Amelia’s Magazine | Bernard Chandran: London Fashion Week A/W 2012 Catwalk Review

Bernard-Chandran-by-Scott-Nellis
Bernard Chandran A/W 2012 by Scott Nellis.

Normally Matt Bramford insists on covering Bernard Chandran so I was a bit of a newbie to his catwalk show, attended by such luminaries as…. Keisha Buchanan, formerly of the Sugababes. Not perhaps someone that I would have pinpointed as a fan, but she was overheard saying that this is her third Bernard show so she is no doubt better acquainted with his work than me.

Bernard Chandran AW 2012 - photo by Amelia Gregory Keisha
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran A/W 2012 by Lo Parkin
Bernard Chandran A/W 2012 by Lo Parkin.

The show began with a double act – two models in white, black and shades of charcoal grey striding out to an incongruous Junglist soundtrack. Their hair was set in sleek forward facing Victory rolls and pale grey tinted eyebrows combined with bright red lips to give an elegant feel. All the emphasis was on the throat, with extravagant folding collars standing high on the neck. This look was repeated throughout the collection: appearing as a design detail on a calf length quilted coat, or as jewelled neck pieces – the main adornments for silky evening dresses.

Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory Keisha
Bernard Chandran A/W 2012 by Cruz
Bernard Chandran A/W 2012 by Cruz.

Midnight blue satin, black velvet, delicate lacy materials, sequin embellishments – there was beauty in textures here, mainly in dark shades befitting an A/W collection. Transparent and sheer pieces in muted nude, dusky rose and chocolate tones lifted the colour palette but it was a beautiful belted coat dress that really caught my eye: it featured what looked like a spattering of metallic car body paint across the front – whitely gleaming against the black ground under bright catwalk lights.

Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran A/W 2012 by Janneke de Jong
Bernard Chandran A/W 2012 by Janneke de Jong.

Sparkling clutch bags echoed the heart like designs of neckpieces, and a particularly beautiful red jewelled neck piece paired with a black pants suit drew gasps from the audience. I imagine that once detached this could be worn as statement jewellery to perk up any throat in appealing style.

Bernard Chandran AW 2012 - photo by Amelia Gregory
Bernard Chandran AW 2012 - photo by Amelia Gregory
All photography by Amelia Gregory.

I’m not sure that Pandemonia (seated front row in lurid pink latex) will be taking much inspiration from Bernard Chandran for next season’s look, but this was an undeniably adult collection with great saleability – perfect for elegant ladies who desire a unique designer twist.

Categories ,A/W 2012, ,Bernard Chandran, ,Cruz, ,Fashion Scout, ,Freemasons’ Hall, ,Janneke de Jong, ,Keisha Buchanan, ,Lo Parkin, ,Pandemonia, ,Scott Nellis, ,Sugababes

Similar Posts:






Amelia’s Magazine | Bernard Chandran: London Fashion Week A/W 2013 Catwalk Review

Bernard Chanrdan AW 2013 Rosa and Carlotta Crepax Illustrated Moodboard
Bernard Chandran A/W 2013 Rosa and Carlotta Crepax, Illustrated Moodboard.

Due to a seating mix up and a late arrival no one for Amelia’s Magazine was well placed to take photos at Bernard Chandran. Perched at the mouth of the catwalk I had a great view of the models’ amazing winged eyes and some interesting cut out backs, a nod to the 90s that has been increasingly popular on the catwalks this season.

Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran A/W 2013. All photography by Amelia Gregory.

There was a real element of sports luxe to this collection, which began with tight fitting panelled dresses in jewel colours, the lyrca stretched from the high necks into hoods and over a flat visor. Embellishments came in the form of beading and painterly washes of colour in digital prints on A-line shift dresses, billowing blouses and boxy shirts. I particularly liked the loose plaits that held together uncovered hair: a look which has been popular on many catwalks for A/W 2013.

Bernard Chandran A/W 2013 by Jihyun Park
Bernard Chandran A/W 2013 by Jihyun Park.

Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory
Bernard Chandran AW 2013-photo by Amelia Gregory

Categories ,90s, ,A/W 2013, ,Beading, ,Bernard Chandran, ,Illustrated Moodboard, ,Jihyun Park, ,London Fashion Week, ,print, ,Rosa and Carlotta Crepax

Similar Posts:






Amelia’s Magazine | An interview with The Finger Band: self-releasing debut album I Don’t Believe My Eyes

The Finger Lia and Album Artwork by Madeleine Lithvall
The Finger Band with Lia by Madeleine Lithvall.

When the singer of The Finger Band got in touch with me a few weeks ago to share their new single I Don’t Believe My Eyes I was immediately hooked… and intrigued. For here was a band based in Greece, but bearing all the hallmarks of 80s new wave influences from the UK. Then diminutive singer Lia Siouti sent me a link to the whole album – a glorious mash of anthemic walls of sound and heartfelt thoughts – and I just had to know more. Singer Lia answers the questions with producer Sotiris Noukas – read on to find out how The Finger Band got together and what it’s like to make music in the throes of a major economic and political crisis.

I Don't Believe My Eyes by James Grover
I Don’t Believe My Eyes by James Grover.

What inspired the sound of your new album? I like it because it sounds quite heavily 80s…. was this a conscious decision?
Actually, this wasn’t a conscious decision, it just came out during the recordings. We just put in what sounded good to our ears, and what we thought would fit the songs. Of course, this could be due to our influences. We are all kinda stuck with the earlier days of music and not so much with that is coming out these days. We are mostly influenced by the sound of the 80s, but not by any particular groups. We love so many artists, but we tried to stay not so influenced, we wanted to have our own sound. That’s why during the recordings, we rarely listened to anything new.

The Finger Band full portrait
How did you all meet and when did you decide to become The Finger? What was the deciding factor that brought you all together?
Before the formation of the band, we all kinda worked together in several projects. The link that brought us all together was Sotiris actually. Our guitarist and producer. He owns the recording studio, where we all met. At some point, we were all at the same state, where we wanted to do something new. We were talking about it for a long time, but the timing wasn’t right I guess. Not until some of the projects that we were involved in were finished and we decided to form the band.

The Finger Band by Scott Nellis
The Finger Band by Scott Nellis.

When was the album written and what inspires your lyrics? Can you tell us the story behind a couple of tunes?
We began to write the album around Christmas of 2010. But then, we had only written one song and we weren’t even officially a band. That first song was Too Slow, which is included in our album. We started to write new songs, six months after that and after the release of our debut single Die! Die Superhero! in June, 2011. And it was the fastest release we’ve made so far! We wrote it in a week, and released it immediately. During that period, in Greece, the demonstrations had began, about the financial and political situation. This was actually the inspiration behind the title and lyrics of the single. We wrote it while watching news on TV and we were so furious with what was going on. That is actually what most of our songs are about, but we don’t talk only about politics. We have written a couple of love tracks too! Who doesn’t need one more love song?

The Finger Band heads
You are self releasing your debut album in mid March. How hard is it to make music in Greece at the moment and what is the music scene like?
Well, unfortunately, there’s not much going on if you choose to ignore the mainstream scene. There are many great bands and musicians in Greece, but there aren’t many stages left to perform. Record stores and record companies have been shutting down too, so we’re left to swim with the big fish! There are only two major companies and it’s pretty difficult to succeed if you’re an unsigned band. The indie music scene is slowly dying, I am afraid. The only positive thing I guess, if you can call this positive, is that during sad periods inspiration grows and new ideas are born. Maybe we’ll find a way to work it out, till the hard times are over.

The Finger Band by Aliyahgator
The Finger Band by Aliyahgator.

On a more broader note, how are you coping with the political and financial troubles in Greece, and how do they impact not only your music but your lives?
The situation in Greece right now has really affected everybody, without exceptions. The high, the mid, the low class. Everyone. As musicians the only thing we can do is talk about it. And we do it, a lot. You simply can’t stay uninfluenced by what’s going on. If you live in this situation every day you start thinking about these matters and that’s passing them into your songs and music. Living with all these troubles in your head makes you wanna express yourself even more, let it out of your system.

the finger band
Why is it so important to reach out to a global audience and how have you set about trying to do that, and how did you find me?
Actually, the kind of music we write could never find a wide audience in Greece, unfortunately. Besides, I believe every musician’s dream is about getting outside of the borders of his or her own country. We use the internet a lot to achieve this. We are on facebook, twitter, blogs etc. and we love socializing. That’s how we found you!

the-finger-band-by-catherine-askew
The Finger Band by Catherine Askew.

What are your hopes and aspirations for 2012?
We want to reach more ears and hearts! We want people to know that good music may come from every corner of the earth. And we want to start writing the second album soon!

The debut album I Don’t Believe My Eyes can be listened to in its entirety above: I urge you to give it a whirl! The Finger Band will be self-releasing the album on March 15th 2012 – available to pre-order on Bandcamp.

Categories ,Aliyahgator, ,Andy Haralanis, ,Catherine Askew, ,Die! Die Superhero!, ,Greece, ,Greek, ,I Don’t Believe My Eyes, ,James Grover, ,Lia Siouti, ,Madeleine Lithvall, ,Nick Ditsias, ,Sakis Azas, ,Scott Nellis, ,Sotiris Noukas, ,The Finger Band, ,Too Slow

Similar Posts:






Amelia’s Magazine | Brainlove Festival 2012: Live Review

Brainlove Festival by Ed J Brown

Brainlove by Ed J Brown

What a day for a birthday! After what seemed like an interminably wet few weeks, the weather was cooking nicely for a trip to Brixton Hill. As has become custom on what is usually a Bank Holiday weekend, the venerable Windmill played host to the Brainlove Festival, organised by that defiantly square peg in the round hole of mainstream indie music, Brainlove Records. Today, though, was an extra special day, as the festival reached the five year milestone (though, ironically, main man John Brainlove was in danger of missing his own festival, having been stranded in Iceland!).

The first act I caught was AK/DK, helped out by Amelia’s Magazine favourite Napoleon IIIrd. Comprising of duo Graham Sowerby and Ed Chivers, they built up from programmed synth loops to various (often seemingly improvised) patterns, layered with different effects, distorted vocals, Napoleon IIIrd’s guitar and some serious drumming action, creating a very pleasing noise.

YouTube Preview Image

I popped out to the beer garden, which was doubling as an outdoor stage, to catch some poetry in the sun, and heard tales of manga, Zooey Deschanel and what you really shouldn’t do with a jar of peanut butter!

It was time to head back inside, as Brainlove stalwart Andrew Paul Regan was about to come on. Previously known as Pagan Wanderer Lu, he still totes guitar, keyboard and laptop to create buzzed up *indietronica*, flavoured with a dash of witty, acerbic lyrics. Prefacing each song (from soon-to-be released new album, The Signal and the Noise) with ‘just pretend that you’re not in the Brixton Windmill..’ Regan weaved his darkly humorous tales.

YouTube Preview Image

Out in the sun, Abi Makes Music regaled us with tales of accidentally being locked in the Hackney Picturehouse overnight, before her set of slightly twisted synth pop (which reminded me of You Will Always Find Me In The Kitchen At Parties era Jona Lewie). Despite an interruption from some random sweary local making his way to the barbecue, she won over the assembled onlookers. Also, I discovered that Abi’s partner is someone I know through work! Small world, eh?

Abi Makes Music by Sam Parr

Abi Makes Music by Sam Parr

Back on the indoor stage, London three-piece (and self-described “techno rock band”) Tall Stories were getting underway. With a keytar sporting bass player, they rocked out the crowd with their spiky, punk-referencing sound. I also noticed, later on, drummer Scott Vining helping out on the barbecue outside. Obviously a versatile sticksman!

Tall Stories by Scott Nellis

Tall Stories by Scott Nellis

One of the highlights from last year’s Brainlove Festival, Mat Riviere was occupying a spot in the beer garden. Crouched down with his keyboard , guitar and various effects, and using (amongst other things) one of the tables as extra percussion, he purveyed some haunting, discordant melodies.

YouTube Preview Image

Guitar and drums duo Crushed Beaks let rip with their wall of noise before Dad Rocks! slowed things down a little with some acoustic led melodies. Fronted by Denmark-dwelling Icelander, Snævar Njáll Albertsson, and backed with some trumpet and viola, Dad Rocks! treated us to some lovely lo-fi, almost country tinged tunes, and they also welcomed home the intrepid explorer John Brainlove, as he finally made it to the Windmill.

YouTube Preview Image

Continuing the Nordic flavour, as is traditional at Brainlove events, Estonian band Väljasõit Rohelisse took to the stage. Meaning ‘roadside picnic‘ and named after a Russian short story, they were bathed in darkness, save for a green lamp projecting on to one wall, with only guitarist Lauri Tikerpe’s back visible. The music was as dark as the stage, with sampled dialogue, reverb-laden vocals, fractured guitar, brooding bass and drums. There was a very post-punk vibe going on.

In complete contrast, headliner Enjoyed (aka dance music producer Peter Evans-Pritchard) offered up some blissful beats (joystep, as he calls it), which got some of the festival die-hards dancing. There was even, unless my ears were deceiving me, a remix of the old Mark Morrison floor-filler, Return Of The Mack. Didn’t see that one coming!

YouTube Preview Image

And so, another Brainlove Festival drew to a close. As ever, it was a rich and varied selection of artists, a contrast of styles and genres that marks Brainlove Records out from the crowd. Wandering out into the South London night, I’m sure I wasn’t the only person thinking ‘roll on festival number six!

Categories ,Abi Makes Music, ,AK/DK, ,Andrew Paul Regan, ,Brainlove Festival, ,Brainlove Records, ,country, ,Crushed Beaks, ,Dad Rocks!, ,dance music, ,Denmark, ,Ed J Brown, ,Enjoyed, ,Estonia, ,Hackney Picturehouse, ,iceland, ,indie music, ,indietronica, ,Jona Lewie, ,joystep, ,Lo-fi, ,Manga, ,Mark Morrison, ,Mat Riviere, ,Napoleon IIIrd, ,Pagan Wanderer Lu, ,Post Punk, ,Russia!, ,Sam Parr, ,Scott Nellis, ,Synth-Pop, ,Tall Stories, ,Väljasõit Rohelisse, ,Windmill Brixton, ,Zooey Deschanel

Similar Posts: