Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Andrew Majtenyi

As you know Amelia’s magazine love to champion ethical designers, website like this so with this in mind we wondered if you could tell us why you’re compelled to design ethical fashion as opposed to disposable clothing you might find on the high street?
I don’t like the word opposed. It suggests being against something. I hope that the fashion industry collectively can all create and inspire positive evolutions in design at every level of the market.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00653Images throughout courtesy of Ada Zanditon, view photographed by Paul Persky

You’re well known within the industry for your fashion designs, but you’re a great illustrator too. Is this something you’d like to push forward and be known for in conjunction with your self named brand?
For Sure! It would be great to raise awareness of my illustrations. I would love to do a feature or collaboration. Let’s do one with one with Amelia’s Magazine!

Ada Zanditon Show PosterIllustration by Ada Zanditon

Your designs are always so beautifully sculptural yet are easily wearable and super-chic showing your ability to marry different style aesthetics. What kind of woman do you feel embodies your brand?
It could be anyone from Rihanna to Tilda Swinton! But I think strength and elegance combined is the common denominator. When I design a dress, I want the woman who wears it to feel strong, sexy and elegant.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00662

Do you have any fashion heroes, if so who?
The fabulous and bearded Andre J.

Ada Zanditon SS10 Red Dress Look Book Image

What is your inspiration for FW10, and what can we expect from your upcoming LFW fashion show?
Beautifully blended with a bruised colour palette of the low set winter sky, the structured silhouettes of webbed bare branches and beating wings, presents a collection versatile in wear from day to evening. The collection is titled ‘echolocation’ inspired by the perception of the nocturnal landscape.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00677

How do you unwind after the stresses of LFW?
I prefer to start work on the next collection. I only believe in fast forward.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00745

What has been your career’s biggest highlight to date?
It is going to be on this day: Tuesday 23rd February! My first solo show at London Fashion Week, with Vauxhall Fashion Scout. Following on from success of the Ones To Watch show with Vauxhall Fashion Scout ( in Sept 09) we’re very proud to be doing our first solo show, proudly sponsored by Gleeds (one of the world’s leading construction and management consultants)!

For a relatively new designer you’ve already achieved a lot! Is there anything in particular that you are looking forward to accomplishing this decade?
To grow and develop the brand and create a strong international business that operates on the principle that people, planet and profit are of equal importance and value.
As you know Amelia’s magazine love to champion ethical designers, site so with this in mind we wondered if you could tell us why you’re compelled to design ethical fashion as opposed to disposable clothing you might find on the high street?
I don’t like the word opposed. It suggests being against something. I hope that the fashion industry collectively can all create and inspire positive evolutions in design at every level of the market.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00653Images throughout courtesy of Ada Zanditon, ailment photographed by Paul Persky

You’re well known within the industry for your fashion designs, but you’re a great illustrator too. Is this something you’d like to push forward and be known for in conjunction with your self named brand?
For Sure! It would be great to raise awareness of my illustrations. I would love to do a feature or collaboration. Let’s do one with one with Amelia’s Magazine!

Ada Zanditon Show PosterIllustration by Ada Zanditon

Your designs are always so beautifully sculptural yet are easily wearable and super-chic showing your ability to marry different style aesthetics. What kind of woman do you feel embodies your brand?
It could be anyone from Rihanna to Tilda Swinton! But I think strength and elegance combined is the common denominator. When I design a dress, I want the woman who wears it to feel strong, sexy and elegant.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00662

Do you have any fashion heroes, if so who?
The fabulous and bearded Andre J.

Ada Zanditon SS10 Red Dress Look Book Image

What is your inspiration for FW10, and what can we expect from your upcoming LFW fashion show?
Beautifully blended with a bruised colour palette of the low set winter sky, the structured silhouettes of webbed bare branches and beating wings, presents a collection versatile in wear from day to evening. The collection is titled ‘echolocation’ inspired by the perception of the nocturnal landscape.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00677

How do you unwind after the stresses of LFW?
I prefer to start work on the next collection. I only believe in fast forward.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00745

What has been your career’s biggest highlight to date?
It is going to be on this day: Tuesday 23rd February! My first solo show at London Fashion Week, with Vauxhall Fashion Scout. Following on from success of the Ones To Watch show with Vauxhall Fashion Scout ( in Sept 09) we’re very proud to be doing our first solo show, proudly sponsored by Gleeds (one of the world’s leading construction and management consultants)!

For a relatively new designer you’ve already achieved a lot! Is there anything in particular that you are looking forward to accomplishing this decade?
To grow and develop the brand and create a strong international business that operates on the principle that people, planet and profit are of equal importance and value.
As you know Amelia’s magazine love to champion ethical designers, troche so with this in mind we wondered if you could tell us why you’re compelled to design ethical fashion as opposed to disposable clothing you might find on the high street?
I don’t like the word opposed. It suggests being against something. I hope that the fashion industry collectively can all create and inspire positive evolutions in design at every level of the market.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00653Images throughout courtesy of Ada Zanditon, visit this site photographed by Paul Persky

You’re well known within the industry for your fashion designs, but you’re a great illustrator too. Is this something you’d like to push forward and be known for in conjunction with your self named brand?
For Sure! It would be great to raise awareness of my illustrations. I would love to do a feature or collaboration. Let’s do one with one with Amelia’s Magazine!

Ada Zanditon Show PosterIllustration by Ada Zanditon

Your designs are always so beautifully sculptural yet are easily wearable and super-chic showing your ability to marry different style aesthetics. What kind of woman do you feel embodies your brand?
It could be anyone from Rihanna to Tilda Swinton! But I think strength and elegance combined is the common denominator. When I design a dress, I want the woman who wears it to feel strong, sexy and elegant.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00662

Do you have any fashion heroes, if so who?
The fabulous and bearded Andre J.

Ada Zanditon SS10 Red Dress Look Book Image

What is your inspiration for FW10, and what can we expect from your upcoming LFW fashion show?
Beautifully blended with a bruised colour palette of the low set winter sky, the structured silhouettes of webbed bare branches and beating wings, presents a collection versatile in wear from day to evening. The collection is titled ‘echolocation’ inspired by the perception of the nocturnal landscape.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00677

How do you unwind after the stresses of LFW?
I prefer to start work on the next collection. I only believe in fast forward.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00745

What has been your career’s biggest highlight to date?
It is going to be on this day: Tuesday 23rd February! My first solo show at London Fashion Week, with Vauxhall Fashion Scout. Following on from success of the Ones To Watch show with Vauxhall Fashion Scout ( in Sept 09) we’re very proud to be doing our first solo show, proudly sponsored by Gleeds (one of the world’s leading construction and management consultants)!

For a relatively new designer you’ve already achieved a lot! Is there anything in particular that you are looking forward to accomplishing this decade?
To grow and develop the brand and create a strong international business that operates on the principle that people, planet and profit are of equal importance and value.
As you know Amelia’s magazine love to champion ethical designers, drug so with this in mind we wondered if you could tell us why you’re compelled to design ethical fashion as opposed to disposable clothing you might find on the high street?
I don’t like the word opposed. It suggests being against something. I hope that the fashion industry collectively can all create and inspire positive evolutions in design at every level of the market.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00653Images throughout courtesy of Ada Zanditon, photographed by Paul Persky

You’re well known within the industry for your fashion designs, but you’re a great illustrator too. Is this something you’d like to push forward and be known for in conjunction with your self named brand?
For Sure! It would be great to raise awareness of my illustrations. I would love to do a feature or collaboration. Let’s do one with one with Amelia’s Magazine!

Ada Zanditon Show PosterIllustration by Ada Zanditon

Your designs are always so beautifully sculptural yet are easily wearable and super-chic showing your ability to marry different style aesthetics. What kind of woman do you feel embodies your brand?
It could be anyone from Rihanna to Tilda Swinton! But I think strength and elegance combined is the common denominator. When I design a dress, I want the woman who wears it to feel strong, sexy and elegant.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00662

Do you have any fashion heroes, if so who?
The fabulous and bearded Andre J.

Ada Zanditon SS10 Red Dress Look Book Image

What is your inspiration for FW10, and what can we expect from your upcoming LFW fashion show?
Beautifully blended with a bruised colour palette of the low set winter sky, the structured silhouettes of webbed bare branches and beating wings, presents a collection versatile in wear from day to evening. The collection is titled ‘echolocation’ inspired by the perception of the nocturnal landscape.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00677

How do you unwind after the stresses of LFW?
I prefer to start work on the next collection. I only believe in fast forward.

Ada Zanditon SS10 CREDIT photographer Paul Persky 00745

What has been your career’s biggest highlight to date?
It is going to be on this day: Tuesday 23rd February! My first solo show at London Fashion Week, with Vauxhall Fashion Scout. Following on from success of the Ones To Watch show with Vauxhall Fashion Scout ( in Sept 09) we’re very proud to be doing our first solo show, proudly sponsored by Gleeds (one of the world’s leading construction and management consultants)!

For a relatively new designer you’ve already achieved a lot! Is there anything in particular that you are looking forward to accomplishing this decade?
To grow and develop the brand and create a strong international business that operates on the principle that people, planet and profit are of equal importance and value.
Andrerw M
Illustration courtesy of Valerie Pezeron

In a strange part of town, there in a venue that gave no clue as to why it existed (apart from having the appearance of a Travelodge) Andrew Majtenyi presented his debut collection.

I must confess, before the show I knew little about Majtenyi, so I had zero expectations. It was, in the end, a very polished show.

LFW_AndrewMajtenyi_3

No major boundaries were pushed; there’s still an omnipresent recession-friendly vibe at Fashion Week, yet Majtenyi’s collection was a positive one.

Sharp, tailored outfits with girlish softness were influenced by 1940s New Look optimism – in an environment of economic recovery, I guess we’re looking for the same attitudes from tailors as the admirers of Dior did during his time.

A grey palette really suited these simple, elegant pieces, and structured business-like ensembles managed to be flirtatious with shorter hem-lines.

LFW_AndrewMajtenyi_5

The collection progressed to include playful and humorous prints, which included dog-walkers and ketchup bottles. These also added a splash of colour to an otherwise monochromatic colour palette.

LFW_AndrewMajtenyi_6

Flannel grey structured suits were given an edge with a flocked damask treatment, and thin belts synched in waists to create a more flattering silhouette.

LFW_AndrewMajtenyi_1

All in all, a good show, but I’d really like to see Majtenyi’s outfits on curvaceous women with a touch more sex appeal – did anybody check these girls’ BMI?!

Categories ,Andrew Majtenyi, ,Catwalk review, ,Graphic Prints, ,London Fashion Week, ,New Look

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Amelia’s Magazine | Jamie Wei Huang: London Fashion Week S/S 2015 Catwalk Review

Jamie Wei Huang SS15 by Gaarte
Jamie Wei Huang SS15 by Gaarte.

Jamie Wei Huang is fast becoming one of my favourite new designers, adept at delivering sleekly wearable clothing with clever signature detailing. Her SS15 collection was titled Metaphysics; inspired by myriad forms of urban life, from bike courier to banker. Slouchy tops were paired with A-line skirts and wide culottes, with contrasting elements such as leather shoulder straps and feature pockets used with delicate geometric monochromes, silk jacquards, soft leathers and sheep skins. Of particular note were the glorious saturated moss greens, royal blues and silvery reflective hues pared with crisp white detailing.

Bags were slung low on hips or clutched lightly in hands, whilst models wore casually slicked back hair, simple wristbands and clunky low heeled sandals, a reflection of the new everyday aesthetic which currently reigns supreme on the catwalks.

Scroll down to watch a video of the catwalk show.

Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia GregoryJamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
Jamie Wei Huang SS 2015 photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,Catwalk review, ,Fashion Scout, ,Freemasons’ Hall, ,Gaarte, ,Jamie Wei Huang, ,London Fashion Week, ,metaphysics, ,S/S 2015, ,SS15

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Amelia’s Magazine | Jean-Pierre Braganza AW15: London Fashion Week Catwalk Review

JP Braganza AW15-photo by Amelia Gregory 6
All photography by Amelia Gregory.

This season Jean-Pierre Braganza was inspired once more by strong women with Excelsiora, ’a modern incarnation of an exacting film noir vixen and a war-time heroine.’ Cue a plethora of structured winter coats in deep ink, claret and forest green, and signature sharp tailoring in bold runway stripes. Fighter jets inspired eye catching all over prints and detailed abstract embellishments on silky loose tee tops.

Georgina Trestler for JP Braganzav
Jean-Pierre Braganza AW15 by Georgina Trestler.

JP Braganza AW15-photo by Amelia Gregory 7
JP Braganza AW15-photo by Amelia Gregory 3
JP Braganza AW15-photo by Amelia Gregory 26
JP Braganza AW15-photo by Amelia Gregory 29
JP Braganza AW15-photo by Amelia Gregory 22
TV presenter Lilah Parsons front row with friends.

Categories ,AW15, ,Catwalk review, ,Excelsiora, ,Georgina Trestler, ,Jean Pierre Braganza, ,Lilah Parsons, ,London Fashion Week, ,review, ,Show report

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Amelia’s Magazine | Josh & Nicol: London Fashion Week A/W 2013 Catwalk Review

Josh & Nicol LFW A/W 2013 by Sam Parr
Josh & Nicol, LFW A/W 2013 by Sam Parr

Somewhere over the rainbow, namely at Charing Cross Hotel, Josh & Nicol presented their LFW A/W 2013 collection. The Promise of the Rainbow is a colourful collection with inspirations including birds of paradise and the Wizard of Oz. A distinctive rainbow-style fabric dominated the collection and in my mind, the pieces are split into two camps: black, elegant, gothic garments contrasting against bright, green-palette, rainbow prints with a tribal feel. The black pieces sport conspicuous zips with sections of floaty, translucent fabric. In some of the garments these two different threads meet and the fresh, colourful print is mixed with the sexier black, tying the pieces together.

Josh & Nicol LFW AW 2013

Josh & Nicol LFW AW 2013

Josh & Nicol LFW AW 2013

Held in the Betjeman Suite of the Charing Cross Hotel, the venue was, although a day too late, Valentine’s Day appropriate, with candles leading the way through the corridor and up the stairs. Named after a former Poet Laureate the room came complete with chandeliers, marble pillars and a sculpted ceiling, which provided a stark contrast to the goth-rock feel of the black garments and the flamboyant prints of the rainbow inspired togs that made up this collection.

Josh & Nicol LFW AW 2013 by Louise Smith
Josh & Nicol, LFW A/W 2013 by Louise Smith

Josh & Nicol is a luxury fashion brand established in 2010, Ufuoma Ekpecham is the brands’ Creative Director and believes that “there is nothing more beautiful and sophisticated than a woman that dresses to suit her body shape.” The designer went on to start the label after winning the Planet Africa Red Carpet Dress Challenge in Toronto.

Josh & Nicol LFW AW 2013

Josh & Nicol LFW AW 2013

There is free champagne, orange juice and wine, which is handed to me in my front row seat. After a day of queues and bobbing heads blocking my view, this is a welcome change. The show starts late, and the atmosphere is relaxed and friendly. I chat to a friend of the designer who has made her way all the way from Brussels to attend, and will leave the next day. This show feels much more personal to me, close-knit friends and family seems to make up the audience, as well as journalists.

Josh & Nicol LFW AW 2013

Josh & Nicol LFW AW 2013

There are references to Baum‘s The Wonderful Wizard of Oz in the program and although initially I couldn’t see any sign of Dorothy, the yellow brick road, or red glittery pumps, I speculate that the collection has drawn inspiration from other elements of the story. The green print is perhaps a nod to the Emerald City and the green-tinted glasses that the characters must wear to enter. If I remember correctly, in the original novel, the Wizard and Dorothy fashion a balloon from green silk, which perhaps could be something the designer has taken inspiration from for the colourful print design. Or maybe, the film version with Judy Garland‘s rendition of Over the Rainbow was part of the inspiration to inject colour and life into the fabrics Either way, this collection whisked me away from the bustling streets of London, like the cyclone whisked away Dorothy. Sadly though, reciting, “there’s no place like home,” didn’t work for me, and after this show finished, I had an hour and a half train journey to get back to Bath, my first day of London Fashion Week over with a colourful and stylish bang.

Josh & Nicol LFW AW 2013 by Louise Smith
Josh & Nicol, LFW A/W 2013 by Louise Smith

All photography by Jessica Cook

Categories ,A/W 2013, ,Betjeman Suite, ,bright prints, ,Catwalk review, ,Charing Cross, ,gothic, ,Jessica Cook, ,Josh & Nicol, ,lfw, ,London Fashion Week, ,Louise Smith, ,Sam Parr, ,Tribal, ,Ufuoma Ekpecham

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Amelia’s Magazine | Dora Abodi: London Fashion Week S/S 2015 Catwalk Review

Dora Abodi by Simon McLaren
Dora Abodi by Simon McLaren.

Dora Abodi was a new name to me. She founded her label in 2009 in Hungary and currently divides her time between Milan and Budapest. I was pleased to note that she doesn’t work with fur and only uses materials from an ethical origin, working with craftspeople to achieve a fine finish on garments and accessories.

Dora Abodi Spring Summer 2015, illustration by Rosa Crepax and Carlotta Crepax, Illustrated Moodboard for Amelia's Magazine
Dora Abodi SS15 by Rosa Crepax and Carlotta Crepax of Illustrated Moodboard.

I loved the cardboard cut out invitation to this show (not enough interesting invites in these days of austerity…) which was covered in graphic photo generated patterns that appeared on a series of belted dresses, and panelled crop tops worn with flared skirts. She’s obviously a fan of Jonathan Saunders, Belle Sauvage and kin, but gave this collection a gothic spice of its own with slick black mullets, dark eyes and swishing curved embellishments reminiscent of birds wings. The show closed with a stunning ensemble that would not be out of place as inspiration for my 10th anniversary open brief, calling to mind animal spirits and shamans.

Scroll down to view the video.

Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
Dora Abodi SS 2015 photo by Amelia Gregory
All photography by Amelia Gregory.

Categories ,Budapest, ,catwalk, ,Dora Abodi, ,Hungarian, ,Hungary, ,Illustrated Moodboard, ,Jonathan Saunders, ,London Fashion Week, ,Milan, ,review, ,Rosa Crepax and Carlotta Crepax, ,S/S 2015, ,Simon Mclaren, ,SS15

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Amelia’s Magazine | Attack of the Aubergines: Fashion Philosophy Fashion Week Poland A/W 2011 in Łódź

?ód? Fashion Week AW 2011-aubergine

For some reason Fashion Week Poland was over run with aubergine flower arrangements. There was a plated aubergine arrangement in my hotel room at Andel’s Hotel when I arrived and aubergines appeared on tables throughout Expo. I wondered how long mine would last given that the aubergine appeared to be acting as a vase… not long – by Sunday it was slowly disintegrating into the green napkin. One of my hosts assured me that vegetable arrangements are common in Poland. I would love to see what they would do with a bunch of mini carrots.

Fashion Week Poland aubergines 2011-000
Fashion Week Poland aubergines 2011-000
Fashion Week Poland aubergines 2011-000

Categories ,Andel’s Hotel, ,Aubergines, ,Designers’ Avenue, ,Expo, ,Fashion Philosophy Fashion Week Poland, ,Fashion Week Poland, ,Lodz

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Gemma Slack

LFW_AndrewMajtenyi_2

In a strange part of town, medical in a venue that gave no clue as to why it existed (apart from having the appearance of a Travelodge) Andrew Majtenyi presented his debut collection.

I must confess, before the show I knew little about Majtenyi, so I had zero expectations. It was, in the end, a very polished show.

LFW_AndrewMajtenyi_3

No major boundaries were pushed; there’s still an omnipresent recession-friendly vibe at Fashion Week, yet Majtenyi’s collection was a positive one.

Sharp, tailored outfits with girlish softness were influenced by 1940s New Look optimism – in an environment of economic recovery, I guess we’re looking for the same attitudes from tailors as the admirers of Dior did during his time.

A grey palette really suited these simple, elegant pieces, and structured business-like ensembles managed to be flirtatious with shorter hem-lines.

LFW_AndrewMajtenyi_5

The collection progressed to include playful and humorous prints, which included dog-walkers and ketchup bottles. These also added a splash of colour to an otherwise monochromatic colour palette.

LFW_AndrewMajtenyi_6

Flannel grey structured suits were given an edge with a flocked damask treatment, and thin belts synched in waists to create a more flattering silhouette.

LFW_AndrewMajtenyi_1

All in all, a good show, but I’d really like to see Majtenyi’s outfits on curvaceous women with a touch more sex appeal – did anybody check these girls’ BMI?!

Andrerw M
Illustration courtesy of Valerie Pezeron

In a strange part of town, this in a venue that gave no clue as to why it existed (apart from having the appearance of a Travelodge) Andrew Majtenyi presented his debut collection.

I must confess, viagra before the show I knew little about Majtenyi, so I had zero expectations. It was, in the end, a very polished show.

LFW_AndrewMajtenyi_3

No major boundaries were pushed; there’s still an omnipresent recession-friendly vibe at Fashion Week, yet Majtenyi’s collection was a positive one.

Sharp, tailored outfits with girlish softness were influenced by 1940s New Look optimism – in an environment of economic recovery, I guess we’re looking for the same attitudes from tailors as the admirers of Dior did during his time.

A grey palette really suited these simple, elegant pieces, and structured business-like ensembles managed to be flirtatious with shorter hem-lines.

LFW_AndrewMajtenyi_5

The collection progressed to include playful and humorous prints, which included dog-walkers and ketchup bottles. These also added a splash of colour to an otherwise monochromatic colour palette.

LFW_AndrewMajtenyi_6

Flannel grey structured suits were given an edge with a flocked damask treatment, and thin belts synched in waists to create a more flattering silhouette.

LFW_AndrewMajtenyi_1

All in all, a good show, but I’d really like to see Majtenyi’s outfits on curvaceous women with a touch more sex appeal – did anybody check these girls’ BMI?!
Gemma Slack

Illustration courtesy of Valerie Pezeron

Fashion’s new blood is bubbling just a stone throw from Somerset House’s established dinosaurs. Last Friday, see Gemma Slack presented her new collection in the luxuriously cosy confines of Freemasons’Hall as part of Vauxhall Fashion Scout.

CIMG1587

I was one of many who packed inside a dimly lit room complete with splendid ceiling and it was soon obvious we were not going to be treated to the usual fashion show. In lieu of a catwalk, remedy industry insiders were to be shown a projection and there was a big screen spread in one end of the room.

CIMG1591

The anticipation was of the type usually reserved for designers such as Vivienne Westwood and Alexander McQueen and quite a few fashionista were clad from head to toe in the designer’s clothes. A phenomenon is about to be unleashed…

CIMG1589

Then the movie starts; the diaphanous mood is set with poignant music, shaky camera handling and pouting models pretending to be great actresses…and it worked in a strange kind of way! Still, I did shrink several times. The lighting was so effective that models’ ribs were highlighted like cutlets for the chop. If it was meant to be sexy then there must be something wrong with me.

But then again, it must have been done on purpose as one of Slack’s famous pieces is the spine dress. This autumn winter collection references again staples of Gemma Slack’ trade, from Dracula and Victorian references, untreated leather and golden chains. But none of them are in the film.

CIMG1590

Fashion is embracing video as a way to express mood and life style. It is all about effective communication and nothing sells little black dresses better, it is hoped, than digital short films immersing you in the world of a brand. It was all very intriguing, I must say but not at all surprising from the maverick who recently graced the pages of Grazia, Vogue and Dazed. For Gemma Slack is an artist first and foremost.

As I meandered across the room, staring at mannequins floating above in the glare of neon spotlights, I thought that maybe this is how legends are made. It’s not really about the studded hand molded vertebrae scales leather dresses, metal and aluminium materials or the mohair with human hair. We need to dream and we need to be challenged. And on that day, Gemma Slack dished out a big serving of disquieting femininity for me to take home.

Categories ,Alexandre McQueen, ,Autumn Winter 2010, ,Catwalk review, ,Dazed, ,fashion, ,Fashion Designer, ,Gemma Slack, ,Grazia, ,London Fashion Week, ,Vauxhall Fashion Scout, ,Vivienne Westwood, ,vogue

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Amelia’s Magazine | London Fashion Week A/W 2010 Catwalk Review: Gemma Slack

LFW_AndrewMajtenyi_2

In a strange part of town, medical in a venue that gave no clue as to why it existed (apart from having the appearance of a Travelodge) Andrew Majtenyi presented his debut collection.

I must confess, before the show I knew little about Majtenyi, so I had zero expectations. It was, in the end, a very polished show.

LFW_AndrewMajtenyi_3

No major boundaries were pushed; there’s still an omnipresent recession-friendly vibe at Fashion Week, yet Majtenyi’s collection was a positive one.

Sharp, tailored outfits with girlish softness were influenced by 1940s New Look optimism – in an environment of economic recovery, I guess we’re looking for the same attitudes from tailors as the admirers of Dior did during his time.

A grey palette really suited these simple, elegant pieces, and structured business-like ensembles managed to be flirtatious with shorter hem-lines.

LFW_AndrewMajtenyi_5

The collection progressed to include playful and humorous prints, which included dog-walkers and ketchup bottles. These also added a splash of colour to an otherwise monochromatic colour palette.

LFW_AndrewMajtenyi_6

Flannel grey structured suits were given an edge with a flocked damask treatment, and thin belts synched in waists to create a more flattering silhouette.

LFW_AndrewMajtenyi_1

All in all, a good show, but I’d really like to see Majtenyi’s outfits on curvaceous women with a touch more sex appeal – did anybody check these girls’ BMI?!

Andrerw M
Illustration courtesy of Valerie Pezeron

In a strange part of town, this in a venue that gave no clue as to why it existed (apart from having the appearance of a Travelodge) Andrew Majtenyi presented his debut collection.

I must confess, viagra before the show I knew little about Majtenyi, so I had zero expectations. It was, in the end, a very polished show.

LFW_AndrewMajtenyi_3

No major boundaries were pushed; there’s still an omnipresent recession-friendly vibe at Fashion Week, yet Majtenyi’s collection was a positive one.

Sharp, tailored outfits with girlish softness were influenced by 1940s New Look optimism – in an environment of economic recovery, I guess we’re looking for the same attitudes from tailors as the admirers of Dior did during his time.

A grey palette really suited these simple, elegant pieces, and structured business-like ensembles managed to be flirtatious with shorter hem-lines.

LFW_AndrewMajtenyi_5

The collection progressed to include playful and humorous prints, which included dog-walkers and ketchup bottles. These also added a splash of colour to an otherwise monochromatic colour palette.

LFW_AndrewMajtenyi_6

Flannel grey structured suits were given an edge with a flocked damask treatment, and thin belts synched in waists to create a more flattering silhouette.

LFW_AndrewMajtenyi_1

All in all, a good show, but I’d really like to see Majtenyi’s outfits on curvaceous women with a touch more sex appeal – did anybody check these girls’ BMI?!
Gemma Slack

Illustration courtesy of Valerie Pezeron

Fashion’s new blood is bubbling just a stone throw from Somerset House’s established dinosaurs. Last Friday, see Gemma Slack presented her new collection in the luxuriously cosy confines of Freemasons’Hall as part of Vauxhall Fashion Scout.

CIMG1587

I was one of many who packed inside a dimly lit room complete with splendid ceiling and it was soon obvious we were not going to be treated to the usual fashion show. In lieu of a catwalk, remedy industry insiders were to be shown a projection and there was a big screen spread in one end of the room.

CIMG1591

The anticipation was of the type usually reserved for designers such as Vivienne Westwood and Alexander McQueen and quite a few fashionista were clad from head to toe in the designer’s clothes. A phenomenon is about to be unleashed…

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Then the movie starts; the diaphanous mood is set with poignant music, shaky camera handling and pouting models pretending to be great actresses…and it worked in a strange kind of way! Still, I did shrink several times. The lighting was so effective that models’ ribs were highlighted like cutlets for the chop. If it was meant to be sexy then there must be something wrong with me.

But then again, it must have been done on purpose as one of Slack’s famous pieces is the spine dress. This autumn winter collection references again staples of Gemma Slack’ trade, from Dracula and Victorian references, untreated leather and golden chains. But none of them are in the film.

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Fashion is embracing video as a way to express mood and life style. It is all about effective communication and nothing sells little black dresses better, it is hoped, than digital short films immersing you in the world of a brand. It was all very intriguing, I must say but not at all surprising from the maverick who recently graced the pages of Grazia, Vogue and Dazed. For Gemma Slack is an artist first and foremost.

As I meandered across the room, staring at mannequins floating above in the glare of neon spotlights, I thought that maybe this is how legends are made. It’s not really about the studded hand molded vertebrae scales leather dresses, metal and aluminium materials or the mohair with human hair. We need to dream and we need to be challenged. And on that day, Gemma Slack dished out a big serving of disquieting femininity for me to take home.

Categories ,Alexandre McQueen, ,Autumn Winter 2010, ,Catwalk review, ,Dazed, ,fashion, ,Fashion Designer, ,Gemma Slack, ,Grazia, ,London Fashion Week, ,Vauxhall Fashion Scout, ,Vivienne Westwood, ,vogue

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