevertheless, each collection was incredibly strong, astonishingly creative, and never, ever boring.

Rochester, you’re all winners anyway.

Written by Matt Bramford on Friday June 11th, 2010 11:03 am

Categories ,1970s, ,Abigail Daker, ,Alexa Papavasileiou, ,Anachee Sae Lee, ,Art Deco, ,Bad Girls, ,Body-con, ,Carla Grima, ,Catsuits, ,Chandelier, ,Chelsea Bravo, ,Cherelle Reid, ,Digital Prints, ,Donna Summer, ,Earls Court, ,Emma Box, ,Futurism, ,Gareth Pugh, ,God, ,Gold Award, ,Graduate Fashion Week 2010, ,Grecian, ,Hallam Burchett, ,Harem pants, ,Lesley Barnes, ,london, ,Lydia Vousvouni, ,Martin Margiela, ,menswear, ,Oliver Twist, ,Paper Mache, ,Rebecca Watson, ,Sherlock Holmes, ,UCA Rochester, ,Vicky Jolly, ,Victoriana, ,Waif, ,Womenswear

Amelia’s Magazine | Jean-Pierre Braganza: London Fashion Week A/W 2012 Catwalk Review

Jean-Pierre Braganza AW 2012 by Catherine Meadows

Jean-Pierre Braganza A/W 2012 by Catherine Meadows

Although Chandelierium was inspired by ‘the sensuality of being covered’ and Victorian women driven to madness by the repression of their concealing clothes, Jean-Pierre Braganza turned constrictive silhouettes into a very wearable collection. As his current S/S 2012 collection was about 1920′s silhouettes and free movement (which I reviewed last London Fashion Week and loved, read about it here) A/W 2012 is all about figures being tailored and moulded by sharp lines. Jean-Pierre Braganza never does things in an expected manner, and played with the idea of how women embraced the dark side of such strict dress to remain in control.

Jean Pierre Braganza AW 2012 by Alia Gargum

All photography by Alia Gargum

After a bit of a wait and shuffle to the Embankment Gallery Show Space and spotting fashion writer legend Colin McDowell, we were let in to get seated and into the mindset of ‘the sensuality of being covered’. It seems that Victorian dress is a big influence for next season, almost a backlash against the vampy vixen type of looks we saw this winter from fashion houses such as Louis Vuitton. Of course, Mr Jean-Pierre Braganza worked his magic and made an originally repressive silhouette just right for 2012. The models stomped down the runway powerfully and with ease, adorned with simple makeup except a metallic lip and beautifully mad hair piled high and cropped short at one temple as if done in a fit of delirium.

Jean Pierre Braganza AW 2012 by Alia Gargum

Jean-Pierre Braganza A/W 2012 by Gareth A Hopkins

Jean-Pierre Braganza A/W 2012 by Gareth A Hopkins

Jean-Pierre Braganza A/W 2012 by Alia Gargum

I particularly liked how corsets, nipped-in waists and high necklines were referenced yet brought into modern day with beautifully psychedelic prints. Chandelierium was the name of one, which was also used on the invite. Each print gave the impression of falling into an image, surrounded by swirls of purples, reds, lilac pink and green, offset by shimmering metallic fabrics. The best thing was that this collection gave the impression of multiple-layered Victorian dress but kept fresh with a mini skirt here and there, relaxed yet oversized sleeves and flowing silks. As the show continued, it was almost as if Jean-Pierre Braganza was referencing women breaking free of the constriction, mixing dropped-waist trousers with some beautifully patterned knitwear or adding a loosely gathered dress.

Jean Pierre Braganza AW 2012 by Alia Gargum

Jean-Pierre Braganza A/W 2012 by Alia Gargum

Jean-Pierre Braganza AW 2012 by Illustrated Moodboard

Jean-Pierre Braganza A/W 2012 by Illustrated Moodboard

As the girls fiercely stomped en masse at the end of the show (perhaps to emote that bit of Victorian madwoman unpredictability) I couldn’t think of anyone who would have difficulty finding a piece just right for them in this collection. Loud prints, structured black and deep purple dresses, beetle-bright metallic jacquard, or simple printed silks were all there but didn’t seem to crowd each other. Jean-Pierre Braganza doesn’t just conjure up a fantasy, he makes it wearable and desirable. As Bad Girls by M.I.A. played the girls out and Jean-Pierre Braganza in to do his final bow, I had to smile as I almost got my camera smacked out of my hands by a model’s hip. These women didn’t feel constricted at all, they were ready to knock A/W 2012 right out.

Jean Pierre Braganza by Jaymie O’Callaghan.

Written by Alia Gargum on Monday February 20th, 2012 11:07 am

Categories ,Alia Gargum, ,Catherine Meadows, ,Chandelierium, ,Colin McDowell, ,Embankment Galleries, ,Embellishment, ,Gareth A Hopkins, ,Illustrated Moodboard, ,Jaymie O’Callaghan, ,Jean Pierre Braganza, ,knitwear, ,London Fashion Week, ,London Fashion Week A/W 2012, ,Louis Vuitton, ,M.I.A, ,Madness, ,Metallic, ,print, ,Silk, ,tailoring, ,Victorians, ,Womenswear, ,wool

Amelia’s Magazine | Graduate Fashion Week 2010: UCLAN Central Lancashire

Emma Box, find illustrated by Lesley Barnes

Lydia Vousvouni, illustrated by Abi Daker

Alex Oliver, illustrated by Lesley Barnes

Vicky Jolly, illustrated by Alli Coate

Anachee Sae Lee, illustrated by Abi Daker

Rochester, you’re all winners anyway.

Danielle Reed, malady illustrated by Gabriel Ayala

The Central Lancashire show was an upbeat, approved patriotic affair. Models strutted down the catwalk to a stonking soundtrack provided by students from the performing arts department, and we waved collections along with the cute Union Jack flags left on each seat.

The clothes were a lot of fun too – with the standout students playing around with conventional British icons – from Beefeaters and Big Ben to British school uniforms.

Kirsty Stringfellow created interesting textures with her whimsical collection of knitted designs. Column dresses in thick, appliquéd floral cream ruched across the models’ chests like a curtain, and were adorned with sparkly crochet, printed lace and gold netting. Whilst some of the curtain-esque dresses seemed a little heavy, Stringfellow is clearly gifted at manipulating different textures – the fine-knit cream designs with intricate layers of ruffles were sheer romance.

Kirsty Stringfellow, illustrated by Zarina Liew

On the other end of the scale, Danielle Reed and Rachel Wolstenhome both had fun with a tough, urban take on sportswear. Reed paired white bobby socks with black Dr. Martens, black grommet-laced waistcoats with slouchy joggers and manipulated aertex fabric into loose jumpsuits. The effect was a strong collection of grunge-inspired sportswear, with PVC fabrics and a monochrome palette adding a gothic edge.

Danielle Reed, illustrated by Gabriel Ayala

Wolstenhome created the sole male collection on show, and her futuristic sportswear borrowed shapes and fabrics from a manner of sportswear, a mash up of scuba-esque one-pieces, foam hoods, and deconstructed jersey sweat pants, with cut-out holes and harem-style drapes and folds.

Rachel Wolstenholme, illustrated by Aniela Murphy

A special mention should also go to Sunny Kular for her attempt to spice up school uniforms with Indian elements. We loved seeing that boring grey fabric we remember from our school days twisted into sari shapes, ties and blazers in Ikat prints and jackets emblazoned with a ‘Ganesh’ school badge.

Sunny Kalar, illustrated by Donna McKenzie

But UCLAN’s strongest suits are clearly printed textiles, forming the basis of two of the most eye-catching collections.

Jessica Thompson’s surreal collection of printed designs was full of quirky, cartoonish imagery, manipulated onto a spectrum of designs, from fitted shift dresses to sporty anoraks. Everything demanded attention, from the Beefeater printed slip that made the model into a marching drummer, to the dreamy shifts emblazoned with chimps and birds.

Some images were distorted into unrecognisable shapes and quirky patterns, forcing a closer look. The final piece was a red, floor length printed mac, that looked like it was printed with moon craters – the coolest cover up for a rainy day.

Jessica Thompson, illustrated by Gemma Milly

Saving the best till last – Sara Wadsworth’s amazing printed collection chimed with the patriotic mood. The whole collection was crafted in chiffon, printed with British icons – the Union Jack, Big Ben the London Eye and what looked like parts of Trafalgar Square, all blown up, re-sized, and patterned across wisps of fabric.

Sara Wadsworth, illustrated by Abi Daker

Wadsworth let the prints do the talking, choosing almost sheer chiffon in muted shades of grey, white and occasional splashes of olives and teal. Bright yellow bras peeked out from beneath the designs, ranging from floor length kaftans to a Vivienne Westwood-esque draped dress, and a sweet smock top and short combo. Who would have thought our most touristy landmarks could be re-imagined into such wearable designs?

Images courtesy of catwalking.com

Written by Lauren Smith on Friday June 11th, 2010 12:16 pm

Categories ,Appliqué, ,Beefeaters, ,Big Ben, ,british, ,Central Lancs, ,Danielle Reed, ,Dr. Martens, ,Earls Court, ,Ganesh, ,Graduate Fashion Week 2010, ,India, ,Jessica Thompson, ,Kirsty Stringfellow, ,knitwear, ,london, ,london eye, ,menswear, ,print, ,PVC, ,Rachel Wolstenholme, ,Sara Wadsworth, ,School Uniform, ,Sportwear, ,Sunny Kular, ,textiles, ,Tourism, ,Trafalgar Square, ,UCLan, ,Union Jack, ,Vivienne Westwood, ,Womenswear

Amelia’s Magazine | Graduate Fashion Week 2011 Gala Awards Show: Womenswear Knitwear and Tailoring

GFW Charlotte Waters by Claire Kearns
Charlotte Waters by Claire Kearns.

Now for the real meat of the Graduate Fashion Week Gala Awards show… the womenswear on show. Here are those designers who concentrated on tailoring, more about textures and knitwear.

Graduate Fashion Week Gala show Charlotte Waters 2011
Charlotte Waters of Salford showed a dark and moody collection with plenty of texture and knit. Intelligent Evolution was inspired by obsolete technology such as cassettes. Grunge with a modern twist – loved the over sized fibrous shoes.

Graduate Fashion Week Gala show Cindy M Warsono 2011

Cindy M Warsono by Hayley Warnham.

I wasn’t massively keen on La Salle College of the Arts Singapore graduate Cindy M Warsono‘s collection of bulky cream hoodies and tight trousers.

Graduate Fashion Week Gala show Jaskiran Hare 2011
Jaskiran Hare of Kingston University showed a monochrome collection based on traditional tailoring turned inside out and back to front.

Graduate Fashion Week Gala show Jungo Kuroiwa 2011
Jungo Kuroiwa of UCA Epsom favoured a very black approach as well: layered tailoring and lace all mixed up together to create interest.

GFW-Rory-Longdon_by_AlisonDay
Rory Longdon by Alison Day.

Graduate Fashion Week Gala show Rory Longdon 2011
Rory Longdon went for subdued black and silver in his knitwear collection – but even a colour lover like me could admire these beautifully constructed garments – up close they were just amazing. Not for nothing did he win the overall Gala Award. He goes on to study an MA in Fashion Womenswear at the RCA this September.

Graduate Fashion Week Gala show Lyudmila Lane 2011
Lyudmila Lane of UCA Rochester stuck to lighter greys and orange in pleated shapes for Endless Sequence, medications inspired by the sculptures of Peter Jansen. The garments didn’t always work – I was much more interested in her intriguing shoes.

Graduate Fashion Week Gala show Rachel Cogley 2011
Rachel Cogley from University of Birmingham must surely have been inspired by Charlie Le Mindu – her fun collection borrowed heavily from his avante garde design aesthetic. Nonetheless I enjoyed her crazy big shouldered plaited hair coats and the poodle bag which matched both wig and coat.

naomi-law-gfw-gala-ume-sacraine

Ume Sacraine by Naomi Law.

Graduate Fashion Week Gala show Ume Sacraine 2011
It was back to black for Ume Sacraine of De Montford University… who started with a panelled mini dress before moving on to a whole range of intriguing fringed, embossed and gnarled textures in a sombre palette.

Graduate Fashion Week Gala show Won Jee Chung 2011
Finally, Won Jee Chung showed more monochrome, this time intarsia knit and a strangely unflattering bulky hooded top with sheer palazzo pants.

Written by Amelia Gregory on Friday June 24th, 2011 3:31 pm

Categories ,Alison Day, ,black, ,Charlie le Mindu, ,Charlotte Waters, ,Cindy M Warsono, ,Claire Kearns, ,De Montford University, ,Endless Sequence, ,GFW, ,Graduate Fashion Week, ,Grey, ,Hayley Warnham, ,Intelligent Evolution, ,Jaskiran Hare, ,Jungo Kuroiwa, ,Kingston University, ,knitwear, ,La Salle College of the Arts, ,Lyudmila Lane, ,monochrome, ,Naomi Law, ,Peter Jansen, ,Rachel Cogley, ,Rory Longdon, ,Singapore, ,tailoring, ,Textures, ,UCA Epsom, ,UCA Rochester, ,Ume Sacraine, ,University of Birmingham, ,Womenswear, ,Won Jee Chung

Amelia’s Magazine | Graduate Fashion Week 2011 Gala Awards Show: Womenswear Print

GFW - Meg Cornwell by Madi
Meg Cornwell by Madi.

I am sure my regular readers will not be surprised to hear that it was the print designers who won my heart at the Graduate Fashion Awards Gala Awards. Never be afraid of colour and pattern my friends…

Graduate Fashion Week Gala show Meg Cornwell 2011
Meg Cornwell_by_AlisonDay
Meg Cornwell by Alison Day.

My very favourite had to be Meg Cornwell of Bournemouth University, click who unfortunately went home empty handed. I loved her combinations of flirty bell shaped minis splashed with abstract prints in a gorgeous colour palette of steel, rx maroon and pale blue, all accessorised with ruffled silver crop jackets. I would never have guessed it but her final collection was based on racing car engineering, with the prints inspired by car headlights. Follow Meg Cornwell on twitter.

GFW Christina Economo by Claire Kearns
Christina Economo by Claire Kearns.

Graduate Fashion Week Gala show Christina Economou 2011
Christina Economou showed a dashing collection of silky clashing prints in bold purple geometrics and splashy florals. Think high waistlines and high necklines.

Dominique Kral Graduate Fashion Week 2011 by Sarah Harman
Dominique Kral by Sarah Harman.

Graduate Fashion Week Gala show Dominique Kral 2011
Dominque Kral impressed with a confident collection that encompassed digital prints and cable knitwear.

GFW - Marrisa Owen by Madi
Marrisa Owen by Madi.

Graduate Fashion Week Gala show Marrisa Owen 2011
Marissa Owen was the worthy Womenswear Award winner, mixing stunning Japanese style prints with gingham and florals in this ambitious collection.

Shirana Chavda Graduate Fashion Week 2011 by Sarah Harman.

Graduate Fashion Week Gala show Shirana Chavda 2011
Shirana Chavda of De Montfort University went for splashy colour in her loose print collection. I liked the leopard print wide leg pants and the huge beady reptilian eyeball on a crop top.

Written by Amelia Gregory on Friday June 24th, 2011 4:41 pm

Categories ,Alison Day, ,Bournemouth University, ,Christina Economou, ,Claire Kearns, ,De Montford University, ,De Montfort University, ,Dominque Kral, ,floral, ,Gala Awards, ,Gingham, ,Graduate Fashion Week, ,japanese, ,Madi, ,Madi Illustrates, ,Marissa Owen, ,Meg Cornwell, ,print, ,Sarah Harman, ,Shirana Chavda, ,Womenswear

Amelia’s Magazine | Felder Felder: London Fashion Week S/S 2013 Catwalk Review

Felder Felder S/S 2013 by Claire Kearns

So it’s bloody fashion week again! Comes around quickly, doesn’t it? Every six months, in fact. I hadn’t allowed myself to get too excited or stressed this time around, so when I arrived at Somerset House on Friday evening for my first show of the season – Felder Felder – I was hoping they could whip me up in to a fashion frenzy. I decided to go and register first, quickly filing past streetstyle snappers taking pictures of other streetstyle snappers with birds in their hair and toilet seats around their necks. As I registered I recognised the dulcet tones of an Essex girl and glanced over noticing it was Lydia from TOWIE, a somewhat fashion week darling these days. I love Lyds and she looked gorgeous, but I couldn’t help noticing that her stylist had been a bit over-zealous with the eyebrow tweezers. I’m sorry I don’t have a picture but if you Google her no doubt you’ll see what I mean.

Felder Felder S/S 2013 by Janneke de Jong

I made my way to the ~~big top~~ tent in the centre of the courtyard and was totally surprised by how well organised it was. ‘Have I stepped in to a parallel universe?’ I thought to myself as I surveyed the calm, atmospheric room with people glugging Baileys cocktails and air kissing. Queuing was a breeze, free of shouting and angst, and all I could do was hope that the rest of the week would pan out like this.

At the catwalk, it was a similarly calm affair. That was until that lunatic Nancy Dell’Olio arrived and the photographers started to mount each other just to get a shot of her. God knows what it would be like if somebody more famous than Nancy Del’Olio arrived – you know, like a Paralympian perhaps, or that pup that won Britain’s Got Talent. They’d go wild.

Kate Nash. All photography by Matt Bramford

The lights fell and out came a grungy-looking creature who stood on a box and started singing. I had absolutely no idea, until my pal The London Lip Gloss told me after the show, that this was Kate Nash. I made a mental note to start reading show notes. No longer the red-haired, over annunciating Cockney, Kate Nash has been transformed in to a slightly gothic gal with the help of a different stylist and a bottle of hair dye. She can’t half belt out a tune though and, looking back, I think this new style really suits her.

It didn’t take long for Felder Felder‘s S/S 2013 outing to reignite that fire in my belly. With Kate Nash‘s vocals as the soundtrack, models began to appear in what has now become the Felder sisters’ trademark – floaty frocks and gorgeous digital prints worn by powerful females.

Felder Felder by Janneke de Jong.

Digital leopard print came first on said floaty frocks in pastel colours, on a-line numbers and then those with long trains that Felder Felder do so well. This was then traded for a grungier butterfly pattern in dark blues on tailored jackets and pants.

Next we saw translucent pastel blue blouses and an ethereal floor-sweeping dress in the same colour.

My favourites were th 1950s-esque swimwear pieces, some with ruffles on knickers and others covering entire swimming-costume shapes. A ruffled skirt with sweetheart neckline top had the crowd clapping with glee.

The final, show-stopping piece featured all of the above: that floating hemline, the ruffles around the waist, the pastel palette, this time in a cloudy orange, daringly split up both thighs.

It was a collection of grown-up elegance while still having that rock n’ roll attitude the Felder sisters are famous for.

Written by Matt Bramford on Tuesday September 18th, 2012 7:19 pm

Categories ,Baileys, ,BFC, ,Butterflies, ,catwalk, ,Catwalk Space, ,Clare Kearns, ,Digital Prints, ,fashion, ,Felder Felder, ,Janneke de Jong, ,Kate Nash, ,London Fashion Week, ,Lydia Bright, ,Matt Bramford, ,review, ,Ruffles, ,S/S 2013, ,Somerset House, ,SS13, ,TOWIE, ,Womenswear

Amelia’s Magazine | Graduate Fashion Week 2012 Gala Awards Ceremony: Part One

Matthew Williamson by Ruth Joyce

Twelve hundred students descend on Earls Court Two for Graduate Fashion Week every year. About a quarter of them get the opportunity to showcase their collections during one of the 16 fashion shows that are held over four days. In a dramatic climax – the Gala Awards show – 10 students are selected to present their work for a second time in the hope of receiving the coveted Gold Award.

All photography by Matt Bramford

So, like the fashion industry itself, chances of making it are pretty slim. 10 incredible collections graced the catwalk in the finale and I honestly couldn’t pick a winner – celebrity judges like Matthew Williamson and Julien Macdonald commented on the incredible standard exhibited of not only those who had been selected as a Gold Award nominee, but every college.

Julien Macdonald by Claire Kearns

Here’s a photographic whistle-stop tour of the awards ceremony:

INTERNATIONAL AWARD

Yvonne Kwok – Amsterdam Fashion Institute

Zhu Liyuanzi – Istituto Marangoni Milan

WINNER: Karen Jessen – ESMOD Berlin, presented by Julien Macdonald, Sara Maino from Vogue Italia & Caroline Burstein from Browns.

STUART PETERS KNITWEAR AWARD

Emma Walsh – Nottingham Trent University

Jousianne Propp – Manchester Metropolitan University

Caitlin Charles Jones – Kingston University

Judges Ruth Chapman from Matches, Erica Peters from Stuart Peters and knitwear designer Mark Fast couldn’t decide, so Caitlin and Jousianne both scooped the award!

ZANDRA RHODES TEXTILES AWARD

Daisy Lowe by Ruth Joyce

Amelia Smith – Northumbria University

Dae-Byn Lee – Nottingham Trent University

Roz Lamkin – Manchester Metropolitan University

WINNER: Xiaoping Huang – UCLAN, presented by Daisy Lowe and Mary Katrantzou

BARCLAYS NEW BUSINESS AWARD

Holly Reid – UCLAN, presented by Tabitha Somerset-Webb (Project D) and Michelle Mone OBE

FASHION INNOVATION AWARD

Ami Collins – UCLAN, presented by Lorraine Candy of ELLE magazine and designer David Koma

MEDIA & DESIGN AWARD

Kerrie Donelly – UCA Epsom, presented by Fashion Editor-at-Large Melanie Rickey and ID magazine‘s Jefferson Hack (swoon)

STAND DESIGN AWARD

Edinburgh College of Art, presented by designer Fred Butler and Harvey Nichols‘ Yuri Nakamura

GEORGE BEST OF BRITISH AWARD

Susanna Yi – University of East London, presented by TV presenter Caroline Flack and ASDA fashion director Fiona Lambert

GEORGE CHILDRENSWEAR AWARD

Harriet Simons – Colchester, presented by singer Louise Redknapp and Fiona Lambert

MULBERRY ACCESSORIES AWARD

Laura Smallwood – Kingston University, presented by Mulberry‘s Tori Campbell

ETHICAL AWARD

Sarah Murphy, Northumbria – presented by stylist Jocelyn Whipple and film producer/eco hero Livia Firth

LIFETIME ACHIEVEMENT AWARD

Legendary catwalk photographer Chris Moore, presented by designer Jeff Banks

Part Two, featuring the major players and the menswear, womenswear and Gold Award winners, coming soon…!

Written by Matt Bramford on Wednesday June 20th, 2012 10:15 am

Categories ,accessories, ,Amelia Smith, ,Ami Collins, ,Amsterdam Fashion Institute, ,ASDA, ,Awards, ,Caitlin Charles Jones, ,Caroline Flack, ,Caryn Franklin, ,Catwalking.com, ,Ceremony, ,Childrenswear, ,Chris Moore, ,Claire Kearns, ,Colchester, ,Dae-Byn Lee, ,daisy lowe, ,David Koma, ,Earls Court Two, ,Eco Age, ,Elle, ,Emma Walsh, ,Erica Peters, ,ESMOD Berlin, ,Essex, ,fashion, ,Fiona Lambert, ,Fred Butler, ,Gala, ,George, ,Gold Award, ,Graduate Fashion Week, ,Harvey Nichols, ,Holly Reid, ,ID Magazine, ,international, ,Istituto Marangoni Milan, ,Jeff Banks, ,Jefferson Hack, ,Jousianne Propp, ,Julien McDonald, ,Karen Jesson, ,Kerrie Donnelly, ,Kingston University London, ,knitwear, ,Laura Smallwood, ,Lifetime Achievement, ,Livia Firth, ,Lorraine Candy, ,Louise Redknapp, ,Manchester Metropolitan University, ,Mark Fast, ,Mary Katrantzou, ,matches, ,Matt Bramford, ,Matthew Williamson, ,Melanie Rickey, ,menswear, ,Michelle Mone OBE, ,Mulberry, ,New Business, ,Northumbria University, ,Nottingham Trent University, ,Project D, ,Roz Lamkin, ,Ruth Chapman, ,Ruth Joyce, ,show, ,Stuart Peters, ,Susanna Yi, ,Tabitha Somerset-Webb, ,Tori Campbell, ,UCA Epsom, ,UCLan, ,UEL, ,Womenswear, ,Xiaoping Huang, ,Yuri Nakamura, ,Yvonne Kwok, ,Zhu Liyuanzi

Amelia’s Magazine | Graduate Fashion Week 2010: A Preview

Thumbnail Far

It has been twelve years since Far released Water and Solutions, drug unwittingly creating the blueprint for post hardcore music and making lead singer Jonah Matranga the godfather of every sensitive boy with a guitar. Thursday, ed Biffy Clyro and Funeral for a Friend cite Far as one of their biggest influences and regularly cover their songs at live shows. After a decade apart, Sacramento’s post hardcore pioneers return with their impressive new album, At Night We Live.

The album is dedicated to close friend and bassist of seminal hard rock outfit Deftones, Chi Cheng, who is currently in a semi-conscious state after a near fatal car accident last year.

As soon as Matranga’s menacing whisper introduces the opening track, Deafening, it is obvious that the masters are back with a renewed enthusiasm for the movement they helped create all those years ago. Shawn Lopez’s growling riffs sound just as potent as they did on previous tracks like Bury White and I Like It.

If You Cared Enough is classic Far at their best. The tension builds with Matranga’s bitter sweet vocals until the satisfying breakdown complete with gloriously catchy chorus erupts like a little earthquake. Far have always been great at making heavy music with radio friendly lyrics and it is perfectly executed here.

A pleasant surprise appears in the form of When I Could See. The bass is sparse meaning the song simply relies on minimalist guitars and haunting vocals to create an unnerving nocturnal atmosphere that has been missing from their previous efforts. It is reassuring to know that the band are not afraid to venture into unknown territory and the results are nothing short of breathtaking.

It is clear that Matranga’s previous outfit, Newendoriginal, have had an effect on their new sound as Give Me a Reason and Burns sound like they could easily have been b-sides from their Thriller album. Not that this is a bad thing: In fact, it shows that the quartet have taken their experiences to create a much more diverse record.

Far were once signed to Sony and touring the world alongside Deftones and Incubus, but somewhere along the lines band tensions and major label pressures forced the group apart. Dear Enemy seems to discuss past problems as Jonah declares: “If our words were guns we would be dead and gone. Why do we fight like this, dear enemy?” This is by far one of the strongest tracks on the album and proves that Far have always found a way to appeal to the mosh pit and the mind simultaneously.

The only track that seems to miss the mark is Fight Song, as it displays none of the band’s most endearing characteristics and sounds like diluted emo rock that you are likely to find on Radio One. The drum rhythm is monotonous throughout and the lyrics simply don’t stand up to poetic prowess of their back catalogue.
The title track, At Night We Live, is a dedication to Deftones bassist Chi Cheng and Matranga’s quivering vocals steal the air from a room as he tells himself, “There was no car crash. There was no blood.” The touching honesty of the lyricism is a fitting tribute to their critically ill friend and a tasteful ode to anyone who has ever lost someone they love.

One of Far’s greatest attributes is that they have always been able to effortlessly combine punishing riffs and tender vocals without sounding insincere. Perhaps Fall Out Boy, My Chemical Romance and every other band that has attempted to imitate their formula over the years should have been paying closer attention because no one does it like the Sacramento based veterans.

The album is equal parts nostalgia for their past releases and snippets of musical ventures each member has worked on since the Far’s initial split back in 2002. All of the aspect that made Water and Solutions so influential are firmly in place but their willingness to tread new ground means that At Night We Live has a lot to offer rock fans that are too young to remember Far from the first time round. Let’s hope Matranga and his reunited band mates bring their brilliant new material to the UK sometime soon.

It has been twelve years since Far released Water and Solutions, more about unwittingly creating the blueprint for post hardcore music and making lead singer Jonah Matranga the godfather of every sensitive boy with a guitar. Thursday, discount Biffy Clyro and Funeral for a Friend cite Far as one of their biggest influences and regularly cover their songs at live shows. After a decade apart, dosage Sacramento’s post hardcore pioneers return with their impressive new album, At Night We Live.

The album is dedicated to close friend and bassist of seminal hard rock outfit Deftones, Chi Cheng, who is currently in a semi-conscious state after a near fatal car accident last year.

It has been twelve years since Far released Water and Solutions, store unwittingly creating the blueprint for post hardcore music and making lead singer Jonah Matranga the godfather of every sensitive boy with a guitar. Thursday, search Biffy Clyro and Funeral for a Friend cite Far as one of their biggest influences and regularly cover their songs at live shows. After a decade apart, Sacramento’s post hardcore pioneers return with their impressive new album, At Night We Live.

The album is dedicated to close friend and bassist of seminal hard rock outfit Deftones, Chi Cheng, who is currently in a semi-conscious state after a near fatal car accident last year.

It’s that time of year again when graduating fashion students up and down the country prepare to showcase their hard work from the previous three years, cialis 40mg in front of industry professionals, journalists and fashionistas for the first time.

The event takes place from Sunday to Wednesday, with over 20 catwalk shows and countless exhibitions. The best part is, everybody can go! You can pay to visit the exhibition and pay for the shows on an individual basis – it’s a little expensive but the quality and craftsmanship on display is well worth a bit of your cash. It’s also a unique insight into what might happen in the fashion industry in the coming years – you never know, you might see a show featuring the next John Galliano or Vivienne Westwood.

Here’s a look at a few of the highlights from last year, and a selection of colleges and universities we’re looking forward to seeing this year…

Myrto Stamou, image courtesy of Catwalking

UCA Rochester
The students at UCA Rochester have their work cut out this year, defending their crown – last year womenswear student Myrto Stamou scooped the top prize Gold Award. Her collection will soon be hitting the high street thanks to principal GFW sponsors River Island. Myrto, originally from Greece, presented a Grecian-inspired collection. This year looks set to be even better for the students at UCA.

Ravensbourne
Ravensbourne is always high on the list of ones to watch, and the fact that their graduate show this year has already sold out is a testament to the hype surrounding this award-winning college (it was Ravensbourne who took home the accolade of the Gold Award in 2008).

Mehmet Ali, image courtesy of Catwalking

Ravensbourne has a reputation for nurturing exemplary menswear designers, and 2009 was no exception. Mehmet Ali’s highly sophisticated collection, in neutral pink and pale colours, deservedly secured him the 2009 Menswear Award, whilst Calum Harvey‘s knitwear collection, consisting of gigantic scarves and tulle tiered capes, bagged a second prize for the college. Womenswear isn’t to be overlooked either, with a range of quirky digital prints on offer this time last year.

Calum Harvey, image courtesy of Catwalking

Northumbria
Okay, I’m biased – I studied at Northumbria and will always follow the progression of students’ work closely. But, having said that, year after year the university and her students produce strong collections with emphasis on style and craftsmanship. I was delighted last year when the course bagged three awards – Charlotte Simpson won the Zandra Rhodes Catwalk Textiles Award, whilst the Fashion Innovation Award and the Creative Marketing Award were won by Nicola Morgan and Christina Duggan respectively.

What I like most about Northumbria is that they are always fashion-forward in their thinking, and technical engineering is married with the aesthetic properties of materials: Steph Butler’s laser-cut numbers and Holly Storer’s cute origami flowers…

Steph Butler, photographed by Matt Bramford

Holly Storer, photographed by Matt Bramford

Manchester
At Manchester, they always mix things up a bit, and you’re certain to find things here that you don’t see anywhere else. Last year, the runway was transformed into a Hollywood-esque theatre with swirling spotlights dramatically lighting up the models. They cover all bases, too – their knitwear, menswear, womenswear and print is all astounding. Romy Townsend’s menswear knit collection featured oversized cape/cardigan hybrids…

Romy Townsend, photographed by Matt Bramford

…while Rosie Keating’s intriguing shapeless smocks, using the latest laser-cutting techniques, were a real treat.

Rosie Keating, photographed by Matt Bramford

International Show
This year sees the intervention of graduating designers from around the world, presented together in the rather unimaginatively titled ‘The International Show’. This will feature colleges from Amsterdam, Hamburg, Basel, Saint-Petersburg and Singapore, and should provide a welcome relief sandwiched in the middle of the week.

Student’s work from the Amsterdam Fashion Institute

Tickets for shows are available here and it’s advisable you book in advance as they will sell out very quickly on the day. If you fancy a nose around the exhibition, though, you can pay on the door! Enjoy!

Written by Matt Bramford on Thursday June 3rd, 2010 5:40 pm

Categories ,Calum Harvey, ,Charlotte Simpson, ,Christina Duggan, ,Earls Court, ,Gold Award, ,Graduate Fashion Week, ,Greece, ,International designers, ,John Galliano, ,knitwear, ,london, ,manchester, ,Mehmet Ali, ,menswear, ,Myrto Stamou, ,Nicola Morgan, ,Northumbria, ,print, ,ravensbourne, ,River Island, ,Romy Townsend, ,Rosie Keating, ,Steph Butler, ,students, ,textiles, ,UCA Rochester, ,University, ,Vivienne Westwood, ,Womenswear, ,Zandra Rhodes

Amelia’s Magazine | Graduate Fashion Week: Birmingham and Salisbury

Vivienne Westwood, viagra illustrated by Kerry Lemon

While things like free booze and miniature pies are thoroughly good perks of a fashion week, it is also completely inevitable that you somehow manage to end up with hundreds of bits of paper and about six half-drunk bottles of water rolling around in your bag, and sure enough by the time I reached the Ravensbourne show I had unwittingly acquired three in the space of forty five minutes. Out of all the shows at Graduate Fashion Week, Ravensbourne is the hottest ticket – so hot, in fact, that only Vivienne bloody Westwood was in the audience. We found out afterwards that she’s working on a climate change television project with the college’s media course and went to support the fashion students. Her presence proved a bit of a personal distraction during the show and I seemed less concerned about what I was thinking than what she was thinking. It was a bit difficult to tell though.

Judging by the pleasantly psychotic combinations of ideas on show one can only presume that the class of Ravensbourne BA 2010 took a trip to the zoo on a cocktail of hallucinogens and then sat down to design their collections. With the extensive parade of animals on show it was like the four-footed refugees of Noah’s Ark had washed up on the beaches of Graduate Fashion Week – after a more muted and minimalist BA show from Central St Martins, it was a eye-popping joy to watch, with cartoons and pop art emerging as other pungent themes. The show was opened by Bobby Charles Abley with a menswear collection that proved children’s cartoons and bondage need not be two mutually alienating concepts, even if they are more than a little disturbing when thrown together. Speech bubble printed trousers, stuffed teddy bears and hoods with animal ears were paired with bondage straps in innocuous looking primary colours.

While Ravensbourne is particularly well known for producing amazing digital prints, Sera Ulger’s womenswear collection featured beautifully hand painted animal motifs on silk, featuring a crow, a lemur, a tarsier and an owl with its eyes in suggestive places on a selection of mohair dresses.

Ravensbourne took the Menswear Award for the second year in a row with Thomas Crisp’s elegantly tailored collection of leather and velvet jackets, based on Parisian street gangs in the late 1800s.

Amy Addison’s designs featured digital prints, miniskirts, thigh high socks and sleeves ending in boxing gloves…

…while Jessica Holmes’s cocktail dresses were emblazoned with ducks and Dumbos.

We’ve also come to expect a lot of accomplished knitwear. Harriet Clinch’s retro knitwear was basically a walking seventies ski lodge – simple jumpers and a star-spangled poncho with a vast selection of different knits thrown into the mix – stripes, bobbles, fair isle and cables, accessorised with sheepskin oven mitts and even a knitted camera.

photographs courtesy of catwalking.com

Vivienne Westwood, case illustrated by Kerry Lemon

While things like free booze and miniature pies are thoroughly good perks of a fashion week, link it is also completely inevitable that you somehow manage to end up with hundreds of bits of paper and about six half-drunk bottles of water rolling around in your bag, and sure enough by the time I reached the Ravensbourne show I had unwittingly acquired three in the space of forty five minutes. Out of all the shows at Graduate Fashion Week, Ravensbourne is the hottest ticket – so hot, in fact, that only Vivienne bloody Westwood was in the audience. We found out afterwards that she’s working on a climate change television project with the college’s media course and went to support the fashion students. Her presence proved a bit of a personal distraction during the show and I seemed less concerned about what I was thinking than what she was thinking. It was a bit difficult to tell though.

Judging by the pleasantly psychotic combinations of ideas on show one can only presume that the class of Ravensbourne BA 2010 took a trip to the zoo on a cocktail of hallucinogens and then sat down to design their collections. With the extensive parade of animals on show it was like the four-footed refugees of Noah’s Ark had washed up on the beaches of Graduate Fashion Week – after a more muted and minimalist BA show from Central St Martins, it was a eye-popping joy to watch, with cartoons and pop art emerging as other pungent themes. The show was opened by Bobby Charles Abley with a menswear collection that proved children’s cartoons and bondage need not be two mutually alienating concepts, even if they are more than a little disturbing when thrown together. Speech bubble printed trousers, stuffed teddy bears and hoods with animal ears were paired with bondage straps in innocuous looking primary colours.

While Ravensbourne is particularly well known for producing amazing digital prints, Sera Ulger’s womenswear collection featured beautifully hand painted animal motifs on silk, featuring a crow, a lemur, a tarsier and an owl with its eyes in suggestive places on a selection of mohair dresses.

Ravensbourne took the Menswear Award for the second year in a row with Thomas Crisp’s elegantly tailored collection of leather and velvet jackets, based on Parisian street gangs in the late 1800s.

Amy Addison’s designs featured digital prints, miniskirts, thigh high socks and sleeves ending in boxing gloves…

…while Jessica Holmes’s cocktail dresses were emblazoned with ducks and Dumbos.

photographs courtesy of catwalking.com

Vivienne Westwood, this illustrated by Kerry Lemon

While things like free booze and miniature pies are thoroughly good perks of a fashion week, information pills it is also completely inevitable that you somehow manage to end up with hundreds of bits of paper and about six half-drunk bottles of water rolling around in your bag, what is ed and sure enough by the time I reached the Ravensbourne show I had unwittingly acquired three in the space of forty five minutes. Out of all the shows at Graduate Fashion Week, Ravensbourne is the hottest ticket – so hot, in fact, that only Vivienne bloody Westwood was in the audience. We found out afterwards that she’s working on a climate change television project with the college’s media course and went to support the fashion students. Her presence proved a bit of a personal distraction during the show and I seemed less concerned about what I was thinking than what she was thinking. It was a bit difficult to tell though.

Judging by the pleasantly psychotic combinations of ideas on show one can only presume that the class of Ravensbourne BA 2010 took a trip to the zoo on a cocktail of hallucinogens and then sat down to design their collections. With the extensive parade of animals on show it was like the four-footed refugees of Noah’s Ark had washed up on the beaches of Graduate Fashion Week – after a more muted and minimalist BA show from Central St Martins, it was a eye-popping joy to watch, with cartoons and pop art emerging as other pungent themes. The show was opened by Bobby Charles Abley with a menswear collection that proved children’s cartoons and bondage need not be two mutually alienating concepts, even if they are more than a little disturbing when thrown together. Speech bubble printed trousers, stuffed teddy bears and hoods with animal ears were paired with bondage straps in innocuous looking primary colours.

While Ravensbourne is particularly well known for producing amazing digital prints, Sera Ulger’s womenswear collection featured beautifully hand painted animal motifs on silk, featuring a crow, a lemur, a tarsier and an owl with its eyes in suggestive places on a selection of mohair dresses.

Ravensbourne took the Menswear Award for the second year in a row with Thomas Crisp’s elegantly tailored collection of leather and velvet jackets, based on Parisian street gangs in the late 1800s.

Amy Addison’s designs featured digital prints, miniskirts, thigh high socks and sleeves ending in boxing gloves…

…while Jessica Holmes’s cocktail dresses were emblazoned with ducks and Dumbos.

photographs courtesy of catwalking.com

After trying to rid myself of the triffid-like water bottles by drinking them, ampoule after the Ravensbourne show, search I spent most of the Birmingham and Salisbury-shared show needing the loo but at least there was an incredibly strong showing to keep me entertained, with knitwear to match the best of them. Birmingham’s Thomasin Gautier-Ollerenshaw’s menswear featured balaclavas, oversized coats and jumpers with cartoon characters and catchphrases.

Elsewhere, the show’s opener was Angela Stead with a fairytale Alice in Wonderland-style story with a tea cup handbag, rose headpieces, lace, and a dress made from patches of shredded, leaf-like fabric.

Anna Russell’s flesh coloured collection of perforated leathers on pale, doll-like models was tight-fitting and delicate, and stood out in a sea of brash designs.

There were more teddy bears from Jessica Day in a collection that looked straight out of Marina Diamandis‘ wardrobe; again, it was like somebody had fallen into a child’s dressing up box…

…As opposed to, say, Joe Turvey’s models who looked like they had emerged with the rational parts of the their brain missing from a serial killer’s dressing up dungeon. Reminscent of Dior or Walter van Beirendonck, the collection was a disconcerting mix of wearable knits and sadistic-looking leather overalls styled with chilling masks and waist-cinching belts.

Wiltshire College followed, with Sophie Lowe’s rural and armour inspired collection one of knitted taffeta, sheepskin, and dip dye straw…

…while Rebecca Giddings’s work featured leather, shoulder pads and welding overalls, which seemed to be a case of Robin Hood meets Flashdance (which, incidentally, seems like a brilliant idea for a film.)

Across the board it seems there’s some childhood nostalgia going on – time to get raiding the attic to see what you can turn those old teddy bears into.

Written by Jonno Ovans on Tuesday June 22nd, 2010 4:34 pm

Categories ,Alice in Wonderland, ,Angela Stead, ,Anna Russell, ,Balaclavas, ,Birmingham, ,Earls Court, ,fashion, ,Graduate Fashion Week 2010, ,Jessica Day, ,Joe Turvey, ,knitwear, ,leather, ,london, ,Marina Diamandis, ,menswear, ,Rebecca Giddings, ,salisbury, ,Serial Killers, ,Sophie Lowe, ,Thomasin Gaultier-Ollerneshaw, ,Wiltshire College, ,Womenswear

Amelia’s Magazine | Jasper Garvida: London Fashion Week S/S 2012 Preview Interview, part two

Similar Posts:

Amelia’s Magazine | Graduate Fashion Week 2010: UCA Rochester

Similar Posts:

Amelia’s Magazine | Jean-Pierre Braganza: London Fashion Week A/W 2012 Catwalk Review

Similar Posts:

Amelia’s Magazine | Graduate Fashion Week 2010: UCLAN Central Lancashire

Similar Posts:

Amelia’s Magazine | Graduate Fashion Week 2011 Gala Awards Show: Womenswear Knitwear and Tailoring

Similar Posts:

Amelia’s Magazine | Graduate Fashion Week 2011 Gala Awards Show: Womenswear Print

Similar Posts:

Amelia’s Magazine | Felder Felder: London Fashion Week S/S 2013 Catwalk Review

Similar Posts:

Amelia’s Magazine | Graduate Fashion Week 2012 Gala Awards Ceremony: Part One

Similar Posts:

Amelia’s Magazine | Graduate Fashion Week 2010: A Preview

Similar Posts:

Amelia’s Magazine | Graduate Fashion Week: Birmingham and Salisbury

Similar Posts: