Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Georgia Hardinge (by Amelia)

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Georgia Hardinge A/W 2011 by Rebecca Strickson
Georgia Hardinge A/W 2011 by Rebecca Strickson.

I think I might have been unfairly harsh about Georgia Hardinge last season: I take it all back. This was an extraordinary show for the former Ones to Watch candidate. One to Watch Like a Hawk more like. Georgia has been chosen for special Fashion Scout mentoring and this collection proved that all the hype has been totally worthy.

Georgia Hardinge A/W 2011 by Lou Taylor
Georgia Hardinge A/W 2011 by Lou Taylor.

Georgia is undoubtedly enamoured of the dark side of life, find so her A/W collection was inspired by the photographs of Joel-Peter Witkin, visit web who favours themes of death and disfigurement. The prints – ethereal white on black and building on similar ones from last season – were based on internal anatomies, digitally warped to create butterfly-like symmetrical patterning on tops, trousers and figure hugging dresses.

Georgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia Gregory
Georgia Hardinge A/W 2011. Photography by Amelia Gregory.

Georgia Hardinge A/W 2011 by Faye West
Georgia Hardinge A/W 2011 by Faye West.

But it is for her sculptural techniques that Georgia Hardinge has built such a glowing reputation in record time, and this time I was perfectly placed in the front row to admire the intricately layered and pleated dresses, tight trousers and leather jackets up close. By working with the contours of the figure she had created a far more wearable collection than last season, whilst still retaining her singular vision: the show climaxed with a magnificent whorled and hunched cream coat, worn on the shoulders like the carapace of an exotic beetle.

Georgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia GregoryGeorgia Hardinge A/W 2011. Photography by Amelia Gregory
Georgia Hardinge A/W 2011. Photography by Amelia Gregory.

She may have had an under attended grave yard slot early on Saturday morning but Georgia is most definitely one of London Fashion Week’s rising stars. You can read Florence Massey’s review here.

You can see more work by Faye West in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Fashion Scout, ,Faye West, ,Florence Massey, ,Georgia Hardinge, ,Joel-Peter Witkin, ,Lou Taylor, ,Ones To Watch, ,Rebecca Strickson

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Amelia’s Magazine | London Fashion Week A/W 2011 Illustrated Menswear Day Round-Up

C/Bruerberg A/W 2011 by Karla Pérez Manrique
C/Bruerberg A/W 2011 by Karla Pérez Manrique.

Four menswear designers in one fell swoop: Fashion Scout’s Ones to Watch Men was the first of its kind and my last fashion show of the A/W 2011 season.

C/Bruerberg A/W 2011 by Karla Pérez Manrique
C/Bruerberg A/W 2011 by Karla Pérez Manrique.

C/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia Gregory

C/Bruerberg A/W 2011 by Rebecca Strickson
C/Bruerberg A/W 2011 by Rebecca Strickson.

My favourite was undoubtedly the first one out and the one collection designed by a girl. C/Bruerberg produces wonderful knitwear – a raggle-taggle collection of clashing materials, what is ed sickness finely executed lace and draped shapes with sheer panels. Her colour palette was a confident mix of browns and greys with bright green and reds. I loved the playful accessorising of dangling head and neckpieces and the digital prints were equally strong. Camilla Bruerberg graduated from the Oslo National Academy of the Arts in 2008 and has collaborated with Royksopp and the Norwegian theatre.

A.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011 by Alison Day
A.Hallucination A/W 2011 by Alison Day.

This season A.Hallucination by Hwan Sun Park and Chung Chung Lee showed their usual blend of well tailored suits and fine detailing, buy more about focusing on contrasting quilted panels and sweet little touches such as bowties and ruffles. Jacket sleeves were rolled up, unhealthy boots slouched. There was also a range of large bags slung across the back – rucksacks are a big emerging trend for men.

Mr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011 by Jane Young
Mr Lipop A/W 2011 by Jane Young.

Aside from having a rather wonderful/silly name, Mr Lipop produced what was surely the most commercial collection of Ones to Watch, rife with wearable items. Hoods, tailored leather backpacks, loose sheepskin and relaxed suiting was the order of the day. He’s worked as a tailor for Nathan Jenden for several seasons, but maybe a relaxed approach comes from his love of football – not the most obvious choice of hobby for a fashion designer. Bit concerned that was real fur trim though. Naughty step for Mr Pop if so.

Asger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia Gregory
Asger Juel Larson A/W 2011. All photography by Amelia Gregory.

With his Uncle Sam collection Asger Juel Larson drew the most surprised looks from big retail buyers in the front row – maybe because of the crucifix encrusted top hat? Or the feathered headdress made from two entire wings? Or the amazing holey knitwear encrusted with what looked like deflated balloons, worn over leather hot pants and not much else? Surely these are highly sellable items, non? Asger is a London College of Fashion graduate with some considerable hype to his name since being involved with Turkish luxe label Tween. According to the press release he’s inspired by historic events to create a sharp structured silhouette, though I’d say he owes more to the fantasy of High Gothic films.

Asger Juel Larson A/W 2011 by Sam Parr
Asger Juel Larson A/W 2011 by Sam Parr.

When I worked as a stylist I loved styling men far more than women, but because I struggled to find good menswear I invariably ended up using the same brands all the time. So it’s great that the much talked about renaissance in menswear design is finally happening and is getting such great support from Fashion Scout director Martyn Roberts. I look forward to next season with anticipation.


Illustration by Charlotte Hoyle

So yes, help London Fashion Week was yonks ago, for sale and designers are already thinking about their S/S 2012 collections. Soz then, but this has been one hell of a season. Our coverage, if I do say so myself, has been immense. Allow me one last indulgence to tell you about the Fashion East Menswear Installations and London Fashion Week A/W 2011 menswear in general. Here’s a wonderfully photographed and illustrated round-up.

ASTRID ANDERSEN

Illustration by Abby Wright


All photography by Matt Bramford

Astrid Andersen was a bit of a find at the menswear installations… hip-hop sportwear meets luxe fabrics in neons. These poor (but buff) models slumped for four hours. Pity them.

AGI & SAM

Illustration by Faye West



Agi & Sam
brought back the nineties this season with acid face paint and 3D fabrics (they even had 3D specs… and it worked). Padded puffa jackets and gilets in all sorts of vibrant colours and patterns stood out in a sea of sharp tailoring. My model-pity continued, but then I realised they’re probably earning a lot more than I am, so quickly got over it.

CASSETTE PLAYA

Cassette Playa illustrated by Antonia Parker

Cassette Playa was one of my favourite menswear shows this season, with the gold bodies and inspired prints. You can read my full review here and Amelia’s here.

LOU DALTON

Illustration by Izzy Lane

We didn’t get a ticket to see Lou Dalton – AGAIN – but I wasn’t going to let that stop me. Oh no. I borrowed Michael from Anastasia Duck‘s ticket. What I didn’t expect was that the ‘Royal Opera House’ venue advertised was actually one of the tiny rooms off the main entrance, and the show was massively oversubscribed. So that did stop me getting in. Oh, well – at least I made it to Cassette Playa on time. There’s a lovely illustration by Izzy above though, from S/S 2011.

OMAR KASHOURA

Illustration by Matt Thomas

We didn’t get a ticket to Omar Kashoura either – harumph – despite our extensive coverage of his quirky outing last season. You’ll have to make do with Matt’s S/S 2011 illustration above – which, I’m sure you’ll agree, is brilliant anyway.

KTZ

KTZ S/S 2011, illustrated by Sandra Contreras

Unless you’ve been under a rock you’ll know that KTZ was my favourite shows this season – and one of Amelia’s too. Thinking about it leaves me breathless. Read our reviews here and here, and enjoy Sandra’s S/S 2011 illustration above!

MATTHEW MILLER

Illustration by Dan Heffer


Illustration by Sam Tickner

I’ve been fond of Matthew Miller and his collections since I first discovered him a year ago… this season lime green duffel coats fastened with carabiner-style heavy duty locks. Enormous bags also played with this theme, teaming expedition materials with luxe fabrics. Great shoes, too.

NOKI

Illustration by Natsuki Otani

Dr. NOKI was back with his weird and wonderful New Era caps and a new collection of garments made from recycled materials. His model must be the hardest working this season – I’ve seen him everywhere, from here to looking awkward at Jean Pierre Braganza. Read more about Dr Noki in Amelia’s Compendium of Fashion Illustration.

E. TAUTZ

Illustration by Gemma Smith

No ticket. Again. Yawn. But a lovely illustration by Gemma, nevertheless!

See more from Antonia Parker, Natsuki Otani, Faye West and Abby Wright in Amelia’s Compendium of Fashion Illustration!

Categories ,A/W 2011, ,Abby Wright, ,Agi & Sam, ,Antonia Parker, ,Astrid Andersen, ,Cassette Playa, ,Charlotte Hoyle, ,Dan Heffer, ,Dr Noki, ,E. Tautz, ,Fashion East, ,Faye West, ,Gemma Smith, ,KTZ, ,London Fashion Week, ,Matt Thomas, ,Matthew Miller, ,menswear, ,Natsuki Otani, ,Omar Kashoura, ,Sam Tickner, ,Sandra Contreras, ,Somerset House, ,Wednesday

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Amelia’s Magazine | London Fashion Week A/W 2011 Presentation Review: Designers Remix (by Amelia)

Michael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011 by Jenny Lloyd
Michael Van Der Ham A/W 2011 by Jenny Lloyd.

Michael Van Der Ham was held at the New Gen space in Billingsgate, information pills and in the queue I bumped into *name drop alert* Courtney of Forward PR, Jeff Garner of Prophetik, Louisa of Cent Magazine and Jessica of Vogue. Usually I just slink in and out of shows as fast as possible, so it was nice to have a friendly little crew to hang out with as we made the most of free food laid on courtesy of Topshop… glasses of champagne, or juice… and creamy butternut squash risotto served in dinky little pots: quite possibly the best risotto I have ever tasted.

Michael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

This was only Michael Van Der Ham‘s second stand alone show, and as we were ushered in to our seats I was left wondering why the hell it had been so hard to get tickets for New Gen shows… the Billingsgate venue is huge, and the PR girls had to hurry standing tickets into seats as the lights went down. It was not exactly busy for either of the shows that I attended here, so it’s a shame that allocation of tickets was so tight.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011 by Katie HarnettMichael Van Der Ham A/W 2011 by Katie Harnett
Michael Van Der Ham A/W 2011 by Katie Harnett.

Michael Van Der Ham has made his name from a unique cut and paste approach to fashion. Last season he mashed up all sorts of clashing fabrics to create something universally lauded but perhaps not wholly wearable. This season he appeared to address the commerciality question, so first out onto the catwalk came a series of eminently desirable velvet outfits in a range of jewel brights. Each one featured his signature asymmetric draped tailoring, but rendered all in one shade: delicious rose, fuchsia, lime, turquoise and orange.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011 by Madi
Michael Van Der Ham A/W 2011 by Madi.

From then on in we were in more familiar territory: assorted fabric panels and intarsia knitwear inspired by vintage floral paisleys in 70s style shades of purple and orange, complete with accents of lurex. Heavily tasseled trousers were fun for editorial but of questionable taste for the buying public; far more successful were the wide legged high waisted trousers worn with panelled wool crop jackets.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011 by Avril KellyMichael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

But for me the standouts were unquestionably the range of sumptuous velvet dresses. Want. One. Experimenting with more wearable concepts suits Michael Van Der Ham well.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011. Photography by Amelia Gregory.

Michael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

You can read Jemma Crow’s review of this show here and see more of Katie Harnett’s work in Amelia’s Compendium of Fashion Illustration.
Michael Van Der Ham A/W 2011 by Jenny Lloyd
Michael Van Der Ham A/W 2011 by Jenny Lloyd.

Michael Van Der Ham was held at the New Gen space in Billingsgate, approved and in the queue I bumped into *name drop alert* Courtney of Forward PR, Jeff Garner of Prophetik, Louisa of Cent Magazine and Jessica of Vogue. Usually I just slink in and out of shows as fast as possible, so it was nice to have a friendly little crew to hang out with as we made the most of free food laid on courtesy of Topshop… glasses of champagne, or juice… and creamy butternut squash risotto served in dinky little pots: quite possibly the best risotto I have ever tasted.

Michael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

This was only Michael Van Der Ham‘s second stand alone show, and as we were ushered in to our seats I was left wondering why the hell it had been so hard to get tickets for New Gen shows… the Billingsgate venue is huge, and the PR girls had to hurry standing tickets into seats as the lights went down. It was not exactly busy for either of the shows that I attended here, so it’s a shame that allocation of tickets was so tight.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011 by Katie HarnettMichael Van Der Ham A/W 2011 by Katie Harnett
Michael Van Der Ham A/W 2011 by Katie Harnett.

Michael Van Der Ham has made his name from a unique cut and paste approach to fashion. Last season he mashed up all sorts of clashing fabrics to create something universally lauded but perhaps not wholly wearable. This season he appeared to address the commerciality question, so first out onto the catwalk came a series of eminently desirable velvet outfits in a range of jewel brights. Each one featured his signature asymmetric draped tailoring, but rendered all in one shade: delicious rose, fuchsia, lime, turquoise and orange.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011 by Madi
Michael Van Der Ham A/W 2011 by Madi.

From then on in we were in more familiar territory: assorted fabric panels and intarsia knitwear inspired by vintage floral paisleys in 70s style shades of purple and orange, complete with accents of lurex. Heavily tasseled trousers were fun for editorial but of questionable taste for the buying public; far more successful were the wide legged high waisted trousers worn with panelled wool crop jackets.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

But for me the standouts were unquestionably the range of sumptuous velvet dresses. Want. One. Experimenting with more wearable concepts suits Michael Van Der Ham well.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011. Photography by Amelia Gregory.

Michael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

You can read Jemma Crow’s review of this show here and see more of Katie Harnett’s work in Amelia’s Compendium of Fashion Illustration.
Michael Van Der Ham A/W 2011 by Jenny Lloyd
Michael Van Der Ham A/W 2011 by Jenny Lloyd.

Michael Van Der Ham was held at the New Gen space in Billingsgate, viagra and in the queue I bumped into *name drop alert* Courtney of Forward PR, medical Jeff Garner of Prophetik, erectile Louisa of Cent Magazine and Jessica of Vogue. Usually I just slink in and out of shows as fast as possible, so it was nice to have a friendly little crew to hang out with as we made the most of free food laid on courtesy of Topshop… glasses of champagne, or juice… and creamy butternut squash risotto served in dinky little pots: quite possibly the best risotto I have ever tasted.

Michael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

This was only Michael Van Der Ham‘s second stand alone show, and as we were ushered in to our seats I was left wondering why the hell it had been so hard to get tickets for New Gen shows… the Billingsgate venue is huge, and the PR girls had to hurry standing tickets into seats as the lights went down. It was not exactly busy for either of the shows that I attended here, so it’s a shame that allocation of tickets was so tight.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011 by Katie HarnettMichael Van Der Ham A/W 2011 by Katie Harnett
Michael Van Der Ham A/W 2011 by Katie Harnett.

Michael Van Der Ham has made his name from a unique cut and paste approach to fashion. Last season he mashed up all sorts of clashing fabrics to create something universally lauded but perhaps not wholly wearable. This season he appeared to address the commerciality question, so first out onto the catwalk came a series of eminently desirable velvet outfits in a range of jewel brights. Each one featured his signature asymmetric draped tailoring, but rendered all in one shade: delicious rose, fuchsia, lime, turquoise and orange.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011 by Madi
Michael Van Der Ham A/W 2011 by Madi.

From then on in we were in more familiar territory: assorted fabric panels and intarsia knitwear inspired by vintage floral paisleys in 70s style shades of purple and orange, complete with accents of lurex. Heavily tasseled trousers were fun for editorial but of questionable taste for the buying public; far more successful were the wide legged high waisted trousers worn with panelled wool crop jackets.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

But for me the standouts were unquestionably the range of sumptuous velvet dresses. Want. One. Experimenting with more wearable concepts suits Michael Van Der Ham well.

Michael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia GregoryMichael Van Der Ham A/W 2011. Photography by Amelia Gregory
Michael Van Der Ham A/W 2011. Photography by Amelia Gregory.

Michael Van Der Ham A/W 2011 by Avril Kelly
Michael Van Der Ham A/W 2011 by Avril Kelly.

You can read Jemma Crow’s review of this show here and see more of Katie Harnett’s work in Amelia’s Compendium of Fashion Illustration.
Designers Remix by Charlotte Eskildsen. Illustration by Faye West
Designers Remix by Charlotte Eskildsen. Illustration by Faye West.

Designers Remix is a somewhat ridiculous name for the signature brand from Danish designer Charlotte Eskildsen. The press release states that she took as her point of reference the Palais Royal de Paris, ed where architecture by the minimalist Daniel Buren exists alongside traditional buildings and opulent decor. This idea was exemplified in her presentation in the Portico Rooms as Somerset House, mind which featured minimalist clothing worn by models stood against a plain white ground, pilule versus beehived models in curvaceous boned ruffles who posed against painted backgrounds that alluded to the traditional Palais.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix by Charlotte Eskildsen. Illustration by Katherine Tromans
Designers Remix by Charlotte Eskildsen. Illustration by Katherine Tromans.

This duality only became clear on reading the press release: at the show it just came across as two very different collections. Of course, the one which the photographers loved most is not hard to guess. Two models cuddled up against an orange and grey photo-real scene was by far the best presentation idea I’ve seen in some time, and ensured some great images for press – photographers thrusting each other out of the way to get the best faux lesbian picture. Sadly the minimalist crew were not nearly as inspiring… and I felt sorry for the under loved models in their poker straight hair and clean black tailoring.

Designers Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia GregoryDesigners Remix A/W 2011. Photography by Amelia Gregory
Designers Remix A/W 2011. Photography by Amelia Gregory.

Read Jemma Crow’s review of Designers Remix here. You can see more work from Faye West and Katherine Troman in Amelia’s Compendium of Fashion Illustration.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Charlotte Eskildsen, ,Daniel Buren, ,Danish, ,Designers Remix, ,Faye West, ,Jemma Crow, ,Katherine Tromans, ,lfw, ,London Fashion Week, ,minimalist, ,Opulent, ,Palais Royal de Paris, ,Portico Rooms, ,Presentation, ,Somerset House

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Amelia’s Magazine | Lace – Grandma’s Curtains or Fabulous Fashion?

large_Caitlin_Rose

Illustrations by Emma Black

In a genre steeped in tradition, seek Caitlin Rose springs forth like a breath of fresh air. Stripped down to the sweetest bare essentials, her voice rings clear and true, especially when she sings (at times wistfully, often defiantly) about heartbreak and failed relationships. Case in point: Learning To Ride, the opening track of her new album Own Side Now paints a painfully raw snapshot of a first love; “When I was young I used to ride the wild ones, they were lots of fun but they almost took my life. Now all I need is a simple steed, to take me where I need without putting up a fight.”

But while she is a very much a modern girl; smart, opinionated and droll, she is never mocking of her beloved Country music. “I hate a lot of words” she declares in a short video bio of her; eyes shaded by Ray Bans as she stands in front of her place of work, Bobby’s Dairy Dip. She runs through the words in question…. I hate the word “Indie”, and I hate the word ‘Contemporary’…. I hate a lot of words, but ‘Country’s’ a word that I actually really like”.

The popularity of her debut album, “Own Side Now” has meant that a few one off dates have morphed into a full European tour and she draws her summer of English festival appearances to a close with a performance at The End Of The Road Festival on September 11th.

What can we expect from your new album, Own Side Now? Am I right in thinking that it is going to be less acoustic than your debut EP?
It’s a full band record. There’s a pretty stripped down cut of Sinful Wishing Well though.

How did you make your first start into the Nashville music scene? Can you remember your first gig?
My first show was at a pool party and I was 16. I was too nervous to finish any of the songs.
For a time after that I opened shows for my then-boyfriend’s angry suburban punk band. We broke up and he got all the friends so I had to make new ones. Luckily I met some cool people and a few thought I was a decent songwriter. I used to play a dive called the Springwater and whatever anyone else would throw at me. I wasn’t 21 so I took what I could get.

Country music has passed so much of Britian by, it’s almost criminal. If you were to hand pick a record collection for someone who knew nothing about country music, what records would you put in?
How big? I’d suggest a Merle Haggard Greatest Hits album, some Loretta Lynn, John Prine’s first two albums. Marty Robbin’s Gunfighter Ballads. “Our Mother the Mountain” by Townes Van Zandt.
Guy Clark’s “Old No 1″. As much George Jones as possible. Gram Parsons “GP”. Any of Dolly’s old records. Some essential Patsy Cline. “Hank Williams sings Kaw-Liga and other Funny Songs” is a good one too. Some Carter Family. The Louvin Brother’s “Satan is Real” and throw in a couple of Linda Ronstadt’s early records for appropriate country rock measure. Early Tanya Tucker is good too.
I could go on, but that’s already a lot. Country music’s all about the song. If you see a record and you think you might like it, buy it (especially if it’s cheap) and figure out your favorite song. That’s the funnest part.

Can you tell us 5 things that we don’t know about Caitlin Rose?
I sleep on cowboy sheets.

I collect talismans and other people’s I.D.’s.

I’m no good with numbers.

I’m a terrible cook.

I’ve had 5 cavities.

Your songs are already known for being pretty straight talking; are you as straight talking in your day to day life?
Not as much as I would like to be.

If Amelia’s Magazine were to come visit you in Nashville (if you would have us!), what would we get up to?
I’d show you the Country Music Hall of Fame, Webb Pierce’s guitar shaped swimming pool and Dino’s Bar & Grill on Gallatin Road. I’ve also been hearing a lot about amateur wrestling matches held at a hotel downtown, that sound pretty intriguing.

You have already had some pretty major accomplishments in your career; what have been some of the highlights so far for you?
Bonnaroo and the review in German Rolling Stone were both exciting.

I loved the YouTube video of you by Seth Graves; do you still work at Bobbys Dairy Dip? It would be so cool if you do, but I’m thinking that with your music career going stratospheric it’s left little time for anything else.
No, but I miss it a lot, especially the sweet potato fries.

What would you like to have achieved by the time you are 30? (professionally, and personally)?
A few really good albums, a solid band and the cover of the Rolling Stone.
Also, to be completely free of anything resembling a zit or a pimple for the rest of my life. Kids are cool too.

Am I the first person to tell you that your songs give me goose bumps? (I write this in a non-creepy way, I promise you!)
If you’re worried about sounding creepy then I’m worried about sounding arrogant by saying that you’re not the first.


Illustrations by Emma Block

In a genre steeped in tradition, information pills Caitlin Rose springs forth like a breath of fresh air. Stripped down to the sweetest bare essentials, pills her voice rings clear and true, viagra 60mg especially when she sings (at times wistfully, often defiantly) about heartbreak and failed relationships. Case in point: Learning To Ride, the opening track of her new album Own Side Now paints a painfully raw snapshot of a first love; “When I was young I used to ride the wild ones, they were lots of fun but they almost took my life. Now all I need is a simple steed, to take me where I need without putting up a fight.”

But while she is a very much a modern girl; smart, opinionated and droll, she is never mocking of her beloved Country music. “I hate a lot of words” she declares in a short video bio of her; eyes shaded by Ray Bans as she stands in front of her place of work, Bobby’s Dairy Dip. She runs through the words in question…. I hate the word “Indie”, and I hate the word ‘Contemporary’…. I hate a lot of words, but ‘Country’s’ a word that I actually really like”.

The popularity of her debut album, “Own Side Now” has meant that a few one off dates have morphed into a full European tour and she draws her summer of English festival appearances to a close with a performance at The End Of The Road Festival on September 11th.

What can we expect from your new album, Own Side Now? Am I right in thinking that it is going to be less acoustic than your debut EP?
It’s a full band record. There’s a pretty stripped down cut of Sinful Wishing Well though.

How did you make your first start into the Nashville music scene? Can you remember your first gig?
My first show was at a pool party and I was 16. I was too nervous to finish any of the songs.
For a time after that I opened shows for my then-boyfriend’s angry suburban punk band. We broke up and he got all the friends so I had to make new ones. Luckily I met some cool people and a few thought I was a decent songwriter. I used to play a dive called the Springwater and whatever anyone else would throw at me. I wasn’t 21 so I took what I could get.

Country music has passed so much of Britian by, it’s almost criminal. If you were to hand pick a record collection for someone who knew nothing about country music, what records would you put in?
How big? I’d suggest a Merle Haggard Greatest Hits album, some Loretta Lynn, John Prine’s first two albums. Marty Robbin’s Gunfighter Ballads. “Our Mother the Mountain” by Townes Van Zandt.
Guy Clark’s “Old No 1″. As much George Jones as possible. Gram Parsons “GP”. Any of Dolly’s old records. Some essential Patsy Cline. “Hank Williams sings Kaw-Liga and other Funny Songs” is a good one too. Some Carter Family. The Louvin Brother’s “Satan is Real” and throw in a couple of Linda Ronstadt’s early records for appropriate country rock measure. Early Tanya Tucker is good too.
I could go on, but that’s already a lot. Country music’s all about the song. If you see a record and you think you might like it, buy it (especially if it’s cheap) and figure out your favorite song. That’s the funnest part.

Can you tell us 5 things that we don’t know about Caitlin Rose?
I sleep on cowboy sheets.

I collect talismans and other people’s I.D.’s.

I’m no good with numbers.

I’m a terrible cook.

I’ve had 5 cavities.

Your songs are already known for being pretty straight talking; are you as straight talking in your day to day life?
Not as much as I would like to be.

If Amelia’s Magazine were to come visit you in Nashville (if you would have us!), what would we get up to?
I’d show you the Country Music Hall of Fame, Webb Pierce’s guitar shaped swimming pool and Dino’s Bar & Grill on Gallatin Road. I’ve also been hearing a lot about amateur wrestling matches held at a hotel downtown, that sound pretty intriguing.

You have already had some pretty major accomplishments in your career; what have been some of the highlights so far for you?
Bonnaroo and the review in German Rolling Stone were both exciting.

I loved the YouTube video of you by Seth Graves; do you still work at Bobbys Dairy Dip? It would be so cool if you do, but I’m thinking that with your music career going stratospheric it’s left little time for anything else.
No, but I miss it a lot, especially the sweet potato fries.

What would you like to have achieved by the time you are 30? (professionally, and personally)?
A few really good albums, a solid band and the cover of the Rolling Stone.
Also, to be completely free of anything resembling a zit or a pimple for the rest of my life. Kids are cool too.

Am I the first person to tell you that your songs give me goose bumps? (I write this in a non-creepy way, I promise you!)
If you’re worried about sounding creepy then I’m worried about sounding arrogant by saying that you’re not the first.


Illustrations by Emma Block

In a genre steeped in tradition, thumb Caitlin Rose springs forth like a breath of fresh air. Stripped down to the sweetest bare essentials, see her voice rings clear and true, viagra especially when she sings (at times wistfully, often defiantly) about heartbreak and failed relationships. Case in point: Learning To Ride, the opening track of her new album Own Side Now paints a painfully raw snapshot of a first love; “When I was young I used to ride the wild ones, they were lots of fun but they almost took my life. Now all I need is a simple steed, to take me where I need without putting up a fight.”

But while she is a very much a modern girl; smart, opinionated and droll, she is never mocking of her beloved Country music. “I hate a lot of words” she declares in a short video bio of her; eyes shaded by Ray Bans as she stands in front of her place of work, Bobby’s Dairy Dip. She runs through the words in question…. I hate the word “Indie”, and I hate the word ‘Contemporary’…. I hate a lot of words, but ‘Country’s’ a word that I actually really like”.

The popularity of her debut album, Own Side Now has meant that a few one off dates have morphed into a full European tour and she draws her summer of English festival appearances to a close with a performance at The End Of The Road Festival on September 11th.

What can we expect from your new album, Own Side Now? Am I right in thinking that it is going to be less acoustic than your debut EP?
It’s a full band record. There’s a pretty stripped down cut of Sinful Wishing Well though.

How did you make your first start into the Nashville music scene? Can you remember your first gig?
My first show was at a pool party and I was 16. I was too nervous to finish any of the songs.
For a time after that I opened shows for my then-boyfriend’s angry suburban punk band. We broke up and he got all the friends so I had to make new ones. Luckily I met some cool people and a few thought I was a decent songwriter. I used to play a dive called the Springwater and whatever anyone else would throw at me. I wasn’t 21 so I took what I could get.

Country music has passed so much of Britian by, it’s almost criminal. If you were to hand pick a record collection for someone who knew nothing about country music, what records would you put in?
How big? I’d suggest a Merle Haggard Greatest Hits album, some Loretta Lynn, John Prine’s first two albums. Marty Robbin’s Gunfighter Ballads. “Our Mother the Mountain” by Townes Van Zandt.
Guy Clark’s “Old No 1″. As much George Jones as possible. Gram Parsons “GP”. Any of Dolly’s old records. Some essential Patsy Cline. “Hank Williams sings Kaw-Liga and other Funny Songs” is a good one too. Some Carter Family. The Louvin Brother’s “Satan is Real” and throw in a couple of Linda Ronstadt’s early records for appropriate country rock measure. Early Tanya Tucker is good too.
I could go on, but that’s already a lot. Country music’s all about the song. If you see a record and you think you might like it, buy it (especially if it’s cheap) and figure out your favorite song. That’s the funnest part.

Can you tell us 5 things that we don’t know about Caitlin Rose?
I sleep on cowboy sheets.

I collect talismans and other people’s I.D.’s.

I’m no good with numbers.

I’m a terrible cook.

I’ve had 5 cavities.

Your songs are already known for being pretty straight talking; are you as straight talking in your day to day life?
Not as much as I would like to be.

If Amelia’s Magazine were to come visit you in Nashville (if you would have us!), what would we get up to?
I’d show you the Country Music Hall of Fame, Webb Pierce’s guitar shaped swimming pool and Dino’s Bar & Grill on Gallatin Road. I’ve also been hearing a lot about amateur wrestling matches held at a hotel downtown, that sound pretty intriguing.

You have already had some pretty major accomplishments in your career; what have been some of the highlights so far for you?
Bonnaroo and the review in German Rolling Stone were both exciting.

I loved the YouTube video of you by Seth Graves; do you still work at Bobbys Dairy Dip? It would be so cool if you do, but I’m thinking that with your music career going stratospheric it’s left little time for anything else.
No, but I miss it a lot, especially the sweet potato fries.

What would you like to have achieved by the time you are 30? (professionally, and personally)?
A few really good albums, a solid band and the cover of the Rolling Stone.
Also, to be completely free of anything resembling a zit or a pimple for the rest of my life. Kids are cool too.

Am I the first person to tell you that your songs give me goose bumps? (I write this in a non-creepy way, I promise you!)
If you’re worried about sounding creepy then I’m worried about sounding arrogant by saying that you’re not the first.


Illustrations by Emma Block

In a genre steeped in tradition, viagra approved Caitlin Rose springs forth like a breath of fresh air. Stripped down to the sweetest bare essentials, her voice rings clear and true, especially when she sings (at times wistfully, often defiantly) about heartbreak and failed relationships. Case in point: Learning To Ride, the opening track of her new album Own Side Now paints a painfully raw snapshot of a first love; “When I was young I used to ride the wild ones, they were lots of fun but they almost took my life. Now all I need is a simple steed, to take me where I need without putting up a fight.”

But while she is a very much a modern girl; smart, opinionated and droll, she is never mocking of her beloved Country music. “I hate a lot of words” she declares in a short video bio of her; eyes shaded by Ray Bans as she stands in front of her place of work, Bobby’s Dairy Dip. She runs through the words in question…. I hate the word “Indie”, and I hate the word ‘Contemporary’…. I hate a lot of words, but ‘Country’s’ a word that I actually really like”.

The popularity of her debut album, Own Side Now has meant that a few one off dates have morphed into a full European tour and she draws her summer of English festival appearances to a close with a performance at The End Of The Road Festival on September 11th.

What can we expect from your new album, Own Side Now? Am I right in thinking that it is going to be less acoustic than your debut EP?
It’s a full band record. There’s a pretty stripped down cut of Sinful Wishing Well though.

How did you make your first start into the Nashville music scene? Can you remember your first gig?
My first show was at a pool party and I was 16. I was too nervous to finish any of the songs.
For a time after that I opened shows for my then-boyfriend’s angry suburban punk band. We broke up and he got all the friends so I had to make new ones. Luckily I met some cool people and a few thought I was a decent songwriter. I used to play a dive called the Springwater and whatever anyone else would throw at me. I wasn’t 21 so I took what I could get.

Country music has passed so much of Britian by, it’s almost criminal. If you were to hand pick a record collection for someone who knew nothing about country music, what records would you put in?
How big? I’d suggest a Merle Haggard Greatest Hits album, some Loretta Lynn, John Prine’s first two albums. Marty Robbin’s Gunfighter Ballads. “Our Mother the Mountain” by Townes Van Zandt.
Guy Clark’s “Old No 1″. As much George Jones as possible. Gram Parsons “GP”. Any of Dolly’s old records. Some essential Patsy Cline. “Hank Williams sings Kaw-Liga and other Funny Songs” is a good one too. Some Carter Family. The Louvin Brother’s “Satan is Real” and throw in a couple of Linda Ronstadt‘s early records for appropriate country rock measure. Early Tanya Tucker is good too.
I could go on, but that’s already a lot. Country music’s all about the song. If you see a record and you think you might like it, buy it (especially if it’s cheap) and figure out your favorite song. That’s the funnest part.

Can you tell us 5 things that we don’t know about Caitlin Rose?
I sleep on cowboy sheets.

I collect talismans and other people’s I.D.’s.

I’m no good with numbers.

I’m a terrible cook.

I’ve had 5 cavities.

Your songs are already known for being pretty straight talking; are you as straight talking in your day to day life?
Not as much as I would like to be.

If Amelia’s Magazine were to come visit you in Nashville ( if you would have us! ), what would we get up to?
I’d show you the Country Music Hall of Fame, Webb Pierce’s guitar shaped swimming pool and Dino’s Bar & Grill on Gallatin Road. I’ve also been hearing a lot about amateur wrestling matches held at a hotel downtown, that sound pretty intriguing.

You have already had some pretty major accomplishments in your career; what have been some of the highlights so far for you?
Bonnaroo and the review in German Rolling Stone were both exciting.

I loved the YouTube video of you by Seth Graves; do you still work at Bobbys Dairy Dip? It would be so cool if you do, but I’m thinking that with your music career going stratospheric it’s left little time for anything else.
No, but I miss it a lot, especially the sweet potato fries.

What would you like to have achieved by the time you are 30? (professionally, and personally)?
A few really good albums, a solid band and the cover of the Rolling Stone.
Also, to be completely free of anything resembling a zit or a pimple for the rest of my life. Kids are cool too.

Am I the first person to tell you that your songs give me goose bumps? (I write this in a non-creepy way, I promise you!)
If you’re worried about sounding creepy then I’m worried about sounding arrogant by saying that you’re not the first.


Illustrations by Emma Block

In a genre steeped in tradition, doctor Caitlin Rose springs forth like a breath of fresh air. Stripped down to the sweetest bare essentials, sildenafil her voice rings clear and true, especially when she sings (at times wistfully, often defiantly) about heartbreak and failed relationships. Case in point: Learning To Ride, the opening track of her new album Own Side Now paints a painfully raw snapshot of a first love; “When I was young I used to ride the wild ones, they were lots of fun but they almost took my life. Now all I need is a simple steed, to take me where I need without putting up a fight.”

But while she is a very much a modern girl; smart, opinionated and droll, she is never mocking of her beloved Country music. “I hate a lot of words” she declares in a short video bio of her; eyes shaded by Ray Bans as she stands in front of her place of work, Bobby’s Dairy Dip. She runs through the words in question…. I hate the word “Indie”, and I hate the word ‘Contemporary’…. but ‘Country’s’ a word that I actually really like”.

The popularity of her debut album, Own Side Now has meant that a few one off dates have morphed into a full European tour and she draws her summer of English festival appearances to a close with a performance at The End Of The Road Festival on September 11th. Recently we emailed Caitlin a bunch of questions, to find out a little bit more about the twenty-three year old girl who is already drawing comparisons to Patsy Cline.

What can we expect from your new album, Own Side Now? Am I right in thinking that it is going to be less acoustic than your debut EP?
It’s a full band record. There’s a pretty stripped down cut of Sinful Wishing Well though.

How did you make your first start into the Nashville music scene? Can you remember your first gig?
My first show was at a pool party and I was 16. I was too nervous to finish any of the songs.
For a time after that I opened shows for my then-boyfriend’s angry suburban punk band. We broke up and he got all the friends so I had to make new ones. Luckily I met some cool people and a few thought I was a decent songwriter. I used to play a dive called the Springwater and whatever anyone else would throw at me. I wasn’t 21 so I took what I could get.

Country music has passed so much of Britian by, it’s almost criminal. If you were to hand pick a record collection for someone who knew nothing about country music, what records would you put in?
How big? I’d suggest a Merle Haggard Greatest Hits album, some Loretta Lynn, John Prine’s first two albums. Marty Robbin’s Gunfighter Ballads. “Our Mother the Mountain” by Townes Van Zandt.
Guy Clark’s “Old No 1″. As much George Jones as possible. Gram Parsons “GP”. Any of Dolly’s old records. Some essential Patsy Cline. “Hank Williams sings Kaw-Liga and other Funny Songs” is a good one too. Some Carter Family. The Louvin Brother’s “Satan is Real” and throw in a couple of Linda Ronstadt‘s early records for appropriate country rock measure. Early Tanya Tucker is good too.
I could go on, but that’s already a lot. Country music’s all about the song. If you see a record and you think you might like it, buy it (especially if it’s cheap) and figure out your favorite song. That’s the funnest part.

Can you tell us 5 things that we don’t know about Caitlin Rose?
I sleep on cowboy sheets.

I collect talismans and other people’s I.D.’s.

I’m no good with numbers.

I’m a terrible cook.

I’ve had 5 cavities.

Your songs are already known for being pretty straight talking; are you as straight talking in your day to day life?
Not as much as I would like to be.

If Amelia’s Magazine were to come visit you in Nashville ( if you would have us! ), what would we get up to?
I’d show you the Country Music Hall of Fame, Webb Pierce’s guitar shaped swimming pool and Dino’s Bar & Grill on Gallatin Road. I’ve also been hearing a lot about amateur wrestling matches held at a hotel downtown, that sound pretty intriguing.

You have already had some pretty major accomplishments in your career; what have been some of the highlights so far for you?
Bonnaroo and the review in German Rolling Stone were both exciting.

I loved the YouTube video of you by Seth Graves; do you still work at Bobbys Dairy Dip? It would be so cool if you do, but I’m thinking that with your music career going stratospheric it’s left little time for anything else.
No, but I miss it a lot, especially the sweet potato fries.

What would you like to have achieved by the time you are 30? (professionally, and personally)?
A few really good albums, a solid band and the cover of the Rolling Stone.
Also, to be completely free of anything resembling a zit or a pimple for the rest of my life. Kids are cool too.

Am I the first person to tell you that your songs give me goose bumps? (I write this in a non-creepy way, I promise you!)
If you’re worried about sounding creepy then I’m worried about sounding arrogant by saying that you’re not the first.


Minna S/S 2010, here illustrated by Yelena Bryksenkova

Ever uttered the words “I’d love to make my own clothes” but then never actually got round to it? Well you wouldn’t be alone, ampoule myself included. I have the basic skills and desire to want to make my own clothes but find it so easy not to do when you succumb to the call of vintage and second hand shops. The impulse and excitement of rummaging makes you forget your previous desire to be your own individual stylist. But moving into the world of creator actually has massive satisfaction and many bragging benefits.  

There have been so many beautiful trends this summer to inspire us but the one that stood out the most to anyone who is thinking of making their own clothing is lace.

Lace is everywhere, on the catwalks, on the high street, and even on our net curtains! Grannies worldwide will have a stash of vintage lace table cloths and curtains prime for the picking to create beautiful one off designs (Which your friends will never be able to copy), and will please your eco-conscience. 


Illustration by Naomi Law

The high street is a great start for inspiration for design, but there are also some amazing individual finds on the internet too. Check out eco-designer Minna Hepburn; her ‘Minna Classics’ collection is a treasure trove of gorgeous lace designs, feminine and playful, and all manufactured in the UK to help support local businesses. If you’re thinking of starting small, Minna offers inspiration not only in clothing but jewellery too, her ‘Kristiina‘ necklace is entirely hand made and created using recycled fabrics including lace and decorated with buttons and beads, something we could all aspire to do. 

When your creativity has peaked and your fingers are itching with excitement for what your about make, head over to www.instructables.com. this website has pretty much anything you could hope to make on it. Blog updates allow you to fill your days by becoming a crafty expert – not only with lace, you can expand your skills to run on for seasons with the amount of ideas and tutorials.

If your still needing that shopping fix, though – as so many of us do, head down to your local second hand book shop where your most likely to find some great new and old pattern books, where you can cut out the patterns and follow the instructions in detail. 


Illustration by Faye West

Whatever you decide to make enjoy the pleasure of creating your own one off, hand made pieces of clothing. It’s time to start paying visits to your friends and families, wardrobes, cupboards, lofts, and basements, for the treasures you never knew you had. Just remember though, – wait until your grannies have finished with their lace net curtains before you start cutting holes in them and fashioning them into on-trend emsembles!  


Lace detail (and one above) by Yelena Bryksenkova

Look out for an interview with Minna soon… but for now, check out our previous chat with her here.

Categories ,Curtains, ,Do It Yourself, ,fashion, ,Faye West, ,Grannies, ,handmade, ,lace, ,make and do, ,Minna, ,Naomi Law, ,Net, ,Stephanie Ellis, ,Yelena Brykensova

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Amelia’s Magazine | Future Beauty: 30 Years of Japanese Fashion at the Barbican

laura callaghan MA show Kingston
Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, ambulance so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, this including some from other part time contributors to this blog, including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, sale so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, ask including some from other part time contributors to this blog, order including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston

New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, information pills so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, discount including some from other part time contributors to this blog, including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston

New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea, it’s your brand and you want it to be known – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, visit this so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, including some from other part time contributors to this blog, including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston
New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea, it’s your brand and you want it to be known – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, order so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, information pills including some from other part time contributors to this blog, shop including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston
New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea, it’s your brand and you want it to be known – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…


Rei Kawakubo/Comme des Garçons 1997, price illustrated by Faye West

The next few months are an absolute treat for fashion fans – there are exhibitions popping up all over the place. First on my fashionable list was the Barbican‘s offering – a retrospective of the last thirty years of the Japanese avant-garde.

Now anybody who saw the fabulous Viktor & Rolf extravaganza a couple of years ago will know that the Barbican sure knows how to put on a fashion exhibition – the art gallery on the third level of the brutalist ziggurat couldn’t be any better suited: concrete alcoves, information pills pebbled-dashed walls and hard stone floors all add to the atmosphere and with each show you’d be forgiven for thinking the space had been constructed solely for the current exhibition – particularly this one.


Junya Watanabe, dosage illustrated by Baiba Ladiga

To create the feeling of a journey, the gallery has been adorned with translucent drapes that lead you around various examples. We start with magnificent pieces from the grand masters – Yohji Yamamoto, Rei Kawakubo and Issey Miyake feature heavily, as do the newer major players.

The lower level of the exhibition aims to bring together the key ideas and themes that define what we know of the Japanese avant-garde. Ideas like wabi-sabi (beauty in imperfection) and ma (which generally translates as the space between objects) are explained and brought to life with a broad range of examples from the great Japanese masters. Wabi-sabi is explored with examples from Junya Watanabe, Rei Kawakubo et al – fraid hems, unfinished seams and abnormal folds all appear in their collections, and it was this (un)attention to detail and deliberately unfinished aesthetic that first drew attention to the Japanese couturiers.

There are great examples of ma, too; where garments are constructed to work against the female form, they are celebrated. Cue works of wonder like Issey Miyake’s origami numbers, Tao Kurihara’s groundbreaking sculptural pieces and Koji Tatsuno’s ridiculous but wonderful golden brown nylon net dress, which turns the figure into a giant sphere (think pumpkin Hallowe’en costume with Japanese drama.)


Fruits! Illustrated by Gareth A Hopkins

The lower levels also explore broader concepts that have been recurrent in Japanese fashion – shadows, flatness, tradition (and inspiration) and ‘Cool Japan’ (or Fruits as we lovingly refer to this fashion and their wearers). The ‘Cool Japan’ stuff doesn’t float my boat as much as the grand masters and their illustrious heritage. I used to like it, a lot, but I think it’s a little passé these days. Maybe that’s a bit harsh, but when you’ve walked through three decades of expertly cut, uniquley tailored and innovatively crafted Japanese fashion, seeing Hello Kitty pyjamas and Manga t-shirts is a little deflating. Tao Kurihara’s exemplary cable-knit underwear does add some sophistication, though.


Illustration by Lesley Barnes

While I love getting my teeth into a good fashion theme, I often wish that they’d just give us a hand and put things in chronological order. This is a particularly difficult feat to overcome with Japanese fashion – a Junya Watanabe/Comme des Garçons black nylon taffeta coat slash padded puffa jacket with intricate gold chain sits side by side a Rei Kawakubo/Comme des Garçons black gauze skirt and top with interlaced, looped bands from 1983. They could pretty much be from the same collection.

Similarly, a silk 1970s Kenzo blouse is positioned next to a 2005 kimono, which cold be 500 years old, even, but they still fit perfectly together. I guess it is this harmony that has strung Japanese fashion together over the years that makes it so inspiring.


Issey Miyake/A-POC, 1999, illustrated by Naomi Law

Upstairs is a different story and a different designer is celebrated in each of the concrete alcoves. The greats are covered – Yamamoto, Kawakubo, Miyake and Watanabe – along with newer labels like Mintdesigns and Jun Takahashi.

Yohji Yamamoto

Yohji Yamamoto 1999, illustrated by Abby Wright

I do love Mr Yamamoto, who is described as the ‘most poetic’ of the Japanese fashion designers, and it’s easy to see why. But what I love most are his highly charged collections with a hint of cynicism. His juxtaposition of hopelessly romantic silhouettes (drawing inspiration from Western culture and, in particular, Dior’s New Look) and his androgynous forms is, I believe, totally unique even today. Who else combines elements of couture with workwear? Well, maybe Galliano, but that’s besides the point.

There’s a limited selection from his illustrious career in fashion – but I was pleased to see the quilted polyester dress with a modernist bone structure – totally feminine but innovative at the same time. Some Y-3 pieces appear, but they’re totally lost at the side of his master couturier craftsmanship.

Issey Miyake

Illustration by Joana Faria

At first, I thought presenting only Miyake’s latest project – 132 5 – was a bit of an odd choice. ‘Where are his innovative numbers that toyed with gender and influenced so many in the 1980s?’ I wondered. What a complete wonderer I am these days. Some of his A-POC pieces appear downstairs, in particular the dramatic and iconic red knitted numbers.

However, when I actually stopped wondering and had a look at this 132 5 malarkey, I was breathless. This new line, continuing Miyake’s boundary-breaking experiments in materials, feature intricately folded and steam pressed polygons of material – sustainable material, no less! Hooray for Miyake!

On the floor, they don’t look much – well, they’re beautiful but you don’t look like you get much frock for your buck. That is until they’re placed onto the body and they transform into incredible, geometric, sculptural, architectural wonders. Truly breathtaking stuff and my favourite pieces in the entire exhibition.

Rei Kawakubo

Illustration by Alia Gargum

Described as the ‘most influential living fashion designer’, we owe thanks for decades of innovative but wearable menswear to Kawakubo and her legendary brand, Comme des Garçons. With her army of influenceables (Watanabe, Kurihara and most recently, Chitose Abe), Kawakubo is the matriarch of Japanese fashion.

Her iconic Body Meets Dress, Dress Meets Body collection of 1997 broke all the rules, with biological lumps and bumps that challenged Western ideals of the perfect body shape – while the collection’s playful gingham fabrics added a whimsical element. And, while she can mix it up a bit, she can sure do beauty – the pink knitted sweater dress, embroidered with unrivalled craftsmanship and teamed with a tulle bustle, exudes femininity and sparks a nostalgic look at the past.

Junya Watanabe

Junya Watanabe S/S 2003, illustrated by Maria del Carmen Smith

Watanabe is a bit of a character when it comes to fashion. His most shocking move to date was to show a collection entirely of Jacquard trouser suits, which says a lot about his work before that infamous S/S 2010 collection.

Described as the ‘techno couturier’, Watanabe trained under Rei Kawakubo, whose influence shines through in Watanabe’s collections. Sleeping-bag dresses and outlandish headgear features – but beyond the quirkier elements and performance fabrics, Watanabe’s pieces are infinitely wearable.

Mintdesigns

Mintdesigns, illustrated by Antonia Parker

Mintdesigns bring their own blend of innovation to the mix. A combination of unusual materials (translucent plastics, for example) and graphic patterns, this Tokyo twosome are at the forefront of modern Japanese fashion with a younger feel. And I totally dig the dinosaur hat.

Phew! Well, if you’ve got to the end of this post, well done. That was a long one, no? I hope I’ve convinced you to go… you won’t regret it.

All photography by Matt Bramford

Get all the visitors information in our listings section.

Categories ,Abby Wright, ,Antonia Parker, ,Avant-garde, ,Baiba Ladiga, ,barbican, ,Chitose Abe, ,Comme des Garçons, ,exhibition, ,fashion, ,Faye West, ,Gallery, ,Gareth A Hopkins, ,Hello Kitty, ,Issey Miyake, ,japan, ,Japanese fashion, ,Joana Faria, ,Jun Takahashi, ,Junya Watanabe, ,Kenzo, ,Koji Tatsuno, ,Lesley Barnes, ,ma, ,Manga, ,Maria del Carmen Smith, ,Mintdesigns, ,Naomi Law, ,Rei Kawakubo, ,review, ,Tao Kurihara, ,Wabi-sabi, ,Yohji Yamamoto

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Amelia’s Magazine | Future Beauty: 30 Years of Japanese Fashion at the Barbican

laura callaghan MA show Kingston
Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, ambulance so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, this including some from other part time contributors to this blog, including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, sale so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, ask including some from other part time contributors to this blog, order including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston

New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, information pills so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, discount including some from other part time contributors to this blog, including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston

New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea, it’s your brand and you want it to be known – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, visit this so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, including some from other part time contributors to this blog, including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston
New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea, it’s your brand and you want it to be known – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…

Love Amandine Gemma Milly
Illustration by Gemma Milly.

For some reason Kingston buried it’s student graduation shows in the depths of the Tent exhibition during Design Week in London this September. Due to severe overcrowding at the opening party for Tent I was thus unable to attend the graduation preview, order so I have yet to meet graduating illustrator and Amelia’s Magazine favourite Gemma Milly.

I returned the next day to find a real mix of illustration on display, information pills including some from other part time contributors to this blog, shop including the very good Laura Callaghan (we wish she would do more for us!) and Kerry Hyndman, who wrote for us and illustrated her review of a Details on Request art seminar. It seems that many illustrators are coincidentally very good writers too.

Kingston illustration MA Gemma Milly
Gemma Milly’s exhibition space.

Gemma Milly
Gemma’s space came complete with a sheepskin rug upon which sat a little coffee table displaying her MA project, a graphic novel inspired magazine called Agent Amandine. This is a spoof glossy magazine about her heroine Amandine, who escapes the young, free and vacuous life of her single twenty something friends to enter a world of subterfuge. Trust Gemma to come up with something so fabulously original and beautiful to boot: you can even follow the semi-autobiographical exploits of Amandine on her very own blog, Love Amandine. Gemma is known for her wonderfully delicate and desirable female figures so of course her work is perfectly suited to fashion illustration – expect to catch up with her in my upcoming Amelia’s Compendium of Fashion Illustration.

Gemma Milly Italian straw hat
Gemma Milly Amandine cover

Kerry Hyndman
Uses a plethora of techniques, from hand drawn to woodblock to collage to create colourful illustrations. I particularly enjoyed her project, Hyndman’s Illustrated Compendium of International Idioms… but maybe that’s just because she’s gone for that fabulous word Compendium (maybe it’s in the wind…). Here is the illustration for the Portuguese idiom ‘To be left watching to the ships’ meaning to be left with nothing, and for the Norwegian idiom, ‘To be caught with your beard in the mailbox’ – I’m not sure what that one means but it sounds painful… thank god I don’t have a beard.

Kerry Hyndman sailor
kerry hyndman beardpostbox

Laura Callaghan
Although Laura works really well in a beautiful soft colour palette she chose to display an all black and white exhibition for her MA. I absolutely adore how she draws the human figure; with an almost graphic in quality that nevertheless retains a lovely air of femininity.

laura callaghan MA show Kingston
laura callaghan MA show Kingston
laura callaghan MA show Kingston
New discoveries (click on their names to access websites) were:

Sheena Dempsey
Sheena is a brilliant children’s book illustrator who cunningly uses the scaling of objects to create an exciting narrative. She’ll be creating bespoke watercolours that would be an ideal gift for a child’s bedroom in the run up to Christmas – what a fab idea, hop on over to her website and order one if you want something you’ll appreciate just as much as your offspring (or possibly more…)

Sheena Dempsey detail

Suran Park
Until I discovered the Kingston University illustrator’s web page I was, at this point, about to have my customary gripe about the lack of online presence for some of the showcasing illustrators. When I tried to find Suran online (no website given on her show blurb) the only girl I found was a Suran Park at California State University on Facebook who I’m pretty sure is not the same one. Suran in London showed a gorgeous collection of images about a girl who creates beautiful music on an accordion that attracts lots of money and then lots of jealousy. Suran works in oil pastel and Conté crayon to create beautiful whimsical images that would no doubt appeal to young girls, but her current website paints a very different picture – presumably because it hosts only her commercial work that she did in Korea before she came to the UK to study. It’s a real shame she hasn’t updated it yet.

Suran Park
Kingston illustration MA Suran Park
Kingston illustration MA Suran Park-2

Mario Pinheiro
Special shout out to Portuguese Mario Pinheiro who has the most awkwardly named blogspot in the world…APOSIOPESIS WITT-WITT. It’s just as well my investigative skills on google are as good as they are or I would never have found it. I mean, why make it so hard on yourself folks?! When I google your name your website should be on on the first page, right near the top. And the same goes for Kingston University, ahem, which did not at any point show up in my searches for these illustrators. Sort out your SEO, please. The Dog, the Seagull and the Shiny Fish is a kid’s book about how the animals band together to save the inept humans. Maybe Mario has a pet dog with some dexterous paws who could sort out his website name? Oh woops, I seem to have changed your url to Mario-Pinheiro.com. Well I never how did that happen? Woof.

Kingston MA Mario Pinheiro

Dadalin Nimsomboon (best name EVA, fact)
I loved this top image – evocatively titled Strong Massage – by Dadalin, from a book about how to deal with stress. Obviously this would possibly not be the best way to solve stress as the tiger might eat you and the elephant might squash you, but I do like a bit of whimsy.

Dadalin Nimsomboon strong massage
Dadalin Nimsomboon paint nails

Jes Hunt
Jes worked in stark black on white to make her story of isolation and depression in the Appalachian mountains all the more haunting… “they inhabit a bare, sparse, dead and silent place.” As the relationships in a family improve colour creeps into her work. Very effective.

Dawn Front Cover- jes Hunt

Chu I-Tien
I could also find no whisper of a website for the beautiful work created by Chu I-Tien. “Lily is always alone. She always wants to have a sister or brother. Lily is always alone. She always checks her phone every five minutes.” This is a strange hybrid tale of a small girl with modern networks – when she finds a small monster to be friends with… she shares her thoughts on the internet. Psst… get onto twitter then Scarlett…

Kingston illustration MA Chu I-Tien

Jinyoung Kim
Another seemingly web free illustrator inspired by fantastical tales, this time of a forbidden love between a human and a dragon, if I have this correctly! Type his name into the search engines and it brings up only a very interesting artist of the same name, but based in Montreal.

Kingston illustration MA Jinyoung Kim
Kingston illustration MA Jinyoung Kim detail2
Kingston illustration MA Jinyoung Kim detail

Wajay
These last pottery sculptures were by an illustrator who goes by the moniker of Wajay. Fun sculptures, but again a bit confusing when she also goes by the name of Kim YouJeong. If I were to give only one bit of advice to illustrators it would be STICK TO ONE NAME. It’s just way too confusing otherwise. Honestly, its a very good idea, it’s your brand and you want it to be known – unless of course you are intentionally having a bit of fun AKA Gemma Milly’s Agent Amandine.

Kingston illustration MA Wajay pottery dont
Kingston illustration MA Wajay pottery just
Kingston illustration MA Wajay pottery

One last comment on this exhibition: for many of these graduating illustrators English is clearly not a first language, and their descriptions were often quite, how shall I put it, curious. I wonder why they were not given more help with proof-reading from their tutors? But then, why they haven’t been asked to maintain an immaculate web presence as an absolute prerequisite for graduating is another mystery to me…


Rei Kawakubo/Comme des Garçons 1997, price illustrated by Faye West

The next few months are an absolute treat for fashion fans – there are exhibitions popping up all over the place. First on my fashionable list was the Barbican‘s offering – a retrospective of the last thirty years of the Japanese avant-garde.

Now anybody who saw the fabulous Viktor & Rolf extravaganza a couple of years ago will know that the Barbican sure knows how to put on a fashion exhibition – the art gallery on the third level of the brutalist ziggurat couldn’t be any better suited: concrete alcoves, information pills pebbled-dashed walls and hard stone floors all add to the atmosphere and with each show you’d be forgiven for thinking the space had been constructed solely for the current exhibition – particularly this one.


Junya Watanabe, dosage illustrated by Baiba Ladiga

To create the feeling of a journey, the gallery has been adorned with translucent drapes that lead you around various examples. We start with magnificent pieces from the grand masters – Yohji Yamamoto, Rei Kawakubo and Issey Miyake feature heavily, as do the newer major players.

The lower level of the exhibition aims to bring together the key ideas and themes that define what we know of the Japanese avant-garde. Ideas like wabi-sabi (beauty in imperfection) and ma (which generally translates as the space between objects) are explained and brought to life with a broad range of examples from the great Japanese masters. Wabi-sabi is explored with examples from Junya Watanabe, Rei Kawakubo et al – fraid hems, unfinished seams and abnormal folds all appear in their collections, and it was this (un)attention to detail and deliberately unfinished aesthetic that first drew attention to the Japanese couturiers.

There are great examples of ma, too; where garments are constructed to work against the female form, they are celebrated. Cue works of wonder like Issey Miyake’s origami numbers, Tao Kurihara’s groundbreaking sculptural pieces and Koji Tatsuno’s ridiculous but wonderful golden brown nylon net dress, which turns the figure into a giant sphere (think pumpkin Hallowe’en costume with Japanese drama.)


Fruits! Illustrated by Gareth A Hopkins

The lower levels also explore broader concepts that have been recurrent in Japanese fashion – shadows, flatness, tradition (and inspiration) and ‘Cool Japan’ (or Fruits as we lovingly refer to this fashion and their wearers). The ‘Cool Japan’ stuff doesn’t float my boat as much as the grand masters and their illustrious heritage. I used to like it, a lot, but I think it’s a little passé these days. Maybe that’s a bit harsh, but when you’ve walked through three decades of expertly cut, uniquley tailored and innovatively crafted Japanese fashion, seeing Hello Kitty pyjamas and Manga t-shirts is a little deflating. Tao Kurihara’s exemplary cable-knit underwear does add some sophistication, though.


Illustration by Lesley Barnes

While I love getting my teeth into a good fashion theme, I often wish that they’d just give us a hand and put things in chronological order. This is a particularly difficult feat to overcome with Japanese fashion – a Junya Watanabe/Comme des Garçons black nylon taffeta coat slash padded puffa jacket with intricate gold chain sits side by side a Rei Kawakubo/Comme des Garçons black gauze skirt and top with interlaced, looped bands from 1983. They could pretty much be from the same collection.

Similarly, a silk 1970s Kenzo blouse is positioned next to a 2005 kimono, which cold be 500 years old, even, but they still fit perfectly together. I guess it is this harmony that has strung Japanese fashion together over the years that makes it so inspiring.


Issey Miyake/A-POC, 1999, illustrated by Naomi Law

Upstairs is a different story and a different designer is celebrated in each of the concrete alcoves. The greats are covered – Yamamoto, Kawakubo, Miyake and Watanabe – along with newer labels like Mintdesigns and Jun Takahashi.

Yohji Yamamoto

Yohji Yamamoto 1999, illustrated by Abby Wright

I do love Mr Yamamoto, who is described as the ‘most poetic’ of the Japanese fashion designers, and it’s easy to see why. But what I love most are his highly charged collections with a hint of cynicism. His juxtaposition of hopelessly romantic silhouettes (drawing inspiration from Western culture and, in particular, Dior’s New Look) and his androgynous forms is, I believe, totally unique even today. Who else combines elements of couture with workwear? Well, maybe Galliano, but that’s besides the point.

There’s a limited selection from his illustrious career in fashion – but I was pleased to see the quilted polyester dress with a modernist bone structure – totally feminine but innovative at the same time. Some Y-3 pieces appear, but they’re totally lost at the side of his master couturier craftsmanship.

Issey Miyake

Illustration by Joana Faria

At first, I thought presenting only Miyake’s latest project – 132 5 – was a bit of an odd choice. ‘Where are his innovative numbers that toyed with gender and influenced so many in the 1980s?’ I wondered. What a complete wonderer I am these days. Some of his A-POC pieces appear downstairs, in particular the dramatic and iconic red knitted numbers.

However, when I actually stopped wondering and had a look at this 132 5 malarkey, I was breathless. This new line, continuing Miyake’s boundary-breaking experiments in materials, feature intricately folded and steam pressed polygons of material – sustainable material, no less! Hooray for Miyake!

On the floor, they don’t look much – well, they’re beautiful but you don’t look like you get much frock for your buck. That is until they’re placed onto the body and they transform into incredible, geometric, sculptural, architectural wonders. Truly breathtaking stuff and my favourite pieces in the entire exhibition.

Rei Kawakubo

Illustration by Alia Gargum

Described as the ‘most influential living fashion designer’, we owe thanks for decades of innovative but wearable menswear to Kawakubo and her legendary brand, Comme des Garçons. With her army of influenceables (Watanabe, Kurihara and most recently, Chitose Abe), Kawakubo is the matriarch of Japanese fashion.

Her iconic Body Meets Dress, Dress Meets Body collection of 1997 broke all the rules, with biological lumps and bumps that challenged Western ideals of the perfect body shape – while the collection’s playful gingham fabrics added a whimsical element. And, while she can mix it up a bit, she can sure do beauty – the pink knitted sweater dress, embroidered with unrivalled craftsmanship and teamed with a tulle bustle, exudes femininity and sparks a nostalgic look at the past.

Junya Watanabe

Junya Watanabe S/S 2003, illustrated by Maria del Carmen Smith

Watanabe is a bit of a character when it comes to fashion. His most shocking move to date was to show a collection entirely of Jacquard trouser suits, which says a lot about his work before that infamous S/S 2010 collection.

Described as the ‘techno couturier’, Watanabe trained under Rei Kawakubo, whose influence shines through in Watanabe’s collections. Sleeping-bag dresses and outlandish headgear features – but beyond the quirkier elements and performance fabrics, Watanabe’s pieces are infinitely wearable.

Mintdesigns

Mintdesigns, illustrated by Antonia Parker

Mintdesigns bring their own blend of innovation to the mix. A combination of unusual materials (translucent plastics, for example) and graphic patterns, this Tokyo twosome are at the forefront of modern Japanese fashion with a younger feel. And I totally dig the dinosaur hat.

Phew! Well, if you’ve got to the end of this post, well done. That was a long one, no? I hope I’ve convinced you to go… you won’t regret it.

All photography by Matt Bramford

Get all the visitors information in our listings section.

Categories ,Abby Wright, ,Antonia Parker, ,Avant-garde, ,Baiba Ladiga, ,barbican, ,Chitose Abe, ,Comme des Garçons, ,exhibition, ,fashion, ,Faye West, ,Gallery, ,Gareth A Hopkins, ,Hello Kitty, ,Issey Miyake, ,japan, ,Japanese fashion, ,Joana Faria, ,Jun Takahashi, ,Junya Watanabe, ,Kenzo, ,Koji Tatsuno, ,Lesley Barnes, ,ma, ,Manga, ,Maria del Carmen Smith, ,Mintdesigns, ,Naomi Law, ,Rei Kawakubo, ,review, ,Tao Kurihara, ,Wabi-sabi, ,Yohji Yamamoto

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Amelia’s Magazine | Fyodor Golan: London Fashion Week A/W 2012 Catwalk Review

Fyodor Golan A/W 2012 by Faye West
Fyodor Golan A/W 2012 by Faye West.

Fyodor Golan were first to show in the newly created Embankment Galleries showspace, a long thin strip in Somerset House that previously housed the stands and necessitates registering at the front desk in order to get to. A year ago I was most taken by Fyodor Golan‘s first catwalk show at Fashion Scout, and last season they were deserving winners of the Fashion Fringe competition, so I was eager to see what these fine art graduates would do next.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan A/W 2012 by Gaarte
Fyodor Golan A/W 2012 by Gaarte.

Welcome to the Machine was inspired by Russian peasantry and aristocratic fashions… marrying tribal styles with extravagant embellishments to great effect. Stepping through a neon pink doorway models wore skater skirted dresses in beetle inspired metallic copper and green, heavy nose rings courtesy of designer Alexandra Druzhinin hanging over their mouths. Insects crawled across the waists of dresses, and the curving lines of their wings were echoed in the finely swept hair slicked to brows. At Fyodor Golan buns were tightly woven into peasant plaits.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan A/W 2012 by Gaarte
Fyodor Golan A/W 2012 by Gaarte.

These clothes are not for the faint hearted – there were heavy quilted metallic textures and pleated furls, followed by light as a feather lambswool or swinging tasselled skirts in wintery white. Punchy red provided dazzling relief from darker hues in the form of skater dresses, and my favourite look (in red) featured a sheer bodice with narrow strips of pleating curled over the bosom and shoulders.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
The finale was preceded by a model who was somewhat inexplicably covered entirely in emerald green glitter – perhaps a reference to beetles too far… This was followed by a stunning pearlised white showpiece, with a weighty golden crown shrouded in netting that also covered the face.

Fyodor Golan A/W 2012 by Gareth A Hopkins
Fyodor Golan A/W 2012 by Gareth A Hopkins.

Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan AW 2012 - photography by Amelia Gregory
Fyodor Golan A/W 2012 by Marta Madaiva Illustrations
Fyodor Golan A/W 2012 by Marta Madaiva Illustrations.

Once again Fyodor Podgorny and Golan Frydman have proved themselves a fashionable proposition to be reckoned with, and I look forward to seeing how their artisanal creativity develops with each new season.

Fyodor Golan AW 2012 - photography by Amelia Gregory
All photography by Amelia Gregory.

Categories ,A/W 2012, ,Alexandra Druzhinin, ,Aristocracy, ,Beetles, ,Embankment Galleries, ,Fashion Fringe, ,Fashion Scout, ,Faye West, ,Fyodor Golan, ,Fyodor Podgorny, ,Gaarte, ,Gabriel Ayala, ,Gareth A Hopkins, ,Golan Frydman, ,Green Glitter, ,London Fashion Week, ,Marta Madaiva Illustrations, ,Metallic, ,Nose Rings, ,peasant, ,Quilting, ,review, ,Russian, ,Somerset House, ,Trace Publicity, ,Tribal, ,Welcome to the Machine

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Amelia’s Magazine | Gossypium: an interview with Abigail Petit, founder of the Lewes based ethical clothing company


Vintage fashion, stomach illustrated by Matilde Sazio


Vintage shop, price illustrated by Karolina Burdon

What gave you the idea for Preloved, Reloved in the first place?
Well I always like to dress a little differently. My style is mainstream with a retro edge, I suppose. I always seem to end up with a daft New Year’s resolution – last year I cycled from London to Paris for The Institute of Cancer Research. I like using my time to help others and spread awareness.

Were you a fan of vintage and upcycling before you started the project?
Yes! I always admire my friends’ outfits; well, those who wear vintage and second-hand fashion. Upcycling is something I have experimented with for ages at home and now is the time to make sure I actually finish some projects!

Where will you source your outfits?
Charity shops, vintage stores, eBay, my mum’s wardrobe…! I made a lined cape last night from linen and satin for balmy summer nights (booking a holiday soon!).


Charity shops, illustrated by Rukmunal Hakim

What does the project hope to achieve?
I want to raise awareness of numerous charities related to my Dad’s illnesses. I want my friends to know that too much of an unhealthy lifestyle is probably going to lead to an early demise. I also want to raise the profile of vintage and second-hand fashion; I remember as a kid we use to take the mick out of anyone who dressed from a charity shop. I myself as a student had a stigma against them. Now it’s become kitsch, cool and quirky. It’s good for the enivroment.

How much do you hope to raise and what are the funds likely to be used for?
£2500 is my Just Giving target – it goes directly to Macmillan. However, with my shopping at many different charity shops, my cash goes straight to them – win win all round! I have my thinking cap on about how to expand the project though.


eBay! Illustration by Avril Kelly

Why did you choose Macmillan?
My dad (and his dad) had cancer – he died last week unfortunately. And it wasn’t the cancer that killed him, it was his heart and his adult-onset diabetes. A poor lifestyle in his twenties and thirties caused it and he was only 57 when he passed. So as I said before, this project benefits other charities focussing on these causes too through me spending money at their outlets.

Not that far in, but have you come accross any problems so far? Has anything that happened that you weren’t expecting?
Avoiding shops is quite hard as I realised I can’t just pop into the Topshop sale and treat myself – which I suppose is good for my wallet and I’m going to do less impulse-buying on the way home from work.
With my Dad passing, I haven’t had as much time to go browsing shops as much as I’d like. This weekend, however, I’m going to the Girls of Guildford vintage fair and gig – for some serious retail therapy, cupcake-nomming and also to check out some great live music away from the bustle of London.


Vintage, illustrated by Jess Holt

What are you wearing today? Where’s it all from?
Dark blue skinny jeans, leather knee boots that I already owned with black and cream patterned blouse from River Island that I bought from Cancer Research UK. I’m also wearing red rose earrings from Magnolia Jewellery.

Do you plan to make or alter any of your clothes? If so, how?
Yes – I love sewing and making jewellery too – I made a cape last week and have upcycled a pair of old, torn jeans from my uni days into a denim mini. I have a small collection of retro patterns including a lovely dress with a pussy bow. I love being able to create something out of fabric I love: last year I went to a lovely Indian wedding and couldn’t find The Outfit – so I made a purple maxi-dress with a halterneck and glammed it up with ribbons dangling down my back. Saved myself a fortune too!


Illustration by Gilly Rochester

What else do you get up to?
I run Never Enough Notes – a music e-zine, and I’m cycling the London-Brighton this summer with my brother and friends to raise money for the British Heart Foundation.

What would be your perfect Preloved, Reloved outfit?
For daytime it would easily be vintage jeans, brown boots that look a bit worn-out, a floaty shirt or cheeky tee, a tweed jacket and a battered satchel.
For evening, I love ball gowns and retro dresses so would be something glam that I could wear with a pair of 1970s heels! Oh there’s way too much choice, I love it!
Faye West Gossypium Sewing Kit
Gossypium with Amelia’s Magazine Sewing Kit A/W 2008, mind featuring print design by Brie Harrison. Illustration by Faye West.

Gossypium worked with Amelia’s Magazine and Brie Harrison to create a Clothkits-inspired kit fashion dress and bag to accompany the final print issue of Amelia’s Magazine. Run by Abigail and Thomas Petit, it is a family business based in Lewes, East Sussex.   

What is your process of creating your garments?
We do things the opposite way around to the rest of the fashion industry. I was working as a textile engineer with Indian farmers when we started Gossypium, so fabric comes first: from the spinning of the yarn to the final stitching of the garments is a long and complicated process. We have an extremely close working relationship with our producers and a huge respect for their hard work and care of the environment.

Why is transparency more important than certification?
In some instances enforced standards have some value, for example it is good to be able to label something organic or fairtrade, but sometimes the point of certification gets clouded and this can limit good honest business practice. Transparency and brand trust are the most precious and valuable assets. Knowing our trade and suppliers so well shows in the quality of our products, and this benefits our customers. And it means that no one can copy us or take those relationships away.  

Why did you decide to collaborate with Amelia’s Magazine and Brie Harrison?
We are pioneers who have built our entire business from scratch so it was lovely to concentrate on something that was more fashion-based for a change. Working with Amelia’s Magazine allowed us to have a fantastic burst of creativity and we sure enjoyed that moment. Nula Shearing, who is a daughter of the Clothkits family, has just created a lovely tea towel for us, and we hope to do more fashion-led designs in the future… 

Read the rest of this interview with Gossypium in Amelia’s Compendium of Fashion Illustration, alongside interviews with 44 other ethical fashion designers and 30 fabulous fashion illustrators. You can buy the book here.

You can still buy issue 10 of the Amelia’s Magazine which comes with a free Brie Harrison designed kit bag from my website here, and you can also still buy the kit dress from the Gossypium website here.

Categories ,Abigail Petit, ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Brie Harrison, ,Certification, ,Clothkits, ,East Sussex, ,Eco fashion, ,Ethical Fashion, ,fairtrade, ,Faye West, ,gossypium, ,India, ,Lewes, ,Noolibird, ,Nula Shearing, ,organic, ,Thomas Petit, ,Transparency

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Amelia’s Magazine | An interview with Oak fine fairtrade jewellers

Illustration by Faye West

The inspiration behind Oak jewellery is evident in its name. Delicate leaf motifs, cialis 40mg woven twigs and acorn designs abound, all inspired by the mighty Oak tree. We fell in love with their designs, adding them firmly to our one-day wish list. But when we discovered that Oak use fairtrade gold we realised that there’s more to this jewellery than first meets the eye.

We caught up with Oak over a virtual cuppa and talked all things Gold (“Gold! Always believe…” Sorry…)

Can you introduce oak to us in one sentence?
OAK is a Super-Luxe, ethical, fine jewellery brand with heart.


Illustration by Natasha Thompson

Who are you and what floats your boat?
Oak is run by myself, Jo-Anne Owdud and my partner Parul Tolentino. Parul and I are quite different in our styles; expressed through our clothing or our homes. But we always seem to love what the other is into. Parul is currently into her Papier-mâché antelope head, taking pride of place in her bedroom whilst I am frequenting Victorian fireplace graveyards on the hunt for the perfect reclaimed fireplace! Family is also a big part of our lives, especially our children. We are secretly trying to arrange their marriage after their first moonlight river stroll on Valentines. They are 1 and half and 2. We don’t think this is extreme!

How did Oak come about?
We both worked in the fashion jewellery world for some time. Then, when Parul moved south of the river it meant we saw each other a lot more, particularly when we both had our first children. One fateful day we were having a very nice pub lunch when the journey of OAK began. Many more pub lunches followed; this time with sketch books in hand! It has been a long journey but a steady one. It’s taken us around 9 months to get us to the position to launch.


Illustration by Daria Hlazatova.

What are your design inspirations?
We love objects that have a story to tell, whether that’s with a sentimental meaning, or perhaps something unexpected. Historical references play a big part in what we love to explore and our surroundings are a huge inspiration. The Richmond Park collection was inspired by the sentiments of family and life, conveyed through the power of nature and our namesake; the ‘Oak’ tree. It’s also our favourite playground.

I am a big tree lover (!) and have noticed a lot of tree inspired designs in your jewelry. What is it that appeals to you about them?
We took our name from the mighty Oak tree because it evokes strength, beauty and a sense of the elegance of British heritage. We also love the thought of ‘if trees could talk’. What would they tell us about all they have seen over their years?

Where do you see your shop in 5 years time?
We aim to be at the forefront of ethical luxury jewellery and to be a recognised global British brand.


Illustration by Avril Kelly

Some might say that it was brave launching a new business, especially a luxury jewellery company, in a recession. How have you found it? What have been the best and worst moments?
Starting a new business is such a huge task and a risk in any climate but we both found ourselves in a position to start OAK that we couldn’t let pass. Our best moment was receiving our finished collection at 7.15am one-weekday morning. The worst was when we were looking for British manufacturers to work with and we were met with so many disheartening stories about the recession. This led to a lot of reluctance from people not wanting to take the risk with working with new designers.

Do you have any advice or tips for any other aspiring entrepreneurs?
We spent a lot of time discovering and defining what we wanted OAK to be. This helped us believe in ourselves, and to know who we are. Also it has been helpful to take a step back at times and assess where we are. This has led to a few positive directional changes. We also haven’t been afraid to ask for help in some areas. Our blog has been quite cathartic too for us and we used it log our journey leading up to our launch.


Illustration by Avril Kelly

What are your ethical motivations? ie what are the issues that get you fired up?!
With all the information available these days with regards to ethical business it just seems irresponsible not to act on it. Who would want to receive something with love if someone has sweated tears over it?

Can you tell us a bit about why you chose to use fairtrade gold?
Fairtrade monitors and regulates the production of gold. This is important to us and for our customers to be reassured. We also feel that using ethical gold is important to the sentiment of heirloom pieces. Luxury jewellery is an investment for the future and we feel that part of its value is that it is made in an ethical way. Our gold is from Oro Verde, which has been awarded Fairtrade status. We are awaiting our own license.


Illustration by Natasha Thompson

Thank you Oak Jewellery! To see more of their work, or visit their shop, see their website here.

Categories ,Avril Kelly, ,Daria Hlazatova, ,Ethical Shopping, ,fairtrade, ,Fairtrade gold, ,Faye West, ,Forest, ,Hannah Bullivant, ,Jo-Anne Owdud, ,Natasha Thompson, ,Oak Fine Jewellery, ,Parul Tolentino

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Amelia’s Magazine | Fashion Fringe: London Fashion Week S/S 2013 Catwalk Review

Haizhen Wang S/S 2013 by faye west
Haizhen Wang S/S 2013 by Faye West.

I was very excited about this year’s Fashion Fringe: it’s always a great place to discover the talent of years to come (think Fyodor Golan and Corrie Nielsen) but this time there was also the chance that my acquaintance Vita Gottlieb might win. So it was with some anticipation that I took my seat for my last show of the season in the BFC tent at Somerset House.

Haizhen Wang S/S 2013 by Lo Parkin
Haizhen Wang S/S 2013 by Lo Parkin.

Fashion Fringe SS 2013 Haizhen Wang photography by Amelia Gregory
Fashion Fringe SS 2013 Haizhen Wang photography by Amelia Gregory
Fashion Fringe SS 2013 Haizhen Wang photography by Amelia Gregory
First up was the collection from Haizhen Wang, with expert tailoring based on the tabard structures of Japanese armour and historical costumes alongside deconstructed asymmetrical layering in a graphic print. The garments came in a predominantly black colour palette with flashes of textured steel and rows of cobalt beading. Models wore Geisha influenced platform heels and severe haircuts or conical headgear. Haizhen Wang is a graduate of both the London School of Fashion and Central Saint Martins – since when he’s had a good grounding in the industry working with labels as diverse as Max Mara and All Saints.

Teija Eilola S/S 2013 by Lo Parkin
Teija Eilola S/S 2013 by Lo Parkin.

Fashion Fringe SS 2013 Teija Eilola photography by Amelia Gregory
Fashion Fringe SS 2013 Teija Eilola photography by Amelia Gregory
Fashion Fringe SS 2013 Teija Eilola photography by Amelia Gregory
Fashion Fringe SS 2013 Teija Eilola photography by Amelia Gregory
Fashion Fringe SS 2013 Teija Eilola photography by Amelia Gregory
Second up came the collection from Finnish designer Teija Eilola, who describes her inspiration thus: ‘A Finnish girl arrives at the party: shoes in her bag and a huge, crisp mackintosh over her little silk dress. On the way to the party she crossed a forest and a couple of fields.‘ In practice this meant a finely tailored range of sensible separates in muted mushroom and flesh tones. The range featured double breasted detailing on a short blouson sleeved trench coat and mini cropped version, rucheing on a demure bodice and plenty of capacious bags: an eye on brand extension already? Her sensible approach could be explained by the fact that until recently Teija Eilola was joint head of womenswear at Ted Baker. Prior to that she worked at smaller labels after graduating from the RCA.

Vita Gottlieb S/S 2013 by Lo Parkin
Vita Gottlieb S/S 2013 by Lo Parkin.

Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
Rounding up the trio was the work of relative newcomer Vita Gottlieb, who styled her models in high backcombed quiffs and classic courts. This was an exciting collection that successfully showcased her prowess in textile manipulation. High waisted pencil skirts featuring poured curves at the waist and elongating vertical ruches were paired with cape shouldered tops covered in subtle printed detail or sculptural spikes: all accessorised with bold leather jewellery embellished with metal rings and studs. Hers was the brightest colour palette of the three, although that wasn’t saying much as she had worked mainly in subtle golden tones and soft browns, highlighted with dashes of teal and luxurious red.

Fashion Fringe SS 2013 Vita Gottlieb photography by Amelia Gregory
By now everyone will know that Haizhen Wang won the award, presented by guest judge Christopher Bailey of Burberry. But I of course think it should have gone to Vita Gottlieb; her tailoring may not have been as clean and precise as the others, but her experimental approach won hands down; resulting in an innovative collection that showed great promise for the future. Read my exclusive pre show interview with Vita Gottlieb here.

Categories ,All Saints, ,Burberry, ,Central Saint Martins, ,Christopher Bailey, ,Corrie Nielsen, ,Fashion Fringe, ,Faye West, ,Fyodor Golan, ,Haizhen Wang, ,Lo Parkin, ,London School of Fashion. RCA, ,Max Mara, ,Somerset House, ,Ted Baker, ,Teija Eilola, ,Vita Gottlieb

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