Amelia’s Magazine | Bernard Chandran: London Fashion Week A/W 2013 Catwalk Review

Bernard Chanrdan AW 2013 Rosa and Carlotta Crepax Illustrated Moodboard
Bernard Chandran A/W 2013 Rosa and Carlotta Crepax, Illustrated Moodboard.

Due to a seating mix up and a late arrival no one for Amelia’s Magazine was well placed to take photos at Bernard Chandran. Perched at the mouth of the catwalk I had a great view of the models’ amazing winged eyes and some interesting cut out backs, a nod to the 90s that has been increasingly popular on the catwalks this season.

Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran A/W 2013. All photography by Amelia Gregory.

There was a real element of sports luxe to this collection, which began with tight fitting panelled dresses in jewel colours, the lyrca stretched from the high necks into hoods and over a flat visor. Embellishments came in the form of beading and painterly washes of colour in digital prints on A-line shift dresses, billowing blouses and boxy shirts. I particularly liked the loose plaits that held together uncovered hair: a look which has been popular on many catwalks for A/W 2013.

Bernard Chandran A/W 2013 by Jihyun Park
Bernard Chandran A/W 2013 by Jihyun Park.

Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory

Categories ,90s, ,A/W 2013, ,Beading, ,Bernard Chandran, ,Illustrated Moodboard, ,Jihyun Park, ,London Fashion Week, ,print, ,Rosa and Carlotta Crepax

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Amelia’s Magazine | Bernard Chandran: London Fashion Week S/S 2014 Catwalk Review

Bernard Chandran S/S 2014 by Yelena Bryksenkova
Bernard Chandran S/S 2014 by Yelena Bryksenkova.

In the upper halls of Freemasons’ Hall Bernard Chandran once again put on a stellar show. Sumptuous silken lame in jewel bright hues of blue, red, green and orange was cut in a series of swishing asymmetric layered dresses that featured off kilter puff shoulders, caped bodices and artfully pleated drop waisted skirts. Delicate tinsel head pieces called to mind the fairy on top of the Christmas tree, and feet were dressed in chunky heeled strap sandals of matching glitter. Tumbling tubular beads created optical patterns on statement dresses, the sumptuous skeins of brocade offset against skinny twinkle straps. The entire collection was fit for a most modern princess. More, please!

Bernard Chandran S/S 2014 by Ruth Bridges
Bernard Chandran S/S 2014 by Ruth Bridges aka xplusyequals.

Bernard Chandran S/S 2014 by Gareth A Hopkins
Bernard Chandran S/S 2014 by Gareth A Hopkins.

Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran S/S 2014. All photography by Amelia Gregory.

Categories ,Bernard Chandran, ,Freemasons’ Hall, ,Gareth A Hopkins, ,lfw, ,review, ,Ruth Bridges, ,S/S 2014, ,xplusyequals, ,Yelena Bryksenkova

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Amelia’s Magazine | À La Disposition: The London Fashion Week S/S 2012 Preview Interview

technology will save us stall
Simian Mobile Disco has made a career of writing sharp, case economic dance tracks. Their release last year of Temporary Pleasures showed that they could still fill up dance floors, and they enlisted the help of some of their musical peers.

New single Cruel Intentions features The Gossip’s Beth Ditto on vocals. Singing over a simple synth loop the minimal sounding track has Ditto’s voice front and centre throughout she is either singing a song about finding love, or losing it. It manages to highlight how effective her singing voice is and why she is so respected within the musical community.

As seems common for dance bands lately the track has a strong 80’s vibe to it but it doesn’t make it sound dated and cheap.  I can imagine dragging myself onto the dance floor during the closing minutes of a club dance and shaking my booze dullened body in time to the beat, and I mean that in the best possible way
A La Disposition SS 2012 by Faye West
A La Disposition S/S 2012 by Faye West.

À La Disposition return to London for their second season at London Fashion Week this September with their S/S 2012 collection mECHANICAL fAILURE, click inspired by the shapes of propellers and the mechanics of flight. Time to find out what keeps American husband and wife team Lynda and Daniel Kinne ticking… and why they’ve decided to make London their new home.

a la disposition mECHANICAL fAILURE by Gareth A Hopkins
À La Disposition mECHANICAL fAILURE by Gareth A Hopkins.
 
Last season we were wowed by À La Disposition for the first time at London Fashion Week – what was the reception like and why have you decided to return for a second time to show in London?
Thank you for the kind compliment. The reception we received was a great one: very warm and well spoken. It has always been a dream of ours to live in London because it is a great source of inspiration, and it is where we received very crucial and formative parts of our training.

A la disposition by Alice Nyong
À La Disposition S/S 2012 by Alice Nyong.

What other things did you discover and fall in love with at LFW?
What is truly unique about London Fashion Week and what we love most is the creative expression, not just the designers but also the people. London has a great mix professionalism and wit. We also find a positive vibe here that is truly its own.
 
A La Disposition by Yelena Bryksenkova
À La Disposition S/S 2012 by Yelena Bryksenkova.

Where is your studio based and what would it look like if I were to pop around for a cup of tea right now?
We are currently looking for a studio in London, or at least we will be after London Fashion Week. We hope to be based near our new home in Southwark. If you were to drop by right now you would find a very industrious scene of somewhat makeshift workstations and busy last minute adjustments. You would be treated to a deep malty cup of Assam taken with little sugar and much milk and nobbly biscuits.

A la disposition by Alice Nyong
À La Disposition S/S 2012 by Alice Nyong.

You are a husband and wife team – what came first? The working together or the romantic relationship? And how do you manage to separate your different work and private lives?
There always was an attraction from the first time we met at fashion school. It developed from a passion about the same things to working together to a passion for one another. There really is no division to our work and personal lives they are so harmoniously intertwined.

A La Disposition by Gilly Rochester LFW Sept 2011
À La Disposition S/S 2012 by Gilly Rochester.
 
For S/S 2012 I believe we can look forward to contrast in the form of voluminous gowns and graphic sternness, with shapes reminiscent of propellers – where did you find the inspiration for this collection and how did you research ideas?
It is always difficult to articulate our inspiration ideas. The collection is a journey which flows from a story Daniel develops as he sketches. This season’s story involved the mechanics of flight. Although we do not research images or ideas for each particular season we have an extensive library of fashion and art books and we are always gathering ideas from everything around us.

À La Disposition S/S 2012 by Alice Nyong
À La Disposition S/S 2012 by Alice Nyong.
 
It sounds as if your colour palette will be as bold as it was last time around – army greens combined with rich yellows and purples. How do you put together a colour range and then source the fabrics or dyes to make this a reality?
This is Lynda’s territory in the brand development. The colour range is developed in conjunction with the fabrics we source as the season organically develops. The punchiness of the colour card, the signature textures and the stripes are all Lynda.

A La Disposition by Gilly Rochester LFW Preview Sept 2011
À La Disposition S/S 2012 by Gilly Rochester.
 
Last season you created a wonderful dual perfume for the show (which I wear quite a lot!) – can we look forward to any other special collaborations for this season?
So glad to hear that you like our perfume {{intangible}}. It has been received very well. There is a smaller version of the perfume in the works to more easily distribute it. We also are working with Anastasia Radevich to design our shoe range again and are very excited about what she has designed for us.

a la disposition mECHANICAL fAILURE shoe by Gareth A Hopkins
a la disposition mECHANICAL fAILURE shoe by Gareth A Hopkins.
 
The styling of last seasons’ show was quite spectacular… you memorably used coloured contacts to give red eyes. Will there be any other surprises in store this season?
There are a few possibilities in the works. As long as it works with the collection we are willing to give it a go.

A La Disposition Dress by Claire Kearns
À La Disposition S/S 2012 by Claire Kearns.

À La Disposition will be showing their S/S 2012 collection on the catwalk on Tuesday 20th September 2011 as part of Fashion Scout.

A La Disposition Outfit by Claire Kearns
À La Disposition S/S 2012 by Claire Kearns.

Categories ,À La Disposition, ,Alice Nyong, ,Anastasia Radevich, ,Claire Kearns, ,Fashion Scout, ,Faye West, ,Gareth A Hopkins, ,Gilly Rochester, ,London Fashion Week, ,Lynda and Daniel Kinne, ,mECHANICAL fAILURE, ,Perfume, ,preview, ,Propellers, ,S/S 2012, ,Yelena Bryksenkova, ,{{intangible}}

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Amelia’s Magazine | Asger Juel Larsen Vs T.Lipop: London Fashion Week A/W 2012 Menswear Day Catwalk Review


T.Lipop A/W 2012 by Jo Ley

I’ve been keen to see more from Asger Juel Larsen since illustrating his S/S 2012 collection for Amelia’s Magazine. It’s not every day you get to draw a beard made out of leather and nails, and the post-apocalyptic aesthetic is one that I can naturally appreciate. That, and I’d read that at Copenhagen Fashion Week they sent a guy down the catwalk bloodied and with a chainsaw


Asger Juel Larsen A/W 2012 by Gemma Cotterell

A few incidents immediately prior to the show dampened my enthusiasm somewhat. For a start, while waiting in the Media Lounge at Freemason’s Hall, I found that a pot of Sudocrem that I had no recollection of ever having seen before had split in my bag (random pots of Sudocrem being one of the given perils of being a parent to a young child). There’s nothing cooler than a man whose hands are covered in Sudocrem, I’m sure you’ll agree.


Asger Juel Larsen A/W 2012 by Sam Parr

The queue into the show was a mess, not helped by the show starting half an hour late, although there was free frozen yogurt. I also realised too late that the ‘ST’ on my ticket meant ‘Standing’ and wasn’t code for something more exciting, like… I don’t know what I thought it would stand for, to be honest. I was just happy to get the ticket (it had my name on it and everything).

Once the crowd had been herded into the showroom and I’d baffled nearly everyone around me with my insistent politeness, I found myself smushed against a wall with a direct view into the catwalk’s entrance, which was pretty much as good as I could have got, considering, and it was totally fluked.


All photography by Gareth A Hopkins

The collection itself was predominantly inspired by Soviet Officers uniforms, which combined with solid tailoring, chunky zips and a limited palette of black, grey and crimson worked really well. The majority of the models were made to look gaunt and frozen by pale makeup, which played up the ‘fragility of war’ concept that Larsen was going for. Breaking away from the palette was a suit in brown and tan paisley; paisley seemed to have infiltrated everywhere this season, so if I was to pick out a ‘trend’ other than the whole arctic/Baltic aesthetic, paisley would be it.

The headgear was a problem for me, though. I’ve distrusted beanie hats since East 17 were first on Top Of The Pops, and there was a raft of them bobbing down the catwalk. More fundamentally problematic were the ginormous fur hats – the size and shape wasn’t a problem (I actually liked the look of them) but I’d hoped we’d all moved on from fur now, and for me its inclusion sullied my opinion of the rest of the collection.

Also: there was no chainsaw anywhere. Whether Health & Safety had been in touch or they’d run out of petrol, I don’t know. But I’d been promised a chainsaw and there wasn’t one.


T.Lipop A/W 2012 by Lo Parkin

Straight out of the gates after Larsen was T.Lipop, whose collection I’d also seen at the Fashion East installations earlier in the day. Similar to Larsen’s Soviet-in-the-trenches look, Lipop’s models were decked out to look like Victorian arctic explorers, with frost in their beards and eyebrows and carrying explorer gear. This hid a more muted but arguably more wearable collection with softer lines and a less harsh colour palette that included burgundies, oranges and tan along with a hit here and there of good ol’ Navy Blue.


T.Lipop A/W 2012 by Jo Ley

Once again, the fur card was played, this time right at the end with a digital-print coat with an enormous pelt hood, drew gasps of wonder from the crowd and a unified surge of camera clicks. The shape and the weight of the coat were satisfying, it’s just a pity that the arctic theme had to be held so rigidly that fur couldn’t have been avoided.

Not to put too much of a downer on either though, as both were very strong showings and I’m positive we’ll be hearing more from both in the future. Although next time, if you say there’ll be a chainsaw, bring a chainsaw.

Categories ,Arctic, ,Asger Juel Larsen, ,AW2012, ,Baltic, ,Big Zips, ,Chainsaw, ,Freemasons’ Hall, ,Frosty Beards, ,Frozen Yogurt, ,Gareth A Hopkins, ,Gemma Cotterell, ,Health & Safety, ,Jo Ley, ,Lo Parkin, ,London Fashion Week, ,military, ,Paisley, ,Sam Parr, ,soviet, ,Standing, ,Sudocrem, ,t.lipop, ,Vauxhall Fashion Scout

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Amelia’s Magazine | Ashley Isham: London Fashion Week S/S 2015 Catwalk Review

Ashley Isham by Laurie Nouchka
Ashley Isham by Laurie Nouchka.

Ashley Isham always has a flair for the dramatic and this season his models strutted down the runway before pausing to pout and pose at the ornate doors for the photographers. They wore a succession of swirling gowns in bright cerise pink, saturated royal blue and smokey greys. Ornate beaded details, fringing and curlicued lace were used in asymmetric formation with the addition of bondage inspired leather belts, which gave some edge to the proceedings. I particularly liked a pairing of softest grey silk with tomato leather shoulder caplets and wide cutout belt.

Ashley Isham SS 2015 photo by Amelia Gregory
Hats were chosen to complement the heightened sense of drama, either woven baseball caps with outsized brims, or colossal affairs; spiked urchin umbrellas from under which models could glance askew. Lips and shoes were suitably glossy, giving a further pop of colour. More wearable for the everyday were short shorts, softly draped blouses and cute floral print sleeveless dresses. Prints were animal inspired, skirts flared or pencil tight. Glamourous encrusted swimsuits were designed for the swimming pool as catwalk, glittery clutch bags the must have accessory.

To watch the video scroll to the bottom of the page.

Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
Ashley Isham SS 2015 photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,Ashley Isham, ,catwalk, ,Fashion Scout, ,Freemasons’ Hall, ,Glamour, ,Laurie Nouchka, ,London Fashion Week, ,review, ,S/S 2015, ,SS15, ,video

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Amelia’s Magazine | Asli Polat AW15: London Fashion Week Catwalk Review

Asli Polat AW15-photo by Amelia Gregory 1
American designer Asli Polat took reference from a host of sources for AW15, culminating in a small but concise collection shown in the underground vaults of the RSA.

Asli Polat AW15-photo by Amelia Gregory 3
Asli Polat AW15-photo by Amelia Gregory 2
Asli Polat AW15-photo by Amelia Gregory 4
Asli Polat AW15-photo by Amelia Gregory 6
Asli Polat AW15-photo by Amelia Gregory 5a
The show opened with several outfits made up in the same retro coloured plaid applied to different fabrics, including a mohair tweed. Shapes encompassed sweet rodeo detailed dresses, cute mini skirts, hooded sweat tops and a plasticised parka with teddybear fur details on pockets thanks to a partnership with the iconic teddybear manufacturer Steiff. This unusual choice of garment fabric was used in further outfits, most notably a couple of eye catching patchwork shift dresses, with matching bold tangerine eye shadow. Definitely a designer to watch.

Asli Polat AW15-photo by Amelia Gregory 7
Asli Polat AW15-photo by Amelia Gregory 8
Asli Polat Steiff teddybear Jay Pinxie
Jay Pinxie Turnbull with a Steiff teddybear, our gift on the front row. All photography by Amelia Gregory.

Categories ,American, ,Asli Polat, ,AW15, ,Catwalk review, ,Jay Pinxie Turnbull, ,London Fashion Week, ,retro, ,Steiff, ,Teddybear

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Amelia’s Magazine | Basharatyan V: London Fashion Week S/S 2014 Catwalk Review

Illustration by Claire Kearns

Basharatyan V by Claire Kearns

Basharatyan V definitely provoked some raised eyebrows with her latest collection. This show was a bold affair, with models sporting short modish twenties style wigs and very strong brows. The collection’s title, Frida, promised some striking shapes and colours and this was provided in the form of some eye-catching vivid hues. The show kicked off at pace, offering a mixture of bold tailoring and contrasting softer silk dresses. The strong styling did help pull together a collection that felt a little disjointed. The dresses, which included a beautiful long black number, were  the stand-out features of the show. A pristine pencil skirt and cropped-top combination and some strong lines, to an extent, made up for an ill-judged harem pant and lacklustre halter-neck here and there. This was a show of highs and lows to say the least. The introduction of slightly unusual faded prints and a willingness to play with fabric, cut and tailoring (perhaps a little too much in places) shows that this Russian designer’s gaining confidence. With this collection there was certainly no lack of vision which, if refined, means it will be intriguing to see what’s next from Basharatyan V.

Basharatyan V SS 2014-photo by Amelia Gregory

Basharatyan v London Fashion Week

Bashratyan London Fashion Week

Bashratyan v at London Fashion Week

Basharatyan London Fashion Week

Basharatyan v London fashion week

Basharatyan v London Fashion Week

Basharatyan v London Fashion Week

Basharatyan v London Fashion Week

Basharatyan v London Fashion Week

All photography by Amelia Gregory.

Categories ,2014, ,basharatyan v, ,fashion, ,Fashion Scout, ,Freemasons’ Hall, ,Frida, ,London Fashion Week, ,preview, ,review, ,S/S 2014, ,Spring/Summer 2014

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Amelia’s Magazine | Bath in Fashion 2013: A review of the Designer Fashion Show

Bath in Fashion by youdesignme1
Bath in Fashion illustration by youdesignme

Staged by the renowned John Walford, this Bath based show aimed to rival the best of them. Held on Friday the 19th of April in The Assembly Rooms (which is also the home of The Fashion Museum), this show brought out the most fashion conscious of this lovely little spa city. Shops and brands exhibiting their wares included Bloomsbury, Austin Reed, Prey, Howl and Wolf,The Frock Exchange and Paul Smith. There was even a section dedicated to Bath Spa University student collections, all of it sponsored by high end jeweller Mallory.

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion
Animals made from Linen and Champagne shaped fancy dress costumes from the 1400s were just some of the diverse exhibitions and events on show as part of this years Bath in Fashion 2013 and this kitten-walk displayed the same range and variety as the rest of the festival. Men, women, ballerinas, flower-girls, baggy jumpers, eye-wear and lingerie: all got their time in the spotlight.

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

The baby-blue walls and extravagant chandeliers of The Assembly Rooms reminded me of the surroundings at The Savoy LFW Gyunel Show I attended this season. The interiors of a venue always make a huge difference to the impact of the show itself, and the glitzy decor definitely gave these collections some extra oomph.

Bath in Fashion by Warren Clarke
Bath in Fashion by Warren Clarke

Bath in Fashion

Bath in Fashion

Bath in Fashion

Standing at the back of the room, I could hear three women, one holding a young ‘un chattering away, giggling at the cheeky smile of a middle-aged male model who, whether clad in shorts or suited up, never failed to excite the female members of the audience. The most significant thing about this show was the audience: a far cry from the young, tottering heels and extravagant, celebrity attended shows of Londres, this down to earth audience gave the show a friendly atmosphere. At LFW the audience are an attraction in themselves and many people spend their time scouting for familiar star-studded faces in the audience while they glance over the collections. This audience was mixed, and rather than the young, fresh faces in the crowd I’m used to, the audience was made up of a more mature crowd: presumably women with actual cash to splash.

Bath in Fashion by youdesignme
Bath in Fashion illustration by youdesignme

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

I have a few clear favourites among the collections: umbrellas lined with grey city-scapes, and pouffy skirts, as well as colourful baggy jumpers featuring geometric prints. Each time the lights changed there was a new surprise, from girls laden with three or four bags, piled up on each arm, to uber-revealing outfits showing hip-bones and side-boob. For one collection girls wearing dresses adorned with fake birds were styled carrying flowers, and yet another look featured minimal bold lipstick and dark sunglasses.

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath House Fashion by Emma Ferry
Bath in Fashion by Emma Ferry

With the knowledge that Bath in Fashion 2013 was almost over for another year, there was a vague sense of sadness as the show drew to a close. Bath in Fashion is a great week in this little town, where the shops, the streets and exhibitions all take the quiet little city by storm. Known for being just a little bit posh, Bath has built a reputation for it’s lovely little boutiques, and love of all things vintage. This is something obvious from the catwalk itself, which shows the city at its most fashionable.

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion

Bath in Fashion by Daniel Alexander
Mallory Show by Daniel Alexander

Categories ,Austin Reed, ,Bags, ,Bath, ,Bath In Fashion, ,Bath Spa Student, ,Bloomsbury, ,catwalk, ,collection, ,Dresses, ,Flowers, ,Howl and Wolf, ,Mallory, ,Prey, ,The Fashion Museum

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Amelia’s Magazine | Belle Sauvage: London Fashion Week A/W 2013 Catwalk Review

Belle_Sauvage_AW_2013_by_Isabelle_Mattern
Belle Sauvage A/W 2013 by Isabelle Mattern.

Belle Sauvage hit Fashion Scout with the look for which they are known best: incredibly complex digital placement prints, as described in our exclusive preview interview with designers Virginia Ferreira and Chris Neuman.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage A/W 2013 by Victoria Haynes
Belle Sauvage A/W 2013 by Victoria Haynes.

The show opened with a trio of models, resplendent in massive hairpieces: swishing pigtails and gigantic dip dyed fringes that dominated each of the looks that were to follow. Sheepskin and fake fur topped eminently wearable silk shift dresses which were covered in swirls inspired by Chinese dragons and baroque ornaments, and lace trims appeared at the arms and thigh. Zip up black suede boots and laced patent platforms worked well with the simplicity of the looks, though to my mind they were of questionable styling taste. The intention of this collection was to mix up inspirations from East and West and there was certainly a wide range of styles on show. Classic Chanel styling appeared in the form of heavy contrast seams and big buttons on boxy suits and peplums paired with pencil skirts and mini capes provided a contrasting silhouette.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle_Sauvage_AW_2013_by_Isabelle_Mattern
Belle Sauvage A/W 2013 by Isabelle Mattern.

That this brand does well in the commercial sector abroad was evident in the more casual range that made up the middle section of the show. Amongst my favourite looks was the head of Botticelli‘s famous Birth of Venus reimagined in a repeat pattern on a loose fitting top and matching trouser set, but there was one odd look that didn’t appear to fit in at all: an intarsia knit cat portrait top which was accessorised with beanie and sunglasses.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
This was a lengthy show featuring many similar pieces and I must confess I became a little weary somewhere around the ten minute mark, but this was clearly intended as a showcase for plentiful looks that will no doubt gain lots of sales for this talented twosome. The show came to a screeching halt as the models massed for a final walk down the catwalk.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage A/W 2013. All photography by Amelia Gregory.

Categories ,A/W 2013, ,Belle Sauvage, ,Birth of Venus, ,Botticelli, ,chanel, ,Chris Neuman, ,Fashion Scout, ,Freemasons’ Hall, ,Isabelle Mattern, ,London Fashion Week, ,review, ,Victoria Haynes, ,Virginia Ferreira

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