onoff

Amelia’s Magazine | London Fashion Week S/S 2011 Catwalk Review: Ashley Isham

by


Paul Costelloe S/S 2011, illness illustrated by Natsuki Otani

So the circus has begun, adiposity the Big Top (the BFC Marquee) is up surrounded by bizarrely dressed clowns, this and trapeze artists swing from the roof of Somerset House. Okay, that last one isn’t true, but you get the picture!

I haven’t had a bloody chance to write anything yet, and Amelia has beaten me to it with a review of fashion week S/S 2011′s opener – Paul Costelloe. But, while I have the chance, I thought I’d throw my tuppence worth in, too.
 
For the past six years, Paul Costelloe has had the rather unenviable task of opening the proceedings. I arrived super early, as I always do – I woke up actually asking if Santa had been, I was so excited I presumed it must be Christmas. Anyway, I joined the queue for Costelloe, in which the mean age must have been approximately 68. It was a crimplene snake. These lovely old dears were desperate to get inside (I suppose you can never be too careful, especially in this chilly weather) and, rather unfashionably, we were ushered inside on time.


 
Now I am familiar with Costelloe’s work, but the relationship between his collections and his audience totally and uttrerly baffles me. One by one, the first models of S/S 2011 strutted down the catwalk wearing fresh, well cut and contemporary clothes. So why do grannies in knits flock to see this? I got chatting to two gorgeous old dears who, with their enthusiastic clapping and cheering, almost threatened to steal my attention from the show. They thought every frock was ‘bloody gorgeous’ and cries of ‘Oooh, that’s STUNNING’ were heard from all sides.


My two lovely ladies, on the right during the finale


illustrated by Natsuki Otani

The show itself was a treat from start to finish, for a number of reasons. The styling was great, with bright red lipstick, back-combed hair piled atop models heads (a look Costelloe is famed for) and the soundtrack was summery and fun, featuring Eliza Doolittle’s recent hit Pack Up.

The clothes were wonderful, featuring contemporary curves with emphasis on waists, oversized bows and playful graphic prints. Such fun. I particularly like everything about this following model and her outfit, whose face and hair do reminded me of Evangelista in naughty George Michael’s Too Funky video.
 

The show, however, had the most bizarre ending. Six awkward looking blokes dressed to the nines in suits cautiously eased their way up the catwalk. They all looked alike and I instantly guessed that they were brothers. It turns out Mr Costelloe isnt just good at fashion, he also is a dab hand and breeding too. If you’ve already read Amelia’s review, then apologies, but SIX SONS! Bloody hell! SIX SONS! Imagine. My dad has four and went grey in his thirties. I can only imagine that Paul Costelloe is a devout Catholic or didn’t have a television at home. How does he find the time to produce such an exciting and polished collection with this sextet? Lord knows.

I’m with Amelia on the menswear – I probably wouldn’t wear it and it’s a long way away from the masses of creative talent we’ll see on menswear day next week. But, if his collections develop like his womenswear has over the seasons, I’m sure I’ll be changing my mind pretty swiftly!


Paul Costelloe menswear, illustrated to look far better than it was, by Natsuki Otani


Paul Costelloe S/S 2011, patient illustrated by Natsuki Otani

So the circus has begun, the Big Top (the BFC Marquee) is up surrounded by bizarrely dressed clowns, and trapeze artists swing from the roof of Somerset House. Okay, that last one isn’t true, but you get the picture!

I haven’t had a bloody chance to write anything yet, and Amelia has beaten me to it with a review of fashion week S/S 2011′s opener – Paul Costelloe. But, while I have the chance, I thought I’d throw my tuppence worth in, too.
 
For the past six years, Paul Costelloe has had the rather unenviable task of opening the proceedings. I arrived super early, as I always do – I woke up actually asking if Santa had been, I was so excited I presumed it must be Christmas. Anyway, I joined the queue for Costelloe, in which the mean age must have been approximately 68. It was a crimplene snake. These lovely old dears were desperate to get inside (I suppose you can never be too careful, especially in this chilly weather) and, rather unfashionably, we were ushered inside on time.


 
Now I am familiar with Costelloe’s work, but the relationship between his collections and his audience totally and uttrerly baffles me. One by one, the first models of S/S 2011 strutted down the catwalk wearing fresh, well cut and contemporary clothes. So why do grannies in knits flock to see this? I got chatting to two gorgeous old dears who, with their enthusiastic clapping and cheering, almost threatened to steal my attention from the show. They thought every frock was ‘bloody gorgeous’ and cries of ‘Oooh, that’s STUNNING’ were heard from all sides.


My two lovely ladies, on the right during the finale


illustrated by Natsuki Otani

The show itself was a treat from start to finish, for a number of reasons. The styling was great, with bright red lipstick, back-combed hair piled atop models heads (a look Costelloe is famed for) and the soundtrack was summery and fun, featuring Eliza Doolittle’s recent hit Pack Up.

The clothes were wonderful, featuring contemporary curves with emphasis on waists, oversized bows and playful graphic prints. Such fun. I particularly like everything about this following model and her outfit, whose face and hair do reminded me of Evangelista in naughty George Michael’s Too Funky video.
 

The show, however, had the most bizarre ending. Six awkward looking blokes dressed to the nines in suits cautiously eased their way up the catwalk. They all looked alike and I instantly guessed that they were brothers. It turns out Mr Costelloe isnt just good at fashion, he also is a dab hand and breeding too. If you’ve already read Amelia’s review, then apologies, but SIX SONS! Bloody hell! SIX SONS! Imagine. My dad has four and went grey in his thirties. I can only imagine that Paul Costelloe is a devout Catholic or didn’t have a television at home. How does he find the time to produce such an exciting and polished collection with this sextet? Lord knows.

I’m with Amelia on the menswear – I probably wouldn’t wear it and it’s a long way away from the masses of creative talent we’ll see on menswear day next week. But, if his collections develop like his womenswear has over the seasons, I’m sure I’ll be changing my mind pretty swiftly!


Paul Costelloe menswear, illustrated to look far better than it was, by Natsuki Otani


Ashley Isham S/S 2011, more about illustrated by Zarina Liew

Late afternoon it was the turn of Ashley Isham to display his wares for S/S 2011 at the On|Off venue, this web Victoria House. Amelia had beaten me there by bike (natch) and so I made my way in and joined the back of the queue. Amelia tried to persuade me to push to the front (by text) but I’m the world’s biggest scaredy cat at fashion week and so stayed where I was. On this occasion, it actually didn’t matter – I shoved my way to get a good standing spot, from where I could take pics. As I did I noticed a fashion palaver going on at the first corner of the horse-shaped catwalk. The paps were in a frenzy to capture a shot of somebody who I could only see from the back, and who was wearing a ridiculous cap that I can only describe as a disco-themed tribute to the Pontiff’s zucchetto. It turns out it was Paloma Faith.

As somebody minced down the catwalk explaining that Ashley was desperate to start and was getting bored (we were already running over half an hour late) the team soon sprang into action to get the show on its way.


Illustration by Zarina Liew

Ashley Isham is famed for his red-carpet dresses that many a celebrity is fond of. I hadn’t actually seen one of his shows before, but I was totally impressed. With so much doom and gloom and many of the designers playing it safe and producing muted, basic collections, thank heavens for Ashley Isham. Camp is an understatement with these fabulous headpieces, over-embellished frocks, glitter, sparkles, crystals, feathers, ruffles, beads and jewels. Now I know where Strictly Come Dancing gets its ideas from.

With a disco soundtrack including Wham! and The Hues Corporation, I was left desperate to grab one of the models and pay homage to Saturday Night Fever with a jazzy disco waltz.

I have no idea how to write about this collection without banging on about how wonderfully camp it was. Where to start? Well, key themes were bare shoulders, maxi-length floor sweepers, fishtail hems, silky fabrics and as much haberdashery-shop-hoard you can throw on something without actually going blind. Isham’s numbers ooze sex appeal and he’s clearly a fan of the female form. These dresses are made to emphasise the top half and the waist, and body-conscience is always key.

Wonderful headpieces constructed of artificial flowers made models look extremely exotic, and they were by far my favourite thing in the show.

I’m really struggling here. I love it, but I’m lost for words. It was utterly bonkers. You can see it all in the pictures anyway.

Colours and patterns were a bit all over the place, and while I wouldn’t want to knock this collection, if I had to I’d say it wouldn’t hurt to be a little more coherent. But when frocks make these alien-like creatures we call models look sexy, who cares?

Photographs: Matt Bramford

Written by Matt Bramford on Saturday September 18th, 2010 5:55 pm

Categories ,Ashley Isham, ,Blow PR, ,body-conscious, ,disco, ,Fishtail, ,headpieces, ,London Fashion Week, ,onoff, ,paloma faith, ,Rock the boat don’t rock the boat baby, ,S/S 2011, ,The Hues Corporation, ,Wham!, ,Womenswear

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Amelia’s Magazine | London Fashion Week S/S 2011 Catwalk Review: Bora Aksu (more)

by


Illustration by Andrea Peterson

It wasn’t until the Jena.Theo show that I got my first hit of fashion adrenaline this LFW. The design duo Jenny Holmes and Dimitris Theocharidis have created a Spring Summer 2011 collection that combines both the theatrical and the wearable in draped layers of silk and jersey, treat side effects shot through with the Midas Touch. Gold leaf was applied not only to models’ eyelids and nails, view but also to wrists, ankles, collarbones and occasionally a breast or belly button that happened to be exposed.

Though this would undoubtedly not go down well in the Muslim world today, culturally the show was a mix of the old Arabian Nights- or Prince of Persia to the computer game generation- meets 19th century British colonialism; models’ heads swathed in oversized turbans or hair backcombed into huge Victorian updos.


Illustration by Andrea Peterson

The winners of Fashion Fringe 2009 struck a perfect balance between catwalk creativity and clothes with the potential to actually be worn in real life; with a wonderful take on a Victorian hoop skirt to finish the show. This is what I want from an LFW show; something fun and inventive as well as wearable clothes.

I sat with the team behind the new Young British Designers website, which champions the likes of Jena.Theo; keep an eye out on Amelia’s for an interview with them coming soon. Adriana was in fact loyally wearing an outfit by the design duo.

We were in the second row but got bumped forward into the front row when there were a few spaces at the last minute; which meant I managed to get a really good, close up look at the raw painted gold leaf stiletto platform shoes.

It also of course, meant goody bag ahoy!Ironically, for a fashion gift, this included one of the best brownies I’ve ever eaten; in fact many of the stalls in the LFW exhibitions have sweets or cakes on their stands, though you never see anyone eating them. Except me.Which is why you won’t see me bearing my gilded navel in an Aladdin-esque ensemble anytime soon.


Illustration by Andrea Peterson

London Fashion Week has begun (NB: at the time of writing, order it was the end of the second day) and apart from the excitement at spotting various London boutique owners, try mild celebrities and the increasing chances of seeing a model stumble from the heady heights of unstable shoes, information pills the week is of course about FASHION. From the stalwarts of Simon Rocha and Betty Jackson to the increasing number of designers who are the”ones to watch,” it is a to put it mildly a frantic dash from venue to queue to venue to queue and back to the BFC for a quick cuppa before starting all over again. An incredibly enjoyable dash, but a dash none the less.

On Friday (17th September 2010) Amelia’s Magazine had the pleasure of touching base with Eun Jeong’s S/S 11 static presentation in the alcoves of the Russell Chambers, Covent Garden. The designers studio presentation was set amid the odd jumble of relics frequently obtained during the industrious weeks leading up to LFW. Exceptionally pretty models were positioned around the fringes of the room and the press pack moved in hapazadly through the three rooms of the exhibition documenting the clothes positioned on mannikins and on seated or standing models.

One room consisted entirely of props painted white, which rather effectively set off the crystal-embellished shoes, whilst drawing attention to Eon Jeung’s attention to draping. From looking at the shoes, the inspiration for the sewing basket may have come from Jeong’s shoe designs, rather than the other way round. The middle room consisted of a beautiful floral pattern that was reminiscent of Future Classics in cut.

The final room was occupied solely by mannikins dressed in an assortment of designs including a beautifully simple dress embellished with a touch of bright colour on the shoulders. Quickly reflecting on the first two days of the designers this reviewer has seen at the September 2010 edition of London Fashion Week. Many appear to be playing it safe and producing clothes fit for the boutique market.

Looking at the standard of Eon Jeung’s designs for S/S 2011, it is hard to believe that this is the designer’s third season since graduating from THAT Central Saint Martin’s MA.

The organised chaos of London Fashion Week has begun (NB: at the time of writing, approved it was the end of the second day) and apart from the excitement at spotting various London boutique owners, online mild celebrities and the increasing chances of seeing a model stumble from the heady heights of unstable shoes, web the week is of course about FASHION. From the stalwarts of Simon Rocha and Betty Jackson to the increasing number of designers who are the”ones to watch,” it is a to put it mildly a frantic dash from venue to queue to venue to queue and back to the BFC for a quick cuppa before starting all over again. An incredibly enjoyable dash, but a dash none the less.

On Friday (17th September 2010) Amelia’s Magazine had the pleasure of touching base with Eun Jeong’s S/S 11 static presentation in the alcoves of the Russell Chambers, Covent Garden. The designers studio presentation was set amid the odd jumble of relics frequently obtained during the industrious weeks leading up to LFW. Exceptionally pretty models were positioned around the fringes of the room and the press pack moved in hapazadly through the three rooms of the exhibition documenting the clothes positioned on mannikins and on seated or standing models.

One room consisted entirely of props painted white, which rather effectively set off the crystal-embellished shoes, whilst drawing attention to Eon Jeung’s attention to draping. From looking at the shoes, the inspiration for the sewing basket may have come from Jeong’s shoe designs, rather than the other way round. The middle room consisted of a beautiful floral pattern that was reminiscent of Future Classics in cut.

The final room was occupied solely by mannikins dressed in an assortment of designs including a beautifully simple dress embellished with a touch of bright colour on the shoulders. Quickly reflecting on the first two days of the designers this reviewer has seen at the September 2010 edition of London Fashion Week. Many appear to be playing it safe and producing clothes fit for the boutique market.

Looking at the standard of Eon Jeung’s designs for S/S 2011, it is hard to believe that this is the designer’s third season since graduating from THAT Central Saint Martin’s MA.

The organised chaos of London Fashion Week has begun (NB: at the time of writing, advice it was the end of the second day) and apart from the excitement at spotting various London boutique owners, pills mild celebrities and the increasing chances of seeing a model stumble from the heady heights of unstable shoes, the week is of course about FASHION.

From the stalwarts of Simon Rocha and Betty Jackson to the increasing number of designers who are the”ones to watch,” it is a to put it mildly a frantic dash from venue to queue to venue to queue and back to the BFC for a quick cuppa before starting all over again. An incredibly enjoyable dash, but a dash none the less.

On Friday (17th September 2010) Amelia’s Magazine had the pleasure of touching base with Eun Jeong’s S/S 11 static presentation in the alcoves of the Russell Chambers, Covent Garden. The designers studio presentation was set amid the odd jumble of relics frequently obtained during the industrious weeks leading up to LFW.

Exceptionally pretty models were positioned around the fringes of the room and the press pack moved in hapazadly through the three rooms of the exhibition documenting the clothes positioned on mannikins and on seated or standing models.

One room consisted entirely of props painted white, which rather effectively set off the crystal-embellished shoes, whilst drawing attention to Eon Jeung’s attention to draping. From looking at the shoes, the inspiration for the sewing basket may have come from Jeong’s shoe designs, rather than the other way round. The middle room consisted of a beautiful floral pattern that was reminiscent of Future Classics in cut.

The final room was occupied solely by mannikins dressed in an assortment of designs including a beautifully simple dress embellished with intricate black beading across the breadth of the dress. Looking at the standard of Eon Jeung’s designs for S/S 2011, it is hard to believe that this is the designer’s third season since graduating from THAT Central Saint Martin’s MA.

Quickly reflecting on the first two days of the designers this reviewer has seen at the September 2010 edition of London Fashion Week. Many appear to be playing it safe and producing clothes fit for the boutique market.

naomi-law-bora-aksu
Bora Aksu by Naomi Law.

Oh how I do love a bit of Bora Aksu. As well as being a one of a kind creative genius he is surely the nicest man in fashion – as you will know if you’ve read my pre LFW interview. I attended his show at Victoria House with Sally yesterday, sildenafil and she has also written up her review of it here.

Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory

It was a far more intimate venue than last season’s show in the BFC tent, about it which meant that I got a brilliant view of Bora’s extraordinary artistry up close. Merely a hands reach away the models strode past in bulging loose bun beehives accessorised with giant ants (the loosely backcombed up-do is becoming a bit of a theme this fashion week) and tangled spiders web lacy tights.

Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
naomi-law-bora-aksu-1
Bora Aksu by Naomi Law.

This season the palette took a darker turn, consisting of steely greys, navy and a gorgeous deep red. Taking his alienesque styling of last season to its next *logical* step, the protrusions seemed to curl ever further out of dresses, or perhaps it was just my new proximity which made it seem so. For more commercial effect ruffles, brocade and lace also made an appearance in creative mashups.

Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory

After the show I was hastily approached by Blow PR to see if one of my photos could be whisked off to the newspapers – something to do with an urgent request for “harem pants” – so I spent the next half an hour in the frantic press room, where I managed to say hello to Bora as he was giving interviews in the corner. He was utterly delightful of course: as I said, the nicest man in fashion. And as innovative as ever.

Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory
Bora Aksu S/S 2011 photo by Amelia Gregory

Written by Amelia Gregory on Saturday September 18th, 2010 10:47 pm

Categories ,Alienesque, ,Blow PR, ,Bora Aksu, ,lfw, ,London Fashion Week, ,Naomi Law, ,onoff, ,Sally Mumby-Croft, ,Victoria House

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Amelia’s Magazine | London Fashion Week S/S 2011 Catwalk Review: Bryce Aime

by

Illustrated by Gareth Hopkins

Blue lips. Lipstick. Even on the male models. Wrong or right?
Well Elliot J Frieze certainly thought it was right when he sent his models sashaying down the catwalk wearing “cool blue” on their smackers. And all only in his second season at London Fashion Week S/S 11. Brave move.

But actually Frieze always packs his shows with a little something extra; last season Jacquette Wheeler and Amber Le Bon were models du jour and this season see’s an appearance from Chronicles of Narnia actress (and muse) Anna Popplewell.

Of the actual collection though I wasn’t convinced. A mixture of Menswear and Womenswear the pieces were part utility and part work wear. No joke, store models wore dishevelled ties over striped shirts and clashed them with gingham dirndl skirts all in a palette of “powder shades of lemon and blueberry sherbet, hard boiled peppermints coupled with vibrant shades of fruit nougat for trimmings.” All a bit too saccharine for my liking. Top that off with a male model in a cropped powder blue jacket and something was not quite right.

Although Frieze did pull it back with his classic tailored trench coats and dresses; something of a speciality due to his known skill of “driving the boundaries of classic tailoring.”

I don’t think it was the aim though to send a model down the catwalk with her dress undone. Poor girl had to keep it together with her hand behind her back all the way down. All in a days work for a fashion designer!

A fashion mistake….not a new trend

Despite the sickly colour palette Frieze pulled together a collection that was rounded and made sense whilst sticking to his “British Heritage.” Taking his final walk down the catwalk Frieze surprised us all by joining the models in their love of blue lips. Cheeky scamp. But even more surprisingly (for Frieze and us) one spectator felt compelled to jump out of their seat and accost him for a photo before he walked off stage. Even though slightly stunned (and who wouldn’t be…..security!) Frieze ever the professional made the most of the impromptu photo op and posed with his muse. Lets not write off this one yet.

Illustration by Jaymie O’Callaghan
Bryce Aime show at On/Off
Illustrations by Gabriel Ayala

Random celebrity spot of the day had to go to Janice Dickinson – who sat botoxed to the max in the front row at Bryce Aime. Well, about it apparently. I didn’t see the self-proclaimed ‘world’s first supermodel’ (and funniest guest on Come Dine with Me in the show’s history) because I was crammed in at the back of the On / Off showcase. My camera would be out of action, information pills thanks to the guys in turbans standing in front of me, viagra 60mg but with the lively, laid-back atmosphere and banging music in the On/Off space, it was on with the show.

Bryce Aime fashion illustration
Illustrations by Gabriel Ayala

Known for his understated, elegant designs, and harsh tailoring, Bryce Aime was going in a different direction for S/S 11, with ‘Asiarama’ (my favourite show title so far) a theatrical collection drawing on Kabuki costume and the Beijing Opera. It was quite a show – Bryce’s skilled tailoring and clean lines hadn’t quite disappeared, with some kimono style tops, and structured dresses, but things were a lot more playful than usual. It was like seeing a harlequin transported to the Far East – with mismatched coloured tights, bright clown like makeup and space age shoes. There were also hats aplenty – avant-garde headpieces and even a mini crown of pom poms and feather plumes.

Bryce Aime Fashion Illustration
Illustrations by Gabriel Ayala

Thankfully, Bryce’s sensational prints were still there, but manipulated into skin tight leggings and even a fluid chiffon mini dress. This was the first time Bryce had branched out into shoes and headgear, and he went for all-out drama. It was entirely unexpected collection – but a whole lot of fun.

Written by Lauren Smith on Tuesday September 21st, 2010 4:53 pm

Categories ,Bryce Aime, ,Leggings, ,lfw, ,london, ,London Fashion Week, ,onoff, ,S/S 2011, ,Womenswear

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Bryce Aime

by

Christopher Beales A/W 2011 by Hazel Castle
Christopher Beales A/W 2011 by Maria Papadimitriou
Christopher Beales A/W 2011 by Maria Papadimitriou.

Christopher Beales has been working at the coal face of fashion for his entire career thus far, order in places as diverse as Voyage (the bizarre hippyluxe shop that you had to be a member of to even enter) and for Primark. He’s worked for Alexander McQueen and Matthew Williamson, as a costume designer for films such as Harry Potter and Robin Hood, and he’s dressed eccentric individuals such as Prince.

Christopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia Gregory
Christopher Beales A/W 2011 by Toni Bowater
Christopher Beales A/W 2011 by Toni Bowater.

On Friday evening I popped along to his A/W 2011 presentation When The Crystal Crack’d, which was conveniently held in the Rag Factory off Brick Lane – thereby ensuring a steady stream of inquisitive fashionistas who were no doubt heading home to their East London nests after a long first day of shows.

Christopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia Gregory
Christopher Beales A/W 2011 by Toni Bowater
Christopher Beales A/W 2011 by Toni Bowater.

Arranged on a sculptural arrangement of silver mesh mannequins, themselves constructed by Christopher Beales, this was a stunning debut for LFW: low key but very clever in its presentation. When The Crystal Crack’d is a collection of cocktail and evening dresses that features the precision tailoring that Christopher has perfected over many years of pattern cutting for famous names. Based on lots of asymmetric shapes in pastel and metallic silk, my favourite bit of the collection was most definitely in the details. Unexpected bows held aloft draped fabric, metal spikes accentuated the subtle curve of an exposed back and knobbled wool traced the contours of a waist.

Christopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia Gregory
Christopher Beales LFW A/W 2011. All photography by Amelia Gregory.

I look forward to seeing what next season will bring.
Christopher Beales A/W 2011 by Maria Papadimitriou
Christopher Beales A/W 2011 by Maria Papadimitriou.

Christopher Beales has been working at the coal face of fashion for his entire career thus far, page in places as diverse as Voyage (the bizarre hippyluxe shop that you had to be a member of to even enter) and for Primark. He’s worked for Alexander McQueen and Matthew Williamson, sick as a costume designer for films such as Harry Potter and Robin Hood, website and he’s dressed eccentric individuals such as Prince.

Christopher Beales A/W 2011 by Hazel Castle
Christopher Beales A/W 2011 by Hazel Castle.

Christopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia Gregory
Christopher Beales A/W 2011 by Toni Bowater
Christopher Beales A/W 2011 by Toni Bowater.

On Friday evening I popped along to his A/W 2011 presentation When The Crystal Crack’d, which was conveniently held in the Rag Factory off Brick Lane – thereby ensuring a steady stream of inquisitive fashionistas who were no doubt heading home to their East London nests after a long first day of shows.

Christopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia Gregory
Christopher Beales A/W 2011 by Toni Bowater
Christopher Beales A/W 2011 by Toni Bowater.

Arranged on a sculptural arrangement of silver mesh mannequins, themselves constructed by Christopher Beales, this was a stunning debut for LFW: low key but very clever in its presentation. When The Crystal Crack’d is a collection of cocktail and evening dresses that features the precision tailoring that Christopher has perfected over many years of pattern cutting for famous names. Based on lots of asymmetric shapes in pastel and metallic silk, my favourite bit of the collection was most definitely in the details. Unexpected bows held aloft draped fabric, metal spikes accentuated the subtle curve of an exposed back and knobbled wool traced the contours of a waist.

Christopher Beales A/W 2011 by Hazel Castle
Christopher Beales A/W 2011 by Hazel Castle.

Christopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia GregoryChristopher Beales LFW A/W 2011- Photography by Amelia Gregory
Christopher Beales LFW A/W 2011. All photography by Amelia Gregory.

I look forward to seeing what next season will bring.
Bryce Aime A/W 2011 by Rebecca Strickson
Bryce Aime A/W 2011 by Rebecca Strickson.

Bryce Aime: a man not afraid to experiment with scale, order volume and angular surfaces in clothing. I missed his show last season but I certainly enjoyed the theatricality of his Egyptian inspired collection a year ago.

Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011 by Sandra Contreras
Bryce Aime A/W 2011 by Sandra Contreras.

Unfortunately we were offered just the one ticket, information pills and a pretty duff seat at that. Given the lack of options I did very well to find a spot from which I could take decent photos of the models as they were propelled onto the catwalk, the LED screen at On/Off providing a futuristic slither of abstract background which worked especially well with the Bryce Aime aesthetic, always modern and angular.

Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011 by Sandra Contreras
Bryce Aime A/W 2011 by Sandra Contreras.

In shiny shiny fabrics combined with light absorbing wools and leather Militarium was a mix of body con stretch and uber slick tailoring. Unfortunately ink splurge stretchy leggings did not exactly work too well on the bony legs of the models, who sported a selection of serious camel toe action. Despite the very masculine up and down nature of the tailored jackets this felt like a collection that would have better suited a bodaciously curvy creature.

Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011 by Sandra Contreras
Bryce Aime A/W 2011 by Sandra Contreras.

Occasionally a model swerved onto the catwalk sporting a giant geometric head mask, but I was more taken by a fetching range of matching handbags that have been created in collaboration with bag designer Bracher Emden, whose handiwork I admired up close on the On/Off stands. SO WANT ONE. Particularly the seriously 80s cross body version.

Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.Bryce Aime A/W 2011. Photography by Amelia Gregory.
Bryce Aime A/W 2011. Photography by Amelia Gregory.

Bryce Aime is known for ending on an outfit that would better suit an outre pop star rather than a normal member of the buying public. This time it was the headwear that he extended into an entire dress… sheeny shiny, an oily print glistening over its surface. A great great showpiece – and just the ticket to shift those very desirable handbags, which were undoubtedly my favourite part of this show.

Written by Amelia Gregory on Friday March 4th, 2011 12:52 pm

Categories ,Bracher Emden, ,Bryce Aime, ,Handbags, ,Militarium, ,onoff, ,Rebecca Strickson, ,Sandra Contreras

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Charlie Le Mindu (by Amelia)

by

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

Charlie Le Mindu has already done massive headpieces and copious nudity… what could possibly be next? How about dripping blood, nurse Nazi references and CUNT (sprayed onto the back of a model’s head)? Yes, more about this and more was to be our Sunday morning treat at Berlin Syndrome, a show inspired by the WWII decadence of the German Third Reich.

Charlie Le Mindu. Photography by Tim Adey
Charlie Le Mindu. Photography by Tim Adey.

Charlie Le Mindu by Dan Stafford
Charlie Le Mindu by Dan Stafford.

Each season a Charlie Le Mindu ticket grows that little bit hotter… and the queues of people desperate to view his inimitable mix of genius, fantasy and fannies grows ever more clamourous. So it was that whilst waiting for Jazzkatze to start I made a judgement, made my excuses, and headed over to the tiny On/Off venue. These things happen. I knew it would be totally worth it.

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

But first I had to battle my way into a decent seat. Hot avante garde fashion tends to attract a lot of extravagant characters, each trying to out-outfit the next one.

YouTube Preview Image
Out Outfit You by Bourgeois & Maurice.

So it was that I found myself just a few bodies down from fashion doyenne Daphne Guinness – allegedly attending her only show this season – and a rare LFW sighting of Diane Pernet.

Charlie Le Mindu Berlin Syndrome by Emma Jardine
Charlie Le Mindu Berlin Syndrome by Emma Jardine.

Across the way club kid Daniel Lismore looked uncomfortably squished in one of the huge froufrou contraptions that constitutes his “look”. The delightful (and talented) Natasha Khan of Bat for Lashes looked wonderfully normal in comparison – and had to fight for a front row spot.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory

Kap Bambino provided the intense soundtrack to this show, a mash up of melodic vocals, pig squeals and a grimy off-kilter baseline. Our first treat? A stripper, dripping with blood from her Violence headgear to her vampirish talons. Her only accessory was an ancient looking metal bag, slung nonchalantly from her shoulder on a thin piece of chain.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

She was followed onto the catwalk by a giant mohican worn with plastic cape and lacy shorts – a cross of gaffa tape the only nod to modesty. More buttery lace, more plastic, more fringing and beading on both men and women. Make up was pale, deathly, fittingly. From the front a plastic fluffy fringed cape looked pervily demure, arms bound down to the sides. From the back it revealed a spray painted phallus and more that I cannot read.

Charlie Le Mindu by Madi
Charlie Le Mindu by Madi.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 by The Lovely WarsCharlie Le Mindu A/W 2011 by The Lovely Wars
Charlie Le Mindu A/W 2011 by The Lovely Wars.

A moderately wearable lace belted maxi coat was followed by more exposed boobs and a gas mask with a waterfall of hair extruding from the mouth like an alien intervention. More hair as fur, smudged red lips, a smile from a knowing model as she pounded towards the thickly layered ranks of photographers.

Charlie Le Mindu Berlin Syndrome by Natsuki Otani
Charlie Le Mindu Berlin Syndrome by Natsuki Otani.

Charlie Le Mindu Finale Piece by LJG Art & Illustration
Charlie Le Mindu Finale Piece by LJG Art & Illustration.

And finally the denouement, a huge white eagle – a reference to the Third Reich insignia – clutching a blonde be-wigged head, the bird trailing lace and blood to the floor. It was a trail that followed the models back stage as the show ended to the sounds of a porcine massacre and Charlie Le Mindu took his curtain bow in a butcher’s apron, hands bloody. I glanced anxiously over to stylist Tamara Cincik, who was protectively cradling her pregnant belly.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

You can read Katie Antoniou’s earlier blog about the same show here, and see more work by Andrea Peterson in Amelia’s Compendium of Fashion Illustration. There is also a lovely blog featuring Andrea Peterson at work on the creation of her Charlie Le Mindu painting right here.

Written by Amelia Gregory on Wednesday March 9th, 2011 8:39 pm

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,Ani Saunders, ,Anna Trevelyan, ,Artist Andrea, ,Bat for Lashes, ,berlin, ,Berlin Syndrome, ,Blood, ,Bourgeois & Maurice, ,Charlie le Mindu, ,CUNT, ,Dan Stafford, ,Daniel Lismore, ,Daphne Guinness, ,Diane Pernet, ,Eagle, ,Emma Jardine, ,Hair, ,Insignia, ,Jazzkatze, ,Kap Bambino, ,Katie Antoniou, ,LJG Art & Illustration, ,Madi, ,Madi Illustrates, ,Natasha Khan, ,Natsuki Otani, ,Nudity, ,onoff, ,Out Outfit You, ,Plastic, ,Strippers, ,Tamara Cincik, ,The Lovely Wars, ,Third Reich, ,Tim Adey, ,Wigs, ,WWII

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Charlie Le Mindu (by Amelia)

by

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

Charlie Le Mindu has already done massive headpieces and copious nudity… what could possibly be next? How about dripping blood, nurse Nazi references and CUNT (sprayed onto the back of a model’s head)? Yes, more about this and more was to be our Sunday morning treat at Berlin Syndrome, a show inspired by the WWII decadence of the German Third Reich.

Charlie Le Mindu. Photography by Tim Adey
Charlie Le Mindu. Photography by Tim Adey.

Charlie Le Mindu by Dan Stafford
Charlie Le Mindu by Dan Stafford.

Each season a Charlie Le Mindu ticket grows that little bit hotter… and the queues of people desperate to view his inimitable mix of genius, fantasy and fannies grows ever more clamourous. So it was that whilst waiting for Jazzkatze to start I made a judgement, made my excuses, and headed over to the tiny On/Off venue. These things happen. I knew it would be totally worth it.

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

But first I had to battle my way into a decent seat. Hot avante garde fashion tends to attract a lot of extravagant characters, each trying to out-outfit the next one.

YouTube Preview Image
Out Outfit You by Bourgeois & Maurice.

So it was that I found myself just a few bodies down from fashion doyenne Daphne Guinness – allegedly attending her only show this season – and a rare LFW sighting of Diane Pernet.

Charlie Le Mindu Berlin Syndrome by Emma Jardine
Charlie Le Mindu Berlin Syndrome by Emma Jardine.

Across the way club kid Daniel Lismore looked uncomfortably squished in one of the huge froufrou contraptions that constitutes his “look”. The delightful (and talented) Natasha Khan of Bat for Lashes looked wonderfully normal in comparison – and had to fight for a front row spot.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory

Kap Bambino provided the intense soundtrack to this show, a mash up of melodic vocals, pig squeals and a grimy off-kilter baseline. Our first treat? A stripper, dripping with blood from her Violence headgear to her vampirish talons. Her only accessory was an ancient looking metal bag, slung nonchalantly from her shoulder on a thin piece of chain.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

She was followed onto the catwalk by a giant mohican worn with plastic cape and lacy shorts – a cross of gaffa tape the only nod to modesty. More buttery lace, more plastic, more fringing and beading on both men and women. Make up was pale, deathly, fittingly. From the front a plastic fluffy fringed cape looked pervily demure, arms bound down to the sides. From the back it revealed a spray painted phallus and more that I cannot read.

Charlie Le Mindu by Madi
Charlie Le Mindu by Madi.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 by The Lovely WarsCharlie Le Mindu A/W 2011 by The Lovely Wars
Charlie Le Mindu A/W 2011 by The Lovely Wars.

A moderately wearable lace belted maxi coat was followed by more exposed boobs and a gas mask with a waterfall of hair extruding from the mouth like an alien intervention. More hair as fur, smudged red lips, a smile from a knowing model as she pounded towards the thickly layered ranks of photographers.

Charlie Le Mindu Berlin Syndrome by Natsuki Otani
Charlie Le Mindu Berlin Syndrome by Natsuki Otani.

Charlie Le Mindu Finale Piece by LJG Art & Illustration
Charlie Le Mindu Finale Piece by LJG Art & Illustration.

And finally the denouement, a huge white eagle – a reference to the Third Reich insignia – clutching a blonde be-wigged head, the bird trailing lace and blood to the floor. It was a trail that followed the models back stage as the show ended to the sounds of a porcine massacre and Charlie Le Mindu took his curtain bow in a butcher’s apron, hands bloody. I glanced anxiously over to stylist Tamara Cincik, who was protectively cradling her pregnant belly.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

You can read Katie Antoniou’s earlier blog about the same show here, and see more work by Andrea Peterson in Amelia’s Compendium of Fashion Illustration. There is also a lovely blog featuring Andrea Peterson at work on the creation of her Charlie Le Mindu painting right here.

Written by Amelia Gregory on Wednesday March 9th, 2011 8:39 pm

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,Ani Saunders, ,Anna Trevelyan, ,Artist Andrea, ,Bat for Lashes, ,berlin, ,Berlin Syndrome, ,Blood, ,Bourgeois & Maurice, ,Charlie le Mindu, ,CUNT, ,Dan Stafford, ,Daniel Lismore, ,Daphne Guinness, ,Diane Pernet, ,Eagle, ,Emma Jardine, ,Hair, ,Insignia, ,Jazzkatze, ,Kap Bambino, ,Katie Antoniou, ,LJG Art & Illustration, ,Madi, ,Madi Illustrates, ,Natasha Khan, ,Natsuki Otani, ,Nudity, ,onoff, ,Out Outfit You, ,Plastic, ,Strippers, ,Tamara Cincik, ,The Lovely Wars, ,Third Reich, ,Tim Adey, ,Wigs, ,WWII

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Jayne Pierson

by

Jaeger A/W 2011 by Joana Faria
Jaeger, information pills I’m afraid, diagnosis is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger, information pills a traditional fashion brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now, and has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. I think this is what’s known as an autumnal colour range. Blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathered around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality.
Jaeger A/W 2011 by Madi
Jaeger A/W 2011 by Madi.

Jaeger, viagra I’m afraid, sales is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger, a traditional fashion brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now, and has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

Jaeger A/W 2011 by Joana FariaJaeger A/W 2011 by Joana Faria
Jaeger A/W 2011 by Joana Faria.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. I think this is what’s known as an autumnal colour range. Blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathered around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality.
Jaeger A/W 2011 by Madi
Jaeger A/W 2011 by Madi.

Jaeger, cure I’m afraid, about it is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger, a traditional fashion brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now, and has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

Jaeger A/W 2011 by Joana FariaJaeger A/W 2011 by Joana Faria
Jaeger A/W 2011 by Joana Faria.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. I think this is what’s known as an autumnal colour range. Blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathered around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality.
Jaeger A/W 2011 by Madi
Jaeger A/W 2011 by Madi.

Jaeger, shop I’m afraid, medications is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger is a traditional brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now and after a prolonged period in the doldrums he has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

Jaeger A/W 2011 by Joana FariaJaeger A/W 2011 by Joana Faria
Jaeger A/W 2011 by Joana Faria.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. The collection was a delicious mix of autumnal colours: blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathering around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality that won’t go out of fashion in a hurry.
Jayne Pierson A/W 2011 by Ellie Sutton
Jayne Pierson A/W 2011 by Ellie Sutton.

For Jayne Pierson I raced into town alone – yet another early morning show for which we only had one ticket, cheap enticingly printed on pearly grey paper. This despite a very nice mention of our support in the accompanying press release – thankyou whoever thought to mention us, approved it’s appreciated! We did in fact catch up with Jayne just prior to her show, and you can read the interview here. The invite and goodie bag were not, however, an indicator of a colourful show but rather the favoured shade of make-up. Kingdom of Shadows began on a black note and carried on in the same vein, broken up only by a curious grey and beige striped taffeta that is something of a Pierson signature but would not have looked out of place on curtains or a sofa in a certain type of house.

Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson Kingdom of Shadows by Kerri-Ann Hulme
Jayne Pierson’s Kingdom of Shadows by Kerri-Ann Hulme.

Jayne Pierson formerly worked in the music business and this show felt deeply imbued with the remnants of an 80s rock sensibility. A gothic Victorian kind of rock, with swaggering shoulders and bunched bustle skirts. The models sported messy up dos, pallid faces with lilac lips and pin sharp shapely heels. Black tailored jackets featured inset patent fabric shoulders and cuffs, leather minidresses cowl-necked atop rubberised leggings. The sudden introduction of striped silk was balanced with patent detailing on collar, waist and cuffs – a jaunty pillbox hat set askance.

Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson by Laura Mullins
Jayne Pierson A/W 2011 by Laura Mullins.

Devore lacy velvet also made an appearance, not to mention a terribly racy see through crop top and leggings. I particularly liked the large but lightly draped silver jewellery by Fiona Paxton, who fuses Indian artisanship with a British punk sensibility and Bauhaus design. A corseted jumpsuit that hit the catwalk in a tipsy fashion was less desirable: the poor dresser must have got a shafting but I blame the model’s lack of boobs. What’s the point of a shaped bodice if there’s nothing to put in it?

Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia Gregory
Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia Gregory.

Jayne took her bow on the catwalk accompanied by a celebrity model – which no one knew. I had to check in with the PR to find out who she was but I can’t for the life of me remember – apparently she was a Welsh singer.

Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia GregoryJayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia Gregory
Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia Gregory.

There were some beautiful ideas in Kingdom of Shadows; especially the strong shoulders and nipped in waists that recalled my fondest decade, the 80s. And I adored the carefully constructed bustle dress that bore the influence of Jayne’s time with Vivienne Westwood. But yet again there was all that pesky black, which will never ever be my favourite fashion colour. Here’s hoping that next season might see the reintroduction of colour again. Go on Jayne, please!

Written by Amelia Gregory on Tuesday March 8th, 2011 6:37 pm

Categories ,80s, ,bauhaus, ,Ellie Sutton, ,Fiona Paxton, ,gothic, ,Indian, ,Jayne Pierson, ,Kerri-Ann Hulme, ,Kingdom of Shadows, ,Laura Mullins, ,onoff, ,punk, ,Victorian, ,Vivienne Westwood

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Jena.Theo (by Jemma)

by


Illustration by Sandra Contreras

Jena.Theo, drug made up of Jenny Holmes and Dimitris Theocharidis, viagra order who met at the London College of Fashion, this web clearly want to be rock-chic at heart, and the show was like a highly anticipated gig with fashion editors literally fighting for seats (I’m not kidding it was crazy). So a bit of a manic start then!


Illustration by Gareth A Hopkins

The models sashayed down the catwalk whilst the clothes beautifully draped and flowed behind them and nothing was structured; it was very much a free-loving collection. A possible clanger came from the denim bubble coat (not as horrific as it sounds but still bad) and the look was slightly undone; maybe even unfinished but then maybe that’s what was intended.

The venue itself was pretty hardcore for 11am too with flashing coloured lasers spraying from the ceiling and a giant board lit up behind the models leaving us in no doubt as to what show we were at. They might as well have told us to get our rave on whilst referencing Valkyrie as the collection was aptly known.


Illustration by Gareth A Hopkins

Something always gets me though at these shows and it’s when the designers decide that ‘normal’ make up isn’t enough for their show, they need something a little kooky. Jena Theo decided that each model needed a black ‘Michael Stipe’ esque stripe across their eyes and to me it just wasn’t needed. Not that it particularly distracted from the clothes but it didn’t necessarily add anything either.


Illustration by Sandra Contreras

I’ll give them their due, after all it is their first on-schedule show this year but maybe next year the theatrical make up needs to be left out. Surely there’s enough of that in fashion!

You can saw more of Gareth A Hopkins’ illustrations in Amelia’s Compendium of Fashion Illustration.

Written by Jemma Crow on Sunday February 20th, 2011 9:09 pm

Categories ,A/W 2011, ,Catwalk review, ,Covent Garden, ,Gareth A Hopkins, ,Jena.theo, ,London Fashion Week, ,Michael Stipe, ,onoff, ,Sandra Contreras, ,Valkyrie

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Jena.Theo (by Matt)

by

Les Chiffoniers by Abby Wright

Slinky t-shirts, and seriously sprayed on leggings and rocky accessories have defined Les Chiffoniers for the last four years. With a winning formula, they like to stick to a very tight remit when it comes to their designs and style. Famed for their perfect fit leather leggings, they exploded into fashion consciousness when icon Kate Moss was snapped stumbling round Glastonbury in a shiny PVC pair. Their SS11 collection features the classic black version with double air zippers in PVC and matte, as well as new stone washed suede versions which had a softer appeal. The label, owned by Leena Similu tend to produce a core collection of beautiful leggings, together with chiffon tops and dresses so expect more variations on this selection this season.

Holly Fulton by Avril Kelly

I have loved Holly Fulton’s designs for years and for me, she seems to get it right every time. This year, once again, she is part of the Newgen showcase for LFW. Her SS11 was an absolute triumph: a collection referencing decadent and luxury cruise lining days, it hinted at a myriad of exotic, far flung locations yet her signature geometric, stylised pattering was still key to the look. Over the last four collections she has produced, Fulton has referenced a vast range of inspirations: from Joan Collins to New York skyscrapers, she cleverly transforms each idea into a consistent, and wearable style. A recent collaboration with online retail giant Asos has cemented her status as one of Britain’s top young designers.

David Koma by Gareth Hopkins

I don’t even need to write that David Koma is one to watch. Since his debut, his status has risen so much so that celebrities including Lady Gaga and Rihanna are clamouring to get into his dresses. At the astonishingly young age of 24, he has already achieved the holy grail of young designer aspirations – a collaboration with Topshop, and was also awarded NEWGEN sponsorship last season. Koma’s style is bold, blocky and futuristic. Using interesting adornments such as bent or tubular pieces of metal and reflective pieces of Perspex, his body conscious designs are edgy and confident.

Last season we enjoyed his refined show of grown up and elegant pieces, but were surprised at the use of python skin in a number of the dresses – Amelia had the chance to ask him about it and you can read the interview here. It will be interesting to see which materials he uses for AW, watch this space (until Monday, that is!)

Eudon Choi by Karolina Burdon

Eudon Choi started his eponymous label 2 years ago after stints at Twenty8Twelve and All Saints. With clothes that reflect these experiences, his pieces are utilitarian in character, featuring masculine detailing and reworked vintage garments. Last year he received both the VFS Merit Award and the BFC/Elle Talent Pad. His collection will show on Friday, the first day of LFW; read our review of his SS11 collection here.

One of our faves, knit fanatic Craig Lawrence will be showing his new collection in the Portico rooms this February, the same as last season – read Matt’s review of his SS11 collection here.

Craig Lawrence by Rukmunal Hakim

Simplistic and assured, Lawrence is a pro when it comes to seeking out and appropriately using the best wool yarns (my sister is a textile designer and I know how hard this actually is). The movement within the pieces sets him apart as having an in-depth knowledge of the materials he’s working with and the ability to use them in an ethically minded way. We Like. A Lot.

MariaFrancescaPepe by Sandra Contreras

‘The underworld, amulets and Salvador Dali’ provide inspiration for MariaFrancescaPepe’s new collection. Pioneering the concept that jewellery should be the focal point of an outfit, Jewellery-Wear is her brainchild and has produced the iconic MFP tubular – a signature necklace which appears in every collection in different variations.

Christopher Raeburn by Gemma Smith

Christopher Raeburn’s designs differed from the majority of SS11’s collections, gone were floaty dresses in florals and pastel, and not a chino in sight. Instead he produced a number of festival-worthy parkers and jackets made from old parachutes and featuring cute dotty patterns. The effect was visually impressive as the lightweight material was slightly transparent so all the seams and joins were exposed. As an exciting and inventive designer, I am looking forward to see how he uses these qualities to create a warmer, AW collection.

Illustration by Maria Papadimitriou

I’ll never say a bad word about Mr Paul Costelloe. His was the first on-schedule show I ever saw, treatment back in 2008. It was a disaster – you can read my review here (my have we come a long way with our fashion week reviews). Despite that particular experience being pretty traumatic, I always look forward to what he’ll present us each season, and I genuinely believe he’s the most underrated designer on the schedule – AND he always gets that hideous graveyard 9.30am opening slot. Anyway, enough of the pity, I’m sure he gets along just fine.


Paul Costelloe chatting outside the tent, post-show. All photography by Matt Bramford

Of course, this wouldn’t be fashion week without a cycling trauma, and it was on Friday morning that my back brake completely went so I was left only with the front one, guaranteed to send me flying over the handlebars should I actually need to stop. A quick trip into miserable Evans Cycles soon sorted this but meant I had to dash like a lunatic to Somerset House and just managed to leg it inside before the show started.


Illustration by Lesley Barnes

I was disappointed not to be saddled up against those two lovely old dears I met last time – this time I endured a rather unforgiving fashion blogger. I tend to stand at the top of one of the aisles to secure good pictures, but said fashion blogger deemed it acceptable to stand in front of me. I politely explained that I had chosen that spot on purpose, and I would really appreciate it if she’d take her enormous Mulberry bag and ridiculously large coat somewhere else. She moved an inch to the left. Cheers, then!

God I’m going on a bit, aren’t I? Well, the show itself was brilliant. This season saw Costelloe move in a more sophisticated direction. The catwalk was awash with luxurious tweeds and tartans in vibrant colours. Structured twin-sets with a contemporary edge stood side-by-side a-line dresses in unusual materials; delicious floral prints were teamed with cropped blazers, while hints of military on more a-line dresses were complimented with a roaring forties/fabulous fifties soundtrack of Bobby Darin and The Andrews Sisters (maybe). Poker-straight red wigs added a sexy, playful edge to what is a more mature range of womenswear.

Last season I wasn’t that struck on the menswear, but this year I am ALL OVER IT. Again, taking a more sophisticated direction, sharp suits (in similar tartans and tweeds to those seen on the girls) were aplenty. Floor length coats and double-breasted blazers really complimented the womenswear. Contrasting trousers in really bright colours were paired with tame blazers, allowing Costelloe’s men to be quirky but smart at the same time.


Illustration by Maria Papadimitriou

It was a massive collection – the biggest I saw during the day – but each piece had been carefully selected to compliment the next and never was it boring. The only way I could have enjoyed the show more was if Unforgiving Fashion Blogger hadn’t been such a knob. Hilariously she was fighting for my prime photographer’s spot to take pictures with her Blackberry! Well, I ask you.

Another great outing for PC, though. Long may he reign – in a sea of often miserable A/W 2011 dark collections, his whimsical approach and playful colours are a ray of sunshine.

All photography by Matt Bramford


Illustration by Antonia Parker

The On|Off venue this year isn’t the best, cialis 40mg I have to say. Located at Mercer Street Studios, it’s absolutely tiny, roasting hot and there are fewer seats than usual. Having been awarded an invitation with an orange sticker on, mind, I was ushered to the front and glamourously made my way inside. I don’t know if I’m just getting on a bit, but there seems to be a helluva lot of people at fashion week this season. For this, the Jena.Theo show, the room was full to bursting (I’m not sure what the HSE would have to say about some of the goings on in these pokey venues) but this design duo thoroughly deserve the mass attention they are getting.

‘Hilary’s here! Hilary’s here!’ began the whispers, and a gap on the front row, directly across the aisle from me, was created. At fashion week it could only be one Hilary they were so frantically trying to seat – our Hilary Alexander, who looked gorgeous in a feather-trimmed top. As the show was about to start, a tiny photographer with a lens the length of my arm positioned himself on the floor, right in my shot, between me and Hils. I was livid. I asked him politely to move the hell out of my way (another trend this season…) but he failed to take any notice. Sigh.

Look, here he is:

Despite moaning about the venue being tiny, I do adore the addition of an enormous screen at the back of the catwalk, which made for stark and interesting photographs and emphasised the pieces – a wondrous addition here with Jena.Theo’s exaggerated silhouettes.

On with the show, and extremely tall models emerged wearing all sorts of sculptural shapes. I really like Jena.Theo’s aesthetic – it’s contemporary (futuristic, even) but also wearable for the fashion-forward woman. The models really stood out in-front of the blinding LED screen; curved silhouettes had a Japanese influence with enormous sleeves and garments that gave out at the waist.

There was a definite unfinished aesthetic at play – ma, maybe, like the great Japanese couturiers. Hems were raw and luxurious silks were layered on top of each other. There wasn’t much in the way of colour – a splash of denim for an over-sized cape was a welcome break from this pretty much all black collection, but I guess that’s Jena.Theo’s style.


Illustration by Antonia Parker

I especially enjoyed the additions of leather, particularly on one patchwork piece that I’ve since deemed my fave. Black stripes across models faces added a sinister twist, but flattering shapes that emphasised curves and bare flesh allowed this collection to remain sexy and sophisticated. Capes were like sexed-up graduation gowns, while a huge padded jacket would sit happily in a Yohji Yamamoto exhibition.

A fantastic outing for this twosome, I can’t wait to see what direction they take all this in. I’m now off to drink the Chambord from the goody bag and smother myself in Elemis for ladies (I’m actually not, I’m off to another show, I just wanted to give them a plug).

Also got slightly distracted by what Dame Hilary might have been scribbling, so took a few cheeky shots of her notebook…

All photography by Matt Bramford

See more of Antonia Parker’s illustrations in Amelia’s Compendium of Fashion Illustration.

Written by Matt Bramford on Sunday February 20th, 2011 9:09 am

Categories ,A/W 2011, ,Capes, ,Catwalk review, ,Chambord, ,Dimitris Theocharidis, ,Elemis, ,Essence Communications, ,fashion, ,Hilary Alexander, ,Jena.theo, ,Jenny Holmes, ,London Fashion Week, ,Mercer Street Studios, ,onoff, ,Silk, ,The Telegraph

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Samantha Cole

by

Bunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best chance discoveries of last season, this web so it was with great anticipation that I sat down for this show, right, as it happened, next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens. It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones. I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, this felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best chance discoveries of last season, web so it was with great anticipation that I sat down for this show, mind right, information pills as it happened, next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens.

Bunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones.

Bunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, this felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best chance discoveries of last season, healing so it was with great anticipation that I sat down for this show, right, as it happened, next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens.

Bunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones.

Bunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, this felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best new discoveries of last season, malady so it was with great anticipation that I sat down for this show next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, recipe which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens.

Bunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones.

Bunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, Kaleidoscopia felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best new discoveries of last season, buy information pills so it was with great anticipation that I sat down for this show next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, prescription which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, Kaleidoscopia felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best new discoveries of last season, buy so it was with great anticipation that I sat down for this show next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, Kaleidoscopia felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best new discoveries of last season, stomach so it was with great anticipation that I sat down for this show next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, purchase which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, order an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, Kaleidoscopia felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world. Promising stuff, but needs refining.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Bunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi Koko was undoubtedly one of my best new discoveries of last season, ed so it was with great anticipation that I sat down for this show next to Lucy Jones – director of Fashion Textiles at the University of East London – who I recognised from the FAD awards last year. Designer Bunmi Olaye is one of her star pupils and in fact still operates out of a studio that the university provides for her. Definitely a big boon for a young designer.

Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Bunmi prides herself on her business acumen, prostate which was thoroughly present and correct with the large fabric goodie bag stashed under front row seats. Inside mine was a beautifully presented cupcake (soon to be thoughtlessly squashed) as well as an incredibly thorough press pack that included a lovely set of postcards with fashion illustrations of her S/S collection, an explanatory foldout detailing Bunmi’s achievements and inspirations behind Kaleidoscopia, and then to top it all off a mini newspaper: The Bunmi Koko Times. This girl sure knows how to market herself!

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Toni Bowater
Bunmi Koko A/W 2011 by Toni Bowater.

Bunmi’s show began with a short movie – a great idea in theory but a bit odd in practice – involving as it did some clubby graphics and James Bond-ish silhouettes. I wasn’t really sure what it contributed to the whole. Then the show was off with a run – and when I say run I really do mean run. The models were moving quickly at most shows, but at Bunmi’s they were moving at such a lick that it was nigh on impossible to capture them through a lens.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

It’s a good thing I like to capture models on the hop rather than front on like the paps. The clubby graphics – inspired by rainbows, supernovas and mirages – splashed across wide tutus, wrap dresses and clutch bags. I particularly liked the clever of use of futuristic ruching over shoulders and across breastbones.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011 by Liam McMahon
Bunmi Koko A/W 2011 by Liam McMahon.

I loved the elegant purple suit and an eye-popping orange woolly dress, which bounced down the catwalk in a spray of moth-orgasmic fluff. I wasn’t so keen on the metallic leather pieces, which looked cheap by comparison.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011 by Andy Bumpus
Bunmi Koko A/W 2011 by Andy Bumpus.

Despite the clever styling with diamante encrusted visors, Kaleidoscopia felt far less cohesive than her last collection and left me wondering what exactly the Bunmi aesthetic is. It was all over so quickly that I hardly had time to digest it before Bunmi herself spilled out onto the catwalk, grinning broadly and sporting a t-shirt for Fill The Cup – a fashion range that will send profits to feed hungry children across the world. Good work from a promising young designer, but still needs refining.

Bunmi Koko A/W 2011. Photography by Amelia GregoryBunmi Koko A/W 2011. Photography by Amelia Gregory
Bunmi Koko A/W 2011. Photography by Amelia Gregory.
Samantha Cole A/W 2011 by Avril Kelly
Samantha Cole A/W 2011 by Avril Kelly.

I am not a big fan of all black outfits so a show entirely consisting of unrelenting black is unlikely to be a winner with me. The Samantha Cole A/W 2011 collection Above and Beneath the Definitive Structure was all about black, recipe black, prostate black. Black in differing fabrics with differing reactions to light, but nevertheless black.

A succession of models – sporting futuristic up-dos and violent black eye make-up that stretched from lash to eyebrow – slowly filtered past us in the upstairs salon of Freemasons Hall. This might not have been so noticeable had the majority of us not just come from the Bunmi Koko show, where models had been sent down the catwalk at breakneck speed. People could be seen shifting in their seats, checking their watches, unused to this sudden slow down in a season of warp speed catwalking.

Samantha Cole A/W 2011 by Jane Young
Samantha Cole A/W 2011 by Jane Young.

The first models wore abstract linear prints etched onto squared off one-shoulder minidresses and boxy shapes that stood proud of the body. Leather crunched unforgivingly in all the wrong places and harsh catwalk lighting rendered black leather a pallid grey against the darkness of light absorbing black velvet. This had the air of clever ideas lost in translation.

Samantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia Gregory
Samantha Cole A/W 2011. Photography by Amelia Gregory.

Much more successful and flattering were form-hugging knitwear and velvet fabrics that wrapped sexily around bosoms and hips, a giant head-swallowing Elizabethan ruffled neckbrace and the last outfit of the show – an intriguingly cut maxi length dress, draped skirt swinging from a high waistline shaped away from the body.

Samantha Cole A/W 2011 by Madi
Samantha Cole A/W 2011 by Madi.

Strangely, she only showed one dress that featured her unique signature shape – exaggerated 3D hips.

Samantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia Gregory
Samantha Cole A/W 2011. Photography by Amelia Gregory.

Samantha Cole is known for her desire to clothe the strong and empowered female, and we’ve previously interviewed her about some stunning work, and Matt Bramford was rightly impressed with her her show as part of On/Off a year ago. It’s clear that despite the copious use of black Samantha has some wonderful ideas, but sadly this collection was not as fabulous as it could have been.

Samantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia GregorySamantha Cole A/W 2011. Photography by Amelia Gregory
Samantha Cole A/W 2011. Photography by Amelia Gregory.

As our applause died down we could hear loud whooping as the models headed backstage. Three giggling ladies popped out to take a bow, followed by another lady on her own. Which one, I wondered, was the real Samantha Cole?

Written by Amelia Gregory on Sunday March 6th, 2011 9:09 pm

Categories ,Avril Kelly, ,Bunmi Koko, ,Freemasons’ Hall, ,Jane Young, ,lfw, ,London Fashion Week, ,London Kills Me, ,Madi, ,Madi Illustrates, ,onoff, ,Samantha Cole

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