Amelia’s Magazine | Free Range Graduate Shows 2012: Somerset College BA Fashion Design Review

Rocea Greenway by Adam Pryce
Rocea Greenway by Adam Pryce.

And so the graduate shows return for business once again… starting with a burst of catwalk displays at the Truman Brewery as part of the 12th Free Range exhibition… where for the first time I attended a student fashion show. This was thanks to an invite from student Jennifer Riley, and made possible by a fortunate confluence of circumstances: my partner was off work and able to watch Snarfle for an hour, and I live moments away just off Brick Lane… a handy spot to reside for many many reasons!

Nipa Yamjamnan Somerset college by Geiko Louve
Nipa Yamjamnan of Somerset College by Geiko Louve.

Somerset College is part of the Plymouth University: what a wonderful part of the world to study. Their 2012 graduates showed a polished series of collections which featured more than a few recurring themes: extravagant tailoring, dusky and murky shades, bondage inspired detailing and metres of sheer fabrics. Here are my favourite outfits from each student…

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Nipa Yamjamnan opened with jewel coloured evening dresses slickly styled with twinkling wine glasses and jewelled arm cuffs.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Rocea Greenway Somersetcollege_by_Geiko Louve
Rocea Greenway by Geiko Louve.

One of the strongest collections was presented by Rocea Greenway, whose Tribal Goddesses wore frilled waterfall bodices and swooshing trains held up by shaped leather strips.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Georgina Beaton by Adam Pryce
Georgina Beaton by Adam Pryce.

There was beautiful laser cut detailing on the wedding dresses created by fashion textiles graduate Georgina Beaton.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Cables were the theme of the day in bold knitted dresses from Sunniva Nybo, who created svelte high belted dresses with folksy details inspired by Catalan styles. One of my favourite collections.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Holly Harmes presented caped and strapped coats created from varied textures – earthy tweeds, shiny satins and ribbed knit.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Emma Sothcott also paired popular bondage leather detailing with fluid and structured fabrics.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Tom Evans presented the only menswear collection – with some splendid illustrated t-shirts.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
I like the use of an oversized pearl necklace worn over one of Lydia James‘ wedding dresses.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Nickie Bush contrasted draped plum and fuchsia fabrics with darker tones, and was also notable for utilising print.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Zeta Thorne showed an elegant series of slate grey and wine red bias cut ruffled evening dresses.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Donna Ralph used shades of turquoise and plenty of brown check for her casual jumpsuits and cropped trousers.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Katie Oliverio worked with contrasting panels.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Connie White combined sheers with yet more leather buckle detailing.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Intriguing sculptural pocket details and fiery prints by Lucy Symons.

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Jade O’Hanlon used shades of khaki, sand and russet to create a sophisticated country inspired collection, given a contemporary feel with lace panelling

SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
SOMERSET COLLEGE BA fashion 2012 -photo by amelia gregory
Lastly, Jennifer Riley showed a confident collection based on a simple egg like silhouette that was inspired by a trip to Milan. All outfits were created entirely from upholstery fabrics. Clever and wearable, she should go far!

Structurally Romantic by Jennifer Riley
Structurally Romantic by Jennifer Riley.

Find out more about Free Range Graduate Shows in my listing here. All photography by Amelia Gregory.

Categories ,Adam Pryce, ,BA Hons, ,Bondage, ,Catalan, ,Connie White, ,Donna Ralph, ,Emma Sothcott, ,Geiko Louve, ,Georgina Beaton, ,Holly Harmes, ,Jade O’Hanlon, ,Jennifer Riley, ,Katie Oliverio, ,knitwear, ,Lucy Symons, ,Lydia James, ,Nickie Bush, ,Nipa Yamjamnan, ,Rocea Greenway, ,Snarfle Monkey, ,Somerset College, ,Sunniva Nybo, ,tailoring, ,Tom Evans, ,Zeta Thorne

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Amelia’s Magazine | Good Fashion Show: London Fashion Week A/W 2012 Catwalk Review

Good Fashion Show AW 2012 by Antonia Parker

Good Fashion Show AW 2012 by Antonia Parker

Following on the footsteps of other London Fashion Week off-schedule showrooms which focus on ethical fashion, such as Ecoluxe London, The Good Fashion Show was an entirely new, day long event combining a marketplace, talks and an art exhibition during the day with an evening runway show. As someone who is interested in design in relation to sustainability, of course I wanted to check this newcomer out. Unfortunately due to attending other London Fashion Week events earlier in the day, I could only visit the London House, where The Good Fashion Show was taking place in the evening to watch the runway show.

Good Fashion Show AW 2012 Geo Twins by Erica Sharp

Good Fashion Show AW 2012 Geo Twins by Erica Sharp

Good Fashion Show AW 2012 Beautiful Ensemble by Zarina Liew

Good Fashion Show AW 2012 Beautiful Ensemble by Zarina Liew

Upon arrival I had to pass through a number of stalls placed on the outside corridors which exuded an atmosphere of a craft market or jumble sale – not a very good start. I was also a little disappointed to find the work of brilliant illustrators Erica Sharp and Zarina Liew – whom I first saw in Amelia’s Compendium of Fashion Illustration – badly curated and placed in a corridor where their beauty was totally drowned out by the style of this building with its town hall feel.

Good Fashion Show AW 2012 Nina Burri photo by Maria Papadimitriou

Good Fashion Show AW 2012 Miti Desai photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Unlike other on or off-schedule London Fashion Week events, which are mainly open to press and buyers only, The Good Fashion Show Marketplace could be visited by anyone for a £5 entry fee and similarly the general public could buy a £30 ticket for the evening catwalk show. As this was a paid event the organisers felt they had to provide the audience with some form of extra entertainment in between showcasing the clothes. During an almost two-hour affair we were treated to a combination of live acts which included singing by Omar, body bending by contortionist Nina Burri, story telling about the hindu god Shiva followed by classical Indian dancing by Miti Desai, musical sewing by Brazilian performance artist and designer Lisa Simpson, more live music by band Left at the Robot and a screening of the short film and then it was gone made by fashion photographer Claire Pepper.

Good Fashion Show AW 2012 by  Deborah Moon

Good Fashion Show AW 2012 by Deborah Moon

Good Fashion Show AW 2012 photo by Maria Papadimitriou

During the evening I thought it was a shame, and rather unfortunate for the designers, that the models walked out one after another with the audience having no guidance as to whose designer’s work they were looking at. I had to do quite a bit of research after the show in order to match up some of the designs I had photographed with their designers. Even worse for the promotion of the designers represented, I could not find many captions on the photo galleries published on The Good Fashion Show’s website and Facebook page post show. Fortunately I did manage to find the designer of my favorite outfit of the evening, which was a fun looking and contemporary knitted two piece designed by Jeni Allison.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 by Dana Bocai

Good Fashion Show AW 2012 by Dana Bocai

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Another relatively interesting designer on show was Sara Li-Chou Han, who reworks denim and suit pieces from charity shops into more elaborate dresses.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

We also saw some minimal designs, such as this dress by Fashion Compassion.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

I totally support and love shops such as Beyond Retro and Oxfam Fashion, which were shown at The Good Fashion Show, however a lot of the vintage looks could have been styled in a more interesting way.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Some of the menswear looks were a bit of a better hit with me, featuring baggy trousers and gigantic necklaces made out of reused computer game controls by funky customising brand Red Mutha.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

In the spirit of resourcefulness a few of the models showed us how an outfit could be turned into a new one, depending on how you wear it.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

The show also covered underwear, showcasing brands such as Who Made Your Pants and In Bloom London.

Good Fashion Show AW 2012 by Love Amelia

Good Fashion Show AW 2012 by Love Amelia

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 by Geiko Louve

Good Fashion Show AW 2012 by Geiko Louve

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

The last few numbers, like Tuncer Tonun’s basket hand bags and potato sack jackets, were a bit more theatrical and the event closed with a rather pretty bubble wrap dress. Unfortunately, as a whole, The Good Fashion Show did not do much to present green fashion as a platform for forward thinking, really good looking fashion design. I thought this was mainly to the way the show was curated and organised, as really brilliant ethical brands such as Emesha, Outsider Fashion, Henrietta Ludgate or From Somewhere were part of it, but still looked unimpressive because of the way they were presented and the context they were put in.

All photography by Maria Papadimitriou.

Categories ,Amelia’s Compendium of Fashion Illustration, ,Antonia Harrowing, ,Antonia Parker, ,Beyond Retro, ,Claire Pepper, ,Classical Indian Dance, ,Cobalt Cafe, ,Dana Bocai, ,Deborah Moon, ,Ecoluxe, ,Erica Sharp, ,Ethical Fashion, ,From Somewhere, ,Geiko Louve, ,Good Fashion Show, ,Henrietta Ludgate, ,illustration, ,In Bloom London, ,Jeni Allison, ,knitwear, ,Left at The Robot, ,Lisa Simpson, ,London Fashion Week, ,London House, ,Love Amelia, ,Maria Papadimitriou, ,menswear, ,Miti Desai, ,Nina Burri, ,Off Schedule, ,Omar, ,Outsider Fashion, ,Oxfam Fashion, ,Red Mutha, ,Sara Li-Chou Han, ,Shiva, ,Sustainable Fashion, ,Tuncer Tonun, ,underwear, ,vintage, ,Who Made Your Pants, ,Zarina Liew

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Amelia’s Magazine | Good Fashion Show: London Fashion Week A/W 2012 Catwalk Review

Good Fashion Show AW 2012 by Antonia Parker

Good Fashion Show AW 2012 by Antonia Parker

Following on the footsteps of other London Fashion Week off-schedule showrooms which focus on ethical fashion, such as Ecoluxe London, The Good Fashion Show was an entirely new, day long event combining a marketplace, talks and an art exhibition during the day with an evening runway show. As someone who is interested in design in relation to sustainability, of course I wanted to check this newcomer out. Unfortunately due to attending other London Fashion Week events earlier in the day, I could only visit the London House, where The Good Fashion Show was taking place in the evening to watch the runway show.

Good Fashion Show AW 2012 Geo Twins by Erica Sharp

Good Fashion Show AW 2012 Geo Twins by Erica Sharp

Good Fashion Show AW 2012 Beautiful Ensemble by Zarina Liew

Good Fashion Show AW 2012 Beautiful Ensemble by Zarina Liew

Upon arrival I had to pass through a number of stalls placed on the outside corridors which exuded an atmosphere of a craft market or jumble sale – not a very good start. I was also a little disappointed to find the work of brilliant illustrators Erica Sharp and Zarina Liew – whom I first saw in Amelia’s Compendium of Fashion Illustration – badly curated and placed in a corridor where their beauty was totally drowned out by the style of this building with its town hall feel.

Good Fashion Show AW 2012 Nina Burri photo by Maria Papadimitriou

Good Fashion Show AW 2012 Miti Desai photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Unlike other on or off-schedule London Fashion Week events, which are mainly open to press and buyers only, The Good Fashion Show Marketplace could be visited by anyone for a £5 entry fee and similarly the general public could buy a £30 ticket for the evening catwalk show. As this was a paid event the organisers felt they had to provide the audience with some form of extra entertainment in between showcasing the clothes. During an almost two-hour affair we were treated to a combination of live acts which included singing by Omar, body bending by contortionist Nina Burri, story telling about the hindu god Shiva followed by classical Indian dancing by Miti Desai, musical sewing by Brazilian performance artist and designer Lisa Simpson, more live music by band Left at the Robot and a screening of the short film and then it was gone made by fashion photographer Claire Pepper.

Good Fashion Show AW 2012 by  Deborah Moon

Good Fashion Show AW 2012 by Deborah Moon

Good Fashion Show AW 2012 photo by Maria Papadimitriou

During the evening I thought it was a shame, and rather unfortunate for the designers, that the models walked out one after another with the audience having no guidance as to whose designer’s work they were looking at. I had to do quite a bit of research after the show in order to match up some of the designs I had photographed with their designers. Even worse for the promotion of the designers represented, I could not find many captions on the photo galleries published on The Good Fashion Show’s website and Facebook page post show. Fortunately I did manage to find the designer of my favorite outfit of the evening, which was a fun looking and contemporary knitted two piece designed by Jeni Allison.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 by Dana Bocai

Good Fashion Show AW 2012 by Dana Bocai

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Another relatively interesting designer on show was Sara Li-Chou Han, who reworks denim and suit pieces from charity shops into more elaborate dresses.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

We also saw some minimal designs, such as this dress by Fashion Compassion.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

I totally support and love shops such as Beyond Retro and Oxfam Fashion, which were shown at The Good Fashion Show, however a lot of the vintage looks could have been styled in a more interesting way.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Some of the menswear looks were a bit of a better hit with me, featuring baggy trousers and gigantic necklaces made out of reused computer game controls by funky customising brand Red Mutha.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

In the spirit of resourcefulness a few of the models showed us how an outfit could be turned into a new one, depending on how you wear it.

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

The show also covered underwear, showcasing brands such as Who Made Your Pants and In Bloom London.

Good Fashion Show AW 2012 by Love Amelia

Good Fashion Show AW 2012 by Love Amelia

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 by Geiko Louve

Good Fashion Show AW 2012 by Geiko Louve

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

Good Fashion Show AW 2012 photo by Maria Papadimitriou

The last few numbers, like Tuncer Tonun’s basket hand bags and potato sack jackets, were a bit more theatrical and the event closed with a rather pretty bubble wrap dress. Unfortunately, as a whole, The Good Fashion Show did not do much to present green fashion as a platform for forward thinking, really good looking fashion design. I thought this was mainly to the way the show was curated and organised, as really brilliant ethical brands such as Emesha, Outsider Fashion, Henrietta Ludgate or From Somewhere were part of it, but still looked unimpressive because of the way they were presented and the context they were put in.

All photography by Maria Papadimitriou.

Categories ,Amelia’s Compendium of Fashion Illustration, ,Antonia Harrowing, ,Antonia Parker, ,Beyond Retro, ,Claire Pepper, ,Classical Indian Dance, ,Cobalt Cafe, ,Dana Bocai, ,Deborah Moon, ,Ecoluxe, ,Erica Sharp, ,Ethical Fashion, ,From Somewhere, ,Geiko Louve, ,Good Fashion Show, ,Henrietta Ludgate, ,illustration, ,In Bloom London, ,Jeni Allison, ,knitwear, ,Left at The Robot, ,Lisa Simpson, ,London Fashion Week, ,London House, ,Love Amelia, ,Maria Papadimitriou, ,menswear, ,Miti Desai, ,Nina Burri, ,Off Schedule, ,Omar, ,Outsider Fashion, ,Oxfam Fashion, ,Red Mutha, ,Sara Li-Chou Han, ,Shiva, ,Sustainable Fashion, ,Tuncer Tonun, ,underwear, ,vintage, ,Who Made Your Pants, ,Zarina Liew

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Amelia’s Magazine | Ji Cheng: London Fashion Week A/W 2012 Catwalk Review

Ji Cheng AW 2012 by Geiko Louve

Ji Cheng A/W 2012 by Geiko Louve

Chinese designer Ji Cheng’s first show in London was held at Vauxhall Fashion Scout on Tuesday 21st February, the last day of London Fashion Week’s womenswear. Jumping ahead of the queue I had a chance to examine my front row goody bag – a proper mini version of some of the bags that later appeared on the catwalk designed by Ji Cheng, not a tote! – and to look through the slides projected on the wall at the start of the runway. The slides showed models dressed in Ji Cheng’s designs posing at striking Chinese landscape locations, mixing with traditional Chinese life activities or getting intimate with some sexy Chinese pottery makers in their workshops. Some showed traditional pots at a rough, unfinished stage that made them look more like minimal, contemporary western pottery.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 by Love Amelia

Ji Cheng A/W 2012 by Love Amelia

Indeed Ji Cheng has a passion for Chinese traditional culture, but her collection, according to her ‘combines the essence of classic Chinese art with modern Western techniques and tailoring’ and she wishes to emphasise through her work ‘the combination of Eastern and Western culture’. For example, Chinese inspired elements such as Kimono wrap dresses, short stand-up collars and thick embroidered belts were on show, but so were some minimal skirts, blouses and shirts fit for a nine-to-five job in the office.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 by Deborah  Moon

Ji Cheng AW 2012 by Deborah Moon

The designer from Shanghai named her A/W 2012 collection Zen Awakening and one could easily see that some of the smoothly draped overlapping lines on the garments and the loose way in which they fell over the body were influenced by Zen monks’ robes and cassocks. This influence was further evident in the model who opened and closed the show, with a striking shaved head like that of a Zen monk. In the press release Ji Cheng made an effort to explain the title Zen Awakening using some rather heavy zen philosophical phraseology such as ‘thought is not thinking’ and referring to ‘higher states of unity’, which I rather enjoyed reading in relation to a fashion show.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Somewhat relevant to the above, the colour scheme of the show was presented in groups of colours. It started with a focus on a traditional Chinese vermilion, then it moved on to more earthly, brownish hues, followed by a number of mainly white pieces, then a number of mainly black ones and finishing off with the last two numbers which had an iridescent, silver hue. In that way it was a bit like the clothes were following the developmental stages – represented by the different colour groups – of a soul on its journey towards Zen Awakening. Scattered here and there were flashes of fluorescent green or orange, like little moments of realisation along the way.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

The pure vermilion, so characteristic of Chinese culture, did not only make an appearance on the clothes, but also on the models’ faces, whose make up was a very toned down, western version of the reddish make up applied on actors taking part in Peking Opera productions – a theme which has been an inspiration for a previous collection by Ji Cheng.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 by Dana Bocai

Ji Cheng A/W 2012 by Dana Bocai

Quite a few of the dresses and blouses featured a very interesting back with cut out panels or huge statement bows. Some of the models carried in their hands really beautifully shaped clutch bags and the shoes had a fabric front, held in place by long ribbons which were tied around the calves in a zigzag fashion. A lot of them left the heel totally exposed, which I thought was not so fit for the modern woman.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

This was a pleasant collection with an interesting philosophy behind it, so I hope to see how Ji Cheng’s brand La Vie develops over the following seasons showing in London.

All photography by Maria Papadimitriou

Categories ,Chinese, ,Chinese Fashion, ,Chinese Opera, ,Chinese Pottery, ,Clutch Bags, ,Collars, ,Dana Bocai, ,Deborah Moon, ,Eastern, ,Embroidered, ,Fashion Design, ,Fluorescent, ,Freemason’s Hall, ,Geiko Louve, ,Goody Bag, ,Ji Cheng, ,Kerry Jones, ,Kimono, ,La Vie, ,london, ,London Fashion Week, ,Love Amelia, ,Maria Papadimitriou, ,monks, ,Peking Opera, ,Shanghai, ,Silk Blouses, ,Silks, ,Slideshow, ,Vauxhall Fashion Scout, ,Vermilion, ,Western, ,Wrap Dresses, ,Zen, ,Zen Awakening, ,Zigzag

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Amelia’s Magazine | Fashion Philosophy Fashion Week Poland Off Out Of Schedule S/S 2012 in Łódź: Paulina Plizga

Paulina Plizga S/S 2012 by Cruz
Paulina Plizga S/S 2012 by Cruz.

For her S/S 2012 collection Paulina Plizga was inspired by dance, so leading the Flesh & Bone collection down the catwalk was contemporary dancer Kaya Kolodziejczyk, who threw a series of crazy shapes in front of the unsuspecting crowd. The next models walked at a stately pace, some fast, some two by two or in hand – the back lighting emphasised their tousled hair and their blackened eye sockets gave the classical ballet aesthetic a dark, distressed edge. Paulina Plizga showed us a predominantly white collection with intermissions of grey, ochre and black in a range of textures, from holey knits and ancient lace to patchworked fabrics and reappropriated sheers.

Paulina Plizga SS 2012 by Geiko Louve
Paulina Plizga S/S 2012 by Geiko Louve.

When I spoke with Paulina Plizga after the show she described how all of her outfits are constructed from scraps which she forages from the couture houses in Paris (where she lives) and these are mixed with antique laces that she finds in markets. For relaxation she likes nothing better than to go to the cinema, and so recent viewings of Black Swan, The Red Shoes and Pina Bausch films helped form ideas for S/S 2012, along with the Greek story of Pygmalion, wherein a statue comes to life. This was a welcome second chance for me to view Paulina Plizga’s clever design aesthetics; read my review of Paulina Plizga‘s previous A/W 2011 collection here.

Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga Fashion Week Poland SS 2012-photography by Amelia Gregory
Paulina Plizga S/S 2012. All photography by Amelia Gregory.

Categories ,ballet, ,Black Swan, ,couture, ,Cruz, ,dance, ,Eco fashion, ,Fashion Philosophy Fashion Week Poland, ,Flesh & Bone, ,Geiko Louve, ,Kaya Kolodziejczyk, ,knitwear, ,Lodz, ,Off Out Of Schedule, ,paris, ,Patchwork, ,Paulina Plizga, ,Pina Bausch, ,Pygmalion, ,recycled, ,Red Shoes, ,Sheer, ,The Red Shoes, ,Upcycled

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Amelia’s Magazine | Alexandra Groover: London Fashion Week A/W 2012 Presentation Review

Alexandra Groover AW 2012 by Dana Bocai

Alexandra Groover A/W 2012 by Dana Bocai

On the evening of Friday 17th February at London Fashion Week, I went to St Giles In The Fields Church in Holborn to watch Alexandra Groover’s A/W 2012 collection presented through a short film called DEATH. Since I attended Show Studio’s exhibition Fashion Revolution at Somerset House in 2009 I have developed a keen interest in fashion films and the way in which more and more fashion designers choose to show their work via this medium. DEATH was the final instalment in Groover’s trilogy of short films, following two previous ones titled BIRTH and LIFE.

Alexandra Groover AW12 by Paul Phung altar view

Unfortunately as I walked into the dark church to take my seat I was informed I could not take photos, which did make sense as I am sure the choice of venue played some part in the atmosphere Alexandra Groover wished to create around the viewing of her film. There is a sense of reverence in most of us, I think, when we enter a religious building – whether we are religious or not – and getting properly into that respectful state was appropriate for an audience about to watch characters exiting this world.

Alexander Groover AW 2012 by Lizzie Mary Cullen

Alexander Groover A/W 2012 by Lizzie Mary Cullen

Alexandra Groover AW12 by Paul Phung Inesa and Barrington De La Roche

In the short film DEATH the two protagonists were artists and married couple Inesa Vaiciute De La Roche and Barrington De La Roche of Dark Theatre, who are both very striking in themselves and as a duo, their age difference creating a beautiful contrast. Indeed the looks of Barrington De La Roche – something close to Sir Christopher Lee in The Lord of The Rings, with long grey hair and dark, strong eyes, but without the long beard – was one of the most fascinating things I took away with me from the evening. The fact that this otherworldly being was walking around and chatting whilst serving wine during the film screenings was also quite entertaining.

Alexandra Groover AW12 by Paul Phung

Alexandra Groover AW 2012 by  Deborah Moon

Alexandra Groover A/W 2012 by Deborah Moon

The video was a ritual, taking place also in a church, during which a man and a woman were slowly led towards the altar in a dream-like state surrounded by what looked like illuminated blue petals on the floor and then reddish fairy lights on their bodies. These glowing flower forms reminded me of the quote by Edvard Munch at the opening page of the booklet for this season’s presentation which read ‘from my rotting body, flowers shall grow and I am in them and that is eternity’. As the characters reached the altar, death figures searched them up and down and then assisted them into an embrace and a kiss. At the culmination of the film there was a large figure placed against the window behind the altar extending its two arms like wings. Wing-like extensions of fabric were also wrapped around the man and the woman about to die, as if to unite them forever.

Alexandra Groover AW12 by Paul Phung

Alexandra Groover AW12 by Paul Phung

Alexandra Groover AW 2012 by Geiko Louve

Alexandra Groover A/W 2012 by Geiko Louve

The first image that emerged in my mind when I saw Alexandra Groover’s A/W 2012 collection was that of Death in Ingmar Bergman’s film The Seventh Seal. Her signature all-black hoods and winged drawstring garments worn with jersey ponchos, surcoat tops, tutelary skirts and black leggings definitely have something medieval about them – especially when seen in an ecclesiastical context.

Alexandra Groover AW12 by Paul Phung

Alexandra Groover AW12 by Paul Phung

Alexandra Groover AW12 by Paul Phung shoes

For the shoes in the collection Alexandra Groover collaborated for the third time with London footwear designer Benjamin John Hall, the soundtrack was created by musician Dave.i.d and the film was directed by Gabriel Gettman.

Photography by Paul Phung.

Categories ,Alexandra Groover, ,Altar, ,Barrington De La Roche, ,Benjamin John Hall, ,Birth, ,Church, ,Dana Bocai, ,Dark Theatre, ,Dave.i.d, ,Death, ,Deborah Moon, ,Edvard Munch, ,Fashion Film, ,Fashion films, ,footwear, ,Geiko Louve, ,Holborn, ,Inesa De La Roche, ,Ingmar Bergman, ,Life, ,Lizzie Mary Cullen, ,london, ,London Fashion Week, ,Maria Papadimitriou, ,medieval, ,Paul Phung, ,Show Studio, ,Sir Christopher Lee, ,Somerset House, ,Sort Film, ,St.Giles-In-The-Fields, ,The Lord of the Rings, ,The Seventh Seal, ,Trilogy

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Amelia’s Magazine | Ashish: London Fashion Week S/S 2014 Catwalk Review


Ashish S/S 2014 by Gabriel Ayala

I’m probably not the first person to tell you that the main catwalk space at Somerset House has been remodelled for the S/S 2014 season. Instead of the archetypal singular catwalk, a horseshoe shape has taken its place. If you’re in the cheap seats, as I inexplicably (!) was, then you only see the models disappear through the second door, leaving you with the glorious sights of shoulder blades and arses. The models only walk past you once. I now realise why a catwalk is a catwalk. Not all pieces are symmetrical, are they? Imagine seeing one side of a frock and thinking ‘yep, that’ll sell. I’ll take 100 please’ only to get it in store to find the other side is smeared in dog shit, or has ‘TWAT’ written up the side, or something. YES I know you’d see a look book or view it in a showroom, but that’s beside the point.


Ashish S/S 2014 by Laura Hickman

Anyway, the set up wasn’t going to stop me enjoying Ashish‘s outing on Saturday. A rare, hedonistic atmosphere filled the air as techno music warmed up the crowds. Inspiration this season came from the off license and tribes, with emphasis on a sportier aesthetic compared to A/W 2013′s smocks and floor-length dresses. Sequins were aplenty as per, but this time appearing on ripped denims, cropped vests and polo-shirt shapes.


Ashish S/S 2014 by Gabriel Ayala


All photography by Matt Bramford


Ashish S/S 2014 by Marina Muun

A riot of patterns appeared across various pieces: zebra, tiger, angular lines, tartans, stripes; no design facet was left unturned. Shoppers, modelled as carrier bags but fashioned in fabrics and sequins, mocked various retail outlets – the ‘Tesco‘ version left attendees in fits of laughter, while the Marks and Spencer-inspired ‘S&M’ brought whoops and cheers. Tribal jewellery and headpieces complimented certain looks and every model was visually stimulating. Ashish‘s is a unique aesthetic that doesn’t appeal to everybody, but certainly appeals to me and my camera.

Categories ,Ashish, ,catwalk, ,Gabriel Ayala, ,Laura Hickman, ,lfw, ,London Fashion Week, ,Matt Bramford, ,review, ,Sequins, ,SS14, ,Womenswear

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Amelia’s Magazine | Best Of Collection

Most of us pat ourselves on the back at the thought of having ‘done our bit‘, symptoms information pills whether it’s recycling or bringing a load of old clothes to a charity shop. Robert Bradford, ailment in that case, deserves a rather large pat on the back. Not only did he ‘do his bit’, but also got rather creative doing it.

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Whilst staring at his children’s box of discarded toys, a beam of light shun down from the heavens, a choir of angels sung and everything was still. Well, perhaps inspiration doesn’t happen like that in real life, but Bradford defiantly had a light bulb moment. Instead of taking the toys to local charity shop, Bradford decided to make sculptures out of them. Bradford assembles the toys into kaleidoscopic life-size dogs and people. Since his foray into toys, Bradford has also transformed other would-be discarded items. Crushed Coca-cola cans, combs, pegs and washing up brushes have also been made into extra family members and man’s best friend. Using what most would describe as rubbish, Bradford is one artist who wouldn’t mind his work being so called. It says so on his website.

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Images courtesy of Robert Bradford
music-listings.gif

Monday 27th October

Connan Mockasin and Drop The Lime – Durr at The End, mind London
Noah & The Whale – Academy 3, dosage Manchester
Jesus & Mary Chain, Black Box Recorder and British Sea Power – The Forum, London
Mystery Jets – Glee Club, Birmingham

Tuesday 28th October

Alphabeat, Das Pop and Pandering and The Golddiggers – Shepherds Bush Empire, London
Fleet Foxes – Waterfront, Norwich
Smokers Die Younger, Wild Beasts, Stricken City, Cats In Paris, Tender Maulings DJs – The Deaf Institute, Manchester
George Pringle and No Bra – The Social, London

Wednesday 29th October

Yo Majesty – Pure Groove Records, London
Lords – The Portland Arms, Cambridge
Ipso Facto, S.C.U.M and Kasms – The Roundhouse, London
The Presets and Micachu – The Royal, Derby
Neon Neon and Yo Majesty – Koko, London

Thursday 30th October

Black Kids and Ladyhawke – Astoria, London
Hot Chip – Corn Exchange, Cambridge
Florence and The Machine and The Big Pink – Bush Hall, London
Anthony and The Johnsons with London Symphony
Orchestra – Barbican Centre, London
Primal Scream – UEA, Norwich
Wave Machines and Micachu and The Shapes – hush at Royal Albert Hall, London

Friday 31st October

Release The Bats – Shellac, Les Savy Fav, Lightning Bolt, Om, Wooden Shjips and Pissed Jeans – The Forum London
El Guincho, The XX, The Big Pink and A Grave With No Name – No Pain In Pop at Goldsmith’s Tavern, London
Peggy Sue and The Pirates, Alessi’s Ark and Derek Meins – The Windmill, London
Pete and The Pirates – The Fly, London
Underworld and Autokratz – Brixton Academy, London
Metronomy – ULU, London

Saturday 1st November

ddd – Barfly, London
The Metros and Lion Club – Push at Astoria 2, London
The Week That Was and The Ruby Suns – Crawdaddy, Dublin
Grammatics – Forum, Tunbridge Wells

Sunday 2nd November

Does It Offend You, Yeah?, The Joy Formidable, The Operators and Young Fathers – 229, London
Ned Collette Band, Lawrence Arabia and The Boat People – The Windmill, London
Good Books, Polka Party and The Molotovs – Proud Galleries, London

Monday 27th October
Camden Arts Centre, advice ‘Wallace Berman’: Untl 23rd November
Arkwright Road, drugs London NW3 6DG
Considered as a major mover and shaker in the beat generation in the late 50s and 60s, view Wallace Berman’s (1926-1976) jazz record covers, art publications are all on display. Also his 16mm film ‘aleph’ is screened as well as posters, book covers and postcards. Most people recognise his portrait on the cover of The Beatles’ ‘Sgt Pepper’s Lonely Hearts Club Band’ but he’s got plenty of other art to have a gander over.

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Tuesday 28th October
White Cube, Sam Taylor-Wood: Yes I No: Until 29th November
Mason’s Yard and No 1 The Piazza, Covent Garden, London WC2E 8HA
This show includes three groups of photographs and a large scale film installation on the subject of absensce and morality. Other photos based on Wuthering Heights with desire and suffering playing key themes.

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Wednesday 29th October:
V&A Museum of Childhood, Tom Hunter’: until 9th November
Cambridge Heath Road, Bethnal Green E2 9PA
Exploring the changing face of the East End, Hunter’s photographs focus on people, places and community in and around the area.

tom-hunter_243x190-2.jpg

Thursday 30th October:
Stephen Friedman Gallery, ‘Catherine Opie’: Until 15thNovember
25-28 Old Burlington Street?London W1S 3AN
The exhibition title, ‘The Blue of Distance’, is inspired by Rebecca Solnit, a writer on photography and landscape. Here, Opie continues her investigation with two new series of work capturing the remote beauty of the Alaskan landscape.

catherine%20opie.jpg

Friday 31st October:
Whitecross Gallery, ‘Girlie’: Daphne Plessner: Until 21 November
122 Whitecross St, London EC1Y 8PU
Whitecross Gallery welcomes you to ‘Girlie’, an exciting and thought provoking solo exhibition of luscious new paintings by talented artist Daphne Plessner.?Her work combines uncompromising social critique with colourful, elaborate surface decoration, and beautifully crafted, exquisite attention to detail.

Daphne%20Plessner%20-%20Girlie.jpg

Saturday 1st November:
ICA, ‘Rafael Lozano-Hemmer’ Retrospective: Until 23rd November
The Mall, London SW1Y 5AH
In tandem with Under Scan on Trafalgar Square, a retrospective of Lozano-Hemmer’s moving-image works, via a series of documentaries, spanning the past decade of his career. Lozano-Hemmer has been commissioned for events such as the millennium celebrations in Mexico City, the Cultural Capital of Europe in Rotterdam (2001), the United Nations World Summit of Cities in Lyon (2003), the opening of the Yamaguchi Centre for Art and Media in Japan (2003) and the expansion of the European Union in Dublin (2004).

ICA.jpg

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Warm and jubilant and wholesome. That’s how a Tilly and the Wall gig will leave you – and the title to their debut album in 2004, check Wild Like Children, cheapest is an indicator as to how. Add to this Slow Club, who when I saw several months ago in a weekly slot at The Enterprise in Camden, had brought along home-baked goods to pass round, and you’re wholly rejuvenated.

The ULU played host to this delectable recipe on Saturday, and they do compliment each other incredibly. Dulcet boy/girl harmonies, songs that pay homage to the bliss of youth and spontaneity, and full sounding percussion that is hard to put your finger on until you see it; The Slow Club often bang their drumsticks on chairs, and the percussion for Tilly is tap-dancer Jamie on a mic’ed up wooden box (they used to steal road-signs for the purpose but have since become more legit).

Tilly’s latest release, “o” was produced by acclaimed producer, Mike Mogis. Their kaleidoscopic sound has gotten bigger and fuller, but maintaining to the familiarity of Tilly ingredients. “I feel like I know them”, I heard someone say, and when the encore brought them back on stage with Charles and Rebecca from the Slow Club in tow, tambourines in hand, it felt like we all did. Clapping and stamping along, I thought the experience perhaps drew a thin line next to what I’d imagine an evangelist Sunday session to be like, only without strings attached, a drink in hand, and prophets that chant out about first loves, recklessness and “life that is so wonderful it shines like fire” (Let it Rain – Tilly); so put that in your wine glass and sip it.

Across the pond in Portland, viagra buy Oregon environmental art group Leave No Plastic Behind (LNPB) are holding a month long art exhibit intitled “Haste Management” and a one off film night, “Plastic Fantastic” to showcase the creative ways that plastic can be saved from the landfill. So it’s a given that you can recycle paper, aluminum and glass, but shiny plastic has been left behind. LNPB focus on avoiding plastic for this very reason, and not relying on recycling.

The “Haste Management” exhibition runs from the 6th-30th November and includes contributions from the wonderful>>>>>
On Nov 23rd “Plastic Fantastic”, a special film event from performance artsist and film maker Devon Damonte will be screened.

Wednesday, October 29, 2008
FOR IMMEDIATE RELEASE
Contact: Jessica Lyness | jessica.lyness@gmail.com | 503-913-3882

Environmental Group- Leave No Plastic Behind
Presents a Plastic Art Show and Film Event
November 6-30

(Portland, OR). Recycling paper, check. Recycling aluminum, check. Recycling glass, check. Recycling plastic? Not so fast. Environmental art group Leave No Plastic Behind (LNPB) urges consumers to curb plastic habits through reducing, reusing and creating. Concentrating on single-use plastic, LNPB focuses on avoiding the material and not relying on recycling. The Portland based group present a month-long art exhibit “Haste Management” and a special film night, “Plastic Fantastic” to showcase creative ways that plastic can be saved from the landfill.

The “Haste Management” exhibition begins on First Thursday, November 6 with an artist reception and Opening Night party at Visage, 1047 NW Johnson Ave. The Exhibition continues through Sunday, November 30. A special film event from performance artist and filmmaker Devon Damonte entitled “Plastic Fantastic”, takes place on November 23 at the Waypost, 3120 N Williams Ave. Following the exhibition, artist’s work will be available for view online at www.lnpb.org.

Artists participating in this exhibition are from all around the country including Waterville, ME, San Francisco, CA, Olympia, WA and Portland, OR. Each participant engages in a three month “episode” to live a plastic-free lifestyle, wherein any plastic they do collect, they make art out of it. Participants include filmmakers, photographers, musicians, and activists. In the past two years, over 50 artists have participated in an episode of LNPB.

LNPB presents art exhibits and creative events year round to raise awareness about the damaging effects of single use plastic and offers alternative suggestions on how to reduce and reuse. LNPB continues to be inspired by Captain Charles Moore and the Algalita Marine Research. This collective considers the true costs of modern convenience and demonstrates the importance of collaborative resourcefulness.
buraka%20som%20sistema%20gawain%20hewitt%203.jpg
Photos: Gawain Hewitt

Portuguese party starters Buraka Som Sistema are perhaps one of the most hyped up musical endeavors to hit our shores in recent years. They launched onto the stage at cargo and turned the lackluster Tuesday night, ask tired from work, health crowd into a bunch of whooping partygoers.

Buraka’s set up onstage is a little out of the ordinary, but it works. Essentially it’s a DJ and MC set up, but with some added percussion in the form of a guy on bongos and a drummer. I can’t help but always get excited by the addition of bongos to live show; everyone loves bongo players.

buraka%20som%20sistema%20gawain%20hewitt%201.jpg

buraka%20som%20sistema%20gawain%20hewitt%202.jpg

The only problem with tonight’s gig may be that people don’t know an awful lot of their stuff, having not released their album yet. They get round this though by breaking out their own interpretations of Around The World by Daft Punk and Thunderstruck by AC/DC. These seem to have quite an effect in rousing the crowd. Some people were actually shaking their booty so much that my friend had to move out of their way – honestly; some people just have no manners.

My favourite track of the night was Luanda Lisboa, a track that genuinely gives me the jitters if I listen to it very loud. I’ve only heard the instrumental version of it before now, but live the MCs managed to get the crowd particularly on side, even though the vast majority had absolutely no idea what they were talking about.

buraka%20som%20sistema%20gawain%20hewitt%204

What seemed to get the crowd most excited was Sound Of Kuduro, which has been thrown into popularity largely because it features M.I.A on vocals, and it has really good video. Live it was brought to life by the female MC they have live.

I’ve seen DJ sets by these guys before, but the live show is a much more engrossing experience. I was left blown away by their show, though what really excited me about them is their production skills – which is so often the case with electronic music.
music-listings.gif

Tuesday 4th November

Sigur Ros – Civic Hall, buy Wolverhampton
Stars Of Sunday League and Catriona Irving – Wilmington Arms, rx London
The Feeling and Das Pop – Hammersmith Apollo, viagra order London
The Kills – Oran Mor, Glasgow
Screaming Tea Party, Artefacts For Space Travel, This Is Pop and Ice Sea Dead People – Buffalo Bar, London
Why?, The Dead Science and Munch Munch – Upset! the Rhythm at Scala, London

Wednesday 5th November

Eugene McGuinness and Swanton Bombs – The Luminaire, London
Al Green and Gabrielle – Royal Albert Hall, London
George Pringle – Hoxton Square Bar & Kitchen, London
MGMT – Academy, Leeds
The Boat People – The Fly, London
Fleet Foxes – Shepherds Bush Empire, London

Thursday 6th November

Dan Le Sac vs Scroobius Pip and The Clik Clik – Emergency Playground at Astoria 2, London
I Haunt Wizards, The Pity Party, Little Death and Kilkane – The Macbeth, London
Yo! Majesty – Oran Mor, Glasgow
Fucked Up, Rolo Tomassi and Invasion – Xposure at Barfly, London
Hot Chip, Wiley and Max Tundra – Brixton Academy, London
Threatmantics – Milkwood Jam, Swansea
Jackie O Motherfucker and True Primes – Bardens Budoir, London
Alessi’s Ark, Peggy Sue and Derek Meins – Club Fandango at 229, London

Friday 7th November

The Irrepressibles – The Great Court of The British Museum, London

the%20irrepressibles.jpg

The Irrepressibles will be playing two sets as part of an event to support a forthcoming display of contemporary art installations at the museum including works by Damien Hirst, Marc Quinn, Ron Mueck, Antony Gormley and Noble and Webster. Best of all, it’s completely free. Perfect for these crunchy credit times.

Thomas Tantrum – Koko, London
Fleet Foxes – Vicar Street, Dublin
Mr Scruff – Matter, London
Howling Bells – Academy, Birmingham
My Tiger My Timing, A Human and Underground Railroad – The Last Days of Decadance, London

Saturday 8th November

FrankMusik, Dels, Kamerakino and Tin Can Telephone – Club Motherfucker at Bardens Boudoir, London
Little Boots – Proud Galleries, London
Ezra Bang and Hot Machine, Maths Class and Mayor McCa – The Monarch, London
Glasvegas, White Lies and Cage The Elephant – Little Noise Sessions at Union Chapel, London
Ebony Bones, Riddler, King of Conspiracy and Minipuma – Rhythm Factory, London

Sunday 9th November

Nas, Mos Def, Supernatural and Scratch – Rock The Bells at Indigo2, London
Goldfrapp and Eugene McGuinness – Brixton Academy, London
Nigel Of Bermondsey and The Razzle – Monto Water Rats, London
Razorlight, Florence and The Machine, Esser and Skint And Demoralised – Little Noise Sessions at Union Chapel, London

failing2.jpg

This is just one of the question posed by Campaign against Climate Change. Under the labour government CO2 emissions have increased by 2%, cheap plans are under-way to expand Heathrow and other airports and there are plans for a new wave of coal-fired power stations starting with Kingsnorth in Kent. Further, viagra measures have been introduced increasing the use of biofuels which accelerate deforestation, information pills a major cause of climate change. But, what some see as the biggest failing is the government’s failure to respond to the problem. There is no grasp of the immensity and urgency of the threat to shape the policies we need to combat climate change.

Come down to Friends House at 7pm, Thursday November 6th to listen to what can be done to counteract these problems of climate change. The diverse panel: George Monbiot, Zac Goldsmith– editor of “Ecologist” magazine, Bob Crow– general secretary of the RMT, Ann Pettifor- director of Advocacy International and Phil Thornhill– national coordinator of Campaign against Climate Change, give their views on these issues and ask them your own questions.

Campaign against Climate Change
Is the government failing us on climate change?
Public Meeting, Thursday November 6th
7.00 pm at the Friends House, 173 Euston Road (opposite Euston Station)

A date for your diaries is the 6th December, the next Campaign against Climate Change event, part of a Global Day of Action. In which a march to parliament fro speakers corner is taking place, campaigning against the issues mentioned above.

Images courtesy of Campaign against Climate Change

TattyDevineInside.jpg

Its that time of year again, sick when Tatty Devine reveal their Best Of collection! As in previous years Tatty Devine pick the best of the main biannual collections to create a super-duper special selection of fifty pieces. The collection is a feast of quirky offerings, link that the duo are famed for; plectrum earrings (surely a contender for the jewellery hall of fame), amp volume control brooches, moustache rings (a personal favourite), and the Jarv Specs necklace; perfect for the geek (chic) look.

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Amelia wears the Lollipop Necklace

To go along with their best of collection, designers Harriet and Rosie have honoured inspirational individuals and friends with a Best Of title all of their own. Over on page six, Amelia models the good enough to eat shiny red lollipop necklace and wins the award for The best at Independent Publishing. Showcasing further talented individuals, Best Of awards go to Liela from The Duke Spirit who wins the title of The Best at Feeling the Spirit, the girls of Prick your Finger win the Best at Haberdashery, and Jennifer Earle of Duotard wins the Best at Dance, amongst others.

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Liela models the Tiger Necklace

Tatty Devine are clearly a modest twosome, surely an award for the Best at Jewellery wouldn’t be undeserved. The best talent portraits (and jewellery) are being displayed at the Brick Lane store, so if you’re in the area I would definitely recommend popping in. Who knows, perhaps some of the talent will rub off or failing that console yourself with a necklace or brooch.

img020.jpg
Galia of Kollectiv wears the Dinosaur Necklace

Categories ,Accessories, ,Duotard, ,Fashion, ,Kollectiv, ,Prick Your Finger, ,Tatty Devine, ,The Duke Spirit

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Amelia’s Magazine | The Science Museum Climate Science Gallery Cockroach Tour with Superflex

Kuni Awai Darkroom Valentines
Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, healing and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, buy information pills dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, order all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link. Offer closes on 8th February so get in there fast.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Categories ,Climate Change, ,Climate Change Science gallery, ,Climate Science Gallery, ,Cockroach Tour, ,Exhibition Road, ,Geiko Louve, ,Jessica Holt, ,Karla Pérez Manrique, ,Maria Papadimitriou, ,Mina Bach., ,Sarah Matthews, ,Science Museum, ,Shell, ,Superflex, ,Trash Fashion

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Amelia’s Magazine | The Science Museum Climate Science Gallery Cockroach Tour with Superflex

Kuni Awai Darkroom Valentines
Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, healing and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, buy information pills dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, order all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link. Offer closes on 8th February so get in there fast.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Categories ,Climate Change, ,Climate Change Science gallery, ,Climate Science Gallery, ,Cockroach Tour, ,Exhibition Road, ,Geiko Louve, ,Jessica Holt, ,Karla Pérez Manrique, ,Maria Papadimitriou, ,Mina Bach., ,Sarah Matthews, ,Science Museum, ,Shell, ,Superflex, ,Trash Fashion

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