Sally Jane Thompson – AmeliasMagazine

Amelia’s Magazine | MAC Semi-Precious Collection: New Mineral Make Up Range from the Mata Atlantica Coast of Brazil

MAC Semi Precious range by AntoniaParker
MAC Semi-Precious range by Antonia Parker. Her lady wears Hint of Sapphire on eyes, case Geo Pink on lips, sildenafil Warmth of Coral blush. The background is inspired by Blue Sheen eyeshadow.

Now, I don’t generally get that excited about the launch of a new make up range, but I was most intrigued when I learnt (on the grapevine) about the new MAC Semi-Precious Collection. Why, you may well ask? Well, this large new beauty range boasts plenty of semi precious mineral ingredients and the final products are intriguing – a swirly shimmer of glistening particles that reflect the source of their creation. Time to find out a bit more….

MAC semi precious range collection review 2011

Over at MAC HQ Jennifer Balbier and Nick Gavrelis are the brains behind the collection, inspired by trips to Brazil where the use of natural minerals in make up is much more commonplace. The minerals are pulverised into very small particles and then baked into the marbleised finishes that typify the collection. They were helped in their knowledge of the Brazilian beauty arena by Fabiana Gomes, who grew up in Curitiba and has worked with MAC since they opened their first store in Brazil in 2002. Beauty is super important in Brazil, so the launch of the Semi-Precious Collection clearly sees MAC with one eye on this huge emerging customer base.

MAC semi precious by Lorna Scobie.

But what about the really interesting stuff? The ingredients themselves? The finely milled gems which have been chosen for the Semi-Precious range are Bronzite, Black Tourmaline, Gold Pyrite and Lilac Lepidolite – each of which create beautiful jewel-like colours and are also believed to have some interesting properties.

MAC semi precious range collection review 2011

Bronzite, the Stone of Courtesy, is a deep chocolate colour with golden swirls, believed to be energised by the Earth, thus improving metabolism and oxygenation at a micro level (wow, all that from wearing a pretty eye shadow!)

Black Tourmaline is iron rich and known as the Electric Stone because it conducts a gentle current – for this reason it’s believed to neutralise negative energies and enhance happiness in the wearer.

Gold Pyrite is very bright and metallic as anyone will know who has marvelled at Fool’s Gold. It’s the Fire Stone, sparking when struck against iron and steel. For this reason it’s associated with stamina and transforming intuition into logic and reasoned action. It also aids concentration and fosters open communication.

Lepidolite is a member of the Mica family. It is the Peace Stone, used to encourage openness and honesty. It is believed to dissipate pain when placed on the body, to relieve allergies and stabilise mood swings. If wearing a pretty lipstick can do this I’ll be damned, but there’s nothing like a bit of folklore to encourage sales.

MAC Semi Precious by Sally Jane Thompson.

Research was done by the MAC team in Canada and the minerals were mined by Solabia International – slogan Between Nature and Technology – then put together to echo the beauty of the Brazilian landscape in their laboratory just outside Milan. Solabia mines on the Mata Atlantica coast of Brazil where the four precious stones are found, following an ethical code of practice laid out by DNPM the Brazilian National Department of Mineral Production. I am assured that the process does not use large quantities of water.

MAC semi precious range collection review 2011

The Semi-Precious stones are used in Mineralize eye shadow, blush and lipstick, though the new range also features body lotions as well as mascara and foundation. With names like Pure Magnificence, Natural Flare, and Geo Pink the geographical nature of the ingredients is always at the fore. I’ve been wearing the Golden Gaze on my eyes over the past few days and the way that the gold particles are swirled together with black gives a multi-layered finish that is very different to your average eye shadow: think sultry charcoal grey with a glinting hint of gold once on the eyelid – a subtle look that is totally suitable for daytime. I’ve also tried the Feeling Flush blusher, which is a perky pink colour on the skin. Be warned though, I needed very little of this to achieve a strong effect.

Mac Semi Precious by Claire Kearns.

MAC Semi-Precious was launched in the US & UK last week so it should be available at make-up counters near you very soon….

Written by Amelia Gregory on Monday July 11th, 2011 5:18 pm

Categories ,Antonia Parker, ,Beauty, ,Between Nature and Technology, ,Black Tourmaline, ,Blue Sheen, ,Blusher, ,brazil, ,Brazilian National Department of Mineral Production, ,Bronzite, ,canada, ,Claire Kearns, ,Coast, ,Curitiba, ,DNPM, ,Electric Stone, ,eye shadow, ,Fabiana Gomes, ,Feeling Flush, ,Fire Stone, ,Folklore, ,Fool’s Gold, ,Geo Pink, ,Gold Pyrite, ,Golden Gaze, ,Hint of Sapphire, ,Honesty, ,HQ, ,Intuition, ,Jennifer Balbier, ,Jewel, ,Lepidolite, ,Lilac Lepidolite, ,Lipstick, ,Logic, ,Lorna Scobie, ,Mac, ,Make-up, ,Mata Atlantica, ,Metabolism, ,Mica, ,Milan, ,Mineralize, ,Minerals, ,mining, ,Natural Flare, ,Negativity, ,Neutralise, ,Nick Gavrelis, ,Peace Stone, ,Pure Magnificence, ,Sally Jane Thompson, ,Semi-Precious, ,Solabia International, ,Stamina, ,Stone of Courtesy, ,Warmth of Coral

Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Toni & Guy – Hair Meets Wardrobe

Naomi Campbell, salve illustrated by Phoebe Kirk

So fashion week (unofficially) kicked off early this S/S 2012 season with a Thursday night show-cum-product launch from purveyors of the faukhawk, Toni & Guy. I had no idea what to expect from this. Well, clearly I imagined there’d be a fair few hair dos on display – but would it take the form of a normal runway show? What would the fashion be like? Would I leave desperate to dash to my nearest T&G salon? I was soon to find out.

Toni & Guy, illustrated by Gareth A Hopkins

Inside the uninspiring BFC tent within the awe-inspiring Somerset House, we were treated to champagne, Pimm’s and traumatic canapés that make it entirely impossible to look attractive whilst throwing them in your gob. I was starving though, so I did my best ‘I-don’t-even-care-about-looking-attractive’ face whilst hoovering them up. Inside the tent we were rewarded with pretty decent seats, an enormous goodie bag featuring the new Toni & Guy Hair Meets Wardrobe range, and a crisp A4 sheet detailing what was about to happen. I scanned down it and thought I read ‘with an introduction by Naomi Campbell’. I read through it again. I hadn’t been mistaken; ‘with an introduction by NAOMI CAMPBELL‘. There it was, in black and white. Really? The Naomi Campbell? Yikes.

Naomi Campbell, illustrated by Sally Jane Thompson

A scrum ensued when Olivia Palermo took her Frow seat right in front of us: flash after flash left a permanent glare on my eyeballs. She was joined by Matthew Williamson in a rather stylish hat, with yet more flashbulbs going off at record speed.

Olivia Palermo, illustrated by The Lovely Wars

The lights dimmed and an X-Factor-style voiceover requested we welcome NAOMI CAMPBELL. Not much of an ask, let’s face it. Out she sashayed to huge cheers, and I could actually feel one of my legs wobbling. I write the next sentence with caution and hide behind my screen to avoid any airborne mobile phones, but our Naomi isn’t the best public speaker. I can’t imagine she’d spent much time rehearsing, but she fluffed her way through it, referring to Hair Meets Wardrobe as ‘Meet the Wardrobe’, at which I chuckled. Having said that, a woman like Naomi could read the Yellow Pages aloud and I’d still be completely mesmerised.

All photography by Matt Bramford

On with the show, and a video popped up on the big screen showing some of nature’s finest matches: fish ‘n’ chips, gin and tonic and so on – I think they were getting at that hair and wardrobe are quiet important together – a concept not brand new to fashion. The show was then divided into four sections (the four components of the new Toni & Guy brand): classic, casual, glamour and creative.

Classic

Illustration by Gilly Rochester

The classic section featured 1960s-esque natural beauties with slick hair styles. Croydon facelifts were popular – a hairstyle that will never go out of fashion.

Casual
I loved the ‘casual’ section, and can’t wait to mess up my locks with the sea salt spray we were given. Sexy bedroom hair, that I’ve since seen on numerous catwalks, was presented in a variety of ways, from backcombed scruffy heaps piled atop models’ heads, to long natural styles with uneven plaits.

Glamour

Illustration by Gilly Rochester

T&G cranked up the glamour for what was by far my favourite portion of the show. 1920s tight waves walked alongside big, big backcombed locks and modern interpretations of the pompadour. Sexy, smokey eye make-up and flowing frocks brought the looks together perfectly.

Creative

Illustration by Gareth A Hopkins

This is praps what Toni&Guy are essentially known for – and I have to admit that I was expecting much more of this from the show. Y’know – the kind of hairstyle popular with Diesel-clad punters from Leeds. A couple of spiked coloured numbers felt a bit dated in the mix of all that glamour and sophistication, but a Louise Brooks-esque severe bob soon turned things around. A few cartoonish styles at the end brought a welcomed bit of fun.

Previous fashion editor of Tatler, Charlie Anderson, had styled the show and had married striking outfits with each of the hairstyles. it’s difficult to focus on hair alone when you’re used to watching models parade backwards and forwards, but the clothes (apart from the final pieces) were cool enough to bring the barnets to life without stealing the show. These were my final thoughts as another pap scrum formed where Naomi had taken her seat.

All photography by Matt Bramford

Written by Matt Bramford on Saturday September 17th, 2011 2:21 pm

Categories ,BFC, ,Casual, ,Charlie Anderson, ,Classic, ,Creative, ,fashion, ,Fauxhawk, ,Gareth A Hopkins, ,Gilly Rochester, ,Glamour, ,Hair, ,Hair Meets Wardrobe, ,London Fashion Week, ,Louise Brooks, ,Naomi Campbell, ,Phoebe Kirk, ,Pimm’s, ,S/S 2012, ,Sally Jane Thompson, ,Somerset House, ,The X Factor Voice Over Man, ,Toni & Guy

Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Toni & Guy – Hair Meets Wardrobe

Naomi Campbell, salve illustrated by Phoebe Kirk

Toni & Guy, illustrated by Gareth A Hopkins

Naomi Campbell, illustrated by Sally Jane Thompson

Olivia Palermo, illustrated by The Lovely Wars

All photography by Matt Bramford

Classic

Illustration by Gilly Rochester

The classic section featured 1960s-esque natural beauties with slick hair styles. Croydon facelifts were popular – a hairstyle that will never go out of fashion.

Glamour

Illustration by Gilly Rochester

Creative

Illustration by Gareth A Hopkins

All photography by Matt Bramford

Written by Matt Bramford on Saturday September 17th, 2011 2:21 pm

Amelia’s Magazine | Beautiful Soul: meet Nicola Woods, ethical fashion designer extraordinaire

ZarinaLiew_BeautifulSoul_FW10
Beautiful Soul A/W 2010 by Zarina Liew.

You started out as an insurance broker so you’ve have had an unconventional career so far. Why and how did you become a fashion designer?
As a young girl, approved treatment I wanted to be a fashion designer, shop but life has its twists and turns and I found myself caught up in the rat race for eleven years. I lacked passion for my work but I didn’t know how I would cope without my luxuries and the next pay rise. Then I had the opportunity to backpack around the world for six months with my best friend and for the first time in my adult life I realised that I could live on a budget. I started to see life in a different light, with endless opportunities. Whilst in Tokyo, something happened to me: I was surrounded by the most amazing boutiques and I was like a child in a sweet shop. Mesmerised. Excited. Totally inspired. I realised that I needed to make radical changes to my lifestyle in order to make my dreams a reality and I haven’t looked back since. I graduated from the London College of Fashion with a BA(Hons) in Fashion, Design and Technology in 2008. During my final year, I was involved in a project based around ‘saving the earth’. I was hooked. Fashion with a TRUE meaning, for me, is the only way, and my ethos helps me to focus and push forward.

Beautiful Soul A/W 2010 by Zarina Liew
Beautiful Soul by Zarina Liew

Why did you decide to specialise in creating adjustable garments?
I set out to create timeless designs that will be favoured pieces in the wardrobe for a lifetime and multi-functionality renders a garment timeless, as it can be worn to suit different moods and seasons. A woman’s curves change regularly and it’s frustrating when a zip or button will not close. I therefore avoid using conventional fastening in my designs and instead explore alternative methods. I love to experiment and delve below the surface of fashion, discovering new ways to incorporate responsibility through use of distinctive materials and design innovation.

What does your zero waste policy mean in practicality?
I am extremely fond of fabric and I hate to see it go to waste! I upcycle vintage kimonos to create new garments that hold a greater value; when I dismantle a kimono I am left with very limited panels of fabric, only 38cm wide. It’s important that I work with these restrictions and nurture an understanding of the fabric availability. Any leftover fabric will be placed aside and then revisited the following season, where I set myself the challenge of designing a new piece based on the leftovers. I have just designed Beautiful Soul’s third collection, S/S 2011’s Believe, and the leftover fabrics have been transformed into a range of unique corsets and shoulders pads in our menswear jackets. Material remnants feature as fastenings and embellishments, adhering to the policy of zero waste whereby every last thread of fabric is used in the creative process….

<a target="_blank" href="http://www.vimeo.com/14939321" rel="noopener">http://www.vimeo.com/14939321</a>
Beautiful Soul SS:11 Believe was created with Zarina Liew after she made contact with Nicola Woods to complete her submission to be in Amelia’s Compendium of Fashion Illustration. Music was provided by Amelia’s Magazine favourite Gabby Young and Other Animals.

Read the rest of this interview and see more illustrations of Beautiful Soul’s clothing in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

Written by Amelia Gregory on Thursday January 13th, 2011 1:20 pm

Categories ,Beautiful Soul, ,Eco fashion, ,Ethical designer, ,Gabby Young and Other Animals, ,Kimono, ,London College of Fashion, ,Nicola Woods, ,tokyo, ,Zarina Liew

Amelia’s Magazine | I am on Maternity Leave: Burlesque Baby Bump Photography by Tigz Rice and Pregnancy Illustrations

TigzRiceStudios Amelia Gregory
Is that really a baby in there? Or is it just a giant beach ball? It’s hard to believe I am this big, for real.
Photography by Tigz Rice Studios.

Well, the time is nigh…. my due date is approaching with inexorable rapidity, and this baby is definitely going to arrive sometime soon. As a result you may have noticed a drop off in blogs on this website as my nesting instinct inevitably kicks in – the last few months have seen a flurry of activity in a house that up until now has been a workplace. For years back issues of Amelia’s Magazine, promotional CDs, look books and other paraphernalia have dominated my home space… but now what used to house my interns has finally become what could be baby’s room (still full of boxes and clothes mind you), and my kitchen is no longer of the cheap student variety but rather a clean white affair from IKEA. The plumbing is no longer exploding in a dramatic fashion everywhere, fuses are mostly fixed, the wooden floors have been filled and sanded, I have become obsessed with painting all the walls totally white and the dust is vaguely under control.

Amelia-by-Sally-Jane-Thompson
Amelia by Sally Jane Thompson from a photo by Tigz Rice.

Amelia burlesque bump by Janneke de Jong from a photo by Tigz Rice
Amelia’s burlesque bump by Janneke de Jong from a photo by Tigz Rice.

Of course, I run my own business and have no capacity to employ someone to take it over for me… so maternity leave is but a dim and distant fantasy. However, this blog is my attempt to tell the world what’s happening and why I might be gone for a little while I adjust to becoming a mother. Right now I have no idea how it will affect my ability to maintain this website but the plan is to take a bit of time off and then dive back in again once I have the energy to do so. I’m sure I won’t be able to resist the lure for long…

Amelia's Bump by Gemma Cotterell
Amelia’s Bump by Gemma Cotterell from a photo by Tigz Rice.

Amelia Gregory by Love Amelia, from a photo by Tigz Rice.

Mindful that my body will only stay in this exciting beach ball-like state for a short while longer, and inspired by my friend’s pregnancy photos, I decided to get some *bump shots* done before I return to normality, and this was how I found myself at Tigz Rice’s studio in Bromley one morning two weeks ago. Tigz Rice is best known as a burlesque and boudoir pin-up portrait specialist, but I thought she might like to have a go at something different. In the process we decided to muck around with some of her burlesque props – the results being some fun shots with ostrich feathers (and nipple tassels, though I am afraid those aren’t going to see the light of day on here) I found it much more relaxing to pose with these props, and strangely enough one of her burlesque regulars commissioned her to do some *burlesque bump* shots the very same week that I visited her, so there’s definitely an idea in the air. Tigz might just have an interesting side career on her hands… so if you fancy something special to commemorate pregnancy why not get in touch with her?

Amelia maternity_by_Ada Jusic
Amelia: maternity by Ada Jusic from a photo by Tigz Rice.

Amelia by Janneke de Jong from a photo by Tigz Rice.

Here I share one of the fully clothed shots that she took, and the rest I asked illustrators to interpret since lovely as they are for my personal record I am not really ready to bare nearly all in photographic form on the internet. Plus… illustrators can work wonders with things like fat thighs. I think you’ll agree that an illustrated image to remind you of pregnancy is a fine idea, and if you find yourself in the baby way maybe you’ll consider contacting one of these talented ladies to do the honours – they’re all happy to receive commissions! Just head to their respective websites to get in touch.

Amelias Baby by Claire Jones for Beautiful Moment Art
Amelia’s Baby by Claire Jones for Beautiful Moment Art from a photo by Tigz Rice. The flowers are Lotus, Myrtle and Daisies, which all symbolise birth, innocence, purity and new life.

Amelia Gregory_Amelias Magazine by Nicola Ellen
Amelia by Nicola Ellen from a photo by Tigz Rice.

Finally, there will still be the occasional blog going up until I give birth, and then I’m sure I could be persuaded to share some baby pics… but this won’t ever become a place where I share all about raising baby. So don’t panic! I hope you will bear with me whilst I adjust to this new phase of my life, and enjoy the huge back catalogue of nearly 4000 blogs that reside on this website in the meantime. Why not explore?

Written by Amelia Gregory on Tuesday March 27th, 2012 5:21 pm

Categories ,Ada Jusic, ,Beautiful Moment Art, ,Bump Photography, ,Burlesque, ,Burlesque Baby Bump, ,Claire Jones, ,Gemma Cotterell, ,Ikea, ,illustration, ,Janneke de Jong, ,Love Amelia, ,Maternity Leave, ,photography, ,Pregnancy, ,Sally Jane Thompson, ,Tigz Rice, ,Tigz Rice Studios

Amelia’s Magazine | I am on Maternity Leave: Burlesque Baby Bump Photography by Tigz Rice and Pregnancy Illustrations

TigzRiceStudios Amelia Gregory
Is that really a baby in there? Or is it just a giant beach ball? It’s hard to believe I am this big, for real.
Photography by Tigz Rice Studios.

Amelia-by-Sally-Jane-Thompson
Amelia by Sally Jane Thompson from a photo by Tigz Rice.

Amelia burlesque bump by Janneke de Jong from a photo by Tigz Rice
Amelia’s burlesque bump by Janneke de Jong from a photo by Tigz Rice.

Amelia's Bump by Gemma Cotterell
Amelia’s Bump by Gemma Cotterell from a photo by Tigz Rice.

Amelia Gregory by Love Amelia, from a photo by Tigz Rice.

Mindful that my body will only stay in this exciting beach ball-like state for a short while longer, and inspired by my friend’s pregnancy photos, I decided to get some *bump shots* done before I return to normality, and this was how I found myself at Tigz Rice‘s studio in Bromley one morning two weeks ago. Tigz Rice is best known as a burlesque and boudoir pin-up portrait specialist, but I thought she might like to have a go at something different. In the process we decided to muck around with some of her burlesque props – the results being some fun shots with ostrich feathers (and nipple tassels, though I am afraid those aren’t going to see the light of day on here) I found it much more relaxing to pose with these props, and strangely enough one of her burlesque regulars commissioned her to do some *burlesque bump* shots the very same week that I visited her, so there’s definitely an idea in the air. Tigz might just have an interesting side career on her hands… so if you fancy something special to commemorate pregnancy why not get in touch with her?

Amelia maternity_by_Ada Jusic
Amelia: maternity by Ada Jusic from a photo by Tigz Rice.

Amelia by Janneke de Jong from a photo by Tigz Rice.

Amelia Gregory_Amelias Magazine by Nicola Ellen
Amelia by Nicola Ellen from a photo by Tigz Rice.

Written by Amelia Gregory on Sunday April 1st, 2012 5:21 pm

Amelia’s Magazine | A Trip to Venice with Swatch

Venice by Sally Jane Thompson.

It’s quite something to be utterly spoilt on a press trip. It doesn’t happen to me often and in fact it’s only in the last year that people have started to invite me places… a mere eight years since I started Amelia’s Magazine: these perks of the job have not exactly fallen in my lap. But it says something about the rise of blogging (which my website is undeniably in the form of, recipe even if I still like to think of it as a magazine) that bloggers of all persuasions are now being offered similar opportunities to mainstream journalists.

Venice by Madalina Andronic.

Venice-Biennale-by-Alia-Gargum
Venice by Alia Gargum.

And so it was that I found myself on my way to Venice last week for a two day jolly courtesy of Swatch. Swatch, look as I am sure anyone who was around in the 1980s will recall, capsule are big lovers of art. They don’t make fancy schmancy watches that cost the earth (literally, since they are often made of rapidly depleting precious metals), instead they make easily attainable fun watches, often in collaboration with artists. Back in the 80s they were really the done thing to wear, and I still treasure my much loved Swatch, even if it is a bit yellowed and deteriorated around the edges.

Swatch 80s pop
For quite a few years the brand was off my radar, but now they are firmly planted back in the centre of the art world thanks to the guidance of current president, the formidable and charismatic Madame Emch, a former fashion PR with a pure passion for art… and Venice.

Venice-by-Jessica-Knight
Venice by Jessica Knight.

Venice by Madalina Andronic.

Venice-by-Jessica-Knight
Venice by Jessica Knight.

We were in Venice because Swatch is the principal partner of the famous Venice Biennale, but also because Madame M (as her name is wont to sound and I rather like because it sounds like something out of a Bond movie) has been visiting since she was five years old and loves Venice more than any other city in the world. Finally, a triple whammy: Swatch‘s newest collaborator makes much of his artwork with the help of the Murano glass makers of Venice. Jean-Michel Othoniel creates huge glowing jewelled necklaces that he hangs from trees and drapes from buildings, and for his Swatch collaboration he has again worked with murano glass makers to create something really quite special… but more on that here.

venice_by_ada_jusic
Venice by Ada Jusic.

Venice by Madalina Andronic.

venice-by-Jessica-Knight
Venice by Jessica Knight.

Venice Treasure by Laura Frame.

During our visit we were thoroughly spoilt, staying in an infamous hotel called the Excelsior that features in the film Death in Venice, and being ferried everywhere on private speedboats or gondolas – the later being a lot better for the environment, but also more sedate (ie, less fun). We had a private guided tour of the Peggy Guggenheim museum before dining in style on the rooftop, were served lunch on the roof of the head office of the Biennale with fabulous views over the centre of Venice, ate at the Cipriani (frequented by George Clooney and ilk) and had another guided tour of the Biennale itself (read my reviews). I have only visited Venice once before when I was inter-railing, aged 17. I remember feeling overwhelmed by the crowds (which this time we avoided due to the time of year and our posh transport options) as well as the high cost of everything. By contrast this trip truly was a beautiful experience which made me dream of returning to Venice one day, although sadly I think the state of my own finances would mean anything else than what I experienced this time around would likely be far less fabulous. Still, one can dream…

Venice Biennale 2011 Swatch review Excelsior
Arriving at the Excelsior by speedboat.

Venice Biennale 2011 Swatch review-Veronica of Red Ant
The beautiful Veronica of Red Ant, who invited me to Venice.

Venice Biennale 2011 Swatch review Excelsior
The art deco influenced interior of the Excelsior.

Venice Biennale 2011 Swatch review
The view from my room.

Venice Biennale 2011 Swatch review-travelling by gondola

Travelling by gondola.

Venice Biennale 2011 Swatch review-Exterior of the Excelsior from the beach
Exterior of the Excelsior from the beach.

Venice Biennale 2011 Swatch review-madame Emch
Madame Emch charms everyone.

Venice Biennale 2011 Swatch review-Amazing Italian style
Amazing Italian style.

Venice Biennale 2011 Swatch review-Meeting the director of the Guggenheim
Meeting the director of the Guggenheim.

Venice Biennale 2011 Swatch review-speedboat

More travelling by speedboat: that’s me with some Russian journalists.

Venice Biennale 2011 Swatch review-Cinzia and Romain Colin
Italian blogger Cinzia and French blogger Romain Colin of Fubiz in the backwaters of Venice.

Venice Biennale 2011 Swatch review

Myself with Italian blogger Cinzia of Frizzi Frizzi, Spanish blogger Marta of Dadanoias and Veronica of Red Ant on the rooftop of the Biennale offices.

Written by Amelia Gregory on Thursday October 6th, 2011 12:42 pm

Categories ,80s, ,Ada Jusic, ,Alia Gargum, ,Bloggers, ,Blogging, ,Bond, ,Cinzia, ,Dadanoias, ,Death in Venice, ,film, ,Frizzi Frizzi, ,Fubiz, ,George Clooney, ,Glass, ,Gondola, ,Guggenheim, ,Hotel Cipriani, ,Hotel Excelsior, ,Jean-Michel Othoniel, ,Jessica Knight, ,Laura Frame, ,Madalina Andronic, ,Madame Emch, ,Madame M, ,Marta, ,Murano, ,Peggy Guggenheim, ,Red Ant, ,Romain Colin, ,Sally Jane Thompson, ,Speedboat, ,Venice, ,Venice Biennale, ,Veronica Sambonet, ,Watch