Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Blow Presents Eleanor Amoroso

Eleanor Amoroso LFW SS12 by Gilly Rochester
Eleanor Amoroso S/S 2012 by Gilly Rochester.

Eleanor Amoroso‘s show made me nervous. I find it really hard to watch models struggle with shoes and that is exactly what happened to every poor sod as she made that first awkward turn in gigantic knife edge platforms at the top of the catwalk. They may have looked good when not in motion but I am afraid I just don’t get non-functional footwear: I spent the whole show playing will-she-won’t-she in my head and let me tell you that it was a distraction from admiring the clothes. The shoes were designed in collaboration with Julia Kaldy, dosage whose website features some much more wearable designs. Fashion, visit this eh?

Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
eleanor amoroso S/S 2012 by Lisa Stannard
Eleanor Amoroso S/S 2012 by Lisa Stannard.

Eleanor Amoroso graduated from the University of Westminster last year and has interned with the likes of Charlie Le Mindu, evident in her daring approach to garment construction. For her S/S 2012 collection she worked entirely in monochrome, presenting outfits in either cream (with just the tiniest hint of dip dye) or pitch black. Each piece was a handcrafted exploration of the amazing possibilities of crochet; woven and plaited breast plates fringed with swaying masses of thread that just about covered crucial body parts.

Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso S/S 2012 by Rachel Higham.
Eleanor Amoroso S/S 2012 by Rachel Higham.

Whilst Eleanor Amoroso‘s talent is undoubtable I would love to see a bit more development in terms of garment style; at present I can only see these outfits being worn for fashion shoots when really we should be admiring them on the red carpet.

Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso SS 2012 review-photo by Amelia Gregory
Eleanor Amoroso S/S 2012. All photography by Amelia Gregory.

Categories ,Blow PR, ,Blow Presents, ,Charlie le Mindu, ,crochet, ,Dip-dye, ,Eleanor Amoroso, ,footwear, ,Gilly Rochester, ,Handcrafted, ,Julia Kaldy, ,Lisa Stannard, ,LSO St Luke’s, ,monochrome, ,platforms, ,Rachel Higham, ,University of Westminster

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Amelia’s Magazine | London Fashion Week S/S 2012 Catwalk Review: Blow Presents Fanny and Jessy

Fanny and Jessy S/S 2012 by Diela Maharanie
Fanny and Jessy S/S 2012 by Diela Maharanie.

Fanny and Jessy have a great name that suits their cute, diagnosis fun clothing, ambulance worn by such luminaries as Lady Gaga, buy information pills Jessie J and Saint Saviour. The design duo hail from Somerset and graduated from the London College of Fashion in 2009 since when they have worked with designers such as PPQ and Jean Charles de Castelbajac before deciding to launch their own collection.

Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy S/S 2012 by Ellie Sutton
Fanny and Jessy S/S 2012 by Ellie Sutton.

The Fanny and Jessy S/S 2012 collection featured a strong cowboy influenced aesthetic, translated into a simple colour palette of cream, tomato red, beige and sea green. Pleated wide leg trousers and pencil skirts were worn beneath fringed jackets, with the occasional fringed face covering making an intriguing appearance. Flaps were a central theme throughout, appearing as bibs on tops and as exaggerated detailing on waists. A backless top followed one of the key trends this season, and delightful red suede platforms were worn with large gauge knitted ankle socks. A loose oversized backpack provided a nicely utilitarian feel.

Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2011 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
fanny and jessy S/S 2012 by Lisa Stannard
Fanny and Jessy S/S 2012 by Lisa Stannard.

Two wonderfully delicate print designs by illustrator Lynnie Zulu were used throughout the collection. On a matching trouser suit the symmetrical print, which looked like tribal faces, was featured across the shoulder flap and pocket detailing of a cowboy shirt. A swirling feathered design was repeated on shorts, a shirt dress and a flapping waxed fabric kagoule. I recommend you take a peek at Lynnie Zulu‘s website as it features some fabulous stuff.

Fanny and Jessy S/S 2012 by Rachel Higham
Fanny and Jessy S/S 2012 by Rachel Higham.

Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy SS 2012 review-photo by Amelia Gregory
Fanny and Jessy S/S 2012. All photography by Amelia Gregory.

This was a wonderfully original yet wearable collection from a pair of designers to watch. Keep your eyes on Fanny and Jessy.

Categories ,Blow PR, ,Blow Presents, ,Cowboy, ,Diela Maharanie, ,Ellie Sutton, ,Fanny and Jessy, ,Fringing, ,Jean-Charles de Castelbajac, ,Jessie J, ,Lady Gaga, ,Lisa Stannard, ,London College of Fashion, ,LSO St Luke’s, ,Lynnie Zulu, ,ppq, ,print, ,Rachel Higham, ,Saint Saviour, ,somerset, ,The Kings Collection

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Amelia’s Magazine | An interview with The Witch and The Robot on the release of new album Fear of Mountains

The Witch and The Robot fear of mountains
They live in the Lake District, drug they’re neighbours with British Sea Power and they make bewitching alternative music that has been labelled psych folk but which really doesn’t fit in any box. New album Fear of Mountains has just been released on digital download and features a series of unique songs inspired by their isolated location and a fabulous mash up of influences. Meet Sam Hunt and Andrew Tomlinson of Cumbrian band The Witch and The Robot (otherwise known as TWATr) for a fabulous insight into some truly creative musical minds. We’re talking everything from Wordsworth to Alex Reid

The Witch and The Robot Fear of Mountains head
How has living in the Lake District affected your approach to music making?
It pops up everywhere really; we are situationists through necessity rather than design. Growing up in places like the Lakes you have to create your own sense of scene, help a strange amalgam made up of half understood snippets from the radio or read in magazines. We found ourselves on a strange diet of Mo Wax/Warp/Ninjatune, New Romantica/Depeche Mode/Prince and David Bowie/90’s jingly jangly indie and Tupac; unable to appropriate a single scene we made one up ourselves. It’s hard not to reference where you live in songs, if you want to write about yourself, we are conscious of the romantics and the various other assorted lunatics, artists and rum buggers who by and large saw the Lakes as a place to escape the ‘real’ world. Wordsworth on the run from memories of the French Revolution, Josefina de Vasconcellos (who pops up a lot in our songs) on the run from London society, Kurt Swchitters on the run from the war…

The Witch and the Robot by Rachel Higham.
The Witch and the Robot by Rachel Higham.

The place is filled with them, hotel staff who are a bit cagey about life before the Lakes, rich artists who see themselves in the mould of the before mentioned Schwitters, loads of people who find it very easy to create their own reality in this rural bubble. Josefina had a view on it that the mountains are both muse and jailer, we quote her on Fear Of Mountainsthis place can make things seem more than they are’ it heightens emotions I suppose, to quote Lou ‘there is only one good thing about a small town that you know that you gotta get out‘ .. Fear Of Mountains Pt 1 is about getting out….
 
Witch and Robot by Carne Griffiths
Witch and Robot by Carne Griffiths.

Are you happy with your acronym? Was it a conscious decision to use TWATr and if so why? And why the little r at the end?
When we decided to call ourselves The Witch and The Robot we were just trying to think of two creatures who would not have met before, the acronym was just a happy accident.. We’ve written a number of stories about how the two met, some of them should be on our blog but as far as the little rTWAT is a funny word and word that is used a surprising amount in endless context, maybe it’s a Cumbrian thang…

YouTube Preview ImageHoudini

Love the video for Houdini, where was it shot and what inspired the treatment?
Why thank you – the video was shot at Wastwater – I think Sally Webster from Coronation Street got it voted ‘Britain’s favorite view’ on a ITV special – it’s England’s deepest lake, as deep as the North Sea and provides much of the water for the cooling process at Sellafield just down the way – I think there was a doctor who killed his wife and flew over Wastwater in light aircraft with her weighted body intending to drop her into the icy depths but missed and she ended up on the side of the mountain.. There’s also the Gnome garden, put at the depth where it starts to get dangerous for divers, Gnomes all happy surrounded by white picket fences, the police removed it, to prevent gnome tourism but it was put back up the next week. We filmed it on a very hot day with all our Star Wars figures and HeMan figures with the intention of tying them all to helium balloons, but you would be surprised at how many balloons you need to make an action figure fly.

The Witch and The Robot Fear of Mountains balloons
The Witch and The Robot Fear of Mountains balloons
 
How do you write your songs, can you describe the process of how you work together?
We have always written together, it’s a very easy process as we’ve known each other literally all our lives, the thing about TWATr is that we are not really sure anyone else is listening, its what we as a group of friends have always done and will continue to do.
 
Witch and Robot by Gareth A Hopkins
Witch and Robot by Gareth A Hopkins.

And for that matter, how did you meet and start making music?
We all grew up together, in and around Ambleside, I think music making came from the lack of anything else to do.

YouTube Preview ImageHetero
 
Fear of Mountains is apparently the first of three concept albums in a Rock Opus. What can we expect from the others?
Like David Bowie’s 1. Outside it is our ‘A Non-Linear Gothic Drama Hyper-Cycle‘, also like 1. Outside Andrew thought it would be funny if it was the only one of the trilogy we ever did. I on the other hand have an idea about an album/graphic novel/action film/musical starring Celeb Big Brother winner and former beau of Jordan Alex Reid as a battle hardened William Wordsworth, we’ll just have to wait to see who wins out.

The Witch and The Robot Fear of Mountains
The Witch and The Robot Fear of Mountains grave

Can you describe your attraction to some of the oddball characters that feature within the music, and what exactly comes across of their personality in particular songs?
Most of the oddball characters are probably us in some way or form, so it’s probably safer just to remain hidden behind abstract lyrics, but as mentioned some real life people do tend to pop up quite a lot – the key one being Josefina de Vasconcellos, a daughter of a Brazilian diplomat, became a bit of a legend in the Lakes. She was a monumental sculptor and Blake-like visionary who specialized in figurative religious art and died at the ripe old age of 101. Religious art has never really be cool – unless you were a sculptor in renaissance, but her work was totally insane, if ever in Edinburgh have a look at The Last Chimera at The Cannongate Kirk on the Royal Mile or Escape To Light overlooking Morecambe Bay at Millom Lifeboat Station. I spent 2 years making a film about her, which in the end wasn’t that good, but was certainly an experience, as someone who struggles to believe the news let alone the presence of a God, it was a fascinating insight into what is faith…

The Witch and The Robot by Barb Royal (2)
The Witch and The Robot by Barb Royal (2)
The Witch and The Robot by Barb Royal (2)
The Witch and The Robot by Barb Royal.
 
The album can be bought in the Hide & Horn shop in Ambleside – has it since been stocked elsewhere or would you encourage a digital download of the album instead?
We released our first album On Safari on a proper label with distribution and the like and to be honest we’ve seen not a bean, so we thought it was time to scale back and try and do something interesting with the release – when you are in a Z-list psych-folk band I think it would make more of a difference to do something like that than let an un-bought album grow dusty on Rough Trade East’s shelves – also Pete at Hide and Horn could really do with the trade. But I have succumbed to peer pressure (Andrew) and put it on sale digitally as well, if you do get it from Hide and Horn Andrew has made you a lovely picture to go with it.

The Witch and The Robot Fear of Mountains bw
 
Are there any particular Lake District traditions that you feel the rest of the world should know more about, and why?
At the beginning of Fear Of Mountains pt1 we have recoded a snippet of Ambleside’s Rushbaring – for years we were told that this obviously pagan fertility rite was how they used to change the rushes on the floor of the church – but stiff like that happens everywhere – I once went to 2 or 3 Cumbrian wrestling lessons when I was 12/13 wish Id stayed on as I’d probably be world champion by now. But apart from noticeably excessive daytime drinking I think the wider world is probably better off with the Lakes traditions staying in the hills.
 
You can hear the whole glorious record here: I recommend you take a listen. Fear of Mountains Pt 1 is out now on digital download and at the Hide & Horn shop.

Categories ,90’s, ,Alex Reid, ,Ambleside, ,Ambleside’s Rushbaring, ,Andrew Tomlinson, ,Barb Royal, ,Blake, ,British Sea Power, ,Carne Griffiths, ,Celeb Big Brother, ,Coronation Street, ,Cumbria, ,David Bowie, ,Depeche Mode, ,DJ Aesthetic Heartbreak, ,Escape To Light, ,Fear of Mountains, ,Fertility, ,French Revolution, ,Gareth A Hopkins, ,Gnome, ,HeMan, ,Hide and Horn, ,Houdini, ,ITV, ,Jordan, ,Josefina de Vasconcellos, ,Kurt Swchitters, ,Lake District, ,Millom Lifeboat Station, ,Mo Wax, ,Morecambe Bay, ,New Romantica, ,Ninjatune, ,On Safari, ,Pagan, ,prince, ,Psych Folk, ,Rachel Higham, ,Rock Opus, ,Rough Trade East, ,Sally Webster, ,Sam Hunt, ,Sellafield, ,Star Wars, ,Stuart Shingler, ,The Last Chimera, ,the witch and the robot, ,Tupac, ,TWATr, ,Warp, ,Wastwater, ,Wordsworth

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