Amelia’s Magazine | Announcing: The ACOFI Book Tour. Please join me as I visit some of the UK’s best design shops!

Press Days March 2011-ACOFI
ACOFI at the Forward PR press day in March.

WOO HOOO Grafik magazine have beaten me to an official announcement of dates for my ACOFI Book Tour. But here’s everything you need to know if you would like to join me somewhere in the UK.

The #ACOFI Book Tour
On Tuesday 10th May I will be embarking on a mini book tour across the UK to promote Amelia’s Compendium of Fashion Illustration. In case you haven’t visited my website before this is what you need to know about my new book, dosage which is otherwise known as #ACOFI (especially on twitter):

Amelia’s Compendium of Fashion Illustration: the Book.
Amelia’s Compendium of Fashion Illustration *featuring the very best in ethical fashion design* was published at the end of 2010, approved and is the second publication from Amelia’s House, order the book publishing wing of Amelia’s Magazine. It is a showcase for the work of thirty up and coming fashion illustrators who have interpreted the work of 45 exciting new ethical fashion designers, as well as plenty of good independent design that was first featured online at Amelia’s Magazine.

ACOFI cover facebook event Soma

What I’ll be doing:
I’ll be visiting various wonderful independent art and design shops around the country to talk about the rise of eco fashion, the illustration process and social media for creatives and I will also be offering portfolio crits. I’m hoping to meet lots of creative people en route, so if you think you might like to take part don’t forget to bring your portfolio along with you: personal crits will be free on purchase of both my books at a special tour discount. Not to worry if you can’t bring your portfolio along in the evening though! At some shops I’ll be doing a 24 Hour Crit, so you can come along and talk to me personally the next day if you prefer.

Press Days March 2011-ACOFI

ACOFI illustrators to join me en route, plus more:
I’ll be accompanied at various points by some of the fabulous illustrators featured in my blogs for Grafik this week, and alongside my informal chat there will be lots more creative excitement at each shop: at the Tatty Devine Covent Garden shop participants will be invited to help paint the shop windows and at Tatty Devine in Brick Lane there will be the opportunity to learn how to ice biscuits with Biscuiteers. Not only that but guests will be able to enjoy complimentary organic juices from top juice mixologists Juiceology, fine teas from Lahloo and there will be plates laden with traditional biscuits and cakes for you to munch on. Once again the fabulous folks at Dr. Hauschka will be providing yummy free samples for participants to take away.

Press Days March 2011-ACOFI

Here’s a full list of all the dates – all talks are free but space is limited in some shops so please book where necessary to ensure your place. I’ll be tweeting about my adventures on the #ACOFI hashtag and you can follow me on @ameliagregory. I have also linked to the six associated facebook events. Six of ‘em, oh yea baby. Please do join if you would like to be kept updated about a specific event. Bring on The ACOFI Book Tour.

Tatty Devine in Covent Garden, London: Tatty Devine in Covent Garden 24 Hour Crit and Window Painting on Tuesday 10th May 6-10pm, then continuing into Weds 11th May as part of the 24 Hour Crit.
Tatty Devine blog about the event.
Please book your place here admin@tattydevine.com
Facebook event and Twitter.
44 Monmouth Street, London, WC2H 9EP, 0207 836 2685

The Fruitmarket Gallery in Edinburgh on Tuesday 17th May, 6.30-10pm, no booking necessary. 24 Hour Crit continuing into Wednesday 18th May.
Facebook event and Twitter.
Fruitmarket, 45 Market Street, Edinburgh, EH1 1DF, 0131 226 8181

Castor and Pollux in Brighton on Tuesday 24th May, 6-10pm.
To book your place email: april@castorandpollux.co.uk
Facebook event and Twitter.
165 King’s Road Arches, Lower Prom, Brighton BN1 1NB, 01273 773776

Comma in Oxford on Wednesday 25th May, 6-10pm.
To book your place email: hello@oxfordcomma.co.uk
Facebook event and Twitter.
247 Iffley Road, Oxford, OX4 1SJ, 01865 202400

Soma Gallery in Bristol on Thursday 26th May, 6-10pm, 24 Hour Crit continuing into Friday 27th May. To book your place email: fiona@somagallery.co.uk
Facebook event and Twitter.
4 Boyces Avenue, Clifton, Bristol, BS8 4AA, 0117 973 9838

Tatty Devine in Brick Lane, London: 24 Hour Crit and Biscuit Decorating with Biscuiteers on Tuesday 7th June, 6-10pm, continuing into Wednesday 8th June. Please book your place here admin@tattydevine.com
Facebook event and Twitter.
236 Brick Lane, London, E2 7EB, 0207 739 9191

Read more about my ACOFI launch party in January.
YouTube Preview Image

Reviews of Amelia’s Compendium of Fashion Illustration:

Champions the art form and gives a thorough insight into working practices… and it looks stunning, which is not a suprise considering the calibre of the work included. Design Week

Beautiful and informative as each interview and feature takes you on a personal journey, understanding where each artist and designer get their inspiration from and why ethical fashion is important to them. Ecouterre

A coffee-table book with a difference… perfect for dipping in and out of for both artistic and fashion inspiration. The Young Creatives

ACOFI has been featured in many publications including I-D online, Vogue, Digital Arts, Style Bubble, Cent Magazine and The Ecologist to name but a few. Why not click on the links and find out?

You can buy Amelia’s Compendium of Fashion Illustration online here. I hope to meet you soon!

Categories ,24 Hour Crit, ,ACOFI, ,Amelia’s Anthology of Illustration, ,Amelia’s Compendium of Fashion Illustration, ,Amelia’s House, ,art, ,Biscuiteers, ,Biscuits, ,Book shops, ,Book Tour, ,Brick Lane, ,brighton, ,bristol, ,cakes, ,Castor and Pollux, ,Cent Magazine, ,Comma, ,Covent Garden, ,design, ,Design Week, ,Digital Arts, ,Dr.Hauschka, ,Eco fashion, ,Ecouterre, ,edinburgh, ,Facebook, ,Forward PR, ,i-D, ,illustration, ,Juiceology, ,Lahloo, ,Lahloo Tea, ,london, ,Oxford, ,scotland, ,Social Media, ,Soma Gallery, ,Style Bubble, ,Talk, ,Tatty Devine, ,the ecologist, ,The Fruitmarket Gallery, ,The Young Creatives, ,twitter, ,vogue, ,Window Painting

Similar Posts:






Amelia’s Magazine | Beautiful Freaks: an interview with ceramicist Sophie Woodrow


Illustration by Paul Shinn

RD Franks has, this ed since 1877, been a hub for fashion students and journalists alike. The store, which recently relocated to Winsley Street, stocked everything a fashion fan could desire: every international edition of Vogue, rare trend magazines, the latest coffee table books and a whole load of reference literature for budding fashion designers.

So it came as a bit of shock a few days ago when RD Franks curiously sent Twitter users into a frenzy, tweeting ‘R. D. Franks is now closed until further notice. Kindest regards to all our lovely customers.’ Are they closed for refurbishment? Are they closed for good? Maybe they’re just swishing up their opening hours, which were bizarre enough anyway – closed on Saturdays? Ridiculous!

I’m currently putting together a feature of the best places to buy fashion literature in London, and RD Franks was to be top of the list. It was a big supporter of Amelia’s Magazine when we were in print, flogging many copies despite being difficult to deal with (Amelia’s words, not mine!) It was the one-stop-shop for research and bagging those hard-to-find copies of books and magazines that you couldn’t source anywhere else. I’d asked our fantastic contributor Paul to illustrate the stores I’d selected and RD Franks was the first one he produced, so this is somewhat of a sneaky opportunity to also showcase his brilliant drawing.

If they are closed for good, it’s a real shame, but not the world’s greatest surprise. Their stocklist had declined slightly in previous months and the few times I’d been in recently there was never much of an atmosphere. Add to the mix difficult opening hours and you’re business isn’t going to flourish.

So, RD Franks – if this is the end, thanks for being there and we’re sorry to see you go. You will be missed! (If it isn’t, what the hell is going on?)

If you know any more, do let us know!

Sophie Woodrow crowd
Photograph by Ben Dowden. All photographs courtesy of Sophie Woodrow.

Have you ever caught sight of something out of the corner of your eye and mistaken it for something quite different, remedy even otherworldly? Like the tatty old dressing-gown casting long, cheapest black shadows on your bedroom wall, decease or a flashback from that dream you had when you were seven, half remembered and so much more monstrous for not being quite complete? My first ever nightmare involved Worzel Gummidge and Punch, of ‘Punch and Judy‘ chasing me around our old house to the sound of sit-com laughter. I think I may have downed one too many Sodastreams that day, but if, like me, you’re familiar with that weird, slightly disturbing sensation and find it just a little bit addictive, then you are sure to love the work of Bristolian ceramic artist Sophie Woodrow.

Sophie Woodrow crowd2

Since graduating from Falmouth College of Art with a BA in studio ceramics, she has refined an intricate labour-intensive technique. Each piece is hand-built, involving coiling, incising and impressing to create a delicately textured surface. The hybrid creatures she creates explore Victorian theories of evolution. They represent a kind of ‘Sliding Doors’ moment in natural science; They are ‘what ifs’, of the ‘what if an owl made a baby with a grizzly bear, a reindeer, a Dalek or a mahogany writing table?’ variety. The resulting objects bask in ambiguities, they are not quite visitors from another world, the visual language she uses could not belong anywhere other than 21st century England, they’re more like unseen elements of this world, or a dream world that approximates this one.

Sophie Woodrow Laura Nuttall
Sophie Woodrow by Laura Nuttall.

The stillness of Sophie’s figures reminds me of the Booth Museum of Natural History in Brighton, where my A level art class were taken to draw stuffed crows ‘cavorting’ in enormous glass cases. All those glaring, orange-glass eyes gave me the heebie-jeebees. Sophie’s figures have hollowed out cavities where their eyes should be, lending them an even spookier blankness, but at the same time they are almost homely. They’re a little like something I might find perched on my Great Aunt Doris’s mantelpiece, if she’d recently gone a bit mental and started draping her ornaments with my jewellery collection, or sticking them down with big lumps of Plasticine ‘just in case’. Looking at them I can almost hear the ticking of the great, big grandfather clock in her hall. Tick, tock, tick, tock…

Sophie Woodrow Lion
Photograph by Ben Dowden.

I stumbled across Sophie’s website completely by chance, whilst researching a blog about Made 10, Brighton’s forthcoming design and craft fair (read my listing here). I was quickly glad I did. Her work spoke so strongly to me that I felt compelled to get in touch immediately and ask her about it, and this is what she had to say:

Sophie Woodrow Palace Art Fair

Describe your work in 30 words or less:
Delicate, bright white porcelain portraits of animals and otherworldly beings, inspired by the contact point between the natural world and human culture.

Gemma Milly Sophie Woodrow
Illustration by Gemma Milly.

Why make hybrid ‘might-have-been’ creatures?
I make ‘might have been’ creatures as an expression of the delight and odd reassurance I take in knowing that I can never make anything as strange as the real thing.

ROARhiss By Rosie Shephard
ROARhiss by Rosie Shephard.

What attracts you to working in clay?
At first I was attracted to working in clay because, along with drawing it’s a very fundamental means of making art, and I wanted to make actual things not representations. Along the way I have found it to be a more complicated picture, and have adjusted to all the historical and cultural baggage that clay carries with it.

Sophie Woodrow Little Bear

What inspires you?
I am inspired by my love for the beauty of the natural world, and more particularly our relationship to it. I am fascinated by the representations that people have made of animals throughout the ages, what they say about them and their times, their sense of themselves in the world, their strengths and vulnerabilities. My influences come from museums and anywhere I can see art objects, tools, fetishes, toys, weapons, any object that has an interesting history.

What process do you go through to make a piece of work?
My making process is very laboured, but I try to keep the initial visualization of a piece very unedited, I try not to search too hard for an idea and just look at it out of the corner of my eye long enough to pin it down, so that all I am generally doing in the studio is the physical making process, I’ll have my ideas elsewhere, on my bike, hoovering, thinking about something completely different.

What was the last thing you drew?
My studio is littered with pages of tiny thumbnail sketches of my animals, it’s a visual record of where in the world everything is, which gallery or shop, otherwise I forget.

Sophie Woodrow elephant

What do you listen too while you work?
BBC 6Music is a godsend, as my hands are always too covered in clay to change CDs, and being crafty and not techy, I haven’t worked out how to use my Ipod. Radio 4 is good too, until you realize you’ve just listened to a half-hour programme about the history of the sprocket.

Name three contemporaries whose work you think we should check out:
At Collect this year I coveted all the jewellery in Galerie Rob Koudjis, especially the gorgeous work of Gemma Draper. Being a ceramicist I’m ungenerously critical of my genre but have recently seen and loved the work of Claire Lindner. Fellow Bristolian, Aaron Sewards, draws such sad, exquisite little drawings it makes me want to cry.

What’s coming up for Sophie Woodrow?
I will be part of a group show in The Royal West Academy in Bristol from Jan 2nd, I have some work on theshopfloorproject.com until March, and have things dotted about here and there until then.

Sophie Woodrow Owl

Categories ,Aaron Sewards, ,Ben Dowden, ,Booth Museum of Natural History, ,brighton, ,bristol, ,Claire Lindner, ,Collect, ,Dalek, ,Falmouth College of Art, ,Galerie Rob Koudjis, ,Gemma Draper, ,Gemma Milly, ,Grandfather clock, ,Ipod, ,Laura Nuttall, ,Made 10, ,plasticine, ,Punch and Judy, ,Radio 4, ,Radio 6 Music, ,Rose Shephard, ,Sliding Doors, ,Sodastream, ,Sophie Woodrow, ,Sprocket, ,The Royal West Academy, ,Theshopfloorproject.com, ,Worzel Gummidge

Similar Posts:






Amelia’s Magazine | Beautiful Freaks: an interview with ceramicist Sophie Woodrow


Illustration by Paul Shinn

RD Franks has, this ed since 1877, been a hub for fashion students and journalists alike. The store, which recently relocated to Winsley Street, stocked everything a fashion fan could desire: every international edition of Vogue, rare trend magazines, the latest coffee table books and a whole load of reference literature for budding fashion designers.

So it came as a bit of shock a few days ago when RD Franks curiously sent Twitter users into a frenzy, tweeting ‘R. D. Franks is now closed until further notice. Kindest regards to all our lovely customers.’ Are they closed for refurbishment? Are they closed for good? Maybe they’re just swishing up their opening hours, which were bizarre enough anyway – closed on Saturdays? Ridiculous!

I’m currently putting together a feature of the best places to buy fashion literature in London, and RD Franks was to be top of the list. It was a big supporter of Amelia’s Magazine when we were in print, flogging many copies despite being difficult to deal with (Amelia’s words, not mine!) It was the one-stop-shop for research and bagging those hard-to-find copies of books and magazines that you couldn’t source anywhere else. I’d asked our fantastic contributor Paul to illustrate the stores I’d selected and RD Franks was the first one he produced, so this is somewhat of a sneaky opportunity to also showcase his brilliant drawing.

If they are closed for good, it’s a real shame, but not the world’s greatest surprise. Their stocklist had declined slightly in previous months and the few times I’d been in recently there was never much of an atmosphere. Add to the mix difficult opening hours and you’re business isn’t going to flourish.

So, RD Franks – if this is the end, thanks for being there and we’re sorry to see you go. You will be missed! (If it isn’t, what the hell is going on?)

If you know any more, do let us know!

Sophie Woodrow crowd
Photograph by Ben Dowden. All photographs courtesy of Sophie Woodrow.

Have you ever caught sight of something out of the corner of your eye and mistaken it for something quite different, remedy even otherworldly? Like the tatty old dressing-gown casting long, cheapest black shadows on your bedroom wall, decease or a flashback from that dream you had when you were seven, half remembered and so much more monstrous for not being quite complete? My first ever nightmare involved Worzel Gummidge and Punch, of ‘Punch and Judy‘ chasing me around our old house to the sound of sit-com laughter. I think I may have downed one too many Sodastreams that day, but if, like me, you’re familiar with that weird, slightly disturbing sensation and find it just a little bit addictive, then you are sure to love the work of Bristolian ceramic artist Sophie Woodrow.

Sophie Woodrow crowd2

Since graduating from Falmouth College of Art with a BA in studio ceramics, she has refined an intricate labour-intensive technique. Each piece is hand-built, involving coiling, incising and impressing to create a delicately textured surface. The hybrid creatures she creates explore Victorian theories of evolution. They represent a kind of ‘Sliding Doors’ moment in natural science; They are ‘what ifs’, of the ‘what if an owl made a baby with a grizzly bear, a reindeer, a Dalek or a mahogany writing table?’ variety. The resulting objects bask in ambiguities, they are not quite visitors from another world, the visual language she uses could not belong anywhere other than 21st century England, they’re more like unseen elements of this world, or a dream world that approximates this one.

Sophie Woodrow Laura Nuttall
Sophie Woodrow by Laura Nuttall.

The stillness of Sophie’s figures reminds me of the Booth Museum of Natural History in Brighton, where my A level art class were taken to draw stuffed crows ‘cavorting’ in enormous glass cases. All those glaring, orange-glass eyes gave me the heebie-jeebees. Sophie’s figures have hollowed out cavities where their eyes should be, lending them an even spookier blankness, but at the same time they are almost homely. They’re a little like something I might find perched on my Great Aunt Doris’s mantelpiece, if she’d recently gone a bit mental and started draping her ornaments with my jewellery collection, or sticking them down with big lumps of Plasticine ‘just in case’. Looking at them I can almost hear the ticking of the great, big grandfather clock in her hall. Tick, tock, tick, tock…

Sophie Woodrow Lion
Photograph by Ben Dowden.

I stumbled across Sophie’s website completely by chance, whilst researching a blog about Made 10, Brighton’s forthcoming design and craft fair (read my listing here). I was quickly glad I did. Her work spoke so strongly to me that I felt compelled to get in touch immediately and ask her about it, and this is what she had to say:

Sophie Woodrow Palace Art Fair

Describe your work in 30 words or less:
Delicate, bright white porcelain portraits of animals and otherworldly beings, inspired by the contact point between the natural world and human culture.

Gemma Milly Sophie Woodrow
Illustration by Gemma Milly.

Why make hybrid ‘might-have-been’ creatures?
I make ‘might have been’ creatures as an expression of the delight and odd reassurance I take in knowing that I can never make anything as strange as the real thing.

ROARhiss By Rosie Shephard
ROARhiss by Rosie Shephard.

What attracts you to working in clay?
At first I was attracted to working in clay because, along with drawing it’s a very fundamental means of making art, and I wanted to make actual things not representations. Along the way I have found it to be a more complicated picture, and have adjusted to all the historical and cultural baggage that clay carries with it.

Sophie Woodrow Little Bear

What inspires you?
I am inspired by my love for the beauty of the natural world, and more particularly our relationship to it. I am fascinated by the representations that people have made of animals throughout the ages, what they say about them and their times, their sense of themselves in the world, their strengths and vulnerabilities. My influences come from museums and anywhere I can see art objects, tools, fetishes, toys, weapons, any object that has an interesting history.

What process do you go through to make a piece of work?
My making process is very laboured, but I try to keep the initial visualization of a piece very unedited, I try not to search too hard for an idea and just look at it out of the corner of my eye long enough to pin it down, so that all I am generally doing in the studio is the physical making process, I’ll have my ideas elsewhere, on my bike, hoovering, thinking about something completely different.

What was the last thing you drew?
My studio is littered with pages of tiny thumbnail sketches of my animals, it’s a visual record of where in the world everything is, which gallery or shop, otherwise I forget.

Sophie Woodrow elephant

What do you listen too while you work?
BBC 6Music is a godsend, as my hands are always too covered in clay to change CDs, and being crafty and not techy, I haven’t worked out how to use my Ipod. Radio 4 is good too, until you realize you’ve just listened to a half-hour programme about the history of the sprocket.

Name three contemporaries whose work you think we should check out:
At Collect this year I coveted all the jewellery in Galerie Rob Koudjis, especially the gorgeous work of Gemma Draper. Being a ceramicist I’m ungenerously critical of my genre but have recently seen and loved the work of Claire Lindner. Fellow Bristolian, Aaron Sewards, draws such sad, exquisite little drawings it makes me want to cry.

What’s coming up for Sophie Woodrow?
I will be part of a group show in The Royal West Academy in Bristol from Jan 2nd, I have some work on theshopfloorproject.com until March, and have things dotted about here and there until then.

Sophie Woodrow Owl

Categories ,Aaron Sewards, ,Ben Dowden, ,Booth Museum of Natural History, ,brighton, ,bristol, ,Claire Lindner, ,Collect, ,Dalek, ,Falmouth College of Art, ,Galerie Rob Koudjis, ,Gemma Draper, ,Gemma Milly, ,Grandfather clock, ,Ipod, ,Laura Nuttall, ,Made 10, ,plasticine, ,Punch and Judy, ,Radio 4, ,Radio 6 Music, ,Rose Shephard, ,Sliding Doors, ,Sodastream, ,Sophie Woodrow, ,Sprocket, ,The Royal West Academy, ,Theshopfloorproject.com, ,Worzel Gummidge

Similar Posts:






Amelia’s Magazine | BRIGHTON SHOW: University of Brighton 2014 Graphic Design and Illustration Degree Show Review

Processed with VSCOcam with f2 preset
Installation by Charlie Barrows

Over the weekend more than 70 students from the University of Brighton‘s Graphic Design and Illustration programme brought their wares to The Bargehouse, a cavernous part of the Oxo Tower building with a labyrinth of bare brick rooms over four floors. It was the perfect setting for this show, where viewers were invited to explore the whole building featuring print, illustration and film in various rooms.

It was a mammoth task trying to check everything out, but a task I thoroughly enjoyed. Here’s a rundown of some of my favourites, beginning with Charlie Barrows, whose flowers installation (top) was the first thing that caught my eye. She’d also produced some striking collage prints that at first looked pretty but up close revealed a sinister message (a key theme in her work) – like this one featuring Fred and Rose West.

CharlieBarrows1

Providing light relief in juxtaposition was Marcus Connor. I loved his Patrick Caulfield/Michael Craig-Martin-esque line illustrations.

MarcusConnor_BrightonShow2014_002

Sarah Todd had curated an entire offshoot room, erecting a vintage gym complete with climbing frame, bench and hoops to display her mixture of retro apparel and printed matter.

Processed with VSCOcam with f2 preset

Processed with VSCOcam with f2 preset

I loved Richard Henley‘s bold, Memphis-like prints. The geometric shapes and marble patterns were right up my strasse, based loosely on childrens’ building blocks.

RichardHenley

Dan Mountford has courted much press attention with his ethereal photography. I was mesmerised by this side portrait with ripple effect. His double exposure portraits (which I must have missed at the exhibition) are definitely worth checking out – have a look over on his website.

Processed with VSCOcam with f2 preset

Florence Wood dominated one corner of a room with her all white sculpture, made from bottles, tins and other household packaging items. Her aim was to raise awareness of the level of poverty in Brighton itself.

MattBramford_BrightonShow2014_002

There was nothing not to love about Andrew Morley‘s skeleton man, a sculpture based on his comic drawing style.

Processed with VSCOcam with f2 preset

Ralph Pederson‘s Tear Back project aims to reimagine some of Brighton’s derelict buildings.

RalphPederson_TearBack1

RalphPederson_TearBack2

I loved the minimalist aesthetic of Elina Linina‘s photography, in particular this shot of Copenhagen concrete.

OLYMPUS DIGITAL CAMERA

Chantal Caduff produced, amongst other things, this wonderful post-modernist stop-frame animation, featuring multiple magazine collages:

Jordan Pryke lives with bi-polar disorder and his aim is to spread awareness of its complications; his unique visual style resulted in many effective and eye-catching images.

Processed with VSCOcam with f2 preset

Abi Overland presented some classic, organic, forestry illustrations with a nice mix of different styles.

AbiOverland

I really liked Luisa Lloyd‘s abstract graphic design – fragments of images and text combined to form images based on Friedrich Nietzsche‘s works.

Luisa Lloyd 1

Luisa Lloyd 2

And lost but not least, a quick mention to Lawrence Dodgson‘s hilarious ‘Horny Trains’ zine cover…

Processed with VSCOcam with f2 preset

Nice one, Brighton!

Photographs of exhibition by Matt Bramford; work images courtesy of graduates.

Categories ,2014, ,Abi Overland, ,Andrew Morley, ,art, ,BA, ,Bargehouse, ,brighton, ,Chantal Caduff, ,Charlie Barrows, ,Dan Mountford, ,Elina Linina, ,Florence Wood, ,Fred West, ,graduates, ,Graphic Design, ,horny trains, ,illustration, ,installation, ,Jordan Pryke, ,Lawrence Dodgson, ,Luisa Lloyd, ,Marcus Connor, ,Matt Bramford, ,Mixed Media, ,Oxo Tower, ,Ralph Pederson, ,review, ,Richard Henley, ,Rose West, ,Sarah Todd, ,Screenprints, ,show, ,University of Brighton, ,Visual Communication

Similar Posts:






Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party photos: meet Liz Johnson-Artur

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of my ACOFI illustrators who were also not present during the daytime to illustrate a few of them. Which is how I wound up with this merry bunch of pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Erica Sharp and Natsuki Otani (above) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, price buy but not on a table, treat oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are. Let me tell you, Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion)

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past many months

Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, medical but not on a table, viagra 100mg oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are. Let me tell you, Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion)

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past many months

Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, this web but not on a table, oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, viagra approved but not on a table, oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, cheap but not on a table, pilule oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, information pills but not on a table, this site oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, medicine but not on a table, and oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know. (They appeared in issue 1 of Amelia’s Magazine a long time ago…)

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, and but not on a table, ask oh no. On a head, clinic where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know. (They appeared in issue 1 of Amelia’s Magazine a long time ago…)

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour in Kent. Voila, I introduce to you Alan Flack and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though she wasn’t there, this wasn’t done from a party snap and she doesn’t appear in the book. Though doubtless she would have done if I’d met her earlier. Karina is just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world…

Liz Johnson-Artur-ACOFI-Tamara Cincik and Amelia Gregory
Tamara Cincik and Amelia Gregory at the ACOFI launch by Liz Johnson-Artur.

Liz Johnson-Artur and myself go back a loooong way. In the days when I was interning at Arena Magazine (RIP) I accompanied her on shoots in Brixton as a fashion stylist’s assistant, troche and then when I became determined to become a photographer I began to assist her, memorably on a series of fashion shoots featuring posh girl models posing in posh country houses for the high society rag Tatler. They liked her quirkiness, and for us it was a great chance to see how the really rich live.

Liz Johnson-Artur-ACOFI-Prince Cassius
Prince Cassius.

Liz Johnson-Artur-Jonno Ovans, Matt Bramford & Sally Mumby-Croft
Jonno Ovans, Matt Bramford & Sally Mumby-Croft.

Liz was one of the few people who was willing to take me on at a time when I knew nothing about the technicalities of taking pictures – I still don’t know much to be fair, but that’s never hindered my love of photography. We’ve worked together many times since – she produced some wonderful early shoots for Amelia’s Magazine, then moved down to Brighton to bring her girl up in a more sedate environment than that surrounding the tower block in South London where she lived for many years.

Liz Johnson-Artur-ACOFI-Antonia Parker
ACOFI illustrator Antonia Parker.

Liz Johnson-Artur-ACOFI-Rachel de Ste. Croix drawing Susie Bubble
Rachel de Ste. Croix drawing Susie Bubble.

She’s the perfect person to bring along to a party because she so delights in capturing extravagant folk of all types, so, when I needed someone to shoot Pete Doherty and co at play for an editorial piece that I wrote for Fader Magazine right at the height of his mania who better to call on than Liz Johnson-Artur? And then in January I thought of her to capture my ACOFI launch party attendees. Luckily it was easy to persuade her to leave her south coast idyl and join us for the afternoon.

Liz Johnson-Artur-ACOFI-6 Day Riot
6 Day Riot soundchecking.

Liz Johnson-Artur-ACOFI-Ballad Of
Claire from Ballad Of Magazine.

When putting this blog post together I decided to ask her to answer a few questions: read on and be inspired. It’s always a total pleasure to team up with Liz. Mwah.

Liz Johnson-Artur-ACOFI-Rosie and Harriet of Tatty Devine
Rosie and Harriet of Tatty Devine.

Liz Johnson-Artur-ACOFI

What was your favourite part of shooting the ACOFI launch?
The most amazing thing was to see what you are doing. I am one of those people who was there when you started, and seeing your energy prosper in such a creative and committed way, is for an old friend, to say the least… very nice.

Liz Johnson-Artur-ACOFI-Gabby Young
Liz Johnson-Artur-ACOFI-Gabby Young
Gabby Young.

Why do you still prefer to shoot on film? What does it add to an image that you can’t get on digital?
I love to have the negative as a starting point and I love being in the darkroom – I wouldn’t want to give it up for no easy ‘perfect photoshop’. My hands have a chance to touch negatives and this is part of what I want my photographs to transmit, the sense of being in touch with all our senses. I think this is an especially important thing in these times. Shooting on film gives you time between the taking and the having. For me photography is a sensual experience – it’s not about perfection or quick turn over, but the journey that it takes to see the photograph. I think that the limitation that film offers is also the creative and spiritual freedom, and it is worth preserving.

Liz Johnson-Artur-ACOFI-Andrea Peterson
Andrea Peterson at work.

You’ve got an amazing blog called Black Balloon Archive – what’s it all about?
My Black Balloon Archive started when I came to London and didn’t know much about the mix of the city. Growing up in Germany my access to black culture or communities was very much limited to black GIs, and standing in Brixton waiting for the bus I suddenly realised that I was in a place where all this could be explored. My camera was somehow a way of convincing people to let me in; there was never an aim or a strategy. All I wanted was to be let in – to look and learn.

Liz Johnson-Artur-ACOFI-Nina Dolcetti shoes
Nina Dolcetti shoes.

Liz Johnson-Artur-ACOFI-Amelia at 123
Running up and down the stairs at 123.

Starting in London I developed this hunger to find Afro/Caribbean communities to document wherever I could… in Portugal, Germany, the US, France and finally last year in Russia. Being of Ghanain/Russian descent myself this was personally an amazing trip. The Black Balloon Archive blog presents some of the images which I find in my archive – it enables me to retell some of the stories and revisit the faces that I have met on this journey…

Liz Johnson-Artur-ACOFI
Liz Johnson-Artur-ACOFI-Johann Chan of Digital Arts
Johann Chan of Digital Arts.

Liz Johnson-Artur-ACOFI-Michelle Urvall Nyren and Naomi Law
Michelle Urvall Nyren and Naomi Law.

What will you be shooting next?
That depends on what will cross my path, but I guess that somehow it will be always be connected to people and their stories.

Liz Johnson-Artur-ACOFI-Courtney Blackman of Forward PR and Cate Sevilla of Bitch Buzz Buzz
Courtney Blackman of Forward PR and Cate Sevilla of Bitch Buzz.

Liz Johnson-Artur-ACOFI-Lily Vanilli having the Dr.Hauschka treatment
Lily Vanilli having the Dr.Hauschka treatment.

Liz, you tell those stories so very well… so I think it’s best to just let the pictures do the talking.

Don’t forget to visit the Black Ballon Archive on your way out.

Liz Johnson-Artur-ACOFI-Lesley Barnes
Illustrator Lesley Barnes.

Liz Johnson-Artur-ACOFI-Susie Bubble
Susie Bubble.

Liz Johnson-Artur-ACOFI-illustrators
The illustrators gathered and ready to draw the guests.

Categories ,6 Day Riot, ,ACOFI, ,Afro/Caribbean, ,Amelia Gregory, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,Antonia Parker, ,Arena Magazine, ,Ballad Of, ,Ballad Of Magazine, ,Bitch Buzz, ,brighton, ,Brixton, ,Cate Sevilla, ,Courtney Blackman, ,Digital Arts, ,Dr.Hauschka, ,Forward PR, ,gabby young, ,Ghanain, ,Johann Chan, ,Jonno Ovans, ,Lesley Barnes, ,Lily Vanilli, ,Liz Johnson-Artur, ,Matt Bramford, ,Michelle Urvall Nyrén, ,Naomi Law, ,Nina Dolcetti, ,Prince Cassius, ,Rachel De Ste. Croix, ,Rosie and Harriet, ,Russian, ,Sally Mumby-Croft, ,Susie Bubble, ,Tamara Cincik, ,Tatler, ,Tatty Devine

Similar Posts:






Amelia’s Magazine | An interview with Eliza Fricker: Amelia’s Colourful Colouring Companion featured artist.

Baines and Fricker minerals wallpaper
Eliza Fricker of design duo Baines & Fricker contributes an imaginative colouring page to Amelia’s Colourful Colouring Companion inspired by the weird and wonderful statues of the V&A museum in London. She tells us more about her creative life in Brighton; running a business with her husband, creating wallpaper designs inspired by the everyday, and her upcoming graphic novel.

Eliza Fricker portrait
Why did you decide to study at Chelsea and what was the best thing you took from your time there and has informed your design practice today?
My dad studied at Chelsea and it had a good reputation. It was good to travel out of my area to go there and meet different people. I liked learning actual skills such as life drawing and the lectures were great – I think these foundations are essential to becoming an artist. We were given experience in each area – interiors/architecture, photography, drawing, 3D.

Eliza Fricker worldsend
How has your work been inspired by your upbringing and how have your parents affected the way you approach your creative practice?
My dad taught me a lot – he taught me to draw and how to see things (he is a fine artist and political cartoonist/illustrator). We drew together and went along the Thames and looked for interesting things. We lived in a very conservative area and both my parents were different from the other people and they taught me to see things differently and to question everything.

Eliza Fricker frontier
Why do you currently live and work in Brighton? what took you there and what keeps you there?
I moved to Brighton when I was 19 – we had friends here and my brother had lived here already. I shared a flat with my brother and eventually my parents moved here too. I met my husband here and his family are all nearby. It’s great for our daughter to live with her grandparents around her. Brighton is a perfect combination of city, sea and countryside. It has lots of good pubs and restaurants and friendly creative people. Although it is getting more and more expensive and making it harder for artists to afford to live here!

Eliza Fricker cast
When did you set up Baines & Fricker and why?
When I met Steve we shared similar interests – I was manager of an arts cinema in Brighton and Steve was commuting to a city job in London that he had been doing since he was 16. It was a natural progression to work together and earn money doing a job we loved.

Eliza Fricker makingacomeback
How easy is it to run a business with your husband? Who does what? Any tips and tricks for keeping home and work life separate?
We work together and separately – the studio is upstairs and the workshop is downstairs. There are elements we do separately, as Steve is the ‘maker’ and I do the social media/emails etc. I also still do my screen printing and illustration stuff. Our home life and work life is quite fluid and that works because we are doing a job we both enjoy!

Eliza Fricker collage
How did you hook up with an American publisher co-produce a stationary range, and what kind of imagery have you used?
They contacted me. They are adapting my Cat’s wallpaper to create a range of notebooks.

Eliza Fricker print
When you first start to design wallpaper where do you look for inspiration?
Some of my wallpapers come from screen prints and other are illustrations developed from my sketchbooks. I like to look at everyday things – such as pets, plants and food.

Baines_Frickercushions
Where will you be shooting your next range of furniture and wallpaper designs for Baines & Fricker?
We will be photographing these will Abel Sloane and Ruby Woodhouse from 1934 which will be great as we really admire their work and style.

Eliza Fricker properjob
I hear you are working on a graphic novel, can you give us a glimpse of what will be inside?
My mother was very ill for a number of years, with various physical and mental health problems. She became a spectral person, losing all of her former self. She just sat in front of the TV and ate crisps and chocolate until she was eventually diagnosed with a huge brain tumour. Miraculously she has made a full recovery but her personal life has changed radically – she is no longer with my father and she also lost her job as a bookshop manager during her illness. I am doing the book to help us all as a family process what happened and for my mother especially as she doesn’t remember being ill. One of the lowest points of her illness was when she was referred to a councillor who said she was fine and ‘Just Getting Old’- this is also the the title of my book.

Eliza Fricker colouring page
How did you come up with the idea for your colouring pages?
My images were inspired by sketches of post classical European sculptures that I made at the V&A, focusing on the surreal and almost comical nature of their outlandish outfits, hats and hairstyles.

Baines and Fricker cement works wallpaper
What kind of design inspires you most and where do you hunt for that inspiration when you need a new dose of it?
Our holidays and outings inspire us the most – we have lots of English holidays along the South Coast and the West Country and we also love San Francisco and New York. We take lots of pictures of things we see and like and this can be anything from signs to colours and shapes. Our Pew Bench range is inspired by visiting old churches and the bench seating in them. We like to create long lasting design and avoid fads or trends and we like to create furniture to keep forever.

Find artwork by Eliza Fricker Baines & Fricker in Amelia’s Colourful Colouring Companion alongside that of 43 other artists, available to preorder to receive in January from my Big Cartel shop now.

Categories ,#ameliasccc, ,1934, ,Adult Colouring Book, ,Amelia’s Colourful Colouring Companion, ,Baines & Fricker, ,Big Cartel, ,brighton, ,Chelsea College of Art, ,Colouring Book, ,designers, ,Eliza Fricker, ,interview, ,Victoria & Albert Museum

Similar Posts:






Amelia’s Magazine | An Interview with Illustrator Tom Clohosy Cole

tomclohosycole_Financial_Times_editorial_2

Financial Times editorial.

Since I discovered the unique and wonderful work of Tom Clohosy Cole at his Kingston University graduate show in 2011 his career has unsurprisingly gone from strength to strength. I caught up with Tom to find out what makes him tick…

What was the best bit about growing up in Brighton and was it a conscious decision to leave town to study? (I hear there is a good university there…)
The best thing about Brighton has to be the Palace Pier. I thinks its good to move away from home and try out new places, I applied to a few different Universities including Brighton but chose Kingston as it was somewhere new and the course had a good reputation.

tomclohosycole_Financial_Times_editorial_

Your graduate showcase was termed around insurance and I can’t help noticing that you have recently done some commercial work for an insurance company – was there a direct link between the two, and have you done a lot of work for the insurance industry?!
Ha yes well spotted. My degree show work was a comment on the stranger and more extreme end of insurance so its funny that I was commissioned to do some work for an insurance company. It’s only been the one job and I don’t imagine that will be an area that my work will feature in much more, but you never know??

tomclohosycole_Financial_Times_book_review

Who do you share your studio space with and where is it based?
I share a studio with Robert Hunter, a brilliant illustrator who I’m sure you’ll all know, and Elliot Dear, a very talented director who has been responsible for some great music videos and short films, and recently the John Lewis Christmas Ad. We’re up in Dalston.

tomclohosycole_Wired_Life_On_Mars_

Can you tell us more about your Life on Mars novel? What is it all about?
Sure. Its about a group of people who agree to participate in a ‘Big Brother’ style reality show on Mars, whilst also learning about the planet and testing its potential to support life. As the show becomes less popular on Earth the funding is cut and the participants are left to fend for themselves. The story was written by Andrea Curiat, and was for Wired Italy.

tomclohosycole_THRONE_Album_Artwork

Throne album artwork.

Space seems to be a theme that runs throughout your work – what inspires this passion and what is the most exciting thing you have learned about space on your research travels?
I find space fascinating, probably because I know so little about it and because it’s so vast. It’s sometimes nice to put everyday problems in the context of space and be reminded how small they are. One of my favourite space stories is that of the golden record. It was sent into space containing all sorts of greetings and sounds from earth. The spacecraft that holds the record is still travelling further away from our planet into the unknown in the hope of being found by another intelligent life form.

What is the process of working with a band on imagery?
With the project i’ve just finished the band are having a fantastic music video created by their lead singer Nicos Livesey and animator Tom Bunker. We decided to tie the artwork in with the video so it uses the same palette and I recreated elements from the animation frames. The process overall was collaborative, there’s lots of communication between you and the band as its really important that the feel of the artwork reflects them and their music. Keep an eye out for their video; its embroidered on denim frames.

tomclohosycole_GIF_Personal_work

You also work in animation, how do you work across mediums and is there a lot of cross pollination?
Yes they constantly cross pollinate. When I’m not working in illustration I like to be trying my hand in animation, it’s a lot of fun. I think more and more they are becoming one and it’s good to keep up with things as much as possible.

You have a very identifiable style, where does your inspiration come from and how do you create your pieces?
I like to get my inspiration from all sorts of places, but try to avoid looking at other illustrators. I like looking at the work of D.O.P’s and photographers and painters. I create my pieces using a mixture of hand drawn and digital elements, all ending up being arranged and coloured in the computer.

Tom Clohosy Cole Space Race

Space Race.

In what way did Kingston University prepare you for the world of work?
Kingston puts its emphasis on ideas, rather than the technical side. It was very important leaning how to ‘think’ about what I’m doing, especially in an industry where you have to be so adaptable.

Who are your favourite type of clients and what are your favourite projects to work on?
I always love doing book covers. My favourite projects to work on are Picture Books, it’s great having 6 months to work on one thing and loose yourself in it.

Tom Clohosy Cole Nobrow issue 6

Tom Clohosy Cole Nobrow issue 6.

You have worked extensively with Nobrow, how did this relationship come about and what have you got coming up next?
We met at my degree show and I was lucky enough to be asked to contribute to their magazine. Coming up next is a big map of London…

tomclohosycole_WALL_book_preview

Wall book preview.

I see you have a new book due out this October… it all looks very intriguing. Can you share any preview details with us?
Yes it comes out on October the 1st. Exciting. It’s my first full picture book and it’s published by Templar Books. The book is called ‘WALL’ and is the story of a young boy who’s father is stuck on the other side of the Berlin Wall. I spent most of 2013 beavering away at it and I’m excited for it to come out, it feels like so long ago that I made it now but we’ve been waiting for the 25th anniversary of the Berlin Wall coming down to release it.

What have been the high points and the low points of pursuing a professional career in illustration, to date?
High Points: Being told I can make ‘Space Race’ and ‘WALL’. Getting a studio. Working on animation jobs with lots of friends of mine.
Low Points: Loosing Pitches, especially when you’ve already decided what your going to spend the money on in your head. Working from home. No longer printmaking.

Thankyou Tom Clohosy Cole!

Categories ,Andrea Curiat, ,Berlin Wall, ,Big Brother, ,brighton, ,dalston, ,Elliot Dear, ,illustrator, ,interview, ,Kingston University, ,Life on Mars, ,Nicos Livesey, ,Palace Pier, ,Robert Hunter, ,Space Race, ,Templar Books, ,Tom Bunker, ,Tom Clohosy Cole, ,WALL, ,Wired Italy

Similar Posts:






Amelia’s Magazine | An interview with Lee May Foster-Wilson of Bonbi Forest

Equus Scarf Print by Bonbi Forest
Equus Scarf by Bonbi Forest.

I fell in love with the artwork and treats of Lee May Foster-Wilson’s Bonbi Forest many years ago, look so it seemed only right to catch up and find out what inspires this talented lady.

Dark is the Night Slouch Sweater by Bonbi Forest
Dark is the Night Slouch Sweater by Bonbi Forest.

Where did your name come from and what does it mean?
Bonbi Forest is an amalgamation of a few different things. Forest is an anagram of one of my names, order Foster, information pills so I really wanted to incorporate that when I was coming up with a name. Bonbi is a bit weird, but it comes from some paintings I was making at the time of little birds with speech bubbles. One of them was saying ‘Bonjour’ and I always called him the Bonjour Bird I can’t remember why I did it but I shortened it to Bonbi and it stuck! I like how ‘Bonbi Forest‘ could be a place or someones name.

Big Cats Scarf Print by Bonbi Forest
Big Cats Scarf by Bonbi Forest
Big Cats Scarf by Bonbi Forest.
 
You’ve developed a very unique style over the years – where does your inspiration come from and why do you think your work looks so individual?
I take inspiration from nature a lot for my imagery. I have always enjoyed painting animals and plants and looking at the abstract shapes in the natural world. I also like to jot down things I have heard that interest me such as interesting facts or lyrics from songs to get me thinking about themes to draw from. My Stillness of Horses painting came about because I read something in a book about someone observing how still horses can stand for hours on end and how they seem to be deep in thought a lot of the time. I like to work with things like that.

Stillness of Horses by Bonbi Forest
Herd Painting by Bonbi Forest.

It’s something I have never really thought about but I think that what makes my work quite individual are the processes I use in creating the different things I make. Painting and screen printing require quite different ways of thinking about the final image and they both feed into each other when it comes to informing my style – the graphic elements of screen printing have crept into my paintings and drawings and painterly elements can be seen in my screen printing work. Also, I am not very good at using a very conventional colour arrangements when making my pictures. I see nothing wrong with pink grass, blue trees and purple birds!

Jackdaw by Bonbi Forest
Jackdaw by Bonbi Forest.

Why did you move from fine art into illustration?
A lot of people ask me if I am an illustrator but I never consider myself as one. I’ve never really done any illustration commissions, most of the commissions I have worked on came about for the fact that I could screen print the end result as well as supply the images!

I Love You Hand Printed Card by Bonbi Forest
I Love You Hand Printed Card by Bonbi Forest.

I was criticised a bit at art school because my work was too illustrative and I wonder if it would be the same now as I think these days there is a lot more crossover between the two disciplines of fine art and illustration.

Goodnight Locket by Bonbi Forest
Goodnight Locket by Bonbi Forest.

Your newest range uses a very clever print technique to print onto lockets and curved metal rings. Is there anything that you can reveal about how this is done?
I apply the images using a transfer technique which is a little time consuming but I love the end result. I think proper crafty types could probably work out how it is done but for the first time ever I am zipping up about exactly how I do a technique as it has taken me ages to work out how to do it. As much as I like to share I am keeping this one to myself!

Feathers Locket by Bonbi Forest
Feathers Locket by Bonbi Forest.

Not many people have successfully managed to use illustration on jewellery. Why was it important for you to find a way to do this?
It has bugged me for a long time that I haven’t been able to make that final connection between my painted and printed work and my jewellery. Although the colours I use in my jewellery take inspiration from my other work and I use little charms that pick out the themes dear to me, I have always felt this disconnect and that it didn’t really have that special unique ‘Bonbi Forest‘ edge that my other work had. It was all made with beads and charms that anyone else could find if they looked hard enough.

Dark is the Night Locket by Bonbi Forest
Dark is the Night Locket by Bonbi Forest.

I have been considering for years how to do it in a way that was a bit different to the usual illustrated jewellery that you see (such as images behind glass) and finally hit the nail on the head earlier this year. I have figured it out for pendants and rings and now I am working on ways to make it into pretty earrings and bracelets…

Blossom Pop Earrings by Bonbi Forest
Blossom Pop Earrings by Bonbi Forest.

Your products are described as ‘treats’ – why do you think it’s important to treat oneself or a loved one?
We all work so hard for what we have in this world and it is nice to be able to treat ourselves to something lovely every so often. I like using the word ‘treat’ as it implies that this is something worked for and that you (or a loved one) deserve it. Something special rather than another piece of throwaway fashion from the high street that can be bought at any time from any shop…

Locket Making by Bonbi Forest
Locket Making by Bonbi Forest.

What kind of things have you made for Bat for Lashes? How did you hook up with her?
Natasha and I lived together throughout university and are still close friends. I made her first ever BFL t-shirts which we sold at the first All Tomorrows Parties that she played at in 2005, and then I continued selling them online for her. She likes to work with lots of different artists so I haven’t made anything for her for a while but she wears Bonbi Forest jewellery quite a lot and we have chatted about maybe doing other things together in the future too…

Pegasus painting by Bonbi Forest
Pegasus painting by Bonbi Forest.

(in fact, going back to the ATP merch stand we had, I remember being very excited when the day was over and looking at the huge amount of email addresses collected on her mailing list clipboard and seeing your distinctive ‘Amelia’ signature on there. ‘Oh my god! Amelia from Amelia’s magazine was stood right in front of me and I didn’t even realise!‘ I think I said…)

Sketches by Bonbi Forest
Sketches by Bonbi Forest.

Who else do you aspire to dress? And what would you put them in or adorn them with?
To be honest it’s not something I have ever really considered! When I am making stuff I think about what sort of person would like to wear it, but I never have anyone specific in mind. I do have my ideas about how pieces look their best though and I am always intrigued to see how other people incorporate them into their own style.

Pegasus tshirt by Bonbi Forest
Pegasus Tee by Bonbi Forest.

I am always very honoured that anyone at all would like to wear things that I have created…in fact I have been known to blush when I see someone in a t-shirt or scarf that I have made out ‘in the wild‘!

Bonbi Forest custom made pleated purse
Bonbi Forest custom made pleated purse.

Why did you decide to live in Cornwall? Is it where you grew up or was there some other draw to that wild part of the world?
I grew up in Cornwall. I was born in London but my folks moved to Cornwall when me and my brother were 4 and 5 so I feel like Cornwall is my motherland (though I can never describe myself as Cornish. You can only do that if were born on the right side of the Tamar!)
Spring Cluster Necklace by Bonbi Forest
Spring Cluster Necklace by Bonbi Forest.

After studying in Brighton and living there for a few years afterwards the draw back to this beautiful part of the world was too great. Starting Bonbi Forest and making it work was the only reason I could come back as there are very few good jobs here. Thank goodness for the internet is all I can say!

Flowers Locket by Bonbi Forest
Flowers Locket by Bonbi Forest.

It sometimes occurs to me that this is a place that people move to when they have done the city thing and are ready for a quieter life. In my twenties I did worry that I was missing out on all the things that living in a cultural city could offer, but as cheesy as it sounds I feel so much more inspired here. I love the variety of the landscape here, you have the green fields and quaint villages and also the rugged and wild coast with it’s ever changing sea. I am a country bumpkin at heart it seems…

Lee May-Bonbi Forest Portrait
Lee May Foster-Wilson and her horse.

What do you like to do when you aren’t working? Any favourite activities?
Horses!!! I have been riding since I was tiny and there have always been horses in my life. I don’t own a horse of my own anymore (I sold him last year after 7 1/2 years together which was heart breaking stuff indeed) but my mum has a little black beauty mare called Pia who I go and ride a couple of times a week and compete in dressage with regularly. We don’t do too badly, this week we have just qualified for the British Dressage area festival national finals! I like how riding gets me outside on a regular basis and it’s exercise that doesn’t feel like exercise. It clears the thoughts and sets you up for the day. I am VERY lucky to be able to do it so often.

Bird prints by Bonbi Forest
Bird prints by Bonbi Forest.

Other than that I like to hang out with friends and drink red wine, go to music festivals, go for walks, pull up what I think are weeds in the garden (I have the blackest thumb…I managed to kill a cactus once which is apparently nigh on impossible), bake crazy multi-coloured cakes for friend’s birthdays, eat popcorn in the cinema, and hang out with my husband on the sofa in front of crap TV.

heart balloon tee by Bonbi Forest
Heart Balloon tee by Bonbi Forest.

How does your consideration of the environment affect the way you produce work?
I am very conscious of how my work impacts the environment and try to think about how my practice impacts on the world around me. I use water based inks for all of my printing (much kinder to everything, including me, than the horrible Plastisol inks used in a lot of t-shirt print manufacture), recycled card for all of my card stock, British suppliers wherever possible and I even cut up all of the boxes that my supplies arrive in to use as envelope stiffeners when sending out my art prints.

Mens Dan Le Sac vs Scroobius Pip Bear tee
Mens Dan Le Sac vs Scroobius Pip Bear tee by Bonbi Forest.

I do use American Apparel for my t-shirts which I know have a fairly large carbon footprint having had to come from half way around the world. But having done a lot of research I can’t find another company that manufacture at an affordable price in the UK. A lot of the manufacturers and distributors based in the UK actually get the garments made overseas anyway. It just seemed logical to me to use a company that I know looks after their factory staff as well as having an amazing range of goods for me to use for my brand.

limited edition Sweet Butterfly Pendant by Bonbi Forest
limited edition Sweet Butterfly Pendant by Bonbi Forest.

What next for Bonbi Forest?
I really want to expand my range into home wares and stationary in the not too distant future so I think that is the collection that I will be working on next. I want to continue honing my skills and developing my work to be the best I can be…Other than that, onwards and upwards as they say!

Equus tee by Bonbi Forest
Equus tee by Bonbi Forest.

Lee May is off on holiday today, but if you pop by her website you’ll get 20% off any order over £10 by using the code HAPPYHOLS at the checkout! Happy shopping.

Categories ,All Tomorrows Parties, ,artwork, ,atp, ,Bat for Lashes, ,Big Cats Scarf, ,Blossom Pop Earrings, ,Bonbi Forest, ,Bonjour Bird, ,brighton, ,British Dressage, ,Cornwall, ,Dark is the Night Locket, ,Dark is the Night Slouch Sweater, ,Equus Scarf, ,Equus tee, ,Feathers Locket, ,Flowers Locket, ,Goodnight Locket, ,Hannah Zakari, ,Heart Balloon tee, ,Herd Painting, ,illustration, ,Jackdaw, ,jewellery, ,Lee May Foster-Wilson, ,Mens Dan Le Sac vs Scroobius Pip Bear tee, ,Pegasus painting, ,Pegasus Tee, ,Pia, ,Plastisol, ,screenprinting, ,Spring Cluster Necklace, ,Stillness of Horses, ,Sweet Butterfly Pendant, ,Tamar, ,Transfer, ,Treats

Similar Posts:






Amelia’s Magazine | An interview with Cave Painting and review of debut EP You’ll be Running Soon

Cave Painting by Barb Royal
Cave Painting by Barb Royal.

Brighton’s Cave Painting released debut EP You’ll be Running Soon with Hideout Recordings yesterday. It’s a magical slice of ambient indie pop, the dramatic backdrop a perfect foil for vocalist Adam Kane‘s hypnotic vocals. You can listen to the EP in full on soundcloud at the bottom of this interview, but before you get there let’s find out more about this exciting new band…

Cave Painting by Mateusz Napieralski
Cave Painting by Mateusz Napieralski.

You were feted before you’ve even played a second live show, how are you coping with the pressure of such hype?
Feted! Ha that’s really nice to hear, to get such positive feedback at such an early stage is brilliant for us, there are certain pressures that go along with “hype” and expectation, we try to take things with a pinch of salt and try not to get absorbed in it, in reality we know were at an early stage and there’s a lot of hard work to be done.

Forest Natives by Sarah Austin
Forest Natives by Sarah Austin
Forest Natives by Sarah Austin.

How did Hideout recordings find you – where were you and can you remember what you were doing when they got in touch to make the offer?
Hideout were at the first show we played in London at the Social, and then we met each other down here in Brighton, where they told us their ideas, their whole ethos matched our’s as a band, we were in the rehearsal space when the offer was made, I can remember exactly as we’d been in the same place each day for almost a year!

Cave Painting
How did the band get together, and how long have you known each other?
Rich, Sam and Harry all knew each other from generally being in and around Brighton they make up the southern contingent of the band then Jon and I ventured down from the north to study, we met the others and wrote music together in various forms before forming what is now Cave Painting back last October, I’m going to guess around 4-5 years.

Cave Painting by Barb Royal
Cave Painting by Barb Royal.

Your sound has been described as very woozy which I think is very apt – why do you think this is?
The great thing about a band is the varied influences that each individual brings, Jon is massively into rap and hip-hop and he has an interesting drumming style which I think reflects this, then at the other extreme you’ll find Rich listening to Fleetwood Mac, I’m not sure how much they’ve influenced him to be fair, I actually think we’ve found our sound by experimenting when recording and having freedom, my singing is actually heavily influenced from listening to Sam and the melodies he creates.

Cave Painting by Sam Parr
Cave Painting as imagined by Sam Parr. ‘curled up toes for walking on rocks and sand. blessed by the sun. calmed by waving. the stone you take home. tan lines fade. a summer was made. me and four (you’s). the shark. the lark. island. forever. being a spectrum. a sunbeam. a collective. the water after dark.(kilo)metres apart. those calming palms. say yeah palms, leaving our markings, footprints behind. CAVE PAINTING.’

Drummer Jonathan McCawley and keyboard player Sam Simon are responsible for all your artwork – how did this come about?
Jon studied art back in Leeds some of the things I’ve seen him draw are quite frightening but interesting, and Sam seems to be able to lend his hand to anything he is unbelievably creative, I came home one day to find a giant portrait of Daniel Day Lewis on the wall which he’d felt the urge to paint (we had been watching Gangs of New York excessively at this point in time) It’s still there! We’ll have to show you.

Why did you decide to make the video for Midnight Love? It’s extremely abstract and quite filmic. Have you got any plans for new videos that you can share with us?
We wanted something visual for our first release, but we were wary of creating a standard music video, we wanted to create something a little different, there’s a strong theme of escapism in our music, and this was our visual representation of that, the video was filmed and based on the song, and we then scored the music to run alongside it, an interesting process, we are in the middle of making the next one, I won’t say any more than that.

Cave Painting
Cave Painting by Barb Royal.

How is Brighton these days? What is the music scene like in general and are there any other up and coming bands that you recommend we listen out for?
We do love Brighton, it’s a little different now the sun has disappeared but lately our grasp of the local music scene is pretty poor as we’ve been away for quite a while, but saying that our recommendations would be Tigercub and Blanc, very promising.

Cave Painting by Barb Royal

What next? Can we expect a debut album next year, and where will you next be playing live?
We are leaving Brighton again this week the same day as our EP release, to start work on the album, with a release date hopefully in the early part of next year which should be coupled by some more live dates.

Categories ,Adam Kane, ,Barb Royal, ,Blanc, ,brighton, ,Cave Painting, ,Daniel Day Lewis, ,ep, ,fleetwood mac, ,Gangs of New York, ,Harry Smallwood, ,Hideout Recordings, ,interview, ,Jonathan McCawley, ,Mateusz Napieralski, ,Midnight Love, ,Rich Snabel, ,Sam Parr, ,Sam Simon, ,Sarah Austin, ,Tigercub, ,You’ll be Running Soon

Similar Posts:






Amelia’s Magazine | Stars and Sons – Interview

stars and sons brighton mike interview

Hailing from Brighton (there’s a veritable smorgasbord of great bands coming out of there at the moment, thumb aren’t there?), order Stars and Sons are an indie pop band who specialise in fun-filled tunes packed with extra layers, of instruments and noises. A bit like a very nice cake, in a way – a musical cake. I chatted to lead singer Mike about his band and their dancing triangles.

Hi Mike – you are Mike, right? How did Stars and Sons begin?

Yep, I’m Mike. I basically started the project off in a dark bedroom, recording stuff on dodgy software, and then realised it needed to go somewhere other than my bedroom so I got in Stuart, Sandy, Paul, and later on Luke, because apparently playing live is quite important. And it’s nice to have the company!

Who does what then in the band?

I play piano, Luke and Sandy play guitar, Stuart’s on drums and Paul plays bass. We’ll hopefully expand a bit when time and money come our way. The thing with our songs is that they’re quite densely recorded and it’s hard to recreate that live – there’s glockenspiels and strings flying around. The energy makes up for it, really, of all us playing together live, that kind of makes up for any lost details at the moment.

Listening to your songs they do seem packed with quite a lot of things for indie pop – would you call yourselves indie pop, or something along those lines?

I’m happy with that. I called it pop for a while but a lot of people met that with disapproving looks, but I don’t care really.

That happens sometimes – quite snobby, isn’t it?

Yeah, I mean, I just want to make catchy music, though sometimes I don’t make catchy music – there’s a lot of balance there. I like pop, that’s all.

You’ve just finished recording your debut album – how did that go?

It went really well! It was really stressful because I’ve come from a position where I had endless hours of being able to record things and mix things and program things and suddenly we have two weeks in a studio, and you record things and you don’t really have much time for judgement as to whether it’s fine or not. That sort of pushes parts of you to be more spontaneous. It was a great experience, but still, stressful.

You were working with Dave Eringa. Did it help to work with an experience producer?

It did, it did. He’s into big-sounding things, massive drums, big guitars, that sort of thing, and he really rocked up the recordings a bit. They were a little bit sterile before, just being recorded in my room.

He’s worked with people like Ash

Yeah, and Manic Street Preachers, and even Tom Jones. He told about this time he was recording with Tom, setting up the microphones and things, and asked him what kind of microphone he wanted. “The biggest one you got!” he said. So they just started recording and Tom Jones was clipping and peaking on the signal but he couldn’t really turn it down… I think it turned out fine in the end.

The single you’ve just put out is ‘If It’s Good For Me’ – the video looks like it was a lot of fun to make.

Hah, yeah, it’s one of those things we tried to spend a lot of time over. Matt is very much into his video production, and he spent a long time thinking about props and shots and trying to make it interesting. It’s fun doing that kind of thing, a change from just doing the music.

What’s your next single going to be?

‘Future Proof’ should be the next one, we’ve just been making the video for that…

Ah, what’s that one like?

Well… there’s some dancing. Some dancing triangles.

Dancing triangles?

Yeah. Um. Well, it’s pretty weird, because it’s shot in this MTV sort of style, whereas before we’ve tried to keep things in quite a DIY style. We’ve got a new director, Jess Stead, doing this video. It’s going to look slick, but it’s going to weird too.

When’s the album actually out?

Not entirely sure yet – it’ll be online first, before the physical release. About a month after ‘If It’s Good For Me’ is out, I think. Just get it out there, and hopefully then it’ll slow build.

You’re on the XFM playlist now, I noticed, which is pretty good.

I’m chuffed with that, yeah. The single isn’t something that I’d consider conventionally radio-friendly, a verse-chorus song. I guess it is in its own way, but the other songs there are more conventional, maybe, but I think it’s a nice introduction. Getting radio play is definitely nice.

Any festivals lined up so far?

We’re playing a small festival in Leicester, but nothing else booked just yet though we’ll be hopefully setting those up soon. And we’re playing London this Saturday [the 3rd], that’s our next big show.

Ta, Mike, and good luck.

Cheers!

(You can catch Stars and Sons this Saturday at Carnivale this Saturday – check listings for more details)

Categories ,Ash, ,brighton, ,Dave Eringa, ,Future Proof, ,Home Recording, ,ian steadman, ,If It’s Good For Me, ,Indie, ,Indie Pop, ,Jess Stead, ,Manic Street Peachers, ,Mike Lord, ,Radio, ,south coast, ,Stars and Sons, ,Tom Jones, ,XFM

Similar Posts: