Amelia’s Magazine | An Interview with Future Classics Fashion Designer Julie Wilkins

Future Classics AW14 by Gareth A Hopkins
Future Classics A/W 2014 by Gareth A Hopkins.

Fashion designer Julie Wilkins explores ideas of garment construction/deconstruction, radical conservatism and androgyny for A/W 2014. Her capsule collections come with the guiding principle that purposeful limitation allows for increased invention, so the new Future Classics collection features a sombre colour palette, with conservative fabrics given multiple possibilities of wear that are highlighted in the gifs viewed here. Julie Wilkins is also a musician, releasing her album as The Electra Woods in May this year.

Future Classics AW14 GIF (01)
What inspired the new collection?
The idea of using very classic fabrics – cashmere, camel hair, silk, fine cotton – and a sedate, conservative palate – while working through the staples of a wardrobe and applying all the various things FUTURE CLASSICSC© “does” to a recognisable garment form – multi-functioning, hybrids, twins etc. – but to a SUPER degree. With a shot of plastic bag blue polyester as a kind of contrast/marker. The colour palette matches the plates too. And it marks the end of that incarnation of FUTURE CLASSICSC© and the label’s transition to DRESS© in SS15 – which is a kind of fresh start in lots of ways.

Future Classics AW14 GIF (02)
Future Classics by Marianna Madriz
Future Classics by Marianna Madriz.

How did you put together the gifs, and what gave you the idea to create them?
I built them up (painstakingly, including painting square lips in!) from the look book stills. Oftentimes people don’t see the way the garments will look on and their multi-functionality – so I wanted to show this, and also put a bit of cartoony expressive-ness into the look book. The model Irina was great, very dead pan – super Russian. I love them. It’s like having an electronic pet doll. I often talk to her, when I click on them.

Future classics AW14 GIF (15)
Future-Classics-Fashion-by-Isabelle-Mattern
Future Classics Fashion by Isabelle Mattern.

Who would they like to see wearing this collection?
Clever humans who like some comfort with their edge.

Future Classics AW14 by Beatthepulp aka Kulvinder Dhillon
Future Classics AW14 by Beatthepulp aka Kulvinder Dhillon-2
Future Classics A/W 2014 by Beatthepulp aka Kulvinder Dhillon.

What are you working on next?
I am working on a dress collection for DRESS© for SS15. The collection has thematically titled EP and another cultural product with it – which is part of the new way of working. This one is super exciting……

Dirty Explanation from The Electra Woods on Vimeo.

The ELECTRA WOODS – Dirty Explanation – Video by Dean Brannagan.

See more Future Classics Fashion here. Hear The Electra Woods (out now on FC/fm) here, and find out more about the band here.

Categories ,A/W 2014, ,Beatthepulp, ,Dean Brannagan, ,Dirty Explanation, ,FC/fm, ,future classics, ,Future Classics Fashion, ,Gareth A Hopkins, ,interview, ,Isabelle Mattern, ,Julie Wilkins, ,Kulvinder Dhillon, ,Marianna Madriz, ,The Electra Woods

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Amelia’s Magazine | Belle Sauvage: London Fashion Week A/W 2013 Catwalk Review

Belle_Sauvage_AW_2013_by_Isabelle_Mattern
Belle Sauvage A/W 2013 by Isabelle Mattern.

Belle Sauvage hit Fashion Scout with the look for which they are known best: incredibly complex digital placement prints, as described in our exclusive preview interview with designers Virginia Ferreira and Chris Neuman.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage A/W 2013 by Victoria Haynes
Belle Sauvage A/W 2013 by Victoria Haynes.

The show opened with a trio of models, resplendent in massive hairpieces: swishing pigtails and gigantic dip dyed fringes that dominated each of the looks that were to follow. Sheepskin and fake fur topped eminently wearable silk shift dresses which were covered in swirls inspired by Chinese dragons and baroque ornaments, and lace trims appeared at the arms and thigh. Zip up black suede boots and laced patent platforms worked well with the simplicity of the looks, though to my mind they were of questionable styling taste. The intention of this collection was to mix up inspirations from East and West and there was certainly a wide range of styles on show. Classic Chanel styling appeared in the form of heavy contrast seams and big buttons on boxy suits and peplums paired with pencil skirts and mini capes provided a contrasting silhouette.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle_Sauvage_AW_2013_by_Isabelle_Mattern
Belle Sauvage A/W 2013 by Isabelle Mattern.

That this brand does well in the commercial sector abroad was evident in the more casual range that made up the middle section of the show. Amongst my favourite looks was the head of Botticelli‘s famous Birth of Venus reimagined in a repeat pattern on a loose fitting top and matching trouser set, but there was one odd look that didn’t appear to fit in at all: an intarsia knit cat portrait top which was accessorised with beanie and sunglasses.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
This was a lengthy show featuring many similar pieces and I must confess I became a little weary somewhere around the ten minute mark, but this was clearly intended as a showcase for plentiful looks that will no doubt gain lots of sales for this talented twosome. The show came to a screeching halt as the models massed for a final walk down the catwalk.

Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage AW 2013-photo by Amelia Gregory
Belle Sauvage A/W 2013. All photography by Amelia Gregory.

Categories ,A/W 2013, ,Belle Sauvage, ,Birth of Venus, ,Botticelli, ,chanel, ,Chris Neuman, ,Fashion Scout, ,Freemasons’ Hall, ,Isabelle Mattern, ,London Fashion Week, ,review, ,Victoria Haynes, ,Virginia Ferreira

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Amelia’s Magazine | High Noon: Arts University Bournemouth Illustration Degree Show 2014 Review

Florence Zealey high noon
Illustrators from Arts University Bournemouth held their graduate show at the spacious Embassy Tea Gallery in central London. The High Noon poster and catalogue featured an eye-catching set of two contrasting hands, each bearing a watch. It was a wonderful chance to see the work of so many Amelia’s Magazine contributors alongside their fellow students.

High Noon Tom Manning
Planets and space dust will always grab my attention, spray painted by Tom Manning.

High Noon Bailey & Minchin children in wild outfits
Bailey & Minchin collaborated on a series of photos featuring children in wild outfits. A great vision of childhood!

High Noon Emma Sears
These layered papercut narrative scenes by Emma Sears feature a great use of colour.

High Noon Marianna Madriz chickens
High Noon Marianna Madriz
These chickens by Marianna Madriz have such great personality. I also bought her lovely tale of leaving home & returning to find it still the best – inspired by her Venezuelan homeland.

High Noon Florence Zealey
A couple of figures are discovered hiding in the greenery, by Florence Zealey.

High Noon Philip Baile
Philip Bailey used plain white paper to create this fantastical Beautifier sculpture.

High Noon Crystal Budd knit
Knit squares by Crystal Budd feature enigmatic landscapes.

High Noon Laura Borne
These delicate ink wash & textile designs are by Laura Borne.

High Noon embroidered room by Claire Edwardes
So clever, this embroidered room hangs daintily mid air. By Claire Edwardes.

High Noon Lovely Soo
Eyeballs and dancing legs creep across the wall in this fantastical offering by Sooyeon Kim.

High Noon Maia Fjord
High Noon Maia Fjord and Olivia Sharpe
Mikkel is the friendly imaginary star of Maia Fjord’s comic book, sewn into a cuddly toy by Olivia Sharpe.

High Noon Emma Honess letter
High Noon dolls Emma Honess
High Noon Emma Honess
Birds and flowers, beetles and moths, feature on this beautifully illustrated G by Emma Honess. She had also honed her sewing skills, making some wonderful dolls that were for sale. I couldn’t resist a blonde one for my blonde boy!

You can see more of the students’ work on the High Noon website.

Categories ,2014, ,Arts University Bournemouth, ,Bailey & Minchin, ,Claire Edwardes, ,Crystal Budd, ,Degree Show, ,Dolls, ,Embassy Tea Gallery, ,Emma Honess, ,Emma Sears, ,Florence Zealey, ,High Noon, ,illustration, ,Laura Borne, ,Maia Fjord, ,Marianna Madriz, ,Me and Mikkel, ,Mikkel, ,Olivia Sharpe, ,Philip Bailey, ,review, ,Sooyeon Kim, ,Tom Manning

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Amelia’s Magazine | Lounge on the Farm 2013: Festival Review

Lounge on the Farm 2013 review
Way back in 2009 contributor Amelia Wells visited Lounge on the Farm in Kent for Amelia’s Magazine. She was duly wowed by this small scale family orientated music festival and wrote a glowing review, so I promised myself I would make it along one day too. It’s taken me a mere four years to fulfil that promise, but this year my little family finally made the trip down to Merton Farm near Canterbury, mega pop up tent in tow (Quechua 4.2 seconds family pop up tent since you asked: can’t recommend it enough). How things have changed for me since 2009! Back then it would have been all about the late night dancing. Now my festival needs are somewhat different – I’m looking for a laid back atmosphere with space to relax with my baby, plus lots of things to keep him entertained. Lounge on the Farm does this admirably, with a dedicated childrens area called the Little Lounge full of wonderful willow structures, yurts and a miniature big top playing host to entertainments aimed at the wee ones. All this and a wonderful space hosted by the local NCT group: a haven for breastfeeding and nappy changing.

Jennifer Dionisio Illustration Lounge on the Farm Review
Lounge on the Farm by Jennifer Dionisio.

We arrived on Friday evening, and were directed to pitch our tent in the ‘quiet area’ rather than in the designated ‘family area’ at the top of the hill. Camping in the quiet area was an unfortunate choice as it turned out, since it was also a cut through from every other part of the camp and during the first night it seemed as if half the festival tripped over our (dark coloured) guy ropes and nearly crashed wholesale onto our slumbering bodies. In between this and constant breastfeeding (he’s teething, that’s the latest reason at any rate) I didn’t get the greatest of sleeps. But enough of the griping, we had a wonderful time.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by Marianna Madriz
Lounge on the Farm by Marianna Madriz.

Once we’d unpacked we headed into the festival to see what was on offer, a big eyed Snarfle in tow. After an impromptu tour around the working part of the farm we feasted on Merton Farm burgers, 0 meat miles. These were cooked in a kitchen at The Farmhouse Restaurant staffed by chef Rob Cooper, one of the founding DJs, and coincidentally the brother of my NCT friend Christine. It’s a small world, and growing ever smaller: his wife Vicky founded the festival 8 years ago with her friend Sean and nowadays works closely with a lovely ex student and ex intern of mine, James Penfold, who books all of the bands.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by Emma Russell
Lounge on the Farm by Emma Russell.

Everything at Lounge on the Farm has been lovingly thought through: there was a full Victorian funfair with helter-skelter and big wheel, hay bales aplenty to relax against and artwork everywhere I looked: lasercut painted sculptures and brilliant illustrated cutouts of festival goers from wonderful illustrations by Maddy Vian. The main site was split across three fields bounded by striking beech hedges, with plenty of space to rollick around: I hate it when festivals get stupidly busy and this was never a risk, though the music stages became packed enough to generate the ideal atmosphere for good bands. All the food we ate was delicious and in the main organic and local as well as very reasonably priced. Special mention must go to the fantastically tasty wild venison and wild boar burgers served up with duck eggs by Phil the Gameskeeper at the Godmersham Game stand: all hunted from the wilds of the Kent countryside. At The Farmhouse Restaurant the beer and ale had all been produced from Kent hops. The festival aims to support ‘the local arts, culture, agriculture and economy‘ and does so admirably.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by George Morton
Lounge on the Farm by George Morton.

I didn’t know many of the bands playing during the day time, but as always made some impressive discoveries: on Friday we were treated to Lucy Rose, a diminutive blonde with a guitar and a big voice. Sadly I missed the headliner Seasick Steve as it was early to bed for me: there was no way Snarfle was going to sleep with so much stimulation going on so we were tent bound by 8pm on both nights (and most handy when a huge thunderstorm struck on Saturday night).

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
On Saturday my big discovery was the lilting sounds of a Southampton based outfit called Pale Seas on the Farm Folk Stage: I loved the combination of evocative melodies from the lead singer, with backing vocals contributed by the unassuming female drummer. My other big discovery was the astonishingly tasty fruity drinks at the Sunshine Smoothies van behind the NCT tent – who would have thought that lavender would work with cherry? We visited the NCT tent on numerous occasions, where Snarfle enjoyed the Baby Sensory classes and free access to bedtime books. Outside there were toys to play with, edible gardens to make, bushcraft shelter classes, drumming, juggling and much more. The film tent (complete with popcorn stand) hosted a singalong Jungle Book showing.

At The Playhouse we enjoyed comedy excellently compered by John Robbins and cabaret from Lekido, Lord of the Lobsters (above).

Lounge on the Farm 2013 review
Lounge On The Farm by Zo Bevan
Lounge On The Farm by Zo Bevan.

On Sunday I treated myself to a lovely massage in the obligatory Healing Fields, and enjoyed music by the Snowdown Colliery Band, Intensified and Aswad. I missed Margate based rapper Mic Righteous but heard good things. Sadly we missed Soul II Soul because after a long weekend of partying Snarfle was starting to fray at the seams. This was a massive shame since they are the sound of my youth (summer of 1989, ghetto blaster, Clapham Common, Brixton, The Fridge) and it would have been the perfect end to an absolutely glorious two days of sunshine, but we drove off into the Kentish night refreshed and just a little bit more in love with this beautiful and abundant part of the UK.

Lounge on the Farm 2013 review
Lounge on the Farm 2013 review
Lounge on the Farm by Rose Hudson
Lounge on the Farm by Rose Hudson.

What I love about festivals such as Lounge on the Farm is how they happily cater to all age groups – this was certainly the perfect boutique festival for London and Kent based families, but it was also thoroughly enjoyed by a younger local crowd. As night fell it seemed as if half the teenagers of Canterbury were thronging around the dance orientated Hoe Down tent in heightened hormonal anticipation. I may have seen far fewer bands than I would have done in years past (Snarfle was not always a keen wearer of protective headphones) but I had a wonderful time adapting our visit to the needs of a little one. We definitely plan to return next year, need I say more?

Categories ,2013, ,Amelia Wells, ,Aswad, ,Baby Sensory, ,Breastfeeding, ,Brett Anderson, ,Canterbury, ,Child Friendly, ,children, ,Emma Russell, ,Families, ,Family Orientated, ,Farm Folk Stage, ,George Morton, ,Godmersham Game, ,Healing Fields, ,Hoe Down, ,Intensified, ,James Penfold, ,Jennifer Dionisio, ,John Robbins, ,Jungle Book, ,kent, ,Lekido, ,Little Lounge, ,Lord of the Lobsters, ,LOTF, ,Lounge on the Farm, ,Lucy Rose, ,Maddy Vian, ,Margate, ,Marianna Madriz, ,Merton Farm, ,Mic Righteous, ,NCT, ,Pale Seas, ,Phil the Gameskeeper, ,Pop-Up Tent, ,Quechua, ,review, ,Rob Cooper, ,Rose Hudson, ,Seasick Steve, ,Snarfle, ,Snowdown Colliery Band, ,Soul II Soul, ,Sunshine Smoothies, ,The Farmhouse Restaurant, ,The Playhouse, ,Victorian funfair, ,Vine, ,Zo Bevan

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