Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party illustrations: meet Jenny Robins


Illustration by Aysim Genc

Did you know that we’re all buying a third more clothing than we did a decade ago? Yep, mind you read that right. A third more in only 10 years. And are you also aware that today’s average household contributes 26 items of wearable clothing to landfill every year? Tallied up, pilule that’s well over 600,000 garments in the UK alone. Can you visualise that waste? It’s A LOT.

The appropriately-named Trash Fashion exhibition is a relatively small presentation with a big message. Be honest, you can’t remember the last time that ‘textiles’ sprang to mind when thinking of world waste and pollution. Something along the lines of ‘oil’ or ‘water’ or ‘plastic bottles’ would be up there; never the words ‘clothes’, ‘dyes’, ‘fabric’. And yet, it’s a big deal. For example, a huge 17-20% of worldwide industrial water pollution is down to textile dye. The truth is that the concept of waste produced by the textiles industry is dangerously underestimated. Fact.


Illustration by Ankolie

Okay, so I didn’t predict a fashion-related exhibition at the Science Museum either. And, in its allotted space, Trash Fashion did rather stick out like a sore-thumb. One also is required to walk through the entire ground floor to actually reach the exhibition, which features steam trains, outer-space and other extravaganzas along with a large population of noisy children. As it was a Saturday, immersed in engines and spaceships, I’m guessing either über-nerdy kids or über-nerdy parents. However, I just used the word ‘über’ twice in one sentence so I’m clearly the nerd here.

Moving on, I learnt shed loads about ‘designing out waste’ in the fashion industry by wandering through. For one, I learnt that an initiative, led by Central Saint Martins, is being developed. An idea that started with a small mat of cellulose being immersed in green tea in order for it to grow into usable fabric. Fabric that is literally living and breathing. It turns out rather like leather and, having a feel of the fabric myself, couldn’t believe that it came from some bacteria bathed in green tea. Weird. Anyway, it turns out that, at this early stage, the so-called ‘Bio Couture’ is way too heavy and gooey to wear and would practically disintegrate in the rain. Nevertheless, it’s a damn-good start – the product is natural, non-toxic and compostable and scientists are working on developing the idea further all the time.


Illustration by Stephanie Melodia

Another part of the exhibition that I found enthralling was a project hosted by the London College of Fashion called ‘Knit to Fit’. It puts forward the concept of ‘Mass Customisation’, something that I could definitely see materialising in the near future. It starts with an individual having a 3D Body Scan done by a special computer that reads all, and even the very intricate, measurements of the body. This information, along with personalised details such as colour and pattern, is then transmitted to a fairly new machine in the textiles world that, before one’s very eyes, produces an entirely seamless 3D garment. No off-cuts. No waste. Considering that fashion designers are known to leave a whole 15% of the fabric they work with on the cutting-room floor, these are absolutely imperative pieces of technology in the movement towards sustainable and efficient textiles of the future. The idea is that, in the not-too-distant future, the average shopper will be able to stroll into a clothing store and have a custom-made garment made there and then that is unique to us and, most importantly, will leave absolutely no waste.


Illustration by Caroline Coates

Without a doubt, the most immediately imposing feature of the exhibition was a large, flamboyant dress, made out of 1000 pieces of folded scraps of the London Metro newspaper. It stood tall at the entrance and its grandeur seduced a small crowd to gather around and take photographs.
In my opinion, however, it just isn’t enough to rip up a few copies of the London Metro, origami fold them into numerous pieces and make a dress – not to wear, but to make a statement. Not to dismiss the skill that goes into constructing such a fiddly garment, or the fact that it DOES make a pretty huge statement. It relates waste and fashion to one another, which is crucial, through something impressive and, ironically, quite beautiful. But it’s been done. I’ve seen countless garments like these, designed for that shock-factor yet completely un-wearable. It’s time to stop representing the problem and to instead turn to the solution – to science. And this, bar the newspaper dress, is where ‘Trash Fashion’ came up trumps.

So, despite being a little late-in-the-day with this one, might not be worth trekking all the way to South Kensington to see this exhibition alone. If you do, time it in with a trip to the National History Museum or the V&A, both right next door. After all, it’s free entry. You’ll just have to hurdle past the children screaming at steam engines and Apollo 10 and I honestly don’t think you’ll regret it.

Trash Fashion: designing out waste is supported by SITA Trust as part of the No More Waste project and is free to visit at the Science Museum in London.

As part of the exhibition, there is an interactive competition whereby members of the public can submit photos of their ‘refashioned’ old garments, before and after, and could land their new design a spot in the exhibition. To upload pictures of your customised clothes go to www.flickr.com/groups/trashfashion


Illustration by Aysim Genc

Did you know that we’re all buying a third more clothing than we did a decade ago? Yep, buy you read that right. A third more in only 10 years. And are you also aware that today’s average household contributes 26 items of wearable clothing to landfill every year? Tallied up, patient that’s well over 600, buy 000 garments in the UK alone. Can you visualise that waste? It’s A LOT.

The appropriately-named Trash Fashion exhibition is a relatively small presentation with a big message. Be honest, you can’t remember the last time that ‘textiles’ sprang to mind when thinking of world waste and pollution. Something along the lines of ‘oil’ or ‘water’ or ‘plastic bottles’ would be up there; never the words ‘clothes’, ‘dyes’, ‘fabric’. And yet, it’s a big deal. For example, a huge 17-20% of worldwide industrial water pollution is down to textile dye. The truth is that the concept of waste produced by the textiles industry is dangerously underestimated. Fact.


Illustration by Ankolie

Okay, so I didn’t predict a fashion-related exhibition at the Science Museum either. And, in its allotted space, Trash Fashion did rather stick out like a sore-thumb. One also is required to walk through the entire ground floor to actually reach the exhibition, which features steam trains, outer-space and other extravaganzas along with a large population of noisy children. As it was a Saturday, immersed in engines and spaceships, I’m guessing either über-nerdy kids or über-nerdy parents. However, I just used the word ‘über’ twice in one sentence so I’m clearly the nerd here.


All photographs courtesy of Lois Waller/Bunnipunch

Moving on, I learnt shed loads about ‘designing out waste’ in the fashion industry by wandering through. For one, I learnt that an initiative, led by Central Saint Martins, is being developed. An idea that started with a small mat of cellulose being immersed in green tea in order for it to grow into usable fabric. Fabric that is literally living and breathing. It turns out rather like leather and, having a feel of the fabric myself, couldn’t believe that it came from some bacteria bathed in green tea. Weird. Anyway, it turns out that, at this early stage, the so-called ‘Bio Couture’ is way too heavy and gooey to wear and would practically disintegrate in the rain. Nevertheless, it’s a damn-good start – the product is natural, non-toxic and compostable and scientists are working on developing the idea further all the time.


Illustration by Stephanie Melodia

Another part of the exhibition that I found enthralling was a project hosted by the London College of Fashion called ‘Knit to Fit’. It puts forward the concept of ‘Mass Customisation’, something that I could definitely see materialising in the near future. It starts with an individual having a 3D Body Scan done by a special computer that reads all, and even the very intricate, measurements of the body. This information, along with personalised details such as colour and pattern, is then transmitted to a fairly new machine in the textiles world that, before one’s very eyes, produces an entirely seamless 3D garment. No off-cuts. No waste. Considering that fashion designers are known to leave a whole 15% of the fabric they work with on the cutting-room floor, these are absolutely imperative pieces of technology in the movement towards sustainable and efficient textiles of the future. The idea is that, in the not-too-distant future, the average shopper will be able to stroll into a clothing store and have a custom-made garment made there and then that is unique to us and, most importantly, will leave absolutely no waste.


Illustration by Caroline Coates

Without a doubt, the most immediately imposing feature of the exhibition was a large, flamboyant dress, made out of 1000 pieces of folded scraps of the London Metro newspaper. It stood tall at the entrance and its grandeur seduced a small crowd to gather around and take photographs.
In my opinion, however, it just isn’t enough to rip up a few copies of the London Metro, origami fold them into numerous pieces and make a dress – not to wear, but to make a statement. Not to dismiss the skill that goes into constructing such a fiddly garment, or the fact that it DOES make a pretty huge statement. It relates waste and fashion to one another, which is crucial, through something impressive and, ironically, quite beautiful. But it’s been done. I’ve seen countless garments like these, designed for that shock-factor yet completely un-wearable. It’s time to stop representing the problem and to instead turn to the solution – to science. And this, bar the newspaper dress, is where ‘Trash Fashion’ came up trumps.

So, despite being a little late-in-the-day with this one, might not be worth trekking all the way to South Kensington to see this exhibition alone. If you do, time it in with a trip to the National History Museum or the V&A, both right next door. After all, it’s free entry. You’ll just have to hurdle past the children screaming at steam engines and Apollo 10 and I honestly don’t think you’ll regret it.

Trash Fashion: designing out waste is supported by SITA Trust as part of the No More Waste project and is free to visit at the Science Museum in London.

As part of the exhibition, there is an interactive competition whereby members of the public can submit photos of their ‘refashioned’ old garments, before and after, and could land their new design a spot in the exhibition. To upload pictures of your customised clothes go to www.flickr.com/groups/trashfashion


Illustration by Aysim Genc

Did you know that we’re all buying a third more clothing than we did a decade ago? Yep, information pills you read that right. A third more in only 10 years. And are you also aware that today’s average household contributes 26 items of wearable clothing to landfill every year? Tallied up, that’s well over 600,000 garments in the UK alone. Can you visualise that waste? It’s A LOT.

The appropriately-named Trash Fashion exhibition is a relatively small presentation with a big message. Be honest, you can’t remember the last time that ‘textiles’ sprang to mind when thinking of world waste and pollution. Something along the lines of ‘oil’ or ‘water’ or ‘plastic bottles’ would be up there; never the words ‘clothes’, ‘dyes’, ‘fabric’. And yet, it’s a big deal. For example, a huge 17-20% of worldwide industrial water pollution is down to textile dye. The truth is that the concept of waste produced by the textiles industry is dangerously underestimated. Fact.


Illustration by Ankolie

Okay, so I didn’t predict a fashion-related exhibition at the Science Museum either. And, in its allotted space, Trash Fashion did rather stick out like a sore-thumb. One also is required to walk through the entire ground floor to actually reach the exhibition, which features steam trains, outer-space and other extravaganzas along with a large population of noisy children. As it was a Saturday, immersed in engines and spaceships, I’m guessing either über-nerdy kids or über-nerdy parents. However, I just used the word ‘über’ twice in one sentence so I’m clearly the nerd here.


All photographs courtesy of Lois Waller/Bunnipunch

Moving on, I learnt shed loads about ‘designing out waste’ in the fashion industry by wandering through. For one, I learnt that an initiative, led by Central Saint Martins, is being developed. An idea that started with a small mat of cellulose being immersed in green tea in order for it to grow into usable fabric. Fabric that is literally living and breathing. It turns out rather like leather and, having a feel of the fabric myself, couldn’t believe that it came from some bacteria bathed in green tea. Weird. Anyway, it turns out that, at this early stage, the so-called ‘Bio Couture’ is way too heavy and gooey to wear and would practically disintegrate in the rain. Nevertheless, it’s a damn-good start – the product is natural, non-toxic and compostable and scientists are working on developing the idea further all the time.


Illustration by Stephanie Melodia

Another part of the exhibition that I found enthralling was a project hosted by the London College of Fashion called ‘Knit to Fit’. It puts forward the concept of ‘Mass Customisation’, something that I could definitely see materialising in the near future. It starts with an individual having a 3D Body Scan done by a special computer that reads all, and even the very intricate, measurements of the body. This information, along with personalised details such as colour and pattern, is then transmitted to a fairly new machine in the textiles world that, before one’s very eyes, produces an entirely seamless 3D garment. No off-cuts. No waste. Considering that fashion designers are known to leave a whole 15% of the fabric they work with on the cutting-room floor, these are absolutely imperative pieces of technology in the movement towards sustainable and efficient textiles of the future. The idea is that, in the not-too-distant future, the average shopper will be able to stroll into a clothing store and have a custom-made garment made there and then that is unique to us and, most importantly, will leave absolutely no waste.


Illustration by Caroline Coates

Without a doubt, the most immediately imposing feature of the exhibition was a large, flamboyant dress, made out of 1000 pieces of folded scraps of the London Metro newspaper. It stood tall at the entrance and its grandeur seduced a small crowd to gather around and take photographs.
In my opinion, however, it just isn’t enough to rip up a few copies of the London Metro, origami fold them into numerous pieces and make a dress – not to wear, but to make a statement. Not to dismiss the skill that goes into constructing such a fiddly garment, or the fact that it DOES make a pretty huge statement. It relates waste and fashion to one another, which is crucial, through something impressive and, ironically, quite beautiful. But it’s been done. I’ve seen countless garments like these, designed for that shock-factor yet completely un-wearable. It’s time to stop representing the problem and to instead turn to the solution – to science. And this, bar the newspaper dress, is where ‘Trash Fashion’ came up trumps.

So, despite being a little late-in-the-day with this one, might not be worth trekking all the way to South Kensington to see this exhibition alone. If you do, time it in with a trip to the National History Museum or the V&A, both right next door. After all, it’s free entry. You’ll just have to hurdle past the children screaming at steam engines and Apollo 10 and I honestly don’t think you’ll regret it.

Trash Fashion: designing out waste is supported by SITA Trust as part of the No More Waste project and is free to visit at the Science Museum in London.

As part of the exhibition, there is an interactive competition whereby members of the public can submit photos of their ‘refashioned’ old garments, before and after, and could land their new design a spot in the exhibition. To upload pictures of your customised clothes go to www.flickr.com/groups/trashfashion

Eliza Newman by Jenny Lloyd
Eliza Newman by Jenny Lloyd

Eyjafjallajokull. How did you say that it your head? The impressive word refers to the glacier on top of the volcanic mountain (remember the ash cloud?) in Iceland. Understanding the perils of uninformed pronunciation, click Icelandic native Eliza Newman, health wrote a little song on how to actually pronounce the word. It featured on the Al Jazeera News channel and has since become one of Al Jazeera’s most popular news pieces ever.

Ta daa:

Eyjafjallajökull – Eliza Newman performed on Al Jazeera News
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Eliza Newman | Myspace Music Videos

But there is far more to Eliza (Geirsdóttir) Newman than chuckling at our pronunciation shortcomings. She plays violin, ukelele and piano, and is also a trained opera singer. Her song; ‘Ukelele Song for You’ was one of the most popular in Iceland in 2009. The tune is about ‘attracting trouble’, ‘broken promises’ and forgiveness. With ukelele strumming and high pitched notes, it’s lighthearted in its sound, contrasting with the seriousness of the topic. This is refreshing and conjures up thoughts for me, of Blue Valentine, and the heartbreak within the love and jovial moments. The uke can be (in a touching folky way) deep! It’s a pleasure to listen to:

Previously Eliza was the lead singer of girl group, Bellatrix and the rock band, Skandinavia. Through Bellatrix, Eliza and Co. released four albums on Björk’s Bad Taste label, signing to Fierce Panda for their fourth album release. They also headlined the Carling Stage at the Reading Festival and co-headlined a tour with Coldplay. These days Eliza is a solo artist and promotes Icelandic female artists by being part of the Trubatrix movement, which encourages gigs and album releases around Iceland.

Eliza-Newman-by-Mina-Bach

Illustration by Mina Bach

Eliza’s second album, Pie In The Sky, is out on April 4, on Lavaland Records . Watch out for my review. For now here’s a little interview with Eliza:

Could you describe your music? Its beyond words, like touching heaven with your inner ear! Or just a kind of quirky pop style sweet on top but dark underneath muhahaha!….

Do you write your own music? Yes I write all my stuff and have always done , that’s the only way to go.

What is your inspiration?
Cats.

How do you feel about having one of the most popular songs in Iceland, ‘Ukulele Song For You’?
It feels great , very unexpected and a pleasant surprise. Icelandic people have good taste in music!

You play many instruments and are a trained opera singer, when did you start playing music and singing? 
I started playing the violin at seven and studied that until I was 15 then I started a band and didn’t feel like practising violin any more. I started singing the day I started my first band. Never sung a note before then! Later I went on to study opera and I learned the piano, guitar and ukulele on the way.

Eliza Newman 1 Chloe Cook
Illustration by Chloe Cook

What’s you favourite instrument, musical style?
My favourite musical instrument is the harpsichord and the hurdy-gurdy, I really would like to get my hands on those two instruments to play! My favourite musical style is kind of pop rock indie opera classical hip hop and easy listening : )

Could you tell us about your former band, Bellatrix?
Bellatrix was my first band, we were an all girl band and started quite young, got signed and released five albums both in Iceland on Björk‘s Bad Taste Label and later with Fierce Panda in the UK. The music developed from a punk rock sound to electro pop and we did loads of cool stuff like tour the world, headline Reading and do a tour with Coldplay. Fun and games!

Eliza Newman by Avril kelly
Illustration by Avril Kelly

What were the highlights of being in the band?
Headlining the Carling stage at Reading and Leeds Festival and travelling the world.

What about Skandinavia?
Skandinavia was my venture into heavy rock! Loads of fun. I was studying opera at the time in London and wanted to do some epic rock music inspired by opera. We recorded an album and did a UK tour and it satisfied my longing to do a heavy rock album, so that box is ticked now!

How does being a solo artist differ from being in a band?
It’s very different because as a solo artist you have to take all the responsibility which is both good and bad. You have no one to blame but yourself haha! You get more freedom to do your own thing as a solo artist but in a band you get more feedback and have to compromise sometimes, both things have their advantages. Having said that, I am very much a band person and enjoy working with others, so I would not rule out joining another band at some point.

Eliza Newman 2 Chloe Cook
Illustration by Chloe Cook

And how is your own music different?
My music is more relaxed then the band stuff I did, I have calmed down quite a bit!

How is the new album in comparison to your last album, Empire Fall (Series 8 Records)?
The new album is more hopeful and has a lighter tone to it with ukuleles, synths and various fun instruments mixing it up. Empire fall was more minimalist and had a darker undertone.

eliz 2

Where do you want to go now in your career?
I would like to go to Japan and play, also keep writing and finding new interesting ways of expressing myself through music, yeah and learn the hurdy-gurdy!

END. Thank you so much Eliza. Helen x

ACOFI - jenny robins - Amelia's compendium - laura snoad - design week - tatty devine
Laura Snoad of Design Week sporting her Tatty Devine necklace. She wrote a great write up of the party here: check it out.

Oh dear. My brilliant plans to get all ACOFI launch party blogs online by the end of last week were laid waste by a pre-booked four day trip to Cornwall. Which was just lovely in case you were wondering: so good to feel the wind in my hair on a coastal path again.

Amelia Gregory in Cornwall

Jenny Robins is the illustrator who has worked closest with Amelia’s Magazine to do live illustrations from the catwalk in the past. For this reason she was a natural choice to bring along for the tea party… and she did not disappoint, viagra dosage holding court over by the window all afternoon long and churning out an amazing amount of stunning live artwork right in front of our guests. In fact she did so many I’m going to have to run through them as quickly as possible or I’ll never get onto my next illustrator. All I’ve got to say, story is Jenny, you rock my world.

ACOFI - jenny robins - Amelia's compendium - alex cox - amelia gregory
Here I am, being interviewed, I am not sure who by!

ACOFI - jenny robins - Amelia's compendium - alex cox - don't panic
Here’s Alex Cox of Don’t Panic.

ACOFI - jenny robins - Amelia's compendium - amisha ghadiali - take a moment
Amisha Ghadiali once again. Read her lovely write up on Elegance Rebellion here.

ACOFI - jenny robins - Amelia's compendium - amy - tantrum magazine
Amy from Tantrum Magazine – here’s her write up.

ACOFI - jenny robins - Amelia's compendium - bette davis - oh comely
Bette Davis from Oh Comely – here’s her lovely blog.

ACOFI - jenny robins - Amelia's compendium - bettina krohn - make lemonade
Bettina Krohn from Make Lemonade – I wonder, am I the Mad Hatter that she references in her write up?

ACOFI - jenny robins - Amelia's compendium - carrie - wish wish wish copy
The super stylish Carrie of Wish Wish Wish. The launch inspired her to have a go at fashion illustration herself.

ACOFI - jenny robins - Amelia's compendium - danielle drown - poppy cleopatra
Danielle who runs a blog called Poppy Cleopatra. Read her write up here.

ACOFI - jenny robins - Amelia's compendium - ellen grace jones - the real runway
Ellen Grace Jones of The Real Runway which is a great sartorial fashion blog, and she has also contributed to Amelia’s Magazine.

ACOFI - jenny robins - Amelia's compendium - micheal - anastasia and duck
Michael Ford of Anastasia Duck. Read his blog here.

ACOFI - jenny robins - Amelia's compendium - michelle Urvall Nyren - probably naomi
Fellow illustrator Michelle Urvall Nyren at work.

ACOFI - jenny robins - Amelia's compendium - sabrina - the science of style
Sabrina of The Science of Style.

ACOFI - jenny robins - Amelia's compendium - tamara cincik
A heavily pregnant Tamara Cincik. Read her blog here.

ACOFI - jenny robins - Amelia's compendium - tatty devine - rosie and harriet
Rosie and Harriet of Tatty Devine.

ACOFI - jenny robins - Amelia's compendium - tigz rice
Tigz Rice – photographer and social media maven. Here’s her blog.

ACOFI - jenny robins - Amelia's compendium - tom and crystal - spoonfed
Tom and Crystal from Spoonfed.

ACOFI - jenny robins - Amelia's compendium -david alphonso - noisy writing
David Alphonso of Noisy Writing.

ACOFI launch Jan 11-Jenny Robins
Jenny Robins at work.

You can follow Jenny Robins on twitter on @jennyrobins and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s Jenny talking to me via the power of Skype in her youtube interview:

YouTube Preview Image

Categories ,ACOFI, ,Alex Cox, ,Amelia’s Compendium of Fashion Illustration, ,Amisha Ghadiali, ,Amy, ,Anastasia Duck, ,Bette Davis, ,Bettina Krohn, ,Carrie, ,Cornwall, ,David Alphonso, ,Design Week, ,Don’t Panic, ,Ellen Grace Jones, ,Jenny Robins, ,Laura Snoad, ,Make Lemonade, ,Michael Ford, ,Michelle Urvall Nyrén, ,Noisy Writing, ,Oh Comely, ,Rosie and Harriet, ,Sabrina, ,Spoonfed, ,Tamara Cincik, ,Tantrum Magazine, ,Tatty Devine, ,The Real Runway, ,The Science of Style, ,Tigz Rice, ,Wish Wish Wish

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party illustrations: meet Zarina Liew

Naomi Law Liz
naomi-law-jessica-bumpus-2
Jessica Bumpus of Vogue gets the Naomi Law treatment. Here’s her blog in case you missed it previously.

Naomi Law has taken a rather circuitous route towards the land of fashion illustration. She left her graphics degree somewhat disillusioned, more about came to London and quickly landed a job in e-commerce – it was only when our erstwhile fashion editor Matt Bramford prompted her to start drawing again that her love of fashion illustration was reawakened. Since then she’s been scribbling away furiously on her wacom tablet – churning out the most amazing illustrations from a beautiful fusion of watery digital layers.

naomi-law-michelle-urvall-nyren
Returning the favour she drew fellow illustrator Michelle Urvall Nyren, eyes downward as if fixed on her sketchpad.

naomi-law-tamara-schlesinger
Tamara of 6 Day Riot captured her imagination in this image.

naomi-law-fiona-o-grady-save-our-shoes
Fiona O’Grady of Save Our Shoes wrote a lovely blog about how much ACOFI had inspired her.

naomi-law-photographer-liz
Our official afternoon photographer Liz Johnson-Artur strikes a typical pose in her fabulous leggings – CHECK DEM! Much admired, but Liz was keeping their provenance firmly under wraps goddamit.

naomi-law-fashion-editors
She also created this wonderful image from a photograph of my three former and current fashion editors – Jonno Ovans now works with the Ethical Fashion Forum, Matt is obviously still here, and Sally Mumby-Croft has never really left. As well as being a super talented film-maker she also regularly contributes to both the art and fashion sections. Matt and Sally were of course completely indispensable on the day of the ACOFI launch.

You can follow Naomi Law on twitter on @nimlawdraws and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s the gorgeous Naomi talking about how she creates her artwork in my youtube interview:

YouTube Preview Image


Ghosts in love by Sarah Alfarhan

Before I get all grinch-y about it, dosage I should say I actually quite like the idea of Valentine’s Day. At its best it’s a reminder to take a moment to appreciate the person you care about, here but in reality it’s just fraught with peril. If you’re single it’s impossible, pill as even if you’re happy with your situation it somehow manages to bring out the side of you that protesteth too much. And if you’re coupled up… ah, the pressure. The Boy is refusing to even acknowledge it. Maybe I should be offended by this, but I’m just happy I don’t have to deal with it.

But then I was invited to attend a Valentine’s workshop at The Create Place in Bethnal Green, and I started wondering if it was possible to re-programme this attitude. Because now that I think about it I don’t think I’ve ever really celebrated Valentine’s. I tried once, as you sort of have to the first time you have a boyfriend for V-day, but it didn’t go so well; my parents chose the 13th of February to tell me they were getting divorced. I may have lost it a little among all the hearts and pink in Thorntons Chocolate that year (I still feel bad about that). My poor boyfriend cooked me dinner and gave me a plant that grew to be taller than I am, but I never celebrated Valentine’s Day again.


Be Mine by Mina Bach

Back in the present day I’m at The Create Place, formerly known as Back to Basics. Inside is Sarah Butler of Violet Iris, who is here to teach a little group how to make Valentine’s cards. I’m provided with tea and a stack of red card to start with, before I’m nudged towards a table chuck full of ribbon, markers, glitter, buttons, stamps, threads, paints, stickers, patterned scissors and I don’t know what. I look around and wonder if the other people there can tell I’m a V-day sceptic, as they all seem so excited about it. One of the girls is telling us how she just loves hearts, and how she once made loads of cards and left them around town for people to find. The bar is set high, in other words. I peer tentatively into the basket of fabric, and find a reassuringly earth-toned floral in between the pinks. You have to start somewhere, don‘t you.


Instructing Cupid by Cat Palairet

Then the strangest thing happens – I start to get into it. As we glue and cut away, Create Place representative Jill tells us how the proceeds from the crafting workshops go to providing free classes for people from the local community. The non-profit venue is run by volunteers, and as much as possible of the materials are sourced second hand. Because it doesn’t take much – using a bit of glue, a fabric scrap and a heart-shaped (yes, I went there) button, I find that I’ve made my very own Valentine’s card. I also make two badges, personalised by basing them on my favourite deer and clover necklaces.


The Create Place workshop: My card and badges


Funny Valentine by Joana Faria

A few days later The Create Place put on its one-day-only Valentine’s pop-up shop, demonstrating yet again that homemade is best when it comes to gifts for V-day. Embroidered badges by Zeena Shah, vegan cakes by Sweet Thursdays, Just B’s handmade jewellery from recycled paper, and jokey Valentine’s cards and badges from Violet Iris. And then there’s ‘The Last Rolo’, a trinket neatly presented in a box by Lu Burnell, enough to melt even the staunchest sceptic.


The Create Place pop-up shop. From left: Mima handmade natural lipbalm, Zeena Shah embroidered badges, Sweet Thursdays vegan cakes, Just B recycled jewellery.


The Reluctant Valentiner by Avril Kelly

I’m starting to realise the trick is putting your own stamp on Valentine’s Day, and this may well mean taking things in a completely different direction than that directed by Thorntons Chocolate. The Residence gallery in Victoria Park Village is currently running its ‘Shame’ exhibition of collectable art lingerie; ‘Between the origin of sin and sexuality there rests a place for love,’ is the show’s tag line. Gallery director Ingrid Z shows me around: there are embroidered pants by James Daw (’Let he who is without sin cast the first Sharon Stone’), ‘surrealist stockings’ by Laura May Lewis, and zinged shirts by Ingrid herself, themed after the seven deadly sins. While most of the lingerie can be worn, Ingrid explains you may not want to do so as not all of it would take kindly to water. Like the pieces by Mark Scott-Wood – those stains you see on the shirt in the picture are made from … the stuff that makes those sorts of stains.


Shame exhibition at The Residence gallery. From left: Mark Scott-Wood, Alexander Heaton, Danielle Drainey


Heart signet ring by Digby & Iona

Following on from that, the anatomical heart signet ring from jewellery makers Digby & Iona seems quite lovely in comparison. I think it’s pretty neat actually. But in spite of all my Valentine’s attitude re-programming, I’m not on the look-out for any heart-themed gifts this year either. As we were having breakfast the other morning, the Boy and I agreed to stick to our guns and skip Valentine’s Day this year too. Maybe this sounds like a let-down, but the thing is – the fry-up I was scoffing as this was decided was one he’d whipped up for us while I was still snoozing. So I’m really not complaining.


Heart-shaped eggs by Antonia Parker

The Create Place is at 29 Old Ford Road, London E2 9PJ – see the website for details of upcoming events and workshops. ‘Shame’ runs at The Residence gallery until 27th February; 229 Victoria Park Road, London E9 7HD.
naomi-law-jessica-bumpus-2
Jessica Bumpus of Vogue gets the Naomi Law treatment. Here’s her blog in case you missed it previously.

Naomi Law has taken a rather circuitous route towards the land of fashion illustration. She left her graphics degree somewhat disillusioned, purchase came to London and quickly landed a job in e-commerce – it was only when our erstwhile fashion editor Matt Bramford prompted her to start drawing again that her love of fashion illustration was reawakened. Since then she’s been scribbling away furiously on her wacom tablet – churning out the most amazing illustrations from a beautiful fusion of watery digital layers.

naomi-law-michelle-urvall-nyren
Returning the favour she drew fellow illustrator Michelle Urvall Nyren, eyes downward as if fixed on her sketchpad.

naomi-law-tamara-schlesinger
Tamara of 6 Day Riot captured her imagination in this image.

naomi-law-fiona-o-grady-save-our-shoes
Fiona O’Grady of Save Our Shoes wrote a lovely blog about how much ACOFI had inspired her.

naomi-law-photographer-liz
Our official afternoon photographer Liz Johnson-Artur strikes a typical pose in her fabulous leggings – CHECK DEM! Much admired, but Liz was keeping their provenance firmly under wraps goddamit.

naomi-law-fashion-editors
She also created this wonderful image from a photograph of my three former and current fashion editors – Jonno Ovans now works with the Ethical Fashion Forum, Matt is obviously still here, and Sally Mumby-Croft has never really left. As well as being a super talented film-maker she also regularly contributes to both the art and fashion sections. Matt and Sally were of course completely indispensable on the day of the ACOFI launch.

Naomi Law Liz
Naomi Law at work. Photography by Liz Johnson-Artur.

You can follow Naomi Law on twitter on @nimlawdraws and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s the gorgeous Naomi talking about how she creates her artwork in my youtube interview:

YouTube Preview Image

naomi-law-jessica-bumpus-2
Jessica Bumpus of Vogue gets the Naomi Law treatment. Here’s her blog in case you missed it previously.

Naomi Law has taken a rather circuitous route towards the land of fashion illustration. She left her graphics degree somewhat disillusioned, sale came to London and quickly landed a job in e-commerce – it was only when our erstwhile fashion editor Matt Bramford prompted her to start drawing again that her love of fashion illustration was reawakened. Since then she’s been scribbling away furiously on her wacom tablet – churning out the most amazing illustrations from a beautiful fusion of watery digital layers.

naomi-law-fiona-o-grady-save-our-shoes
Fiona O’Grady of Save Our Shoes wrote a lovely blog about how much ACOFI had inspired her.

naomi-law-photographer-liz
Our official afternoon photographer Liz Johnson-Artur strikes a typical pose in her fabulous leggings – CHECK DEM! Much admired, abortion but Liz was keeping their provenance firmly under wraps goddamit.

naomi-law-michelle-urvall-nyren
Returning the favour she drew fellow illustrator Michelle Urvall Nyren, eyes downward as if fixed on her sketchpad.

naomi-law-tamara-schlesinger
Tamara of 6 Day Riot captured her imagination in this image.

naomi-law-fashion-editors
She also created this wonderful image from a photograph of my three former and current fashion editors – Jonno Ovans now works with the Ethical Fashion Forum, Matt is obviously still here, and Sally Mumby-Croft has never really left. As well as being a super talented film-maker she also regularly contributes to both the art and fashion sections. Matt and Sally were of course completely indispensable on the day of the ACOFI launch.

Naomi Law Liz
Naomi Law at work. Photography by Liz Johnson-Artur.

You can follow Naomi Law on twitter on @nimlawdraws and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s the gorgeous Naomi talking about how she creates her artwork in my youtube interview:

YouTube Preview Image

naomi-law-jessica-bumpus-2
Jessica Bumpus of Vogue gets the Naomi Law treatment. Here’s her blog in case you missed it previously.

Naomi Law has taken a rather circuitous route towards the land of fashion illustration. She left her graphics degree somewhat disillusioned, there came to London and quickly landed a job in e-commerce – it was only when our erstwhile fashion editor Matt Bramford prompted her to start drawing again that her love of fashion illustration was reawakened. Since then she’s been scribbling away furiously on her wacom tablet – churning out the most amazing illustrations from a beautiful fusion of watery digital layers.

naomi-law-fiona-o-grady-save-our-shoes
Fiona O’Grady of Save Our Shoes wrote a lovely blog about how much ACOFI had inspired her.

naomi-law-photographer-liz
Our official afternoon photographer Liz Johnson-Artur strikes a typical pose in her fabulous leggings – CHECK DEM! Much admired, drugs but Liz was keeping their provenance firmly under wraps goddamit.

naomi-law-michelle-urvall-nyren
Returning the favour she drew fellow illustrator Michelle Urvall Nyren, more about eyes downward as if fixed on her sketchpad.

naomi-law-tamara-schlesinger
Tamara of 6 Day Riot captured her imagination in this image.

naomi-law-fashion-editors
She also created this wonderful image from a photograph of my three former and current fashion editors – Jonno Ovans now works with the Ethical Fashion Forum, Matt is obviously still here, and Sally Mumby-Croft has never really left. As well as being a super talented film-maker she also regularly contributes to both the art and fashion sections. Matt and Sally were of course completely indispensable on the day of the ACOFI launch.

Naomi Law Liz
Naomi Law at work. Photography by Liz Johnson-Artur.

You can follow Naomi Law on twitter on @nimlawdraws and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Here’s the gorgeous Naomi talking about how she creates her artwork in my youtube interview:

YouTube Preview Image


Ghosts in love by Sarah Alfarhan

Before I get all grinch-y about it, website like this I should say I actually quite like the idea of Valentine’s Day. At its best it’s a reminder to take a moment to appreciate the person you care about, stuff but in reality it’s just fraught with peril. If you’re single it’s impossible, as even if you’re happy with your situation it somehow manages to bring out the side of you that protesteth too much. And if you’re coupled up… ah, the pressure. The Boy is refusing to even acknowledge it. Maybe I should be offended by this, but in truth I’m happy I don’t have to deal with it.

But then I was invited to attend a Valentine’s workshop at The Create Place in Bethnal Green, and I started wondering if it was possible to re-programme this attitude. Because now that I think about it I don’t think I’ve ever really celebrated Valentine’s. I tried once, as you sort of have to the first time you have a boyfriend for V-day, but it didn’t go so well; my parents chose the 13th of February to tell me they were getting divorced. I may have lost it a little among all the hearts and pink in Thorntons Chocolate that year (I still feel bad for my fellow shoppers). My poor boyfriend cooked me dinner and gave me a plant that grew to be taller than I am, but I never celebrated Valentine’s Day again.


Be Mine by Mina Bach

Back in the present day I’m finding myself at The Create Place, formerly known as Back to Basics. Inside is Sarah Butler of Violet Iris, who is here to teach a little group how to make Valentine’s cards. I’m provided with tea and a stack of red card to start with, before I’m nudged towards a table chuck full of ribbon, markers, glitter, buttons, stamps, threads, paints, stickers, patterned scissors and I don’t know what. I look around and wonder if the other people there can tell I’m a V-day sceptic, as they all seem so excited about it. One of the girls is telling us how she just loves hearts, and how she once made loads of cards and left them around town for people to find. The bar is set high, in other words. I peer tentatively into the basket of fabric, and find a reassuringly earth-toned floral in between the pinks. You have to start somewhere, don‘t you.


Instructing Cupid by Cat Palairet

Then the strangest thing happens – I start to get into it. As we glue and cut away, Create Place representative Jill tells us how the proceeds from the crafting workshops go to providing free classes for people from the local community. The non-profit venue is run by volunteers, and as much as possible of the materials are sourced second hand. Because it doesn’t take much – using a bit of glue, a fabric scrap and a heart-shaped (yes, I went there) button, I find that I’ve made my very own Valentine’s card. I also make two badges, personalised by basing them on my favourite deer and clover necklaces.


The Create Place workshop: My card and badges


Funny Valentine by Joana Faria

A few days later The Create Place put on its one-day-only Valentine’s pop-up shop, demonstrating yet again that homemade is best when it comes to gifts for V-day. Embroidered badges by Zeena Shah, vegan cakes by Sweet Thursdays, Just B’s handmade jewellery from recycled paper, and jokey Valentine’s cards and badges from Violet Iris. And then there’s ‘The Last Rolo’, a trinket neatly presented in a box by Lu Burnell, enough to melt even the staunchest sceptic.


The Create Place pop-up shop. From left: Mima handmade natural lipbalm, Zeena Shah embroidered badges, Sweet Thursdays vegan cakes, Just B recycled jewellery.


The Reluctant Valentiner by Avril Kelly

I’m starting to realise the trick is putting your own stamp on Valentine’s Day, and this may well mean taking things in a completely different direction than that directed by Thorntons Chocolate. The Residence gallery in Victoria Park Village is currently running its ‘Shame’ exhibition of collectable art lingerie; ‘Between the origin of sin and sexuality there rests a place for love,’ is the show’s tag line. Gallery director Ingrid Z shows me around: there are embroidered pants by James Daw (’Let he who is without sin cast the first Sharon Stone’), ‘surrealist stockings’ by Laura May Lewis, and zinged shirts by Ingrid herself, themed after the seven deadly sins. While most of the lingerie can be worn, Ingrid explains you may not want to do so as not all of it would take kindly to water. Like the pieces by Mark Scott-Wood – those stains you see on the shirt in the picture are made from … the stuff that makes those sorts of stains.


Shame exhibition at The Residence gallery. From left: Mark Scott-Wood, Alexander Heaton, Danielle Drainey


Heart signet ring by Digby & Iona

Following on from that, the anatomical heart signet ring from jewellery makers Digby & Iona seems quite lovely in comparison. I think it’s pretty neat actually. But in spite of all my Valentine’s attitude re-programming, I’m not on the look-out for any heart-themed gifts this year after all. As we were having breakfast the other morning, the Boy and I agreed to stick to our guns and skip Valentine’s Day. Maybe this sounds like a let-down, but the thing is – the fry-up I was scoffing was one he’d whipped up for us while I was still snoozing. So I’m really not complaining.


Heart-shaped eggs by Antonia Parker

The Create Place is at 29 Old Ford Road, London E2 9PJ – see the website for details of upcoming events and workshops. ‘Shame’ runs at The Residence gallery until 27th February; 229 Victoria Park Road, London E9 7HD.

Illustration by Matilde Sazio

“This song is about fucking up against the wall, viagra ” announced Joan Wasser as an introduction to “Hard white wall”, a track from her second album To Survive at her Barbican gig on Sunday. Never the shrinking violet, Joan stood centre-stage in an all-in-one fitted black leather number, slashed at the back, as the spotlights converged on her small frame. It was the seventh time I had seen Joan As Police Woman play in London.

The first time I saw Joan was on a balmy summer’s evening in 2006 at the now defunct Spitz in Spitalfields, which in my opinion, used to put on some of the best gigs in London. The venue was at capacity that night and the air inside was clammy to the point where every surface I touched, whether it was a table or wall, seemed to be coated with a film of sweat. Fresh from a tour supporting Guillemots, Joan took to the stage in a silver metallic floor length gown and wowed the audience with her electric solo set. No big stage productions, no fancy costume changes, not even a band; just Joan with her powerful, soulful vocals, Korg keyboard and guitar. I am certain that she gained some lifelong fans that night, of which I am one.


Illustration by Darren Fletcher

The truth is that my enthusiasm for Joan extends beyond just liking her records and appreciating her live performances. There’s something about her music – perhaps classified in the same category as Antony and the Johnsons, Rufus Wainwright, Cat Power and Regina Spektor – that deeply resonates with me. Her sound is raw, honest, pure and sung from the heart in a way which isn’t bland, overdone or contrived. The combination of her emotive vocals, attention to detail in the form of a subtle stroke of cymbal here and an echo of string instruments there, has had the power to reduce me to tears in the past (although I have been known to cry at most things!).

Over the years, Joan has seen me through the best and worst of times: she’s been the soundtrack to exciting train and coach journeys across South East Asia and South America as I have admired the ever-changing landscapes, accompanied me as I have trudged miserably into work on an overheated tube wedged up against some hairy obese man’s armpit, and comforted me through the pain of a relationship break-up where I often found myself lying kidney-bean shaped, feeling ridiculously self-pitiful. Yes, my one-sided relationship with Joan has roots man, she’s a sista.


Illustration by Darren Fletcher

A multi-instrumentalist who flits effortlessly between piano to guitar to violin, Joan has worked and performed with the likes of Antony and the Johnsons, Rufus Wainwright, Lou Reed, Nick Cave and Elton John to name but a few. Much is made of the fact that she was the girlfriend of the luminous late-Jeff Buckley when he died, whose “Everybody Here Wants You” track is rumoured to be inspired by her, but for Joan to be defined by this alone is grossly unfair. The recognition that she deserves should be based purely on her own talent of epic proportions.

In the same vein as Antony and Rufus, much of Joan’s charm lies in her musical arrangements and unique vocals which can be spine-tingling, served tender or gruff. Her new album, The Deep Field unfurls her lust for life and presents to us a more positive and upbeat individual compared to her earlier offerings, Real Life (2006) and To Survive (2008). In her own words, it is her “most open, joyous record” to date.

Although the record is a departure from her more typical sombre sound, its essence is consistent with her previous material where she continues to demonstrate mood, depth, authenticity and sophisticated musical arrangements; a rare gem amongst some of the generic, non-memorable cack out there today.


Illustration by Matilde Sazio

When I meet Joan for tea at the K-West Hotel in Shepherd’s Bush for our interview, she is friendly and sprightly, but appears visibly tired after having spent two days trekking across the UK to do promo work. I try to act cool and calm, but I am sweating like hell and on my way to the hotel, I slip over and land on my bottom to the amusement of two young teenage boys who break out into hysterics, which makes for a nice ice-breaker as I re-tell my story.

Wearing a brown leather jacket, a matching pair of trousers and a bright yellow t-shirt with “Strut ‘n’ Stuff” emblazoned across the front that she picked up from a thrift store, with her thick unkempt dark brown hair and flawless skin, Joan looks much younger than her years – much closer to 30 than 40.

As we sit on a comfy sofa in the so-called ‘library’ of the hotel, Joan is oblivious to the two men in suits sitting behind us having a business meeting, who shoot a few disapproving glances in our direction as her voice gets progressively louder during the course of the interview. Speaking animatedly with a cup of herbal tea (she is trying to cut back on the coffee) in one hand and some neatly cut slices of apple in the other, Joan talks to Amelia’s Magazine about life before Joan As Police Woman, the inspiration behind her new record, embracing life and who’s house she’d most like to be a fly on the wall at, all in the good company of some soft-porn inspired saxophone music, playing softly in the background…


Illustration by Darren Fletcher

You trained as a classical musician and spent some time performing as one. What was the catalyst for you to explore being an alternative musician?
I always listened to different kinds of music as I was growing up and throughout my classical training. Classical music and non-classical music is all music so for me it wasn’t all that big of a stretch making other music. I loved studying classical music, but I wasn’t really interested in making it my life’s work because I wanted to make new music. There were also plenty of people who were better equipped at bringing new insight to the Beethoven violin concerto and I was not one of them. I loved learning the discipline behind that, but pursuing a career in it didn’t interest me so when I moved to Boston to go to school I started playing in bands then because all my friends were in bands. The rest, I guess as they say, is history.

You’ve been in several bands since you started out as a musician, including playing violin with Rufus Wainwright and Antony and the Johnsons, yet it as only in 2004 that you decided to front your own band. Why was there this delay?
Well I played violin exclusively for some time so I was mostly contributing to other peoples’ bands, which I loved doing. I was playing an instrument that is like a voice in itself. You don’t write songs on the violin so I had no way of writing. I picked up a guitar in 1997 to see what it was like; I wanted to figure out if I could write songs and started writing. I put a band together called Black Beetle and wrote a few songs with them and I joined Antony’s band. At this stage, I was still playing with lots of people doing string arrangements, but I also wanted to try out my voice which sounded horrible to me at the time. In the beginning you’re not used to what it sounds like and it doesn’t feel natural.

But surely you must have had reassurance from your friends that your voice is anything but horrible…
Well no one heard it. I started playing but I didn’t tell many people. I did get a lot of support from my friends which helped a lot, even if you think they’re lying because they love you.

So it was all very much about stepping slowly out of your comfort zone?
Yes, very much so. Antony had me open with one of his songs solo sometimes. It was a very nerve-wracking experience, especially as I was around a lot of astounding vocal performers. It was really scary, but I’m that kind of person where I like to jump into the deep end. It’s the only way to do things. I was making a record with Black Beetle that never got released, which was part of the learning process and then that band broke up in 2002 but I kept going; playing on my own and then I got a drummer to play with me and then Rufus asked me to go on tour and open for him and it just all went from there.


Illustration by Aysim Genc

The first time I saw you perform was at The Spitz in 2006, and even back then you seemed to be a very natural performer. Has performing always been second nature to you?
At that point I felt a lot better. Opening for Rufus was a good experience – you can’t really be opening for a crowd of total music lovers without getting your act together. Also, the fact that I come to a city that isn’t mine and tonnes of people show up. It makes you feel great; it makes you think: “OK – well at least I’m doing something right”.

When did you start recording the new album and what were your inspirations for the record?
I started by making a covers record which was fun for me to do. I wanted to get out of my head, my own songwriting. I think that really helped me to direct my songwriting on this record. I’m in a great place these days so I feel really open and joyful and I really wanted to get this across in the record. I first recorded seven songs that I had been writing since my last record, some of which I had been playing live. I did that in March and completed those songs and surveyed the scene and decided what the record needed. I then spent a few months writing five more songs to fill out the record the way I saw it in June and then mixed the whole thing at the end of last summer. It was really fun because I had never recorded an album that way before. Before I would record what I had, decide what the record needed and then wrote the kind of song to fit the record. This time, the new approach was a great exercise for me. I recorded at the same studio with the same producer where I feel very comfortable; it makes me feel like I’m coming home. Then I just got all of my favourite musicians to contribute to the record. It was just an absolutely glorious experience.

How do you think your sound has evolved since Real Life and To Survive?
It’s interesting because when I listen to my songs, I always think: “Where did that come from?” It’s beyond me. But I feel like I’m in a different place now…much more relaxed with myself in general. This is one of the treasures of spending more time alive because you get more comfortable with yourself and your surroundings.


Illustration by Matilde Sazio

You reached a milestone age last summer (Joan turned 40) – were there any anxieties?
I was really excited about it because I felt like it was a demarcation point of where I really didn’t have to give a shit about anything anymore. I never had to before, but I could just actually free myself of all the youth stuff. I have experienced a lot of things and it’s all been worth it, even though it was very difficult at times. I feel really lucky that everyday feels a bit better than the last because I’m determined to live a full life.

How did you celebrate?
I had a big party on my roof at home just outside of New York. It was really nice because I was there for the first time on my birthday and I really embraced it.

What advice would you give a 20-year-old Joan and 30-year-old Joan?
I would just reassure the 20-year-old Joan that things are definitely going to get better – I did not think that then. At 30…I don’t know…the thing is I wouldn’t ever do anything differently. You have to learn everything the way you learn them, unfortunately sometimes.

What do you do to switch off?
I definitely have to exercise or I go crazy. I need that in my life so I do that a lot. I spend a certain amount of time with my friends being ridiculous and making jokes as terrible as possible. Oh and drinking way too much coffee.

Who’s house would you most like to be a fly on the wall at?
Prince, definitely! He’s the only person who I think: “What is he doing right now?” Because you know it’s something weird…or fascinating. He’s just incredible; amazing.

Joan’s new album The Deep Field is out now on PIAS records and she is playing across the UK until 13 February.

For a free-three track download from the new record, click here.

Joan As Police Woman – The Magic YouTube Preview Image
ZLiew_#2_Rose&Harriet TattyDevine
My wonderful girls, click Rosie and Harriet of Tatty Devine, who created the lovely Cutlass Necklace for my party.

Zarina Liew looked oh so casual during the afternoon launch party – every time I turned around there she was, chatting away, charming the guests in expert fashion as she sketched away in her little note book. After the event she churned out the most amazing bunch of stunning watercolour fashion plates in record time. Wowser. This lady has so much talent it’s painful… behold her beautiful illustrations. So delightful, every single one.

ZLiew_#5_Katie antoniou LondonPlinth
Presenting the lovely Katie Antoniou of London Plinth – sometime Amelia’s Mag contributor and general all round fabulous fashion gal. Here’s her review of the night.

ZLiew_#6_Holly HollySpringett
Holly Springett wrote an absolutely fabulous blog about the launch, with some of the very prettiest photos to accompany it – go check it out here.

ZLiew_#3_Josephine&Sarah SomersetHouse
Here’s Josephine and Sarah from Somerset House, who I hope very much will be in contact soon to talk about a possible collaboration…

§ZLiew_#1_Alice TattyDevine
Alice of Tatty Devine sports some very fabulous jewellery indeed – by Tatty Devine of course.

ZLiew_#7_Gabby&Stephen GabbyYoung
Singer Gabby Young with her boyfriend Stephen. What a lovely couple!

ZLiew_#4_Sarah ShopStyle FabSugarUK
Sarah Bush of ShopStyleUK and Laura LaRue of Fab Sugar.

ZLiew_#8_Laura&Courtney ForwardPR
Laura and Courtney of Forward PR. Lovely lovely women, who helped me in the run up to the event and on the night most immensely. Say hello if you see them around at LFW.

ZLiew_#10_Tara&Louisa CentMagazine
Tara and Louisa Lau of Cent Magazine – I did an interview with the lovely Louisa, so fingers crossed that will be available soon.

ZLiew_#9_Matilda Ecologist
Matilda of the Ecologist – likewise she will be running a review of the book – keep an eye out and let me know if you spot it before me.

ZLiew_#11_Katie BLOWOnline
Katie Rose wrote for BLOW online.

ZLiew_#12_Alex Pukka_LondonFashionWk
Lastly but very much not leastly we have Alexandra Haddow of Pukka teas.

Zarina Liew at work
Zarina Liew at work. Photography by Liz Johnson-Artur.

You can follow Zarina Liew on twitter on @cobaltcafe and don’t forget you can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Find out just how Zarina made the leap from the corporate marketing world into the creative arms of illustration: amazing inspiring stuff in this Skype interview on youtube.

YouTube Preview Image

Categories ,Alexandra Haddow, ,BLOW online, ,Cent Magazine, ,Cobalt Cafe, ,Courtney Blackman, ,Ecologist, ,Fab Sugar, ,Forward PR, ,gabby young, ,Holly Springett, ,Katie Antoniou, ,Katie Rose, ,Laura LaRue, ,Liz Johnson-Artur, ,London Plinth, ,Louisa Lau, ,Pukka, ,Rosie and Harriet, ,Sarah Bush, ,ShopStyleUK, ,Somerset House, ,Tatty Devine, ,Zarina Liew

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Amelia’s Magazine | Amelia’s Compendium of Fashion Illustration launch party photos: meet Liz Johnson-Artur

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of my ACOFI illustrators who were also not present during the daytime to illustrate a few of them. Which is how I wound up with this merry bunch of pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Erica Sharp and Natsuki Otani (above) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, price buy but not on a table, treat oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are. Let me tell you, Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion)

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past many months

Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, medical but not on a table, viagra 100mg oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are. Let me tell you, Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion)

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past many months

Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, this web but not on a table, oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, viagra approved but not on a table, oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, cheap but not on a table, pilule oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, information pills but not on a table, this site oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know.

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, medicine but not on a table, and oh no. On a head, where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know. (They appeared in issue 1 of Amelia’s Magazine a long time ago…)

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour. Voila, I introduce to you Alan and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though this wasn’t done from a party snap. She doesn’t appear in the book but if I’d met her earlier she almost certainly would have. Just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Amazing inspiring stuff, all of it. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world… fer real.

6 day riot by Natsuki Otani
6 Day Riot‘s Tamara Schlesinger by Natsuki Otani.

There were so many amazing guests at my ACOFI launch who didn’t come down to the afternoon tea party that it seemed only natural to ask some of the illustrators who were also not present during the daytime to illustrate some of them. Which is how I wound up with this merry bunch of beautiful pictures.

A couple were unsurprisingly enamoured of 6 Day Riot: Natsuki Otani (above) and Erica Sharp (below) show just how differently illustrators can see things.

6 Day Riot by Erica Sharp
6 Day Riot by Erica Sharp.

ACOFI cake by Lesley Barnes
Lesley Barnes felt moved to illustrate the cake, and but not on a table, ask oh no. On a head, clinic where I feel it belongs rather nicely.

ACOFI-Launch Tim Adey-by-Yelena-Bryksenkova
Lovely Yelena Bryksenkova (who alas did not make it at the very last minute due to snowy conditions in New York) took up the challenge of illustrating my boyfriend Tim Adey… resplendent in Liberty print shirt and waving aloft a dainty teacup.

Amelia Gregory by Gemma Milly
Gemma Milly – also absent on a prolonged trip to Canada (the poor thing) illustrated the whole of my outfit, from Joanna Cave earrings, through Beautiful Soul cape, via Monsoon dress (ahem) down to Nina Dolcetti shoes. Splendid.

Gemma Milly-Courtney Blackman_ForwardPR
Gemma Milly also did this lovely illustration of Courtney Blackman from Forward PR.

Cleide Carina of Sketchbook at ACOFI launch by Abi Daker
Abigail Daker, stuck over in Cyprus, took on the challenge of capturing Cleide Carina of Sketchbook Mag. Love it!

emma_block_pipettes_ACOFI
You’ve already seen The Pipettes by Emma Block – but hell, it’s so good why not show it again?

Amelia Acofi by Faye West
Faye West as well took up the challenge of rendering me in all my illustratory glory.

Gareth A Hopkins Will From Mystery Jets
Gareth A Hopkins decided to illustrate the heart throb that is Will from the Mystery Jets… I feel he’s caught his tousled nature perfectly. He looks truly Byron-esque!

Jo Cheung Robots in Disguise
Jo Cheung fancied herself a bit of Robots in Disguise action. Love their hair. So changeable. But never ever boring. It’s been a long and beautiful relationship. Theirs, ours. You know. (They appeared in issue 1 of Amelia’s Magazine a long time ago…)

Kellie-Black-A-Goodone-Goodtime
Kellie Black illustrated one half of Goodone. Having a Goodtime.

Kellie-Black-Alan-&-Martin-Of-Principal-Colour
And then came back to render the lovely men who run Principal Colour in Kent. Voila, I introduce to you Alan Flack and Martin Darby, my printers extraordinaire. I’ve been working with them for seven years now and I will never stop telling people just how lovely they are… Amelia’s Magazine owes an awful lot to them. Hell, they even talk me through existential crises (Alan has found me in tears on more than one occasion).

ACOFI-launch-Liz-Johnson-Artur-byLisaStannard
Lisa Stannard did my parents Bruce and Ursula – who I barely even ran into over the entire night. But I hear they had fun which is all good.

ACOFIlaunch-Amelia+Nicola-by LisaStannard
And then she also did me together with Nicola Woods of Beautiful Soul, she who designed my wonderful shrug.

HANNAH BULLIVANT by Natasha-Thompson
Natasha-Thompson-ACOFI-ELLIE-LOUGHRAN
Natasha-Thompson-ACOFI-KORAL-WEBB
Natasha Thompson came up trumps with pictures of earth contributor Hannah Bullivant and bloggers Ellie Loughran and Koral Webb. Read Koral’s blog here: much kudos to her for asking her tutors if I can lecture at her University in March. Which I will be.

disney-roller-girl-katie-harnett2
I got wind that Navaz Batliwalla of Disneyrollergirl had made it along to the launch although I didn’t get to meet her myself. I then found out that she “outed” herself just days later… there seems no better time to get her illustrated on the web. Here she is, by Katie Harnett.

cassius-katie-harnett
Who also could not resist a bit of Prince Cassius action. And why the hell not?

ACOFI cover by Ani Saunders
Ani Saunders of The Pipettes decided to create her own version of Andrea Peterson’s front cover for ACOFI. Just love it.

Amelia & Matt by Karina Yarv
Finally, Karina Yarv couldn’t resist herself a little bit of the action even though she wasn’t there, this wasn’t done from a party snap and she doesn’t appear in the book. Though doubtless she would have done if I’d met her earlier. Karina is just one of many illustrators who have done so much amazing work for Amelia’s Magazine in the past months. Thankyou so much, all of you, for being so so brilliant.

You can buy Amelia’s Compendium of Fashion Illustration here, with a special 10% if you use the discount code ACOFI LAUNCH up until the 28th February 2011. Please do buy a copy if you want to ensure this website keeps going strong to support both young creatives and people doing good in the world…

Liz Johnson-Artur-ACOFI-Tamara Cincik and Amelia Gregory
Tamara Cincik and Amelia Gregory at the ACOFI launch by Liz Johnson-Artur.

Liz Johnson-Artur and myself go back a loooong way. In the days when I was interning at Arena Magazine (RIP) I accompanied her on shoots in Brixton as a fashion stylist’s assistant, troche and then when I became determined to become a photographer I began to assist her, memorably on a series of fashion shoots featuring posh girl models posing in posh country houses for the high society rag Tatler. They liked her quirkiness, and for us it was a great chance to see how the really rich live.

Liz Johnson-Artur-ACOFI-Prince Cassius
Prince Cassius.

Liz Johnson-Artur-Jonno Ovans, Matt Bramford & Sally Mumby-Croft
Jonno Ovans, Matt Bramford & Sally Mumby-Croft.

Liz was one of the few people who was willing to take me on at a time when I knew nothing about the technicalities of taking pictures – I still don’t know much to be fair, but that’s never hindered my love of photography. We’ve worked together many times since – she produced some wonderful early shoots for Amelia’s Magazine, then moved down to Brighton to bring her girl up in a more sedate environment than that surrounding the tower block in South London where she lived for many years.

Liz Johnson-Artur-ACOFI-Antonia Parker
ACOFI illustrator Antonia Parker.

Liz Johnson-Artur-ACOFI-Rachel de Ste. Croix drawing Susie Bubble
Rachel de Ste. Croix drawing Susie Bubble.

She’s the perfect person to bring along to a party because she so delights in capturing extravagant folk of all types, so, when I needed someone to shoot Pete Doherty and co at play for an editorial piece that I wrote for Fader Magazine right at the height of his mania who better to call on than Liz Johnson-Artur? And then in January I thought of her to capture my ACOFI launch party attendees. Luckily it was easy to persuade her to leave her south coast idyl and join us for the afternoon.

Liz Johnson-Artur-ACOFI-6 Day Riot
6 Day Riot soundchecking.

Liz Johnson-Artur-ACOFI-Ballad Of
Claire from Ballad Of Magazine.

When putting this blog post together I decided to ask her to answer a few questions: read on and be inspired. It’s always a total pleasure to team up with Liz. Mwah.

Liz Johnson-Artur-ACOFI-Rosie and Harriet of Tatty Devine
Rosie and Harriet of Tatty Devine.

Liz Johnson-Artur-ACOFI

What was your favourite part of shooting the ACOFI launch?
The most amazing thing was to see what you are doing. I am one of those people who was there when you started, and seeing your energy prosper in such a creative and committed way, is for an old friend, to say the least… very nice.

Liz Johnson-Artur-ACOFI-Gabby Young
Liz Johnson-Artur-ACOFI-Gabby Young
Gabby Young.

Why do you still prefer to shoot on film? What does it add to an image that you can’t get on digital?
I love to have the negative as a starting point and I love being in the darkroom – I wouldn’t want to give it up for no easy ‘perfect photoshop’. My hands have a chance to touch negatives and this is part of what I want my photographs to transmit, the sense of being in touch with all our senses. I think this is an especially important thing in these times. Shooting on film gives you time between the taking and the having. For me photography is a sensual experience – it’s not about perfection or quick turn over, but the journey that it takes to see the photograph. I think that the limitation that film offers is also the creative and spiritual freedom, and it is worth preserving.

Liz Johnson-Artur-ACOFI-Andrea Peterson
Andrea Peterson at work.

You’ve got an amazing blog called Black Balloon Archive – what’s it all about?
My Black Balloon Archive started when I came to London and didn’t know much about the mix of the city. Growing up in Germany my access to black culture or communities was very much limited to black GIs, and standing in Brixton waiting for the bus I suddenly realised that I was in a place where all this could be explored. My camera was somehow a way of convincing people to let me in; there was never an aim or a strategy. All I wanted was to be let in – to look and learn.

Liz Johnson-Artur-ACOFI-Nina Dolcetti shoes
Nina Dolcetti shoes.

Liz Johnson-Artur-ACOFI-Amelia at 123
Running up and down the stairs at 123.

Starting in London I developed this hunger to find Afro/Caribbean communities to document wherever I could… in Portugal, Germany, the US, France and finally last year in Russia. Being of Ghanain/Russian descent myself this was personally an amazing trip. The Black Balloon Archive blog presents some of the images which I find in my archive – it enables me to retell some of the stories and revisit the faces that I have met on this journey…

Liz Johnson-Artur-ACOFI
Liz Johnson-Artur-ACOFI-Johann Chan of Digital Arts
Johann Chan of Digital Arts.

Liz Johnson-Artur-ACOFI-Michelle Urvall Nyren and Naomi Law
Michelle Urvall Nyren and Naomi Law.

What will you be shooting next?
That depends on what will cross my path, but I guess that somehow it will be always be connected to people and their stories.

Liz Johnson-Artur-ACOFI-Courtney Blackman of Forward PR and Cate Sevilla of Bitch Buzz Buzz
Courtney Blackman of Forward PR and Cate Sevilla of Bitch Buzz.

Liz Johnson-Artur-ACOFI-Lily Vanilli having the Dr.Hauschka treatment
Lily Vanilli having the Dr.Hauschka treatment.

Liz, you tell those stories so very well… so I think it’s best to just let the pictures do the talking.

Don’t forget to visit the Black Ballon Archive on your way out.

Liz Johnson-Artur-ACOFI-Lesley Barnes
Illustrator Lesley Barnes.

Liz Johnson-Artur-ACOFI-Susie Bubble
Susie Bubble.

Liz Johnson-Artur-ACOFI-illustrators
The illustrators gathered and ready to draw the guests.

Categories ,6 Day Riot, ,ACOFI, ,Afro/Caribbean, ,Amelia Gregory, ,Amelia’s Compendium of Fashion Illustration, ,Andrea Peterson, ,Antonia Parker, ,Arena Magazine, ,Ballad Of, ,Ballad Of Magazine, ,Bitch Buzz, ,brighton, ,Brixton, ,Cate Sevilla, ,Courtney Blackman, ,Digital Arts, ,Dr.Hauschka, ,Forward PR, ,gabby young, ,Ghanain, ,Johann Chan, ,Jonno Ovans, ,Lesley Barnes, ,Lily Vanilli, ,Liz Johnson-Artur, ,Matt Bramford, ,Michelle Urvall Nyrén, ,Naomi Law, ,Nina Dolcetti, ,Prince Cassius, ,Rachel De Ste. Croix, ,Rosie and Harriet, ,Russian, ,Sally Mumby-Croft, ,Susie Bubble, ,Tamara Cincik, ,Tatler, ,Tatty Devine

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