Amelia’s Magazine | Zeynep Tosun: London Fashion Week S/S 2014 Catwalk Review

Zeynep Tosun S/S 2014 by Dom&Ink
Zeynep Tosun S/S 2014 by Dom&Ink.

Last week I ran an exclusive preview on Zeynep Tosun because last season her collection was one of my highlights. For Spring/Summer she did not disappoint, leaping into warmer weather with a range of summery fabrics that included sporty netting, floaty chiffon and swinging panels of silk in a gossamer light colour palette of creams, dove grey, mint, on trend powder pink and caramel, accented with glossy navy and black. Out of three Turkish designers showing in London this season she was the only one not to be inspired by the effects of recent turmoils on home soil, instead inspiration was taken from the androgynous sexuality of the 1920s and transformed into a series of sport luxe garments fit for the modern day minx. The flared cut of the cape was a key shape, with capelets integral to tops and dresses, as were peek-a-boo cutout details, revealing appealing glimpses of belly and back. Delicate glass beads provided a focal point for evening wear, either fringing the sides of net panels or cascading in geometric designs down the front of slinky dresses. Styling by Tamara Cincik was kept simple: sleek ponytails were accessorised with sultry eyes and simple rope flip flops. Keep your eyes on Zeynep Tosun, she’s making big waves over at Fashion Scout.

Zeynep Tosun S/S 2014 by Dom&Ink
Zeynep Tosun S/S 2014 by Dom&Ink.

Zeynep Tosun S/S 2014 by Isabelle Mattern
Zeynep Tosun S/S 2014 by Isabelle Mattern.

Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun SS 2014-photography by Amelia Gregory
Zeynep Tosun S/S 2014. All photography by Amelia Gregory and Tim Adey.

Categories ,1920s, ,catwalk, ,Dom&Ink, ,Fashion Scout, ,Isabelle Mattern, ,review, ,S/S 2014, ,Tamara Cincik, ,Tim Adey, ,Turkish, ,Zeynep Tosun

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Amelia’s Magazine | London Fashion Week S/S 2011 Catwalk Presentation: Ashley Isham (reprise)

On any average, dosage abortion non LFW weekend, unhealthy you might find me at one of London’s plethora of craft fairs, order vintage markets or fetes, and what I’m always really impressed by is how wonderfully sellers exhibit their wares. Running a handmade products company myself, I know how testing it can be lugging a dollshouse across town in order to sell handmade stationery from its little rooms;but I’m always convinced its worth it when buyers comment on how much they like the stall set up. So I was surprised and decidedly disappointed to see that many of the exhibitors in Somerset House made little effort to do more than lay their good out on a table. When buyers and journos are looking at tens of jewellery sellers in one location on one day, they really need to do everything they can to make their stall stand out. As creative, inventive individuals, you’d imagine they’d jump at the chance to decorate their own little space, but many simply hung their clothes or spread their pieces out on a surface. So I’m dedicating this post to those who really made an effort, creating settings that reflected their work and really caught my eye. Presentation is no less important on a stall than it is on a catwalk!

Bark jewellery had a traditional British feel,designed by Miwako Yoshioka ; incorporating vintage sheet music and old mannequins in her display.

Comfort Station also excelled themselves with their delicate necklaces exhibited on antique books assembled on the wall.

Jacey Withers’ collection channeled a sort of nautical highway woman; using treasure boxes and other props to present necklaces bearing intricate pirate’s chests, stingrays, shells and rifles.

In the Hedonism room curated by Stephen Jones, hats like Mister Smith’s were beautiful, but none so elaborately displayed ad Piers Atkinson’s hat ‘garden’ with wonderful floral headpieces, novelty fascinators and some less ostentatious veiled hats with beautiful embroidery.
LFW. ISHAM. HAYLEY WARNHAM
Ashley Isham’s amazing headdresses, illness by Hayley Warnham.

I’m never really sure how to take Ashley Isham. On the one hand some of his dresses are quite fabulous, shop he seems to attract quite a cool crowd and has a pretty good rep… on the other hand some of his dresses are frankly tacky.

LFW_Paloma Faith Noisettes stephanie Parr
Paloma Faith and the singer from the Noisettes by Stephanie Parr.

It’s almost as if he’s cornered the market in awards ceremony frocks for the slightly oddball celebrity: outre, but not too out of place on the red carpet. Hence, I guess, the front row presence of the kooky Paloma Faith and that girl whose name I can never remember from the Noisettes.

LFW. ISHAM. HAYLEY WARNHAM
LFW. ISHAM. HAYLEY WARNHAM
LFW. ISHAM. HAYLEY WARNHAM
Ashley Isham by Hayley Warnham.

I’ve only skim read Matt’s blog so that I don’t get swayed by his opinions of the show, but it was enough to note that his photos are way better than mine are: it’s interesting, if you’re taking photos from the audience so much of it is down to pot luck. And this time – despite my seat very close to the pop darlings – I was in quite a shite position for good photos: changing light levels meant I had to change my ISO setting manually as they walked. Not easy I can tell you. And not that I’m making excuses you understand. Still, if you want to see some superb pics I suggest you scurry over to Matt’s blog. They are really quite wonderful. But mine do give ample cause to marvel at the wonderful cut paper surround to the catwalk entrance.

Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory

There was lots of sheeny satin fabrics, frothy feathers and splashy coloured prints, all accessorised with what I can only describe as some really rather marvellous Hawaiian Geisha headpieces. After the show I espied stylist Tamara Cincik peeking out from backstage. I can only presume these were her doing, and very fabulous too. Now what I’d like to see is someone stride down the red carpet in a posh frock… and one of these hectic hair adornments. Then maybe they’d give that Lady Gaga a run for her money.

Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory
Ashley Isham S/S 2011 photo by Amelia Gregory

Categories ,Ashley Isham, ,Geisha, ,Hayley Warnham, ,Lady Gaga, ,lfw, ,London Fashion Week, ,Matt Bramford, ,onoff, ,paloma faith, ,Stephanie Parr, ,Tamara Cincik, ,the Noisettes

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Charlie Le Mindu (by Amelia)

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

Charlie Le Mindu has already done massive headpieces and copious nudity… what could possibly be next? How about dripping blood, nurse Nazi references and CUNT (sprayed onto the back of a model’s head)? Yes, more about this and more was to be our Sunday morning treat at Berlin Syndrome, a show inspired by the WWII decadence of the German Third Reich.

Charlie Le Mindu. Photography by Tim Adey
Charlie Le Mindu. Photography by Tim Adey.

Charlie Le Mindu by Dan Stafford
Charlie Le Mindu by Dan Stafford.

Each season a Charlie Le Mindu ticket grows that little bit hotter… and the queues of people desperate to view his inimitable mix of genius, fantasy and fannies grows ever more clamourous. So it was that whilst waiting for Jazzkatze to start I made a judgement, made my excuses, and headed over to the tiny On/Off venue. These things happen. I knew it would be totally worth it.

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

But first I had to battle my way into a decent seat. Hot avante garde fashion tends to attract a lot of extravagant characters, each trying to out-outfit the next one.

YouTube Preview Image
Out Outfit You by Bourgeois & Maurice.

So it was that I found myself just a few bodies down from fashion doyenne Daphne Guinnessallegedly attending her only show this season – and a rare LFW sighting of Diane Pernet.

Charlie Le Mindu Berlin Syndrome by Emma Jardine
Charlie Le Mindu Berlin Syndrome by Emma Jardine.

Across the way club kid Daniel Lismore looked uncomfortably squished in one of the huge froufrou contraptions that constitutes his “look”. The delightful (and talented) Natasha Khan of Bat for Lashes looked wonderfully normal in comparison – and had to fight for a front row spot.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory

Kap Bambino provided the intense soundtrack to this show, a mash up of melodic vocals, pig squeals and a grimy off-kilter baseline. Our first treat? A stripper, dripping with blood from her Violence headgear to her vampirish talons. Her only accessory was an ancient looking metal bag, slung nonchalantly from her shoulder on a thin piece of chain.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

She was followed onto the catwalk by a giant mohican worn with plastic cape and lacy shorts – a cross of gaffa tape the only nod to modesty. More buttery lace, more plastic, more fringing and beading on both men and women. Make up was pale, deathly, fittingly. From the front a plastic fluffy fringed cape looked pervily demure, arms bound down to the sides. From the back it revealed a spray painted phallus and more that I cannot read.

Charlie Le Mindu by Madi
Charlie Le Mindu by Madi.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 by The Lovely WarsCharlie Le Mindu A/W 2011 by The Lovely Wars
Charlie Le Mindu A/W 2011 by The Lovely Wars.

A moderately wearable lace belted maxi coat was followed by more exposed boobs and a gas mask with a waterfall of hair extruding from the mouth like an alien intervention. More hair as fur, smudged red lips, a smile from a knowing model as she pounded towards the thickly layered ranks of photographers.

Charlie Le Mindu Berlin Syndrome by Natsuki Otani
Charlie Le Mindu Berlin Syndrome by Natsuki Otani.

Charlie Le Mindu Finale Piece by LJG Art & Illustration
Charlie Le Mindu Finale Piece by LJG Art & Illustration.

And finally the denouement, a huge white eagle – a reference to the Third Reich insignia – clutching a blonde be-wigged head, the bird trailing lace and blood to the floor. It was a trail that followed the models back stage as the show ended to the sounds of a porcine massacre and Charlie Le Mindu took his curtain bow in a butcher’s apron, hands bloody. I glanced anxiously over to stylist Tamara Cincik, who was protectively cradling her pregnant belly.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

You can read Katie Antoniou’s earlier blog about the same show here, and see more work by Andrea Peterson in Amelia’s Compendium of Fashion Illustration. There is also a lovely blog featuring Andrea Peterson at work on the creation of her Charlie Le Mindu painting right here.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,Ani Saunders, ,Anna Trevelyan, ,Artist Andrea, ,Bat for Lashes, ,berlin, ,Berlin Syndrome, ,Blood, ,Bourgeois & Maurice, ,Charlie le Mindu, ,CUNT, ,Dan Stafford, ,Daniel Lismore, ,Daphne Guinness, ,Diane Pernet, ,Eagle, ,Emma Jardine, ,Hair, ,Insignia, ,Jazzkatze, ,Kap Bambino, ,Katie Antoniou, ,LJG Art & Illustration, ,Madi, ,Madi Illustrates, ,Natasha Khan, ,Natsuki Otani, ,Nudity, ,onoff, ,Out Outfit You, ,Plastic, ,Strippers, ,Tamara Cincik, ,The Lovely Wars, ,Third Reich, ,Tim Adey, ,Wigs, ,WWII

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Amelia’s Magazine | London Fashion Week A/W 2011 Catwalk Review: Charlie Le Mindu (by Amelia)

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

Charlie Le Mindu has already done massive headpieces and copious nudity… what could possibly be next? How about dripping blood, nurse Nazi references and CUNT (sprayed onto the back of a model’s head)? Yes, more about this and more was to be our Sunday morning treat at Berlin Syndrome, a show inspired by the WWII decadence of the German Third Reich.

Charlie Le Mindu. Photography by Tim Adey
Charlie Le Mindu. Photography by Tim Adey.

Charlie Le Mindu by Dan Stafford
Charlie Le Mindu by Dan Stafford.

Each season a Charlie Le Mindu ticket grows that little bit hotter… and the queues of people desperate to view his inimitable mix of genius, fantasy and fannies grows ever more clamourous. So it was that whilst waiting for Jazzkatze to start I made a judgement, made my excuses, and headed over to the tiny On/Off venue. These things happen. I knew it would be totally worth it.

Charlie Le Mindu by Andrea Peterson aka Artist Andrea
Charlie Le Mindu by Andrea Peterson aka Artist Andrea.

But first I had to battle my way into a decent seat. Hot avante garde fashion tends to attract a lot of extravagant characters, each trying to out-outfit the next one.

YouTube Preview Image
Out Outfit You by Bourgeois & Maurice.

So it was that I found myself just a few bodies down from fashion doyenne Daphne Guinnessallegedly attending her only show this season – and a rare LFW sighting of Diane Pernet.

Charlie Le Mindu Berlin Syndrome by Emma Jardine
Charlie Le Mindu Berlin Syndrome by Emma Jardine.

Across the way club kid Daniel Lismore looked uncomfortably squished in one of the huge froufrou contraptions that constitutes his “look”. The delightful (and talented) Natasha Khan of Bat for Lashes looked wonderfully normal in comparison – and had to fight for a front row spot.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory

Kap Bambino provided the intense soundtrack to this show, a mash up of melodic vocals, pig squeals and a grimy off-kilter baseline. Our first treat? A stripper, dripping with blood from her Violence headgear to her vampirish talons. Her only accessory was an ancient looking metal bag, slung nonchalantly from her shoulder on a thin piece of chain.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

She was followed onto the catwalk by a giant mohican worn with plastic cape and lacy shorts – a cross of gaffa tape the only nod to modesty. More buttery lace, more plastic, more fringing and beading on both men and women. Make up was pale, deathly, fittingly. From the front a plastic fluffy fringed cape looked pervily demure, arms bound down to the sides. From the back it revealed a spray painted phallus and more that I cannot read.

Charlie Le Mindu by Madi
Charlie Le Mindu by Madi.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 by The Lovely WarsCharlie Le Mindu A/W 2011 by The Lovely Wars
Charlie Le Mindu A/W 2011 by The Lovely Wars.

A moderately wearable lace belted maxi coat was followed by more exposed boobs and a gas mask with a waterfall of hair extruding from the mouth like an alien intervention. More hair as fur, smudged red lips, a smile from a knowing model as she pounded towards the thickly layered ranks of photographers.

Charlie Le Mindu Berlin Syndrome by Natsuki Otani
Charlie Le Mindu Berlin Syndrome by Natsuki Otani.

Charlie Le Mindu Finale Piece by LJG Art & Illustration
Charlie Le Mindu Finale Piece by LJG Art & Illustration.

And finally the denouement, a huge white eagle – a reference to the Third Reich insignia – clutching a blonde be-wigged head, the bird trailing lace and blood to the floor. It was a trail that followed the models back stage as the show ended to the sounds of a porcine massacre and Charlie Le Mindu took his curtain bow in a butcher’s apron, hands bloody. I glanced anxiously over to stylist Tamara Cincik, who was protectively cradling her pregnant belly.

Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia GregoryCharlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory
Charlie Le Mindu A/W 2011 Berlin Syndrome. Photography by Amelia Gregory.

You can read Katie Antoniou’s earlier blog about the same show here, and see more work by Andrea Peterson in Amelia’s Compendium of Fashion Illustration. There is also a lovely blog featuring Andrea Peterson at work on the creation of her Charlie Le Mindu painting right here.

Categories ,ACOFI, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,Ani Saunders, ,Anna Trevelyan, ,Artist Andrea, ,Bat for Lashes, ,berlin, ,Berlin Syndrome, ,Blood, ,Bourgeois & Maurice, ,Charlie le Mindu, ,CUNT, ,Dan Stafford, ,Daniel Lismore, ,Daphne Guinness, ,Diane Pernet, ,Eagle, ,Emma Jardine, ,Hair, ,Insignia, ,Jazzkatze, ,Kap Bambino, ,Katie Antoniou, ,LJG Art & Illustration, ,Madi, ,Madi Illustrates, ,Natasha Khan, ,Natsuki Otani, ,Nudity, ,onoff, ,Out Outfit You, ,Plastic, ,Strippers, ,Tamara Cincik, ,The Lovely Wars, ,Third Reich, ,Tim Adey, ,Wigs, ,WWII

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party illustrations: meet Jenny Robins


Illustration by Aysim Genc

Did you know that we’re all buying a third more clothing than we did a decade ago? Yep, mind you read that right. A third more in only 10 years. And are you also aware that today’s average household contributes 26 items of wearable clothing to landfill every year? Tallied up, pilule that’s well over 600,000 garments in the UK alone. Can you visualise that waste? It’s A LOT.

The appropriately-named Trash Fashion exhibition is a relatively small presentation with a big message. Be honest, you can’t remember the last time that ‘textiles’ sprang to mind when thinking of world waste and pollution. Something along the lines of ‘oil’ or ‘water’ or ‘plastic bottles’ would be up there; never the words ‘clothes’, ‘dyes’, ‘fabric’. And yet, it’s a big deal. For example, a huge 17-20% of worldwide industrial water pollution is down to textile dye. The truth is that the concept of waste produced by the textiles industry is dangerously underestimated. Fact.


Illustration by Ankolie

Okay, so I didn’t predict a fashion-related exhibition at the Science Museum either. And, in its allotted space, Trash Fashion did rather stick out like a sore-thumb. One also is required to walk through the entire ground floor to actually reach the exhibition, which features steam trains, outer-space and other extravaganzas along with a large population of noisy children. As it was a Saturday, immersed in engines and spaceships, I’m guessing either über-nerdy kids or über-nerdy parents. However, I just used the word ‘über’ twice in one sentence so I’m clearly the nerd here.

Moving on, I learnt shed loads about ‘designing out waste’ in the fashion industry by wandering through. For one, I learnt that an initiative, led by Central Saint Martins, is being developed. An idea that started with a small mat of cellulose being immersed in green tea in order for it to grow into usable fabric. Fabric that is literally living and breathing. It turns out rather like leather and, having a feel of the fabric myself, couldn’t believe that it came from some bacteria bathed in green tea. Weird. Anyway, it turns out that, at this early stage, the so-called ‘Bio Couture’ is way too heavy and gooey to wear and would practically disintegrate in the rain. Nevertheless, it’s a damn-good start – the product is natural, non-toxic and compostable and scientists are working on developing the idea further all the time.


Illustration by Stephanie Melodia

Another part of the exhibition that I found enthralling was a project hosted by the London College of Fashion called ‘Knit to Fit’. It puts forward the concept of ‘Mass Customisation’, something that I could definitely see materialising in the near future. It starts with an individual having a 3D Body Scan done by a special computer that reads all, and even the very intricate, measurements of the body. This information, along with personalised details such as colour and pattern, is then transmitted to a fairly new machine in the textiles world that, before one’s very eyes, produces an entirely seamless 3D garment. No off-cuts. No waste. Considering that fashion designers are known to leave a whole 15% of the fabric they work with on the cutting-room floor, these are absolutely imperative pieces of technology in the movement towards sustainable and efficient textiles of the future. The idea is that, in the not-too-distant future, the average shopper will be able to stroll into a clothing store and have a custom-made garment made there and then that is unique to us and, most importantly, will leave absolutely no waste.


Illustration by Caroline Coates

Without a doubt, the most immediately imposing feature of the exhibition was a large, flamboyant dress, made out of 1000 pieces of folded scraps of the London Metro newspaper. It stood tall at the entrance and its grandeur seduced a small crowd to gather around and take photographs.
In my opinion, however, it just isn’t enough to rip up a few copies of the London Metro, origami fold them into numerous pieces and make a dress – not to wear, but to make a statement. Not to dismiss the skill that goes into constructing such a fiddly garment, or the fact that it DOES make a pretty huge statement. It relates waste and fashion to one another, which is crucial, through something impressive and, ironically, quite beautiful. But it’s been done. I’ve seen countless garments like these, designed for that shock-factor yet completely un-wearable. It’s time to stop representing the problem and to instead turn to the solution – to science. And this, bar the newspaper dress, is where ‘Trash Fashion’ came up trumps.

So, despite being a little late-in-the-day with this one, might not be worth trekking all the way to South Kensington to see this exhibition alone. If you do, time it in with a trip to the National History Museum or the V&A, both right next door. After all, it’s free entry. You’ll just have to hurdle past the children screaming at steam engines and Apollo 10 and I honestly don’t think you’ll regret it.

Trash Fashion: designing out waste is supported by SITA Trust as part of the No More Waste project and is free to visit at the Science Museum in London.

As part of the exhibition, there is an interactive competition whereby members of the public can submit photos of their ‘refashioned’ old garments, before and after, and could land their new design a spot in the exhibition. To upload pictures of your customised clothes go to www.flickr.com/groups/trashfashion


Illustration by Aysim Genc

Did you know that we’re all buying a third more clothing than we did a decade ago? Yep, buy you read that right. A third more in only 10 years. And are you also aware that today’s average household contributes 26 items of wearable clothing to landfill every year? Tallied up, patient that’s well over 600, buy 000 garments in the UK alone. Can you visualise that waste? It’s A LOT.

The appropriately-named Trash Fashion exhibition is a relatively small presentation with a big message. Be honest, you can’t remember the last time that ‘textiles’ sprang to mind when thinking of world waste and pollution. Something along the lines of ‘oil’ or ‘water’ or ‘plastic bottles’ would be up there; never the words ‘clothes’, ‘dyes’, ‘fabric’. And yet, it’s a big deal. For example, a huge 17-20% of worldwide industrial water pollution is down to textile dye. The truth is that the concept of waste produced by the textiles industry is dangerously underestimated. Fact.


Illustration by Ankolie

Okay, so I didn’t predict a fashion-related exhibition at the Science Museum either. And, in its allotted space, Trash Fashion did rather stick out like a sore-thumb. One also is required to walk through the entire ground floor to actually reach the exhibition, which features steam trains, outer-space and other extravaganzas along with a large population of noisy children. As it was a Saturday, immersed in engines and spaceships, I’m guessing either über-nerdy kids or über-nerdy parents. However, I just used the word ‘über’ twice in one sentence so I’m clearly the nerd here.


All photographs courtesy of Lois Waller/Bunnipunch

Moving on, I learnt shed loads about ‘designing out waste’ in the fashion industry by wandering through. For one, I learnt that an initiative, led by Central Saint Martins, is being developed. An idea that started with a small mat of cellulose being immersed in green tea in order for it to grow into usable fabric. Fabric that is literally living and breathing. It turns out rather like leather and, having a feel of the fabric myself, couldn’t believe that it came from some bacteria bathed in green tea. Weird. Anyway, it turns out that, at this early stage, the so-called ‘Bio Couture’ is way too heavy and gooey to wear and would practically disintegrate in the rain. Nevertheless, it’s a damn-good start – the product is natural, non-toxic and compostable and scientists are working on developing the idea further all the time.


Illustration by Stephanie Melodia

Another part of the exhibition that I found enthralling was a project hosted by the London College of Fashion called ‘Knit to Fit’. It puts forward the concept of ‘Mass Customisation’, something that I could definitely see materialising in the near future. It starts with an individual having a 3D Body Scan done by a special computer that reads all, and even the very intricate, measurements of the body. This information, along with personalised details such as colour and pattern, is then transmitted to a fairly new machine in the textiles world that, before one’s very eyes, produces an entirely seamless 3D garment. No off-cuts. No waste. Considering that fashion designers are known to leave a whole 15% of the fabric they work with on the cutting-room floor, these are absolutely imperative pieces of technology in the movement towards sustainable and efficient textiles of the future. The idea is that, in the not-too-distant future, the average shopper will be able to stroll into a clothing store and have a custom-made garment made there and then that is unique to us and, most importantly, will leave absolutely no waste.


Illustration by Caroline Coates

Without a doubt, the most immediately imposing feature of the exhibition was a large, flamboyant dress, made out of 1000 pieces of folded scraps of the London Metro newspaper. It stood tall at the entrance and its grandeur seduced a small crowd to gather around and take photographs.
In my opinion, however, it just isn’t enough to rip up a few copies of the London Metro, origami fold them into numerous pieces and make a dress – not to wear, but to make a statement. Not to dismiss the skill that goes into constructing such a fiddly garment, or the fact that it DOES make a pretty huge statement. It relates waste and fashion to one another, which is crucial, through something impressive and, ironically, quite beautiful. But it’s been done. I’ve seen countless garments like these, designed for that shock-factor yet completely un-wearable. It’s time to stop representing the problem and to instead turn to the solution – to science. And this, bar the newspaper dress, is where ‘Trash Fashion’ came up trumps.

So, despite being a little late-in-the-day with this one, might not be worth trekking all the way to South Kensington to see this exhibition alone. If you do, time it in with a trip to the National History Museum or the V&A, both right next door. After all, it’s free entry. You’ll just have to hurdle past the children screaming at steam engines and Apollo 10 and I honestly don’t think you’ll regret it.

Trash Fashion: designing out waste is supported by SITA Trust as part of the No More Waste project and is free to visit at the Science Museum in London.

As part of the exhibition, there is an interactive competition whereby members of the public can submit photos of their ‘refashioned’ old garments, before and after, and could land their new design a spot in the exhibition. To upload pictures of your customised clothes go to www.flickr.com/groups/trashfashion


Illustration by Aysim Genc

Did you know that we’re all buying a third more clothing than we did a decade ago? Yep, information pills you read that right. A third more in only 10 years. And are you also aware that today’s average household contributes 26 items of wearable clothing to landfill every year? Tallied up, that’s well over 600,000 garments in the UK alone. Can you visualise that waste? It’s A LOT.

The appropriately-named Trash Fashion exhibition is a relatively small presentation with a big message. Be honest, you can’t remember the last time that ‘textiles’ sprang to mind when thinking of world waste and pollution. Something along the lines of ‘oil’ or ‘water’ or ‘plastic bottles’ would be up there; never the words ‘clothes’, ‘dyes’, ‘fabric’. And yet, it’s a big deal. For example, a huge 17-20% of worldwide industrial water pollution is down to textile dye. The truth is that the concept of waste produced by the textiles industry is dangerously underestimated. Fact.


Illustration by Ankolie

Okay, so I didn’t predict a fashion-related exhibition at the Science Museum either. And, in its allotted space, Trash Fashion did rather stick out like a sore-thumb. One also is required to walk through the entire ground floor to actually reach the exhibition, which features steam trains, outer-space and other extravaganzas along with a large population of noisy children. As it was a Saturday, immersed in engines and spaceships, I’m guessing either über-nerdy kids or über-nerdy parents. However, I just used the word ‘über’ twice in one sentence so I’m clearly the nerd here.


All photographs courtesy of Lois Waller/Bunnipunch

Moving on, I learnt shed loads about ‘designing out waste’ in the fashion industry by wandering through. For one, I learnt that an initiative, led by Central Saint Martins, is being developed. An idea that started with a small mat of cellulose being immersed in green tea in order for it to grow into usable fabric. Fabric that is literally living and breathing. It turns out rather like leather and, having a feel of the fabric myself, couldn’t believe that it came from some bacteria bathed in green tea. Weird. Anyway, it turns out that, at this early stage, the so-called ‘Bio Couture’ is way too heavy and gooey to wear and would practically disintegrate in the rain. Nevertheless, it’s a damn-good start – the product is natural, non-toxic and compostable and scientists are working on developing the idea further all the time.


Illustration by Stephanie Melodia

Another part of the exhibition that I found enthralling was a project hosted by the London College of Fashion called ‘Knit to Fit’. It puts forward the concept of ‘Mass Customisation’, something that I could definitely see materialising in the near future. It starts with an individual having a 3D Body Scan done by a special computer that reads all, and even the very intricate, measurements of the body. This information, along with personalised details such as colour and pattern, is then transmitted to a fairly new machine in the textiles world that, before one’s very eyes, produces an entirely seamless 3D garment. No off-cuts. No waste. Considering that fashion designers are known to leave a whole 15% of the fabric they work with on the cutting-room floor, these are absolutely imperative pieces of technology in the movement towards sustainable and efficient textiles of the future. The idea is that, in the not-too-distant future, the average shopper will be able to stroll into a clothing store and have a custom-made garment made there and then that is unique to us and, most importantly, will leave absolutely no waste.


Illustration by Caroline Coates

Without a doubt, the most immediately imposing feature of the exhibition was a large, flamboyant dress, made out of 1000 pieces of folded scraps of the London Metro newspaper. It stood tall at the entrance and its grandeur seduced a small crowd to gather around and take photographs.
In my opinion, however, it just isn’t enough to rip up a few copies of the London Metro, origami fold them into numerous pieces and make a dress – not to wear, but to make a statement. Not to dismiss the skill that goes into constructing such a fiddly garment, or the fact that it DOES make a pretty huge statement. It relates waste and fashion to one another, which is crucial, through something impressive and, ironically, quite beautiful. But it’s been done. I’ve seen countless garments like these, designed for that shock-factor yet completely un-wearable. It’s time to stop representing the problem and to instead turn to the solution – to science. And this, bar the newspaper dress, is where ‘Trash Fashion’ came up trumps.

So, despite being a little late-in-the-day with this one, might not be worth trekking all the way to South Kensington to see this exhibition alone. If you do, time it in with a trip to the National History Museum or the V&A, both right next door. After all, it’s free entry. You’ll just have to hurdle past the children screaming at steam engines and Apollo 10 and I honestly don’t think you’ll regret it.

Trash Fashion: designing out waste is supported by SITA Trust as part of the No More Waste project and is free to visit at the Science Museum in London.

As part of the exhibition, there is an interactive competition whereby members of the public can submit photos of their ‘refashioned’ old garments, before and after, and could land their new design a spot in the exhibition. To upload pictures of your customised clothes go to www.flickr.com/groups/trashfashion

Eliza Newman by Jenny Lloyd
Eliza Newman by Jenny Lloyd

Eyjafjallajokull. How did you say that it your head? The impressive word refers to the glacier on top of the volcanic mountain (remember the ash cloud?) in Iceland. Understanding the perils of uninformed pronunciation, click Icelandic native Eliza Newman, health wrote a little song on how to actually pronounce the word. It featured on the Al Jazeera News channel and has since become one of Al Jazeera’s most popular news pieces ever.

Ta daa:

Eyjafjallajökull – Eliza Newman performed on Al Jazeera News
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Eliza Newman | Myspace Music Videos

But there is far more to Eliza (Geirsdóttir) Newman than chuckling at our pronunciation shortcomings. She plays violin, ukelele and piano, and is also a trained opera singer. Her song; ‘Ukelele Song for You’ was one of the most popular in Iceland in 2009. The tune is about ‘attracting trouble’, ‘broken promises’ and forgiveness. With ukelele strumming and high pitched notes, it’s lighthearted in its sound, contrasting with the seriousness of the topic. This is refreshing and conjures up thoughts for me, of Blue Valentine, and the heartbreak within the love and jovial moments. The uke can be (in a touching folky way) deep! It’s a pleasure to listen to:

Previously Eliza was the lead singer of girl group, Bellatrix and the rock band, Skandinavia. Through Bellatrix, Eliza and Co. released four albums on Björk’s Bad Taste label, signing to Fierce Panda for their fourth album release. They also headlined the Carling Stage at the Reading Festival and co-headlined a tour with Coldplay. These days Eliza is a solo artist and promotes Icelandic female artists by being part of the Trubatrix movement, which encourages gigs and album releases around Iceland.

Eliza-Newman-by-Mina-Bach

Illustration by Mina Bach

Eliza’s second album, Pie In The Sky, is out on April 4, on Lavaland Records . Watch out for my review. For now here’s a little interview with Eliza:

Could you describe your music? Its beyond words, like touching heaven with your inner ear! Or just a kind of quirky pop style sweet on top but dark underneath muhahaha!….

Do you write your own music? Yes I write all my stuff and have always done , that’s the only way to go.

What is your inspiration?
Cats.

How do you feel about having one of the most popular songs in Iceland, ‘Ukulele Song For You’?
It feels great , very unexpected and a pleasant surprise. Icelandic people have good taste in music!

You play many instruments and are a trained opera singer, when did you start playing music and singing? 
I started playing the violin at seven and studied that until I was 15 then I started a band and didn’t feel like practising violin any more. I started singing the day I started my first band. Never sung a note before then! Later I went on to study opera and I learned the piano, guitar and ukulele on the way.

Eliza Newman 1 Chloe Cook
Illustration by Chloe Cook

What’s you favourite instrument, musical style?
My favourite musical instrument is the harpsichord and the hurdy-gurdy, I really would like to get my hands on those two instruments to play! My favourite musical style is kind of pop rock indie opera classical hip hop and easy listening : )

Could you tell us about your former band, Bellatrix?
Bellatrix was my first band, we were an all girl band and started quite young, got signed and released five albums both in Iceland on Björk‘s Bad Taste Label and later with Fierce Panda in the UK. The music developed from a punk rock sound to electro pop and we did loads of cool stuff like tour the world, headline Reading and do a tour with Coldplay. Fun and games!

Eliza Newman by Avril kelly
Illustration by Avril Kelly

What were the highlights of being in the band?
Headlining the Carling stage at Reading and Leeds Festival and travelling the world.

What about Skandinavia?
Skandinavia was my venture into heavy rock! Loads of fun. I was studying opera at the time in London and wanted to do some epic rock music inspired by opera. We recorded an album and did a UK tour and it satisfied my longing to do a heavy rock album, so that box is ticked now!

How does being a solo artist differ from being in a band?
It’s very different because as a solo artist you have to take all the responsibility which is both good and bad. You have no one to blame but yourself haha! You get more freedom to do your own thing as a solo artist but in a band you get more feedback and have to compromise sometimes, both things have their advantages. Having said that, I am very much a band person and enjoy working with others, so I would not rule out joining another band at some point.

Eliza Newman 2 Chloe Cook
Illustration by Chloe Cook

And how is your own music different?
My music is more relaxed then the band stuff I did, I have calmed down quite a bit!

How is the new album in comparison to your last album, Empire Fall (Series 8 Records)?
The new album is more hopeful and has a lighter tone to it with ukuleles, synths and various fun instruments mixing it up. Empire fall was more minimalist and had a darker undertone.

eliz 2

Where do you want to go now in your career?
I would like to go to Japan and play, also keep writing and finding new interesting ways of expressing myself through music, yeah and learn the hurdy-gurdy!

END. Thank you so much Eliza. Helen x

ACOFI - jenny robins - Amelia's compendium - laura snoad - design week - tatty devine
Laura Snoad of Design Week sporting her Tatty Devine necklace. She wrote a great write up of the party here: check it out.

Oh dear. My brilliant plans to get all ACOFI launch party blogs online by the end of last week were laid waste by a pre-booked four day trip to Cornwall. Which was just lovely in case you were wondering: so good to feel the wind in my hair on a coastal path again.

Amelia Gregory in Cornwall

Jenny Robins is the illustrator who has worked closest with Amelia’s Magazine to do live illustrations from the catwalk in the past. For this reason she was a natural choice to bring along for the tea party… and she did not disappoint, viagra dosage holding court over by the window all afternoon long and churning out an amazing amount of stunning live artwork right in front of our guests. In fact she did so many I’m going to have to run through them as quickly as possible or I’ll never get onto my next illustrator. All I’ve got to say, story is Jenny, you rock my world.

ACOFI - jenny robins - Amelia's compendium - alex cox - amelia gregory
Here I am, being interviewed, I am not sure who by!

ACOFI - jenny robins - Amelia's compendium - alex cox - don't panic
Here’s Alex Cox of Don’t Panic.

ACOFI - jenny robins - Amelia's compendium - amisha ghadiali - take a moment
Amisha Ghadiali once again. Read her lovely write up on Elegance Rebellion here.

ACOFI - jenny robins - Amelia's compendium - amy - tantrum magazine
Amy from Tantrum Magazine – here’s her write up.

ACOFI - jenny robins - Amelia's compendium - bette davis - oh comely
Bette Davis from Oh Comely – here’s her lovely blog.

ACOFI - jenny robins - Amelia's compendium - bettina krohn - make lemonade
Bettina Krohn from Make Lemonade – I wonder, am I the Mad Hatter that she references in her write up?

ACOFI - jenny robins - Amelia's compendium - carrie - wish wish wish copy
The super stylish Carrie of Wish Wish Wish. The launch inspired her to have a go at fashion illustration herself.

ACOFI - jenny robins - Amelia's compendium - danielle drown - poppy cleopatra
Danielle who runs a blog called Poppy Cleopatra. Read her write up here.

ACOFI - jenny robins - Amelia's compendium - ellen grace jones - the real runway
Ellen Grace Jones of The Real Runway which is a great sartorial fashion blog, and she has also contributed to Amelia’s Magazine.

ACOFI - jenny robins - Amelia's compendium - micheal - anastasia and duck
Michael Ford of Anastasia Duck. Read his blog here.

ACOFI - jenny robins - Amelia's compendium - michelle Urvall Nyren - probably naomi
Fellow illustrator Michelle Urvall Nyren at work.

ACOFI - jenny robins - Amelia's compendium - sabrina - the science of style
Sabrina of The Science of Style.

ACOFI - jenny robins - Amelia's compendium - tamara cincik
A heavily pregnant Tamara Cincik. Read her blog here.

ACOFI - jenny robins - Amelia's compendium - tatty devine - rosie and harriet
Rosie and Harriet of Tatty Devine.

ACOFI - jenny robins - Amelia's compendium - tigz rice
Tigz Rice – photographer and social media maven. Here’s her blog.

ACOFI - jenny robins - Amelia's compendium - tom and crystal - spoonfed
Tom and Crystal from Spoonfed.

ACOFI - jenny robins - Amelia's compendium -david alphonso - noisy writing
David Alphonso of Noisy Writing.

ACOFI launch Jan 11-Jenny Robins
Jenny Robins at work.

You can follow Jenny Robins on twitter on @jennyrobins and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s Jenny talking to me via the power of Skype in her youtube interview:

YouTube Preview Image

Categories ,ACOFI, ,Alex Cox, ,Amelia’s Compendium of Fashion Illustration, ,Amisha Ghadiali, ,Amy, ,Anastasia Duck, ,Bette Davis, ,Bettina Krohn, ,Carrie, ,Cornwall, ,David Alphonso, ,Design Week, ,Don’t Panic, ,Ellen Grace Jones, ,Jenny Robins, ,Laura Snoad, ,Make Lemonade, ,Michael Ford, ,Michelle Urvall Nyrén, ,Noisy Writing, ,Oh Comely, ,Rosie and Harriet, ,Sabrina, ,Spoonfed, ,Tamara Cincik, ,Tantrum Magazine, ,Tatty Devine, ,The Real Runway, ,The Science of Style, ,Tigz Rice, ,Wish Wish Wish

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party illustrations: meet Michelle Urvall Nyrén

MattBramford_ACOFI_Joana Faria
Sarahs_Scribbles_by Joana Faria
It was a delight to meet Sarah Williams of Sarah Scribbles, more about who is a prolific tweeter and blogger.

Ahhhh, try the lovely Joana Faria. She came to the ACOFI launch event all the way from Portugal, where she works in advertising as an art director. As a relative newbie to the world of fashion illustration she has developed an impressive style very quickly – stick thin figures sport impressively large hair and big eyes that emphasise the architecture of an outfit. Here’s her contributions to the great ACOFI illustrated launch party.

Alex Cox_ by Joana Faria
I love Alex Cox’s big bushy eyebrows. He interviewed me for Don’t Panic.

Francesca_salih_by Joana Faria
Francesca Salih from Forward PR kept us in Vodka O and Adnams far into the night.

Holly_MakeLemonade_by Joana Faria
Here’s Holly Ladd from Make Lemonade.

Nikki_Nakki_Lou_by Joana Faria
Nikki Nakki Lou came all the way from the Wirral to visit my launch event. Very appreciative of her effort, recounted in her lovely blog here.

Johann Chan_ by Joana Faria
Johann Chan from Digital Arts Magazine was tempted along by the Lily Vanilli cakes. Read my Q&A with editor Neil Bennett online here.

Michaela_by Joana Faria
Michaela from Tantrum Magazine. Read their write up here.

Siam_Goorwich_by Joana Faria
Siam Goorwich writes on Not Another Fashion Blog.

You can follow Joana Faria on twitter on @joana_faria and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s Joana talking to me about how she first got into drawing her friends when she was a little girl back in Brazil. Why not take a little gander? She’s a very delightful lady indeed.

YouTube Preview Image

Ellie Loughran Michelle Urvall Nyrén
Ellie Loughran of Pretty Much Penniless was beautifully turned out. And her blog about the event is absolutely stunning – what wonderful images!

Michelle Urvall Nyrén is as elegant in person as her fashion illustrations, pharm which she creates in just a few graceful watercolour strokes. She’s also a very talented fashion and textiles designer so until recently fashion illustration was just something she did on the side. I think she’s far too fabulous to leave her second career on the back burner. What do you reckon?

Here are her portrait versions of my tea party guests. For some reason she managed to pick a total of three beautiful girls called Ellie to illustrate. What are the chances? Just delightful.

Ellie Broughton Michelle Urvall Nyrén
Ellie Broughton is an East London based journalist who writes for The Wealth Collection.

Ellie Good Eggmag editor Michelle Urvall Nyrén
Ellie Good from ethical culture magazine Egg Mag has been a big supporter of my antics for some time, and I was very happy to welcome her along for tea. An amazing lady who set up her own independent magazine to promote ethical fabulousness.

Zoe Robinson Michelle Urvall Nyrén
Egg Mag contributor Zoë Robinson of Think Style also came along. She runs an image consultancy specialising in eco fashion… very interesting stuff.

Naomi Law Michelle Urvall Nyrén
Michelle also captured Naomi Law in action, her blood red lips glowing out from beneath her sleek hair.

Philippa Dunn Michelle Urvall Nyrén
I had a great chat with Philippa Dunn from the House of Illustration, which is a super exciting project that was initiated by illustrator god Quentin Blake. I hope to get involved with some of their upcoming events in the future.

Tamara Cincik Michelle Urvall Nyrén
She also snatched a sketch of ethical stylist Tamara Cincik from afar, who she described as very pregnant and beautiful. As indeed she is.

You can follow Michelle Urvall Nyrén on twitter on @MichelleUrvall and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011.

Michelle Urvall Nyren. Photography by Liz Johnson-Artur
Michelle Urvall Nyren takes tea. Photography by Liz Johnson-Artur.

Here’s Michelle talking to me about being taught ethical fashion at school in Sweden and how it’s been going at her latest internship at Mark Fast:

YouTube Preview Image

Categories ,Egg Mag, ,Ellie Broughton, ,Ellie Good, ,Ellie Loughran, ,House of Illustration, ,Liz Johnson-Artur, ,Mark Fast, ,Michelle Urvall Nyrén, ,Naomi Law, ,Philippa Dunn, ,Pretty Much Penniless, ,Quentin Blake, ,Tamara Cincik, ,The Wealth Collection, ,Think Style, ,Zoë Robinson

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party photos: meet Liz Johnson-Artur

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of my ACOFI illustrators who were also not present during the daytime to illustrate a few of them. Which is how I wound up with this merry bunch of pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Erica Sharp and Natsuki Otani (above) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, price buy but not on a table, treat oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are. Let me tell you, Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion)

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past many months

Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, medical but not on a table, viagra 100mg oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are. Let me tell you, Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion)

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past many months

Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, this web but not on a table, oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, viagra approved but not on a table, oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, cheap but not on a table, pilule oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, information pills but not on a table, this site oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, medicine but not on a table, and oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know. (They appeared in issue 1 of Amelia’s Magazine a long time ago…)

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, and but not on a table, ask oh no. On a head, clinic where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know. (They appeared in issue 1 of Amelia’s Magazine a long time ago…)

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour in Kent. Voila, I introduce to you Alan Flack and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though she wasn’t there, this wasn’t done from a party snap and she doesn’t appear in the book. Though doubtless she would have done if I’d met her earlier. Karina is just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world…

Liz Johnson-Artur-ACOFI-Tamara Cincik and Amelia Gregory
Tamara Cincik and Amelia Gregory at the ACOFI launch by Liz Johnson-Artur.

Liz Johnson-Artur and myself go back a loooong way. In the days when I was interning at Arena Magazine (RIP) I accompanied her on shoots in Brixton as a fashion stylist’s assistant, troche and then when I became determined to become a photographer I began to assist her, memorably on a series of fashion shoots featuring posh girl models posing in posh country houses for the high society rag Tatler. They liked her quirkiness, and for us it was a great chance to see how the really rich live.

Liz Johnson-Artur-ACOFI-Prince Cassius
Prince Cassius.

Liz Johnson-Artur-Jonno Ovans, Matt Bramford & Sally Mumby-Croft
Jonno Ovans, Matt Bramford & Sally Mumby-Croft.

Liz was one of the few people who was willing to take me on at a time when I knew nothing about the technicalities of taking pictures – I still don’t know much to be fair, but that’s never hindered my love of photography. We’ve worked together many times since – she produced some wonderful early shoots for Amelia’s Magazine, then moved down to Brighton to bring her girl up in a more sedate environment than that surrounding the tower block in South London where she lived for many years.

Liz Johnson-Artur-ACOFI-Antonia Parker
ACOFI illustrator Antonia Parker.

Liz Johnson-Artur-ACOFI-Rachel de Ste. Croix drawing Susie Bubble
Rachel de Ste. Croix drawing Susie Bubble.

She’s the perfect person to bring along to a party because she so delights in capturing extravagant folk of all types, so, when I needed someone to shoot Pete Doherty and co at play for an editorial piece that I wrote for Fader Magazine right at the height of his mania who better to call on than Liz Johnson-Artur? And then in January I thought of her to capture my ACOFI launch party attendees. Luckily it was easy to persuade her to leave her south coast idyl and join us for the afternoon.

Liz Johnson-Artur-ACOFI-6 Day Riot
6 Day Riot soundchecking.

Liz Johnson-Artur-ACOFI-Ballad Of
Claire from Ballad Of Magazine.

When putting this blog post together I decided to ask her to answer a few questions: read on and be inspired. It’s always a total pleasure to team up with Liz. Mwah.

Liz Johnson-Artur-ACOFI-Rosie and Harriet of Tatty Devine
Rosie and Harriet of Tatty Devine.

Liz Johnson-Artur-ACOFI

What was your favourite part of shooting the ACOFI launch?
The most amazing thing was to see what you are doing. I am one of those people who was there when you started, and seeing your energy prosper in such a creative and committed way, is for an old friend, to say the least… very nice.

Liz Johnson-Artur-ACOFI-Gabby Young
Liz Johnson-Artur-ACOFI-Gabby Young
Gabby Young.

Why do you still prefer to shoot on film? What does it add to an image that you can’t get on digital?
I love to have the negative as a starting point and I love being in the darkroom – I wouldn’t want to give it up for no easy ‘perfect photoshop’. My hands have a chance to touch negatives and this is part of what I want my photographs to transmit, the sense of being in touch with all our senses. I think this is an especially important thing in these times. Shooting on film gives you time between the taking and the having. For me photography is a sensual experience – it’s not about perfection or quick turn over, but the journey that it takes to see the photograph. I think that the limitation that film offers is also the creative and spiritual freedom, and it is worth preserving.

Liz Johnson-Artur-ACOFI-Andrea Peterson
Andrea Peterson at work.

You’ve got an amazing blog called Black Balloon Archive – what’s it all about?
My Black Balloon Archive started when I came to London and didn’t know much about the mix of the city. Growing up in Germany my access to black culture or communities was very much limited to black GIs, and standing in Brixton waiting for the bus I suddenly realised that I was in a place where all this could be explored. My camera was somehow a way of convincing people to let me in; there was never an aim or a strategy. All I wanted was to be let in – to look and learn.

Liz Johnson-Artur-ACOFI-Nina Dolcetti shoes
Nina Dolcetti shoes.

Liz Johnson-Artur-ACOFI-Amelia at 123
Running up and down the stairs at 123.

Starting in London I developed this hunger to find Afro/Caribbean communities to document wherever I could… in Portugal, Germany, the US, France and finally last year in Russia. Being of Ghanain/Russian descent myself this was personally an amazing trip. The Black Balloon Archive blog presents some of the images which I find in my archive – it enables me to retell some of the stories and revisit the faces that I have met on this journey…

Liz Johnson-Artur-ACOFI
Liz Johnson-Artur-ACOFI-Johann Chan of Digital Arts
Johann Chan of Digital Arts.

Liz Johnson-Artur-ACOFI-Michelle Urvall Nyren and Naomi Law
Michelle Urvall Nyren and Naomi Law.

What will you be shooting next?
That depends on what will cross my path, but I guess that somehow it will be always be connected to people and their stories.

Liz Johnson-Artur-ACOFI-Courtney Blackman of Forward PR and Cate Sevilla of Bitch Buzz Buzz
Courtney Blackman of Forward PR and Cate Sevilla of Bitch Buzz.

Liz Johnson-Artur-ACOFI-Lily Vanilli having the Dr.Hauschka treatment
Lily Vanilli having the Dr.Hauschka treatment.

Liz, you tell those stories so very well… so I think it’s best to just let the pictures do the talking.

Don’t forget to visit the Black Ballon Archive on your way out.

Liz Johnson-Artur-ACOFI-Lesley Barnes
Illustrator Lesley Barnes.

Liz Johnson-Artur-ACOFI-Susie Bubble
Susie Bubble.

Liz Johnson-Artur-ACOFI-illustrators
The illustrators gathered and ready to draw the guests.

Categories ,6 Day Riot, ,ACOFI, ,Afro/Caribbean, ,Amelia Gregory, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,Antonia Parker, ,Arena Magazine, ,Ballad Of, ,Ballad Of Magazine, ,Bitch Buzz, ,brighton, ,Brixton, ,Cate Sevilla, ,Courtney Blackman, ,Digital Arts, ,Dr.Hauschka, ,Forward PR, ,gabby young, ,Ghanain, ,Johann Chan, ,Jonno Ovans, ,Lesley Barnes, ,Lily Vanilli, ,Liz Johnson-Artur, ,Matt Bramford, ,Michelle Urvall Nyrén, ,Naomi Law, ,Nina Dolcetti, ,Prince Cassius, ,Rachel De Ste. Croix, ,Rosie and Harriet, ,Russian, ,Sally Mumby-Croft, ,Susie Bubble, ,Tamara Cincik, ,Tatler, ,Tatty Devine

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