Amelia’s Magazine | Pre-London Fashion Week S/S 2011 Interview: Charlie le Mindu


Charlie le Mindu A/W 2010, purchase illustrated by Naomi Law

Cheeky Charlie le Mindu already had quite the reputation when he burst onto the scene in dramatic fashion a couple of years ago. As celebrity hairdresser to the stars, he’d already produced a client list that included the likes of Florence Welsh, Uffie, Lady Gaga and Peaches. His first collection showed the makings of a designer with impact, with dramatic silhouettes, contrasting materials and eery influences. But it was his star performance in the Blow Presents… show for S/S 2009 that really grabbed the media’s attention. His collection, made from human hair and luxe materials, caused a stir in that way that radical fashion does and rendering row after row of fashionista breathless.


Charlie le Mindu, S/S 2010

But what would he do next? Surely you can’t keep on making bonkers frocks from hair, can you? Well, it turns out you can, and last season Charlie had us bouncing up and down with glee with his sexed-up religion-inspired collection – a more refined and sophisticated one that still managed to convey Charlie’s unique vision.

Church bells chimed and haunting cackles played, while androgynous models appeared one after the other sporting racy all-in-one lace numbers and crucifixes atop their heads or cocoon-like headpieces (see the video here).

I managed to catch up with Charlie for a (brief) chat to delve a bit more into the psyche of this weird and wonderful designer. I have to warn you, though – he doesn’t give much away. But in three days it’s time for collection number four – one fashion week’s attendees wait for with immense anticipation.


Charlie le Mindu S/S 2010, illustrated by Steph Parr

Hi Charlie! You’re quickly rising up the fashion ranks, what’s been the highlight of your journey so far?
I think the highlight for the moment is to have met new friends like Anna Trevelayn, who is totally on the same wavelength as me in terms of ideas.

What was the inspiration behind your eery A/W 2010 collection?
It was based on religion and I wanted to show that all religion could be very sexy and dirty at the same time.

What is it about hair that fascinates you so much?
I can do anything I want to do with it. It’s a perfect match of fabrics for me, and it’s the texture I’ve worked with since I was 13!

Of all your celebrity hair clients, who have been the best (or worst) to work with?!
The best one was Carolina Bambina from Kap Bambino and Peaches, because they are my best mates.


Charlie le Mindu, A/W 2010

A number of stylish celebrities have been seen wearing your work, from Gaga to Drew Barrymore. Who else would you like to dress?
I’d love to dress Cher, so much. She is the queen of plastic surgery! She is never gonna die, so I could work with her forever!

How are you preparing for this coming fashion week? Are you excited? Nervous?
I’m very excited – I think it’s going to be my dirtiest show so far!!!

You’re part of the latest breed of London fashion designers who push the boundaries in that unique, raw way. How do you think London fashion compares to the other bigger cities?
I don’t think I push the boundaries, because if I did push it, people wouldn’t come to see my show! I just try to make things fun. And sexy. London fashion is fun, but it’s going to be more fun again in a few years time I think.

Do you find juggling haute coiffure and haute couture a challenge? Which do you prefer?
It’s the same for me, they work together.

What’s next for Charlie Le Mindu?
Maybe opening a shop…!

Categories ,A/W 2010, ,A/W 2011, ,Anna Trevelayn, ,Blow PR, ,Carolina Bambina, ,Charlie le Mindu, ,Cher, ,Crucifix, ,Drew Barrymore, ,Florence Welsh, ,Hair, ,interview, ,Kap Bambino, ,Lady Gaga, ,London Fashion Week, ,Naomi Law, ,Peaches, ,Plastic Surgery, ,preview, ,religion, ,S/S 2009, ,SEX, ,Steph Parr, ,Uffie

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Amelia’s Magazine | Pre-London Fashion Week S/S 2011 Interview: Charlie le Mindu


Charlie le Mindu A/W 2010, purchase illustrated by Naomi Law

Cheeky Charlie le Mindu already had quite the reputation when he burst onto the scene in dramatic fashion a couple of years ago. As celebrity hairdresser to the stars, he’d already produced a client list that included the likes of Florence Welsh, Uffie, Lady Gaga and Peaches. His first collection showed the makings of a designer with impact, with dramatic silhouettes, contrasting materials and eery influences. But it was his star performance in the Blow Presents… show for S/S 2009 that really grabbed the media’s attention. His collection, made from human hair and luxe materials, caused a stir in that way that radical fashion does and rendering row after row of fashionista breathless.


Charlie le Mindu, S/S 2010

But what would he do next? Surely you can’t keep on making bonkers frocks from hair, can you? Well, it turns out you can, and last season Charlie had us bouncing up and down with glee with his sexed-up religion-inspired collection – a more refined and sophisticated one that still managed to convey Charlie’s unique vision.

Church bells chimed and haunting cackles played, while androgynous models appeared one after the other sporting racy all-in-one lace numbers and crucifixes atop their heads or cocoon-like headpieces (see the video here).

I managed to catch up with Charlie for a (brief) chat to delve a bit more into the psyche of this weird and wonderful designer. I have to warn you, though – he doesn’t give much away. But in three days it’s time for collection number four – one fashion week’s attendees wait for with immense anticipation.


Charlie le Mindu S/S 2010, illustrated by Steph Parr

Hi Charlie! You’re quickly rising up the fashion ranks, what’s been the highlight of your journey so far?
I think the highlight for the moment is to have met new friends like Anna Trevelayn, who is totally on the same wavelength as me in terms of ideas.

What was the inspiration behind your eery A/W 2010 collection?
It was based on religion and I wanted to show that all religion could be very sexy and dirty at the same time.

What is it about hair that fascinates you so much?
I can do anything I want to do with it. It’s a perfect match of fabrics for me, and it’s the texture I’ve worked with since I was 13!

Of all your celebrity hair clients, who have been the best (or worst) to work with?!
The best one was Carolina Bambina from Kap Bambino and Peaches, because they are my best mates.


Charlie le Mindu, A/W 2010

A number of stylish celebrities have been seen wearing your work, from Gaga to Drew Barrymore. Who else would you like to dress?
I’d love to dress Cher, so much. She is the queen of plastic surgery! She is never gonna die, so I could work with her forever!

How are you preparing for this coming fashion week? Are you excited? Nervous?
I’m very excited – I think it’s going to be my dirtiest show so far!!!

You’re part of the latest breed of London fashion designers who push the boundaries in that unique, raw way. How do you think London fashion compares to the other bigger cities?
I don’t think I push the boundaries, because if I did push it, people wouldn’t come to see my show! I just try to make things fun. And sexy. London fashion is fun, but it’s going to be more fun again in a few years time I think.

Do you find juggling haute coiffure and haute couture a challenge? Which do you prefer?
It’s the same for me, they work together.

What’s next for Charlie Le Mindu?
Maybe opening a shop…!

Categories ,A/W 2010, ,A/W 2011, ,Anna Trevelayn, ,Blow PR, ,Carolina Bambina, ,Charlie le Mindu, ,Cher, ,Crucifix, ,Drew Barrymore, ,Florence Welsh, ,Hair, ,interview, ,Kap Bambino, ,Lady Gaga, ,London Fashion Week, ,Naomi Law, ,Peaches, ,Plastic Surgery, ,preview, ,religion, ,S/S 2009, ,SEX, ,Steph Parr, ,Uffie

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Amelia’s Magazine | Inbar Spector: London Fashion Week A/W 2012 Catwalk Review

Inbar Spector AW 2012 by Mitika Chohan

Inbar Spector AW 2012 by Mitika Chohan

I first came across an Inbar Spector dress on a ‘wall’ created by Gabby Young and Katie Antoniou’s Gabberdashery for Supermarket Sarah. It was a voluminous, twisted, tulle dress in a gorgeous light ocean blue which instantly made an impression on me. Since then I have followed Inbar Spector’s work via her strong presence on Facebook, which has enabled me to have peaks into her studio, see pieces in progress, and get a glimpse of her sweet personality. I also had the pleasure of seeing one of her creations in real life worn by Gabby Young – a fan of Spector’s designs – during Gabby Young and Other Animals’ Koko gig last October.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

So I was quite excited to see Inbar Spector‘s A/W 2012 collection at Fashion Scout’s venue, Freemasons’ Hall. I was certain that I was going to have my dose of the extraordinary, which I very much craved after a couple of less than thrilling London Fashion Week experiences the night before. I was not disappointed: I felt a smile forming the moment the show began. The models, beautifully styled by Hope Von Joel, walked slowly towards the photographers’ pit accompanied by a great soundtrack mixed by Todd Hart.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Love Amelia

Inbar Spector AW 2012 by Love Amelia

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

There was a lot of continuity from S/S 2012. Inbar Spector displayed again her amazing skills in constructing, twisting and knotting generous amounts of silks in soft pastels on metallic faux leather laser cut bodysuits and dresses. The slightly 80s disco metallic bodysuits seemed to me to match perfectly with Todd Hart’s mix, which featured heavily electric keyboard sounds from that decade.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Rosa and Carlotta Crepax Illustrated Moodboard

Inbar Spector AW 2012 by Rosa and Carlotta Crepax Illustrated Moodboard

Inbar Spector AW12 photo by Maria Papadimitriou

This 80s aura helped us escape for a few moments back to a time when we were younger – and maybe richer. The theme to Inbar Spector’s show was indeed Escapism. She quotes ‘fairytales, manga, dreams and circus clowns’ as some of her inspirations for this season. She also makes a connection between the perforated faux leather elements in her clothes – which allow a lot of skin to show through so that one does not know where the real body starts and ends – and people being ‘ruffled’, like some of her clothes, by having plastic surgery and so escaping from the reality of their bodies.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 Lara Jensen headpiece by Love Amelia

Inbar Spector AW 2012 Lara Jensen headpiece by Love Amelia

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Escaping or changing one’s identity or hiding behind something were relevant themes to another star in the show: the elaborately jewelled headpieces by Lara Jensen which fell in front of the models’ faces like masks. They certainly reminded me of lavishly adorned princesses and maidens from tales of exotic places, but I could not help thinking they also had an element of S&M to them, which again created a link to escapism. I think I was aided in this thought by the constant recurrence in the soundtrack mix of the song ‘Obsession’ by the band Army of Lovers.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Novemto Komo

Inbar Spector AW 2012 by Novemto Komo

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW 2012 by Reed Rainer

Inbar Spector AW 2012 by Reed Rainer

Again similarly to what she has done in previous shows, Inbar Spector presented her collection building an impressive crescendo by starting with less theatrical pieces, gradually sending out more and more voluminous garments, finishing off with two numbers which were so heart stopping and exciting the audience could not help but clap, cheer and whistle in keen approval. When in the end a tiny, adorable Inbar walked down the catwalk holding hands with the model who was wearing her gigantic closing number, she was drowned by it in physical terms, but her potential and creativity seemed just as gigantic – and then some.

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

Inbar Spector AW12 photo by Maria Papadimitriou

All photography by Maria Papadimitriou

Categories ,80s, ,Army of Colours, ,Bodysuit, ,Bride, ,Circus, ,Constructivism, ,Crinolines, ,disco, ,Escapism, ,Exotic, ,fairytales, ,Faux Leather, ,Freemasons’ Hall, ,Gabberdashery, ,gabby young, ,Gabby Young and Other Animals, ,Headpiece, ,Hope Von Joel, ,Illustrated Moodboard, ,Inbar Spector, ,jewellery, ,Katie Antoniou, ,Kerry Jones, ,lace, ,Lara Jensen, ,Laser Cutting, ,London Fashion Week, ,Love Amelia, ,Manga, ,Maria Papadimitriou, ,Masks, ,Metalic, ,Mitika Chohan, ,Novemto Komo, ,Obsession, ,Pastel Colours, ,pastels, ,Perforated, ,Plastic Surgery, ,Reed Rainer, ,Rosa and Carlotta Crepax, ,Ruffles, ,S&M, ,Sadomasochism, ,Silks, ,Supermarket Sarah, ,Todd Hart, ,Vauxhall Fashion Scout

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