‘A good photograph is one that communicates a fact, order touches the heart, shop and leaves the viewer a changed person for having seen it. It is, adiposity in a word, effective.’
These famous words, uttered by Irving Penn himself, pretty much sum up the experience of the Irving Penn: Portraits major exhibition at the National Portrait Gallery. Running until 6 June, this landmark offering marks one of fashion’s greatest photographers’ passing in October of last year, and is the first exhibition of his work in the UK for 25 years.
Here are a few reasons why you should see this restrospective of one of the world’s greatest photographers:
Celebrate a master
In the 1940s when Penn began his career shooting for Vogue magazine, opulent interiors and lavish settings were de rigeur for these magazines. Penn shook things up with his minimal, austere settings (often in stark studios with floors covered in fag butts). It was this style that he is most famous for, and which has influenced countless artists and photographers since.
Marvel at unique composition
While many photographers employed narratives in their work, removing personal elements, Penn’s focus was on keeping settings neutral and resisting these storytelling fantasies. His were studies of the face; he rarely photographed his subjects at full length, often severely chopping off the tops of heads with his crop. This was extraordinary at the time, and looking at these timeless images now, it still is. Glancing at the iconic portrait of his wife Lisa Fonssagrives-Penn in her harlequin number and then looking at a contemporary portrait of Nicole Kidman from as little ago as 2003, it is only by recognition of the subjects that we can differentiate the era; the ageless elegance of these photographs is truly astonishing.
See REAL celebrities
Penn was one of the few photographers who documented the stars of the 1940s and 1950s, and in an age where getting your tits out on TV makes you a celebrity, be delighted amongst the faces of those with endurable star quality and immeasurable talent – Rudolph Nureyev, Edith Piaf, Elsa Schiaparelli, Marlene Dietrich and Cecil Beaton to name a few.
Revel at the beauty of gelatin prints
All of Penn’s prints use the vintage silver gelatin process, which gives uncompromising quality and incredible contrast. Looking at the photographs makes a recent batch of DSLR prints I paid a fortune for look like a bad job by Snappy Snaps.
For more information or to book tickets, click here.
‘A good photograph is one that communicates a fact, cost touches the heart, visit this and leaves the viewer a changed person for having seen it. It is, this in a word, effective.’
These famous words, uttered by Irving Penn himself, pretty much sum up the experience of the Irving Penn: Portraits major exhibition at the National Portrait Gallery. Running until 6 June, this landmark offering marks one of fashion’s greatest photographers’ passing in October of last year, and is the first exhibition of his work in the UK for 25 years.
Here are a few reasons why you should see this restrospective of one of the world’s greatest photographers:
Celebrate a master
In the 1940s when Penn began his career shooting for Vogue magazine, opulent interiors and lavish settings were de rigeur for these magazines. Penn shook things up with his minimal, austere settings (often in stark studios with floors covered in fag butts). It was this style that he is most famous for, and which has influenced countless artists and photographers since.
Marvel at unique composition
While many photographers employed narratives in their work, removing personal elements, Penn’s focus was on keeping settings neutral and resisting these storytelling fantasies. His were studies of the face; he rarely photographed his subjects at full length, often severely chopping off the tops of heads with his crop. This was extraordinary at the time, and looking at these timeless images now, it still is. Glancing at the iconic portrait of his wife Lisa Fonssagrives-Penn in her harlequin number and then looking at a contemporary portrait of Nicole Kidman from as little ago as 2003, it is only by recognition of the subjects that we can differentiate the era; the ageless elegance of these photographs is truly astonishing.
See REAL celebrities
Penn was one of the few photographers who documented the stars of the 1940s and 1950s, and in an age where getting your tits out on TV makes you a celebrity, be delighted amongst the faces of those with endurable star quality and immeasurable talent – Rudolph Nureyev, Edith Piaf, Elsa Schiaparelli, Marlene Dietrich and Cecil Beaton to name a few.
Revel at the beauty of gelatin prints
All of Penn’s prints use the vintage silver gelatin process, which gives uncompromising quality and incredible contrast. Looking at the photographs makes a recent batch of DSLR prints I paid a fortune for look like a bad job by Snappy Snaps.
For more information or to book tickets, click here.
Are you an artist? Or is your creativity in fact destructive? Illustration: Ana Botezatu
I am in danger of becoming one of Tim Jackson’s biggest fans. I saw him at a talk at the LSE last week, cialis 40mg and have read his articles everywhere in the Ecologist, generic The Guardian, hospital The Times and Adbusters. Tim Jackson is a lecturer in Sustainable Development in the University of Surrey, on the Economics Steering Group of the Government’s Sustainable Development Commission, associate of the New Economics Foundation, and author of new book Prosperity Without Growth, which he was discussing at this talk. Before I start though, I’ll just let you in on the fact that you can listen to the entire talk as a podcast, so I won’t just regurgitate what he said.
Until recently it has been blasphemy, no less, to challenge the view that the economy growing and growing and growing may in fact not actually make us better off and solve all our problems. Please note that all our governments and financial systems, no matter how left or right wing, are founded on the idea that GDP (Gross Domestic Product) must grow every year. Or else. If GDP does not grow, countries are in trouble and politicians panic. If another country’s GDP grows by a percentage more than the UK’s, the UK Treasury cries. But what does this actually mean for us? What does this sacred, beloved GDP growth actually give us?
Are we chasing the consumerist illusion of an ideal life, while the landfill builds up under our feet? Illustration: Ana Botezatu
Tim Jackson is one of the people finding a language to question the assumption that GDP must continue to grow forever. Refreshingly, it is a language suitable for use by a recession-hit population and an environmentally confused government, which does not necessarily resort to proclamations of anti-capitalism that a lot of people would find scary. Indeed, it focuses purely on the growth aspect of the economy, which has been common to both capitalist and communist economies regardless of how they claim to distribute the subsequent wealth. Moreover, despite what the lecture’s chair, Dr. Richard Perkins, described as ‘provocative’ views, Tim Jackson is speaking at the LSE, wearing a suit, and advises the government….not someone sitting on the floor in an autonomous social centre, preaching to the converted then (no offence by the way, I am definitely a fan of these situations!). So perhaps there’s a chance policy makers might actually listen to him…the rammed enormous lecture hall of LSE frequenters certainly seemed to.
Back during my Erasmus days in France, I used to go to meetings of a group called Decroissance (de-growth), in Montpellier. They believed that the assumption that we need never-ending economic growth to be happy and prosper is socially and politically sanctioned borderline madness, basically. That the strange, and severely unquestioned worship of growth in GDP was actually preventing us from seeing what we might really need as a society, such as better basic services, physical and psychological health, environmental protection and greater civil participation (and hence truer democracy). All of which the economy is currently destroying rather than creating, and which can be achieved with what we already have. I’ve just checked their website, and they seem to have gone a long way since the slightly garish monthly newspaper they used to publish back in my Erasmus days.
“How can a continually expanding sub-system exist within the finite limits of the planet?” It was a simple, standard question that Tim Jackson started with. While political focus lately has been uniquely on carbon emissions (as if this was isolated from all other environmental issues), one of our biggest environmental and therefore social problems is in fact our over-use of natural resources. A tiny percentage of us on this planet are biting massive irreplaceable chunks out of the only hand that feeds the entire planet, i.e. the planet itself (Tim showed us a diagram which demonstrates how we have already gone beyond the safe operating space for humanity). While some people choose to point the finger at population growth, the issue at stake is in fact our rate of unsustainable over-consumption. Cutting population growth so that we can carry on producing more and more stuff that only some of us will be able to consume, instead of questioning how much crap we produce and consume in the first place, is missing the point, surely.
Is materialism getting in the way of the meaningful relationships that have enabled our survival? Illustration: Ana Botezatu
Using many simple graphs and pie charts, Tim showed how income per capita raises standard of living and life expectancy only up to a certain point. Therefore, in the countries with the lowest GDP and income per capita, rising levels of income and GDP do make a big difference to life expectancy and quality of life, as they improve infrastructure and health. Beyond these levels, however, life expectancy does not correlate with income per capita at all. So, right from the start, Tim stressed that he was not promoting some kind of blanket-revolution which was suddenly universally applicable to everyone. His focus was on countries that already have a high GDP. The UK and US, for example, overproduce massively. And while our income per capita is much much higher than that of Cuba, Costa Rica or Chile, our life expectancy is lower.
Challenges to the notion of economic growth typically elicit proclamations of humanity either going back to Soviet Communism or reverting to cave-dwelling. Indeed, when questioned at the end by the audience on how policy makers can possibly find intellectual arguments to disagree with his in-depth and logical conclusions, Tim lamented that intellectual responses were, for the moment, severely lacking. Government responses to his prosperity without growth report (he is a government adviser remember), have so far included protests of the kind: “How can we make this report go away?” and, “Ah, now I understand all this Sustainable Development, it means going back to the Stone Age!”
Are we filling our lives with useless objects that don’t actually make us happy? Illustration: Ana Botezatu
So Tim highlighted three very important parts of his work. One, we have to recognise the benefits that growth has brought, as well as the drawbacks and limitations. Two, some countries may indeed continue to require economic growth for some time. Three, both capitalist and communist economies have, in the last decades, focused on economic growth. Four, we should start allowing ourselves to at least consider that growth may not be the answer to everything. Current recession and unemployment is a consequence of this economic system, not a result of not enough GDP growth (it has been growing rather exponentially for ages and doesn’t seem to have done the trick). So whether you agree with Tim or not, I think he’s right in saying “fix the economics, they’re already broken.”
Consider also most governments’ responses to climate change and environmental problems. We need more technology. More technology will, supposedly, make us more efficient. But the rate at which we produce more technology, in order to keep up economic growth, actually cancels out any improvements in efficiency. We are still using more coal, gas and oil, polluting more and emitting more CO2 because we are producing way too much of this supposedly ever more efficient technology. That is because the goal has not really been greater efficiency; it has been greater growth, coated with a brand spanking new varnish of eco/sustainability/green wash.
Macro-economics aside, Tim Jackson also talked about consumer habits. He mentioned something called ‘Destructive Creativity’, which is potentially what I was trying to get at in my post-LFW piece. Basically, we keep producing more and more crap, more novelty, brighter, shinier, better objects that will improve our lives. But the fact is, they don’t! Advertising is based on playing to our dreams and aspirations and suggesting they will be fulfilled by material objects. Some of them might, but after a certain point these material objects become both a personal and planetary burden. They fill our lives with junk, plunge us further into overdraft and debt, and make us increasingly depressed as we just can’t continue to live up to the ideals promised by the consumer dream machine.
Does advertising of endless new gadgets and beauty products make us strive towards a perfection that doesn’t even exist? Illustration: Ana Botezatu
Most of those ideals, a fulfilled and happy life, are provided by what we know they have always been associated with: better, deeper, more meaningful relationships, a greater feeling of social participation, health, and a beautiful environment, however that may vary according to taste. At the moment we are increasingly consumers rather than citizens (again, that’s what I tried to get across in my sustainable fashion piece), so our social participation is becoming increasingly mediated by materialism. But such a level of materialism is actually physically impossible for the entire world. There simply isn’t enough planet for it to be possible. We therefore have to start finding new ways to participate in society in less materialistic ways, for the sake of our own survival and happiness.
As for the old adage that competition is part of human nature, and that we intrinsically will always want more and more and more, more than other people, Tim suggested that these are just the aspects of human nature which have been incentivised in today’s economy. Many psychological studies show that we have a balance between self and social interest. Indeed, as Tim said, our survival and evolution would have been impossible had we been driven purely by self-interest. What should now be done, for the sake of us all, is to make sure we incentivise the non-selfish aspects of human nature. But, quite frankly, we don’t need studies to tell us that!
There was one question from the audience which I think I’ll finish with: How do you stay positive?
Tim Jackson’s answer: “Optimism is an act of will…It’s a better psychological strategy for achieving things.”
Food for thought and action indeed, have a listen to the podcast if you can. I’m off to get the book and I’ll let you know what I think when I’ve read it!
Written by Zofia Walczak on Thursday March 4th, 2010 7:48 pm
Categories ,Adbusters, ,Ana Botezatu, ,chile, ,Costa Rica, ,Cuba, ,GDP, ,government, ,Gross Domestic Product, ,growth, ,happiness, ,Income per Capita, ,life expectancy, ,New Economics Foundation, ,socialism, ,sustainable development, ,Sustainable Development Commission, ,the ecologist, ,The Guardian, ,The Times, ,Tim Jackson, ,Treasury, ,UK
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