Amelia’s Magazine | Middlesex University: Ba Hons Fashion Design, Styling and Promotion Graduate Show 2011 Review

Middlesex graduate show 2011-Fashion Strikes Back by Sufiyeh Hadian
Fashion Strikes Back by Sufiyeh Hadian.

I was a little unclear whether Fashion Design, buy Styling and Promotion that I saw on display were all part of the same course as I whipped through the upper halls of Free Range, web but I’ve decided to cover them in one blog nonetheless.

Middlesex graduate show 2011-Rosie Thompson-Agnew's At Your Disposal
I liked Rosie Thompson-Agnew‘s At Your Disposal, which featured brightly screen-printed luxury consumer goods. I guess this is a commentary on rampant consumerism – always an intriguing thing to tackle as someone studying fashion promotion.

Middlesex graduate show 2011-Fashion Strikes Back by Sufiyeh Hadian C-3POMiddlesex graduate show 2011-Fashion Strikes Back by Sufiyeh Hadian Darth Vadar
At the other end of the spectrum Sufiyeh Hadian had spray painted and encrusted some familiar Star Wars characters. I have no idea what it all means but I was most amused by these models of Darth Vadar and C-3PO. Fashion Strikes Back indeed.

From the fashion design on display the work of these three caught my eye:

Middlesex graduate show 2011-Elina Mourmouris
Elina Mourmouris has created lovely wide shapes for shoulders and legs combined with bright splash prints.

Middlesex graduate show 2011-Abigail Lee
Abigail Lee has also gone for the baggy look but in splodgy monochrome

Middlesex graduate show 2011 Michaela Phillips
Michaela Phillips did wide sleeves and splashy green with black and greys on a very appealing dress

Middlesex graduate show 2011-Louise Johnson
Louise Johnson opted for a spotty approach in oversized shirt form.

But. Not one website between them. Gah. I hope to do a bit of teaching at Middlesex University next year so here’s hoping I get a chance to talk a bit about the importance of an online presence. I have a feeling that I am going to be writing about this a lot when reviewing the graduate shows this year. Again.

Categories ,Abigail Lee, ,At Your Disposal, ,C-3PO, ,Darth Vadar, ,Elina Mourmouris, ,Fashion Design, ,Fashion Strikes Back, ,Free Range, ,Free Range Art and Design Show, ,Louise Johnson, ,Michaela Phillips, ,middlesex university, ,Rosie Thompson-Agnew, ,Star Wars, ,Styling and Promotion, ,Sufiyeh Hadian

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Ones To Watch

Phoebe English 2 by Joana Faria Ones To Watch London Fashion Week S/S 2011
Phoebe English S/S 2012 by
Joana Faria

The runways rows at Fashion Scout were packed to their peak for Ones To Watch this season. And after a sneaky trip backstage (to use their loo!) and a run-in with a very dismissive blonde girl, thumb I managed to squeeze myself into the front row. Ones To Watch has become an important platform for rising designers to make their way to the international fashion stage. Four new faces – Phoebe English, check Alice Lee, this Shao Yen and Malene Oddershede Bach – were showcasing their talent in the form of a mini-collection and there was a certain buzz in the air about what these new talents had produced.

Phoebe English by Joana Faria Ones To Watch London Fashion Week S/S 2011
Phoebe English S/S 2012 by Joana Faria

First up was Phoebe English. Whatever the opinion on her chosen style, the garments had to have taken eons to produce. Immensely dense, tightly-packed folds of fabric in either cream or black. There was certainly a high level of textile skill involved, yes. But to me, with boxy and unflattering garments that bore no real dress-making credibility, the concept itself seemed lazy. It would be interesting to know what inspired and went into the collection. On face value alone, however, I wasn’t blown away.

Ones to Watch Phoebe English SS 2011 review-010
Ones to Watch Phoebe English SS 2011 review-016
Ones to Watch Phoebe English SS 2011 review-025
All photography by Amelia Gregory.

Strangely enough, the dismissive blonde girl I had dealt with in the backstage loos turned out to be Phoebe English. Yes. I only discovered this when she took to the catwalk to take her bow at the end of her section. Awkward. (Note: There is no link between this and my indifference towards the clothes!)

Ones to Watch Phoebe English SS 2011 review-photo by Amelia Gregory
Ones to Watch Phoebe English SS 2011 review-photo by Amelia Gregory
Ones to Watch Phoebe English SS 2011 review-photo by Amelia Gregory
Next was Shao Yen. This Central Saint Martins graduate had gone for a colour choice of gold and black, inspired by ‘the photos of prostitutes that an American photographer took in the 1980s and 90s’ as he told the Central News Agency. Hence the amount of boob flashing, I guess.


Ones to Watch Shao Yen SS 2011 review-photo Amelia Gregory
Ones to Watch Shao Yen SS 2011 review-photo Amelia Gregory
Ones to Watch Shao Yen SS 2011 review-photo Amelia Gregory
Most looks were slim, elongated blends of different textures – both sheer (for extra boob-revealing action) and covering satin. Different body-parts were sexily revealed in each look – a leg or an arm and shoulder – giving an interesting aesthetic appeal. Some models wore strange big black spindly hats, almost witch-like, and one poor girl struggled to keep hers on as she paced the catwalk.






There was imagination and a certain greatness in Shao Yen‘s conceptualising, showing room for more in years to come. One thing I couldn’t get my head around, however, was the purposeful unfinished look. A layer of gold netting, seemingly gluegunned onto an un-hemmed gold dress? Nuh uh. Not for me.

Alice Lee by Joana Faria Ones To Watch London Fashion Week S/S 2011
Alice Lee by Joana Faria 1 London Fashion Week LFW S/S 2012
Alice Lee S/S 2012 by Joana Faria

My complaints die down for the last two Ones to Watch designers – Alice Lee and Malene Oddershede Bach (what a mouthful) – who both shone in terms of innovation, skill and wearability.

Ones to Watch Alice Lee SS 2011 review-photo by Amelia gregory
Ones to Watch Alice Lee SS 2011 review-photo by Amelia gregory
Ones to Watch Alice Lee SS 2011 review-photo by Amelia gregory
Ones to Watch Alice Lee SS 2011 review-photo by Amelia gregory
Ones to Watch Alice Lee SS 2011 review-photo by Amelia gregory

Alice Lee‘s knits were tight-fitting with sexy v-neck cuts and integrated patent chains (which I loved) hence they’re womanly wearibility. Sitting on the front-row, I was close enough to see the garment detail and the quality of the dress-making was undisputed. Models wore circular headpieces that I couldn’t help but match to Princess LeiaStar Wars inspiration? Quite possibly!




Alice Lee by Claire Kearns Ones To Watch London Fashion Week LFW S/S 2012
Alice Lee S/S 2012 by Claire Kearns

In Malene Oddershede Bach‘s colour-popping collection stood my favourite outfit of the whole of Day 1. For a designer just starting out, she’d produced a very impressive balance of thematics, individuality and bang-on trends. In her collaboration of intense turquoise and fluoro yello, something very addictive was created. Classic ladylike dresses blended from the yellow to turquoise, top to bottom, delicate snakeskin to full-on circular python print. Outstandingly beautiful. In my opinion, it stood out miles amongst the other desginers, although I stand firm in feeling Alice Lee perhaps looked the more accomplished designer in the group.

Malene Oddershede Bach by Claire Kearns LFW Ones to Watch London Fashion Week S/S 2012
Malene Oddershede Bach S/S 2012 by Claire Kearns

Malene Oddershede Bach 2 by Phoebe Kirk Ones To Watch London Fashion Week S/S 2012
Malene Oddershede Bach S/S 2012 by Phoebe Kirk.



Ones to Watch Malene Oddershede Bach SS 2011 review-photo Amelia Gregory
Ones to Watch Malene Oddershede Bach SS 2011 review-photo Amelia Gregory
Malene Oddershede Bach 1 by Phoebe Kirk Ones To Watch London Fashion Week S/S 2012
Malene Oddershede Bach S/S 2012 by Phoebe Kirk.


Malene Oddershede Bach 3 by Phoebe Kirk Ones To Watch London Fashion Week S/S 2012
Malene Oddershede Bach S/S 2012 by Phoebe Kirk

Ones to Watch Malene Oddershede Bach SS 2011 review-photo Amelia Gregory



With Lee and Oddershede Bach, I feel Ones To Watch was very appropriately named. I won’t be forgetting their names any time soon and I’ll be keeping a firm eye on them for the future. And Malene, I would gladly purchase that strong-shouldered cape and top combination any day. So do contact me if it’s up for sale; I can tell you’re gonna go far!

Categories ,Alice Lee, ,Boobs, ,Central Saint Martins, ,Claire Kearns, ,Freemasons’ Hall, ,Joana Faria, ,knitwear, ,London Fashion Week, ,London Fashion Week S/S 2012, ,Malene Oddershede Bach, ,Nudity, ,Ones To Watch, ,Phoebe English, ,Phoebe Kirk, ,Princess Leia, ,Prostitutes, ,Shao Yen Chen, ,Sheer, ,Star Wars, ,Vauxhall Fashion Scout

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Amelia’s Magazine | Kirsty Ward: The London Fashion Week S/S 2012 Preview Interview

Kirsty Ward by Kassie Berry
Kirsty Ward S/S 2012 by Kassie Berry.

In the past few seasons I’ve been super impressed with the work of up and coming designer Kirsty Ward. She won’t be taking to the catwalk this season but I still thought I’d do a sneaky catch up interview with her to find out what she’s got in store for S/S 2012. Here goes…

Kirsty Ward by Claire Kearns
Kirsty Ward by Claire Kearns.

How did you come up with your signature look: sculptural boning of organza to create many layered shapes?
It’s something I have been obsessed with since my MA at Central Saint Martins and has evolved since then, check and there’s always a way each season that I want to push it. I probably won’t ever tire of it.

Kirsty Ward S/S 2012
When did your love of the 80s start?
I’m not sure when, and im not sure if its because I was born in 1982 but I like the possibility and forward thinking of the era, it’s when people started to break the mould more.

Kirsty Ward by Maria Papadimitriou aka Slowly The Eggs
Kirsty Ward S/S 2012 by Maria Papadimitriou aka Slowly The Eggs.

You can’t bear stud earrings: do you ever feel the physical effects from your love of such big jewellery? Do you take a break from them when you are working or would we find you hunched over a sewing machine with 3 inch earrings dangling dangerously close to the mechanisms?
Haha when I’m working I will generally be jewelleryless – I like wearing teenage boy clothes, with nothing dangling inbetween pattern cutting and sewing. I’m sure there have been some jewellery related accidents as I’m quite clumsy but I cannot think of any specific incidents.

Why do you think that jewellery is so important these days and what can good jewellery offer to an outfit?
Jewellery is great as it can totally make a boring outfit look cool and it’s also not sizeist, so bigger people can wear it too, as not everyone is built for high fashion garments.

Kirsty Ward SS 2012 inspiration girl
You find lots of jewellery components in hardware shops. Do you have any favourite haunts? eg. Have you ever discovered a treasure trove of ancient hardware bits and if so where was this eureka moment?
I tend to favour the great British institutes such as B&Q, theres this online floristry supplier that I love called Micheal dark and my dad is a carpenter so he has lots of fun stuff in his van/tool box. I also like alot of trade only places filled with guys in high vis vests etc wondering what the hell I’m doing in there buying x40 plumbing parts!

Kirsty Ward by Debbie Ajia
Kirsty Ward S/S 2012 by Debbie Ajia.

Are you still collaborating with David Longshaw and if so what can we except from him this season, any insider tips?
Of course he’s my boyfriend, he can’t get rid of me! Well there’s lots of prints (of course) of his beautiful illustrations mixed with some fucked up florals (fucked up in a good way).

Kirsty Ward SS 2012 blue
Why did you decide to forgo a catwalk show this season and instead present the collection on a static stand with a film? What can you tell us about the film?
To be honest as a young designer a catwalk show is far too expensive for me at the moment. I thought it would be far more sensible to meet with buyers and press in an environment where I can talk them through my collection, this way they can see all the details and craftsmanship.
The film will be one word – FUN!

Kirsty Ward SS 2012 inspiration
Last season you’d been watching a lot of Star Wars and that seemed to sneak into some of the dress shapes. Have you been watching some influential movies this season and if so what?
I’ve been watching quite a few shit sci-fi movies – generally the crapper they are the more I will like it, I especially like bad acting and awful special effects. I don’t think it has rubbed off too much in the collection, but we will see in the final lookbook photos!

Kirsty Ward SS 2012 inspiration
This season you’ve been inspired by a “mundane mix of officewear, stationary, menswear detailing and suspended layering.” How can stationary influence clothing?!
It’s more about the stationary being used in the jewellery, its taken over from the hardware of past seasons. 

What new fabrics have you used for the upcoming S/S 2012 season?
Well there’s always a sheer, then there’s a mix of luxurious vs sporty with sand washed silks, neoprene, cotton drills and striped shirting.

Kirsty Ward by Samantha Eynon
Kirsty Ward by Samantha Eynon.

Is music important to you and if so what will you be listening to in the run up to Fashion Week? Any favourites on the decks?
Definitely – I hate working in silence, it puts me on edge. At the moment in the studio were playing: Metronomy, Hot Chip, The Knife, Peaches, Lykke Li, Little Dragon, Yelle.

I’m sure you have loads to do, but what will an average day be like in the final run up to LFW? What will you do to rest and relax?
To be honest my life at the moment revolves around ss12, so if I’m not working on it I’m thinking about it, but as we touched on before I so like to watch the odd shit sci-fi movie.

Kirsty Ward inspiration
No more nipples for S/S 2012: you’ve collaborated with designer Josefine Wing of Mint Siren for an underwear collection this season. What has been the best bit about this project?
It’s good to have another persons knowledge and skills to work with as I didn’t have a clue about the technical side of underwear.

Who is the ideal woman to wear your clothes? Do you think you would ever branch out into menswear?
There’s not a specific example, just someone who likes to have fun with their clothing/jewellery and someone that appreciates the hidden details. I wouldn’t say no to menswear – I often do made to measure pieces for male friends, but who knows about an actual collection!

Where can people get their hands on a piece of Kirsty Ward?
My pieces can be found in China, Japan, Amsterdam, and Italy but In the UK my pieces can be found at Young British Designers, Bengt Fashion and I will be selling select and limited edition pieces on my website (www.kirsty-ward.com)

If you’ve only just discovered Kirsty Ward why not check in with our other blogs about this talented designer (with loads of illustrations):

Kirsty Ward S/S 2011
Kirsty Ward Ones to Watch A/W 2011 Preview
Kirsty Ward Ones to Watch A/W 2011
and another blog about Ones to Watch A/W 2011

You can find Kirsty Ward at the static stands during London Fashion Week.

Categories ,1980s, ,B&Q, ,Bengt Fashion, ,Central Saint Martins, ,Claire Kearns, ,David Longshaw, ,Debbie Ajia, ,Earrings, ,Film. Mint Siren, ,Hardware, ,Hot Chip, ,interview, ,jewellery, ,Josefine Wing, ,Kassie Berry, ,Kirsty Ward, ,Little Dragon, ,London Fashion Week, ,Lykke Li, ,ma, ,Maria Papadimitriou, ,metronomy, ,Peaches, ,preview, ,S/S 2012, ,Samantha Eynon, ,Sci-Fi, ,Slowly the Eggs, ,Star Wars, ,Stationary, ,Structural, ,The Knife, ,Yelle, ,young british designers

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Amelia’s Magazine | An interview with fashion designer Ramil Makinano


Ramil Makinano‘s Graduate Collection illustrated by Milly Jackson

I first saw the weird and wonderful work of Ramil Makinano at the Toni&Guy Hair Show during London Fashion Week last month. The show, which I very much enjoyed, was all about hair as you can imagine; the clothes were selected to compliment the hairstyles and were pretty basic. That is, except for the final pieces. Vibrant colours and odd shapes flooded the runway, and as a result of my review, Ramil got in touch to introduce himself. I couldn’t wait to find out more about this unique designer.

I met Ramil on a chilly Monday evening at Bar Music Hall in Shoreditch. It had been hard to pin him down, and I was about to find out why. Born and raised in the Philippines, Ramil moved to London fifteen years ago on a nursing scholarship with the NHS, despite being thoroughly passionate about fashion from an early age. ‘It was a good way to move away,’ Ramil told me as we took a seat with our beers. ‘I was interviewed in Manilla, and was one of the first few people to be brought over by the NHS.’ Ramil’s passion for nursing and inevitable need to fund his collections still see him working at St Thomas’ Hospital at weekends.


Ramil Makinano‘s Graduate Collection illustrated by Maria del Carmen Smith

After 8 years working as a nurse after qualifying in London, Ramil decided to return to his desire to become a fashion designer and had naturally heard of the world’s most famous fashion school – Central Saint Martins. By this time Ramil had obtained British citizenship and secured a place on the foundation course, professing to the degree specialising in print.

It was whilst studying at Saint Martins on a sandwich course that Ramil undertook placements with some of fashion’s greatest talent, experiences that he remembers very fondly. Internships at Matthew Williamson, Elisa Palomino and Diane Von Furstenberg allowed Ramil to fully explore his penchant for print. As I rub my hands together hoping for some juice on these fashion figures, I’m only slightly disappointed when Ramil has nothing but great things to say about the designers. He tells me a story about Von Furstenberg calling all the interns to the rooftop apartment of her 14th Street studios for lunch. ‘We were just sitting there, having lunch, on the roof, with Diane Von Furstenberg. It was INCREDIBLE!’ he exclaims. He attributes his successes whilst studying to course lecturer Natalie Gibson. ‘I owe her so much,’ he tells me, ‘she’s an incredible woman.’


Ramil Makinano‘s Graduate Collection illustrated by Estelle Morris

We move on to talk about Ramil’s breathtaking final collection that I saw at the Toni&Guyshow and that he presented during the CSM presentations in the summer. He digs out his portfolio and comes across a little nervous when talking me through it. ‘I feel like it’s a job interview!’ says Ramil. I feel like Diane Von Furstenberg for a mere moment, and I’m not complaining. Ramil’s inspiration for his collection came from two disparate sources – Medieval armour and Margaret Thatcher. Well, not that disparate when you consider satirical cartoons of the Iron Lady in Medieval garb, I suppose.


Pages from Ramil Makinano’s sketchbooks

His obsession with colour, texture and the aesthetic properties of materials is all over this collection. It’s fascinating to see where a designer started with their research and where they finished; where the collection has come from. Ramil leafs through page after page of design inspiration; vibrant patterns, sketches of Thatcher, photocopies of Medieval source material, grabs from movies like 2001: A Space Odyssey and Star Wars. His journey began at the Tower of London, and it is the armoury he saw there, with its bold silhouettes and sense of purpose that inspired Ramil so much. Throw in a powerful woman like Thatcher and you’ve got a seriously ambitious collection on your hands. ‘I didn’t want it to be serious, though,’ Ramil informs me. ‘I wanted to keep it playful; to be fun.’ Even the hardest-nosed critics would have trouble not finding any fun in this set of outfits.

Shapes in the collection are visibly inspired by the curves and sculpture of armoury, constructed from neoprene using techniques Ramil created himself. These are presented in a variety of bold colours, and the ensembles feature playful, almost childlike, prints of rockets and spaceships. It wasn’t a easy task by any means. ‘I had to make at least 8 toilles per garment,’ Ramil explains. ‘I am always seeking perfection.’ We discuss the surge in digital printing. ‘I do like digital prints, but I prefer traditional methods. I spent hours in the studio matching colours, testing colours – I like the interaction between fabrics and dyes that you don’t get with digital methods. I spent my whole student life in the print room, but I have no regrets. It’s not glamorous either, it’s dirty work!’


Ramil Makinano‘s Graduate Collection illustrated by Milly Jackson

So who does he admire? ‘Matthew [Williamson] and Diane [Von Furstenberg] especially – people who are successful in fashion but have their feet firmly on the ground.’ He also likes labels that continue to employ traditional methods – only Eley Kishimoto and Zandra Rhodes, he believes. What else does he get up to? It’s a pretty packed week, researching Monday to Friday and nursing at the weekends. ‘I love London galleries!’ he tells me, ‘because there’s so much to see. The Design Museum, the V&A, the National Gallery – they are all so wonderful.’ He try to persuade me to get a National Trust membership, one of his favoured possessions.


Pages from Ramil Makinano’s sketchbooks

He tells me he’s a ‘child of the MTV era’ and finds much inspiration in the graphics of music videos. It was an MTV show, House of Style, and Style with Elsa Klensch, that are amongst his earliest fashion memories. He tells me ‘I used to fight with my brother all the time because Elsa Klensch‘s show was on at the same time as American Basketball!’

So what’s next for Ramil? He’s currently researching his next collection – A/W 2012 – which promises to be ‘something completely different.’ It will most likely be print-based, but that’s all Ramil can tell me at this stage. One thing he is certain on is that he’s staying put here in London, and currently applying to various fashion bodies in the hope of a debut solo show during fashion week next September. I look forward to seeing his name on the schedule.

Photographs courtesy of Ramil Makinano

Categories ,2001 A Space Odyssey, ,A/W 2012, ,American Basketball, ,Armour, ,Armoury, ,Bar Music Hall, ,catwalk, ,Central Saint Martins, ,CSM, ,Design Museum, ,Diane Von Furstenberg, ,Eley Kishimoto, ,Elisa Palomino, ,Elsa Klensch, ,Estelle Morris, ,fashion, ,House of Style, ,interview, ,Iron Lady, ,London Fashion Week, ,margaret thatcher, ,Maria del Carmen Smith, ,Matt Bramford, ,Matthew Williamson, ,medieval, ,Milly Jackson, ,MTV, ,Natalie Gibson, ,National gallery, ,National Trust, ,NHS, ,print, ,Ramil Makinano, ,shoreditch, ,Star Wars, ,textiles, ,Toni&Guy, ,Tower of London, ,va, ,Womenswear, ,Zandra Rhodes

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Amelia’s Magazine | The Best of Bust Magazine Christmas Craftacular, London 2010

Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, ambulance but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, page if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, buy I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters accompanied by immortal phrases such as ‘I eat my cake in my pants’. Perfect for the parents who have everything but would nevertheless quite like to add to their piles of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum. Now what are you waiting for? Step away from the High Street and support these talented artists and makers this Christmas… they are only a click away.

Categories ,andrea garland, ,Beauty, ,Bethnal Green, ,Broadway Market, ,Bust Craftacular, ,craft, ,Dot your Teas and Cross your Eyes, ,East London Design Show, ,Fabric Nation, ,fairtrade, ,James Ward, ,Kingsland Road, ,liberty, ,organic, ,owls, ,Seaside Sisters, ,Shop Jill, ,Skincare, ,Star Wars, ,Tatty Devine, ,Urban Cross Stitch, ,Urban Outfitters, ,Vic Lee, ,vintage, ,Xiang Zeng, ,York Hall

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Amelia’s Magazine | The Best of Bust Magazine Christmas Craftacular, London 2010

Bust Craftacular
All photography by Amelia Gregory.

My ability to get out and about has been seriously curtailed over the past few weeks by the need to get my new book finished, ambulance but last weekend (but one) I was pretty determined to make it along to the Bust Craftacular at Bethnal Green’s York Hall, page if only for a mad dash around the stalls.

Bust Craftacular-Bethnal Green

Inside the old Victorian hall it was absolutely heaving with craft enthusiasts – mainly women (many with small children in tow) but also a small peppering of arty looking boys. It was like entering a multi coloured kaleidoscopic alternative universe where crafting & handmade reigns supreme – bright things everywhere vying for my attention amidst a frantic din enhanced by a backdrop of very loud music.

So, buy I whipped around the regimented rows of stalls as quick as I could, taking notes of the best stuff I found so that if you didn’t manage to make it along you’ll be able to sniff out the best stuff online. Keep in mind those last minute Christmas gifts you might need to buy as you take a gander through this little lot:

Vic Lee

Vic Lee makes printed scenes of well known hipster (can I say that in the UK?) London districts such as Broadway Market and Kingsland Road. Perfect for the East End man in your life – because let’s face it, most of them feature East London. The limited edition prints are produced on cotton paper and screen printed with environmentally friendly water based acrylic inks. They look really stunning up close, and also caught the eye of Jessica Furseth when she visited the East London Design Show.

Bust Craftacular-Xiang Zeng

Xiang Zeng is a textile designer who has produced a range of lovely printed cushions and make your own soft toy bear kits. Really cute, they look pretty easy to make so would also be perfect for and a crafty friend or even a handy older kid.

Bust Craftacular-seaside sisters owls
Bust Craftacular-fabric nation

I picked up a business card for Seaside Sisters at the Fabric Nation stall… so I am not entirely sure who to credit these wonderful owls and cushions to. Their stall was a brilliantly over the top feast for the eyes in an already overwhelming place. Loved the stuff they make from old vintage fabrics.

Bust Craftacular-andrea garland

Andrea Garland fills old tins with natural skincare goodies: what an amazing idea but no doubt a huge amount of hard work to find all those fab tins. She’s a trained aromatherapist who makes all her products from scratch in Hackney with as many organic and fairtrade ingredients as possible and I am very pleased to learn that none are tested on animals – but I guess that scenario is far less likely when using these kind of ingredients anyway – just one more reason to buy natural beauty brands. She sells at Liberty, Urban Outfitters and at Tatty Devine, and Viola Levy also gives her a mention in her run down of top natural beauty brands earlier this week. What a find – it goes without saying that her stall was very busy.

Bust Craftacular-shop jill

Looking for a nice little purse, or perhaps a unique oyster card holder? Jill makes the perfect thing: I was utterly transfixed by her beautifully laid out stall, featuring an array of charming goodies with graphic printed animal designs that would suit a man too. She also did a nice line in limited edition screen prints.

Bust Craftacular-Dot your Teas and Cross your Eyes

Dot your Teas and Cross your Eyes is a fashion and accessories designer by the name of Chloe. Her bold spotted print designs embellished fabulous silky dresses and she also makes some fabulous recycled fabric pom pom fascinators.

Bust Craftacular-urban cross stitch

Now for the craft loving man in your life: Urban Cross Stitch create cross stitch Star Wars kits. A wonderful meeting of 80s pop culture and the noughties crafting craze: what better way to inspire a bloke to get into this most relaxing of traditional techniques.

Bust Craftacular-James Ward plates

Last but very much not least, just as I was rounding the corner to leave I chanced upon James Ward’s plates, featuring an assortment of friendly animal characters accompanied by immortal phrases such as ‘I eat my cake in my pants’. Perfect for the parents who have everything but would nevertheless quite like to add to their piles of amusing kitchen ware.

Bust Craftacular cakes
Gratuitous cake photo…. yum yum. Now what are you waiting for? Step away from the High Street and support these talented artists and makers this Christmas… they are only a click away.

Categories ,andrea garland, ,Beauty, ,Bethnal Green, ,Broadway Market, ,Bust Craftacular, ,craft, ,Dot your Teas and Cross your Eyes, ,East London Design Show, ,Fabric Nation, ,fairtrade, ,James Ward, ,Kingsland Road, ,liberty, ,organic, ,owls, ,Seaside Sisters, ,Shop Jill, ,Skincare, ,Star Wars, ,Tatty Devine, ,Urban Cross Stitch, ,Urban Outfitters, ,Vic Lee, ,vintage, ,Xiang Zeng, ,York Hall

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Amelia’s Magazine | Vostok 5 at The Outside World Gallery: an interview with Darren Hayman

Bobik (Big Bull) by Darren Hayman.png
Bobik (Big Bull) by Darren Hayman.

Vostok 5 officially opens at The Outside World Gallery today. The exhibition pays respects to the animals and humans who have been into space, what is ed so I asked Darren Hayman what prompted him to explore such intriguing subject matter.

Malyshka (Little One) by Darren Hayman.png
Malyshka (Little One) by Darren Hayman.

How did you get together with your fellow Vostok 5 artists to create the concept of your new exhibition? 
I had thought of doing an exhibition for some time but didn’t have the courage to do it on my own. I wanted to share the risk with other musicians who do painting on the side. Although Sarah is perhaps an artist who does music on the side.

Can you tell us a little bit about each of the Vostok 5? Who are they and what was their specific area of interest in putting this exhibition together?

Paul Rains
Paul Rains is the guitarist in Allo Darlin and a songwriter in his own right in Hexicon. For the exhibition he has done bright, bold artwork about Alexei Leonov, a Russian Cosmonaut who took his drawing pencils into Space with him.

Vostok 5 duncan barrett
Earth by Duncan Barrett
moon Wernher Von Braunby Duncan Barrett
Duncan Barrett is from Tigercats. Tigercats play guitar music that you can dance to, honestly. Duncan has made beautiful lino cut prints of Wernher von Braun and Sergei Korolev, the US and Russian chief rocket designers.

Sam Vostok 5
Robert Rotifer space canteen
Robert Rotifer is a big deal in Austria and he might be one here soon. His new album was recorded by Wreckless Eric and is being released by Edwyn Collins in the Autumn. He painted Space monkeys.

Sarah Lippett Vostok 5
Sarah Lippett Vostok 5
Sarah Lippett is the best artist amongst us and her comic about the life of Yuri Gagarin is the most impressive piece in the exhibition. We all agree on that. She also plays bass in the dark, dense Fever Dream.

What was it that first fascinated you about space flight and how old were you? was there a seminal book that you read or movie that inspired your obsession and if so what?
I think for my age, being born in the 1970s it was the most natural thing to be excited about space travel. I can’t remember ever not knowing how the different sections of how an Apollo rocket worked. Star Wars in 1977 probably helped. The definitive book about space flight when I was growing up was Andrew Chaikin‘s A Man on the Moon.

Soviet stamp vostok 5
Do you collect space ephemera? and if so what kind of stuff do you have?
I have a lot of Russian Space Dog stamps that are in the exhibition but I lack the patience and stamina to be a proper collector.

Krasavka by Darren Hayman
Over the course of your research has there been any one story of an animal in space that has stood out and if so what was it?
Krazavka (Little Beauty) had a hell of a mission with Damka in 1960. Their mission was plagued with system failures and eventually their space flight was orbited but on decent their ejection seat device also failed and they landed with their capsule set to a 60 hour self-destruct. When their frozen capsule was discovered there were no signs of life and the rescuers were unable to gain access. The next morning however barks were heard and the dogs were freed.

Space dog stamp
What makes you most mad, on hearing the stories of these animals who were unable to make any decisions of their own?
Probably, the fact that in historical accounts you are told over and over again how much Korolev and the scientists loved the dogs. Coupled with the statues, stamps and tributes it strikes me that they are looking for justifications themselves.

Space dog stamp
You’ve been a vegetarian for many years, are there any other conscious decisions that you make in every day life which are affected by how you feel about animal cruelty? 
Actually it’s only two years. I became a vegetarian when I was 39 and as such this prevents me from being overly pious. I enjoy it though. I like having something to believe in but I hope my meat eating friends will confirm that I haven’t become a nag.

Belyanka and Pestraya by Darren Hayman
Belyanka and Pestraya by Darren Hayman.

I seem to remember that you have a dog: do you still have a dog? And do you have any other animals in your life at the moment, if so who?
Beulah is ten now but still seems very much like a young dog. She is the only animal in my life.

What can listeners expect to hear on the Vostok 5 commemorative album?
Despite having 5 different artists on it, it doesn’t sound like a compilation album. The shared subject matter provides a fragmented narrative. It’s sadder and more emotional than you might expect.

You have said that the exhibition is ‘for people who love rockets and animals‘. What is your hope for the future of animals in science?
Despite what I said earlier about not wanting to bug my meat eating friends my personal feelings about animal experimentation etc. have become increasingly hardline. I’m still finding my way through the ethics but I find it tough to see why human’s ever thought they were entitled to these assumed rights.

Space dog stamp purple
My thoughts about what we do in Space have changed a lot as I’ve gotten older as well. I can still access my childhood wonder but really I don’t care if we never go up there again now. Human’s, en masse, are such horrible creatures with what we do to each other. We don’t deserve the right to escape Earth and we certainly can’t afford it.

What else are you currently working on? Any exciting plans for the rest of the year?
The Ship’s Piano an album of piano ballads for people who can’t stand loud noises. Out in October. Christmas in Haworth, a six track mini Christmas album. The physical release of January Songs. It’s all go.

You can visit Vostok 5 until the 7th of September, and here’s my full listing.

Categories ,Alexei Leonov, ,Allo Darlin, ,Andrew Chaikin, ,Bobik, ,Damka, ,Darren Hayman, ,Dogs, ,Edwyn Collins, ,exhibition, ,Fever Dream, ,Hexicon, ,Krazavka, ,Malyshka, ,Monkeys, ,Paul Rains, ,Robert Rotifer, ,Rockets, ,Russian Cosmonaut, ,Sarah Lippett, ,Sergei Korolev, ,Space, ,Space Dogs, ,Stamps, ,Star Wars, ,The Outside World Gallery, ,Tigercats, ,Vostok 5, ,Wernher von Braun, ,Wreckless Eric, ,Yuri Gagarin

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Amelia’s Magazine | Halloween Horrorshow: An interview with Papercut Artist Eelus

Eelus Ink_d Monster papercut

The Monster, by Eelus.

When new work by Brighton based artist Eelus dropped into my inbox I knew it was the perfect thing to share on Halloween. Horrorshow is his new body of work, currently showing at the Ink-d Gallery space in Brighton, and focuses on his obsession with horror movies. The artworks take inspiration from scenes and characters that will be familiar to both hardened horror film fans and heathens (such as myself), and are beautifully rendered in layers of gloriously coloured papers.

Eelus Ink_d Creature_papercut full picture
Eelus Ink_d Creature_papercut

The Creature, by Eelus.

Why did you decide to focus on horror films for your new collection of work, currently on show at Ink_d gallery in Brighton?
I’ve always had a love of horror, ever since I was a really young kid. After deciding that I wanted to create a whole new body of work in this new style of layered paper that I’ve recently discovered, I wanted to ease some of the pressure by basing all the work on a subject that wouldn’t be too much of a stretch and that I’d really enjoy. It was purely coincidental that the exhibition was scheduled for October, so a horror based collection of work just in time for Halloween seemed perfect!

Eelus Ink_d Dracula_papercut

The Vampire, by Eelus.

I believe that back at the turn of the century you were busy decorating the walls of my joint, East London. Back then what would we have found left behind by you?
A mess generally. I did a lot of small hand-drawn wheat-pasted characters based on sketchbook work, inspired by Edgar Allen Poe and all kinds of stuff. And of course there was the stencil stuff, Star Wars inspired pieces got the ball rolling until I started to develop more of a trademark style painting a lot of dark, creepy looking women and stuff inspired by sci-fi and again, horror.

Eelus Ink_d Strangest_Passion papercut

The Strangest Passion, by Eelus.

When did you first start working in paper, and what has the learning process been like?
I cut my first single-sheet paper piece towards the end of 2010 for a show at Stolen Space in London. I instantly fell in love with the process as it’s very meditative, a little like stencil cutting, but if you make a wrong move you can’t just tape it up and mend it, you have to start all over again. So there’s a high level of concentration involved but it’s a very relaxing process at the same time.

Eelus Ink_d Strangest_Passion_close up

The learning process has been fun and intense. I’d only done 3 pieces in this new layered, 3D style prior to starting the work on Horrorshow. So I was learning and developing more and more with every piece I finished but being behind schedule due to a couple of annoying problems in the studio meant I had no real room for error. It was important that I nailed each piece first time, I didn’t have time to start over.

Eelus Ink_d Thing papercut

Warmest Place to Hide, by Eelus.

Which is your favourite bit of work in the current show and why?
I think Warmest Place to Hide is probably my favourite. It’s my homage to John Carpenter‘s awesome movie The Thing but there’s also a touch of the original book Who Goes There in it too. The alien in the book was described as having 3 eyes so I thought that would be fun to include. The piece is more conceptual and abstract than the others and the style of layering the paper in this way worked perfectly for the idea of the alien hiding inside the figure.

Eelus Ink_d Black_Cat_poster papercut

The Black Cat, by Eelus.

What next for Eelus?
More and more paper work hopefully. I’m feeling pretty excited about where this new style is going, it’s like a lost cog has fallen into place inside my head and the wheels have started turning again. So I’m really looking forward to developing things further and seeing where it all leads.

Horrorshow by Eelus continues at the Ink_d Gallery until 17th November 2013.

Categories ,brighton, ,East London, ,Edgar Allen Poe, ,Eelus, ,Horrorshow, ,Ink_d, ,John Carpenter, ,Papercut, ,Star Wars, ,Stolen Space, ,street art, ,Street Artist, ,The Black Cat, ,The Thing, ,Warmest Place to Hide, ,Who Goes There

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Amelia’s Magazine | An interview with Steph Moulden: Amelia’s Colourful Colouring Companion featured artist.

steph moulden budgie blue
Steph Moulden has created a surreal space scene inspired by her own life activities for Amelia’s Colourful Colouring Companion. The Hereford College of Arts graduate shares her journey from graduation to professional illustrator.

steph moulden portrait
What persuaded you to pursue illustration rather than fine art?
I thought I was a fine artist for a while. I always liked to paint surreal images but would end up frustrated when trying to be photorealistic (and failing). My college tutor, who was totally brilliant, introduced me to a graphic novel by David Mack called Kabuki Dreams. It’s miles away from my own style now but it opened up a lot of new creative processes, taught me a bit about narrative and helped me link together what illustration was and could be. The same tutor also said that to not have the structure of illustration would be dangerous for my mind! Best advice I’ve ever had!

steph moulden dog over moon
What was your course at Hereford College of Arts like, and what were the best things about studying there?
Hereford College of Arts was a strange little university. Freshers nights were all about local real ale testing and picnics at the local art centre as opposed to the more traditional day glo events. But this setting made everyone who went really close from the beginning. I shared studios with animators, graphic designers and filmmakers alike. For a small place we had a great host of professional illustrators and makers come in. Mostly as requested by the students! Top lectures I can remember were by Laura Carlin, Karoline Rerrie and Dominic Owen.

steph moulden angry heads
Can you tell us about the Little Boxes Collective?
It was at HCA I met two other illustrators and we formed a collective before the first year was even up. That summer we even shared a sketchbook diary and posted it to each other week by week. We developed a way of producing 3D displays using cut out cardboard that we’d paint and draw on. Not a very typical route for illustrators to follow but it meant that Little Boxes Collective has been the gateway to some of my most loved projects that perhaps would not of been commissioned as a single artist. At the end of our degree the university asked us to create a signage system, leaflets and a huge window display advertising the 2012 Summer graduate show.

steph moulden stb bris window
steph moulden wooden dog
What did you do during your time spent living in Bristol?
My favourite Bristol project was an installation we did in the window for Start The Bus. It was a 3D ‘winter camp’ made entirely of painted cardboard and cut out characters. We all lived and worked together in Bristol selling wares for Made in Bristol Christmas Fair and creating cardboard installations for local shop windows and events. After nearly two years, I moved back to Hereford.

steph moulden pinapple
How does your day’s work reveal what is going on in your head?
I love to draw creatures or people. It’s my biggest procrastination at the desk but also a little insight into what’s going on in my mind. My fiancée will come home and look at the funny faces I’ve doodled and can work out my mood quicker than I can explain how my day has been. I also have two budgies so they appear quite frequently in sketches.

steph moulden little boxes work
steph moulden inky sketch
What is your favourite way to produce an illustration?
My over active imagination means I dream a lot and if I’ve had a good dreaming night I’ll have a good drawing day. Although I rarely use a pen or pencil. I’m most comfortable sketching with a paint brush and some cheap ink. I also love folk art acrylics, which were used in my colouring book entry. A quid a bottle and such beautiful thick colours you wouldn’t guess their value.

steph moulden double page update
What inspired your surreal space scene for my colouring book?
My colourful space scene is inspired about a few of the things I loved doing over the summer. Exploring the great outdoors, the season of garden sitting, warm days wild swimming and sadly, as a tribute, walking my dog for the last few times. My surreal universe is brightly painted and then collaged on to Photoshop. I wanted it to feel like an invite a party you wanted to go to. Admittedly, I’ve also caught the space bug brought on by the new Star Wars films…

steph moulden doone
steph moulden sign work
How have you set about finding work in your home town?
As much as I rely on Instagram, Twitter etc. to network, I have had more opportunities from selling myself face to face. I installed a blackboard wall at my place of work and covered it in hand lettering and illustrations. Another business then got me to do their blackboards and now I have a wall to design for a new shop opening for The Great British Florist.

steph moulden budgie sketch
You have only recently set up shop as a freelance illustrator with a stand alone website – why did it take you so long and how has it been going?
Moving away from the Little Boxes Collective has propelled me to take on a new identity. I feel like even though I graduated in 2012 I’m brand new to this all over again. Style never stops developing and you never stop learning. Although I have finally let myself have a website! I always put it off for fear of it looking fake but it just gave me reassurance that I can call myself a freelance illustrator. It is really good to have old contacts back again. The biggest challenge has been balancing a creative and work lifestyle. Since moving to a cheaper city I’ve made the brave decision to drastically lower my day job hours so I can properly focus on Illustration. I have a spare room studio all to myself. I want to build it up though to include a printing area. It’s a slow and steady journey it but has been rewarding already. In a month I had my first magazine commission for Fourth Trimester Magazine who are gearing up to print soon. And with the work in the running for some local businesses, it’s the first time in years I can say things are happening!

It’s been great to gain an insight into the world of Steph Moulden. Make sure you place a pledge on Kickstarter (coming soon) to grab your copy of Amelia’s Colourful Colouring Companion featuring her delightful work.

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring Book, ,Amelia’s Colourful Colouring Companion, ,Coloring, ,Colouring, ,Colouring Book, ,David Mack, ,Dominic Owen, ,Fourth Tri Magazine, ,Fourth Trimester Magazine, ,Hand Lettering, ,Hereford College of Arts, ,illustration, ,Kabuki Dreams, ,Karoline Rerrie, ,Kickstarter, ,Laura Carlin, ,Little Boxes Collective, ,Made in Bristol Christmas Fair, ,Star Wars, ,start the bus, ,Steph Moulden, ,The Great British Florist, ,typography

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Amelia’s Magazine | An interview with The Witch and The Robot on the release of new album Fear of Mountains

The Witch and The Robot fear of mountains
They live in the Lake District, drug they’re neighbours with British Sea Power and they make bewitching alternative music that has been labelled psych folk but which really doesn’t fit in any box. New album Fear of Mountains has just been released on digital download and features a series of unique songs inspired by their isolated location and a fabulous mash up of influences. Meet Sam Hunt and Andrew Tomlinson of Cumbrian band The Witch and The Robot (otherwise known as TWATr) for a fabulous insight into some truly creative musical minds. We’re talking everything from Wordsworth to Alex Reid

The Witch and The Robot Fear of Mountains head
How has living in the Lake District affected your approach to music making?
It pops up everywhere really; we are situationists through necessity rather than design. Growing up in places like the Lakes you have to create your own sense of scene, help a strange amalgam made up of half understood snippets from the radio or read in magazines. We found ourselves on a strange diet of Mo Wax/Warp/Ninjatune, New Romantica/Depeche Mode/Prince and David Bowie/90’s jingly jangly indie and Tupac; unable to appropriate a single scene we made one up ourselves. It’s hard not to reference where you live in songs, if you want to write about yourself, we are conscious of the romantics and the various other assorted lunatics, artists and rum buggers who by and large saw the Lakes as a place to escape the ‘real’ world. Wordsworth on the run from memories of the French Revolution, Josefina de Vasconcellos (who pops up a lot in our songs) on the run from London society, Kurt Swchitters on the run from the war…

The Witch and the Robot by Rachel Higham.
The Witch and the Robot by Rachel Higham.

The place is filled with them, hotel staff who are a bit cagey about life before the Lakes, rich artists who see themselves in the mould of the before mentioned Schwitters, loads of people who find it very easy to create their own reality in this rural bubble. Josefina had a view on it that the mountains are both muse and jailer, we quote her on Fear Of Mountainsthis place can make things seem more than they are’ it heightens emotions I suppose, to quote Lou ‘there is only one good thing about a small town that you know that you gotta get out‘ .. Fear Of Mountains Pt 1 is about getting out….
 
Witch and Robot by Carne Griffiths
Witch and Robot by Carne Griffiths.

Are you happy with your acronym? Was it a conscious decision to use TWATr and if so why? And why the little r at the end?
When we decided to call ourselves The Witch and The Robot we were just trying to think of two creatures who would not have met before, the acronym was just a happy accident.. We’ve written a number of stories about how the two met, some of them should be on our blog but as far as the little rTWAT is a funny word and word that is used a surprising amount in endless context, maybe it’s a Cumbrian thang…

YouTube Preview ImageHoudini

Love the video for Houdini, where was it shot and what inspired the treatment?
Why thank you – the video was shot at Wastwater – I think Sally Webster from Coronation Street got it voted ‘Britain’s favorite view’ on a ITV special – it’s England’s deepest lake, as deep as the North Sea and provides much of the water for the cooling process at Sellafield just down the way – I think there was a doctor who killed his wife and flew over Wastwater in light aircraft with her weighted body intending to drop her into the icy depths but missed and she ended up on the side of the mountain.. There’s also the Gnome garden, put at the depth where it starts to get dangerous for divers, Gnomes all happy surrounded by white picket fences, the police removed it, to prevent gnome tourism but it was put back up the next week. We filmed it on a very hot day with all our Star Wars figures and HeMan figures with the intention of tying them all to helium balloons, but you would be surprised at how many balloons you need to make an action figure fly.

The Witch and The Robot Fear of Mountains balloons
The Witch and The Robot Fear of Mountains balloons
 
How do you write your songs, can you describe the process of how you work together?
We have always written together, it’s a very easy process as we’ve known each other literally all our lives, the thing about TWATr is that we are not really sure anyone else is listening, its what we as a group of friends have always done and will continue to do.
 
Witch and Robot by Gareth A Hopkins
Witch and Robot by Gareth A Hopkins.

And for that matter, how did you meet and start making music?
We all grew up together, in and around Ambleside, I think music making came from the lack of anything else to do.

YouTube Preview ImageHetero
 
Fear of Mountains is apparently the first of three concept albums in a Rock Opus. What can we expect from the others?
Like David Bowie’s 1. Outside it is our ‘A Non-Linear Gothic Drama Hyper-Cycle‘, also like 1. Outside Andrew thought it would be funny if it was the only one of the trilogy we ever did. I on the other hand have an idea about an album/graphic novel/action film/musical starring Celeb Big Brother winner and former beau of Jordan Alex Reid as a battle hardened William Wordsworth, we’ll just have to wait to see who wins out.

The Witch and The Robot Fear of Mountains
The Witch and The Robot Fear of Mountains grave

Can you describe your attraction to some of the oddball characters that feature within the music, and what exactly comes across of their personality in particular songs?
Most of the oddball characters are probably us in some way or form, so it’s probably safer just to remain hidden behind abstract lyrics, but as mentioned some real life people do tend to pop up quite a lot – the key one being Josefina de Vasconcellos, a daughter of a Brazilian diplomat, became a bit of a legend in the Lakes. She was a monumental sculptor and Blake-like visionary who specialized in figurative religious art and died at the ripe old age of 101. Religious art has never really be cool – unless you were a sculptor in renaissance, but her work was totally insane, if ever in Edinburgh have a look at The Last Chimera at The Cannongate Kirk on the Royal Mile or Escape To Light overlooking Morecambe Bay at Millom Lifeboat Station. I spent 2 years making a film about her, which in the end wasn’t that good, but was certainly an experience, as someone who struggles to believe the news let alone the presence of a God, it was a fascinating insight into what is faith…

The Witch and The Robot by Barb Royal (2)
The Witch and The Robot by Barb Royal (2)
The Witch and The Robot by Barb Royal (2)
The Witch and The Robot by Barb Royal.
 
The album can be bought in the Hide & Horn shop in Ambleside – has it since been stocked elsewhere or would you encourage a digital download of the album instead?
We released our first album On Safari on a proper label with distribution and the like and to be honest we’ve seen not a bean, so we thought it was time to scale back and try and do something interesting with the release – when you are in a Z-list psych-folk band I think it would make more of a difference to do something like that than let an un-bought album grow dusty on Rough Trade East’s shelves – also Pete at Hide and Horn could really do with the trade. But I have succumbed to peer pressure (Andrew) and put it on sale digitally as well, if you do get it from Hide and Horn Andrew has made you a lovely picture to go with it.

The Witch and The Robot Fear of Mountains bw
 
Are there any particular Lake District traditions that you feel the rest of the world should know more about, and why?
At the beginning of Fear Of Mountains pt1 we have recoded a snippet of Ambleside’s Rushbaring – for years we were told that this obviously pagan fertility rite was how they used to change the rushes on the floor of the church – but stiff like that happens everywhere – I once went to 2 or 3 Cumbrian wrestling lessons when I was 12/13 wish Id stayed on as I’d probably be world champion by now. But apart from noticeably excessive daytime drinking I think the wider world is probably better off with the Lakes traditions staying in the hills.
 
You can hear the whole glorious record here: I recommend you take a listen. Fear of Mountains Pt 1 is out now on digital download and at the Hide & Horn shop.

Categories ,90’s, ,Alex Reid, ,Ambleside, ,Ambleside’s Rushbaring, ,Andrew Tomlinson, ,Barb Royal, ,Blake, ,British Sea Power, ,Carne Griffiths, ,Celeb Big Brother, ,Coronation Street, ,Cumbria, ,David Bowie, ,Depeche Mode, ,DJ Aesthetic Heartbreak, ,Escape To Light, ,Fear of Mountains, ,Fertility, ,French Revolution, ,Gareth A Hopkins, ,Gnome, ,HeMan, ,Hide and Horn, ,Houdini, ,ITV, ,Jordan, ,Josefina de Vasconcellos, ,Kurt Swchitters, ,Lake District, ,Millom Lifeboat Station, ,Mo Wax, ,Morecambe Bay, ,New Romantica, ,Ninjatune, ,On Safari, ,Pagan, ,prince, ,Psych Folk, ,Rachel Higham, ,Rock Opus, ,Rough Trade East, ,Sally Webster, ,Sam Hunt, ,Sellafield, ,Star Wars, ,Stuart Shingler, ,The Last Chimera, ,the witch and the robot, ,Tupac, ,TWATr, ,Warp, ,Wastwater, ,Wordsworth

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