Amelia’s Magazine | Uncivilisation 2011, The Dark Mountain Festival: Sunday Review

Sacred by Elizabeth Hudson
Sacred by Elizabeth Hudson.

On Sunday at Uncivilisation the main marquee was packed out for a discussion around where next for Dark Mountain, cheap both the festival and the movement. Dark Mountain was started by two writers as a literary endeavour and as it attracts many interested newcomers from different fields it is inevitably straining at the seams. Thus it was good that this conversation was held in the round, buy allowing many voices to be heard equally, contributing constructive and helpful suggestions.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

uncivilisation-jim-design
Uncivilisation by James Clarkson of Jim Design.

Founders Dougald Hine and Paul Kingsnorth are happy to admit that they are two very fraught men, trying incredibly hard to maintain their core philosophies whilst struggling with the infrastructure and admin of Dark Mountain. ‘Basically we are two guys going broke and mad… with a few volunteers.’ Now they need to decide just how much they are willing to let go in order to allow Dark Mountain the space it needs to grow.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Sam Duckworth of Get Cape. Wear Cape. Fly. who played on Friday evening.

Between festival goers there is conflict between how that should happen: it was clear that many would like to see more of a concrete movement for change, whilst others relish the looseness of a gathering that allows for new conversations and stories that may not find space elsewhere. For my part I think that any future Uncivilisation should allow for the exploration of emotional and physical ideas that may be nebulous to the intellect: giving a space for new ways of thinking to flourish.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
the visitors - rima staines
The Visitors by Rima Staines.

At this year’s event my friend Zoe Young held a sacred space in her Bright Valleys workshop. Those I met who attended this were very thankful, and I highly recommend that you read Zoe’s thoughts on the Dark Mountain experience in her excellent blog.

Uncivilisation 2011. All photography by Amelia Gregory. zoe young
Zoe Young with Chanterelles.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
I decided to instead attend an unscheduled talk from Simon Fairlie – author of Meat: A Benign Extravagance – on how veganism and the industrial livestock farming system are converging. He envisages a future where to be a vegan is to live as unsustainably and technologically removed from the land as those who eat mass factory farmed food products. I can easily believe it.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I’ve heard Simon speak several times and his writings are always incredibly interesting: George Monbiot and many others listen to him because not only does he exercise his intellect but he also walks the walk: farming the land at Monkton Wyld Court to demonstrate his theories.

Dark mountains by Thomas Bird
Dark Mountains by Thomas Bird.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I rounded up my time at Uncivilisation with a talk by John Mitchinson, a writer for QI and founder of Unbound, which is a new way to crowd fund books without going through the usual rigmarole of publishing. It was fascinating to hear from someone who used to work in mainstream publishing and intimately knows the problems facing the industry. Of course it was especially interesting to myself, as someone who has self-published and knows just how bloody hard it is to stay afloat.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Benny Wenda by Caroline Pratt
Benny Wenda by Caroline Pratt.

This unfortunately meant that I missed a talk from Benny Wenda and author Jay Griffiths, who spoke about the struggles of local peoples against corporations in West Papua. It was by all accounts incredibly moving.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

We finished Uncivilisation with a farewell folk song before everyone dispersed into the afternoon sunshine. The festival provided a great focal meeting point for like minded people; enabling me to reconnect with old friends and make new acquaintances. It also reminded me that there are many people, all over the world, who are tackling different but related ideas around life beyond collapse. And that we must continue reaching out to include more people from all parts of society in the discussions that we are having.

Uncivilisation Dark Mountain 2011 - Dougald Hine
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation Dark Mountain 2011  Paul Kingsnorth
Uncivilisation 2011. All photography by Amelia Gregory.

As Alabaster Crippens says in his blog: ‘Nobody has many answers about what to do next apart from look after yourself, pay attention, listen to stories, tell your stories, and learn how to live with less.’ There is so much more to do but creating understandable narratives is undoubtedly at the heart of what the Dark Mountain movement can contribute. Although I say it with some trepidation I look forward to what the future brings.

Uncivilisation 2011. All photography by Amelia Gregory.
The Hexayurt, a cheaply built shelter for use in disaster zones.

Don’t forget to check in with Saturday’s review of Uncivilisation too! Musician Marmaduke Dando has also written an interesting blog.

Categories ,2011, ,Alabaster Crippens, ,Benny Wenda, ,Bright Valleys, ,Caroline Pratt, ,Crowd Funding, ,Dark Mountain, ,Dougald Hine, ,Elizabeth Hudson, ,George Monbiot, ,Get Cape. Wear Cape. Fly., ,Hexayurt, ,James Clarkson, ,Jay Griffiths, ,Jim Design, ,John Mitchinson, ,Marmaduke Dando, ,Meat: A Benign Extravagance, ,Monkton Wyld Court, ,Paul Kingsnorth, ,publishing, ,QI, ,review, ,Rima Staines, ,Sam Duckworth, ,Simon Fairlie, ,stories, ,Thomas Bird, ,Unbound, ,Uncivilisation Festival, ,Veganism, ,West Papua, ,Zoe Young

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Amelia’s Magazine | EAT course 2011: Earth Activism Training at Landmatters in Devon, UK

E.A.T.course-July-2009-0598
EAT participants 2009 at Landmatters in Devon. All photography by Amelia Gregory.

Way back in the misty days of summer 2009 I was lucky enough to be chosen to participate on the EAT course, tadalafil which stands for Earth Activist Training: planting the seeds of change.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

Designed to combine spiritual, earth based philosophies with the more fervant strand of environmental activism, the EAT course is held several times a year in America. It doesn’t come to the UK that often – so this is the first year it comes back since 2009, and it will once again be hosted by Landmatters, a super inspiring low impact Permaculture co-operative in Devon. The course is always co-hosted by the amazing Starhawk, or Star to friends, a well known and highly revered activist and white witch.

E.A.T.course-July-2009-photography by Amelia Gregory Starhawk
E.A.T.course-July-2009-photography by Amelia Gregory Starhawk
Starhawk gets stuck in.

It’s A permaculture design certificate course, grounded in earth based spirituality, and with a focus on organising and activism. What this means that it is a jam packed two weeks of intense training – learning all the ins and outs of Permaculture through hands on experiential learning. On my course we were trained by the head of the Permaculture Association, Andy Goldring, who will once again be co-running EAT this year. He was an extremely joyful and bouncy tutor who managed extremely well when faced with awkward questions about meat farming (from staunch vegans) and I learnt a huge amount of truly fascinating stuff about the way in which we can best live with the earth.

E.A.T.course-July-2009-photography by Amelia Gregory Andy Goldring
Andy Goldring teaching on EAT.

Permaculture provides an incredibly solid basis for any ongoing work, be it gardening, art activism, general life organisation, social planning or community-wide projects. For instance an EAT course inspired artist and activist John Jordan to set up the Laboratory of Insurrectory Imagination, or LABOBFII, as an arts organisation based on the principles of permaculture. The beautiful and radical Landmatters was set up by six people who met on EAT and were inspired to live the change they wanted to see in the world. The first Climate Camps were planned on Permaculture principles to ensure that tents, facilities and neighbourhoods were placed in the most harmonious way possible.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
Lessons take place inside a spacious yurt.

Activism is a key component of the course, and during my time at Landmatters I met many other people who were working on Climate Camp alongside those who work with No Borders, queer rights and urban land projects… to name just a few. It was inspiring to listen to people’s tales whilst enjoying the amazing vegan food at every meal time, sometimes so different and yet so very similar.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

Many activists don’t really spend any time considering the spiritual side of their engagement with the planet – and even though the opportunity to learn from Starhawk was one of my top reasons for wanting to go on the EAT course, there were some on my EAT course who were very resistant to her rituals and chants. But needless to say by the end of two close weeks together everyone felt differently, with even the hardest of activists softened around the edges, and all of us more grounded and connected to the reasons we feel the urge to engage in our individual choices of activism.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
Rooh Star of Landmatters was one of our guest teachers.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
Some of the amazing dwellings at Landmatters.

Taking cue from Jon Young‘s teachings we also spent time alone at our sit spots each day, developing our nature awareness. I chose a spot that overlooked the wonderful woods that surround Landmatters, and every day looked forward to reconnecting with the shifting patterns. A time to relish in the fast wash of my life.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

The EAT course was undeniably hard work, but so incredibly fabulously worth it. You can read some inspiring testimonials here.

If you fancy applying for the next course, due to take place between August 20th and September 4th 2011, then you don’t have long left to apply RIGHT HERE – only until the end of April. You will need to define your particular activism and talk passionately about your plans to spread the ideas that you will learn. This really is a chance in a lifetime and I urge you to take it!

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

The full cost of the course is expensive, but EAT does its best to offer many partial or whole scholarships, depending on need – which in these cash strapped times is greatly to be admired. To ease funding problems this year’s course will be partly crowd-funded so if you can’t go yourself but you understand the importance of the work the EAT course does then please do donate at IndieGoGo. The hard working volunteer organisers need all the help they can get to ensure that those who are underfunded are still able to attend this year. People like me!

Permaculture, Magic, Social Change – nothing could be better, as EAT demonstrates.

Categories ,2011, ,activism, ,Activists, ,Andy Goldring, ,Climate Camp, ,Co-operative, ,community, ,Crowd Funding, ,Devon, ,E.A.T., ,EAT, ,EAT course, ,Indiegogo, ,John Jordan, ,Jon Young, ,LABOBFII, ,Laboratory of Insurrectory Imagination, ,Landmatters, ,Nature Awareness, ,No Borders, ,Pagan, ,permaculture, ,Permaculture Association, ,Queer Rights, ,Rituals, ,Rooh Star, ,Sit Spot, ,Star, ,Starhawk, ,White Witch, ,Witch

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Amelia’s Magazine | EAT course 2011: Earth Activism Training at Landmatters in Devon, UK

E.A.T.course-July-2009-0598
EAT participants 2009 at Landmatters in Devon. All photography by Amelia Gregory.

Way back in the misty days of summer 2009 I was lucky enough to be chosen to participate on the EAT course, tadalafil which stands for Earth Activist Training: planting the seeds of change.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

Designed to combine spiritual, earth based philosophies with the more fervant strand of environmental activism, the EAT course is held several times a year in America. It doesn’t come to the UK that often – so this is the first year it comes back since 2009, and it will once again be hosted by Landmatters, a super inspiring low impact Permaculture co-operative in Devon. The course is always co-hosted by the amazing Starhawk, or Star to friends, a well known and highly revered activist and white witch.

E.A.T.course-July-2009-photography by Amelia Gregory Starhawk
E.A.T.course-July-2009-photography by Amelia Gregory Starhawk
Starhawk gets stuck in.

It’s A permaculture design certificate course, grounded in earth based spirituality, and with a focus on organising and activism. What this means that it is a jam packed two weeks of intense training – learning all the ins and outs of Permaculture through hands on experiential learning. On my course we were trained by the head of the Permaculture Association, Andy Goldring, who will once again be co-running EAT this year. He was an extremely joyful and bouncy tutor who managed extremely well when faced with awkward questions about meat farming (from staunch vegans) and I learnt a huge amount of truly fascinating stuff about the way in which we can best live with the earth.

E.A.T.course-July-2009-photography by Amelia Gregory Andy Goldring
Andy Goldring teaching on EAT.

Permaculture provides an incredibly solid basis for any ongoing work, be it gardening, art activism, general life organisation, social planning or community-wide projects. For instance an EAT course inspired artist and activist John Jordan to set up the Laboratory of Insurrectory Imagination, or LABOBFII, as an arts organisation based on the principles of permaculture. The beautiful and radical Landmatters was set up by six people who met on EAT and were inspired to live the change they wanted to see in the world. The first Climate Camps were planned on Permaculture principles to ensure that tents, facilities and neighbourhoods were placed in the most harmonious way possible.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
Lessons take place inside a spacious yurt.

Activism is a key component of the course, and during my time at Landmatters I met many other people who were working on Climate Camp alongside those who work with No Borders, queer rights and urban land projects… to name just a few. It was inspiring to listen to people’s tales whilst enjoying the amazing vegan food at every meal time, sometimes so different and yet so very similar.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

Many activists don’t really spend any time considering the spiritual side of their engagement with the planet – and even though the opportunity to learn from Starhawk was one of my top reasons for wanting to go on the EAT course, there were some on my EAT course who were very resistant to her rituals and chants. But needless to say by the end of two close weeks together everyone felt differently, with even the hardest of activists softened around the edges, and all of us more grounded and connected to the reasons we feel the urge to engage in our individual choices of activism.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
Rooh Star of Landmatters was one of our guest teachers.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
Some of the amazing dwellings at Landmatters.

Taking cue from Jon Young‘s teachings we also spent time alone at our sit spots each day, developing our nature awareness. I chose a spot that overlooked the wonderful woods that surround Landmatters, and every day looked forward to reconnecting with the shifting patterns. A time to relish in the fast wash of my life.

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

The EAT course was undeniably hard work, but so incredibly fabulously worth it. You can read some inspiring testimonials here.

If you fancy applying for the next course, due to take place between August 20th and September 4th 2011, then you don’t have long left to apply RIGHT HERE – only until the end of April. You will need to define your particular activism and talk passionately about your plans to spread the ideas that you will learn. This really is a chance in a lifetime and I urge you to take it!

E.A.T.course-July-2009-photography by Amelia Gregory
E.A.T.course-July-2009-photography by Amelia Gregory

The full cost of the course is expensive, but EAT does its best to offer many partial or whole scholarships, depending on need – which in these cash strapped times is greatly to be admired. To ease funding problems this year’s course will be partly crowd-funded so if you can’t go yourself but you understand the importance of the work the EAT course does then please do donate at IndieGoGo. The hard working volunteer organisers need all the help they can get to ensure that those who are underfunded are still able to attend this year. People like me!

Permaculture, Magic, Social Change – nothing could be better, as EAT demonstrates.

Categories ,2011, ,activism, ,Activists, ,Andy Goldring, ,Climate Camp, ,Co-operative, ,community, ,Crowd Funding, ,Devon, ,E.A.T., ,EAT, ,EAT course, ,Indiegogo, ,John Jordan, ,Jon Young, ,LABOBFII, ,Laboratory of Insurrectory Imagination, ,Landmatters, ,Nature Awareness, ,No Borders, ,Pagan, ,permaculture, ,Permaculture Association, ,Queer Rights, ,Rituals, ,Rooh Star, ,Sit Spot, ,Star, ,Starhawk, ,White Witch, ,Witch

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Amelia’s Magazine | RHS Hampton Court Palace Flower Show 2011: Flower Trends

RHS Flowers by Laura Parker
Roses at the RHS Hampton Court Palace Flower Show by Laura Parker.

So, recipe you’ve already met the hot new trends in garden design, now time for my interpretations of flower trends. Mainly in roses as it turns out, because my dad was very keen on loitering in the rose tent. As a result of his in depth investigations he’s just bought a whole load of climbers and ramblers to plant up the walls of his house… I’m thinking of doing the same. I quite fancy a little garden cottage in Brick Lane! And the ivy is taking over somewhat…

RHS Hampton Court Flower show review 2011 allium photography by Amelia GregoryRHS Hampton Court Flower show review 2011 allium sphaerocephalon photography by Amelia GregoryRHS Hampton Court Flower show review 2011-Gloriosa Rothschildiana Gloriosa Rothschildiana Hampton Court Flower Show by Toni Bowater
Gloriosa Rothschildiana at the Hampton Court Palace Flower Show by Toni Bowater.

But first, a stop at the Dutch Allium stand, where my mother bought 50 bulbs of bee attracting Allium sphaerocephalon. Glorious purple globes in every shape and shade! I was also taken by the spikey orange Gloriosa Rothschildiana flowers.

RHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregory
Now for the main trends in rose, plus a peek at the stuff I just well, you know, liked. Orange is so now you would not believe: hot, peachy, tropical and all types of orange in between. Every stand had them… Wildfire, Rotary Sunrise, Brilliant Sweet Dream, Super Trouper, Top Marks and Easy Does It (HarPageant Orange) – the gorgeous curly petaled rose.

Rose by Gareth A Hopkins
Rose by Gareth A Hopkins.

RHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregory
Blowsy and peachy is also big, with the likes of Belle Epoque appearing on lots of stands, especially blowsy with faded and differentiated edges, like you might see on an antique book, epitomised in a rose called Nostalgia. I also liked SchoolGirl, a deep pink edged modern climber and Blue For You, which is an astonishing lilac colour.

Flower-Show-Love-by-Hollie-McManus
Flower Show Love by Hollie McManus.

RHS Hampton Court Flower show review 2011-photo amelia gregory
I don’t know what the technical name is for this, but tight double furls inside the outer petals were also a new look to me and featured heavily.

RHS Hampton Court Palace Flower Show by Illustrating RainRHS Hampton Court Palace Flower Show by Illustrating RainRHS by Illustraing Rain
RHS Hampton Court Palace Flower Show by Illustrating Rain.

RHS Hampton Court Flower show review 2011-photo amelia gregory
Hot Chocolate may seem like an odd name for a rose but this was also everywhere – a curious shade, somewhere between orange, brick and brown. It had a nice scent too.

RHS Hampton Court Flower show review 2011-photo amelia gregory
I loved the stripy dog rose hybrid for patios, Wonderful News had amazing stripes.

RHS Hampton Court Flower show review 2011-photo amelia gregory
I also liked the curious star shaped rose that I found lurking at the bottom of the display on one stand. Super Flower Carpet Procumbent – what an odd one!

RHS Hampton Court Flower show review 2011-photo by Amelia GregoryRHS Hampton Court Flower show review 2011-photo by Amelia Gregory
On a more general note there’s something about the way that stands are arranged to show off flowers that tickles me greatly…. here are just a few of my favourites!

Hampton Court Flower Show Floral Marquee by Sam Parr
Hampton Court Flower Show Floral Marquee by Sam Parr.

RHS Hampton Court Flower show review 2011-photo by Amelia GregoryRHS Hampton Court Flower show review 2011-photo by Amelia GregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregory
Hampton Court Flower Show by Toni Bowater
Hampton Court Palace Flower Show by Toni Bowater.

hampton court by lou taylor
Flowers by Lou Taylor.

RHS by Illustraing Rain
RHS Hampton Court Palace Flower Show by Illustrating Rain.

Garden, flower at Hampton Court by Bern O'Donoghue
Garden, flower at Hampton Court by Bern O’Donoghue.

And finally (I think I should stop) here’s some wonderful Beatles swinging 60s style arrangements from the Horticultural colleges. Don’t forget to check in with my blog about Garden Design too.

RHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregoryRHS Hampton Court Flower show review 2011-photo amelia gregory
All photography by Amelia Gregory. Please do not take without asking!

Categories ,2011, ,Allium, ,Allium sphaerocephalon, ,Bees, ,Belle Epoque, ,Bern O’Donoghue, ,Blowsy, ,Blue For You, ,Brilliant Sweet Dream, ,Climber, ,Dog Rose, ,Easy Does It (HarPageant Orange), ,Floribunda, ,Flowers, ,Garden Design, ,Gareth A Hopkins, ,Gloriosa Rothschildiana, ,Hampton Court Palace Flower Show, ,Hollie McManus, ,Horticultural, ,Hot Chocolate, ,Illustrating Rain, ,Laura Parker, ,Lou Taylor, ,Modern Climber, ,Nostalgia, ,Orange, ,Patio Rose, ,RHS, ,Roses, ,Rotary Sunrise, ,Sam Parr, ,SchoolGirl, ,Star Shaped, ,Super Flower Carpet Procumbent, ,Super Trouper, ,Toni Bowater, ,Top Marks, ,trend, ,Wildfire, ,Wonderful News

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Amelia’s Magazine | University of Brighton Illustration Graduate Show 2011 Review: Fine Techniques

rocks-katie-scott
You’ve already read about the Collagists and the 80s influenced illustrators right? There was also some exceptional drawing and printmaking at the Brighton Graphic Design and Illustration Graduate Show. Here then is the rest of the best.

Brighton University illustration graduate show 2011-Katie Scott
Brighton University illustration graduate show 2011-Katie Scott
Brighton University illustration graduate show 2011-Katie Scott
Brighton University illustration graduate show 2011-Katie Scott
Brighton University illustration graduate show 2011-Katie Scott
Brighton University illustration graduate show 2011-Katie Scott
Brighton University illustration graduate show 2011-Katie Scott
Brighton University illustration graduate show 2011-Katie Scott
Katie Scott‘s beautiful work appropriated the look of old fashioned botanical engravings, view but a closer look revealed her imagery to be a little more bizarre and out of this world – strange dinosaur like animals, birds with paws, frog legged hedgehogs. Her work showcased amazing technical drawing ability, as did the following few illustrators. Follow Katie Scott on Twitter.

Brighton University illustration graduate show 2011-Megan Pearce
Brighton University illustration graduate show 2011-Megan Pearce
Brighton University illustration graduate show 2011-Megan Pearce
Brighton University illustration graduate show 2011-Megan Pearce
Brighton University illustration graduate show 2011-Megan Pearce
Megan Pearce looked towards religion for her richly textured black and white drawings, combining symbolic references to God with visual metaphors of Haitian beliefs.

Sam ashton hoxton view
Sam Ashton Olympic site
Sam Ashton Olympic site
Sam Ashton had done some delightful drawings of deepest darkest Hackney – somehow managing to make this most urban of settings seem gloriously exotic in a swirl of colour and mark making. Many of the local views are being affected by guess what? Why, the Olympic development of course.

bradley jay WOLF
bradley jay Lion
Bradley Jay
Bradley Jay worked in fine black lines to create surreal narrative pictures featuring lions, kings, floating swords and severed paws. Amazing stuff, would love a print for my wall.

Mark Matcham future crufts
Mark Matcham future crufts
Mark Matcham future cruftsBrighton University illustration graduate show 2011-Mark Matcham
I was recommended to keep an eye out for Mark Matcham, who had worked on the theme of a Future Crufts – mutant dogs being the order of the day. I particularly liked his business cards on thin wood.

Brighton University illustration graduate show 2011-Joseph GoughBrighton University illustration graduate show 2011-Joseph Gough
Joseph Gough was influenced by film noir to create a series of narrative vignettes in stark monochrome.

Brighton University illustration graduate show 2011-Harry Bloom Teenage Kicks Brighton University illustration graduate show 2011-Harry Bloom Teenage Kicks Brighton University illustration graduate show 2011-Harry Bloom Teenage Kicks Brighton University illustration graduate show 2011-Harry Bloom Teenage Kicks
Loved Harry Bloom‘s intricate narrative drawings and large scale panoramas, with more than a nod to Richard Scarry and ilk. I was particularly taken by his mini book, Teenage Kicks, featuring teenagers in all their angst with amusing captions.

Brighton University illustration graduate show 2011-Noriko SatoBrighton University illustration graduate show 2011-Noriko SatoBrighton University illustration graduate show 2011-Noriko Sato
Noriko Sato‘s sign said Hello, Bowwow, Meow, And the earth rotates. How very enigmatic! I loved her little miniature characters and tiny portraits of animals.

Brighton University illustration graduate show 2011-Miho ToyookaBrighton University illustration graduate show 2011-Brighton University illustration graduate show 2011-

Miho Toyooka was influenced by the worlds of mysticism and rituals to create a constantly shifting kaleidoscope that was viewed from above – I couldn’t stop returning to see where the images went next. Most engaging.

Brighton University illustration graduate show 2011-Thomas BirdBrighton University illustration graduate show 2011-Thomas BirdBrighton University illustration graduate show 2011-Thomas Bird
Thomas Bird played with paper to create colourful sculpture and sets. Follow Thomas Bird on Twitter.

Brighton University illustration graduate show 2011-Tom Duxbury
Brighton University illustration graduate show 2011-Tom Duxbury
Brighton University illustration graduate show 2011-Tom Duxbury
Brighton University illustration graduate show 2011-Tom Duxbury
Tom Duxbury was inspired by Shirley Jackson‘s novel We Have Always Lived in a Castle, to create two tone narrative illustrations with a hint of Rob Ryan to them.

Still to come… Best of Graphic Design.

Categories ,2011, ,Botanical Engravings, ,Bradley Jay, ,Brighton Graphic Design and Illustration Graduate Show, ,Fine Line, ,Future Crufts, ,Graduate Show, ,hackney, ,Harry Bloom, ,installation, ,Joseph Gough, ,Katie Scott, ,Mark Matcham, ,Megan Pearce, ,Miho Toyooka, ,Noriko Sato, ,Papercut, ,Religious, ,Richard Scarry, ,rob ryan, ,Rochelle School, ,Sam Ashton, ,Shirley Jackson, ,Teenage Kicks, ,Thomas Bird, ,Tom Duxbury

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Amelia’s Magazine | University of Brighton Illustration Graduate Show 2011 Review: the 80s

Brighton University illustration graduate show 2011 Dan Woodger
Detail from Dan Woodger.

There was a certain 80s flavour going on at the Brighton Graphic Design and Illustration Graduate Show, story with strong playful graphics in a limited colour range and lots of pastel tones found in abundance. From boys, I might add. It can only mean the 80s are back. As if they ever went away round my gaff…

Brighton University illustration graduate show 2011-Pat Bradbury
Brighton University illustration graduate show 2011-Pat Bradbury
Brighton University illustration graduate show 2011-Pat Bradbury
Brighton University illustration graduate show 2011-Pat Bradbury
Brighton University illustration graduate show 2011-Pat Bradbury
Brighton University illustration graduate show 2011-Pat Bradbury
Pat Bradbury had put together some extremely strong images in clashing yellow, purple and reds – again using a cut and paste approach, but also with a strong 80s graphic influence that came through in colours and pattern. He’d also put together some lovely little booklets for purchase. Follow Pat Bradbury on Twitter.

James Hines paradis
James Hines paradis
James Hines mounted a series slightly changing images together in a frame. Paradiso. Even the name is 80s sounding!

Brighton University illustration graduate show 2011-Dan Woodger Brighton University illustration graduate show 2011-Dan Woodger Brighton University illustration graduate show 2011-Dan Woodger Brighton University illustration graduate show 2011-Dan Woodger
Dan Woodger had the 80s theme turned up to maximum for his fully realised installation, including striped palm tree wallpaper. Even his business card featured a swirly 80s font. I liked the pastel croc in a frame. Follow Dan Woodger on Twitter.

Brighton University illustration graduate show 2011-Joseph Prince
Brighton University illustration graduate show 2011-Joseph Prince
Brighton University illustration graduate show 2011-Joseph Prince
Brighton University illustration graduate show 2011-Joseph Prince
Joseph Prince had put together a remarkable installation – a wonky painted dollhouse triptych. Whilst his main piece was not overtly 80s I think the banana at a picnic table certainly has a hint of the decade.

Brighton University illustration graduate show 2011-Jerome Caine Miller
I loved metallic sign influenced typography from Jerome Caine Miller.

Brighton University illustration graduate show 2011-Grace CoombesBrighton University illustration graduate show 2011-Grace Coombes
Brighton University illustration graduate show 2011-Grace Coombes
Brighton University illustration graduate show 2011-Grace Coombes
Brighton University illustration graduate show 2011-Grace Coombes
Brighton University illustration graduate show 2011-Grace Coombes
Brighton University illustration graduate show 2011-Grace Coombes
Brighton University illustration graduate show 2011-Grace CoombesBrighton University illustration graduate show 2011-Grace Coombes
Absolutely adored the very simple but clever work of Grace Coombes. Using a palette of mustard yellows, grey and earthy browns she created a sextet of Tahiti inspired images. Her screenprinted books were a beautiful combination of photo collage and very graphic decorated imagery. 80s because those graphic shapes are so bold. Okay I’m grasping at straws here but if she’d had a copy of Tahiti for sale I would have nabbed it. Her work was gorgeous. Follow Grace Coombes on Twitter.

Categories ,2011, ,80s, ,Brighton Graphic Design and Illustration Graduate Show, ,Dan Woodger, ,Grace Coombes, ,Haitian, ,James Hines, ,Jerome Caine Miller, ,Joseph Prince, ,pastel, ,Pat Bradbury, ,Rochelle School, ,Tahiti

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Amelia’s Magazine | University of Brighton Illustration Graduate Show 2011 Review: the Collagists

Brighton University illustration graduate show 2011-Rosanna Webster
Illustration by Rosanna Webster.

So much to see at the very professionally laid out Brighton Graphic Design and Illustration Graduate Show at the Rochelle School a few weeks ago. There were plenty of lovely prints and limited edition books to buy and the beautifully printed catalogue will likely be the only show catalogue I am keeping once summer is over: high praise indeed as I chuck out most of the bits I pick up straight away. In the recycling of course. (Although I did find a Free Range catalogue from 2004 the other day… which is precisely why I need to throw things out, information pills fast.)

Brighton University illustration graduate show 2011-Jerome Caine Miller
Illustration by Megan Turner-Jones.

A noticeable aspect of illustrative work produced by Brighton students was the emergence of some really distinct themes and methods. Which means that I can loosely arrange my write ups into a few blog posts: I’ll start with the Collagists, viagra approved of whom there were many. You might even call it a trend, which is handy since I am about to write about graduate illustration trends for Eye Magazine.

Brighton University illustration graduate show 2011-Jerome Caine Miller
Megan Turner-Jones collaged old prints, photos of fruit and holiday destinations together to create a wall of art: this was to prove a popular technique amongst Brighton students (collage walls).

Brighton University illustration graduate show 2011 Hyerim Lee
Brighton University illustration graduate show 2011 Hyerim Lee
Hyerim Lee featured what looked like elements of family photos, arm movements and flowers to create graphic designs. His work is influenced by the separated families of his native Korea.

Brighton University illustration graduate show 2011-Rosanna WebsterBrighton University illustration graduate show 2011-Rosanna Webster
Brighton University illustration graduate show 2011-Rosanna Webster
Brighton University illustration graduate show 2011-Rosanna Webster
Brighton University illustration graduate show 2011-Rosanna Webster
Brighton University illustration graduate show 2011-Rosanna Webster
Brighton University illustration graduate show 2011-Rosanna Webster
Rosanna Webster‘s cut and paste approach was far more playful and surreal – skulls, bones, birds and landscapes were used to create beautiful shapes and designs, sometimes overlaid on humans with projections to add another layer of imagery. Rosanna was inspired by primitive beliefs of the fluidity between human and animal form. Her beautifully put together books emulated the tight graphical approach of high quality fashion magazines. I can see her elegant juxtaposition of imagery featuring in glossy mags, as it goes. Follow Rosanna Webster on Twitter.

Zoe Austin
Brighton University illustration graduate show 2011-Zoe Austin
Brighton University illustration graduate show 2011-Zoe Austin
Brighton University illustration graduate show 2011-Zoe Austin
Zoe Austin was also bitten by the collage bug, with restaurant scenes overlaid over extraterrestrial landscapes and surreal flower heads. She is inspired by sci fi novels and cats.

Brighton University illustration graduate show 2011-Anieszka Banks
Brighton University illustration graduate show 2011-Anieszka Banks
Brighton University illustration graduate show 2011-Anieszka Banks
Brighton University illustration graduate show 2011-Anieszka Banks
Brighton University illustration graduate show 2011-Anieszka Banks
Brighton University illustration graduate show 2011-Anieszka Banks
Anieszka Banks is an Amelia’s Magazine illustrator, so I was delighted to see that she had included some of her work for me in her final show, and also the banner that Climate Camp took to Copenhagen back in 2009. Most of her work is influenced by environmental issues such as conservation, sustainability and biodiversity. It’s so good to see that at least one graduating illustrator is engaged in and tackling these issues properly. Her Simple Living book featured some gorgeous photography as well.

Brighton University illustration graduate show 2011-Jennifer Bailey
Brighton University illustration graduate show 2011-Jennifer Bailey
Brighton University illustration graduate show 2011-Jennifer Bailey
Brighton University illustration graduate show 2011-Jennifer Bailey
Brighton University illustration graduate show 2011-Jennifer Bailey
Brighton University illustration graduate show 2011-Jennifer Bailey
Jennifer Bailey juxtaposed painting, photos and fine collaged plant drawings together.

Brighton University illustration graduate show 2011-Chihiro KyozukaBrighton University illustration graduate show 2011-Chihiro Kyozuka
Chihiro Kyozuka followed the collaged theme, using a fixed palette of tropical flowers in reds and yellows, on top of which were placed old photos of her grandmother. These were inspired by her love of Sogetsu Ikebana flower arranging.

Brighton University illustration graduate show 2011-Chihiro KyozukaBrighton University illustration graduate show 2011-Chihiro Kyozuka
Chihiro Kyozuka had produced a series of beautiful postcards that I am tempted to frame (and the images were much admired on twitter) but is let down by a flash website… I can’t get further than the opening animation. Folks, just say NO to flash, please!

Next up… 80s influences and brilliant drawing…

Categories ,2011, ,Anieszka Banks, ,Arnold Circus, ,banner, ,Biodiversity, ,Brighton Graphic Design and Illustration Graduate Show, ,Catalogue, ,Chihiro Kyozuka, ,Climate Camp, ,collage, ,Collagists, ,conservation, ,copenhagen, ,eye magazine, ,Flash, ,Graduate Shows, ,Hyerim Lee, ,illustration, ,Jennifer Bailey, ,Jerome Caine Miller, ,korea, ,Megan Turner-Jones, ,photography, ,photomontage, ,prints, ,projection, ,Rochelle School, ,Rosanna Webster, ,Simple Living, ,Sogetsu Ikebana, ,surrealism, ,sustainability, ,trend, ,typography, ,Zoe Austin

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Amelia’s Magazine | University of Central Lancashire Ba Hons Photography Graduate Show 2011 Review

UC Lancaster Photography degree show Free Range 2011-Christopher T. Finch
Photography by Christopher T. Finch.

UCLan, buy more about University of Central Lancashire presented a very clear collection of experimental work in their stand alone space as part of Free Range at the Truman Brewery.

UC Lancaster Photography degree show Free Range 2011-UC Lancaster Photography degree show Free Range 2011-Christopher T. Finch
Christopher T. Finch works with primitive home made cameras and digital technology. For his final show he presented a selection of pore framing facial close ups, various characters layered closely, almost on top of each other.

UC Lancashire Photography degree show Free Range 2011-Lizzie GodfreyUC Lancashire Photography degree show Free Range 2011-Lizzie GodfreyUC Lancashire Photography degree show Free Range 2011-Lizzie Godfrey
Lizzie Godfrey has obviously been influenced by the political climate. In a book titled The Fire This Time? she followed protestors through anti cuts marches earlier this year. Photographs were accompanied with lots of text to explain the evolution of her thought process too.

UC Lancashire Photography degree show Free Range 2011-Teresa Roberts UC Lancashire Photography degree show Free Range 2011-Teresa Roberts
Teresa Roberts produced a book too: The Maasai: Changing of Traditions mapped the ways that Western culture is influencing this nomadic people.

Richard Lewis Pryce looked through a blur onto the streets of London. Apologies for the lack of artwork but there was nowt in his online portfolio and my shot was rubbish. Shame I can’t show you because it was very clever stuff.

UC Lancashire Photography degree show Free Range 2011-Jennifer ColvinUC Lancashire Photography degree show Free Range 2011-Jennifer Colvin
Jennifer Colvin did some interesting things with resin and bits of collected ephemera.

UC Lancashire Photography degree show Free Range 2011-Ma in travel photography
The University of Central Lancashire is starting a new MA in Travel Photography this September – the course will engage in global politics, sustainable development and environmental issues, conservation and colonialism. Modules will be field based and the first will take place in Kenya. Maaaaan, if I didn’t have a magazine to run and a life to be responsible for then I would so run away and take this course.

Categories ,#UKuncut, ,2011, ,Christopher T. Finch, ,collage, ,Colonialism, ,conservation, ,digital, ,Ephemera, ,Free Range, ,global politics, ,Graduate Shows, ,Hand-made, ,Jennifer Colvin, ,Kenya, ,Lizzie Godfrey, ,ma, ,photography, ,Richard Lewis Pryce, ,Riots, ,sustainable development, ,Teresa Roberts, ,The Fire This Time?, ,The Maasai: Changing of Traditions, ,Travel Photography, ,Truman Brewery, ,UCLan, ,University of Central Lancashire

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Amelia’s Magazine | University of Westminster: Photography Ba Hons Graduate Show 2011 Review

University of Westminster photography graduate exhibition 2011 review-Zara Ilic
Detail of photograph by Zara Ilic.

University of Westminster had the lion’s share of the Free Range showspace last weekend, store taking up the entirety of the huge hangar like space, symptoms which has lately been suffering a lot of roof leaks. Within those walls was a plethora of different photographic styles. I picked up on just a few in the show.

Tomas Hein Artefact
Tomas Hein porcelain figure
Tomas Hein looked into contemporary archaeological finds – from the former inhabitants of 43 Gerrard Road, Islington. After eviction only the porcelain statues of this Chinese family remained alongside some black and white informal family photos. Huge prints emphasised the pathos of his finds. His accompanying zine was featured on It’s Nice That. Find Tomas Hein on twitter here.

University of Westminster photography graduate exhibition 2011 Louise Smith de Vasconcelos
University of Westminster photography graduate exhibition 2011 Louise Smith de Vasconcelos
Louise Smith de Vasconcelos looked into Awareness and Perception in a series of close up still lives, some of which were more discernibly objects that I knew and recognised than others.

Genevieve Rudd dementia
I was most taken by Genevieve Rudd‘s collaborative project with her grandfather James Pettigrew, named 64 Althea Green. Together they documented her grandmother’s decline into dementia, with slabs of paint overlaid on conventional photography in a semi crazed manner.

University of Westminster photography graduate exhibition 2011 Samantha Cawson
University of Westminster photography graduate exhibition 2011 Samantha Cawson
University of Westminster photography graduate exhibition 2011 Samantha Cawson
Samantha Cawson also chose to create an installation with the bastardised photographs of the Victorian and Edwardian era – faces sewn over with coloured cotton threads. Weirdly, I had the idea to do this with some of my old magazine tearsheets only yesterday, when I was considering how I could have contributed original art to the Art Car Boot Fair. Though maybe not over their faces…




Beth Vieira calls herself a ‘lens-based artist’ and is interested in cinematic and narrative photography. ‘Coming from an academic environment, my work tends to demonstrate a conceptual reflection onto psychoanalytical and sociological dramas‘. Her three video loop installation was called Scouting for Boys and featured staged tableaux that called to mind the kind of generic imagery that is familiar to us from films and television. At first glance these appeared to be static photos but then eyes, breath, wisps of emotion revealed them to be alive and moving people. Subtley clever.

Ed Hannan rowley_way
Ed Hannan tackled that favourite photographic subject, the weird beauty of council estates – mounds of curvaceous and angular weathered concrete rendered beautiful in the loving detail. It’s a shame there’s nowt more to be seen online yet.

Shanna Taylor Hoarding the Garage
Shanna Taylor Hoarding the Garage
Shanna Taylor Hoarding the Garage
University of Westminster photography graduate exhibition 2011 Shanna Taylor Hoarding the Garage
The Garage struck a resonant note with me – Shanna Taylor‘s documentation of her father’s incredible hoarding showed how it has threatened to engulf his family (he’s built an extra garage where everything is getting mouldy and moth eaten). Rather uncomfortably it reminds me of my own tendency to hang on to absolutely everything… just in case it’s needed somewhere down the line, and also because I hate to create any kind of waste that might end up in landfill. ‘Much of what he has accumulated is junk…. However for him each item has such a high degree of perceived value that he cannot bear to part with it.’ Yup, I know that feeling only too well.

University of Westminster photography graduate exhibition 2011 Jorge Anthony Stride
University of Westminster photography graduate exhibition 2011 Jorge Anthony Stride
Uncertain States by Jorge Anthony Stride featured a series of ethereal landscapes, quite similar in fact to Lydia Anna Stott’s work at Nottingham Trent. Even his written explanation was eerily similar too. I must say I am very drawn to this kind of photography – something about the dreamlike state of it is very appealing. There must be something zeitgeisty going on here.

Zara Ilic Plitvika Jezera
Zara Ilic Plitvika Jezera
Zara Ilic Plitvika Jezera
I loved Zara Ilic‘s Plitvika Jezera – a colour saturated documentation of the waterfall in a national park on the borders between Bosnia and Herzegovina and Croatia. The waters change colour constantly according to the mineral deposits and angle of the sun, something which she has captured extremely evocatively. And to my excitement I was able to tweet her immediately to say how much I liked her work because she included her twitter profile on her business card. Yay!

Aniela Michalec-Perriam Pur-spi-kas-i-tee
Aniela Michalec-Perriam Pur-spi-kas-i-tee
University of Westminster photography graduate exhibition 2011 Aniela Michalec-Perriam Pur-spi-kas-i-tee
Aniela Michalec-Perriam worked with children to complete her final project – Pur-spi-kas-i-tee tackled the plight of kids with communication difficulties, saddled with trying to make themselves understood in a society that negatively stereotypes them. The children were all given the opportunity to contribute to their portrait in any way they liked. The blurring of faces and simple brightness of the resulting photos was very evocative.

University of Westminster photography graduate exhibition 2011 Jason Pierce-Williams
University of Westminster photography graduate exhibition 2011 Jason Pierce-Williams
Lastly, Jason Pierce-Williams visited the studios of artists who are driven to make art despite the lack of commercial success. His candid portraits portrayed the stoicism of those artists who are determined to keep producing art regardless. ‘None of the artists portrayed are household names.’

All in all there was a very high quality of photography amongst Westminster students, but too many have rested on their laurels when it comes to promoting their work online – it was a massive struggle to find degree show images. Some students hadn’t even bothered to upload their images to the Free Range showcase pages, hence the reason that this blog features my relatively crappy photos of photos. Trawling the web in search of images I have also come to realise just how much help creatives need with learning Search Engine Optimisation – they really don’t make the most of it. I can’t stress how important it is to graduate with a strong online presence so that interested parties can track you down. Is it any surprise that Tomas Hein, with his great website, blog and twitter feed, has received such notable accolades already? If not now, then when?

Categories ,2011, ,43 Gerrard Road, ,64 Althea Green, ,Aniela Michalec-Perriam, ,Art Car Boot Fair, ,Awareness and Perception, ,Beth Vieira, ,Bosnia and Herzegovina, ,Council Estates, ,Croatia, ,Dementia, ,Ed Hannan, ,Eviction, ,Free Range, ,Genevieve Rudd, ,Graduate Shows, ,Hoarding, ,Islington, ,It’s Nice That, ,James Pettigrew, ,Jason Pierce-Williams, ,Jorge Anthony Stride, ,Lens-based artist, ,Louise Smith de Vasconcelos, ,Lydia Anne Stott, ,Nottingham Trent University, ,photography, ,Plitvika Jezera, ,Pur-spi-kas-i-tee, ,Samantha Cawson, ,Scouting for Boys, ,Search Engine Optimisation, ,Shanna Taylor, ,The Garage, ,Tomas Hein, ,Uncertain States, ,University of Westminster, ,video, ,Zara Ilic, ,Zeitgeist, ,zine

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Amelia’s Magazine | University of Westminster: Photography Ba Hons Graduate Show 2011 Review

University of Westminster photography graduate exhibition 2011 review-Zara Ilic
Detail of photograph by Zara Ilic.

University of Westminster had the lion’s share of the Free Range showspace last weekend, store taking up the entirety of the huge hangar like space, symptoms which has lately been suffering a lot of roof leaks. Within those walls was a plethora of different photographic styles. I picked up on just a few in the show.

Tomas Hein Artefact
Tomas Hein porcelain figure
Tomas Hein looked into contemporary archaeological finds – from the former inhabitants of 43 Gerrard Road, Islington. After eviction only the porcelain statues of this Chinese family remained alongside some black and white informal family photos. Huge prints emphasised the pathos of his finds. His accompanying zine was featured on It’s Nice That. Find Tomas Hein on twitter here.

University of Westminster photography graduate exhibition 2011 Louise Smith de Vasconcelos
University of Westminster photography graduate exhibition 2011 Louise Smith de Vasconcelos
Louise Smith de Vasconcelos looked into Awareness and Perception in a series of close up still lives, some of which were more discernibly objects that I knew and recognised than others.

Genevieve Rudd dementia
I was most taken by Genevieve Rudd‘s collaborative project with her grandfather James Pettigrew, named 64 Althea Green. Together they documented her grandmother’s decline into dementia, with slabs of paint overlaid on conventional photography in a semi crazed manner.

University of Westminster photography graduate exhibition 2011 Samantha Cawson
University of Westminster photography graduate exhibition 2011 Samantha Cawson
University of Westminster photography graduate exhibition 2011 Samantha Cawson
Samantha Cawson also chose to create an installation with the bastardised photographs of the Victorian and Edwardian era – faces sewn over with coloured cotton threads. Weirdly, I had the idea to do this with some of my old magazine tearsheets only yesterday, when I was considering how I could have contributed original art to the Art Car Boot Fair. Though maybe not over their faces…




Beth Vieira calls herself a ‘lens-based artist’ and is interested in cinematic and narrative photography. ‘Coming from an academic environment, my work tends to demonstrate a conceptual reflection onto psychoanalytical and sociological dramas‘. Her three video loop installation was called Scouting for Boys and featured staged tableaux that called to mind the kind of generic imagery that is familiar to us from films and television. At first glance these appeared to be static photos but then eyes, breath, wisps of emotion revealed them to be alive and moving people. Subtley clever.

Ed Hannan rowley_way
Ed Hannan tackled that favourite photographic subject, the weird beauty of council estates – mounds of curvaceous and angular weathered concrete rendered beautiful in the loving detail. It’s a shame there’s nowt more to be seen online yet.

Shanna Taylor Hoarding the Garage
Shanna Taylor Hoarding the Garage
Shanna Taylor Hoarding the Garage
University of Westminster photography graduate exhibition 2011 Shanna Taylor Hoarding the Garage
The Garage struck a resonant note with me – Shanna Taylor‘s documentation of her father’s incredible hoarding showed how it has threatened to engulf his family (he’s built an extra garage where everything is getting mouldy and moth eaten). Rather uncomfortably it reminds me of my own tendency to hang on to absolutely everything… just in case it’s needed somewhere down the line, and also because I hate to create any kind of waste that might end up in landfill. ‘Much of what he has accumulated is junk…. However for him each item has such a high degree of perceived value that he cannot bear to part with it.’ Yup, I know that feeling only too well.

University of Westminster photography graduate exhibition 2011 Jorge Anthony Stride
University of Westminster photography graduate exhibition 2011 Jorge Anthony Stride
Uncertain States by Jorge Anthony Stride featured a series of ethereal landscapes, quite similar in fact to Lydia Anna Stott’s work at Nottingham Trent. Even his written explanation was eerily similar too. I must say I am very drawn to this kind of photography – something about the dreamlike state of it is very appealing. There must be something zeitgeisty going on here.

Zara Ilic Plitvika Jezera
Zara Ilic Plitvika Jezera
Zara Ilic Plitvika Jezera
I loved Zara Ilic‘s Plitvika Jezera – a colour saturated documentation of the waterfall in a national park on the borders between Bosnia and Herzegovina and Croatia. The waters change colour constantly according to the mineral deposits and angle of the sun, something which she has captured extremely evocatively. And to my excitement I was able to tweet her immediately to say how much I liked her work because she included her twitter profile on her business card. Yay!

Aniela Michalec-Perriam Pur-spi-kas-i-tee
Aniela Michalec-Perriam Pur-spi-kas-i-tee
University of Westminster photography graduate exhibition 2011 Aniela Michalec-Perriam Pur-spi-kas-i-tee
Aniela Michalec-Perriam worked with children to complete her final project – Pur-spi-kas-i-tee tackled the plight of kids with communication difficulties, saddled with trying to make themselves understood in a society that negatively stereotypes them. The children were all given the opportunity to contribute to their portrait in any way they liked. The blurring of faces and simple brightness of the resulting photos was very evocative.

University of Westminster photography graduate exhibition 2011 Jason Pierce-Williams
University of Westminster photography graduate exhibition 2011 Jason Pierce-Williams
Lastly, Jason Pierce-Williams visited the studios of artists who are driven to make art despite the lack of commercial success. His candid portraits portrayed the stoicism of those artists who are determined to keep producing art regardless. ‘None of the artists portrayed are household names.’

All in all there was a very high quality of photography amongst Westminster students, but too many have rested on their laurels when it comes to promoting their work online – it was a massive struggle to find degree show images. Some students hadn’t even bothered to upload their images to the Free Range showcase pages, hence the reason that this blog features my relatively crappy photos of photos. Trawling the web in search of images I have also come to realise just how much help creatives need with learning Search Engine Optimisation – they really don’t make the most of it. I can’t stress how important it is to graduate with a strong online presence so that interested parties can track you down. Is it any surprise that Tomas Hein, with his great website, blog and twitter feed, has received such notable accolades already? If not now, then when?

Categories ,2011, ,43 Gerrard Road, ,64 Althea Green, ,Aniela Michalec-Perriam, ,Art Car Boot Fair, ,Awareness and Perception, ,Beth Vieira, ,Bosnia and Herzegovina, ,Council Estates, ,Croatia, ,Dementia, ,Ed Hannan, ,Eviction, ,Free Range, ,Genevieve Rudd, ,Graduate Shows, ,Hoarding, ,Islington, ,It’s Nice That, ,James Pettigrew, ,Jason Pierce-Williams, ,Jorge Anthony Stride, ,Lens-based artist, ,Louise Smith de Vasconcelos, ,Lydia Anne Stott, ,Nottingham Trent University, ,photography, ,Plitvika Jezera, ,Pur-spi-kas-i-tee, ,Samantha Cawson, ,Scouting for Boys, ,Search Engine Optimisation, ,Shanna Taylor, ,The Garage, ,Tomas Hein, ,Uncertain States, ,University of Westminster, ,video, ,Zara Ilic, ,Zeitgeist, ,zine

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