Amelia’s Magazine | Exhibition: A Concise Dictionary of a Dress

Conformist Illustration by Marnie Hollande

Blythe House, order once a colossal bustling post office savings bank full of clerks’ activity now stands (almost) empty as a memorial to times past. Currently the home of not only the Victoria and Albert Archives but the British and Science Museum it double doors remain closed even to those who work in the museums. It takes a special request to get inside these vaults.

Luckily for a limited time (these doors swing back tight at the end of June) the V&A section has had its doors pushed slightly ajar by fashion curator Judith Clark and psychoanalyst Adam Philips. Together they have curated a delicate show examining ideas and understandings of dress alongside concepts of preservation in the midst of a vast archive that documents humanity’s progression.

Essential Illustration by Marnie Hollande

Titled The Concise Dictionary of a Dress, the exhibition consists of 11 exhibits nestling amongst the archives, taking up position in the nooks and crannies of the ghostly building. The audience is shepherded silently though the sections of the building we were allowed to see, at times overwhelmed by the space and the delicate nature of the objects it protects. The wondrous treasures awaiting selection by V&A curators, their position elevated from extensive hoard into status objects, indicative (so stated) of the human condition, all too often caught ones eye.


11 exhibits accompanied by 11 pieces of card form a mini-lexicon of dress or a concise representation of ideas of what it is to ‘dress’:


Is it as Comfortable suggests: 1 A Refuge; a nostalgia; the calm before or after. 5. Space protected to forget that protection is required. or do you find yourself agreeing with Loose: 1. Never knowingly over-attached; a disappearing act. 3 Of Uncertain Boundary? Or do the words fall flat?


Words and their meanings can provide a point of conflict: at times the words on the card and the image of dress produced a harmonious moment of why people chose particular items of dress. In this moment the dictionary of a dress becomes clear as the exhibition mirrors the dictionary’s almost circular nature of providing two meanings for one word.

The curators have invited the audience into a hidden world; the vast depths of the museum. The audiences’ eye drawn to objects not in the exhibition but whose presence demands attention: Why is it there? Why did they choose this room or that cupboard? Can meanings be created between the juxtaposition of dress and the objects in the room?


A weekly definition taken from the website: MEASURED 1. Against chaos; a way of thinking about disarray; calculated excess. 2. The fitted as fitting. 3. Proportion as the mother of virtue. 4. The milder ecstasies of the considered. 5. Contained by the idea of containment.

The word and their phrases present one idea of what it is you are viewing, whilst the objects potentially visualise and neuter simultaneously. The sentences add conflict as they embellish the meaning of the single word and the idea of why we dress, collect and preserve.


No word is mealy a word, it becomes heavy through each individual understanding of it’s context. Each interpretation of the exhibits arrived upon by our unique thought processes formed by our own experiences. It is an oddly lonely experience wandering though the locked archives looking at how meaning is embedded into objects. Can meanings be created from the idea that a function of the archive is personal, an act of preservation and eventually historical.

The final exhibit; Creased presented a Junya Watanabe dress behind the bars of an old coal bunker open to the outside world. The end mimicing the beginning; the first exhibit high on the roof stands a ghostly gown open to the elements, it’s resin skeleton delicate in the glare and heat of the sun. These two decisions scream against the museum’s usual desire to keep everything hidden and preserved in temperature controlled rooms.

Armoured Illustration by Marnie Hollande

Seen against the sky scape of London, the resin dress showed just how delicate the human body, our sense of dress and concepts of who we are can be against the hard bustling ever moving city.

Take yourself on a guided walk through an unseen section of our national museums, question the ideas of preservation and the difference between the museum’s archive and your personal ‘hoard’.

Watch the trailer here: The Concise Dictionary of a Dress
All photographs by: Julian Abrams

Categories ,A Concise Dictionary of a Dress, ,Adam Phillips, ,Archive, ,Art Angel, ,Blythe House, ,British Museum, ,Costume, ,Dress, ,fashion, ,Judith Clarke, ,Julian Abrams, ,Marnie Hollande, ,Science Museum, ,va, ,Vaults

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Amelia’s Magazine | BRIGHTON SHOW: University of Brighton 2014 Graphic Design and Illustration Degree Show Review

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Installation by Charlie Barrows

Over the weekend more than 70 students from the University of Brighton‘s Graphic Design and Illustration programme brought their wares to The Bargehouse, a cavernous part of the Oxo Tower building with a labyrinth of bare brick rooms over four floors. It was the perfect setting for this show, where viewers were invited to explore the whole building featuring print, illustration and film in various rooms.

It was a mammoth task trying to check everything out, but a task I thoroughly enjoyed. Here’s a rundown of some of my favourites, beginning with Charlie Barrows, whose flowers installation (top) was the first thing that caught my eye. She’d also produced some striking collage prints that at first looked pretty but up close revealed a sinister message (a key theme in her work) – like this one featuring Fred and Rose West.


Providing light relief in juxtaposition was Marcus Connor. I loved his Patrick Caulfield/Michael Craig-Martin-esque line illustrations.


Sarah Todd had curated an entire offshoot room, erecting a vintage gym complete with climbing frame, bench and hoops to display her mixture of retro apparel and printed matter.

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I loved Richard Henley‘s bold, Memphis-like prints. The geometric shapes and marble patterns were right up my strasse, based loosely on childrens’ building blocks.


Dan Mountford has courted much press attention with his ethereal photography. I was mesmerised by this side portrait with ripple effect. His double exposure portraits (which I must have missed at the exhibition) are definitely worth checking out – have a look over on his website.

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Florence Wood dominated one corner of a room with her all white sculpture, made from bottles, tins and other household packaging items. Her aim was to raise awareness of the level of poverty in Brighton itself.


There was nothing not to love about Andrew Morley‘s skeleton man, a sculpture based on his comic drawing style.

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Ralph Pederson‘s Tear Back project aims to reimagine some of Brighton’s derelict buildings.



I loved the minimalist aesthetic of Elina Linina‘s photography, in particular this shot of Copenhagen concrete.


Chantal Caduff produced, amongst other things, this wonderful post-modernist stop-frame animation, featuring multiple magazine collages:

Jordan Pryke lives with bi-polar disorder and his aim is to spread awareness of its complications; his unique visual style resulted in many effective and eye-catching images.

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Abi Overland presented some classic, organic, forestry illustrations with a nice mix of different styles.


I really liked Luisa Lloyd‘s abstract graphic design – fragments of images and text combined to form images based on Friedrich Nietzsche‘s works.

Luisa Lloyd 1

Luisa Lloyd 2

And lost but not least, a quick mention to Lawrence Dodgson‘s hilarious ‘Horny Trains’ zine cover…

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Nice one, Brighton!

Photographs of exhibition by Matt Bramford; work images courtesy of graduates.

Categories ,2014, ,Abi Overland, ,Andrew Morley, ,art, ,BA, ,Bargehouse, ,brighton, ,Chantal Caduff, ,Charlie Barrows, ,Dan Mountford, ,Elina Linina, ,Florence Wood, ,Fred West, ,graduates, ,Graphic Design, ,horny trains, ,illustration, ,installation, ,Jordan Pryke, ,Lawrence Dodgson, ,Luisa Lloyd, ,Marcus Connor, ,Matt Bramford, ,Mixed Media, ,Oxo Tower, ,Ralph Pederson, ,review, ,Richard Henley, ,Rose West, ,Sarah Todd, ,Screenprints, ,show, ,University of Brighton, ,Visual Communication

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