Fiona Paxton

Jaeger A/W 2011 by Joana Faria
Jaeger, information pills I’m afraid, diagnosis is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger, information pills a traditional fashion brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now, and has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. I think this is what’s known as an autumnal colour range. Blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathered around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality.

Jaeger A/W 2011 by Madi.

Jaeger, viagra I’m afraid, sales is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger, a traditional fashion brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now, and has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

Jaeger A/W 2011 by Joana Faria.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. I think this is what’s known as an autumnal colour range. Blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathered around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality.

Jaeger A/W 2011 by Madi.

Jaeger, cure I’m afraid, about it is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger, a traditional fashion brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now, and has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

Jaeger A/W 2011 by Joana Faria.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. I think this is what’s known as an autumnal colour range. Blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathered around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality.

Jaeger A/W 2011 by Madi.

Jaeger, shop I’m afraid, medications is one of those shows for which I lost the press release several weeks ago. But who needs a blurb anyway? Surely the clothes should be able to do the talking…

Jaeger is a traditional brand that has managed to up the fashion style stakes with in house design team shake ups. The current creative director is Stuart Stockdale, who formerly worked for Pringle of Scotland amongst others. He’s been with Jaeger for several years now and after a prolonged period in the doldrums he has succeeded in reinvigorating the brand. What is it with British heritage fashion brands? They’re just so very good at reinventing themselves.

Jaeger A/W 2011 by Joana Faria.

It was under the clean lights of the BFC tent that Jaeger hit the catwalk, itself all clean lines and considered tailoring. Sharp, beautifully crisp well fitting garments ploughed out to meet the photographers. The collection was a delicious mix of autumnal colours: blocks of cinnamon, caramel, fallen leaf orange, paprika, mustard and moss gathering around punctual navy blues and sensible chocolate brown. Capacious leather bags swung or handheld clutches were the accessory of choice and the shoes were simply divine, cleverly styled with stripy woollen socks. Present and correct was the colour du jour – sharp bursts of orange red. Or on dazzling silky blouses a lip-smacking deep fuchsia pink. Yum.

This is what I would wear if I were a different kind of person: one who always looks immaculately turned out, whatever the occasion. And of course one who has a very nice steady stream of income. Working women in a certain type of job would do well to look to Jaeger for fabulous style and quality that won’t go out of fashion in a hurry.

Jayne Pierson A/W 2011 by Ellie Sutton.

For Jayne Pierson I raced into town alone – yet another early morning show for which we only had one ticket, cheap enticingly printed on pearly grey paper. This despite a very nice mention of our support in the accompanying press release – thankyou whoever thought to mention us, approved it’s appreciated! We did in fact catch up with Jayne just prior to her show, and you can read the interview here. The invite and goodie bag were not, however, an indicator of a colourful show but rather the favoured shade of make-up. Kingdom of Shadows began on a black note and carried on in the same vein, broken up only by a curious grey and beige striped taffeta that is something of a Pierson signature but would not have looked out of place on curtains or a sofa in a certain type of house.

Jayne Pierson’s Kingdom of Shadows by Kerri-Ann Hulme.

Jayne Pierson formerly worked in the music business and this show felt deeply imbued with the remnants of an 80s rock sensibility. A gothic Victorian kind of rock, with swaggering shoulders and bunched bustle skirts. The models sported messy up dos, pallid faces with lilac lips and pin sharp shapely heels. Black tailored jackets featured inset patent fabric shoulders and cuffs, leather minidresses cowl-necked atop rubberised leggings. The sudden introduction of striped silk was balanced with patent detailing on collar, waist and cuffs – a jaunty pillbox hat set askance.

Jayne Pierson A/W 2011 by Laura Mullins.

Devore lacy velvet also made an appearance, not to mention a terribly racy see through crop top and leggings. I particularly liked the large but lightly draped silver jewellery by Fiona Paxton, who fuses Indian artisanship with a British punk sensibility and Bauhaus design. A corseted jumpsuit that hit the catwalk in a tipsy fashion was less desirable: the poor dresser must have got a shafting but I blame the model’s lack of boobs. What’s the point of a shaped bodice if there’s nothing to put in it?

Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia Gregory.

Jayne took her bow on the catwalk accompanied by a celebrity model – which no one knew. I had to check in with the PR to find out who she was but I can’t for the life of me remember – apparently she was a Welsh singer.

Jayne Pierson A/W 2011 Kingdom of Shadows. Photography by Amelia Gregory.

There were some beautiful ideas in Kingdom of Shadows; especially the strong shoulders and nipped in waists that recalled my fondest decade, the 80s. And I adored the carefully constructed bustle dress that bore the influence of Jayne’s time with Vivienne Westwood. But yet again there was all that pesky black, which will never ever be my favourite fashion colour. Here’s hoping that next season might see the reintroduction of colour again. Go on Jayne, please!

Written by Amelia Gregory on Tuesday March 8th, 2011 6:37 pm

Categories ,80s, ,bauhaus, ,Ellie Sutton, ,Fiona Paxton, ,gothic, ,Indian, ,Jayne Pierson, ,Kerri-Ann Hulme, ,Kingdom of Shadows, ,Laura Mullins, ,onoff, ,punk, ,Victorian, ,Vivienne Westwood

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