Amelia’s Magazine | An Interview with Jewellery Designer Rosita Bonita

Rosita Bonita portrait by<strong> Laura Gill</strong>” title=”Rosita Bonita portrait by Laura Gill” width=”480″ height=”571″ class=”aligncenter size-full wp-image-69903″ /></a><br />
<strong><a target=Rowenna Harrison portrait by Laura Gill

Working under the name Rosita Bonita, Camberwell illustration graduate Rowenna Harrison makes beautiful jewellery that would be at home in any trinket lovers dressing-up box. Her pieces celebrate all things vintage glamour and have a whole host of other influences from the mythical to the historical. We’ve mentioned Rosita Bonita before as Amelia stumbled across her work at Wilderness Festival 2011 and her stuff is still just as inspiring.

Rosita Bonita

Her pieces are gaining a following and she has recently been shortlisted to win a stand at Treasure Jewellery Show by Professional Jeweller Magazine (you can vote for her here). She’s a busy girl and a few days ago had a stall at the Secret Emporium Pop Up Shop in Boxpark, Shoreditch where she launched her latest collection Siren ’13.

Rosita Bonita by Louise Smith
Rosita Bonita by Gareth A Hopkins Top illustration of Rosita Bonita jewellery by Louise Smith, bottom illustration by Gareth A Hopkins.

More than just pretty pieces, her hand-crafted beauties are keep-sakes rather than regular old fashion knickknacks. I especially love the heart necklaces from her Sweet Black Heart collection, but all of her pieces are real treasures and her latest collection is sure to bring out your inner ’30s pin-up gal as well as rekindling your (my) childhood dreams of one day becoming Ariel the little mermaid. Siren is a collection of necklaces, earrings and more, which explore the sea-side feel from era’s past, as well as hinting at more magical influences. Looking at these treasures, I can’t help but think of the tongue twister we would recite on the playground: “she sells sea shells on the sea shore,” and be reminded of the feel of sand between my wiggling toes on British summer beach vacations.

I spoke to the lovely Ro Harrison, the face behind Rosita Bonita, about the launch of her new collection, her plans for the future and why she switched from illustration to jewellery design.

Rosita Bonita Siren Collection
Rosita Bonita Siren CollectionRosita Bonita Siren Collection Rosita Bonita Siren Collection

How did you decide on the name Rosita Bonita?
The first product I made to sell commercially was pasties (nipple tassels). This came about after making a pair for a friend to replace ones she’d lost at a fancy dress party, then making a few more as birthday presents. They quickly evolved into brooch versions, for those (like me) that don’t tend to have the occasion to wear the originals! I’ve always hated selling my work, so I wanted to create a brand name to create a degree of separation; to make it easier for me to go out and find shops to sell to. I starting experimenting with variations of my name and Rosita Bonita just kind of popped out. I had a vision of her being a ’50s Mexican burlesque dancer, it just felt right!

Rosita Bonita by Victoria Haynes

Illustration of Rosita Bonita jewellery by Victoria Haynes.

What made you choose to take the jump from illustration to jewellery design?
For as long as I can remember I have been drawing and making. I love both and don’t see a huge difference between the two. Illustration and jewellery (for me) are both about decoration, engaging with materials and creating characters and fantastical worlds. After graduating I struggled to find enough work as an illustrator (I was never very good at trying to sell myself), so I spent years working in what were supposed to be temporary jobs, in a cafe and managing a vintage shop. All the time I was drawing and making and waiting to be ‘discovered’. In the end, I had the idea to take my drawings and put them onto a physical product that people would want to buy. I had done a lot of screen-printing at college, and I had made various accessories (jewellery, purses, fascinators) out of leather, so it seemed like the next logical step to combine to two. Leather is so tactile and a joy to work with and it seemed to be a great surface to print on, so I did some tests, liked what happened and out came my first collection (Orchard).

Rosita Bonita Siren Collection

How do the two skills influence each other in your work?
All my pieces begin as drawings, and the pieces are often formed from a combination of separate 2D elements, so assembling them into the finished product is a bit like collage. Having had no training in jewellery, I suppose my whole approach is influenced by image-making; having said that, with each new collection, I am adding more metal elements and playing with different construction techniques. For my next collections I am working on a few more sculptural touches.

Rosita Bonita Siren Collection

You worked as part of design duo Dirty Drawers with artist Laura Gill, how did this relationship come about?
My best friend from my Foundation course went on to do a degree at Central Saint Martins and I met Laura there. She’s such an inspirational character. She has tremendous energy, a really positive outlook, a carefree demeanour, and a brilliant imagination, which all come out in her work. Laura met a group of artists who were squatting a big house in Peckham and were turning it into a gallery to show their work. She’d been allocated a room in there to use as a studio and exhibition space, and she asked me if I wanted to show there too. It was all quite short notice and I didn’t have anything prepared, so she gave me some drawings she had been working on and asked me to add to them. We had a pile of books of documentary photography, full of inspiring characters and began drawing from them. The process worked like a game of exquisite corpse (which became the name of the series). We would draw sections and cover them up before swapping and continuing to draw. It was more to amuse ourselves than anything else, but we liked the results and kept working and exhibiting together for years to come.
[Jessica: You can see one of Laura’s illustrations in this article as she provided the beautiful portrait of Rowenna]

Rosita Bonita Siren Collection
Rosita Bonita Siren Collection

Do you feel Camberwell prepared you for entrepreneurship?
One highlight I remember from my course at Camberwell was a talk from Tatty Devine. They didn’t come from a jewellery background and didn’t have financial investment, and seemed like genuinely lovely people, so their success story was (and still is) a huge business inspiration. In my final year I did a number of work placements. The first was a short stint at an Illustration agency (CIA). They kindly took me under their wing and showed me a glimpse of the goings on. Then I was lucky enough to work for my 3 heroes of the time; Marmalade Magazine, Shona Heath (Art Director) and Julie Verhoeven [Jessica: I recently mentioned Julie in a Bath in Fashion 2013 Listing which you can read here] They were all hugely inspirational learning experiences and gave me the opportunity to use my craft skills, and feel valued for them. They also supplied me with bits of freelance work after I graduated. However I still didn’t feel I had the confidence to go out hunting for my own work in the real world. The course itself felt like a bit of a bubble. Because I got a 1st, I just stupidly assumed that people would come to my degree show and offer me work. When I graduated, the bubble popped.

Rosita Bonita Siren Collection

What’s been the biggest challenge so far of setting up shop?
The biggest challenge in setting up shop is money. I started Rosita Bonita when I was still working four days a week managing a vintage shop. I didn’t have much cash (or time) to spare, so I have always made things according to the material costs I could run to and the skills I had to make things myself. It’s really frustrating as I have so many ideas of things I would love to make, but am very limited by costs. As things have been going better and better, these frustrations are highlighted more and more. Ideally I wouldn’t be producing everything myself. I would love to just be designing and making samples, then getting the bulk manufactured, and it would be great to have PR, but this is just not possible yet. The business is growing, but very slowly! The further it goes, the more you realise how much you need money. Designing, manufacturing, selling, promoting, building websites, taking photos, and doing accounts and admin all by yourself is not ideal. I’ve also just had one of my designs copied (by someone who does have money for manufacturing, sales & PR), but I can’t afford to take them to court.

Rosita Bonita Siren CollectionRosita Bonita Siren Collection

What are the main inspirations of your work?
My inspiration comes mainly from the past. I’m obsessed with vintage photography and graphic design, anything from the Victorian era through to the ‘50s. I look a lot at Hollywood studio shots from, particularly from the ‘30s. The sets and costumes are mind-blowing. I love watching movies from that time too. The characters are so glamorous and almost cartoon like. I am always amazed at how little we’ve artistically progressed since then. I’m not excited by realism and the mundane. I also love to look at the history of jewellery and the social meanings attached to it. I want people to put on my pieces and feel like they are becoming a fantastical character, or that the jewellery is bringing them luck or special powers.

Rosita Bonita Siren Collection

Your new collection Siren has a seaside theme, what made you choose this?
The Siren collection came out of my research into amulets. There was too much material in there for one collection (it’s actually now spawned 3 – Amulet, She’s my witch & Siren). Mermaids and seahorses, as well as certain types of shell, have been used as charms or amulets. I wanted to take these motifs, but treat them in a different way to the previous collection, which was quite dark and magical. They seemed to be perfect for a light summery collection. There is a still from a lost George Méliès film from c1905 which I had photocopied when I was at Camberwell and had always wanted to use somehow. It was a shot of six ‘mermaids’ posing in this great stage set in a star formation, with solid tails. I tend to visualise the photoshoot/video for the collection before I design the actual pieces (usually including which models/friends and which music to use), and knew I wanted something like this, but with a brighter, more ‘30s seaside resort feel to it. I drew my own version of this (which I’ve since printed on framed glass and t shirts), and that became the basis of the collection. I also looked at loads of other mermaid imagery, from ancient myths, fairytales, figureheads, movie stills, tattoo designs and carnival exhibits. I wanted to capture girlhood escapist fantasies of being a mermaid.

Rosita Bonita Siren CollectionRosita Bonita Siren Collection

Your jewellery has been featured in places like Nylon and Elle, how does it feel to see your work in mainstream mags?
It’s very rewarding to see my work in magazines, of any kind. I Google myself every few months and usually find some new mention in a blog or something. It keeps me going. More please!

What plans do you have for the future?
I’m not very good at planning ahead and managing my time. I have the next two collections designed in my head (just need to grab a moment to get them on paper and to develop the samples), but beyond that I’m never sure exactly what is to come. I will be working on finding some new stockists, so more people can discover me. I have three new international ones in the pipelines, which is all very exciting.

How would a reader go about purchasing one of your pieces?
I have a shop on my website . I don’t discontinue previous collections, as I don’t like the disposable nature of fashion, so most pieces are still available to order, if they are not in stock, and certain pieces can be made in custom colours. I’m also open to illustration, design, bespoke accessory/costume commissions and collaborations, so feel free to get in touch!

Rosita Bonita by Maya Beus
Illustration of piece from Rosita Bonita Siren collection by Maya Beus

All unreferenced illustrations and photography were provided by the lovely Rowenna Harrison.

Categories ,50s, ,amulets, ,Camberwell, ,Collaborations, ,Costume, ,custom, ,design, ,designer, ,Dirty Drawers, ,fairytales, ,fashion, ,framed glass, ,graduate, ,graduation, ,illustration, ,interview, ,Jessica Cook, ,jewellery, ,Julie Verhoeven, ,Laura Gill, ,leather, ,Louise Smith, ,magical, ,Mermaids, ,Myths, ,Rosita Bonita, ,Rowenna Harrison, ,seahorses, ,Shell, ,Shona Heath, ,Siren, ,special powers, ,T-shirts, ,Victoria Haynes, ,Victorian era, ,vintage, ,‘30s seaside resort

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Amelia’s Magazine | Merthyr to Mayo Solidarity Bike Ride: Green Kite Midnight at Castlerea Prison

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Wales Velorution
My touring bike, more about kindly lent by Velorution.
GKM Roadtrip Galway Stop Shell

At the start of June I went on an exciting adventure to Ireland… on a borrowed bike from Velorution. It was a trip I’ve looked forward to for a long time because it combined two of my favourite things in the world. Or maybe three: Cycling (I love cycling A LOT), cost activism (we had a purpose) and being in lovely places with lovely people.

The Merthyr to Mayo bike ride was organised by a loose group of activists based around the country and included members of Bicycology, a cyclists’ collective who aim “to promote cycling and make links with wider issues of environmental and social responsibility”. This intrepid group of riders set off from the open cast coal mine at Merthyr Tydfil in Wales, armed only with an explanatory newspaper and lots of verve. The solidarity ride ended at Rossport in County Mayo, Ireland, thereby linking two communities who are resisting fossil fuel extraction, and educating other communities along the way.

Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Mini ceilidh en route in Wales.

An added bonus of this trip was the opportunity to play with my ceilidh band Green Kite Midnight, since providing music for people to dance to at protests is the very reason for our existence. Luckily our banjo player Dom has bought a big ambulance which he has lovingly converted into a tour bus for the band – and thus we set off for Ireland via Wales, stopping to spend the night at the parental house of our bassist Tim, way up in the secluded Welsh mountains. It was then onward to Holyhead, where we caught the ferry over to Dublin and carried straight onto Galway to meet the rest of the crew, who were hastily organising a demo against the atrocities against the flotilla bound for Gaza.

GKM Roadtrip Galway Gaza demo
GKM Roadtrip Galway Gaza

We marched straight into the local branch of M&S (to draw attention to the chain’s affiliation with the development of the Israeli state) much to the bemusement of Irish security guards, clearly not used to such confident behaviour. We then joined a gathering in the street organised by locals, but were eventually rained into the closest pub and from there we retired early to a friendly local’s house, quickly to sleep in preparation for our 90km ride the next day.

GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
Awaiting news in the pub… many people knew activists on the flotilla.

We had been warned that Irish roads are quite dangerous and on our first day I did feel a little less than wholly safe, stuck on a narrow hard shoulder as – head down, legs pumping – we powered through the countryside with little more than a brief break for lunch in a small town.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

The main thing I noticed about rural Ireland is the predominance of ugly newbuild housing estates. Boy do the Irish like to build some shoddy housing! The more upmarket modern houses favour the architecture of American TV series such as Dallas from the 80s – amusing for their kitsch value if nothing else – but at the bottom end of the spectrum the Barrett home style identikit boxes are nothing short of a blot on the landscape.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
Endless housing estates.
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Like many other economies the Irish housing boom was completely unsustainable, and speculative construction has given way to half-finished housing estates fronted by signs that looked spangly a few years ago, now peeling and faded.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Okay, so I was a bit worried about the length of our first day’s ride with no preliminary warm up – but I needn’t have been. With nothing but a vista of endless stone walls, housing estates and crumbling barns (the Irish prefer new builds to renovations, apparently) to distract us from our mission, our little affinity group was one of the first to arrive at our final destination – the Lidl carpark at Castlerea. Being rather fast, and meeting at Lidl were both to become a bit of a theme…

GKM Roadtrip Galway to Castlerea Lidl
GKM Roadtrip Galway to Castlerea Lidl

Once everyone had arrived at we we were herded up the longest steepest hill I’ve ever tackled with such a heavy load… and this after a long hard day too. I stayed on my bike to the very top but boy was I glad that I hadn’t brought my Pashley – it never would have made it.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan

At the top our destination was a gorgeous stretch of land bordered by woods, owned by some friendly Pagans who greeted us with lentil stew brewed for us in a cauldron over the fire surrounded by medieval-style tents. Our two nights spent on the hill top were characterised by excessive amounts of midges and late night music sessions. The intervening day was spent at Castlerea Prison, which you can read about in my next blog.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Wales Velorution
My touring bike, salve kindly lent by Velorution.
GKM Roadtrip Galway Stop Shell

At the start of June I went on an exciting adventure to Ireland… on a borrowed bike from Velorution. It was a trip I’ve looked forward to for a long time because it combined two of my favourite things in the world. Or maybe three: Cycling (I love cycling A LOT), approved activism (we had a purpose) and being in lovely places with lovely people.

The Merthyr to Mayo bike ride was organised by a loose group of activists based around the country and included members of Bicycology, link a cyclists’ collective who aim “to promote cycling and make links with wider issues of environmental and social responsibility”. This intrepid group of riders set off from the open cast coal mine at Merthyr Tydfil in Wales, armed only with an explanatory newspaper and lots of verve. The solidarity ride ended at Rossport in County Mayo, Ireland, thereby linking two communities who are resisting fossil fuel extraction, and educating other communities along the way.

Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Mini ceilidh en route in Wales.

An added bonus of this trip was the opportunity to play with my ceilidh band Green Kite Midnight, since providing music for people to dance to at protests is the very reason for our existence. Luckily our banjo player Dom has bought a big ambulance which he has lovingly converted into a tour bus for the band – and thus we set off for Ireland via Wales, stopping to spend the night at the parental house of our bassist Tim, way up in the secluded Welsh mountains. It was then onward to Holyhead, where we caught the ferry over to Dublin and carried straight onto Galway to meet the rest of the crew, who were hastily organising a demo against the atrocities against the flotilla bound for Gaza.

GKM Roadtrip Galway Gaza demo
GKM Roadtrip Galway Gaza

We marched straight into the local branch of M&S (to draw attention to the chain’s affiliation with the development of the Israeli state) much to the bemusement of Irish security guards, clearly not used to such confident behaviour. We then joined a gathering in the street organised by locals, but were eventually rained into the closest pub and from there we retired early to a friendly local’s house, quickly to sleep in preparation for our 90km ride the next day.

GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
Awaiting news in the pub… many people knew activists on the flotilla.

We had been warned that Irish roads are quite dangerous and on our first day I did feel a little less than wholly safe, stuck on a narrow hard shoulder as – head down, legs pumping – we powered through the countryside with little more than a brief break for lunch in a small town.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

The main thing I noticed about rural Ireland is the predominance of ugly newbuild housing estates. Boy do the Irish like to build some shoddy housing! The more upmarket modern houses favour the architecture of American TV series such as Dallas from the 80s – amusing for their kitsch value if nothing else – but at the bottom end of the spectrum the Barrett home style identikit boxes are nothing short of a blot on the landscape.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
Endless housing estates.
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Like many other economies the Irish housing boom was completely unsustainable, and speculative construction has given way to half-finished housing estates fronted by signs that looked spangly a few years ago, now peeling and faded.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Okay, so I was a bit worried about the length of our first day’s ride with no preliminary warm up – but I needn’t have been. With nothing but a vista of endless stone walls, housing estates and crumbling barns (the Irish prefer new builds to renovations, apparently) to distract us from our mission, our little affinity group was one of the first to arrive at our final destination – the Lidl carpark at Castlerea. Being rather fast and meeting at Lidl – these were both to become a bit of a theme…

GKM Roadtrip Galway to Castlerea Lidl
GKM Roadtrip Galway to Castlerea Lidl

Once everyone had arrived at we we were herded up the longest steepest hill I’ve ever tackled with such a heavy load… and this after a long hard day too. I stayed on my bike to the very top but boy was I glad that I hadn’t brought my Pashley – it never would have made it.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan

At the top our destination was a gorgeous stretch of land bordered by woods, owned by some friendly Pagans who greeted us with lentil stew brewed for us in a cauldron over the fire surrounded by medieval-style tents. Our two nights spent on the hill top were characterised by excessive amounts of midges and late night music sessions. The intervening day was spent at Castlerea Prison, which you can read about in my next blog.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Wales Velorution
My touring bike, malady kindly lent by Velorution.
GKM Roadtrip Galway Stop Shell

At the start of June I went on an exciting adventure to Ireland… on a borrowed bike from Velorution. It was a trip I’ve looked forward to for a long time because it combined two of my favourite things in the world. Or maybe three: Cycling (I love cycling A LOT), hospital activism (we had a purpose) and being in lovely places with lovely people.

The Merthyr to Mayo bike ride was organised by a loose group of activists based around the country and included members of Bicycology, a cyclists’ collective who aim “to promote cycling and make links with wider issues of environmental and social responsibility”. This intrepid group of riders set off from the open cast coal mine at Merthyr Tydfil in Wales, armed only with an explanatory newspaper and lots of verve. The solidarity ride ended at Rossport in County Mayo, Ireland, thereby linking two communities who are resisting fossil fuel extraction, and educating other communities along the way.

Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Mini ceilidh en route in Wales.

An added bonus of this trip was the opportunity to play with my ceilidh band Green Kite Midnight, since providing music for people to dance to at protests is the very reason for our existence. Luckily our banjo player Dom has bought a big ambulance which he has lovingly converted into a tour bus for the band – and thus we set off for Ireland via Wales, stopping to spend the night at the parental house of our bassist Tim, way up in the secluded Welsh mountains. It was then onward to Holyhead, where we caught the ferry over to Dublin and carried straight onto Galway to meet the rest of the crew, who were hastily organising a demo against the atrocities against the flotilla bound for Gaza.

GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo

We marched straight into the local branch of M&S (to draw attention to the chain’s affiliation with the development of the Israeli state) much to the bemusement of Irish security guards, clearly not used to such confident behaviour. We then joined a gathering in the street organised by locals, but were eventually rained into the closest pub and from there we retired early to a friendly local’s house, quickly to sleep in preparation for our 90km ride the next day.

GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
Awaiting news in the pub… many people knew activists on the flotilla.

We had been warned that Irish roads are quite dangerous and on our first day I did feel a little less than wholly safe, stuck on a narrow hard shoulder as – head down, legs pumping – we powered through the countryside with little more than a brief break for lunch in a small town.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

The main thing I noticed about rural Ireland is the predominance of ugly newbuild housing estates. Boy do the Irish like to build some shoddy housing! The more upmarket modern houses favour the architecture of American TV series such as Dallas from the 80s – amusing for their kitsch value if nothing else – but at the bottom end of the spectrum the Barrett home style identikit boxes are nothing short of a blot on the landscape.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
Endless housing estates.
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Like many other economies the Irish housing boom was completely unsustainable, and speculative construction has given way to half-finished housing estates fronted by signs that looked spangly a few years ago, now peeling and faded.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Okay, so I was a bit worried about the length of our first day’s ride with no preliminary warm up – but I needn’t have been. With nothing but a vista of endless stone walls, housing estates and crumbling barns (the Irish prefer new builds to renovations, apparently) to distract us from our mission, our little affinity group was one of the first to arrive at our final destination – the Lidl carpark at Castlerea. Being rather fast and meeting at Lidl – these were both to become a bit of a theme…

GKM Roadtrip Galway to Castlerea Lidl
GKM Roadtrip Galway to Castlerea Lidl

Once everyone had arrived at we we were herded up the longest steepest hill I’ve ever tackled with such a heavy load… and this after a long hard day too. I stayed on my bike to the very top but boy was I glad that I hadn’t brought my Pashley – it never would have made it.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan

At the top our destination was a gorgeous stretch of land bordered by woods, owned by some friendly Pagans who greeted us with lentil stew brewed for us in a cauldron over the fire surrounded by medieval-style tents. Our two nights spent on the hill top were characterised by excessive amounts of midges and late night music sessions. The intervening day was spent at Castlerea Prison, which you can read about in my next blog.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Wales Velorution
My touring bike, approved kindly lent by Velorution.
GKM Roadtrip Galway Stop Shell

At the start of June I went on an exciting adventure to Ireland… on a borrowed bike from Velorution. It was a trip I’ve looked forward to for a long time because it combined two of my favourite things in the world. Or maybe three: Cycling (I love cycling A LOT), sick activism (we had a purpose) and being in lovely places with lovely people.

The Merthyr to Mayo bike ride was organised by a loose group of activists based around the country and included members of Bicycology, order a cyclists’ collective who aim “to promote cycling and make links with wider issues of environmental and social responsibility”. This intrepid group of riders set off from the open cast coal mine at Merthyr Tydfil in Wales, armed only with an explanatory newspaper and lots of verve. The solidarity ride ended at Rossport in County Mayo, Ireland, thereby linking two communities who are resisting fossil fuel extraction, and educating other communities along the way.

Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Green Kite Midnight Roadtrip Wales
Mini ceilidh en route in Wales.

An added bonus of this trip was the opportunity to play with my ceilidh band Green Kite Midnight, since providing music for people to dance to at protests is the very reason for our existence. Luckily our banjo player Dom has bought a big ambulance which he has lovingly converted into a tour bus for the band – and thus we set off for Ireland via Wales, stopping to spend the night at the parental house of our bassist Tim, way up in the secluded Welsh mountains. It was then onward to Holyhead, where we caught the ferry over to Dublin and carried straight onto Galway to meet the rest of the crew, who were hastily organising a demo against the atrocities against the flotilla bound for Gaza.

GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo

We marched straight into the local branch of M&S (to draw attention to the chain’s affiliation with the development of the Israeli state) much to the bemusement of Irish security guards, clearly not used to such confident behaviour. We then joined a gathering in the street organised by locals, but were eventually rained into the closest pub and from there we retired early to a friendly local’s house, quickly to sleep in preparation for our 90km ride the next day.

GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
GKM Roadtrip Galway Gaza
GKM Roadtrip Galway Gaza demo
Awaiting news in the pub… many people knew activists on the flotilla.

We had been warned that Irish roads are quite dangerous and on our first day I did feel a little less than wholly safe, stuck on a narrow hard shoulder as – head down, legs pumping – we powered through the countryside with little more than a brief break for lunch in a small town.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

The main thing I noticed about rural Ireland is the predominance of ugly newbuild housing estates. Boy do the Irish like to build some shoddy housing! The more upmarket modern houses favour the architecture of American TV series such as Dallas from the 80s – amusing for their kitsch value if nothing else – but at the bottom end of the spectrum the Barrett home style identikit boxes are nothing short of a blot on the landscape.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
Endless housing estates.
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Like many other economies the Irish housing boom was completely unsustainable, and speculative construction has given way to half-finished housing estates fronted by signs that looked spangly a few years ago, now peeling and faded.

GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea
GKM Roadtrip Galway to Castlerea

Okay, so I was a bit worried about the length of our first day’s ride with no preliminary warm up – but I needn’t have been. With nothing but a vista of endless stone walls, housing estates and crumbling barns (the Irish prefer new builds to renovations, apparently) to distract us from our mission, our little affinity group was one of the first to arrive at our final destination – the Lidl carpark at Castlerea. Being rather fast and meeting at Lidl – these were both to become a bit of a theme…

GKM Roadtrip Galway to Castlerea Lidl
GKM Roadtrip Galway to Castlerea Lidl

Once everyone had arrived at we we were herded up the longest steepest hill I’ve ever tackled with such a heavy load… and this after a long hard day too. I stayed on my bike to the very top but boy was I glad that I hadn’t brought my Pashley – it never would have made it.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan

At the top our destination was a gorgeous stretch of land bordered by woods, owned by some friendly Pagans who greeted us with lentil stew brewed for us in a cauldron over the fire surrounded by medieval-style tents. Our two nights spent on the hill top were characterised by excessive amounts of midges and late night music sessions. The intervening day was spent at Castlerea Prison, which you can read about in my next blog.

GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Galway to Castlerea Pagan
GKM Roadtrip Castlerea Prison

For the past 10 years the local community in Rossport, drug County Mayo, nurse have been campaigning against plans to pipe raw untreated gas from an offshore well in the Corrib Gas Field through the beautiful unspoilt countryside to a refinery 9km inland. The pipeline will be the first of it’s kind in the world and despite assurances that nothing could go wrong the canny residents quickly smelled a rat. Refinery tailings have already poisoned Carrowmore Lake which supplies water to 10,000 people on the Erris peninsula, and many houses are situated in the “kill zone” – Shell consultants have conceded that those living within 200 metres of the pipeline “could burn spontaneously from heat radiation” in the event of an explosion from the highly flammable untreated gas. The current preferred route for the pipe takes it across a highly unstable bog. Hmmm, sounds very safe to me.

GKM Roadtrip Castlerea Prison

On top of this, the rights to profit from Irish resources were quietly signed away by the Irish government during the 80s and 90s (to the extent that extracting companies now have to pay less than 8% tax when compared with 50% in the UK and 78% in Norway), but despite this the Irish government has acted in complicity with Big Oil by placing compulsory purchase orders on furious local farmers. Quite apart from the human rights atrocities that are being inflicted on a daily basis against the residents of Rossport there is the need to preserve sites of spectacular beauty and of course lobby to leave fossil fuels in the ground in order to avert catastrophic climate change.

GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison

This is the backdrop against which locals and activists are campaigning against Shell in Rossport. Because of their actions two activists are currently imprisoned and it was in support of them that we went to Castlerea Prison.

GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison
Practicing our chants.
GKM Roadtrip Castlerea Prison

On numerous occasions local fisherman Pat O’Donnell has stood up to bullying by Shell despite numerous recorded assaults by the Gardai (Irish police) Last summer his fishing boat was boarded by masked men who held him at gunpoint and then sunk his boat.

Niall Harnett I know better – he’s a gentle giant of a man that I met at the Earth First gathering last year and I can’t imagine him harming a flea. He was sentenced earlier this year for alleged assault, an outcome that highlights the failings of the Irish judicial system, currently upholding the use of excessive force against ordinary citizens to appease the might of corporations.

For more on either of these cases I recommend that you read about Niall here and Pat here, but the main point is that we were at Casterea Prison as part of a prolonged campaign in support of these brave men, who have dared to stand up to the might of a multinational oil company.

GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison

Cycling en masse through the town we arrived to find the cheery faces of local supporters awaiting our arrival at the gates. A short cycle ride later through sun dappled fields of horses, and we were settled down for the sounds of a traditional band, who were soon joined by various musicians from the bike ride.

GKM Roadtrip Castlerea Prison
Lunch.
GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison
They can hear us!

The finale was a Green Kite Midnight ceilidh, against a backdrop of high concrete prison walls on which we had daubed some messages of solidarity in chalk. It was absolutely sweltering so thereafter I had to retire to a cool pub, but others continued and held a small dance in the local Topaz garage – in Ireland Shell has received so much bad press that all petrol stations have been renamed Topaz. This had led to the immortal phrase Topaz My Arse amongst the activists we were travelling with.

GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison
GKM Roadtrip Castlerea Prison
Pedals.
GKM Roadtrip Galway to Castlerea
Pub.

From Castlerea we took an extremely picturesque trip to Ballina the next day: some of us swum in a lovely lake, and we all clambered up an old castle we found along the way. I wish it had been easier to take photos as we rode because the Catholic roadside shrines are great, and I particularly love the way that all the signs are plonked on top of each other all higgledy-piggledy – never mind that you may not be able to read the ones beneath.

GKM Roadtrip Ballina
GKM Roadtrip Ballina
GKM Roadtrip Ballina
GKM Roadtrip Ballina lake
GKM Roadtrip Ballina lake
GKM Roadtrip Ballina
GKM Roadtrip Ballina castle
GKM Roadtrip Ballina castle

Ballina is the nearest big town to Rossport so many people there are involved with and support the struggle against Shell. We put our tents up in the back garden of a big house and were completely spoilt for dinner.

GKM Roadtrip Ballina
GKM Roadtrip Ballina
GKM Roadtrip Ballina
GKM Roadtrip Ballina
GKM Roadtrip Ballina
GKM Roadtrip Ballina
GKM Roadtrip Ballina castle
GKM Roadtrip Ballina

The next day our final leg began with a quick critical mass around Ballina, joyfully dinging our bells to the sounds of Madonna and co, as played by Pedals, the Bicycology sound system that is present at so many of our direct actions as amplification for my voice and the instruments in Green Kite Midnight. We even had time to briefly blockade a Topaz tanker on the way.

GKM Roadtrip Ballina
GKM Roadtrip Ballina Topaz
GKM Roadtrip Ballina Topaz
“I don’t give a shit about Rossport.” That is literally what this man said.

Yoga on the top of a coastal bluff at lunchtime was followed by the hardest part of the ride – struggling into the wind past multicoloured sheep across a long long moor. At the end we were again greeted by hot tea and huge amounts of home-cooked food, courtesy of the friendly locals. By this point I was starting to wonder if we deserved so much goodwill.

GKM Roadtrip Ballina to Rossport yoga
GKM Roadtrip Ballina to Rossport
GKM Roadtrip Ballina to Rossport
GKM Roadtrip Ballina to Rossport
GKM Roadtrip Ballina to Erris
GKM Roadtrip Ballina to Erris
GKM Roadtrip Ballina to Rossport
GKM Roadtrip Ballina to Erris
GKM Roadtrip Ballina to Erris
GKM Roadtrip Ballina to Erris

From then on it was but a quick pedal over to the half built refinery site, a testament to the power of Shell. The pipeline to feed the refinery is in no way ready to be built, let alone operate! After a bunch of rallying speeches we freewheeled most of the way down to the location of this year’s Rossport Summer Gathering.

GKM Roadtrip Shell Refinery
GKM Roadtrip Shell Refinery
GKM Roadtrip Ballina to Rossport Shell refinery

I’ve heard a lot about how gorgeous Rossport is but nothing could have prepared me for the view that greeted us as we struggled up one last steep rise…. No wonder everyone who comes here falls in love – it’s a beautiful wild place on the edge of the world.
GKM Roadtrip Rossport

GKM Roadtrip Rossport

Nothing between Glengad Beach and America. We erected our tents against a backdrop of billowing sand dunes humming with clattering biting (as I was later to discover) bugs and bird calls I have never heard before. Places like these desperately need our protection and I challenge anyone to visit Rossport and come away unmoved by the sheer beauty of the natural world. That evening we partied with the locals in the pub despite being half-asleep with exhaustion.

GKM Roadtrip Rossport
GKM Roadtrip Rossport
GKM Roadtrip Rossport donkeys
There are donkeys everywhere!

More about the Rossport Gathering in my next blog post.

Categories ,Ballina, ,bicycology, ,Castlerea, ,Castlerea Prison, ,ceilidh, ,Corrib Gas Field, ,County Mayo, ,Direct Action, ,earth first, ,Green Kite Midnight, ,Merthyr Tydfil, ,Multinational, ,Niall Harnett, ,Pat O’Donnell, ,Pedals, ,Rossport, ,Shell, ,Shell to Sea, ,Topaz, ,Yoga

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Amelia’s Magazine | Rossport Solidarity Camp Summer Gathering 2010

Way back in 2007, shop Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, decease who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Way back in 2007, sale Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, sales who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, erectile performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Way back in 2007, for sale Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, search who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, site performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Go to Johnny’s MySpace and website for lots more, including his newly released tour dates.

Way back in 2007, ed Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Go to Johnny’s MySpace and website for lots more, including his newly released tour dates.

Rossport Solidarity Camp by Amelia Gregory
All photography by Amelia Gregory.

You may remember way back in the mists of time, this web well, viagra buy at the start of June at any rate, cialis 40mg that I went off on a solidarity bike ride to Rossport in County Mayo. I got the biking part written up but as is usual it’s taken me forever to get this last part together – but maybe that’s no bad thing because it means I can give you a much more up to date account of happenings over on Glengad Beach, Rossport in County Mayo, possibly one of the most beautiful places I’ve ever been.

My Saturday at Rossport Summer Gathering was spent in various workshops, hearing from locals who have struggled against the pipeline, talking about ways in which communities can be linked up, watching a gorgeous live animation about Grace O’Malley, the Pirate Queen of Mayo, playing football, ceilidh-ing into the sunset and possibly my highlight: hearing Niall Harnett (currently still incarcerated in prison – see my previous blog) speak live over the Pedals PA system from Castlerea.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
GKM Rossport Saturday by Amelia Gregory

On Sunday more workshops were followed by possibly the funniest, most surreal and enjoyable mass action ever. Gathering our spades we set off en masse with the locals to dig a hole on Glengad Beach where Shell’s oily pipeline has been illegally laid in an attempt to get a head start on planning permission. This was necessarily a bit of a fool’s mission since we didn’t really believe our merry gang would actually expose the pipe, even with the help of many burly hands.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory

Shell has hired private security to live above this remote beach 24/7 in order to intimidate anyone who makes a fuss, and if our intention was to freak out them out then our action could be considered a success. It took awhile, but after several hours of energetic digging and sand slinging a number of curiously stereotypical security staff finally appeared at the top of the rise, whereupon a group of us gleefully scrambled up to dance in front of their less than well hidden film cameras.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory

Eventually most people got bored and hungry enough to wander off in search of supper so we never did reach Australia, or even the pipe, which was presumably laid far deeper by machines than we could ever hope to reach. But it felt so so empowering and was certainly the most joyous action I’ve ever taken part in.

Rossport Solidarity Camp by Amelia Gregory

Since we were there for the June gathering the real work has started in earnest, as Shell sets out to drill 80 boreholes along the coastline to complete the survey for the pipeline. Because the estuary near Glengad Beach is part of the Broadhaven Bay Special Area of Conservation they will have to stop drilling when the Brent Geese arrive in October, but in the meantime the operation is damaging parts of the estuary and disturbing Atlantic salmon, otters and rare birds found on the intertidal areas.

The folks living at Rossport have therefore launched the Beat the Boreholes campaign calling for groups or individuals to come and stop a specific borehole this summer – by doing anything from holding a banner and walking out onto the sands, or getting in the way by kayaking out to and boarding the drilling rigs. The plan is to make progress so impossible that the surveys cannot be completed this year, thereby holding up the implementation of the pipeline and costing Shell even more money in the process.

Rossport Solidarity Camp by Amelia Gregory

The idea was inspired by the 365 day blockade at Faslane nuclear base in Scotland – a place I have also visited and helped to blockade way back in 2005 when I was at the G8 protests at Stirling.

Rossport Solidarity Camp by Amelia Gregory
Kayak training.

News just in: Only a few weeks ago a group of campaigners set out on kayaks and rafts to try and stop work on one of the drilling platforms. They were met by a group of Gardai (Irish police) and had their kayaks overturned. One of the activists attempted to swim under the platform and was manhandled aboard their boat even though he volunteered to leave the area. His throat was pinched to cut off the air supply as a Garda whispered in his ear “I have your last breath in my hands.” He later received medical treatment.

Rossport Solidarity Camp by Amelia Gregory
It looks so peaceful doesn’t it?

There has been continuous human rights abuse at Rossport, just one more reason why you should get along and help out – your presence will help whatever action you chose to take when you are there, so don’t feel that you have to get all the way into the water like some brave souls. It really is so important to keep the pressure on at flashpoints like Rossport, and Erris is a place you will fall in love with. Find out more information about going to Rossport here.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory

Categories ,Beat the Boreholes, ,bicycology, ,Broadhaven Bay, ,County Mayo, ,Direct Action, ,Erris, ,Faslane, ,G8, ,Glengad Beach, ,ireland, ,Merthyr to Mayo, ,Niall Harnett, ,Nuclear, ,Pedals, ,Rossport, ,Shell, ,Solidarity Camp, ,Stirling

Similar Posts:






Amelia’s Magazine | Rossport Solidarity Camp Summer Gathering 2010

Way back in 2007, shop Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, decease who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Way back in 2007, sale Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, sales who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, erectile performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Way back in 2007, for sale Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, search who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, site performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Go to Johnny’s MySpace and website for lots more, including his newly released tour dates.

Way back in 2007, ed Amelia’s Magazine was one of the first to recognise the raw talent of a young Johnny Flynn, who won us over with the delicately nuanced themes in his poetic and lyrical songwriting. (The fact that he could wield a Gibson guitar like nobodies business also helped make him alright in our books). Fast forward to today and it’s safe to say that the kid done good. Supporting Mumford & Sons in their upcoming October tour, performing at summer festivals all over the country (including this weekends Cambridge Folk Festival) and collaborating with Laura Marling and Anna Calvi, Johnny has more than established himself in the British folk canon. But Johnny is no one trick pony; his new album Been Listening shows a strong appreciation of musical diversity, and gives respectful nods to early 20th Century blues, African music, and even takes inspiration from Herman Hesse’s Siddhartha. His creative streak runs deep, and the animated video for his new single, Barnacled Warship (released August 16th) is a dark dystopia directed by Christian DeVita, lead storyboard artist on Wes Anderson’s ‘Fantastic Mr Fox’ as well as Tim Burton’s forthcoming ‘Frankenweenie’.

So, as you can imagine, we felt that a catch-up with Johnny was long overdue, and so when we were approached by his team to do a video interview, it was only a matter of fighting over which contributor was the biggest fan (the honour went to the lovely Chloe) and then we were ready to go!
Watch the feature for Barnacled Warship here:
YouTube Preview Image

Go to Johnny’s MySpace and website for lots more, including his newly released tour dates.

Rossport Solidarity Camp by Amelia Gregory
All photography by Amelia Gregory.

You may remember way back in the mists of time, this web well, viagra buy at the start of June at any rate, cialis 40mg that I went off on a solidarity bike ride to Rossport in County Mayo. I got the biking part written up but as is usual it’s taken me forever to get this last part together – but maybe that’s no bad thing because it means I can give you a much more up to date account of happenings over on Glengad Beach, Rossport in County Mayo, possibly one of the most beautiful places I’ve ever been.

My Saturday at Rossport Summer Gathering was spent in various workshops, hearing from locals who have struggled against the pipeline, talking about ways in which communities can be linked up, watching a gorgeous live animation about Grace O’Malley, the Pirate Queen of Mayo, playing football, ceilidh-ing into the sunset and possibly my highlight: hearing Niall Harnett (currently still incarcerated in prison – see my previous blog) speak live over the Pedals PA system from Castlerea.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
GKM Rossport Saturday by Amelia Gregory

On Sunday more workshops were followed by possibly the funniest, most surreal and enjoyable mass action ever. Gathering our spades we set off en masse with the locals to dig a hole on Glengad Beach where Shell’s oily pipeline has been illegally laid in an attempt to get a head start on planning permission. This was necessarily a bit of a fool’s mission since we didn’t really believe our merry gang would actually expose the pipe, even with the help of many burly hands.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory

Shell has hired private security to live above this remote beach 24/7 in order to intimidate anyone who makes a fuss, and if our intention was to freak out them out then our action could be considered a success. It took awhile, but after several hours of energetic digging and sand slinging a number of curiously stereotypical security staff finally appeared at the top of the rise, whereupon a group of us gleefully scrambled up to dance in front of their less than well hidden film cameras.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory

Eventually most people got bored and hungry enough to wander off in search of supper so we never did reach Australia, or even the pipe, which was presumably laid far deeper by machines than we could ever hope to reach. But it felt so so empowering and was certainly the most joyous action I’ve ever taken part in.

Rossport Solidarity Camp by Amelia Gregory

Since we were there for the June gathering the real work has started in earnest, as Shell sets out to drill 80 boreholes along the coastline to complete the survey for the pipeline. Because the estuary near Glengad Beach is part of the Broadhaven Bay Special Area of Conservation they will have to stop drilling when the Brent Geese arrive in October, but in the meantime the operation is damaging parts of the estuary and disturbing Atlantic salmon, otters and rare birds found on the intertidal areas.

The folks living at Rossport have therefore launched the Beat the Boreholes campaign calling for groups or individuals to come and stop a specific borehole this summer – by doing anything from holding a banner and walking out onto the sands, or getting in the way by kayaking out to and boarding the drilling rigs. The plan is to make progress so impossible that the surveys cannot be completed this year, thereby holding up the implementation of the pipeline and costing Shell even more money in the process.

Rossport Solidarity Camp by Amelia Gregory

The idea was inspired by the 365 day blockade at Faslane nuclear base in Scotland – a place I have also visited and helped to blockade way back in 2005 when I was at the G8 protests at Stirling.

Rossport Solidarity Camp by Amelia Gregory
Kayak training.

News just in: Only a few weeks ago a group of campaigners set out on kayaks and rafts to try and stop work on one of the drilling platforms. They were met by a group of Gardai (Irish police) and had their kayaks overturned. One of the activists attempted to swim under the platform and was manhandled aboard their boat even though he volunteered to leave the area. His throat was pinched to cut off the air supply as a Garda whispered in his ear “I have your last breath in my hands.” He later received medical treatment.

Rossport Solidarity Camp by Amelia Gregory
It looks so peaceful doesn’t it?

There has been continuous human rights abuse at Rossport, just one more reason why you should get along and help out – your presence will help whatever action you chose to take when you are there, so don’t feel that you have to get all the way into the water like some brave souls. It really is so important to keep the pressure on at flashpoints like Rossport, and Erris is a place you will fall in love with. Find out more information about going to Rossport here.

Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory
Rossport Solidarity Camp by Amelia Gregory

Categories ,Beat the Boreholes, ,bicycology, ,Broadhaven Bay, ,County Mayo, ,Direct Action, ,Erris, ,Faslane, ,G8, ,Glengad Beach, ,ireland, ,Merthyr to Mayo, ,Niall Harnett, ,Nuclear, ,Pedals, ,Rossport, ,Shell, ,Solidarity Camp, ,Stirling

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Amelia’s Magazine | Sweet Crude film takes on Chevron, Exxon and Shell in the Niger Delta

Ruby Suns - Fight Softly

Poor Ruby Suns. You work for months and months, site site day and night, seek in a windowless studio writing, this recording and producing your third album, tweaking knobs, perfecting your art and getting all excited about it, only to get to release date to find that numerous other bands with a similar musical style and influence have released their latest critically acclaimed and commercially successful albums before you. Gutted. While Yeasayer, Animal Collective and Fleet Foxes bask in the glory of recent albums that made the public and critics alike sit up and applaud, new album ‘Fight Softly’ from kiwi band The Ruby Suns just sounds like more of the same. And perhaps, dare I say it, not even as good? It’s even more disheartening when you think that The Ruby Suns released their first self titled electro indie pop album in 2005, when ‘Fleet Foxes’ and ‘Odd Blood’ were nothing more than a twinkle in their creators’ eyes.

Ryan McPhun – Californian-born, New Zealand resident, and axis on which The Ruby Suns spin – is clearly an expert in the technical workings of electronica and the ins-and-outs of world music. Every possible synth sound is used to the point of overload on this record, with 80s new-wave chord sequences, afro and tropicalia beats, spiralling sustain, echoing electro vocals and close harmonies coming thick and fast to produce an eclectic, experimental and sometimes challenging sound. Like a kid with a new keyboard for Christmas, every button has been pushed and every effect has been used.

It is an undeniably uplifting and, at times, euphoric record with some genuine feel-good moments, such as stand out track and lead single ‘Cranberry’, which makes you feel like grabbing a Pina Colada, donning a Lei and limboing under the nearest low fence. ‘Closet Astrologer’ is an epic, spacious affair, replete with McPhun’s wavering, delicate vocals, echoing beats, wistful basslines and twinkling keys. What seems to be lacking, however, is a bit of raw emotion. This is a very introverted affair – it is strangely detached, and therefore left me cold.

The influence of such records as Fleetwood Mac’s ‘Tango In The Night’ and Kate Bush’s ‘Hounds Of Love’ are constantly hovering over this album in such a commanding way that I found myself hankering for “Little Lies” and “Running Up That Hill” rather than “Closet Astrologer” and “Two Humans”. While these two tracks are good, they’re simply not as good as their original influences.

Whether it is because I heard this album after the likes of ‘Odd Blood’ and ‘Merriweather Post Pavillion’, or whether it ‘s just not as impressive an album, I was left feeling that ‘Fight Softly’, although interesting, stirring and genuinely enjoyable in places, lacked the innovation, the soul and the jolting originality of it’s contemporaries. Had this record come out a year ago, it might have been a very different story altogether.
Curse Of The Black Gold: exposing the exploitation of the Niger Delta and its people. All illustrations by Zöe Barker.

Despite being a fervent film fan, nurse I’ve never managed to blag my way into a film festival before, ed so was I excited by the prospect of attending this one? Well, see truth be told, not enormously – after all, it was taking place at the Shaw Theatre, a venue at which I once encountered the ‘comedy’ stylings of Simon Amstell. Hmmm. Nah, that may be a little harsh; although Amstell was rubbish, the rest of the comedy night I went to wasn’t terrible – it was in aid of a ‘free Tibet’ campaign after all.

Anyway, despite my misgivings, was I shaken and stirred by what I witnessed at the Artivist Film Festival? Well, on the one hand, yes; on the other, no, afraid not.

This film festival has been around for seven years, claiming to address human rights, environmental preservation and children and animal advocacy, as it strengthens the voice of socially conscious filmmakers or artists – ‘artivists’. It originated in the US – Los Angeles and New York – and crossed the Atlantic to London; this year it takes place in these three cities at different times in the year, but in the past has also visited Tokyo, Mexico City and Lisbon. The 2010 London leg took place on Friday evening and all-day Saturday and, taking in two shows on Saturday evening, I saw a short film followed by a feature film and another short followed by another feature.

The first short/ feature double bill focused on the exploitation of the Niger Delta by the multinational oil companies present there and the Nigerian government. The short, ‘Curse Of The Black Gold’ (directed by Julie Winokur), was an 8-minute blitzkrieg of information – visual, written and spoken – made up of the work of photojournalist Ed Kashi, statistics and opinions of Nigerian activists and poets. But, really, it was merely a prelude to the main course that was to come – the feature film ‘Sweet Crude ’ (directed by Sandy Cioffi).

I’ll be honest from the off, this film has left rather a profound effect on me. Documentary maker Cioffi has successfully managed not just to harness the story, excellently explained, of the 50-year exploitation of the Niger Delta, but also shows the viewer how, by making this docu, she effectively became an activist for the region’s people in their crusade – both peaceful and regrettably violent – against the corrupt Nigerian government and Chevron, Exxon and Shell, who together have blighted and continually try to force these people out of their ancestral homeland. Not just that, her film effectively and dramatically spells out how an offshoot of the Nigerian army, the JTF (Joint Task Force), has killed innocent people of the Niger Delta, and displays how the US TV network ABC has completely misinformed the public on the interests and actions of the armed Delta resistance group MEND (Movement for the Emancipation of the Niger Delta), bizarrely concluding on no evidence whatsoever that this group may be linked to Al-Quaeda.

For anybody with any interest in the corruption of the oil multinationals and our continuing dependence on oil-derived energy, Sweet Crude is essential viewing. Really. It’s deservedly won 14 awards at 33 film festivals. Sandy Cioffi herself was on hand at a Q&A after the showing and said that, in conjunction with the US organisation Justice In Nigeria Now! and the UK movement Oil Change International, she is working on securing a theatrical release for the film in the US. Indeed, if that comes about, perhaps a UK release may follow? And – I must admit, to my surprise – despite the complexity and deep-rooted nature of the problems in the Niger Delta and all her experiences in making her documentary, Cioffi is hopeful that some sort of satisfactory resolution can be reached. She claims this comes from her time spent making a documentary in Northern Ireland at the time when the Good Friday Agreement was struck – an agreement by local government that seemed impossible to reach for many years. One must admire her optimism.

Ice Bears Of The Beaufort: Even David Attenborough might not be impressed…

Unfortunately, following the fireworks of the previous show, the second short/ feature double bill was certainly a let-down. It started off with ’Abe’ (directed by Khen Shalem), which featured a golden retriever dog’s experiences once his owner dies. Frankly, if it were supposed to emit sadness among the audience for its canine protagonist’s plight, it didn’t work for me. At the end, Abe ends up in kennels with another load of dogs, presumably ready to be picked up and adopted by another owner one day? Hardly the heavy ending I suspected I might see following the sunny, too-good-to-be true start. This was more a misfiring student film with high production values than the harsh reality check it could have been. Probably I’d have felt differently if I were more of a dog person?

And if the short disappointed, its partner feature film, the documentary ‘Ice Bears Of The Beaufort’ (directed Arthur C Smith III) really did. To be honest, I didn’t really get what the point of it was at all. It showed a year in the life of a group of polar bears in ‘the last balanced arctic ecosystem in Alaska’, which we’re informed at the start is under threat from oil drilling. But that’s all we got. There was no further hint at this growing threat, just 52 minutes – that’s right 52 minutes! – of polar bears rolling about and playing in the snow and arctic sea set to what sounded like a Jean Michel Jarre soundtrack. Quite simply, it’s an hour I’m never getting back. Oh, and besides me, there were only about six people who’d also bothered to see it. Maybe those who hadn’t come back from the previous films knew something we didn’t.

So, for me, the Artivist Film Festival was a mixed bag. However, for giving me the chance to educate myself on the situation in the Niger Delta through the documentary Sweet Crude, I must say it was also very worth my time going along – for, as the final line of said film asked about the region, what if the world paid attention before it was too late…?

Categories ,Adam Bollard, ,Artivist Film Festival, ,chevron, ,Curse Of The Black Gold, ,Exxon, ,Jean Michel Jarre, ,Niger Delta, ,Sandy Cioffa, ,Shell, ,Sweet Crude

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Amelia’s Magazine | The Science Museum Climate Science Gallery Cockroach Tour with Superflex

Kuni Awai Darkroom Valentines
Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, healing and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, buy information pills dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, order all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link. Offer closes on 8th February so get in there fast.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Categories ,Climate Change, ,Climate Change Science gallery, ,Climate Science Gallery, ,Cockroach Tour, ,Exhibition Road, ,Geiko Louve, ,Jessica Holt, ,Karla Pérez Manrique, ,Maria Papadimitriou, ,Mina Bach., ,Sarah Matthews, ,Science Museum, ,Shell, ,Superflex, ,Trash Fashion

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Amelia’s Magazine | The Science Museum Climate Science Gallery Cockroach Tour with Superflex

Kuni Awai Darkroom Valentines
Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, healing and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, buy information pills dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, order all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link. Offer closes on 8th February so get in there fast.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Categories ,Climate Change, ,Climate Change Science gallery, ,Climate Science Gallery, ,Cockroach Tour, ,Exhibition Road, ,Geiko Louve, ,Jessica Holt, ,Karla Pérez Manrique, ,Maria Papadimitriou, ,Mina Bach., ,Sarah Matthews, ,Science Museum, ,Shell, ,Superflex, ,Trash Fashion

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Amelia’s Magazine | Illustration exhibition: Zoë Barker’s Values

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.
Alex Noble by Alia Gargum
Alex Noble Soft Death by Alia Gargum.

Alex Noble creates cross disciplinary creative projects under the umbrella name of Alex Noble studio and is represented by the uber cool Ella Dror PR. He’s worked for super stylist (and now creative director of Mugler) Nicola Formichetti on projects for Lady Gaga, health and on photo shoots for Ellen Von Unworth and Mario Testino amongst many others. For two years he helped create props for the windows in Selfridges… the list of his creative collaborations goes on and on.

But for his Soft Death collection Alex Noble has decided to embrace the couture market with an anatomically themed first collection. Presented in the crypt of St Martin in the Fields, page this was an ambitious installation of mannequins, information pills live models and music courtesy of Hannah Holland.

Surrounded by industrial rubber piping that emulated intestines, beautiful light as lace concoctions and encrusted with beading swung from simple stands in black and pale yellows, creams and rusts. A strange alien-esque mould of a rib cape lay on green netted surgical bedding, it’s crystallised spine glinting like a rare treasure.

At the far end of the room three uncomfortable looking models displayed the designs on pedestals – presumably they had been there for awhile. One sported an appliqued skeleton suit which would make the most fabulous Halloween outfit, another had vein like patterns creeping across her body. But it was the bandaged ball gown that made the most impression on me – the model swaddled with tightly crossed strips of silken fabric that extended across her head and over one eye. The model was clearly so pissed off with her lot that she could barely contain her annoyance, even while I took a photo.

It’s obvious why Alex Noble is so beloved of exhibitionistic pop stars like Gaga, but the delicate frailty of his gorgeous couture gowns could just as easily attract rich patrons of a less outrageous nature. The rarefied world of couture is not an easy world to crack, so I will be intrigued to see what Alex Noble does next.

Alex Noble by Alia Gargum
Alex Noble Soft Death by Alia Gargum.

Alex Noble creates cross disciplinary creative projects under the umbrella name of Alex Noble studio and is represented by the uber cool Ella Dror PR. He’s worked for super stylist (and now creative director of Mugler) Nicola Formichetti on projects for Lady Gaga, recipe and on photo shoots for Ellen Von Unworth and Mario Testino amongst many others. For two years he helped create props for the windows in Selfridges… the list of his creative collaborations goes on and on.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.
Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

But for his Soft Death collection Alex Noble has decided to embrace the couture market with an anatomically themed first collection. Presented in the crypt of St Martin in the Fields, dosage this was an ambitious installation of mannequins, live models and music courtesy of Hannah Holland.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.
Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

Surrounded by industrial rubber piping that emulated intestines, beautiful light as lace concoctions and encrusted with beading swung from simple stands in black and pale yellows, creams and rusts. A strange alien-esque mould of a rib cape lay on green netted surgical bedding, it’s crystallised spine glinting like a rare treasure.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

At the far end of the room three uncomfortable looking models displayed the designs on pedestals – presumably they had been there for awhile. One sported an appliqued skeleton suit which would make the most fabulous Halloween outfit, another had vein like patterns creeping across her body. But it was the bandaged ball gown that made the most impression on me – the model swaddled with tightly crossed strips of silken fabric that extended across her head and over one eye. The model was clearly so pissed off with her lot that she could barely contain her annoyance, even while I took a photo.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.
Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

It’s obvious why Alex Noble is so beloved of exhibitionistic pop stars like Gaga, but the delicate frailty of his gorgeous couture gowns could just as easily attract rich patrons of a less outrageous nature. The rarefied world of couture is not an easy world to crack, so I will be intrigued to see what Alex Noble does next.

Alex Noble by Alia Gargum
Alex Noble Soft Death by Alia Gargum.

Alex Noble creates cross disciplinary creative projects under the umbrella name of Alex Noble studio and is represented by the uber cool Ella Dror PR. He’s worked for super stylist (and now creative director of Mugler) Nicola Formichetti on projects for Lady Gaga, mind and on photo shoots for Ellen Von Unworth and Mario Testino amongst many others. For two years he helped create props for the windows in Selfridges… the list of his creative collaborations goes on and on.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.
Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

But for his Soft Death collection Alex Noble has decided to embrace the couture market with an anatomically themed first collection. Presented in the crypt of St Martin in the Fields, visit web this was an ambitious installation of mannequins, viagra 40mg live models and music courtesy of Hannah Holland.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.
Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

Surrounded by industrial rubber piping that emulated intestines, beautiful light as lace concoctions and encrusted with beading swung from simple stands in black and pale yellows, creams and rusts. A strange alien-esque mould of a rib cape lay on green netted surgical bedding, it’s crystallised spine glinting like a rare treasure.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

At the far end of the room three uncomfortable looking models displayed the designs on pedestals – presumably they had been there for awhile. One sported an appliqued skeleton suit which would make the most fabulous Halloween outfit, another had vein like patterns creeping across her body. But it was the bandaged ball gown that made the most impression on me – the model swaddled with tightly crossed strips of silken fabric that extended across her head and over one eye. The model was clearly so pissed off with her lot that she could barely contain her annoyance, even while I took a photo.

Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.
Alex Noble Soft Death A/W 2011. Photography by Amelia Gregory.

It’s obvious why Alex Noble is so beloved of exhibitionistic pop stars like Gaga, but the delicate frailty of his gorgeous couture gowns could just as easily attract rich patrons of a less outrageous nature. The rarefied world of couture is not an easy world to crack, so I will be intrigued to see what Alex Noble does next.

There is something slightly uneasy about Zoë Barker’s ‘Values’ series. Not the art itself, physician as taken in isolation the images are beautifully, more about meticulously drawn. I’m talking about meaning behind them, which leave you walking away feeling a little awkward. We know that we trade personality for convenience every time we go to Tesco instead of an independent shop, but we do it anyway. But we know we are contributing in a small way to a change that we’re not entirely happy about.

Zoë Barker grew up in a small Suffolk village which was Tesco-free for a long time, before one day she came back to visit family and found a Superstore rudely whacked down right on the high street. This is what prompted the artist and illustrator (and Amelia’s Magazine contributor!) to start her ‘Values’ series.

McDonald’s, Ikea, block housing and packaged holidays are all part of Zoë’s artwork, dramatically juxtaposed against local restaurants, carpenters, classic houses and the English seaside. The pictures are from Zoë’s family albums, but what they represent are things that are local, giving way to brands that lack identity in the sense they could be anywhere. While there is something quite sad about the images, Zoë has been careful to avoid too much nostalgia by making it funny as well; ‘Special things for special friends’ is the tagline for the elderly couple pasted onto the Ann Summers image.

Zoë Barker

The artwork is now on display at the Department of Coffee and Social Affairs, a coffee shop on Leather Lane Market in London’s Holborn area. The coffee house has only been open about ten weeks, located in an old ironmongers shop. The rooms are light and airy with plenty of seats, and the coffee is gunpowder strong, sourced from East London coffee masters Climpson & Sons. Hanging in white frames on white walls, Zoë’s pencil-drawn art is the perfect accompaniment to the space, dominated by the rough brick and wood interior which has been preserved from the old shop. It’s the perfect reminder that not all changes are bad – the ironmongers didn’t make it, but out of the ashes has come something beautiful.

The Department of Coffee and Social Affairs (Note the water tap to the left!)

Zoë Barker’s ‘Values’ runs until 16th May at the Department of Coffee and Social Affairs, 14-16 Leather Lane, EC1N 7SU. For more information see our listing.

Categories ,Ann Summers, ,art, ,Climpson & Sons, ,Department of Coffee and Social Affairs, ,exhibition, ,Holborn, ,Ikea, ,illustration, ,Leather Lane Market, ,london, ,McDonald’s, ,Primark, ,Shell, ,Tesco, ,Values, ,Zöe Barker

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Amelia’s Magazine | Liberate Tate create a Crude Awakening artwork at Tate Modern

blogslam.london

Mr and Mrs Collingham, search illustrated by Krister Selin

When my oldest pal Lydia announced her engagement and subsequent wedding, information pills I struggled to imagine her having a generic do with a meringue dress and posed pictures. Her list of likes include folk and rock music, vintage fashion and living a sustainable day-to-day life. So it was no surprise when she declared that her wedding would take place in the woods.

I apologise in advance if this article may seem a little self-indulgent, and the truth is, it probably is. Well, sod it.


Lydia and Nathan, photographed with a Polaroid SunSnap from 1986

Lydia and Nathan’s day began at the local town hall, with a low key ceremony. I had been so nervous about my continous blubbing throughout the ceremony, but as The Beatles’ Love Me Do skipped on an old portable CD player, my tears turned to laughter. Lydia entered in a floor length Grecian-inspired dress with an artificial pose of sunflowers. Blimey, these civil ceremonies don’t last long do they? Before I knew it, they were Mr and Mrs Collingham and we were ushered outside to pose on the lawn. (Is it a civil ceremony when you get married at a registry office? I hope so).


Camping! Illustrated by Natasha Thompson

Anyway, the festivities began. Car-sharing had been arranged prior to the day (unfortunately there isn’t any easier way of getting around our small network of tiny villages) and guests had been discouraged from travelling from overseas. We arrived at the reception, set in our friend Alice’s beautiful garden. Lydia and Nathan had tried to create a festival vibe, whilst keeping carbon emisions to a minimum. We were all camping! A little camping area had been set up at the entrance to the woods, where tents had been pitched, and for a split second I could have been at any of the summer festivals – coloured tapers adorned the trees and homemade signs with directions had been painted.

Next up – food and booze. The food was incredible, and all locally sourced to reduce the environmental impact. A delicious hog roast, provided by local butchers, was layed on for the meat eaters, but the menu was, by and large, vegan. Lydia’s mum had made a gorgeous mushroom en croute to accompany Ecoworks’ delicious selection of salads.




The food! Illustrated by Kayleigh Bluck

Ecoworks is a community organisation based in Nottinghamshire with ‘the interests of people and the environment at its heart’. They work on conservation and restoration projects and run the FRESH project, which champions regeneration, education in sustainability and health.

They also run courses on how to grow their lovely organic fruit and vegetables and healthy eating. Their Harvest Café van caters at festivals and events and specialises in vegetarian and vegan food (they provided spuds with yummy dahl in the evening, and a veggie breakfast the following day – not that I enjoyed any of the latter as I was nursing a hangover).


Lydia and Nathan in front of their teepee, photographed by Paul Saxby


Illustration by Michelle Urvall Nyrén


Illustration of Polly by Naomi Law

Crude by Liberate Tate

On Saturday October 16th 2010 a whole host of activists are gearing up to take part in a massive demonstration against the crimes of the oil industry in central London. The Crude Awakening protests come not a moment too soon for all those who have suffered at the hands of BP in the Mexican Gulf, stuff Shell in the Niger Delta, and at the hands of countless other oil companies at countless other places across the globe. And still climate change continues apace: this year alone we’ve also seen devastating floods in Pakistan and dreadful droughts in Russia as the glaciers at our poles continue to break apart.

BP oil paint tate

Our love affair with oil is of course helping to drive not only climate change but climate injustice, and yet we are doing nothing to finish our relationship: oil is such a huge part of our lives and continues to lubricate not only the pockets of the rich but the pockets of our arts institutions.

For this reason Liberate Tate and other activists staged another intervention at the Tate Modern Turbine Hall yesterday – ahead of a Tate Board of Trustees meeting. I was supposed to head down and join them but I’ve been somewhat snowed under since my return from Denmark, and fortunately it was recorded very beautifully without me by Felix of You and I Films. At around 5pm a number of black robed activists walked solemnly into the hall and formed a circle before placing tubes of black oil paint on the floor. Then one by one they created their artwork ‘Crude’ by spraying out a great starburst of black oily paint. It was signed and offered to the Tate Modern for its collection.

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Although the Tate has signed up to the 10:10 campaign the institution clearly takes a very narrow view of how it can become more sustainable at the same time as challenging climate change. At a time when public funding cuts will force the arts into ever tighter corners it ultimately remains supremely important that influential organisations such as the Tate think long and hard about where their money comes from. Demonstrations such as these can only serve to increase awareness of how we fund our arts. Anyone is welcome to get involved with Liberate Tate, and I would also urge you to sign up for updates from the good people behind the Crude Awakening protest. Put Saturday October 16th 2010 in your diary now.

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Categories ,1010, ,BP, ,Climate Camp, ,Climate Injustice, ,Crude Awakening, ,Gulf of Mexico, ,Liberate Tate, ,Niger Delta, ,Shell, ,Tate Modern, ,You and I Films

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Amelia’s Magazine | Climate Camp at Glastonbury 2010: Line up information

Glastonbury-June-2009-Climate Camp
Can it really be a year since the last Glastonbury? In 2009, try for the first time, for sale Climate Camp was given it’s very own space in the Dragon Field just above the Craft Field as you wend your way down to Shangri La. This year we’re back to once again educate and entertain festival goers at our beautiful site only a few minutes walk from the Old Railway Line.

Glastonbury-June-2009-Climate Camp workshop
Glastonbury-June-2009-Climate Camp paddling pool
Glastonbury-June-2009-First Aid Kit
Workshops, illness at play, and First Aid Kit playing at the Climate Camp Tripod Stage in 2009.

In 2010 Climate Camp is targeting the Royal Bank of Scotland, which has been bailed out with £50 billion of public money that is now being used to finance the extraction of fossil fuels across the world, with no regard for climate change or the destruction of communities that it causes. We will be camping near the RBS global headquarters in Edinburgh, Scotland, between 19th-25th August, but in the meantime to find out more about why we decided to focus on RBS this year come along and take a look at our exhibition at Glastonbury, then pick up a copy of our Never Mind The Bankers newspaper to peruse over a cup of tea or share with friends. We will be running DIY screenprinting workshops where you can learn how to screenprint your clothing with an anti RBS slogan. Simply bring your own or print onto one of our tshirts or bags. A great activity for kids! There will also be a chance to take part in Tripod Training: Tripods are used to blockade and secure a space on a direct action protest; come find out how to put them up and climb them safely. Good fun, and no previous experience or skills required.

Glastonbury-June-2009-tripod training
Glastonbury-June-2009-tripod training
Tripod Training.

Then of course there is our fabulous music, poetry and comedy line up, put together by yours truly. Read on to find out who will be gracing our Tripod Stage…. Pyramid Stage eat your heart out, this is where the real talent is.

Green-Kite-Midnight
Green Kite Midnight.

When I wrote up about the Climate Camp presence at Glastonbury in 2009 in my blog I talked about my hope that my band Green Kite Midnight would be able to play as the Climate Camp house band in 2010, so I’m very excited to report that we will be doing daily gigs this year. Five years ago I co-founded the barndance troupe Cutashine out of a desire to make traditional collective dancing more fun: after all, what’s better than a dance where you get to meet other people and really work up a sweat?

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With Cutashine I played at gigs all over Glastonbury for several years, then left to start Green Kite Midnight through my contacts in Climate Camp; a band that supports and plays at direct action protests. Our first gig was at the Climate Camp in Bishopsgate during the G20 in April last year, we played to 800 people at the Blackheath Climate Camp in August 2009, and more recently we went on a 10 day solidarity bike ride together to play gigs to support the struggle against the Shell gas pipeline at Rossport in Ireland. With myself as emcee (I’m a gobby shite, so turn your mind away from those boring barn dances you might have attended as a child) we can teach anyone how to barn dance, so please come and join us.

And now for the rest of our fabulous line-up:

anna log
Anna Log
My Luminaries
My Luminaries, photography by James Dean White.

On Thursday we kick off four days of renewably powered music with a fabulous folky female. Anna Log – singer with pop folk band We Aeronauts – will be doing a solo set accompanied by her trusty uke. After our first ceilidh Glastonbury Emerging Talent winners My Luminaries round the evening off with a special semi-acoustic set of their epic indie rock.

Kirsty Almeida
Kirsty Almeida
Danny and the Champions of the World
Danny and the Champions of the World

On Friday Kirsty Almeida opens for us with her bass heavy soulful Bayou blues, then we’re pleased to welcome the epic musical dreamscapes of Newislands, described as Pink Floyd meets Depeche Mode. After that it’s time for some other Climate Camp regulars, Danny Chivers, Claire Fauset and Merrick, to grace the stage with their “triple-headed tag team political poetry extravaganza”. They’re all friends of mine that I’ve seen perform before so I highly recommend their set, which will be repeated on Sunday afternoon. As a closer we have the country-tinged big band folk of Danny and the Champions of the World.

kyla la grange
Kyla la Grange
Patch William
Patch William
The Federals
The Federals
Dry the River
Dry the River

To kick the day off on Saturday we welcome an exclusive Glastonbury appearance from a talented newcomer with a stunning voice; Kyla La Grange creates soaring melodies and is nearing completion of her debut album. Then comes Patch William – the dreamy lovechild of Nick Drake and Jimi Hendrix, who are followed by the scuzzy rock sound of York boys The Federals, described as a cross between the White Stripes and The Beatles. Then, time for a very special guest. Following my interview with Robin Ince a few weeks he very kindly promised to come by and do us a *special secret set* which will be a must see for all comedy fans at the festival. Tell all your friends! And come on by for a very intimate set from this well known comedian. Dry the River end the day with their beautiful melodic folk, singing songs of religion, history and community to rival those of Fleet Foxes and Mumford & Sons.

Pete the Temp
Pete the Temp
Pete Lawrie
Pete Lawrie
Get Cape. Wear Cape. Fly.
Get Cape. Wear Cape. Fly.
Robinson
Robinson

On Sunday we’ve got another packed day to end the festival. Pete the Temp returns to wow us with his comedic eco-political music and spoken word, then we look forward to hearing the bittersweet gospel blues of latecomer Pete Lawrie, who confirmed just as our flyer had gone to print. I am particularly pleased to welcome Get Cape. Wear Cape. Fly. the official moniker of singer songwriter Sam Duckworth. He will be showcasing music from his new album due for release later this year, and I’ve got a soft spot for him because he appeared in the print version of Amelia’s Magazine. Robinson will play a gypsy cajun folk set before we round off the festival with our GRAND RAFFLE. If you see our outreach team out and about please give generously to support Climate Camp and come along to our grand prize giving, which will be hosted by the inimitable Danny Chivers.

Glastonbury-June-2009-Grand Raffle presented by Danny Chivers
The Grand Raffle presented by Danny Chivers in 2009.

Don’t forget to follow myself and Climate Camp on twitter to find out how the festival is going; we can always live in hope that 3G reception will be better than it was last year! But most of all, don’t forget to come and visit us… and bring your friends along with you. I will of course write up a full report on my return. For a reminder of what to expect read my blog from last year here.

For a map and full timing information for all bands and workshops see this listings page.

Categories ,Anna Log, ,blues, ,Climate Camp, ,Danny and the Champions of the World, ,Danny Chivers, ,Depeche Mode, ,Direct Action, ,diy, ,Dry the River, ,Fleet Foxes, ,folk, ,g20, ,Get Cape. Wear Cape. Fly., ,glastonbury, ,Green Fields, ,Green Kite Midnight, ,Jimi Hendrix, ,Kirsty Almeida, ,Kyla la Grange, ,Mumford and Sons, ,Newislands, ,Nick Cave, ,Patch William, ,Pete Lawrie, ,Pete the Temp, ,Pink Floyd, ,Pyramid Stage, ,RBS, ,Robin Ince, ,Robinson, ,Rossport, ,screenprinting, ,Shangri La, ,Shell, ,soul, ,the beatles, ,The Federals, ,Tripod Stage, ,Tripod Training, ,twitter, ,We Aeronauts, ,White Stripes

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