When the news of Lee Alexander McQueen’s untimely death broke only a week before the start of London Fashion Week, about it everybody quite rightly predicted that the event would become a tribute to the late designer. They were right.
Harold Tillman, approved chair of the British Fashion Council, information pills opened Fashion Week paying tribute to McQueen, speaking of his ‘extraordinary impact’ on both British and international fashion, and inviting us to join in a minute’s silence.
Sarah Brown continued the tributes, to a crowd of McQueen wearers, saying that fashion week would be ‘a reflective time with the passing of Lee McQueen’.
A tribute wall, erected in the main area, was covered in hand-written postcards in only a number of hours. These included Sarah Brown herself, esteemed designers, colleagues, press and the public alike.
Over at On|Off, a bunch of iPods had been set into the wall, each containing a different McQueen collection, inviting the attendees to scroll through the images. I could have looked at this for hours.
Read our full tribute here.
When the news of Lee Alexander McQueen’s untimely death broke only a week before the start of London Fashion Week, dosage everybody quite rightly predicted that the event would become a tribute to the late designer. They were right.
Harold Tillman, view chair of the British Fashion Council, order opened Fashion Week paying tribute to McQueen, speaking of his ‘extraordinary impact’ on both British and international fashion, and inviting us to join in a minute’s silence.
Sarah Brown continued the tributes, to a crowd of McQueen wearers, saying that fashion week would be ‘a reflective time with the passing of Lee McQueen’.
A tribute wall, erected in the main area, was covered in hand-written postcards in only a number of hours. These included Sarah Brown herself, esteemed designers, colleagues, press and the public alike.
Over at On|Off, a bunch of iPods had been set into the wall, each containing a different McQueen collection, inviting the attendees to scroll through the images. I could have looked at this for hours.
Read our full tribute here.
When the news of Lee Alexander McQueen’s untimely death broke only a week before the start of London Fashion Week, order everybody quite rightly predicted that the event would become a tribute to the late designer. They were right.
Harold Tillman, drug chair of the British Fashion Council, opened Fashion Week paying tribute to McQueen, speaking of his ‘extraordinary impact’ on both British and international fashion, and inviting us to join in a minute’s silence.
Sarah Brown continued the tributes, to a crowd of McQueen wearers, saying that fashion week would be ‘a reflective time with the passing of Lee McQueen’.
A tribute wall, erected in the main area, was covered in hand-written postcards in only a number of hours. These included Sarah Brown herself, esteemed designers, colleagues, press and the public alike.
Over at On|Off, a bunch of iPods had been set into the wall, each containing a different McQueen collection, inviting the attendees to scroll through the images. I could have looked at this for hours.
Read our full tribute here.
A fashionista reflects on Friday morning, erectile wearing a McQueen scarf
When the news of Lee Alexander McQueen’s untimely death broke only a week before the start of London Fashion Week, ambulance everybody quite rightly predicted that the event would become a tribute to the late designer. They were right.
Harold Tillman, chair of the British Fashion Council, opened Fashion Week paying tribute to McQueen, speaking of his ‘extraordinary impact’ on both British and international fashion, and inviting us to join in a minute’s silence.
Sarah Brown continued the tributes, to a crowd of McQueen wearers, saying that fashion week would be ‘a reflective time with the passing of Lee McQueen’.
A tribute wall, erected in the main area, was covered in hand-written postcards in only a number of hours. These included Sarah Brown herself, esteemed designers, colleagues, press and the public alike.
Over at On|Off, a bunch of iPods had been set into the wall, each containing a different McQueen collection, inviting the attendees to scroll through the images. I could have looked at this for hours.
Read our full tribute here.
A fashionista reflects on Friday morning, cheapest wearing a McQueen scarf
When the news of Lee Alexander McQueen’s untimely death broke only a week before the start of London Fashion Week, dosage everybody quite rightly predicted that the event would become a tribute to the late designer. They were right.
Harold Tillman, chair of the British Fashion Council, opened Fashion Week paying tribute to McQueen, speaking of his ‘extraordinary impact’ on both British and international fashion, and inviting us to join in a minute’s silence.
Sarah Brown continued the tributes, to a crowd of McQueen wearers, saying that fashion week would be ‘a reflective time with the passing of Lee McQueen’.
A tribute wall, erected in the main area, was covered in hand-written postcards in only a number of hours. These included Sarah Brown herself, esteemed designers, colleagues, press and the public alike.
Over at On|Off, a bunch of iPods had been set into the wall, each containing a different McQueen collection, inviting the attendees to scroll through the images. I could have looked at this for hours.
Read our full tribute here.
A fashionista reflects on Friday morning, ambulance wearing a McQueen scarf
When the news of Lee Alexander McQueen’s untimely death broke only a week before the start of London Fashion Week, capsule everybody quite rightly predicted that the event would become a tribute to the late designer.
Harold Tillman, healing chair of the British Fashion Council, opened Fashion Week paying tribute to McQueen, speaking of his ‘extraordinary impact’ on both British and international fashion, and inviting us to join in a minute’s silence.
Sarah Brown continued the tributes, to a crowd of McQueen wearers, saying that fashion week would be ‘a reflective time with the passing of Lee McQueen’.
A tribute wall, erected in the main area, was covered in hand-written postcards in only a number of hours. These included Sarah Brown herself, esteemed designers, colleagues, press and the public alike.
Over at On|Off, a bunch of iPods had been set into the wall, each containing a different McQueen collection, inviting the attendees to scroll through the images. I could have looked at this for hours.
Read our full tribute here.
The Dutch diva of leather manipulation continues to impress with an absolutely stunning parade of shimmering leather lace body halos and sweeping dresses. First appearing 3 seasons ago with fine wire cages made of umbrella spokes, cost Van Herpen’s successive collections have seen her finesse leather into an altogether stunnning feat of material manipulation.
Iris Van Herpen illustrated by Katie Harnett
This season’s helios-orange shimmer-backed leather laces were twisted to reveal and conceal as they wrapped around arching shoulders, ampoule floor length dresses and even massive platforms. A performer herself, ambulance most of these dresses are stage ready and we can easily guess which songstress in particluar will be bouncing about in one of these in her next video.
Fear not though most pieces in this collection were extremely wearable for ladies… and the occasional gentleman as she demonstrated by sending a young man down the runway in one of her more basic boxy frocks. And in those platforms, without a single misstep, we girls now have no excuse!
Iris Van Herpen A/W10 photo courtesy of: Sabrina Morrison
One minidress with bustier detailing is elegantly adorned with pinches and twists of laser cut leather strips, finishing in a halter neck. A gorgeous example of her handicraft paired with what appeared to be etched leather.
Iris Van Herpen A/W10 photo courtesy of: Sabrina Morrison
A long pigeon grey dress shifted a harness of elegantly draped leather laces from knee to knee the model strutted down the catwalk turning to reveal a sheer black back. Appearing in her usual palette of ecru, black and copper there was also the occasional accent of purple to offset the glowing metallics.
Iris Van Herpen A/W10 photo courtesy of: Sabrina Morrison
A graduate of Artez Academy in Holland, Van Herpen has drawn past imagery from ancient Egyptians, smoke and birds. This season it was radiation waves. Her frequent allusions to corsetry both in structure and surface detail are still fully present. What is fantastic to see is that as her ambitious pieces develop so is her flattering sense of the human form. Materials no longer dictate and demand but now seem to be taking cues from their handler.
Written by Sabrina Morrison on Tuesday February 23rd, 2010 2:40 pm
Categories ,artez, ,designer, ,dutch, ,fashion, ,Iris Van Herpen, ,lace, ,leather, ,London Fashion Week, ,textiles
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