Amelia’s Magazine | Hana Cha: London Fashion Week S/S 2013 Catwalk Review

Hana_Cha-by-Isabelle_Mattern
Hana Cha by Isabelle Mattern.

Korean designer Hana Cha (yet another London College of Fashion graduate) stuck to monochrome for her collection with Ones to Watch at Fashion Scout, concentrating on subtle textures such as applique stars, dip dye, rough edges and sweeping tassels to provide interest. She worked in sheers, glosses and satins, accessorised with wrist bands and even a studded baseball cap.

Ones to Watch hana cha SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch hana cha SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch hana cha SS 2013 Sept 2012-photography by Amelia Gregory
Ones to Watch hana cha SS 2013 Sept 2012-photography by Amelia Gregory
Hana Cha S/S 2013. All photography by Amelia Gregory.

A glossy plasticised minidress that a sexy nurse might have worn was made demure by a wide buckled belt and a sweeping skirt formed of dangling threads. An oversized white suit with wide trousers worn with gold heels brought an early 80s lounge elegance to the show, but plenty of asymmetric details and elongated back flaps ensured this was thoroughly up to date. The collection finished with a stunning black column dress; white threads dangling from the neckline an impractical but stunning addition that swayed hypnotically as the model moved.

Categories ,Fashion Scout, ,Hana Cha, ,Isabelle Mattern, ,Korean, ,lfw, ,London College of Fashion, ,Ones To Watch, ,S/S 2013

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Amelia’s Magazine | Hellen van Rees: London Fashion Week S/S 2013 Catwalk Review

Hellen Van Rees S/S 2013 by Kristina Vasiljeva
Hellen Van Rees S/S 2013 by Kristina Vasiljeva.

I was most delighted to read that Dutch designer Hellen van Rees uses recycled materials to create her innovative tweeds, which are hand crafted into sculptural garments. The Central Saint Martins graduate rounded off this season’s Ones to Watch with easily the most conceptual collection of the four.

Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Square2: Exploring Excitement melded the commercial and the avante garde in clever harmony: the squares of the title appearing as boxy protrusions on otherwise wearable cute tweed mini dresses. Using a colour palette of lemon, grey, dirty white and pale blue, the wilder creations with box hems or jutting shoulder pieces were surely not meant for everyday wear but I could imagine just about getting away with dresses decorated with smaller plastic appliques. Glossy plasticised tweed and raw edging provided contrasting textures, whilst cocks comb headdresses added further architectural interest. Designers such as Hellen van Rees are particularly exciting to follow, as they traverse the tricky line between artistic brilliance and the wearability that will make their fashion label a success.

Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Ones to Watch hellen van rees SS 2013 photography Amelia Gregory
Hellen van Rees S/S 2013. All photography by Amelia Gregory.

Categories ,Central Saint Martins, ,dutch, ,eco, ,Fashion Scout, ,Hellen van Rees, ,Kristina Vasiljeva, ,lfw, ,Ones To Watch, ,S/S 2013, ,Square2: Exploring Excitement, ,sustainable, ,Tweed

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Amelia’s Magazine | Jean-Pierre Braganza: London Fashion Week S/S 2013 Catwalk Review

Jean Pierre Braganza S/S 2013 by Adam Pryce
Jean Pierre Braganza S/S 2013 by Adam Pryce.

This season Jean-Pierre Braganza took a more painterly approach to his usual stark graphics, collaborating with Ukranian artist Zinaida Lihacheva for a collection titled Phoenetheus. Her bold washes of colour adorned relaxed wide sleeved shirt dresses, tie front twist trousers and asymmetric shifts. Braganza‘s trademark tight tailoring took on an Art Deco twist – layered in boxy cuts – with the predominantly monochrome colour palette enlivened by pale turquoise, cerulean and flame orange. I particularly admired one of the final pieces, a cream tuxedo, beautifully fitted and flared. Accessories by Janine Barraclough clanked on wrist and neck, hair slicked in light flicks across the cheeks.

Jean Pierre Braganza S/S 2013 by Jenny Robins
Jean Pierre Braganza S/S 2013 by Jenny Robins.

Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza S/S 2013 by Adam Pryce
Jean Pierre Braganza S/S 2013 by Adam Pryce.

A prominent note on the program thanks philanthropist Aleksandr Onishchenko. Can this be the same man who competed in the Equestrian section of the Olympics? How thoroughly intriguing.

Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 photography by Amelia Gregory
For his last show of the day Snarfle took front row position alongside Angela Quaintrell of the Centre for Fashion Enterprise. Angela was a senior fashion buyer at Liberty and instrumental in kick-starting Alexander McQueen‘s career but naturally this did not phase Snarfle, who proceeded to work his charm on a doyenne of the fashion industry.

Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 photography by Amelia Gregory
Jean Pierre Braganza SS 2013 September 2012-snarfle
Jean Pierre Braganza S/S 2013. All photography by Amelia Gregory. (apart from the one above, obvs)

Categories ,Adam Pryce, ,Aleksandr Onishchenko, ,Angela Quaintrell, ,Centre for Fashion Enterprise, ,Janine Barraclough, ,Jean Pierre Braganza, ,Jenny Robins, ,lfw, ,Phoenetheus, ,S/S 2013, ,Ukranian, ,Zinaida Lihacheva

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Amelia’s Magazine | Carmen: A Life in Fashion at the Fashion Space Gallery


Carmen Dell’Orefice by Joanna Gniady

I can’t bear having my photograph taken. That’s why I’m not a model. That’s the only reason. But imagine having your photograph taken consecutively for sixty years, by some of the greatest photographer that ever lived. It’s quite the achievement when you really think about it.

I’m taking about Carmen Dell’Orrefice, affectionately referred to as ‘the world’s most enduring supermodel’. A new exhibition at the London College of Fashion‘s Fashion Space Gallery proves why Carmen deserves that accolade.


All photography by Matt Bramford

It’s rare to find exhibitions that celebrate the career of a model rather than the photographers that document them. In recent years, grand masters like Avedon and Penn have been honoured with mammoth exhibitions, so this collaboration between LCF and David Downton is a welcome break, and it’s been put together with feeling (Dowton is a close personal friend of Dell’Orefice) and no stage of her career is left unrepresented.


Carmen Dell’Orefice by Celine Elliott

Carmen Dell’Orefice was born on Welfare Island in 1931 to an Italian father and Hungarian mother. Her first modelling duty was at the age of 13 – Carmen is now 80 and still modelling. As she moved around the room, talking to Colin McDowell, Frances Corner OBE (head of the LCF) I simply couldn’t take my eyes off her. She’s one of those lucky buggers that have matured with grace and elegance and maintained her unique looks without going anywhere near Wildenstein.

Looking around the room at the works is like an encyclopaedia of the great fashion photographers – Penn, Beaton, Coffin, Avedon, Derujinsky, her second husband Richard Heimann, Parkinson; it’s wonderfully exhausting. Reporductions of Vogue and Harper’s covers are mounted on some walls, while others hold photographs ranging from her frolicking in the Bahamas (shot by Parkinson) and basking in Hawaii (shot by Derujinsky).

The crescendo is a stunning selection of portraits commissioned especially by LCF and photographed by Ali Mahdavi. I’ve purposefully omitted any images of these photographs in the hope that you’ll go along and view the exhibition yourself. They are fresh and classical at the same time – there’s something intimately special about them. Please go.

Categories ,Carmen Dell’Orefice, ,Cecil Beaton, ,Clifford Coffin, ,Colin McDowell, ,David Downton, ,exhibition, ,fashion, ,Fashion Space Gallery, ,Frances Corner OBE, ,Gleb Derujinsky, ,Harper’s Bazaar, ,Irving Penn, ,LCF, ,London College of Fashion, ,Norman Parkinson, ,photography, ,review, ,Richard Avedon, ,Richard Heimann, ,vogue, ,Wildenstein

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Amelia’s Magazine | David Koma: London Fashion Week A/W 2013 Catwalk Review


David Koma A/W 2013 by Krister Selin

David Koma is a previous NEWGEN winner and continues to attract much attention with his sculptural pieces that push the boundaries of future fashion. It comes as no surprise, then, that Koma is again a worthy recipient of the Fashion Forward award.

These Saturday night shows are always massively oversubscribed, and after an epic cycle from Bow to Somerset House I was in no mood for the bunfight that would no doubt ensue. I managed to get a fairly decent spot on the end of the second row, but a woman stood right in the gap blocking any chance of taking a decent picture. When I asked politely if she planned to spend the duration of the show there, she looked as if I’d asked her if she wouldn’t mind getting her tits out.

There were bodies everywhere. Burly security guards patrolled up and down, barking orders at people with standing tickets to squash in as tightly as possible. As I patiently waited for some show action in the hope there wouldn’t be any nasty accidents, I surveyed the crowd and noticed these three hot blondes (above). Who are they? One of The Saturdays? All of The Saturdays? They garnered lots of media attention as audience photographers clambered over themselves to get a shot, creaming their proverbial drawers in the process.


All photography by Matt Bramford

The invite – my favourite this A/W 2013 season – was a black rectangle with a spot-laminate finish to look like vinyl. I imagined that this a gave clue to Koma‘s inspiration for this particular collection, but had no idea how literally he would take things…


David Koma A/W 2013 by Sylwia Szyszka

While Koma has never strayed away from a futuristic direction, there was definitely a more progressive feel to this collection. Koma‘s angular lines that have become his signature were scarce, this time the beautiful form of 12″ vinyl was replicated across every single garment. Circular leathers encased models around the neck and waist, provided structure for bell-shaped skirts, supplied interest in sexy skintight pieces and formed high-gloss shapes across busts and bottoms. Zips joined garments together, providing even more cyclical shapes.


David Koma A/W 2013 by Laura Hickman

Juxtaposing fabrics were married together – another Koma signature – with high-gloss leathers mixed with rich wools and cottons. Laser-cut leather, flock print, organza and quilting were all fused together in harmony.


David Koma A/W 2013 by Krister Selin

Koma‘s relationship with the colour black isn’t in any danger, with the opening looks relying entirely on fashion’s favourite colour. This season, though, welcome blasts of nude, bright red (my favourite pieces), teal and deep blue allowed for a linear colour palette that worked effortlessly almost to the point of unnoticeable. Models were styled with simple centre partings, long, thin ponytails and vertiginous heels, in collaboration once again with Alain Quilici.


David Koma A/W 2013 by Sylwia Szyszka

It takes a talented designer to take such ephemeral inspiration and produce a cohesive and exciting collection without verging on pantomime. David Koma is the nuts.

Categories ,12″, ,A/W 2013, ,A/W’13, ,british fashion council, ,catwalk, ,David Koma, ,fashion, ,Fashion-forward, ,Krister Selin, ,Laura Hickman, ,London Fashion Week, ,Matt Bramford, ,Newgen, ,review, ,Somerset House, ,Sylwia Szyszka, ,Vinyl

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Amelia’s Magazine | Ekaterina Kukhareva: London Fashion Week S/S 2014 Catwalk Review

Ekaterina Kukhareva S/S 2014 by Yelena Bryksenkova
Ekaterina Kukhareva S/S 2014 by Yelena Bryksenkova.

It must have seemed like a good idea on paper: create an interesting presentation by employing a male model to fake rake a Japanese style rock garden whilst models strut up and down. Unfortunately said male model was a major distraction at the Ekaterina Kukhareva show – bobbing in and out of photo opportunities when all we really wanted was a clear shot of the girls in elegant Oriental inspired intarsia patterned dresses and knitted trouser suits in shades of summer sorbet. Plastic cut out stack heeled boots injected an on trend shock of neon, but best of all were the extravagant flower covered net fascinators that were tied in frothy bows over the models’ faces.

Ekaterina Kukhareva S/S 2014 by Gaarte
Ekaterina Kukhareva S/S 2014 by Gaarte
Ekaterina Kukhareva S/S 2014 by Gaarte.

Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva SS 2014-photography by Amelia Gregory
Ekaterina Kukhareva S/S 2014. All photography by Amelia Gregory.

Categories ,Gaarte, ,Yelena Bryksenkova

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Amelia’s Magazine | Ashish: London Fashion Week S/S 2014 Catwalk Review


Ashish S/S 2014 by Gabriel Ayala

I’m probably not the first person to tell you that the main catwalk space at Somerset House has been remodelled for the S/S 2014 season. Instead of the archetypal singular catwalk, a horseshoe shape has taken its place. If you’re in the cheap seats, as I inexplicably (!) was, then you only see the models disappear through the second door, leaving you with the glorious sights of shoulder blades and arses. The models only walk past you once. I now realise why a catwalk is a catwalk. Not all pieces are symmetrical, are they? Imagine seeing one side of a frock and thinking ‘yep, that’ll sell. I’ll take 100 please’ only to get it in store to find the other side is smeared in dog shit, or has ‘TWAT’ written up the side, or something. YES I know you’d see a look book or view it in a showroom, but that’s beside the point.


Ashish S/S 2014 by Laura Hickman

Anyway, the set up wasn’t going to stop me enjoying Ashish‘s outing on Saturday. A rare, hedonistic atmosphere filled the air as techno music warmed up the crowds. Inspiration this season came from the off license and tribes, with emphasis on a sportier aesthetic compared to A/W 2013′s smocks and floor-length dresses. Sequins were aplenty as per, but this time appearing on ripped denims, cropped vests and polo-shirt shapes.


Ashish S/S 2014 by Gabriel Ayala


All photography by Matt Bramford


Ashish S/S 2014 by Marina Muun

A riot of patterns appeared across various pieces: zebra, tiger, angular lines, tartans, stripes; no design facet was left unturned. Shoppers, modelled as carrier bags but fashioned in fabrics and sequins, mocked various retail outlets – the ‘Tesco‘ version left attendees in fits of laughter, while the Marks and Spencer-inspired ‘S&M’ brought whoops and cheers. Tribal jewellery and headpieces complimented certain looks and every model was visually stimulating. Ashish‘s is a unique aesthetic that doesn’t appeal to everybody, but certainly appeals to me and my camera.

Categories ,Ashish, ,catwalk, ,Gabriel Ayala, ,Laura Hickman, ,lfw, ,London Fashion Week, ,Matt Bramford, ,review, ,Sequins, ,SS14, ,Womenswear

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Amelia’s Magazine | Bernard Chandran: London Fashion Week S/S 2014 Catwalk Review

Bernard Chandran S/S 2014 by Yelena Bryksenkova
Bernard Chandran S/S 2014 by Yelena Bryksenkova.

In the upper halls of Freemasons’ Hall Bernard Chandran once again put on a stellar show. Sumptuous silken lame in jewel bright hues of blue, red, green and orange was cut in a series of swishing asymmetric layered dresses that featured off kilter puff shoulders, caped bodices and artfully pleated drop waisted skirts. Delicate tinsel head pieces called to mind the fairy on top of the Christmas tree, and feet were dressed in chunky heeled strap sandals of matching glitter. Tumbling tubular beads created optical patterns on statement dresses, the sumptuous skeins of brocade offset against skinny twinkle straps. The entire collection was fit for a most modern princess. More, please!

Bernard Chandran S/S 2014 by Ruth Bridges
Bernard Chandran S/S 2014 by Ruth Bridges aka xplusyequals.

Bernard Chandran S/S 2014 by Gareth A Hopkins
Bernard Chandran S/S 2014 by Gareth A Hopkins.

Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran SS 2014-photography by Amelia Gregory
Bernard Chandran S/S 2014. All photography by Amelia Gregory.

Categories ,Bernard Chandran, ,Freemasons’ Hall, ,Gareth A Hopkins, ,lfw, ,review, ,Ruth Bridges, ,S/S 2014, ,xplusyequals, ,Yelena Bryksenkova

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Amelia’s Magazine | Best Of Collection

Most of us pat ourselves on the back at the thought of having ‘done our bit‘, symptoms information pills whether it’s recycling or bringing a load of old clothes to a charity shop. Robert Bradford, ailment in that case, deserves a rather large pat on the back. Not only did he ‘do his bit’, but also got rather creative doing it.

bradford%20toy%20child.jpg

bradford%20toy%20girl.jpg

Whilst staring at his children’s box of discarded toys, a beam of light shun down from the heavens, a choir of angels sung and everything was still. Well, perhaps inspiration doesn’t happen like that in real life, but Bradford defiantly had a light bulb moment. Instead of taking the toys to local charity shop, Bradford decided to make sculptures out of them. Bradford assembles the toys into kaleidoscopic life-size dogs and people. Since his foray into toys, Bradford has also transformed other would-be discarded items. Crushed Coca-cola cans, combs, pegs and washing up brushes have also been made into extra family members and man’s best friend. Using what most would describe as rubbish, Bradford is one artist who wouldn’t mind his work being so called. It says so on his website.

bradford%20peg%20dog.jpg

Images courtesy of Robert Bradford
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Monday 27th October

Connan Mockasin and Drop The Lime – Durr at The End, mind London
Noah & The Whale – Academy 3, dosage Manchester
Jesus & Mary Chain, Black Box Recorder and British Sea Power – The Forum, London
Mystery Jets – Glee Club, Birmingham

Tuesday 28th October

Alphabeat, Das Pop and Pandering and The Golddiggers – Shepherds Bush Empire, London
Fleet Foxes – Waterfront, Norwich
Smokers Die Younger, Wild Beasts, Stricken City, Cats In Paris, Tender Maulings DJs – The Deaf Institute, Manchester
George Pringle and No Bra – The Social, London

Wednesday 29th October

Yo Majesty – Pure Groove Records, London
Lords – The Portland Arms, Cambridge
Ipso Facto, S.C.U.M and Kasms – The Roundhouse, London
The Presets and Micachu – The Royal, Derby
Neon Neon and Yo Majesty – Koko, London

Thursday 30th October

Black Kids and Ladyhawke – Astoria, London
Hot Chip – Corn Exchange, Cambridge
Florence and The Machine and The Big Pink – Bush Hall, London
Anthony and The Johnsons with London Symphony
Orchestra – Barbican Centre, London
Primal Scream – UEA, Norwich
Wave Machines and Micachu and The Shapes – hush at Royal Albert Hall, London

Friday 31st October

Release The Bats – Shellac, Les Savy Fav, Lightning Bolt, Om, Wooden Shjips and Pissed Jeans – The Forum London
El Guincho, The XX, The Big Pink and A Grave With No Name – No Pain In Pop at Goldsmith’s Tavern, London
Peggy Sue and The Pirates, Alessi’s Ark and Derek Meins – The Windmill, London
Pete and The Pirates – The Fly, London
Underworld and Autokratz – Brixton Academy, London
Metronomy – ULU, London

Saturday 1st November

ddd – Barfly, London
The Metros and Lion Club – Push at Astoria 2, London
The Week That Was and The Ruby Suns – Crawdaddy, Dublin
Grammatics – Forum, Tunbridge Wells

Sunday 2nd November

Does It Offend You, Yeah?, The Joy Formidable, The Operators and Young Fathers – 229, London
Ned Collette Band, Lawrence Arabia and The Boat People – The Windmill, London
Good Books, Polka Party and The Molotovs – Proud Galleries, London

Monday 27th October
Camden Arts Centre, advice ‘Wallace Berman’: Untl 23rd November
Arkwright Road, drugs London NW3 6DG
Considered as a major mover and shaker in the beat generation in the late 50s and 60s, view Wallace Berman’s (1926-1976) jazz record covers, art publications are all on display. Also his 16mm film ‘aleph’ is screened as well as posters, book covers and postcards. Most people recognise his portrait on the cover of The Beatles’ ‘Sgt Pepper’s Lonely Hearts Club Band’ but he’s got plenty of other art to have a gander over.

wallace%20bergman.jpg

Tuesday 28th October
White Cube, Sam Taylor-Wood: Yes I No: Until 29th November
Mason’s Yard and No 1 The Piazza, Covent Garden, London WC2E 8HA
This show includes three groups of photographs and a large scale film installation on the subject of absensce and morality. Other photos based on Wuthering Heights with desire and suffering playing key themes.

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Wednesday 29th October:
V&A Museum of Childhood, Tom Hunter’: until 9th November
Cambridge Heath Road, Bethnal Green E2 9PA
Exploring the changing face of the East End, Hunter’s photographs focus on people, places and community in and around the area.

tom-hunter_243x190-2.jpg

Thursday 30th October:
Stephen Friedman Gallery, ‘Catherine Opie’: Until 15thNovember
25-28 Old Burlington Street?London W1S 3AN
The exhibition title, ‘The Blue of Distance’, is inspired by Rebecca Solnit, a writer on photography and landscape. Here, Opie continues her investigation with two new series of work capturing the remote beauty of the Alaskan landscape.

catherine%20opie.jpg

Friday 31st October:
Whitecross Gallery, ‘Girlie’: Daphne Plessner: Until 21 November
122 Whitecross St, London EC1Y 8PU
Whitecross Gallery welcomes you to ‘Girlie’, an exciting and thought provoking solo exhibition of luscious new paintings by talented artist Daphne Plessner.?Her work combines uncompromising social critique with colourful, elaborate surface decoration, and beautifully crafted, exquisite attention to detail.

Daphne%20Plessner%20-%20Girlie.jpg

Saturday 1st November:
ICA, ‘Rafael Lozano-Hemmer’ Retrospective: Until 23rd November
The Mall, London SW1Y 5AH
In tandem with Under Scan on Trafalgar Square, a retrospective of Lozano-Hemmer’s moving-image works, via a series of documentaries, spanning the past decade of his career. Lozano-Hemmer has been commissioned for events such as the millennium celebrations in Mexico City, the Cultural Capital of Europe in Rotterdam (2001), the United Nations World Summit of Cities in Lyon (2003), the opening of the Yamaguchi Centre for Art and Media in Japan (2003) and the expansion of the European Union in Dublin (2004).

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Warm and jubilant and wholesome. That’s how a Tilly and the Wall gig will leave you – and the title to their debut album in 2004, check Wild Like Children, cheapest is an indicator as to how. Add to this Slow Club, who when I saw several months ago in a weekly slot at The Enterprise in Camden, had brought along home-baked goods to pass round, and you’re wholly rejuvenated.

The ULU played host to this delectable recipe on Saturday, and they do compliment each other incredibly. Dulcet boy/girl harmonies, songs that pay homage to the bliss of youth and spontaneity, and full sounding percussion that is hard to put your finger on until you see it; The Slow Club often bang their drumsticks on chairs, and the percussion for Tilly is tap-dancer Jamie on a mic’ed up wooden box (they used to steal road-signs for the purpose but have since become more legit).

Tilly’s latest release, “o” was produced by acclaimed producer, Mike Mogis. Their kaleidoscopic sound has gotten bigger and fuller, but maintaining to the familiarity of Tilly ingredients. “I feel like I know them”, I heard someone say, and when the encore brought them back on stage with Charles and Rebecca from the Slow Club in tow, tambourines in hand, it felt like we all did. Clapping and stamping along, I thought the experience perhaps drew a thin line next to what I’d imagine an evangelist Sunday session to be like, only without strings attached, a drink in hand, and prophets that chant out about first loves, recklessness and “life that is so wonderful it shines like fire” (Let it Rain – Tilly); so put that in your wine glass and sip it.

Across the pond in Portland, viagra buy Oregon environmental art group Leave No Plastic Behind (LNPB) are holding a month long art exhibit intitled “Haste Management” and a one off film night, “Plastic Fantastic” to showcase the creative ways that plastic can be saved from the landfill. So it’s a given that you can recycle paper, aluminum and glass, but shiny plastic has been left behind. LNPB focus on avoiding plastic for this very reason, and not relying on recycling.

The “Haste Management” exhibition runs from the 6th-30th November and includes contributions from the wonderful>>>>>
On Nov 23rd “Plastic Fantastic”, a special film event from performance artsist and film maker Devon Damonte will be screened.

Wednesday, October 29, 2008
FOR IMMEDIATE RELEASE
Contact: Jessica Lyness | jessica.lyness@gmail.com | 503-913-3882

Environmental Group- Leave No Plastic Behind
Presents a Plastic Art Show and Film Event
November 6-30

(Portland, OR). Recycling paper, check. Recycling aluminum, check. Recycling glass, check. Recycling plastic? Not so fast. Environmental art group Leave No Plastic Behind (LNPB) urges consumers to curb plastic habits through reducing, reusing and creating. Concentrating on single-use plastic, LNPB focuses on avoiding the material and not relying on recycling. The Portland based group present a month-long art exhibit “Haste Management” and a special film night, “Plastic Fantastic” to showcase creative ways that plastic can be saved from the landfill.

The “Haste Management” exhibition begins on First Thursday, November 6 with an artist reception and Opening Night party at Visage, 1047 NW Johnson Ave. The Exhibition continues through Sunday, November 30. A special film event from performance artist and filmmaker Devon Damonte entitled “Plastic Fantastic”, takes place on November 23 at the Waypost, 3120 N Williams Ave. Following the exhibition, artist’s work will be available for view online at www.lnpb.org.

Artists participating in this exhibition are from all around the country including Waterville, ME, San Francisco, CA, Olympia, WA and Portland, OR. Each participant engages in a three month “episode” to live a plastic-free lifestyle, wherein any plastic they do collect, they make art out of it. Participants include filmmakers, photographers, musicians, and activists. In the past two years, over 50 artists have participated in an episode of LNPB.

LNPB presents art exhibits and creative events year round to raise awareness about the damaging effects of single use plastic and offers alternative suggestions on how to reduce and reuse. LNPB continues to be inspired by Captain Charles Moore and the Algalita Marine Research. This collective considers the true costs of modern convenience and demonstrates the importance of collaborative resourcefulness.
buraka%20som%20sistema%20gawain%20hewitt%203.jpg
Photos: Gawain Hewitt

Portuguese party starters Buraka Som Sistema are perhaps one of the most hyped up musical endeavors to hit our shores in recent years. They launched onto the stage at cargo and turned the lackluster Tuesday night, ask tired from work, health crowd into a bunch of whooping partygoers.

Buraka’s set up onstage is a little out of the ordinary, but it works. Essentially it’s a DJ and MC set up, but with some added percussion in the form of a guy on bongos and a drummer. I can’t help but always get excited by the addition of bongos to live show; everyone loves bongo players.

buraka%20som%20sistema%20gawain%20hewitt%201.jpg

buraka%20som%20sistema%20gawain%20hewitt%202.jpg

The only problem with tonight’s gig may be that people don’t know an awful lot of their stuff, having not released their album yet. They get round this though by breaking out their own interpretations of Around The World by Daft Punk and Thunderstruck by AC/DC. These seem to have quite an effect in rousing the crowd. Some people were actually shaking their booty so much that my friend had to move out of their way – honestly; some people just have no manners.

My favourite track of the night was Luanda Lisboa, a track that genuinely gives me the jitters if I listen to it very loud. I’ve only heard the instrumental version of it before now, but live the MCs managed to get the crowd particularly on side, even though the vast majority had absolutely no idea what they were talking about.

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What seemed to get the crowd most excited was Sound Of Kuduro, which has been thrown into popularity largely because it features M.I.A on vocals, and it has really good video. Live it was brought to life by the female MC they have live.

I’ve seen DJ sets by these guys before, but the live show is a much more engrossing experience. I was left blown away by their show, though what really excited me about them is their production skills – which is so often the case with electronic music.
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Tuesday 4th November

Sigur Ros – Civic Hall, buy Wolverhampton
Stars Of Sunday League and Catriona Irving – Wilmington Arms, rx London
The Feeling and Das Pop – Hammersmith Apollo, viagra order London
The Kills – Oran Mor, Glasgow
Screaming Tea Party, Artefacts For Space Travel, This Is Pop and Ice Sea Dead People – Buffalo Bar, London
Why?, The Dead Science and Munch Munch – Upset! the Rhythm at Scala, London

Wednesday 5th November

Eugene McGuinness and Swanton Bombs – The Luminaire, London
Al Green and Gabrielle – Royal Albert Hall, London
George Pringle – Hoxton Square Bar & Kitchen, London
MGMT – Academy, Leeds
The Boat People – The Fly, London
Fleet Foxes – Shepherds Bush Empire, London

Thursday 6th November

Dan Le Sac vs Scroobius Pip and The Clik Clik – Emergency Playground at Astoria 2, London
I Haunt Wizards, The Pity Party, Little Death and Kilkane – The Macbeth, London
Yo! Majesty – Oran Mor, Glasgow
Fucked Up, Rolo Tomassi and Invasion – Xposure at Barfly, London
Hot Chip, Wiley and Max Tundra – Brixton Academy, London
Threatmantics – Milkwood Jam, Swansea
Jackie O Motherfucker and True Primes – Bardens Budoir, London
Alessi’s Ark, Peggy Sue and Derek Meins – Club Fandango at 229, London

Friday 7th November

The Irrepressibles – The Great Court of The British Museum, London

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The Irrepressibles will be playing two sets as part of an event to support a forthcoming display of contemporary art installations at the museum including works by Damien Hirst, Marc Quinn, Ron Mueck, Antony Gormley and Noble and Webster. Best of all, it’s completely free. Perfect for these crunchy credit times.

Thomas Tantrum – Koko, London
Fleet Foxes – Vicar Street, Dublin
Mr Scruff – Matter, London
Howling Bells – Academy, Birmingham
My Tiger My Timing, A Human and Underground Railroad – The Last Days of Decadance, London

Saturday 8th November

FrankMusik, Dels, Kamerakino and Tin Can Telephone – Club Motherfucker at Bardens Boudoir, London
Little Boots – Proud Galleries, London
Ezra Bang and Hot Machine, Maths Class and Mayor McCa – The Monarch, London
Glasvegas, White Lies and Cage The Elephant – Little Noise Sessions at Union Chapel, London
Ebony Bones, Riddler, King of Conspiracy and Minipuma – Rhythm Factory, London

Sunday 9th November

Nas, Mos Def, Supernatural and Scratch – Rock The Bells at Indigo2, London
Goldfrapp and Eugene McGuinness – Brixton Academy, London
Nigel Of Bermondsey and The Razzle – Monto Water Rats, London
Razorlight, Florence and The Machine, Esser and Skint And Demoralised – Little Noise Sessions at Union Chapel, London

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This is just one of the question posed by Campaign against Climate Change. Under the labour government CO2 emissions have increased by 2%, cheap plans are under-way to expand Heathrow and other airports and there are plans for a new wave of coal-fired power stations starting with Kingsnorth in Kent. Further, viagra measures have been introduced increasing the use of biofuels which accelerate deforestation, information pills a major cause of climate change. But, what some see as the biggest failing is the government’s failure to respond to the problem. There is no grasp of the immensity and urgency of the threat to shape the policies we need to combat climate change.

Come down to Friends House at 7pm, Thursday November 6th to listen to what can be done to counteract these problems of climate change. The diverse panel: George Monbiot, Zac Goldsmith– editor of “Ecologist” magazine, Bob Crow– general secretary of the RMT, Ann Pettifor- director of Advocacy International and Phil Thornhill– national coordinator of Campaign against Climate Change, give their views on these issues and ask them your own questions.

Campaign against Climate Change
Is the government failing us on climate change?
Public Meeting, Thursday November 6th
7.00 pm at the Friends House, 173 Euston Road (opposite Euston Station)

A date for your diaries is the 6th December, the next Campaign against Climate Change event, part of a Global Day of Action. In which a march to parliament fro speakers corner is taking place, campaigning against the issues mentioned above.

Images courtesy of Campaign against Climate Change

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Its that time of year again, sick when Tatty Devine reveal their Best Of collection! As in previous years Tatty Devine pick the best of the main biannual collections to create a super-duper special selection of fifty pieces. The collection is a feast of quirky offerings, link that the duo are famed for; plectrum earrings (surely a contender for the jewellery hall of fame), amp volume control brooches, moustache rings (a personal favourite), and the Jarv Specs necklace; perfect for the geek (chic) look.

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Amelia wears the Lollipop Necklace

To go along with their best of collection, designers Harriet and Rosie have honoured inspirational individuals and friends with a Best Of title all of their own. Over on page six, Amelia models the good enough to eat shiny red lollipop necklace and wins the award for The best at Independent Publishing. Showcasing further talented individuals, Best Of awards go to Liela from The Duke Spirit who wins the title of The Best at Feeling the Spirit, the girls of Prick your Finger win the Best at Haberdashery, and Jennifer Earle of Duotard wins the Best at Dance, amongst others.

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Liela models the Tiger Necklace

Tatty Devine are clearly a modest twosome, surely an award for the Best at Jewellery wouldn’t be undeserved. The best talent portraits (and jewellery) are being displayed at the Brick Lane store, so if you’re in the area I would definitely recommend popping in. Who knows, perhaps some of the talent will rub off or failing that console yourself with a necklace or brooch.

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Galia of Kollectiv wears the Dinosaur Necklace

Categories ,Accessories, ,Duotard, ,Fashion, ,Kollectiv, ,Prick Your Finger, ,Tatty Devine, ,The Duke Spirit

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Amelia’s Magazine | Bobby Abley, MAN: London Collections: Men A/W 2014 Catwalk Review


Bobby Abley A/W 2014 by Krister Selin

Ethereal Mickey Mouse lyrics played as it was time to welcome latest L’Enfant Terrible to the MAN stage: Bobby Abley. The crashing and banging of M.I.A.‘s equally terrifying Meds and Feds from album // / Y / (that’s harder to type than it looks) soon interrupted Mickey as his first model appeared…


All photography by Matt Bramford

First up: an oversized white jacket, synched at the waist, with the designer’s name printed down the sleeves. I could tell there was something going on with this guy’s mouth, but it wasn’t until the model walked to our side of the room that I clocked the metal mouthpieces, forcing open the mouth in a sinister, dominant fashion as he gripped a trademark Bobby Abley bear.

This was quickly followed by a whole load of visual treats, as much a delight as they were disturbing. Pink baseball caps featured Mickey Mouse ears, XXL tops carried slogans such as ‘Abley Ever After’ ‘R.I.P.’ and ‘Dream On’ in the Disney font and would probably have Walt spinning in his grave. A pink brain motif was used to great effect on trousers and rucksacks and had the tabloids asking ‘Is this what your boyfriend will be wearing’ in the way they know best. Grotesque cartoon crows and a barbed wire motif adorned t-shirts; knuckle dusters completed the looks.

Take away the Piers Atkinson Disney villain millinery and the gothic grills and what you’re left with is a pretty amazing collection of wearable pieces that it would be foolish to mock. His comic and cartoon influences might not be to every man’s taste, but his sportswear aesthetic and innovative and varied approach to materials (jersey, faux fur, translucent sheers) will satisfy a wide range of fashion dressers.

Categories ,AW14, ,Bobby Abley, ,Disney, ,fashion, ,Fashion East, ,Krister Selin, ,LCMAW2014, ,M.I.A, ,Man, ,Matt Bramford, ,menswear, ,Mickey Mouse, ,piers atkinson

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