Amelia’s Magazine | Sommarnatt by Hanna Karlzon: Colouring Book Review, Interview and Giveaway

Sommernatt giveaway blog
Sommarnatt is the second colouring book from Swedish artist Hanna Karlzon and has unsurprisingly been a runaway success with colourists across the world. Sommarnatt features summertime wonders of the natural world inspired by Hanna’s home in the North of Sweden, interspersed with a healthy dollop of fantasy: frogs carry many turreted houses on their backs, birds hoard gems and mice pluck stars from the sky. The luscious locks of beautiful women cascade across the pages, adorned with tattoos, piercings, flowers, feathers and beads. It’s a heady mix that is a joy to colour, and interspersed within this blog are many stunning examples finished by super talented colourists to further whet your appetite. Even more brilliantly, Hanna Karlzon and her publishers Pagina have very kindly gifted me a copy of this must have adult colouring book to give away.

hanna karlzon portrait
Winnie Fabellore
Winnie Fabellore

Zuzana Hánová 2
Zuzana Hánová

Susie Pala-Loir
Susie Pala-Loir

Congratulations on your new book! It’s had a great reception in the colouring world, especially from American fans who are eagerly ordering the Swedish version. How does it feel to be so in demand?
Thank you! Well, what can I say, I’m grateful, I get to work every day with a thing I love, drawing, and it feels amazing that people all over the world want to buy and color in my books, but at the same time it feels kinda surreal, I guess maybe in a way I can’t really grasp it. And to be honest, I don’t think about it that much, I’m busy with work and everyday life, taking the kids to school, cleaning, thinking about what to make for dinner, haha, well, you know how it is. ;) But as I said, I’m grateful, truly grateful.

Vicki Walsh
Vicki Walsh

Zuzana Hánová 3
Zuzana Hánová

Stace Bosworth
Stace Bosworth

Shannen Pollard
Shannen Pollard

Some of the most popular pages have been portraits of beautiful women, where do you find inspiration for their unique styling?
I just draw things I like and that’s the uncomplicated secret behind the “styling” I guess. I have always been into expressing myself with my clothes and accessories and growing up I was a punk rocker (I still am, at heart), changing my hair color every week haha, so I have never been timid when it comes to appearance, I like it when people stand out of a crowd, and maybe that shines through in my drawings. And well, I love art nouveau and find much inspiration in that style, and jewelry, diamonds, gems, anything that sparkles is super fun to draw so I just add that to the mix. And then the “tattoos” and piercings, I have tattoos myself and I have had many piercings so once again it just comes back to the simple fact that I like these things. And yes, I know that some people don’t like that I add tattoos and piercings to ladies in my books, I get comments about that, and I understand, we all have different preferences, but at the same time I have to stay true to what’s me, the things I like, and keep doing that. If I don’t, there will be no soul in the drawings.

Carly Argent
Carly Argent

Sheryn Yeoh
Sheryl Yeoh

Meg How
Meg How

Robyn Lipner
Robyn Lipner

What pages did you most enjoy producing in this book and why?
Hard to say really, I enjoyed all of them, in different ways. I mix simple and more difficult designs in my books and that’s the way I like to work, some days I like drawing really detailed stuff and other days I want to draw more simple designs. It’s just a way to keep my creativity going and in the end I think it makes for a good mix of drawings in my books.

Zuzana Hánová
Suzana Hánová

Dolly Wong
Dolly Wong

Ellen Scholten-Franke
Ellen Scholten-Franke

Caroline Wikström
Caroline Wikström

What are your favourite type of plants and flowers to draw and why?
I mostly draw plants that you can find in nature around here in the north of Sweden, where I live. It’s the plants and flowers that I have had around me since I was a kid. Growing up, during the summers, I remember that we played in big fields of high fireweeds, my grandma loved fuchsias and had big pots of them in front of her house and in the ditches along the forest roads the lupines grew wild and free. And, that’s what I draw, the flowers, plants, nature, that is close to my heart.

Rebecca Holloway
Rebecca Holloway

Sara Strömnes
Sara Strömnes

Sandra Zahavah Whibberley
Sandra Zahavah Wibberley

Pauline Sps
Pauline Sps

I understand the publication of the US version has been postponed so that the publisher can find better quality paper. I bet this is a relief! How much say do you have over paper choices and graphic design?
Well about the graphic design and layout of the books, I do all that myself in InDesign, but concerning the cover, of course I cooperate with my publisher to find a layout we both like. With Dagdrömmar, my first book, I was the one to decide what measurements I wanted for the book, hard or soft cover, font etc. and I liked how that book turned out so I have kept the same layout for my other books. When it comes to the paper in the books, in the Swedish edition it is my publisher Pagina that decides what paper to use, and it’s a really good paper they have chosen so I’m happy with that. When it comes to all the translations of the books, it’s again my Swedish publisher that has all the connections and dialogues with the translating publishers so I’m not really involved in that process. But I know that Pagina recommends all the translating publishers to use the same layout, the same paper etc. as in the Swedish books but in the end not all translating publishers choose to do that.

Pia Hultin
Pia Hultin

Morena Vajak
Morena Vajak

Pia Hultin
Pia Hultin

Lynne Wood
Lynne Wood

With the success of your colouring books have you become more in demand for other types of illustration work? Have you got time to do anything else? If so what?
I have been running my own business for about 3 years now so I didn’t start up from scratch doing coloring books, I have made lots of other stuff before that. Illustrations for magazines, pattern design for wallpapers, textiles, wallpaintings to name a few, but right now I only have time to work on my upcoming books. I can’t fit anything else in, but I do get a lot of questions about commissions that I sadly have to turn down. (I surely could use some more hours every day!) But, after these books are done I hope there will pop up some interesting stuff for me to do, maybe some more pattern design, that would be super fun!

Lilian Alves
Lilian Alves

Jessica Henson
Jessica Henson

Hazel Smithies
Hazel Smithies

Becky Raine
Becky Raine

I hear your new colouring book is called Magical Dawn? It sounds really exciting, what can we expect from this one?
Yes, it will be called Magisk gryning in Swedish, (Magical dawn). In my last book, Sommarnatt (Summernight), I really wanted to focus and find my inspiration in the nature here in the north of Sweden where I live. In Magical dawn it’s still all about the nordic nature but I have added more magic, potions, spells and even more ladies, so I hope you will like that!

Anita Malkhandi
Anita Malkhandi

Carly Argent
Carly Argent

Carina Wallengren
Carina Wallengren

Beth Oram
Beth Oram

You also have another small postcard book in the works, how will this follow on from the previous one?
Yes I’m also working on a new postcard book with a winter theme, (like Vinterdrömmar that many of you might know about). This postcard book will be called Vinternatt (Winter night) and contains 20 designs that will be perfect for coloring this fall /winter. It’s not pure Christmas designs, with Santa and stuff like that, instead, think about a dark, crisp winter night with sparkling stars and magical animals, that’s what you will get in Vinternatt!

Carly Argent
Carly Argent

Holly Thompson
Holly Thompson

Jennifer Lyons
Jennifer Lyons

So, I guess this was the last question! Thank you for having me and thank you all for coloring in my books, you are the best! *it’s been an absolute pleasure!* – Amelia x

You can follow Hanna Karlzon on facebook here and instagram here, where she showcases many sneak peaks of her new work. Buy Hanna’s books at the Pen Store. Gibbs Smith will publish in the US (and other english speaking countries) in August. To win your copy of the Sommarnatt please visit this post on my Facebook Page and leave a comment or a sticker. The winner will be chosen at random on Sunday 24th July. Open to UK readers only (if you are based abroad and would like to enter then please be prepared to pay for postage, which could be up to £12: it is a heavy book. If someone based abroad is chosen then I’ll wait 2 days for postage payment before drawing another winner). Good Luck!

Many thanks to the members of the following Facebook colouring groups for the use of their beautiful coloured pages:
Daydreams Colouring (fans of Hanna Karlzon, Dagdrömmar and Sommarnatt)
Hanna’s Coloring Creations
Coloring Creations
Adult Colouring Book Reviews

Matilda Furness
Matilda Furness

Categories ,Adult Coloring Books, ,Adult Colouring Book, ,Adult Colouring Book Reviews, ,Coloring Book, ,Colouring, ,Dagdrömmar, ,Gibbs Smith, ,Giveaway, ,Hanna Karlzon, ,illustration, ,interview, ,Magical dawn, ,Magisk gryning, ,Pagina, ,Pen Store, ,Sommarnatt, ,Swedish, ,Vinterdrömmar, ,Vinternatt

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Amelia’s Magazine | The Kickstarter campaign for Amelia’s Colourful Colouring Companion launches today!

Kickstarter campaign image Ameliasccc
I am super excited to announce that the Kickstarter campaign for Amelia’s Colourful Colouring Companion launches today! Make sure you grab an EARLY BIRD BARGAIN

Amelia’s Colourful Colouring Companion is a unique collaborative colouring book for adults, featuring the work of 40 artists from all over the world. If you are hunting for an unusual, beautiful, high quality colouring book that stands out in the crowd then this is the one for you! It would make an ideal Christmas present

Alex Mcginn
Double page spread by Alex McGinn.

Eleanor Percival
Double page spread by Eleanor Percival.

Amelia’s Colourful Colouring Companion was put together through an open brief and each artist has contributed a double page – with a full colour left page on the left, and a complementary black line image on the right to colour in. This limited edition book will be printed on gorgeous thick paper and bound using the lay flat binding process ensuring that it is a delight to colour in. 

Nanna Prierler
I am already colouring in the pages! Here’s one by Nanna Prierler.

Steph Moulden
And another by Steph Moulden.

I have released some early back issues (1,2,3 and 4) as rewards to help raise funds and there are some fabulous Early Bird bargains that are sure to be snapped up fast, so please do visit the campaign page to view a short video featuring a mock up of the book… I hope you enjoy the little surprise at the end!

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring Book, ,Alex McGinn, ,Amelia’s Colourful Colouring Companion, ,Back issues, ,Coloring, ,Coloring Book, ,Colouring, ,Colouring Book, ,Early Bird, ,Eleanor Percival, ,Kickstarter, ,Launch, ,Nanna Prierler, ,Steph Moulden

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Amelia’s Magazine | OPEN BRIEF for ARTISTS: Amelia’s Magazine Colourful Colouring Companion

Amelia's Magazine issue 4 cover colouring in
Have you noticed the huge trend for colouring books aimed at adults? It hasn’t escaped my notice: I included a series of colouring in pages in issue 4 of Amelia’s Magazine way back in 2005, complete with a scratch ‘n’ sniff cover and a free set of smelly branded pens to colour in those pages (above). 10 years on the concept has gone mainstream, and the time is right to contribute something a bit different to the market: a beautifully curated colouring book that features the work of multiple contributors who are working in diversely different but appealing styles. I will include artwork that features a wide range of themes, creating a book that goes beyond the feel of most pretty decorative colouring books. I want this book to appeal as much to men as it does to women! (and I therefore encourage lots of male artists to contribute).

Amelia's Magazine issue 4 Zakee Shariff colouring in pages
Zakee Shariff, Amelia’s Magazine issue 4.

Amelia's Magazine issue 4 Birgitte Lund colouring in pages
Birgitte Lund, Amelia’s Magazine issue 4.

And the most exciting part about this project? Each artist will get two opposing pages to play with, just as they did back in 2005. One side of the book will showcase a fully coloured image, and the opposite page will showcase a similar or related image designed for colouring in. It’s a great chance for artists to get their work seen and admired by a wide new audience – all images will be credited and there will be a back section where short bios and links for all featured artists are shared. Let your imagination run riot.

Amelia's Magazine issue 4 Serge Seidlitz colouring in pages
Serge Seidlitz, Amelia’s Magazine issue 4.

Amelia's Magazine issue 4 Colin Henderson colouring in pages
Colin Henderson, Amelia’s Magazine issue 4.

I have already conducted a bit of market research on my social media feeds to gauge enthusiasm for a colouring in book and here are just a few of the responses: I think we’re onto a winner!

‘Sounds so fun’
‘I’d buy it for sure’
‘Heck yes, I’d love to be involved’
‘I’d love to draw something! I would also love to buy a copy!’
‘Yes! I loved this back in 2005. And would love another similar issue today! x’
‘I’ve just completed two commissions for adult colouring books, they’re so popular right now go for it, I’d love to contribute!’
‘Would love to pop five on my Christmas gift list!’
‘I remember this! Great idea!’
‘Definitely, great idea! Would tick two of my obsession boxes…’
‘definitely! Perfect idea!’
‘sounds like a fantastic idea. I hope you decide to go for it, it would be a great project & I’d love to buy one.’
‘It’s a brilliant concept. Like a colouring compendium of up and coming artists.’

Amelia's Magazine issue 4 Jim Stoten colouring in pages
Jim Stoten, Amelia’s Magazine issue 4.

Technical Details:
Please read before you start your artwork! I cannot include artwork that is not correctly put together for the book.

Specifications:
The full colour page of your artwork should be designed to appear on the left hand side of the book (so please remember that some of the artwork may disappear into the gutter on the right hand side). Please note that this is the reverse of how it appeared in issue 4.

The colouring in page should be designed to appear on the right hand side of the book (ditto, some of the artwork may disappear into the gutter at the left side). Please make sure you create this page using a fine liner pen and make sure your lines are solid and can be coloured in easily (no pencil or brush lines please). Lots of small intricate spaces to colour in are good, but it’s okay to intersperse these with larger areas of plain ground.

Please make sure your pages work together: they could make up one large image when viewed together, or tell some kind of story next to each other. They should not be based on the exact same image. Please have fun with this concept; this will not be a twee colouring in book, so please get inspired by ideas beyond the usual. And of course, have fun with colour…

Size, Bleed, File type:
This book will be the same size as all my publications: 200mm wide x 245mm high. However you should produce your original artwork so it would fit an A2 sheet; 400mm x 490mm at a 300 dpi resolution.

Please also include a 3mm area of bleed around your artwork, as it will be printed full bleed in the book. This is a 3mm zone that you do not mind losing parts of when the pages are cut to size (so don’t include anything important).

Each of your two images should therefore be sized 406mm wide x 496mm high at 300 dpi, which includes the 3mm bleed zone around each side.

Create your colour artwork using the CYMK colour mode for lithograph printing and save as a tiff or psd file. Please create the line art for your colouring in page using the Grayscale mode in Photoshop or as an Illustrator file. The line art should be very black please.

Exclusivity:
Your artwork should be created exclusively for this project: please share tasters on social media using the hashtag #ameliasccc but do not share the full piece online until the book is published if you are chosen for inclusion.

Amelia's Magazine issue 4 Luke Best colouring in pages
Luke Best, Amelia’s Magazine issue 4.

Send Me:
Please title your email ARTWORK FOR AMELIA’S MAGAZINE COLOURING BOOK.

Please ensure your artworks are labelled with your name or I may lose them.

Please send me a small version of your artwork: my Gmail account cannot cope with large files, so please ensure you resize each page to be no larger than 1MB. If you are shortlisted I will ask you to send a larger file via Wetransfer.

Website and Social Media:
You must have a professional active presence on social media channels, preferably on at least twitter, facebook and instagram.

Please include all relevant links in your email, including a link to the personal website which best showcases your work.

Please do start sharing news on the project using the hashtag #ameliasccc. I’d love to see your progress on twitter and instagram.

Words:
Please send me a 100 word description of your artwork: including inspiration, process and meaning if applicable.

Please also send me 100 word biography.

Amelia's Magazine issue 4 Babak Ganjei colouring in pages
Babak Ganjei, Amelia’s Magazine issue 4.

Credit:
All artists will receive a complimentary copy of the book. If the book is taken up by a publisher I will endeavour to agree some kind of payment for all featured artists: but please note that if I self publish this book I will not be able to offer any payment. *So I can’t promise anything at this stage.*

Deadlines:
You have all summer long to work on your images, but please submit your artwork to art@ameliasmagazine.com by Friday 28th August 2015. My plan is to publish this book before Christmas, making it the perfect gift item for all those who have recently discovered (or rediscovered) the joy of colouring in, but are looking for something a bit different from the average offering.

Publishing Plans:
At present I anticipate self-publishing this book through Kickstarter in the same way as I did with my limited edition 10th anniversary celebration book That Which We Do Not Understand: now sold out. However I am also actively looking for a publisher who understands my vision and is able to better promote and distribute this book once it is published. I don’t know which way it will go at this stage, but suffice to say that if you are a publisher or work for one and would be interested in chatting with me then do get in touch: I’d love to talk.

Disclaimer:
I am nearly 38 weeks pregnant and hopeful this birth will go well and I can get back to work as soon as possible, but there’s always the potential for unforeseen problems, and if something does happen then I will have to postpone this project. So I am just putting that thought out there: I could not wait to post this brief and look forward to seeing what you produce.

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring, ,Adult Colouring Book, ,Amelia’s Magazine, ,Babak Ganjei, ,Birgitte Lund, ,Colin Henderson, ,Coloring, ,Coloring In, ,Colourful Colouring Companion, ,Colouring, ,Colouring Book, ,Colouring In, ,illustration, ,Jim Stoten, ,Kickstarter, ,Luke Best, ,Open brief, ,Serge Seidlitz, ,Special Colouring Companion, ,That Which We Do Not Understand, ,Wetransfer, ,Zakee Shariff

Similar Posts:






Amelia’s Magazine | OPEN BRIEF for ARTISTS: Amelia’s Magazine Colourful Colouring Companion

Amelia's Magazine issue 4 cover colouring in
Have you noticed the huge trend for colouring books aimed at adults? It hasn’t escaped my notice: I included a series of colouring in pages in issue 4 of Amelia’s Magazine way back in 2005, complete with a scratch ‘n’ sniff cover and a free set of smelly branded pens to colour in those pages (above). 10 years on the concept has gone mainstream, and the time is right to contribute something a bit different to the market: a beautifully curated colouring book that features the work of multiple contributors who are working in diversely different but appealing styles. I will include artwork that features a wide range of themes, creating a book that goes beyond the feel of most pretty decorative colouring books. I want this book to appeal as much to men as it does to women! (and I therefore encourage lots of male artists to contribute).

Amelia's Magazine issue 4 Zakee Shariff colouring in pages
Zakee Shariff, Amelia’s Magazine issue 4.

Amelia's Magazine issue 4 Birgitte Lund colouring in pages
Birgitte Lund, Amelia’s Magazine issue 4.

And the most exciting part about this project? Each artist will get two opposing pages to play with, just as they did back in 2005. One side of the book will showcase a fully coloured image, and the opposite page will showcase a similar or related image designed for colouring in. It’s a great chance for artists to get their work seen and admired by a wide new audience – all images will be credited and there will be a back section where short bios and links for all featured artists are shared. Let your imagination run riot.

Amelia's Magazine issue 4 Serge Seidlitz colouring in pages
Serge Seidlitz, Amelia’s Magazine issue 4.

Amelia's Magazine issue 4 Colin Henderson colouring in pages
Colin Henderson, Amelia’s Magazine issue 4.

I have already conducted a bit of market research on my social media feeds to gauge enthusiasm for a colouring in book and here are just a few of the responses: I think we’re onto a winner!

‘Sounds so fun’
‘I’d buy it for sure’
‘Heck yes, I’d love to be involved’
‘I’d love to draw something! I would also love to buy a copy!’
‘Yes! I loved this back in 2005. And would love another similar issue today! x’
‘I’ve just completed two commissions for adult colouring books, they’re so popular right now go for it, I’d love to contribute!’
‘Would love to pop five on my Christmas gift list!’
‘I remember this! Great idea!’
‘Definitely, great idea! Would tick two of my obsession boxes…’
‘definitely! Perfect idea!’
‘sounds like a fantastic idea. I hope you decide to go for it, it would be a great project & I’d love to buy one.’
‘It’s a brilliant concept. Like a colouring compendium of up and coming artists.’

Amelia's Magazine issue 4 Jim Stoten colouring in pages
Jim Stoten, Amelia’s Magazine issue 4.

Technical Details:
Please read before you start your artwork! I cannot include artwork that is not correctly put together for the book.

Specifications:
The full colour page of your artwork should be designed to appear on the left hand side of the book (so please remember that some of the artwork may disappear into the gutter on the right hand side). Please note that this is the reverse of how it appeared in issue 4.

The colouring in page should be designed to appear on the right hand side of the book (ditto, some of the artwork may disappear into the gutter at the left side). Please make sure you create this page using a fine liner pen and make sure your lines are solid and can be coloured in easily (no pencil or brush lines please). Lots of small intricate spaces to colour in are good, but it’s okay to intersperse these with larger areas of plain ground.

Please make sure your pages work together: they could make up one large image when viewed together, or tell some kind of story next to each other. They should not be based on the exact same image. Please have fun with this concept; this will not be a twee colouring in book, so please get inspired by ideas beyond the usual. And of course, have fun with colour…

Size, Bleed, File type:
This book will be the same size as all my publications: 200mm wide x 245mm high. However you should produce your original artwork so it would fit an A2 sheet; 400mm x 490mm at a 300 dpi resolution.

Please also include a 3mm area of bleed around your artwork, as it will be printed full bleed in the book. This is a 3mm zone that you do not mind losing parts of when the pages are cut to size (so don’t include anything important).

Each of your two images should therefore be sized 406mm wide x 496mm high at 300 dpi, which includes the 3mm bleed zone around each side.

Create your colour artwork using the CYMK colour mode for lithograph printing and save as a tiff or psd file. Please create the line art for your colouring in page using the Grayscale mode in Photoshop or as an Illustrator file. The line art should be very black please.

Exclusivity:
Your artwork should be created exclusively for this project: please share tasters on social media using the hashtag #ameliasccc but do not share the full piece online until the book is published if you are chosen for inclusion.

Amelia's Magazine issue 4 Luke Best colouring in pages
Luke Best, Amelia’s Magazine issue 4.

Send Me:
Please title your email ARTWORK FOR AMELIA’S MAGAZINE COLOURING BOOK.

Please ensure your artworks are labelled with your name or I may lose them.

Please send me a small version of your artwork: my Gmail account cannot cope with large files, so please ensure you resize each page to be no larger than 1MB. If you are shortlisted I will ask you to send a larger file via Wetransfer.

Website and Social Media:
You must have a professional active presence on social media channels, preferably on at least twitter, facebook and instagram.

Please include all relevant links in your email, including a link to the personal website which best showcases your work.

Please do start sharing news on the project using the hashtag #ameliasccc. I’d love to see your progress on twitter and instagram.

Words:
Please send me a 100 word description of your artwork: including inspiration, process and meaning if applicable.

Please also send me 100 word biography.

Amelia's Magazine issue 4 Babak Ganjei colouring in pages
Babak Ganjei, Amelia’s Magazine issue 4.

Credit:
All artists will receive a complimentary copy of the book. If the book is taken up by a publisher I will endeavour to agree some kind of payment for all featured artists: but please note that if I self publish this book I will not be able to offer any payment. *So I can’t promise anything at this stage.*

Deadlines:
You have all summer long to work on your images, but please submit your artwork to art@ameliasmagazine.com by Friday 28th August 2015. My plan is to publish this book before Christmas, making it the perfect gift item for all those who have recently discovered (or rediscovered) the joy of colouring in, but are looking for something a bit different from the average offering.

Publishing Plans:
At present I anticipate self-publishing this book through Kickstarter in the same way as I did with my limited edition 10th anniversary celebration book That Which We Do Not Understand: now sold out. However I am also actively looking for a publisher who understands my vision and is able to better promote and distribute this book once it is published. I don’t know which way it will go at this stage, but suffice to say that if you are a publisher or work for one and would be interested in chatting with me then do get in touch: I’d love to talk.

Disclaimer:
I am nearly 38 weeks pregnant and hopeful this birth will go well and I can get back to work as soon as possible, but there’s always the potential for unforeseen problems, and if something does happen then I will have to postpone this project. So I am just putting that thought out there: I could not wait to post this brief and look forward to seeing what you produce.

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring, ,Adult Colouring Book, ,Amelia’s Magazine, ,Babak Ganjei, ,Birgitte Lund, ,Colin Henderson, ,Coloring, ,Coloring In, ,Colourful Colouring Companion, ,Colouring, ,Colouring Book, ,Colouring In, ,illustration, ,Jim Stoten, ,Kickstarter, ,Luke Best, ,Open brief, ,Serge Seidlitz, ,Special Colouring Companion, ,That Which We Do Not Understand, ,Wetransfer, ,Zakee Shariff

Similar Posts:






Amelia’s Magazine | OPEN BRIEF for ARTISTS: Amelia’s Magazine Colourful Colouring Companion

Amelia's Magazine issue 4 cover colouring in
Have you noticed the huge trend for colouring books aimed at adults? It hasn’t escaped my notice: I included a series of colouring in pages in issue 4 of Amelia’s Magazine way back in 2005, complete with a scratch ‘n’ sniff cover and a free set of smelly branded pens to colour in those pages (above). 10 years on the concept has gone mainstream, and the time is right to contribute something a bit different to the market: a beautifully curated colouring book that features the work of multiple contributors who are working in diversely different but appealing styles. I will include artwork that features a wide range of themes, creating a book that goes beyond the feel of most pretty decorative colouring books. I want this book to appeal as much to men as it does to women! (and I therefore encourage lots of male artists to contribute).

Amelia's Magazine issue 4 Zakee Shariff colouring in pages
Zakee Shariff, Amelia’s Magazine issue 4.

Amelia's Magazine issue 4 Birgitte Lund colouring in pages
Birgitte Lund, Amelia’s Magazine issue 4.

And the most exciting part about this project? Each artist will get two opposing pages to play with, just as they did back in 2005. One side of the book will showcase a fully coloured image, and the opposite page will showcase a similar or related image designed for colouring in. It’s a great chance for artists to get their work seen and admired by a wide new audience – all images will be credited and there will be a back section where short bios and links for all featured artists are shared. Let your imagination run riot.

Amelia's Magazine issue 4 Serge Seidlitz colouring in pages
Serge Seidlitz, Amelia’s Magazine issue 4.

Amelia's Magazine issue 4 Colin Henderson colouring in pages
Colin Henderson, Amelia’s Magazine issue 4.

I have already conducted a bit of market research on my social media feeds to gauge enthusiasm for a colouring in book and here are just a few of the responses: I think we’re onto a winner!

‘Sounds so fun’
‘I’d buy it for sure’
‘Heck yes, I’d love to be involved’
‘I’d love to draw something! I would also love to buy a copy!’
‘Yes! I loved this back in 2005. And would love another similar issue today! x’
‘I’ve just completed two commissions for adult colouring books, they’re so popular right now go for it, I’d love to contribute!’
‘Would love to pop five on my Christmas gift list!’
‘I remember this! Great idea!’
‘Definitely, great idea! Would tick two of my obsession boxes…’
‘definitely! Perfect idea!’
‘sounds like a fantastic idea. I hope you decide to go for it, it would be a great project & I’d love to buy one.’
‘It’s a brilliant concept. Like a colouring compendium of up and coming artists.’

Amelia's Magazine issue 4 Jim Stoten colouring in pages
Jim Stoten, Amelia’s Magazine issue 4.

Technical Details:
Please read before you start your artwork! I cannot include artwork that is not correctly put together for the book.

Specifications:
The full colour page of your artwork should be designed to appear on the left hand side of the book (so please remember that some of the artwork may disappear into the gutter on the right hand side). Please note that this is the reverse of how it appeared in issue 4.

The colouring in page should be designed to appear on the right hand side of the book (ditto, some of the artwork may disappear into the gutter at the left side). Please make sure you create this page using a fine liner pen and make sure your lines are solid and can be coloured in easily (no pencil or brush lines please). Lots of small intricate spaces to colour in are good, but it’s okay to intersperse these with larger areas of plain ground.

Please make sure your pages work together: they could make up one large image when viewed together, or tell some kind of story next to each other. They should not be based on the exact same image. Please have fun with this concept; this will not be a twee colouring in book, so please get inspired by ideas beyond the usual. And of course, have fun with colour…

Size, Bleed, File type:
This book will be the same size as all my publications: 200mm wide x 245mm high. However you should produce your original artwork so it would fit an A2 sheet; 400mm x 490mm at a 300 dpi resolution.

Please also include a 3mm area of bleed around your artwork, as it will be printed full bleed in the book. This is a 3mm zone that you do not mind losing parts of when the pages are cut to size (so don’t include anything important).

Each of your two images should therefore be sized 406mm wide x 496mm high at 300 dpi, which includes the 3mm bleed zone around each side.

Create your colour artwork using the CYMK colour mode for lithograph printing and save as a tiff or psd file. Please create the line art for your colouring in page using the Grayscale mode in Photoshop or as an Illustrator file. The line art should be very black please.

Exclusivity:
Your artwork should be created exclusively for this project: please share tasters on social media using the hashtag #ameliasccc but do not share the full piece online until the book is published if you are chosen for inclusion.

Amelia's Magazine issue 4 Luke Best colouring in pages
Luke Best, Amelia’s Magazine issue 4.

Send Me:
Please title your email ARTWORK FOR AMELIA’S MAGAZINE COLOURING BOOK.

Please ensure your artworks are labelled with your name or I may lose them.

Please send me a small version of your artwork: my Gmail account cannot cope with large files, so please ensure you resize each page to be no larger than 1MB. If you are shortlisted I will ask you to send a larger file via Wetransfer.

Website and Social Media:
You must have a professional active presence on social media channels, preferably on at least twitter, facebook and instagram.

Please include all relevant links in your email, including a link to the personal website which best showcases your work.

Please do start sharing news on the project using the hashtag #ameliasccc. I’d love to see your progress on twitter and instagram.

Words:
Please send me a 100 word description of your artwork: including inspiration, process and meaning if applicable.

Please also send me 100 word biography.

Amelia's Magazine issue 4 Babak Ganjei colouring in pages
Babak Ganjei, Amelia’s Magazine issue 4.

Credit:
All artists will receive a complimentary copy of the book. If the book is taken up by a publisher I will endeavour to agree some kind of payment for all featured artists: but please note that if I self publish this book I will not be able to offer any payment. *So I can’t promise anything at this stage.*

Deadlines:
You have all summer long to work on your images, but please submit your artwork to art@ameliasmagazine.com by Friday 28th August 2015. My plan is to publish this book before Christmas, making it the perfect gift item for all those who have recently discovered (or rediscovered) the joy of colouring in, but are looking for something a bit different from the average offering.

UPDATE: DEADLINE EXTENDED until midnight Monday 14th Sept 2015. Thank you so much to over 60 artists who have submitted work so far, I have received some wonderful colouring in pages. My baby girl arrived 18 days after her due date so she is only 4 weeks old at the time of writing, and in order to ensure this book showcases a diverse range of styles I am keeping the brief open for a further two weeks. I am especially keen to receive innovative and thought provoking narrative artwork with lots of decorative detail to colour in: think landscapes, surreal, buildings, gardens, outer space, tattoo art, underwater, fashion, people, dinosaurs, monsters, stories. And if you are a guy please do get involved! I can’t promise anything but I will be showing the top entries to a major colouring book publisher who is interested in working with me.

Publishing Plans:
At present I anticipate self-publishing this book through Kickstarter in the same way as I did with my limited edition 10th anniversary celebration book That Which We Do Not Understand: now sold out. However I am also actively looking for a publisher who understands my vision and is able to better promote and distribute this book once it is published. I don’t know which way it will go at this stage, but suffice to say that if you are a publisher or work for one and would be interested in chatting with me then do get in touch: I’d love to talk.

Disclaimer:
I am nearly 38 weeks pregnant and hopeful this birth will go well and I can get back to work as soon as possible, but there’s always the potential for unforeseen problems, and if something does happen then I will have to postpone this project. So I am just putting that thought out there: I could not wait to post this brief and look forward to seeing what you produce.

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring, ,Adult Colouring Book, ,Amelia’s Magazine, ,Babak Ganjei, ,Birgitte Lund, ,Colin Henderson, ,Coloring, ,Coloring In, ,Colourful Colouring Companion, ,Colouring, ,Colouring Book, ,Colouring In, ,illustration, ,Jim Stoten, ,Kickstarter, ,Luke Best, ,Open brief, ,Serge Seidlitz, ,Special Colouring Companion, ,That Which We Do Not Understand, ,Wetransfer, ,Zakee Shariff

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Amelia’s Magazine | Scandia by Zeena Shah: Colouring Book Review, Interview and Giveaway

Scandia WIN BOOK review
It’s not just illustrators getting in on the act! I was super excited to hear that the talented textile designer Zeena Shah has produced a colouring book of intricately drawn pages inspired by her interest in nature, folk art and Scandinavian iconography. Best known for her instantly recognisable textile designs and frequent print workshops, Zeena has produced a book that is every bit as fabulous as you would expect it to be, chock full of decorative patterns and beautiful imagery. The paper cut cover of Scandia is a particularly unusual and beautiful choice for a colouring book and is sure to make it stand out as something a little bit special. Would you like to win a copy of this beautiful book? Read on to find out how, this giveaway is OPEN WORLDWIDE thanks to the kinds folks at LOM Art, an imprint of Michael O’Mara.

Scandia by Zeena Shah review 9
When did you first cook up the idea of a colouring book and why did you settle on a Scandinavian theme?
Almost immediately after i’d just finished the final edits of my first book How to Print Fabric publishers Michael O’Mara got in touch about the possibility of an adult colouring in book. They had seen my illustrations and loved my Scandinavian inspired style. I’ve always been drawn to Scandi style so it was a perfect fit and extension of what I already do.

Scandia by Zeena Shah review 7
How long has it taken to put together and what was the process of working with Michael O’Mara?
It was a very quick process as I had a very tight deadline (all my own doing as my first book had just been published so I was busy juggling that as well as creating new work). I turned around all of the illustrations within a month or two of signing the book deal. It was such a lovely project to work on and a real joy to be able to draw everyday so I really enjoyed it even though the timing was tight. MOM were a dream to work with, they really understood my handwriting and we were in touch throughout the whole process from the first rough to the first paper cut sample of the book cover.

Scandia by Zeena Shah review
You trained in textiles at Chelsea, what did your studies do to prepare you for the working world?
I studied Textile Design at Chelsea School of Art and as much as I loved every minute of the course in all honesty it really didn’t prepare me for the real design world. It was a bit of a shock when I left art school and started working for various design studios and realised the reality was very different to the experimental art school mentality. I would encourage everyone to get out there and do as much work experience/interning as they can during their courses to prepare them for the industry, make those contacts. I feel so very lucky to be able to make a living running a creative business and doing what I love.

Scandia by Zeena Shah review 1
Who or what has most influenced your artistic style?
Nature and the everyday is a huge influence on my artistic style. I love to draw what I see and take inspiration from the things around me. There is an illustration of some leaves in Scandia that come from leaves I collected on my walk to the studio through Hackney Downs park. I’m always that crazy person collecting things on the street. I also collect a lot of vintage textiles and am obsessed with Vera Neumann‘s beautiful printed scarves. Her work is always an inspiration.

Scandia by Zeena Shah review 8
What is it about the actual print process that you love so much?
I love working with my hands and creating with a definite process, a start and finish. All of my screen prints will begin with a drawing that might then be papercut to create stencils or exposed onto a silk screen using a light sensitive emulsion which will then be screen printed. It’s the immediacy of this process that excites me. You can very quickly create print upon print once you have your design.

How to Print Fabric
Can you tell us a bit more about your previous book?
My first book How to Print Fabric was published in October last year. It is a collection of 40 print and sew projects for the complete beginner. I wanted to create a book that would make the world of printing onto fabric really accessible to everyone. It shows you how you can use everyday household objects to create beautiful print designs and what to do with them in a straightforward and fun way. One of my favourite projects is a laundry bag you can print using a toilet roll.

Scandia by Zeena Shah review 4
You are very busy with a lot of creative projects, how do you juggle your many projects?
Haha, I think I am just one of those people that like working on a million things at once. I always seem to be working on ten things at once as opposed to just one. I try to be as organised as a one woman band can be and have now started to outsource the production of my printed homeware collection to free up time for more creative projects and illustration commissions. I couldn’t live without my ical!

Scandia by Zeena Shah review 3
Can you tell us a bit more about some of your favourite events and projects?
I’m especially enjoying running my screen printing workshops at them moment. I really challenge people on a Monday evening to get out of their comfort zones and create something that really get’s them thinking in a different way to how they usually do and the results are amazing. Every class is filled with such talented folks and everyone’s print designs are always so unique. Another favourite at the moment is turning my illustrations for Scandia into some screen printed tote bags and paper prints to celebrate the launch party. Postcards, tote bags and more will be on the way soon.

Scandia by Zeena Shah review 2
Do you colour yourself, and if so what do you like to colour and what mediums do you use?
Before illustrating Scandia I hadn’t gotten into the craze for colouring in, my sister has always been a huge fan but I never seemed to find the time. Over Christmas I sat down and coloured in one of my favourites and used a mixture of graphite pencils, colouring pencils and sharpies. I really like sharpies or felt pens as they give such a lovely sold block colour which is what I’m always drawn to in my printmaking. I would like to try watercolours next time I have a moment though…

Scandia by Zeena Shah review 5
What is your next project, and can we expect a follow up colouring book?
Fingers crossed for another colouring book in the future, I have some commissions keeping me busy next and am working on a new collection of limited edition screen printed paper and textile goods readly for later this year.

To win a copy of Scandia head on over to my Facebook Page HERE and leave a comment or sticker. And tell all your friends because the giveaway is OPEN WORLDWIDE! A winner will be drawn at random on Sunday 26th June 2016. You can buy Scandia on Amazon. Please consider using my links to help support the running costs for this website.
Buy from Amazon UK here.
Buy from Amazon US here.
Find more of Zeena’s work here.

Categories ,Adult Colouring Book, ,Chelsea School of Art, ,Coloring Book, ,Colouring Book, ,Giveaway, ,Hackney Downs, ,How to Print Fabric, ,illustration, ,interview, ,LOM Art, ,Michael O’Mara, ,MOM, ,Scandia, ,Textile Design, ,Vera Neumann, ,Zeena Shah

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Amelia’s Magazine | Lost Ocean by Johanna Basford: Exclusive Colouring Book Review and Artist Interview

Lost Ocean cover
Johanna Basford is the prolific illustrator behind Secret Garden, Enchanted Forest and now Lost Ocean, which was published in October 2015. For her latest underwater adventure Johanna has gone back to her marine roots to pull together a gorgeous volume full of intricately detailed drawings inspired by real creatures and ocean fantasies. It’s a must have for any colouring enthusiast!

Johanna Basford portrait
How long did it take to create your new colouring book, Lost Ocean, working on average how many hours a day?
Lost Ocean took about 4 months to complete. Average days don’t really come into play when you work from home and you have a little person to care for, but I have childcare 4 days a week so I cram as much as I can into these hours, then I work when she (finally!) takes a nap or goes to sleep at night.

Lost Ocean colouring by Johanna
Lost Ocean coloured by Johanna Basford.

What are you favourite memories of growing up on your parent’s fish farm, and how have these influenced the making of Lost Ocean?
My parent’s fish farm is a fresh water one and is located about 20 miles inland (not on the coast), so my experiences there didn’t influence this book so much, apart from seeing tens of thousands of fish every day! My parents are both Marine Biologists though so my sister and I spent a lot of time visiting scientific aquariums and on research vessels as children. We could barely make it through a seafood dinner without someone having their main course dissected and an impromptu biology lesson taking place. I think these kind of things all just help open your eyes as a child and expose you to a vast array of different experiences that form the foundation of your imagination as an adult.

Johanna Basford in studio
Your studio looks wonderful (very jealous!), I believe it is in your house? Where is it located, what is the view, how long have you been there and is it always as tidy as it looks in your videos?
We live in a converted farm building in the Aberdeenshire countryside. We are so lucky to be out in the wilds and I really love that feeling of looking out our windows and seeing the changing seasons. Due to the incredible amount of toys Evie began to accumulate (why do small people have so much stuff?!) we converted my old studio which was next to the kitchen into a playroom and I moved into the space in the attic. It was no hardship though as the view from the apex window out across the surrounding fields is so beautiful and it meant I was tucked away when I needed to work and out of ear shot of little people.

Lost Ocean by Louise Chagger
Lost Ocean coloured by Louise Chagger

How long did you stop working for when you had your daughter, and when during the day do you find it easiest to work now, and why?
I took 6 weeks ‘off’ social media when I had her, but was still checking in on email throughout as my second book, Enchanted Forest was about to go to print. My publishers were super understanding though and we all worked around the craziness that is coping with a new born. I worked around Evie’s schedule until she was 6 months, after which we had a wonderful family friend who is a nanny come and help me a few days a week. It wasn’t till then that I really got stuck back into things properly. I work best in the morning, always have done.

Lost Ocean by nijnaa
Lost Ocean coloured by nijnaa

What kind of work commitments are your priority now your time is more limited?
Now that there’s more to cram into a day I’m a lot more selective about what I can take on. I’d rather turn down a job or rejig a deadline than deliver bad work late. I’ve scaled back a lot on commission work and focused on the books and long term projects – the lead times for commercial illustration work are often just days or in some cases hours long and more often than not required immediate amends to meet print deadlines. I just can’t offer that level of flexibility anymore so I’d rather pass up on a job or recommend someone else, than take it and be unprofessional.

Lost Ocean Fish by Maria C Crowdey
Lost Ocean DPS by Maria C Crowdey
Lost Ocean coloured by Maria C Crowdey

What have been the most difficult and the most wonderful things about continuing to work and being a mum at the same time?
The most difficult thing is the guilt. I think all Mums experience this though whether they are working or not. You always feel you could do better for your child. I feel bad for not being with her every day, for letting her watch Cbeebies when I’m trying to answer urgent emails at 6am and for not serving her up a delicious, organic meal I’ve prepared myself every night.

Lost Ocean by Naomi Russell-Baugh
Lost Ocean coloured by Naomi Russell-Baugh

That being said, I wouldn’t change our situation. I love what I do and I’m so lucky to have a job that truly makes me happy. After a day of work or a trip away, I’m so delighted to see her. We make the very most of all the time we have together and I never take a day off for granted. Having that space to do a job I love and fire up my creative and intellectual side means that when I’m back in Mum mode I do so with a fresh head and a happy heart.

Johanna Basford Lost Ocean 1
Where is your favourite place to walk when you want to clear your head and reinvigorate your creative sensibilities?
We live in the middle of nowhere, so I love to bundle Evie into the carrier, grab the dog and walk around the fields and woodland the surround our home. I love the fresh air on my face, to see Simcoe our dog bounding about enjoying the outdoor time and to show Evie the changing seasons.

Lost Ocean by toomuchgoodfood
Lost Ocean coloured by toomuchgoodfood

How are you sharing your love of nature with your daughter Evie?
We spent a lot of time our doors playing, I want to give her the same sort of free range childhood that I had as a child. In the summer we pottered about in the garden, picking strawberries we had grown and smelling the flowers. As Autumn fell we gathered leaves for painting projects and looked for conkers.

Lost Ocean by Tamila Kushnir
Lost Ocean coloured by Tamila Kushnir

You have said that being scared inspires your best work, what situations are most likely to scare you the most nowadays?
Scary deadlines! Now that time is so scarce, anything that involves a short deadline terrifies me. I worry that I’m taking too much on, then I worry that I’m not pushing myself hard enough…

Lost Ocean front plate by Patricia Grund
Lost Ocean front plate coloured by Patricia Grund

You initially trained as printed textile designer (like me!) Now, do you consider yourself an illustrator, a designer, an artist or all the above?
An illustrator. I draw pictures, nothing more, nothing less.

Lost Ocean by laurengunnart
Lost Ocean coloured by laurengunnart

Where do you screen print your artist editions, and how often do you get to do that now?
Dundee Contemporary Arts. I love it there. These days I rarely print, but when I do it’s a treat to be surrounded by so many wonderful artists and to have the excellent facilities and staff at DCA on hand.

Lost Ocean by Rebecca Honeybee Swan
Lost Ocean coloured by Rebecca Honeybee Swan

We first met you when you launched your #TwitterPicture project: you have been very adept at using social media and the internet in general to raise your profile, when and why did you start doing so?
I didn’t want to move to London (or any big city for that matter) and knew that in doing so I was isolating myself. I wasn’t going to bump into art directors and commissioning editors at swanky exhibition openings and I certainly couldn’t just pop round their office with my portfolio to tout my wares. To get around this I used social media and the internet to allow me to open up my studio and connect with these people from my little studio in the Scotland. I tried to think of imaginative ways of getting people’s attention and making my work memorable. An email with a PDF or a link to a portfolio is so boring. I tried to be a little different and to think up ways of presenting my work that was a little more imaginative.

Lost Ocean by Amanda Steele
Lost Ocean by Amanda Steele

Why do you think that sharing work online has become such a major aspect of the adult colouring book phenomenon? 
Because we are all so proud of our creations!! For me colouring books are a collaboration. I create those black and white outlines, but it’s not until the owner of the book adds the colour that those illustrations are ever complete. We need to work together to create the final artwork. So when someone has completed a picture, they quite rightly want to show it off! Who wouldn’t?! The best part of my job, without a shadow of a doubt, is seeing all those amazing pictures on social media, in the facebook colouring groups and on my colouring gallery. It’s humbling to think I have the incredible opportunity to collaborate with literally millions of people worldwide and that we get to share our work with the world. I never see the same illustration twice, every time someone colours a picture they make it unique. It’s like a giant game of consequences; I do my part, then hand the books over to the world and everyone picks up the baton (or should I say the pencil!) and completes the pictures.

Johanna Basford Lost Ocean jelly fish
How much time do you have to upload stuff to your blog and various other online platforms these days? Your Pen Geekery section on your blog is so fabulously… geeky!
Not as much as I would like! Social media and my blog is so very important to what I do, so I try to schedule time for it every day. Whether that’s just posting a quick WIP on Instagram or uploading a new Vlog to YouTube, I feel the colouring community online are so important to what I do, so I want to connect with them as much as I can.

Lost Ocean by renatagclementino
Lost Ocean by renatagclementino

New Designers is one of my favourite places to discover graduate talent, what did taking part in the show do for you?
It was great for me, coming from a relatively small art school in Scotland, to just be in amongst the chaos. It’s good to be a bit scared and New Designers can be an overwhelming place! There’s so much talent, so much energy. Everyone is keen and fresh and unjaded, you don’t get that same feeling again! For me New Designers was a place to make connections. I spoke to lots of people, organized some internships, some freelance work and even had a couple of job offers. Ultimately, it all helped me decided what I did and didn’t want to do going forward.


I love your opinion that technicians are the unsung heroes of art schools! what was the best thing you learnt from them?
The nitty gritty. Like how to get a stubborn stain off a screen. Which inks would last longer than a week if I stored them right. How to make sure my paintings didn’t stick to the inside of a heat press… Not super glam, but it’s practical knowledge like that that you just can’t gleam from a lecture theatre. In my mind, infinitely more useful.

Lost Ocean by jamairanolasco
Lost Ocean coloured by jamairanolasco

Do you or did you ever feel isolated in Aberdeen? How often do you have to travel for work, and have you ever been tempted to move for work reasons?
No. I’m a country girl and I don’t function well in big cities. I can’t draw blossoms and hummingbirds surrounded by concrete and tarmac. I venture down to London about once a month, cram in a whirlwind of meetings then fly north again at bedtime.

Lost Ocean by insolitecass
Lost Ocean coloured by insolitecass. You can download this image for free here

Can you tell us any more about your upcoming collaboration with Staedtler?
Yes, we’re starting to post details of this now. I was approached by lots of different pen and pencil manufacturers this year, asking if I would partner with them. Although I loved all the products that were highlighted to me, I’ve used Staedtler pens since art school and they are the brand that I’ve been recommending for years, so working with them seemed the most honest and natural collaboration. We’ve made a series of videos, a super cool little adult colouring website and there are some special edition products and bundles on the way. I’m also speaking to them about a few top secret colouring projects that I’d like to see realized (watch this space!).

Lost Ocean starfish by dreammaker_kelly
Lost Ocean seahorse by dreammaker_kelly
Lost Ocean coloured by dreammaker_kelly

How do you feel when you see the huge piles of colouring books in book and gift shops across the country?
SUPER PROUD. To see the adult colouring category blossom is the biggest thumbs up you can imagine. What better sign that you are doing something right, something that people truly want in their lives? I love that with every new book that appears, more and more people around the world are putting down their digital devices and picking up pens and pencils. We’re onto a good thing here!

Johanna Basford Lost Ocean whale
I feel as though this Christmas we are about to hit “peak colouring book” for want of a better phrase, do you think the interest in adult colouring books will fade away, and do you see an end point for your (immense) contribution to the genre?
No I honestly don’t. I think adult colouring is just a new form a creativity, one that for whatever reason hadn’t risen to the forefront of popularity yet. The exact format may change and I’m keen to see how the discipline evolves, for example onto new materials, new applications, different techniques (have you seen those pan pastel artworks coming out of Brazil?!) but essentially, I think it’s something we’ve all been craving for a long time. An accessible way to be creative, a digital detox, a stress buster, a warm shot of nostalgia – whatever your reason for initially picking up a colouring book, I’m sure they will become a staple part of your creative life.

Lost Ocean by tatianecandido
Lost Ocean coloured by tatianecandido
Finally, what are you working on now and next? (and any clues as to what another colouring book might contain?)

SO MUCH.

A charity Christmas project I’m launching on 1st December, more details coming soon!
A new colouring book next summer (details are top secret for now I’m afraid).
Calendars!
Pens!
More Christmas!
The list goes on and on…


You can tour Johanna’s gorgeous studio in the video above. Lost Ocean is available worldwide. Thank you so much for taking the time to give such brilliant and informative answers Johanna! I can’t wait to see what you do next. Images thanks to the members of Facebook group Colouring Companions and the lovely people who share on Instagram.

Categories ,#TwitterPicture, ,Aberdeenshire, ,Adult Colouring Book, ,Amanda Steele, ,Colouring Book, ,Colouring Companions, ,dreammaker_kelly, ,Dundee Contemporary Arts, ,Enchanted Forest, ,Evie, ,Exclusive Interview, ,insolitecass, ,instagram, ,interview, ,jamairanolasco, ,Johanna Basford, ,laurengunnart, ,Lost Ocean, ,Louise Chagger, ,Maria C Crowdey, ,Naomi Russell-Baugh, ,New Designers, ,nijnaa, ,Patricia Grund, ,Rebecca Honeybee Swan, ,renatagclementino, ,scotland, ,Scottish, ,Secret Garden, ,Staedtler, ,Tamila Kushnir, ,tatianecandido, ,toomuchgoodfood, ,Vlog, ,Youtube

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Amelia’s Magazine | Magisk Gryning by Hanna Karlzon: Exclusive Interview and Worldwide Giveaway

Magisk Gryning Giveaway copy
Magisk Gryning Guðrún Þóra Gunnarsdóttir
Guðrún Þóra Gunnarsdóttir

It’s no great secret that I’m a massive fan of Hanna Karlzon‘s wonderful drawings, so I’m thrilled to share my latest catch up, wherein she talks about her new book Magisk Gryning, a magical exploration of all things otherworldly. Best of all, I have managed to secure a chance for you to win your very own copy, and the giveaway is open WORLDWIDE, so if you are still eagerly awaiting it’s release in your country this is your chance to get Magical Dawn, as it is to be called for the English speaking market… just read to the bottom to find out how… and enjoy the wonderful coloured pages from the book on your way (colourists credited below each one.)

Magisk Gryning Claire Eadie
Claire Eadie

Magisk Gryning Zuzana Hánová
Suzana Hánová

Magisk Gryning Tímea Kalakai
Tímea Kalakai

How do you start the creative process each day – for example do you lay out all your implements, or do you start with research for that particular project?
Well making colouring books is a long process, at least for me. It takes me about 5 months to complete a colouring book so I just take it day by day not to get overwhelmed with the amount of work. I try to make one page a day but since I also make all the layout design for my books myself; some weeks I work a lot by my computer and some weeks I only use pen and paper and draw. It’s a mix. And I have my office that I go to every day so I just pick up where I left the day before. I mostly start my days answering emails and messages and taking a look at my Facebook and Instagram and after that I listen to music or podcasts and draw, draw, draw. When I work with the coloring books many days contain the same kind of work, since it’s about 100 drawings that I need to make, but luckily it never gets boring, at least not yet anyways. ;)

Magisk Gryning Stina Gustavsson
Stina Gustavsson

Magisk Gryning Siv Stenseth
Siv Stenseth

Magisk Gryning Sirpa Seppälä
Sirpa Seppälä

Magisk Gryning Liz Moore 2
Liz Moore

What are your favourite motifs to draw at the moment and why?
Well I love to draw people and jewels, crowns and all things that sparkle. I don’t really know why, maybe because its something that you can alter and change every time, there are no rules or regulations, I just draw whatever comes to mind. But it’s also fun to draw birds, and mushrooms, and flowers and I like to mix it up, one day I draw a really detailed illustration with lots and lots of stuff everywhere and the next day I draw something more simple and clean. I need to mix it up like that to make it fun for myself in the work process, but I also think it’s good because that gives my books a diversity of illustrations, a range, from quite hard and detaild pages to easier more simple pages and I know a lot of people like that. Somedays you just want to color something small and simple, like a beetle maybe, and other days you just want to go all in on a big detailed spread, and it’s the same for me, somedays I go simple and somedays I go all in. 

Magisk Gryning Péťa Luky Ratajovi
Péťa Lukt Ratajovi

Magisk Gryning Megan Silcox
Megan Silcox

Magisk Gryning Maria Ronessen Pain
Maria Ronessen Pain

Magisk Gryning Maria Ludvigsen
Maria Ludvigsen

Do you have any current plans beyond colouring books? (for instance further products featuring the images from your books?) I know you’ve been very tied up but your work has become so very popular that I imagine you must have plans for the future! 
Well before I started making colouring books I made a lot ot pattern design, for fabric, wallpaper etc and I would love to go back and work more with that in the future. I miss making patterns! 
And not many may know this but when I started my own business my main focus then was to sew and screen print clothes with my own designs. I made tank tops, leggings, scarfs, totebags and other stuff and sold them in my own webshop. After a while though I started to focus on just designing the prints and that lead me to making illustrations and patterns instead (to cut a long story short) but I miss screen printing and I would really like to start doing that again too. And yes, talking about my webshop, I plan to get it up and running again sometime this year, kind of a re-launch since it has been dozing for a year or two whilst I have been super busy with my books. So, there are many things I want to do but as usual I don’t know what I will end up doing, I just go with the flow. ;)

Magisk Gryning Margo Daniels
Margo Daniels

Magisk Gryning Liz Moore
Liz Moore

Magisk Gryning Lucy Fyles
Lucy Fyles

Magisk Gryning Maja Bergsten
Maja Bergsten

Did you learn anything specific from your research for Magisk Gryning and if so what?
I don’t know if I could say that I do a lot of research when I make a book. I just draw what pops up in my head but I always try to have a local, northern Sweden, feeling in my illustrations, I try to use the animals, flowers and elements of nature that can be found here, where I live. But yes I space out sometimes, we don’t have mushrooms with stars on them or squirrels that run around with little jackets on but you know what I mean, the core of my inspiration will always be my home and the nature around me. 

Magisk Gryning Linda Russo
Linda Russo

Magisk Gryning Kicki Rolandsson
Kicki Rolandsson

Magisk Gryning Jenny Ågren
Jenny Ågren

Magisk Gryning Jennifer Lyons
Jennifer Lyons

Have you learnt anything from the fans in your Facebook groups and on instagram and if so what?
Well yes, I have learned that creativity is something we all need, regardless of where in the world we live, it is a common ground that makes us meet and come together regarding of age, nationality, gender etc. We all need to express ourselves and colouring books are a great way of doing that. Seeing the coloring community growing every day and all the new friendships that are being made online is truly super amazing! 

Magisk Gryning Hazel Smithies
Hazel Smithies

Magisk Gryning Ingrid Rockx
Ingrid Rockx

Magisk Gryning Julianna Blumenthal Kahn
Julianna Blumenthal Kahn

Magisk Gryning Elzelina Kriek-Breet
Elzelina Kriek-Breet

Can you tell us more about your new hobbies, including root binding – how does it work? It’s not something I’m very familiar with! What makes it so engaging?
Root binding is something I have been doing for about a year and a half. It’s a really old handicraft that you can use to make items like boxes, bowls and jewellery from thin birch roots. It is really, really time consuming, it takes hours and hours to make a small bowl but it’s so much fun. You gather the roots in the forest in spring/summer and then you can store them all dried up and when you want to use a root you put it in water and after a while it gets all soft and you can use it for your craft. And it’s something special working with your hands, creating something that you can see and touch, and since I have never fallen for knitting or crochet, like so many others have, I have really found something in root binding. And I love the fact that you use something as natural as roots for your work and that’s it, nothing else, just roots. It’s just old school, back to basics and that just strikes a chord in my history nerd heart.

Magisk Gryning Grisell Martinez
Grisell Martinez

Magisk Gryning Doerte Ef
Doerte Ef

Magisk Gryning Christy Whetten
Christy Whetten

Magisk Gryning Anita Malkhandi
Anita Malkhandi

As always it’s a pleasure to catch up with you and I can’t wait to see your new book TideVarv, good luck with finishing it off!
Thank you all for supporting me and my work!! /Hanna 

Magisk Gryning Beth Oram
Beth Oram

Magisk Gryning Ann-Sofie Younis
Ann-Sofie Younis

Magisk Gryning Angela E. Colagross
Angela E. Colagross

Magisk Gryning Aline Ferreira
Aline Ferreira

Magisk Gryning Agnes Perger
Agnes Perger

Magisk Gryning Robyn Lipner
Robyn Lipner

Magisk Gryning Marianne Lindahl
Marianne Lindahl

Magisk Gryning Е. Я.
Е. Я.

Magisk Gryning is currently only available for international buyers from Penstore, but shipping costs have gone up recently, so be warned! Many thanks to the awesome colourists of the Facebook group Daydreams Colouring (fans of Hanna Karlzon, Dagdrömmar and Sommarnatt) Why not join the group yourself?

To be in with a chance to win a copy of Magisk Gryning visit my Facebook Page for Amelia’s Magazine here and be sure to leave a comment before midnight on Sunday 26th February 2016 (GMT). Open Worldwide. Good luck!

Categories ,Adult Coloring, ,Adult Colouring Book, ,Coloring for Adults, ,Dagdrömmar and Sommarnatt), ,Daydreams Colouring (fans of Hanna Karlzon, ,Giveaway, ,Hanna Karlzon, ,interview, ,Magical dawn, ,Magisk gryning, ,Penstore

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Amelia’s Magazine | Jungle Paradise by Lorna Scobie: Colouring Book Review and Artist Interview

Jungle Paradise_Lorna Scobie
The marvellous Lorna Scobie publishes her first colouring book today, but I am lucky enough to own an advance copy so I’ve had bit of time to get acquainted with her uniquely cheeky critters. Jungle Paradise has a gorgeous cover with gift-tastic green metallic highlights and lots of crisp white pages, and it is a detailed frolic through the jungle featuring numerous animals, some inspired by a call out to this popular illustrator’s fans. Amongst the landscapes of larger fauna there are pages of insects and birds, ensuring something for every animal lover. I can’t wait to get started… Lorna tells us more.

Jungle Paradise_Lorna Scobie
How long did it take to create Jungle Paradise and when did you work on it?
As I work full time, I worked on Jungle Paradise in the evenings and at the weekend. Although it’s meant I’ve been kept super busy for the past few months, I have really enjoyed creating the artwork so it didn’t feel like I was coming home from work to do work, more that I was spending time doing something I love to do. We were keen for the book to publish sooner rather than later, to make sure it was out before Christmas, so the schedule was quite tight! I started working on the book around June this year and it took me a couple months to complete it.

Jungle Paradise_Lorna Scobie
Where did you find inspiration for the pages inside Jungle Paradise, and did you use anything specific as reference?
The book itself was inspired by my love of animals generally, as a lot of my work up to now has been animal based. I tend to work from imagination, so lots of Jungle Paradise just came straight from my head. For some of the more unusual animals, like the ocelot and some of the lizards, I referenced some of the animal books I’ve collected. As well as encyclopaedias of animals and plant life I have lots of house plants surrounding my workspace – these were a big inspiration too! At the beginning of the project I asked my Instagram and Twitter followers what their favourite jungle animals are, and tried to include as many as these as possible!

Jungle Paradise_Lorna Scobie
What materials and techniques did you use to create the illustrations for Jungle Paradise?
I stayed true to my black and white illustration style, using a black fine liner, but made it more refined and detailed for the purpose of colouring in.

Jungle Paradise_Lorna Scobie
Where do the motivational quotes in Jungle Paradise come from and who found them?
I worked closely with my editor to find quotes as we wanted to get across the tranquility and wonder of nature. We hope Jungle Paradise will be an escape from busy city life, and so the quotes help to inspire people to think about the natural world rather than their ever increasing to-do lists!

Jungle Paradise_Lorna Scobie
How did you get the commission for your own colouring book?
I had worked previously with the editor and the idea of doing a colouring book together was sparked by a colouring workshop I did at Pick Me Up illustration festival this year. I was already thinking of doing a characterful animal colouring book at the time, so when I was approached by Hardie Grant Books to do something in that style it seemed perfect.

Jungle Paradise_Lorna Scobie
Your animals are described as “cheeky” – how did this come about and what elements do you include to ensure a cheeky look?
I’ve learnt to embrace the “happy mistakes” that crop up all too regularly in my work, rather than spending too long on a drawing, or reworking things over and over again. Hopefully this gives each of my characters a bit of personality, as they aren’t in any way perfect.

Jungle Paradise_Lorna Scobie
Who do you hope will buy your new book?
As well as creative crowds, I hope that Jungle Paradise will also reach a new market of people who perhaps don’t see themselves as creative. Or people who would like to be creative but aren’t sure where to start. Colouring-in is for everyone, and thats what is so fab about it. No special skills are required.

Will there be another? What has the feedback been so far?
I am working on a follow-up book as feedback from Jungle Paradise has been really positive so far, which is very exciting!

I am also super happy to share the news that Lorna Scobie is featured in Amelia’s Colourful Colouring Companion. More about her contribution here

Categories ,#ameliasccc, ,Adult Coloring Book, ,Adult Colouring Book, ,Amelia’s Colourful Colouring Companion, ,Animal Colouring Book, ,Artist Interview, ,Christmas Present, ,Coloring Book, ,Colouring Book, ,Colouring Book For Adults, ,Happy mistakes, ,Hardie Grant, ,Hardie Grant Books, ,instagram, ,interview, ,jungle, ,Jungle Paradise, ,Pick Me Up, ,review, ,twitter

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Amelia’s Magazine | Dagdrömmar by Hanna Karlzon: Colouring Book Review and Artist Interview

Dagdrömmar by Hanna Karlzon cover
I’ve been spending a lot of time on Facebook lately, getting inspired by the adult colouring community and discovering colouring artists such as Hanna Karlzon, who has created the beautiful Dagdrömmar (Daydreaming), a gorgeous volume chock full of dreamy imagery inspired by nature. Hanna talks to us about a love of Art Nouveau and Vikings, memories of childhood, and longings for summer. I can’t wait for Hanna’s next offering, Sommarnatt (Summernight), due out early next year.

HannaKarlzon portrait
Dagdrömmar by Hanna Karlzon cat and bee
I believe Dagdrömmar means Daydreaming – what do you daydream about and how did this influence the images that appear in this book?
Yes, Dagdrömmar means daydreams and I think the illustrations in my colouring book give you quite a good idea of what I daydream about myself. I have been living in Umeå, which is quite a big town in the north of Sweden, for about 15 years, but I grew up in a small village about one and a half hours drive from here. So I have lived my life growing up close to nature and animals but now that I live in the middle of a city I really long for that closeness to nature that I used to have as a kid, and all that longing often ends up in my illustrations. I love nature, forests, growing stuff, flowers, animals, the quiet life on the countryside and I’m really not a city person at all. It’s a little bit hard to explain how or why I draw – I just do and I don’t reflect about it to much, but in a way I feel like I want to capture that closeness to nature I used to have and mix it with that fantasy world I often lived and played in as a kid, and I guess you could say that that’s the essence of my daydreams and my art.

Dagdrömmar by Hanna Karlzon
Dagdrömmar by Hanna Karlzon owls
How did your first colouring book DagDrommar come about?
For years I had been thinking and dreaming about making a coloring book. Just putting some illustrations together and printing it myself, that was my plan, but I had a lot of other work to do at the time so the coloring book idea kinda got pushed aside. But last year in November I got an email from Pagina, a book publisher based in Stockholm, Sweden, asking if I was interested in making a coloring book with them and my answer then was of course YES! They had been looking around for Swedish illustrators and had gotten a tip from a woman (who I don’t know) about me and my instagram account and well, Pagina liked what they saw and contacted me and the rest is kinda history.

Dagdrömmar by Hanna Karlzon 1
Dagdrömmar by Hanna Karlzon crown
There were no clear directions about what kinda book they wanted, more than an actual coloring book, so I got to choose and direct most if it myself so it has been quite a journey since I had never done a book before. I knew from the beginning that I wanted a hard cover and for it to be a handy size of book. I came up with the name Dagdrömmar, the illustrations grew from that, and it took me about 5 months to complete the book, from start to finish. I did everything, from drawing the 100 illustrations to designing the layout of the book. The one thing that my publisher commented on was the cover, so we changed it back and forth a few times but I think the final one turned out nice. Making Dagdrömmar was the biggest task I have ever made in my work life as an illustrator, so far, and I’m really happy and proud that I pulled it off!

Dagdrömmar coloured by Tina Locke 2
Dagdrömmar coloured by Tina Locke 2
Dagdrömmar coloured by Tina Locke.

Dagdrömmar has been causing a bit of a stir in Facebook colouring communities (which is where I first discovered it). Have you looked online to see how people are colouring your pictures and which ones are the favourite, and does this influence how you are producing the next book at all?
I’m a member of some coloring groups on Facebook but I actually seldom scroll through those gropus since a few times I read some updates from people who didn’t like my book at all and that was kinda hard to read when I had put my heart and soul into the book, so I stopped looking after that. Of course I understand that not all people like my books but it’s easier for me not to read about I guess, it keeps me sane, haha. But I do look at coloring pics that people post on Instagram and I really like that. It’s so fun to see and I try to keep up and “like” all the pictures that get posted.

Dagdrömmar coloured by Courtnay Personious
Dagdrömmar coloured by Courtnay Personious
Dagdrömmar coloured by Courtney Personious.

And as to the question of whether all these posts and pics influences me and my work on my next book, well, not really. It might sound harsh but I get ALOT of emails from people who want me to do this and that for my next book, soft cover, bigger format, more details, less details, another paper, less girls, no spreads, one sided print, more flowers, less flowers… and so on and I can’t do all that, I can’t make everyone happy when everyone wants different things so I just have to rely on myself and do what I think is best and hopefully you will all like that in the end. On the other hand we (me and my publisher) try to make a diversity of products, for example postcard books, poster books etc. so that there will be a bigger chance that everyone will find a product that suits them.

Sommarnatt by Hanna Karlzon
Sommarnatt by Hanna Karlzon
What can people expect of your next volume, Sommarnatt? Will the pictures evoke midsummer nights for people around the world or will they be quite Scandinavian in feel? (WIP above)
As my first book, Dagdrömmar, was inspired a lot by my surroundings, growing up in the north of Sweden, my next book Sommarnatt (Summernight) will be even more focused on that. I draw the animals and nature that can be found around me but with a dreamy touch as usual. So yes, it most def will have a Scandinavian feel!

Vinterdrömmar Hanna Karlzon
Vinterdrömmar postcard by Hanna Karlzon
You’ve just released a beautiful postcard book called Vinterdrömmar, what are your favourite parts of this time of year? And will this be produced in book format at some point?
To be honest I’m a summer junkie. I love hot weather, sun, blue skies and green surroundings. So, winter is kinda hard for me, at least that part from November to the end of January/February, it’s just really dark and cold, we don’t get a lot of sun hours here in the north during the winter and that really gets to me. But, in the end of winter when it’s almost spring and the sun starts to visit us again and it’s all white outside, glistening snow, and you can spend the day outdoors, skiing with the kids or making a fire, then it’s just so beautiful here! But, winter is not as inspirational to me as summer is, so it was actually kinda tricky to make the Vinterdrömmar (Winter dreams) postcard book, the illustrations doesn’t come to me as natural as they do when it’s a summer theme. So there is no book format planned for Vinterdrömmar, I have a hard time to imagine that I actually could come up with 100 illustrations on that theme, haha. But there might be another postcard book next fall, who knows!

Poster by Hanna Karlzon
Poster by Hanna Karlzon

How do you create your drawings?
I have a small studio in an old house almost in the center of the city. It’s really cosy and not big at all but I have everything I need here; it’s my own space. I have two kids and I leave them at kindergarden/school every morning and then I take my bike down to my studio and work about 8 hours before I go back home. My work days vary a lot depending on what commissions I have, but right now when I’m working on my book I usually draw almost all day. And when I draw I’m doing it the old school way, just a pen and paper, nothing fancy at all, no computer. Thats the way I like it. I often listen to a podcast on Swedish science radio with a history theme, and I love listening to that while working. The programs cover everything from everyday life at Versaille, to Vikings, to what did people eat 500 years ago and so on, super fun and nerdy, love it! If I’m not listening to that I’m hanging out at Spotify listening to everything from Country to Punk and Thrash Metal, it depends on my mood.

Dagdrömmar coloured by Tonya Gerhardt
Dagdrömmar coloured by Tonya Gerhardt.

Which pens and pencils do you recommend for use in your colouring books and why?
I recommend that you use the kind of colored pencils that you can sharpen, for example Staedtler ergo soft or Faber Castell polychromos. With them you can blend and make nice shadings. If you want colored (ink) pens Staedtler triplus fineliners with a fine tip or Steadtler triplus with a little thicker tip are good, they don’t bleed through the paper as other pens might do. I know that there are a lot of different pencils/pens out there and some might like another brand better but I like these, it can actually vary a lot what kind of pens you like depending on the way you hold your pen while drawing so the best thing is really to try different ones and see for yourself what kind you like. And keep in mind that when publishers in other countries make translations of my book they might use a different paper inside the book than the one we use in the Swedish version so always try your pens in a small corner of the book to see that they don’t bleed through.

Dagdrömmar coloured by Stephanie Rose
Dagdrömmar coloured by Stephanie Rose.

You draw a lot of birds, why is that, what do you find so appealing?
Well I don’t know why, it has just ended up that way I guess. Maybe it’s because you can alter the pattern of the feathers every time, I don’t know. Or maybe it’s just because I love watching the swallows during summer, how they fly… well, haha, I don’t know, can’t answer that, next question!

Dagdrömmar by Allison Camille Tucker 2
Dagdrömmar by Allison Camille Tucker 2
Dagdrömmar by Allison Camille Tucker.

You have said you are quite influenced by the art nouveau period, what other time periods have had a bearing on recent work and how?
Well, I’m a nerd when it comes to old things, people and time periods. I love thinking about “how was it then, what did they think about, what did they eat, how did it sound, smell“… and so on. I don’t know why I find that so fascinating, I just do, and all that spills over into my art I guess. Now I have really been into the Viking age for a while and I’m really inspired by the jewelry and craftsmanship from that age, but I don’t know if it shows as much in my art as the Art Nouveau inspiration does. Art Nouveau is really decorative and it feels like it has a natural part in my art but the Viking stuff is more in the background. A few years back I was all about Marie Antoinette and drawing BIG hair… well, wait, when I think about it I might just still do that, haha.

Dagdrömmar coloured by Angelina Victoria
Dagdrömmar coloured by Angelina Victoria.

I see you have some tattoos and have read you are fascinated by tattoo culture, how has this influenced your approach to art making?
I just admire the skill of tattooing and the many great artists that perform this art so brilliant. It’s something really cool and terrifying about the fact that you only get once chance to make a good job, you can’t erase and start over. I like the thought of that.

Mural idea by Hanna Karlzon
You have done some amazing murals – where are they and how did they come about?
Well, I have only made one actual mural so far, in an apartment building here in Umeå, but I made this little project on Instagram that got a lot of attention. I snapped pictures of boring buildings that I passed on my way to work and then I photoshopped my illustrations onto these buildings and uploaded on instagram under the tag #mittumeå and it got a lot of positive attention amongst people and media. With the pictures I wanted to show that maybe the city we live in doesn’t have to be that static, maybe it could look another way, maybe it could be happier, more people friendly, less boring? Maybe we, as residents, could change our city together? And as I said, I got a lot of positive feedback and I think that shows that we often take the city for granted, the way it is and looks, but if someone shows you a better/different picture of the city, we start thinking “aha, maybe this is what it actually could be like, what can we do to change it?!“. I find that really interesting.

DagDrommar by Cheryl Doerner Vogel
Dagdrömmar coloured by Cheryl Doerner Vogel.

Where did you study art (and what discipline?) and how has your style evolved since you left college?
I have always loved art, and I have been drawing since I was a kid and I have an art teacher degree from Umeå University. My style of drawing has evolved just over the last 2-3 years, ending up in the ink drawings I make now but before that I used to paint a lot and before that I was into graphite drawing. So, my style changes over time, thats a natural process I guess, you want to try new things. In the future I hope to be able to make more art oriented ink drawings, black and white, super big and with lots of details and shadings. I kinda miss shading doing all these coloring book illustrations that are really clean, if you understand what I mean.

Dagdrömmar by Jessica Harrison
Dagdrömmar coloured by Jessica Harrison.

Why did you study to be a teacher and why did you make the decision to go freelance and run your own business?
Studying to become a art teacher wasn’t really my plan, it kinda just happened. I did realize after a year or two at the university that I didn’t really like the teaching part, it was just the art part I was after, but I decided to finish and graduate anyways. After graduating I had some different jobs (factory, shops etc) but after being unemployed for a while I decided it was time for me to start my own business. This was about 3 years ago and I have been working full time on my business since then. But now I’m kinda thinking about that teaching part again, maybe it wasn’t so bad after all. I have been doing some lectures lately, talking about my job and so on, and I really like that now so well see how that evolves and how I maybe can incorporate that into my current business in the future.

Dagdrommar by Shannon Dager
Dagdrömmar coloured by Shannon Dager.

What do you like to do to relax and zone out?
Well, when I get home from work I just hang out with my family and do as little as possible and when the kids are in bed I watch series to relax, like Vikings, Downton Abbey, Peaky Blinders and stuff like that. On weekends we often visit my mom who lives in a really beautiful place, near the forest, with a big garden and nature around the corner. It’s my favorite place in the world. But, when I’m not a nature (or history) nerd I like to go to Punk Rock shows and hang out with my friends. Haha, It’s a good mix of this and that I guess.

Hare by Hanna Karlzon
Hare by Hanna Karlzon

What other projects are you working on and what are your hopes for 2016?
Well, right now I’m working on my second big coloring book, Sommarnatt (Summernight) that will be released in spring 2016. And, I have some other fun projects with my publisher that also will be released next spring/summer. My schedule is fully booked until August 2016 with new books/postcardbooks etc. that need to be made and after that’s done I’m hoping to get some time off work in August to spend some time with my family. And my hopes for 2016 are, first of all, that my family and I will be healthy and happy, and when it comes to my work I hope that my new book will turn out well and that everyone will like it and I hope, hope, hope that I will have the chance to keep doing what I do today; draw.

If you live in the US you can buy Dagdrömmar through Allison Camille Tucker at Colouring Creations, many thanks to Colouring Creations members for their lovely coloured artwork. Other photos are taken from Hanna Karlzon‘s website and instagram feed. Dagdrömmar (Daydreaming) is currently unavailable in the UK but can be ordered online from the Pen Store.

Categories ,#mittumeå, ,Adult Colouring, ,Adult Colouring Book, ,Allison Camille Tucker, ,Angelina Victoria, ,Art Nouveau, ,Cheryl Doerner Vogel, ,Coloring, ,Coloring Creations, ,Colouring, ,Colouring Book, ,Courtney Personious, ,Dagdrömmar, ,Daydreaming, ,Downton Abbey, ,Faber Castell Polychromos, ,Facebook, ,Hanna Karlzon, ,illustrations, ,instagram, ,interview, ,Jessica Harrison, ,Marie Antoinette, ,Pagina, ,Peaky Blinders, ,review, ,Scandinavian, ,Shannon Dager, ,Sommarnatt, ,Spotify, ,Staedtler ergo soft, ,Staedtler triplus fineliners, ,Steadtler triplus, ,Stephanie Rose, ,Summernight, ,sweden, ,Swedish, ,Tina Locke, ,Tonya Gerhardt, ,Umeå, ,Umeå University, ,Vikings, ,Vinterdrömmar, ,Winter dreams

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