Amelia’s Magazine | Inbar Spector: London Fashion Week A/W 2012 Catwalk Review

Inbar Spector AW 2012 by Mitika Chohan

Inbar Spector AW 2012 by Mitika Chohan

I first came across an Inbar Spector dress on a ‘wall’ created by Gabby Young and Katie Antoniou’s Gabberdashery for Supermarket Sarah. It was a voluminous, twisted, tulle dress in a gorgeous light ocean blue which instantly made an impression on me. Since then I have followed Inbar Spector’s work via her strong presence on Facebook, which has enabled me to have peaks into her studio, see pieces in progress, and get a glimpse of her sweet personality. I also had the pleasure of seeing one of her creations in real life worn by Gabby Young – a fan of Spector’s designs – during Gabby Young and Other Animals’ Koko gig last October.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

So I was quite excited to see Inbar Spector‘s A/W 2012 collection at Fashion Scout’s venue, Freemasons’ Hall. I was certain that I was going to have my dose of the extraordinary, which I very much craved after a couple of less than thrilling London Fashion Week experiences the night before. I was not disappointed: I felt a smile forming the moment the show began. The models, beautifully styled by Hope Von Joel, walked slowly towards the photographers’ pit accompanied by a great soundtrack mixed by Todd Hart.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Love Amelia

Inbar Spector AW 2012 by Love Amelia

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

There was a lot of continuity from S/S 2012. Inbar Spector displayed again her amazing skills in constructing, twisting and knotting generous amounts of silks in soft pastels on metallic faux leather laser cut bodysuits and dresses. The slightly 80s disco metallic bodysuits seemed to me to match perfectly with Todd Hart’s mix, which featured heavily electric keyboard sounds from that decade.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Rosa and Carlotta Crepax Illustrated Moodboard

Inbar Spector AW 2012 by Rosa and Carlotta Crepax Illustrated Moodboard

Inbar Spector AW12 photo by Maria Papadimitriou

This 80s aura helped us escape for a few moments back to a time when we were younger – and maybe richer. The theme to Inbar Spector’s show was indeed Escapism. She quotes ‘fairytales, manga, dreams and circus clowns’ as some of her inspirations for this season. She also makes a connection between the perforated faux leather elements in her clothes – which allow a lot of skin to show through so that one does not know where the real body starts and ends – and people being ‘ruffled’, like some of her clothes, by having plastic surgery and so escaping from the reality of their bodies.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 Lara Jensen headpiece by Love Amelia

Inbar Spector AW 2012 Lara Jensen headpiece by Love Amelia

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Escaping or changing one’s identity or hiding behind something were relevant themes to another star in the show: the elaborately jewelled headpieces by Lara Jensen which fell in front of the models’ faces like masks. They certainly reminded me of lavishly adorned princesses and maidens from tales of exotic places, but I could not help thinking they also had an element of S&M to them, which again created a link to escapism. I think I was aided in this thought by the constant recurrence in the soundtrack mix of the song ‘Obsession’ by the band Army of Lovers.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Novemto Komo

Inbar Spector AW 2012 by Novemto Komo

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Reed Rainer

Inbar Spector AW 2012 by Reed Rainer

Again similarly to what she has done in previous shows, Inbar Spector presented her collection building an impressive crescendo by starting with less theatrical pieces, gradually sending out more and more voluminous garments, finishing off with two numbers which were so heart stopping and exciting the audience could not help but clap, cheer and whistle in keen approval. When in the end a tiny, adorable Inbar walked down the catwalk holding hands with the model who was wearing her gigantic closing number, she was drowned by it in physical terms, but her potential and creativity seemed just as gigantic – and then some.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

All photography by Maria Papadimitriou

Categories ,80s, ,Army of Colours, ,Bodysuit, ,Bride, ,Circus, ,Constructivism, ,Crinolines, ,disco, ,Escapism, ,Exotic, ,fairytales, ,Faux Leather, ,Freemasons’ Hall, ,Gabberdashery, ,gabby young, ,Gabby Young and Other Animals, ,Headpiece, ,Hope Von Joel, ,Illustrated Moodboard, ,Inbar Spector, ,jewellery, ,Katie Antoniou, ,Kerry Jones, ,lace, ,Lara Jensen, ,Laser Cutting, ,London Fashion Week, ,Love Amelia, ,Manga, ,Maria Papadimitriou, ,Masks, ,Metalic, ,Mitika Chohan, ,Novemto Komo, ,Obsession, ,Pastel Colours, ,pastels, ,Perforated, ,Plastic Surgery, ,Reed Rainer, ,Rosa and Carlotta Crepax, ,Ruffles, ,S&M, ,Sadomasochism, ,Silks, ,Supermarket Sarah, ,Todd Hart, ,Vauxhall Fashion Scout

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Amelia’s Magazine | Ji Cheng: London Fashion Week A/W 2012 Catwalk Review

Ji Cheng AW 2012 by Geiko Louve

Ji Cheng A/W 2012 by Geiko Louve

Chinese designer Ji Cheng’s first show in London was held at Vauxhall Fashion Scout on Tuesday 21st February, the last day of London Fashion Week’s womenswear. Jumping ahead of the queue I had a chance to examine my front row goody bag – a proper mini version of some of the bags that later appeared on the catwalk designed by Ji Cheng, not a tote! – and to look through the slides projected on the wall at the start of the runway. The slides showed models dressed in Ji Cheng’s designs posing at striking Chinese landscape locations, mixing with traditional Chinese life activities or getting intimate with some sexy Chinese pottery makers in their workshops. Some showed traditional pots at a rough, unfinished stage that made them look more like minimal, contemporary western pottery.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 by Love Amelia

Ji Cheng A/W 2012 by Love Amelia

Indeed Ji Cheng has a passion for Chinese traditional culture, but her collection, according to her ‘combines the essence of classic Chinese art with modern Western techniques and tailoring’ and she wishes to emphasise through her work ‘the combination of Eastern and Western culture’. For example, Chinese inspired elements such as Kimono wrap dresses, short stand-up collars and thick embroidered belts were on show, but so were some minimal skirts, blouses and shirts fit for a nine-to-five job in the office.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 by Deborah  Moon

Ji Cheng AW 2012 by Deborah Moon

The designer from Shanghai named her A/W 2012 collection Zen Awakening and one could easily see that some of the smoothly draped overlapping lines on the garments and the loose way in which they fell over the body were influenced by Zen monks’ robes and cassocks. This influence was further evident in the model who opened and closed the show, with a striking shaved head like that of a Zen monk. In the press release Ji Cheng made an effort to explain the title Zen Awakening using some rather heavy zen philosophical phraseology such as ‘thought is not thinking’ and referring to ‘higher states of unity’, which I rather enjoyed reading in relation to a fashion show.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Somewhat relevant to the above, the colour scheme of the show was presented in groups of colours. It started with a focus on a traditional Chinese vermilion, then it moved on to more earthly, brownish hues, followed by a number of mainly white pieces, then a number of mainly black ones and finishing off with the last two numbers which had an iridescent, silver hue. In that way it was a bit like the clothes were following the developmental stages – represented by the different colour groups – of a soul on its journey towards Zen Awakening. Scattered here and there were flashes of fluorescent green or orange, like little moments of realisation along the way.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

The pure vermilion, so characteristic of Chinese culture, did not only make an appearance on the clothes, but also on the models’ faces, whose make up was a very toned down, western version of the reddish make up applied on actors taking part in Peking Opera productions – a theme which has been an inspiration for a previous collection by Ji Cheng.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 by Dana Bocai

Ji Cheng A/W 2012 by Dana Bocai

Quite a few of the dresses and blouses featured a very interesting back with cut out panels or huge statement bows. Some of the models carried in their hands really beautifully shaped clutch bags and the shoes had a fabric front, held in place by long ribbons which were tied around the calves in a zigzag fashion. A lot of them left the heel totally exposed, which I thought was not so fit for the modern woman.

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

Ji Cheng AW 2012 photo by Maria Papadimitriou

This was a pleasant collection with an interesting philosophy behind it, so I hope to see how Ji Cheng’s brand La Vie develops over the following seasons showing in London.

All photography by Maria Papadimitriou

Categories ,Chinese, ,Chinese Fashion, ,Chinese Opera, ,Chinese Pottery, ,Clutch Bags, ,Collars, ,Dana Bocai, ,Deborah Moon, ,Eastern, ,Embroidered, ,Fashion Design, ,Fluorescent, ,Freemason’s Hall, ,Geiko Louve, ,Goody Bag, ,Ji Cheng, ,Kerry Jones, ,Kimono, ,La Vie, ,london, ,London Fashion Week, ,Love Amelia, ,Maria Papadimitriou, ,monks, ,Peking Opera, ,Shanghai, ,Silk Blouses, ,Silks, ,Slideshow, ,Vauxhall Fashion Scout, ,Vermilion, ,Western, ,Wrap Dresses, ,Zen, ,Zen Awakening, ,Zigzag

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