Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ziad Ghanem (by Amelia)

This spring, sales the V&A presents a unique exhibition dedicated the Grand Master Japanese couturier, stuff Yohji Yamamoto. The exhibition will celebrate his life and work, and is the first of its kind in the UK. 30 years after Yamamoto debuted in Paris, the V&A has brought together rare examples of his visionary designs.

Here’s an exclusive interview with the exhibition’s curator, Ligaya Salazar. You can also read some of Salazar’s thoughts below, too.
On process
With this project I started roughly two and a half years ago to work on the idea and the concept behind the exhibition, its also a very particular project because you are working with a living designer who you are doing a single retrospective with, working with their team very closely, so in terms of curating, there is much more of a dialogue there than you would probably normally have with a slightly more thematic show.

The focus was more on to find a concept that would work for him, as a designer, because Yohji Yamamoto is very special in the deign world in terms of the way he approaches designing, so the way you want to show his work should be quite different as well….I spent more time looking at ways of displaying his work, ways of showing his work…

On garment selection
I had the incredible honour to be able to go into both his Paris and his Tokyo archives, the Tokyo archives no curator had ever been to, I had all of his archive to look at and to choose from, which made the editing process incredibly hard…it is something you spend a long time doing, talking to Yohji’s team, talking to the designer, making sure you have covered the iconic parts of his career, but also chosen pieces that are most emblematic of the themes that you want to bring out…I stated with an object list that was about six hundred pieces, and that was already a selection of the pieces I saw in the archive and then I had to bring it down to ninety, it was a long and quite arduous process.

On themes
Because it is an installation based exhibition, there isn’t a prescriptive story to tell, or a chronology, it was much more about how people would encounter the garments, for the first time what we are doing is to show everything on open display, on the same height as the viewer, so you are meeting your other, rather than looking up and behind glass, it’s a very different experience of the clothes.

Yohi Yamamoto is at the V&A and at The Wapping Project until 10th July 2011. Look out for a full review coming soon!

Marnie for Ziad Ghanem A/W 2011 by Tigz Rice
Marnie Scarlet for Ziad Ghanem A/W 2011 by Tigz Rice.

Ziad Ghanem‘s Never End, sick Never End, Never End was one of those hotly tipped shows that all my contributors were desperate to go to, so I was promised performance catwalking at its best. What I hadn’t expected was to land a prime seat right opposite Boy George, looking remarkably svelte next to Daniel Lismore.

Boy George and Daniel Lismore. Photography by Amelia Gregory
Boy George and Daniel Lismore. Photography by Amelia Gregory.

I remember the allure of Karma Chameleon, back when a dodgy video was sufficient accompaniment for pop songs of such genius. Colour by Numbers was actually the VERY FIRST album that I owned, given to me by my aunt on good old cassette tape.

YouTube Preview Image

But then, ah, the show!!! This collection was inspired by a horror video game called Silent Hill and the work of Romantic painter John Henry Fuseli, and it explored themes of gothic romance. The press release states that the same garment viewed in a dark, gothic context by one viewer will be interpreted as romantic and liberating by the next.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by Jessica Holt
Ziad Ghanem A/W 2011 by Jessica Holt.

The show opened with a stunning piece of performance, as a red-headed model appeared in gothic Tim Burton-esque make up, black skirts tumbling as she grew before our eyes into a 12 foot monster burlesque bride waving great green feathered fans. Thereafter followed a series of printed, billowing capes and tightly corseted dresses, all accessorised with veils, reddened eyes, cracked cheeks and Joker smiles. Apparently Ziad asked each model to choose their own favourite horror film make up for the show.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by Jamie McGregor
Ziad Ghanem A/W 2011 by Jamie McGregor.

Androgynous models wore chiffon and beaded dresses, a spooky ghost couple trailed rumpled netting behind as they faced the photographers together. Amidst the drama cleverly made outfits showcased traditional haute couture skills using bias cut vintage silk chiffons and duchess satin that flowed around the body.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by The Lovely Wars
Ziad Ghanem A/W 2011 by The Lovely Wars.

A white faced creature smeared its face with black paint and make up took a turn towards our feathered friends: blue winged eyes echoing the giant bird prints on winged dresses. Out stepped a ballet dancer on pointe, edging down the catwalk in frilled lilac, her skull face shrouded in grey. As she retreated backwards a series of busty ladies swept down the catwalk in eminently wearable multi coloured chiffon dresses: amongst them walked transvestites, burlesque artists and a giant lady in grey. I particularly adored the bustle backed electric fuchsia number that emphasised every womanly curve.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by The Lovely Wars
Ziad Ghanem A/W 2011 by The Lovely Wars.

Taking the art of the catwalk to fantastical heights, Ziad Ghanem proved that his shows really are worth the hype, with or without the added bonus of an 80s pop idol in a fabulous yellow fedora. You can read more about his unique selection of models here.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia Gregory
Ziad Ghanem A/W 2011. Photography by Amelia Gregory.

You can also read Florence Massey’s review of the Ziad Ghanem show here.

Categories ,ballet, ,birds, ,boy george, ,Burlesque, ,Chiffon, ,Colour by Numbers, ,couture, ,Daniel Lismore, ,Fashion Scout, ,Florence Massey, ,gothic, ,Helen Crawford, ,Horror, ,Jamie McGregor, ,Jessica Holt, ,John Henry Fuseli, ,Karma Chameleon, ,Marnie Scarlet, ,Never End, ,Romantic, ,Silent Hill, ,The Lovely Wars, ,Tigz Rice, ,tim burton, ,Transvestite, ,Ziad Ghanem

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Ziad Ghanem (by Amelia)

This spring, sales the V&A presents a unique exhibition dedicated the Grand Master Japanese couturier, stuff Yohji Yamamoto. The exhibition will celebrate his life and work, and is the first of its kind in the UK. 30 years after Yamamoto debuted in Paris, the V&A has brought together rare examples of his visionary designs.

Here’s an exclusive interview with the exhibition’s curator, Ligaya Salazar. You can also read some of Salazar’s thoughts below, too.
On process
With this project I started roughly two and a half years ago to work on the idea and the concept behind the exhibition, its also a very particular project because you are working with a living designer who you are doing a single retrospective with, working with their team very closely, so in terms of curating, there is much more of a dialogue there than you would probably normally have with a slightly more thematic show.

The focus was more on to find a concept that would work for him, as a designer, because Yohji Yamamoto is very special in the deign world in terms of the way he approaches designing, so the way you want to show his work should be quite different as well….I spent more time looking at ways of displaying his work, ways of showing his work…

On garment selection
I had the incredible honour to be able to go into both his Paris and his Tokyo archives, the Tokyo archives no curator had ever been to, I had all of his archive to look at and to choose from, which made the editing process incredibly hard…it is something you spend a long time doing, talking to Yohji’s team, talking to the designer, making sure you have covered the iconic parts of his career, but also chosen pieces that are most emblematic of the themes that you want to bring out…I stated with an object list that was about six hundred pieces, and that was already a selection of the pieces I saw in the archive and then I had to bring it down to ninety, it was a long and quite arduous process.

On themes
Because it is an installation based exhibition, there isn’t a prescriptive story to tell, or a chronology, it was much more about how people would encounter the garments, for the first time what we are doing is to show everything on open display, on the same height as the viewer, so you are meeting your other, rather than looking up and behind glass, it’s a very different experience of the clothes.

Yohi Yamamoto is at the V&A and at The Wapping Project until 10th July 2011. Look out for a full review coming soon!

Marnie for Ziad Ghanem A/W 2011 by Tigz Rice
Marnie Scarlet for Ziad Ghanem A/W 2011 by Tigz Rice.

Ziad Ghanem‘s Never End, sick Never End, Never End was one of those hotly tipped shows that all my contributors were desperate to go to, so I was promised performance catwalking at its best. What I hadn’t expected was to land a prime seat right opposite Boy George, looking remarkably svelte next to Daniel Lismore.

Boy George and Daniel Lismore. Photography by Amelia Gregory
Boy George and Daniel Lismore. Photography by Amelia Gregory.

I remember the allure of Karma Chameleon, back when a dodgy video was sufficient accompaniment for pop songs of such genius. Colour by Numbers was actually the VERY FIRST album that I owned, given to me by my aunt on good old cassette tape.

YouTube Preview Image

But then, ah, the show!!! This collection was inspired by a horror video game called Silent Hill and the work of Romantic painter John Henry Fuseli, and it explored themes of gothic romance. The press release states that the same garment viewed in a dark, gothic context by one viewer will be interpreted as romantic and liberating by the next.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by Jessica Holt
Ziad Ghanem A/W 2011 by Jessica Holt.

The show opened with a stunning piece of performance, as a red-headed model appeared in gothic Tim Burton-esque make up, black skirts tumbling as she grew before our eyes into a 12 foot monster burlesque bride waving great green feathered fans. Thereafter followed a series of printed, billowing capes and tightly corseted dresses, all accessorised with veils, reddened eyes, cracked cheeks and Joker smiles. Apparently Ziad asked each model to choose their own favourite horror film make up for the show.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by Jamie McGregor
Ziad Ghanem A/W 2011 by Jamie McGregor.

Androgynous models wore chiffon and beaded dresses, a spooky ghost couple trailed rumpled netting behind as they faced the photographers together. Amidst the drama cleverly made outfits showcased traditional haute couture skills using bias cut vintage silk chiffons and duchess satin that flowed around the body.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by The Lovely Wars
Ziad Ghanem A/W 2011 by The Lovely Wars.

A white faced creature smeared its face with black paint and make up took a turn towards our feathered friends: blue winged eyes echoing the giant bird prints on winged dresses. Out stepped a ballet dancer on pointe, edging down the catwalk in frilled lilac, her skull face shrouded in grey. As she retreated backwards a series of busty ladies swept down the catwalk in eminently wearable multi coloured chiffon dresses: amongst them walked transvestites, burlesque artists and a giant lady in grey. I particularly adored the bustle backed electric fuchsia number that emphasised every womanly curve.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011 by The Lovely Wars
Ziad Ghanem A/W 2011 by The Lovely Wars.

Taking the art of the catwalk to fantastical heights, Ziad Ghanem proved that his shows really are worth the hype, with or without the added bonus of an 80s pop idol in a fabulous yellow fedora. You can read more about his unique selection of models here.

Ziad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia GregoryZiad Ghanem A/W 2011. Photography by Amelia Gregory
Ziad Ghanem A/W 2011. Photography by Amelia Gregory.

You can also read Florence Massey’s review of the Ziad Ghanem show here.

Categories ,ballet, ,birds, ,boy george, ,Burlesque, ,Chiffon, ,Colour by Numbers, ,couture, ,Daniel Lismore, ,Fashion Scout, ,Florence Massey, ,gothic, ,Helen Crawford, ,Horror, ,Jamie McGregor, ,Jessica Holt, ,John Henry Fuseli, ,Karma Chameleon, ,Marnie Scarlet, ,Never End, ,Romantic, ,Silent Hill, ,The Lovely Wars, ,Tigz Rice, ,tim burton, ,Transvestite, ,Ziad Ghanem

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Amelia’s Magazine | The Science Museum Climate Science Gallery Cockroach Tour with Superflex

Kuni Awai Darkroom Valentines
Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, healing and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, buy information pills dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, order all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link. Offer closes on 8th February so get in there fast.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Categories ,Climate Change, ,Climate Change Science gallery, ,Climate Science Gallery, ,Cockroach Tour, ,Exhibition Road, ,Geiko Louve, ,Jessica Holt, ,Karla Pérez Manrique, ,Maria Papadimitriou, ,Mina Bach., ,Sarah Matthews, ,Science Museum, ,Shell, ,Superflex, ,Trash Fashion

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Amelia’s Magazine | The Science Museum Climate Science Gallery Cockroach Tour with Superflex

Kuni Awai Darkroom Valentines
Cockroach-tour-Science-Museum-by-Mina-Bach
Cockroach tour by Mina Bach.

A couple of months ago I was invited to visit the Science Museum to dress up as a Cockroach. How on earth could I resist such an invitation? So it was that with trepidation myself and boyfriend strolled up Exhibition Road on a Saturday afternoon. Who would be our fellow Cockroaches? Children? Families? Other slightly bewildered online journos and bloggers?

Cockroach-couple-by-Sarah-Matthews
Cockroach couple by Sarah Matthews

We arrived at the tail end of nibbles in the lecture theatre, healing and were hastily whisked off to the Cockroach dressing room – right at the front of the museum so that interested passers by (and slightly petrified children) could watch as we donned our Cockroach regalia.

Cockroach Amelia Gregory
That’s me, buy information pills dressed as a cockroach. Photo by Tim Adey.

Cockroach by Jessica Holt
Cockroach by Jessica Holt.

The purpose of all this Cockroach fun? Well you might ask… the Science Museum has just opened a swanky new Climate Change Science gallery, order all swelling colours and interactive screens that change the digital atmosphere. (Immediate thought: what the hell is powering all this technical gadgetry? I was assured it was green energy).

cockroach tour maria papadimitriou
Cockroach tour by Maria Papadimitriou.

The Cockroach Tour is an art installation commissioned from Danish art collective Superflex – wherein my definition of art is VERY stretched – and takes groups of Cockroaches on a tour of the museum that ends up in the high reaches of the Climate Change Science gallery. The aim being to introduce people to the concept of human idiocy, as viewed through the eyes of a Cockroach, one of the oldest and most resilient life forms on the planet.

Cockroach-boy-by-Sarah-Matthews
Cockroach boy by Sarah Matthews.

For this tour we were led by a rapidly overheating actor. Ah yes, the Cockroach costumes. These are made of fibre glass and that rubbery stuff that you find in lots of kid’s toys these days. Hardly sustainably sound in itself, but very fun, even if my shell did bang rather hard against the back of my knees as I scuttled around the exhibits.

Cockroach tour car
Cockroach tour leader

Sample Cockroach talk: “Why do humans eat pizza when the box is so much more preferable?” I must confess that I really wasn’t listening very hard: it was just too damn distracting to gaze upon Cockroach Boyfriend, knowing that I looked equally ridiculous. The tour was indeed funny, but our leader could have been talking total mumbo jumbo and I would still have been chuckling like a mad woman at the looks on people’s faces. Oh how I love to dress up – we spent most of our time trying to out silly each other’s photos. Did we feel like overgrown children? Hell yes, but that’s no bad thing every once in awhile. After a few wrong turnings we arrived at our final destination, with all it’s interactive Climate Change wizardry, where we finally de-Cockroached.

Cockroach man by Sarah Matthews
Cockroach man by Sarah Matthews.

I’d like to turn a totally blind eye to the principal sponsor of this gallery (Shell, cough, greenwash, cough) but there has clearly been a large amount of money thrown at what has now been renamed the Climate Science Gallery in the wake of the Climate Scepticism controversy last year (boo, hiss) – so why not get along and enjoy it? Hell, why not enjoy it dressed as a Cockroach?

Amelia Cockroach from behind
That’s me showing off my shiny cockroach ass in the Climate Science Gallery.

I personally feel I know enough Climate Change Science to last a lifetime, but for somebody who hasn’t got a wide knowledge this would be a really fun way to engage any kids you might have in tow. What’s more, even just this brief visit reminded me just how much there is to see in the Science Museum, which I haven’t really visited since I was a child. And if you need any more reason to get down with the Cockroaches why not check out this very fancy Cockroach Tour video:

YouTube Preview Image

Cockroach tours are being held every weekend until December 2011, and you can find out more about them and book online here. To celebrate the launch of the tours the Science Museum is offering one lucky winner four places on a tour of the weekend 12-13 February – they will be given a hand held camera and their video will be slicky edited into a film for the winner to keep. Oo-er. More information on this link. Offer closes on 8th February so get in there fast.

I’m quite tempted to go back and visit their Trash Fashion exhibition myself.

CUCARACHA  COSMOPOLITA by Geiko Louve
CUCARACHA COSMOPOLITA by Karla Pérez Manrique.

EL BAILE DE LA CUCARACHA by Karla Pérez Manrique
EL BAILE DE LA CUCARACHA by Karla Pérez Manrique.

Categories ,Climate Change, ,Climate Change Science gallery, ,Climate Science Gallery, ,Cockroach Tour, ,Exhibition Road, ,Geiko Louve, ,Jessica Holt, ,Karla Pérez Manrique, ,Maria Papadimitriou, ,Mina Bach., ,Sarah Matthews, ,Science Museum, ,Shell, ,Superflex, ,Trash Fashion

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