Amelia’s Magazine | London Fashion Week S/S 2012 Menswear Day: Fashion East Installations


Astrid Andersen S/S 2012 by Antonia Parker

The Fashion East Menswear display always guarantee a treat at fashion week. The grandiose rooms around the courtyard at Somerset House are transformed into mini installations of the various menswear designers, sildenafil and it’s grand to see so much talent side by side.

This season was no exception. I started at the main entrance, naturally, where burley bouncers were insisting anyone let inside had pre-registered with the British Fashion Council. So, for example, if one of the designers’ grandmothers wanted to see the fruits of their grandchildrens’ successes, they had to go to the other side of Somerset House to register. A bit silly, I thought.

Nevertheless, once I’d presented my credentials I was allowed inside and I quickly necked a champagne. Here’s a whistle stop tour via the wonderful mediums of illustration and photography.

WILLIAM RICHARD GREEN

William Richard Green S/S 2012 by Rukmunal Hakim

ASTRID ANDERSEN


Astrid Andersen S/S 2012 by Celine Elliott

MATTEO MOLINARI


Matteo Molinari S/S 2012. Amazing sunglasses that I’m already saving up for. That is all.

CASSETTE PLAYA

Cassette Playa by Gabriel Ayala

AGI & SAM

Agi & Sam S/S 2012 by Claire Kearns


All photography by Matt Bramford

Watch some highlights from the installations here:

Categories ,Agi & Sam, ,Antonia Parker, ,Astrid Andersen, ,Cassette Playa, ,Celine Elliott, ,Claire Kearns, ,Creepers, ,Fashion East, ,Gabriel Ayala, ,Gym, ,lace, ,London Fashion Week, ,Matteo Mollinari, ,menswear, ,MenswearSS12, ,Newgen, ,Rukmunal Hakim, ,S/S 2012, ,Somerset House, ,Sunglasses, ,video, ,William Richard Green

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Amelia’s Magazine | London Fashion Week S/S 2011 Presentation Review: studio_805, Agi & Sam and Post Human Wardobe

Dee-Andrews-Tatty-Devine
Harriet Vine of Tatty Devine by Dee Andrews.

I’m a girl. I quite like jewellery, advice dosage I can’t help it. Here’s my round up of the sweetest pieces I saw at Somerset House this year.

Phoebe Coleman
Phoebe Coleman was new to LFW this year, what is ed evident in her slightly small simple stand and eager demeanour. But that’s no bad thing! Rather that than some shirty designer who barks at me if I take a photo. It’s understandable that some people get narked what with lots of pesky manufacturers sneaking in to nick their ideas, but I’m only too happy to share my business card so a bit of decorum is always good. Anyway, like I said Phoebe was lovely and chatty. Her first degree was in fine art and she then went onto study jewellery in San Diego, California whilst also producing plays. She’s a big old romantic, so alongside her previous dewdrop collection she has just launched the most darling heart collection at LFW. I love big brash jewellery for making a bit of a noise, but for day to day wear you can’t beat simple gold pendants. So want one. What’s more she’s determined to support local jewellers so everything is made in London.

Phoebe Coleman By Katherine Tromans
Phoebe Coleman By Katherine Tromans.

LeJu
I’ve written about the jewellery brand LeJu in Amelia’s Magazine before. Back then they were one of only a few ethical jewellery companies but they now have some strong competition. The brand deserves a special mention for breaking out of the Esthetica ghetto and pushing into more exciting boundaries of design than in previous seasons. Loved this huge piece making best use of dyed vegetable ivory.

Somerset House SS2011 Le Ju
All photography by Amelia Gregory.

Phillippa Holland
Over on the Phillippa Holland stand I was captivated by an absolutely gorgeous moveable sycamore ring. It comes in both gold and silver options but unfortunately it’s quite pricey. *sad face* Still, if you’re a money bags this is one beautiful and unique bit of jewellery. Philippa is inspired by the ancient and natural worlds as well as English folklore, so she creates lots of exciting bug pieces that obviously appeal to the fashion forward man – there was one fawning over them when I was visiting. Like Phoebe she’s keen to support British craftsmanship and eschews commercial production practices. Last Christmas she did personal engravings on pieces bought as gifts so let’s hope she does that again… what a fabulous idea for a totally unique present.

Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans.

Cabinet 4 Buba
The Buba stand was all beaded and glittery: Ashish distilled into a handbag. This season Lesley Silwood and Euan McDonald have branched out into jewellery for the first time, and this was what drew me in, though I’d love one of their cross strap bags too now that my damn Vivienne Westwood bag is bust. All the beading is done by their own factory in India, which Lesley assured me means that working conditions are impeccable. Loved the big beaded hoop earrings and long sausage necklaces put together in abstract designs. Just fabulous. Even if she looked at me blankly when I told her I was from Amelia’s Magazine. Clearly not a fan then.
Buba-Jewellery-by-Kellie-Black
Buba Jewellery by Kellie Black.

Tatty Devine
Now, you all know I love Tatty Devine. Not only are Rosie Wolfenden and Harriet Vine two of my very favourite people in the whole of fashiondom but they’re so bloomin’ talented. Since they started off the whole acrylic jewellery thing (ten years ago, my word) they have been so incredibly copied by everyone – from graduate jewellers to Top Shop – that it’s become a bit ridiculous. But NONE of them will touch what Tatty Devine can design – because in terms of imagination and innovation they are always about ten steps ahead of the game. Every season I can’t wait to see what they’ve come up with next, and naturally this collection did not disappoint. Expect a continuation of the Future Mystic theme that has just hit the stands for A/W – with huge crystal necklaces and Esoterica a big influence. Look out especially for some amazing hinged glitter bird necklaces and headpieces. We also went to their party, read about it here.

LFW SS2011-photo by Amelia Gregory
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Illustrations by Dee Andrews.

Mawi
We did a huge old feature on Mawi in one of the last issues of Amelia’s Magazine so safe to say that I’m quite a big fan – but somewhat miffed that in the course of writing this article I discovered that Mawi has reposted a pdf of that very same interview on a prominent part of her website with absolutely NO credit at all to where it came from. And I don’t even merit a mention on her “Cool Blogs and Websites” list. So yes, I like Mawi’s jewellery. She does big stuff. She’s not worried about the current trend towards much smaller pieces (you’re in there Phoebe Coleman!) That’s it folks. Suffice to say I’d be more enthusiastic about the new collection if she bothered to acknowledge the promotion we gave her early on. Love it when that happens. *sigh*

LFW SS2011-photo by Amelia Gregory
LFW SS2011-photo by Amelia Gregory
Mawi knuckledusters for the David Koma catwalk show.

Dee-Andrews-Tatty-Devine
Harriet Vine of Tatty Devine by Dee Andrews.

I’m a girl. I quite like jewellery, more about I can’t help it. Here’s my round up of the sweetest pieces I saw at Somerset House this year.

Phoebe Coleman
Phoebe Coleman was new to LFW this year, ask evident in her slightly small simple stand and eager demeanour. But that’s no bad thing! Rather that than some shirty designer who barks at me if I take a photo. It’s understandable that some people get narked what with lots of pesky manufacturers sneaking in to nick their ideas, but I’m only too happy to share my business card so a bit of decorum is always good. Anyway, like I said Phoebe was lovely and chatty. Her first degree was in fine art and she then went onto study jewellery in San Diego, California whilst also producing plays. She’s a big old romantic, so alongside her previous dewdrop collection she has just launched the most darling heart collection at LFW. I love big brash jewellery for making a bit of a noise, but for day to day wear you can’t beat simple gold pendants. So want one. What’s more she’s determined to support local jewellers so everything is made in London.

Phoebe Coleman By Katherine Tromans
Phoebe Coleman By Katherine Tromans.

LeJu
I’ve written about the jewellery brand LeJu in Amelia’s Magazine before. Back then they were one of only a few ethical jewellery companies but they now have some strong competition. The brand deserves a special mention for breaking out of the Esthetica ghetto and pushing into more exciting boundaries of design than in previous seasons. Loved this huge piece making best use of dyed vegetable ivory.

Somerset House SS2011 Le Ju
All photography by Amelia Gregory.

Phillippa Holland
Over on the Phillippa Holland stand I was captivated by an absolutely gorgeous moveable sycamore ring. It comes in both gold and silver options but unfortunately it’s quite pricey. *sad face* Still, if you’re a money bags this is one beautiful and unique bit of jewellery. Philippa is inspired by the ancient and natural worlds as well as English folklore, so she creates lots of exciting bug pieces that obviously appeal to the fashion forward man – there was one fawning over them when I was visiting. Like Phoebe she’s keen to support British craftsmanship and eschews commercial production practices. Last Christmas she did personal engravings on pieces bought as gifts so let’s hope she does that again… what a fabulous idea for a totally unique present.

Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans.

Cabinet 4 Buba
The Buba stand was all beaded and glittery: Ashish distilled into a handbag. This season Lesley Silwood and Euan McDonald have branched out into jewellery for the first time, and this was what drew me in, though I’d love one of their cross strap bags too now that my damn Vivienne Westwood bag is bust. All the beading is done by their own factory in India, which Lesley assured me means that working conditions are impeccable. Loved the big beaded hoop earrings and long sausage necklaces put together in abstract designs. Just fabulous. Even if she looked at me blankly when I told her I was from Amelia’s Magazine. Clearly not a fan then.
Buba-Jewellery-by-Kellie-Black
Buba Jewellery by Kellie Black.

Tatty Devine
Now, you all know I love Tatty Devine. Not only are Rosie Wolfenden and Harriet Vine two of my very favourite people in the whole of fashiondom but they’re so bloomin’ talented. Since they started off the whole acrylic jewellery thing (ten years ago, my word) they have been so incredibly copied by everyone – from graduate jewellers to Top Shop – that it’s become a bit ridiculous. But NONE of them will touch what Tatty Devine can design – because in terms of imagination and innovation they are always about ten steps ahead of the game. Every season I can’t wait to see what they’ve come up with next, and naturally this collection did not disappoint. Expect a continuation of the Future Mystic theme that has just hit the stands for A/W – with huge crystal necklaces and Esoterica a big influence. Look out especially for some amazing hinged glitter bird necklaces and headpieces. We also went to their party, read about it here.

LFW SS2011-photo by Amelia Gregory
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Illustrations by Dee Andrews.

Mawi
We did a huge old feature on Mawi in one of the last issues of Amelia’s Magazine so safe to say that I’m quite a big fan – but somewhat miffed that in the course of writing this article I discovered that Mawi has reposted a pdf of that very same interview on a prominent part of her website with absolutely NO credit at all to where it came from. And I don’t even merit a mention on her “Cool Blogs and Websites” list. So yes, I like Mawi’s jewellery. She does big stuff. She’s not worried about the current trend towards much smaller pieces (you’re in there Phoebe Coleman!) That’s it folks. Suffice to say I’d be more enthusiastic about the new collection if she bothered to acknowledge the promotion we gave her early on. Love it when that happens. *sigh*

LFW SS2011-photo by Amelia Gregory
LFW SS2011-photo by Amelia Gregory
Mawi knuckledusters for the David Koma catwalk show.

Dee-Andrews-Tatty-Devine
Harriet Vine of Tatty Devine by Dee Andrews.

I’m a girl. I quite like jewellery, hospital I can’t help it. Here’s my round up of the sweetest pieces I saw at Somerset House this year.

Phoebe Coleman
Phoebe Coleman was new to LFW this year, website like this evident in her slightly small simple stand and eager demeanour. But that’s no bad thing! Rather that than some shirty designer who barks at me if I take a photo. It’s understandable that some people get narked what with lots of pesky manufacturers sneaking in to nick their ideas, symptoms but I’m only too happy to share my business card so a bit of decorum is always good. Anyway, like I said Phoebe was lovely and chatty. Her first degree was in fine art and she then went onto study jewellery in San Diego, California whilst also producing plays. She’s a big old romantic, so alongside her previous dewdrop collection she has just launched the most darling heart collection at LFW. I love big brash jewellery for making a bit of a noise, but for day to day wear you can’t beat simple gold pendants. So want one. What’s more she’s determined to support local jewellers so everything is made in London.

Phoebe Coleman By Katherine Tromans
Phoebe Coleman By Katherine Tromans.

LeJu
I’ve written about the jewellery brand LeJu in Amelia’s Magazine before. Back then they were one of only a few ethical jewellery companies but they now have some strong competition. The brand deserves a special mention for breaking out of the Esthetica ghetto and pushing into more exciting boundaries of design than in previous seasons. Loved this huge piece making best use of dyed vegetable ivory.

Somerset House SS2011 Le Ju
All photography by Amelia Gregory.

Phillippa Holland
Over on the Phillippa Holland stand I was captivated by an absolutely gorgeous moveable sycamore ring. It comes in both gold and silver options but unfortunately it’s quite pricey. *sad face* Still, if you’re a money bags this is one beautiful and unique bit of jewellery. Philippa is inspired by the ancient and natural worlds as well as English folklore, so she creates lots of exciting bug pieces that obviously appeal to the fashion forward man – there was one fawning over them when I was visiting. Like Phoebe she’s keen to support British craftsmanship and eschews commercial production practices. Last Christmas she did personal engravings on pieces bought as gifts so let’s hope she does that again… what a fabulous idea for a totally unique present.

Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans.

Cabinet 4 Buba
The Buba stand was all beaded and glittery: Ashish distilled into a handbag. This season Lesley Silwood and Euan McDonald have branched out into jewellery for the first time, and this was what drew me in, though I’d love one of their cross strap bags too now that my damn Vivienne Westwood bag is bust. All the beading is done by their own factory in India, which Lesley assured me means that working conditions are impeccable. Loved the big beaded hoop earrings and long sausage necklaces put together in abstract designs. Just fabulous. Even if she looked at me blankly when I told her I was from Amelia’s Magazine. Clearly not a fan then.
Buba-Jewellery-by-Kellie-Black
Buba Jewellery by Kellie Black.

Tatty Devine
Now, you all know I love Tatty Devine. Not only are Rosie Wolfenden and Harriet Vine two of my very favourite people in the whole of fashiondom but they’re so bloomin’ talented. Since they started off the whole acrylic jewellery thing (ten years ago, my word) they have been so incredibly copied by everyone – from graduate jewellers to Top Shop – that it’s become a bit ridiculous. But NONE of them will touch what Tatty Devine can design – because in terms of imagination and innovation they are always about ten steps ahead of the game. Every season I can’t wait to see what they’ve come up with next, and naturally this collection did not disappoint. Expect a continuation of the Future Mystic theme that has just hit the stands for A/W – with huge crystal necklaces and Esoterica a big influence. Look out especially for some amazing hinged glitter bird necklaces and headpieces. We also went to their party, read about it here.

LFW SS2011-photo by Amelia Gregory
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Illustrations by Dee Andrews.

Mawi
We did a huge old feature on Mawi in one of the last issues of Amelia’s Magazine so safe to say that I’m quite a big fan – but somewhat miffed that in the course of writing this article I discovered that Mawi has reposted a pdf of that very same interview on a prominent part of her website with absolutely NO credit at all to where it came from. And I don’t even merit a mention on her “Cool Blogs and Websites” list. So yes, I like Mawi’s jewellery. She does big stuff. She’s not worried about the current trend towards much smaller pieces (you’re in there Phoebe Coleman!) That’s it folks. Suffice to say I’d be more enthusiastic about the new collection if she bothered to acknowledge the promotion we gave her early on. Love it when that happens. *sigh*

LFW SS2011-photo by Amelia Gregory
LFW SS2011-photo by Amelia Gregory
Mawi knuckledusters for the David Koma catwalk show.

Dee-Andrews-Tatty-Devine
Harriet Vine of Tatty Devine by Dee Andrews.

I’m a girl. I quite like jewellery, clinic I can’t help it. Here’s my round up of the sweetest pieces I saw at Somerset House this year.

Phoebe Coleman
Phoebe Coleman was new to LFW this year, evident in her slightly small simple stand and eager demeanour. But that’s no bad thing! Rather that than some shirty designer who barks at me if I take a photo. It’s understandable that some people get narked what with lots of pesky manufacturers sneaking in to nick their ideas, but I’m only too happy to share my business card so a bit of decorum is always good. Anyway, like I said Phoebe was lovely and chatty. Her first degree was in fine art and she then went onto study jewellery in San Diego, California whilst also producing plays. She’s a big old romantic, so alongside her previous dewdrop collection she has just launched the most darling heart collection at LFW. I love big brash jewellery for making a bit of a noise, but for day to day wear you can’t beat simple gold pendants. So want one. What’s more she’s determined to support local jewellers so everything is made in London.

Phoebe Coleman By Katherine Tromans
Phoebe Coleman By Katherine Tromans.

LeJu
I’ve written about the jewellery brand LeJu in Amelia’s Magazine before. Back then they were one of only a few ethical jewellery companies but they now have some strong competition. The brand deserves a special mention for breaking out of the Esthetica ghetto and pushing into more exciting boundaries of design than in previous seasons. Loved this huge piece making best use of dyed vegetable ivory.

Somerset House SS2011 Le Ju
All photography by Amelia Gregory.

Phillippa Holland
Over on the Phillippa Holland stand I was captivated by an absolutely gorgeous moveable sycamore ring. It comes in both gold and silver options but unfortunately it’s quite pricey. *sad face* Still, if you’re a money bags this is one beautiful and unique bit of jewellery. Philippa is inspired by the ancient and natural worlds as well as English folklore, so she creates lots of exciting bug pieces that obviously appeal to the fashion forward man – there was one fawning over them when I was visiting. Like Phoebe she’s keen to support British craftsmanship and eschews commercial production practices. Last Christmas she did personal engravings on pieces bought as gifts so let’s hope she does that again… what a fabulous idea for a totally unique present.

Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans.

Cabinet 4 Buba
The Buba stand was all beaded and glittery: Ashish distilled into a handbag. This season Lesley Silwood and Euan McDonald have branched out into jewellery for the first time, and this was what drew me in, though I’d love one of their cross strap bags too now that my damn Vivienne Westwood bag is bust. All the beading is done by their own factory in India, which Lesley assured me means that working conditions are impeccable. Loved the big beaded hoop earrings and long sausage necklaces put together in abstract designs. Just fabulous. Even if she looked at me blankly when I told her I was from Amelia’s Magazine. Clearly not a fan then.

Buba-Jewellery-by-Kellie-Black
Buba Jewellery by Kellie Black.

Tatty Devine
Now, you all know I love Tatty Devine. Not only are Rosie Wolfenden and Harriet Vine two of my very favourite people in the whole of fashiondom but they’re so bloomin’ talented. Since they started off the whole acrylic jewellery thing (ten years ago, my word) they have been so incredibly copied by everyone – from graduate jewellers to Top Shop – that it’s become a bit ridiculous. But NONE of them will touch what Tatty Devine can design – because in terms of imagination and innovation they are always about ten steps ahead of the game. Every season I can’t wait to see what they’ve come up with next, and naturally this collection did not disappoint. Expect a continuation of the Future Mystic theme that has just hit the stands for A/W – with huge crystal necklaces and Esoterica a big influence. Look out especially for some amazing hinged glitter bird necklaces and headpieces. We also went to their party, read about it here.

LFW SS2011-photo by Amelia Gregory
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Illustrations by Dee Andrews.

Mawi
We did a huge old feature on Mawi in one of the last issues of Amelia’s Magazine so safe to say that I’m quite a big fan – but somewhat miffed that in the course of writing this article I discovered that Mawi has reposted a pdf of that very same interview on a prominent part of her website with absolutely NO credit at all to where it came from. And I don’t even merit a mention on her “Cool Blogs and Websites” list. So yes, I like Mawi’s jewellery. She does big stuff. She’s not worried about the current trend towards much smaller pieces (you’re in there Phoebe Coleman!) That’s it folks. Suffice to say I’d be more enthusiastic about the new collection if she bothered to acknowledge the promotion we gave her early on. Love it when that happens. *sigh*

LFW SS2011-photo by Amelia Gregory
LFW SS2011-photo by Amelia Gregory
Mawi knuckledusters for the David Koma catwalk show.

Dee-Andrews-Tatty-Devine
Harriet Vine of Tatty Devine by Dee Andrews.

I’m a girl. I quite like jewellery, seek I can’t help it. Here’s my round up of the sweetest pieces I saw at Somerset House this year.

Phoebe Coleman
Phoebe Coleman was new to LFW this year, treatment evident in her slightly small simple stand and eager demeanour. But that’s no bad thing! Rather that than some shirty designer who barks at me if I take a photo. It’s understandable that some people get narked what with lots of pesky manufacturers sneaking in to nick their ideas, but I’m only too happy to share my business card so a bit of decorum is always good. Anyway, like I said Phoebe was lovely and chatty. Her first degree was in fine art and she then went onto study jewellery in San Diego, California whilst also producing plays. She’s a big old romantic, so alongside her previous dewdrop collection she has just launched the most darling heart collection at LFW. I love big brash jewellery for making a bit of a noise, but for day to day wear you can’t beat simple gold pendants. So want one. What’s more she’s determined to support local jewellers so everything is made in London.

Phoebe Coleman By Katherine Tromans
Phoebe Coleman By Katherine Tromans.

LeJu
I’ve written about the jewellery brand LeJu in Amelia’s Magazine before. Back then they were one of only a few ethical jewellery companies but they now have some strong competition. The brand deserves a special mention for breaking out of the Esthetica ghetto and pushing into more exciting boundaries of design than in previous seasons. Loved this huge piece making best use of dyed vegetable ivory.

Somerset House SS2011 Le Ju
All photography by Amelia Gregory.

Phillippa Holland
Over on the Phillippa Holland stand I was captivated by an absolutely gorgeous moveable sycamore ring. It comes in both gold and silver options but unfortunately it’s quite pricey. *sad face* Still, if you’re a money bags this is one beautiful and unique bit of jewellery. Philippa is inspired by the ancient and natural worlds as well as English folklore, so she creates lots of exciting bug pieces that obviously appeal to the fashion forward man – there was one fawning over them when I was visiting. Like Phoebe she’s keen to support British craftsmanship and eschews commercial production practices. Last Christmas she did personal engravings on pieces bought as gifts so let’s hope she does that again… what a fabulous idea for a totally unique present.

Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans.

Cabinet 4 Buba
The Buba stand was all beaded and glittery: Ashish distilled into a handbag. This season Lesley Silwood and Euan McDonald have branched out into jewellery for the first time, and this was what drew me in, though I’d love one of their cross strap bags too now that my damn Vivienne Westwood bag is bust. All the beading is done by their own factory in India, which Lesley assured me means that working conditions are impeccable. Loved the big beaded hoop earrings and long sausage necklaces put together in abstract designs. Just fabulous. Even if she looked at me blankly when I told her I was from Amelia’s Magazine. Clearly not a fan then.

Buba-Jewellery-by-Kellie-Black
Buba Jewellery by Kellie Black.

Tatty Devine
Now, you all know I love Tatty Devine. Not only are Rosie Wolfenden and Harriet Vine two of my very favourite people in the whole of fashiondom but they’re so bloomin’ talented. Since they started off the whole acrylic jewellery thing (ten years ago, my word) they have been so incredibly copied by everyone – from graduate jewellers to Top Shop – that it’s become a bit ridiculous. But NONE of them will touch what Tatty Devine can design – because in terms of imagination and innovation they are always about ten steps ahead of the game. Every season I can’t wait to see what they’ve come up with next, and naturally this collection did not disappoint. Expect a continuation of the Future Mystic theme that has just hit the stands for A/W – with huge crystal necklaces and Esoterica a big influence. Look out especially for some amazing hinged glitter bird necklaces and headpieces. We also went to their party, read about it here.

LFW SS2011-photo by Amelia Gregory
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Illustrations by Dee Andrews.

Mawi
We did a huge old feature on Mawi in one of the last issues of Amelia’s Magazine so safe to say that I’m quite a big fan – but somewhat miffed that in the course of writing this article I discovered that Mawi has reposted a pdf of that very same interview on a prominent part of her website with absolutely NO credit at all to where it came from. And I don’t even merit a mention on her “Cool Blogs and Websites” list. So yes, I like Mawi’s jewellery. She does big stuff. She’s not worried about the current trend towards much smaller pieces (you’re in there Phoebe Coleman!) That’s it folks. Suffice to say I’d be more enthusiastic about the new collection if she bothered to acknowledge the promotion we gave her early on. Love it when that happens. *sigh*

LFW SS2011-photo by Amelia Gregory
LFW SS2011-photo by Amelia Gregory
Mawi knuckledusters for the David Koma catwalk show.

Dee-Andrews-Tatty-Devine
Harriet Vine of Tatty Devine by Dee Andrews.

I’m a girl. I quite like jewellery, there I can’t help it. Here’s my round up of the sweetest pieces I saw at Somerset House this year.

Phoebe Coleman
Phoebe Coleman was new to LFW this year, thumb evident in her slightly small simple stand and eager demeanour. But that’s no bad thing! Rather that than some shirty designer who barks at me if I take a photo. It’s understandable that some people get narked what with lots of pesky manufacturers sneaking in to nick their ideas, but I’m only too happy to share my business card so a bit of decorum is always good. Anyway, like I said Phoebe was lovely and chatty. Her first degree was in fine art and she then went onto study jewellery in San Diego, California whilst also producing plays. She’s a big old romantic, so alongside her previous dewdrop collection she has just launched the most darling heart collection at LFW. I love big brash jewellery for making a bit of a noise, but for day to day wear you can’t beat simple gold pendants. So want one. What’s more she’s determined to support local jewellers so everything is made in London.

Phoebe Coleman By Katherine Tromans
Phoebe Coleman By Katherine Tromans.

LeJu
I’ve written about the jewellery brand LeJu in Amelia’s Magazine before. Back then they were one of only a few ethical jewellery companies but they now have some strong competition. The brand deserves a special mention for breaking out of the Esthetica ghetto and pushing into more exciting boundaries of design than in previous seasons. Loved this huge piece making best use of dyed vegetable ivory.

Somerset House SS2011 Le Ju
All photography by Amelia Gregory.

Phillippa Holland
Over on the Phillippa Holland stand I was captivated by an absolutely gorgeous moveable sycamore ring. It comes in both gold and silver options but unfortunately it’s quite pricey. *sad face* Still, if you’re a money bags this is one beautiful and unique bit of jewellery. Philippa is inspired by the ancient and natural worlds as well as English folklore, so she creates lots of exciting bug pieces that obviously appeal to the fashion forward man – there was one fawning over them when I was visiting. Like Phoebe she’s keen to support British craftsmanship and eschews commercial production practices. Last Christmas she did personal engravings on pieces bought as gifts so let’s hope she does that again… what a fabulous idea for a totally unique present.

Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans
Philippa Holland By Katherine Tromans.

Cabinet 4 Buba
The Buba stand was all beaded and glittery: Ashish distilled into a handbag. This season Lesley Silwood and Euan McDonald have branched out into jewellery for the first time, and this was what drew me in, though I’d love one of their cross strap bags too now that my damn Vivienne Westwood bag is bust. All the beading is done by their own factory in India, which Lesley assured me means that working conditions are impeccable. Loved the big beaded hoop earrings and long sausage necklaces put together in abstract designs. Just fabulous. Even if she looked at me blankly when I told her I was from Amelia’s Magazine. Clearly not a fan then.

Buba-Jewellery-by-Kellie-Black
Buba Jewellery by Kellie Black.

Tatty Devine
Now, you all know I love Tatty Devine. Not only are Rosie Wolfenden and Harriet Vine two of my very favourite people in the whole of fashiondom but they’re so bloomin’ talented. Since they started off the whole acrylic jewellery thing (ten years ago, my word) they have been so incredibly copied by everyone – from graduate jewellers to Top Shop – that it’s become a bit ridiculous. But NONE of them will touch what Tatty Devine can design – because in terms of imagination and innovation they are always about ten steps ahead of the game. Every season I can’t wait to see what they’ve come up with next, and naturally this collection did not disappoint. Expect a continuation of the Future Mystic theme that has just hit the stands for A/W – with huge crystal necklaces and Esoterica a big influence. Look out especially for some amazing hinged glitter bird necklaces and headpieces. We also went to their party, read about it here.

LFW SS2011-photo by Amelia Gregory
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Somerset House SS2011 Tatty Devine
Dee-Andrews-Tatty-Devine
Illustrations by Dee Andrews.

Mawi
We did a huge old feature on Mawi in one of the last issues of Amelia’s Magazine so safe to say that I’m quite a big fan – but somewhat miffed that in the course of writing this article I discovered that Mawi has reposted a pdf of that very same interview on a prominent part of her website with absolutely NO credit at all to where it came from. And I don’t even merit a mention on her “Cool Blogs and Websites” list. So yes, I like Mawi’s jewellery. She does big stuff. She’s not worried about the current trend towards much smaller pieces (you’re in there Phoebe Coleman!) That’s it folks. Suffice to say I’d be more enthusiastic about the new collection if she bothered to acknowledge the promotion we gave her early on, or indeed to give me the impression she even remembers her appearance in Amelia’s Magazine. Love it when that happens. *sigh*

LFW SS2011-photo by Amelia Gregory
LFW SS2011-photo by Amelia Gregory
Mawi knuckledusters for the David Koma catwalk show.


studio_805, unhealthy illustrated by Alia Gargum

Dashing in between the D-GNAK show and Carolyn Massey, stuff I managed to catch the Fashion Scout presentations at Freemason’s Hall. I was really looking forward to these – I couldn’t wait to see what studio_805 would come up with following sex-trade styling a year ago and bondagey sports-luxe stuff last season, more about and I heard good things about Post Human Wardrobe and Agi & Sam.


studio_805

Set in one of the Freemason’s many haunting rooms, I unfortunately have a huge criticism. Rubbish bloody lighting. Why on Earth would you go to the trouble of putting on such a great presentation (because, besides this major error, they were great presentations) and not consider that people might want to photograph your work? Admittedly, I didn’t have my flash and so was reduced to taking shakey photos, but the lighting really was appalling. Curtains were drawn, few lights were on, and you couldn’t see the infinite detail and craftsmenship that the three labels had administered with any clarity – a huge shame.

Anyway, rant over. Here’s a little run through, from what I could see!

studio_805

Illustration by Alia Gargum

This season, one-man-band Andrew Bannister, aka studio_805, presented a collection of just five pieces, all of which were a treat as always. The five models were raised on boxes, heightening the sense of drama and giving the creations even more oomph. Muscular models who clearly spend their entire existence in gyms were covered in camouflage and tribal paint (who has the time to look that good? I can barely managed a monthly swim).

Camouflage featured heavily, both in print and in physical foliage that was attached to these ensembles. Spiced up with vibrant neon orange (they’d easily find you hiding in the bushes wearing these), each piece utilised pull-straps to form structural shapes. Hoods created a creepy, guerilla attitude, while baggy trousers and capes transformed the Herculean frames of the models. Oh, and the riding cap with decorated antlers was one of my favourite things this week. I won’t be wearing of any of this in the near future (I don’t have the pecs, for starters) but yet again Bannister and studio_805 delivered a progressive, unique and inspiring collection.

Agi & Sam

I loved Agi & Sam‘s twee set up at the back of this room. Evoking images of Spaghetti Westerns and Native America, their installation included a projected background of a desert and a sand covered floor littered with animal bones.

Models stood around nonchalantly in vibrant and exotic fabrics, mostly fitted blazers and tapered trousers. A mix of digital prints and knit, these really stood out and for a moment it was like being whisked back a century. Porkpie hats and side partings completed this whimsical look.

Post Human Wardobe

By the time I’d got to Post Human Wardrobe, I was dripping with sweat and totally bemused by this lighting situation, so I unfortunately didn’t get to have a good rummage through the rails. Gym mats were placed in front of their display, on which fighters were to perform in the outfits. I missed this, unfortunately, but I hear it was very good… The collection, from what I briefly saw, consisted of a neutral and somewhat industrial colour palette used on a range of tailored trousers and sports-luxe jackets, utilising assymetric lines and irregular cuts.

Categories ,Agi & Sam, ,Camouflage, ,Freemasons’ Hall, ,London Fashion Week, ,menswear, ,Muscles, ,Native America, ,Post Human Wardrobe, ,S/S 2011, ,studio_805, ,Western

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Amelia’s Magazine | London Fashion Week A/W 2011 Illustrated Menswear Day Round-Up

C/Bruerberg A/W 2011 by Karla Pérez Manrique
C/Bruerberg A/W 2011 by Karla Pérez Manrique.

Four menswear designers in one fell swoop: Fashion Scout’s Ones to Watch Men was the first of its kind and my last fashion show of the A/W 2011 season.

C/Bruerberg A/W 2011 by Karla Pérez Manrique
C/Bruerberg A/W 2011 by Karla Pérez Manrique.

C/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia GregoryC/Bruerberg A/W 2011. Photography by Amelia Gregory

C/Bruerberg A/W 2011 by Rebecca Strickson
C/Bruerberg A/W 2011 by Rebecca Strickson.

My favourite was undoubtedly the first one out and the one collection designed by a girl. C/Bruerberg produces wonderful knitwear – a raggle-taggle collection of clashing materials, what is ed sickness finely executed lace and draped shapes with sheer panels. Her colour palette was a confident mix of browns and greys with bright green and reds. I loved the playful accessorising of dangling head and neckpieces and the digital prints were equally strong. Camilla Bruerberg graduated from the Oslo National Academy of the Arts in 2008 and has collaborated with Royksopp and the Norwegian theatre.

A.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011. Photography by Amelia GregoryA.Hallucination A/W 2011 by Alison Day
A.Hallucination A/W 2011 by Alison Day.

This season A.Hallucination by Hwan Sun Park and Chung Chung Lee showed their usual blend of well tailored suits and fine detailing, buy more about focusing on contrasting quilted panels and sweet little touches such as bowties and ruffles. Jacket sleeves were rolled up, unhealthy boots slouched. There was also a range of large bags slung across the back – rucksacks are a big emerging trend for men.

Mr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011. Photography by Amelia GregoryMr Lipop A/W 2011 by Jane Young
Mr Lipop A/W 2011 by Jane Young.

Aside from having a rather wonderful/silly name, Mr Lipop produced what was surely the most commercial collection of Ones to Watch, rife with wearable items. Hoods, tailored leather backpacks, loose sheepskin and relaxed suiting was the order of the day. He’s worked as a tailor for Nathan Jenden for several seasons, but maybe a relaxed approach comes from his love of football – not the most obvious choice of hobby for a fashion designer. Bit concerned that was real fur trim though. Naughty step for Mr Pop if so.

Asger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia GregoryAsger Juel Larson A/W 2011. Photography by Amelia Gregory
Asger Juel Larson A/W 2011. All photography by Amelia Gregory.

With his Uncle Sam collection Asger Juel Larson drew the most surprised looks from big retail buyers in the front row – maybe because of the crucifix encrusted top hat? Or the feathered headdress made from two entire wings? Or the amazing holey knitwear encrusted with what looked like deflated balloons, worn over leather hot pants and not much else? Surely these are highly sellable items, non? Asger is a London College of Fashion graduate with some considerable hype to his name since being involved with Turkish luxe label Tween. According to the press release he’s inspired by historic events to create a sharp structured silhouette, though I’d say he owes more to the fantasy of High Gothic films.

Asger Juel Larson A/W 2011 by Sam Parr
Asger Juel Larson A/W 2011 by Sam Parr.

When I worked as a stylist I loved styling men far more than women, but because I struggled to find good menswear I invariably ended up using the same brands all the time. So it’s great that the much talked about renaissance in menswear design is finally happening and is getting such great support from Fashion Scout director Martyn Roberts. I look forward to next season with anticipation.


Illustration by Charlotte Hoyle

So yes, help London Fashion Week was yonks ago, for sale and designers are already thinking about their S/S 2012 collections. Soz then, but this has been one hell of a season. Our coverage, if I do say so myself, has been immense. Allow me one last indulgence to tell you about the Fashion East Menswear Installations and London Fashion Week A/W 2011 menswear in general. Here’s a wonderfully photographed and illustrated round-up.

ASTRID ANDERSEN

Illustration by Abby Wright


All photography by Matt Bramford

Astrid Andersen was a bit of a find at the menswear installations… hip-hop sportwear meets luxe fabrics in neons. These poor (but buff) models slumped for four hours. Pity them.

AGI & SAM

Illustration by Faye West



Agi & Sam
brought back the nineties this season with acid face paint and 3D fabrics (they even had 3D specs… and it worked). Padded puffa jackets and gilets in all sorts of vibrant colours and patterns stood out in a sea of sharp tailoring. My model-pity continued, but then I realised they’re probably earning a lot more than I am, so quickly got over it.

CASSETTE PLAYA

Cassette Playa illustrated by Antonia Parker

Cassette Playa was one of my favourite menswear shows this season, with the gold bodies and inspired prints. You can read my full review here and Amelia’s here.

LOU DALTON

Illustration by Izzy Lane

We didn’t get a ticket to see Lou Dalton – AGAIN – but I wasn’t going to let that stop me. Oh no. I borrowed Michael from Anastasia Duck‘s ticket. What I didn’t expect was that the ‘Royal Opera House’ venue advertised was actually one of the tiny rooms off the main entrance, and the show was massively oversubscribed. So that did stop me getting in. Oh, well – at least I made it to Cassette Playa on time. There’s a lovely illustration by Izzy above though, from S/S 2011.

OMAR KASHOURA

Illustration by Matt Thomas

We didn’t get a ticket to Omar Kashoura either – harumph – despite our extensive coverage of his quirky outing last season. You’ll have to make do with Matt’s S/S 2011 illustration above – which, I’m sure you’ll agree, is brilliant anyway.

KTZ

KTZ S/S 2011, illustrated by Sandra Contreras

Unless you’ve been under a rock you’ll know that KTZ was my favourite shows this season – and one of Amelia’s too. Thinking about it leaves me breathless. Read our reviews here and here, and enjoy Sandra’s S/S 2011 illustration above!

MATTHEW MILLER

Illustration by Dan Heffer


Illustration by Sam Tickner

I’ve been fond of Matthew Miller and his collections since I first discovered him a year ago… this season lime green duffel coats fastened with carabiner-style heavy duty locks. Enormous bags also played with this theme, teaming expedition materials with luxe fabrics. Great shoes, too.

NOKI

Illustration by Natsuki Otani

Dr. NOKI was back with his weird and wonderful New Era caps and a new collection of garments made from recycled materials. His model must be the hardest working this season – I’ve seen him everywhere, from here to looking awkward at Jean Pierre Braganza. Read more about Dr Noki in Amelia’s Compendium of Fashion Illustration.

E. TAUTZ

Illustration by Gemma Smith

No ticket. Again. Yawn. But a lovely illustration by Gemma, nevertheless!

See more from Antonia Parker, Natsuki Otani, Faye West and Abby Wright in Amelia’s Compendium of Fashion Illustration!

Categories ,A/W 2011, ,Abby Wright, ,Agi & Sam, ,Antonia Parker, ,Astrid Andersen, ,Cassette Playa, ,Charlotte Hoyle, ,Dan Heffer, ,Dr Noki, ,E. Tautz, ,Fashion East, ,Faye West, ,Gemma Smith, ,KTZ, ,London Fashion Week, ,Matt Thomas, ,Matthew Miller, ,menswear, ,Natsuki Otani, ,Omar Kashoura, ,Sam Tickner, ,Sandra Contreras, ,Somerset House, ,Wednesday

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Amelia’s Magazine | Agi & Sam: London Collections: Men A/W 2014 Catwalk Review


Agi & Sam A/W 2014 by xplusyequals

As we made our way through Victoria House for Agi & Sam‘s A/W 2014 presentation, models stood on plinths holding placards bearing the slogan ‘Watu Nguvu‘ (people power in Swahili) and oil company logos. They created a sombre atmosphere; part protest, part decoration. They were setting the scene for what would become an incredibly personal collection.


All photography by Matt Bramford

Banished were the vibrant fabrics of London transport of last season; gone were the matchy-matchy suits or block fluorescent colours that the duo have become famous for. In fact, gone was colouring altogether; only two pieces in this collection veered from the monochrome theme. It was a bigger surprise as any from the duo renowned for their worldly and energetic use of colour.

By this stage my camera had pretty much given up altogether. I have probably taken about 300,000 photographs with it, and it’s probably decided that it’s had enough of men and women walking backwards and forwards, so if anybody has a spare £2K to buy me another one that would be great, thanks. Despite this, I really like the shots I got here. There’s something about the soft focus (read: blurred) quality of them that suits this presentation.

The collection combines Western workwear with African tribal features, exploring the exploitation of African society and the stereotypes of the notion we call ‘The West’. Long silhouettes dominated this outing, as did box-shaped shoulders and ankle-length pants. Black cropped blazers and jackets with hidden fastenings toyed with the workwear theme with reflective band details. Traditional patterns like Masai check and African weaves were interpreted across coats and cropped jackets.


Agi & Sam A/W 2014 by xplusyequals

I particularly enjoyed the injection of oversized tees that featured Western oil conglomerate logos, providing a welcome burst of colour, and a long nylon coat that gave a utilitarian aesthetic without diverging from the key themes.

It’s easy to see why Agi & Sam were awarded the Emerging Talent accolade at last year’s British Fashion Awards: in just one season they’ve moved from playful prints to a slick collection with a political message that had been handled in a intelligent, provocative way.

Categories ,Agi & Sam, ,Agi Mdumulla, ,catwalk, ,LCM, ,LCMAW2014, ,london, ,London Collections Men, ,Masai, ,Matt Bramford, ,menswear, ,review, ,Sam Cotton, ,Victoria House, ,workwear, ,xplusyequals

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Amelia’s Magazine | Agi & Sam: London Collections: Men S/S 2014 Catwalk Review


Agi & Sam S/S 2014 by Krister Selin

I love Agi & Sam. A recent collaboration with Topman, ‘The Owls‘, featured a range of football-kit inspired clothing and gave a taster of things to come. I am hoping that ‘The Owls’ was a nod to Sheffield Wednesday. I couldn’t give two hoots (geddit?) about the team, but I love that city.

Two enormous owls sat amongst the crowds at their S/S 2014 show last Sunday. Yes, I know I’m behind. I was genuinely surprised when the show began with mostly all black looks. Agi & Sam are renowned for their glorious use of colour and so it seemed a bit curveball. A speckled black suit worn over a crisp white shirt appeared first, styled with visor shades. An oversized black shirt came next, featuring a discrete monochrome pattern.

It wasn’t before long that the design duo’s inimitable prints appeared, though. This season inspiration had come from public transport seating patterns, the bloody geniuses. If you want to look like the back seat of the number 8 bus, as I certainly do, then Agi & Sam are for you. Rich fabrics carried hallucinogenic patterns in vibrant colours, some discrete, some so obvious that even the models wore large black visors to protect their eyes. All trousers maintained a clean cut with a tapered leg, cropped at the ankle.


Agi & Sam S/S 2014 by Krister Selin

Box-shaped blazers, some with cropped sleeves and others full-length, appeared in block colours, from powder blue to acidic orange.

Accessories included black oxfords embellished with bright stripes (in collaboration with Oliver Spencer) and large black luggage that featured some of the transport soft furnishings patterns.

Categories ,Agi & Sam, ,fashion, ,football, ,Krister Selin, ,LCM, ,LCMSS14, ,london, ,London Collections Men, ,Matt Bramford, ,menswear, ,Public Transport, ,sheffield, ,SS14, ,The Owls, ,Victoria House

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