Amelia’s Magazine | Uncivilisation 2011, The Dark Mountain Festival: Sunday Review

Sacred by Elizabeth Hudson
Sacred by Elizabeth Hudson.

On Sunday at Uncivilisation the main marquee was packed out for a discussion around where next for Dark Mountain, cheap both the festival and the movement. Dark Mountain was started by two writers as a literary endeavour and as it attracts many interested newcomers from different fields it is inevitably straining at the seams. Thus it was good that this conversation was held in the round, buy allowing many voices to be heard equally, contributing constructive and helpful suggestions.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

uncivilisation-jim-design
Uncivilisation by James Clarkson of Jim Design.

Founders Dougald Hine and Paul Kingsnorth are happy to admit that they are two very fraught men, trying incredibly hard to maintain their core philosophies whilst struggling with the infrastructure and admin of Dark Mountain. ‘Basically we are two guys going broke and mad… with a few volunteers.’ Now they need to decide just how much they are willing to let go in order to allow Dark Mountain the space it needs to grow.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Sam Duckworth of Get Cape. Wear Cape. Fly. who played on Friday evening.

Between festival goers there is conflict between how that should happen: it was clear that many would like to see more of a concrete movement for change, whilst others relish the looseness of a gathering that allows for new conversations and stories that may not find space elsewhere. For my part I think that any future Uncivilisation should allow for the exploration of emotional and physical ideas that may be nebulous to the intellect: giving a space for new ways of thinking to flourish.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
the visitors - rima staines
The Visitors by Rima Staines.

At this year’s event my friend Zoe Young held a sacred space in her Bright Valleys workshop. Those I met who attended this were very thankful, and I highly recommend that you read Zoe’s thoughts on the Dark Mountain experience in her excellent blog.

Uncivilisation 2011. All photography by Amelia Gregory. zoe young
Zoe Young with Chanterelles.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
I decided to instead attend an unscheduled talk from Simon Fairlie – author of Meat: A Benign Extravagance – on how veganism and the industrial livestock farming system are converging. He envisages a future where to be a vegan is to live as unsustainably and technologically removed from the land as those who eat mass factory farmed food products. I can easily believe it.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I’ve heard Simon speak several times and his writings are always incredibly interesting: George Monbiot and many others listen to him because not only does he exercise his intellect but he also walks the walk: farming the land at Monkton Wyld Court to demonstrate his theories.

Dark mountains by Thomas Bird
Dark Mountains by Thomas Bird.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I rounded up my time at Uncivilisation with a talk by John Mitchinson, a writer for QI and founder of Unbound, which is a new way to crowd fund books without going through the usual rigmarole of publishing. It was fascinating to hear from someone who used to work in mainstream publishing and intimately knows the problems facing the industry. Of course it was especially interesting to myself, as someone who has self-published and knows just how bloody hard it is to stay afloat.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Benny Wenda by Caroline Pratt
Benny Wenda by Caroline Pratt.

This unfortunately meant that I missed a talk from Benny Wenda and author Jay Griffiths, who spoke about the struggles of local peoples against corporations in West Papua. It was by all accounts incredibly moving.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

We finished Uncivilisation with a farewell folk song before everyone dispersed into the afternoon sunshine. The festival provided a great focal meeting point for like minded people; enabling me to reconnect with old friends and make new acquaintances. It also reminded me that there are many people, all over the world, who are tackling different but related ideas around life beyond collapse. And that we must continue reaching out to include more people from all parts of society in the discussions that we are having.

Uncivilisation Dark Mountain 2011 - Dougald Hine
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation Dark Mountain 2011  Paul Kingsnorth
Uncivilisation 2011. All photography by Amelia Gregory.

As Alabaster Crippens says in his blog: ‘Nobody has many answers about what to do next apart from look after yourself, pay attention, listen to stories, tell your stories, and learn how to live with less.’ There is so much more to do but creating understandable narratives is undoubtedly at the heart of what the Dark Mountain movement can contribute. Although I say it with some trepidation I look forward to what the future brings.

Uncivilisation 2011. All photography by Amelia Gregory.
The Hexayurt, a cheaply built shelter for use in disaster zones.

Don’t forget to check in with Saturday’s review of Uncivilisation too! Musician Marmaduke Dando has also written an interesting blog.

Categories ,2011, ,Alabaster Crippens, ,Benny Wenda, ,Bright Valleys, ,Caroline Pratt, ,Crowd Funding, ,Dark Mountain, ,Dougald Hine, ,Elizabeth Hudson, ,George Monbiot, ,Get Cape. Wear Cape. Fly., ,Hexayurt, ,James Clarkson, ,Jay Griffiths, ,Jim Design, ,John Mitchinson, ,Marmaduke Dando, ,Meat: A Benign Extravagance, ,Monkton Wyld Court, ,Paul Kingsnorth, ,publishing, ,QI, ,review, ,Rima Staines, ,Sam Duckworth, ,Simon Fairlie, ,stories, ,Thomas Bird, ,Unbound, ,Uncivilisation Festival, ,Veganism, ,West Papua, ,Zoe Young

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Amelia’s Magazine | Uncivilisation 2011, The Dark Mountain Festival: Sunday Review

Sacred by Elizabeth Hudson
Sacred by Elizabeth Hudson.

On Sunday at Uncivilisation the main marquee was packed out for a discussion around where next for Dark Mountain, cheap both the festival and the movement. Dark Mountain was started by two writers as a literary endeavour and as it attracts many interested newcomers from different fields it is inevitably straining at the seams. Thus it was good that this conversation was held in the round, buy allowing many voices to be heard equally, contributing constructive and helpful suggestions.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

uncivilisation-jim-design
Uncivilisation by James Clarkson of Jim Design.

Founders Dougald Hine and Paul Kingsnorth are happy to admit that they are two very fraught men, trying incredibly hard to maintain their core philosophies whilst struggling with the infrastructure and admin of Dark Mountain. ‘Basically we are two guys going broke and mad… with a few volunteers.’ Now they need to decide just how much they are willing to let go in order to allow Dark Mountain the space it needs to grow.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Sam Duckworth of Get Cape. Wear Cape. Fly. who played on Friday evening.

Between festival goers there is conflict between how that should happen: it was clear that many would like to see more of a concrete movement for change, whilst others relish the looseness of a gathering that allows for new conversations and stories that may not find space elsewhere. For my part I think that any future Uncivilisation should allow for the exploration of emotional and physical ideas that may be nebulous to the intellect: giving a space for new ways of thinking to flourish.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
the visitors - rima staines
The Visitors by Rima Staines.

At this year’s event my friend Zoe Young held a sacred space in her Bright Valleys workshop. Those I met who attended this were very thankful, and I highly recommend that you read Zoe’s thoughts on the Dark Mountain experience in her excellent blog.

Uncivilisation 2011. All photography by Amelia Gregory. zoe young
Zoe Young with Chanterelles.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
I decided to instead attend an unscheduled talk from Simon Fairlie – author of Meat: A Benign Extravagance – on how veganism and the industrial livestock farming system are converging. He envisages a future where to be a vegan is to live as unsustainably and technologically removed from the land as those who eat mass factory farmed food products. I can easily believe it.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I’ve heard Simon speak several times and his writings are always incredibly interesting: George Monbiot and many others listen to him because not only does he exercise his intellect but he also walks the walk: farming the land at Monkton Wyld Court to demonstrate his theories.

Dark mountains by Thomas Bird
Dark Mountains by Thomas Bird.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

I rounded up my time at Uncivilisation with a talk by John Mitchinson, a writer for QI and founder of Unbound, which is a new way to crowd fund books without going through the usual rigmarole of publishing. It was fascinating to hear from someone who used to work in mainstream publishing and intimately knows the problems facing the industry. Of course it was especially interesting to myself, as someone who has self-published and knows just how bloody hard it is to stay afloat.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Benny Wenda by Caroline Pratt
Benny Wenda by Caroline Pratt.

This unfortunately meant that I missed a talk from Benny Wenda and author Jay Griffiths, who spoke about the struggles of local peoples against corporations in West Papua. It was by all accounts incredibly moving.

Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.

We finished Uncivilisation with a farewell folk song before everyone dispersed into the afternoon sunshine. The festival provided a great focal meeting point for like minded people; enabling me to reconnect with old friends and make new acquaintances. It also reminded me that there are many people, all over the world, who are tackling different but related ideas around life beyond collapse. And that we must continue reaching out to include more people from all parts of society in the discussions that we are having.

Uncivilisation Dark Mountain 2011 - Dougald Hine
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation 2011. All photography by Amelia Gregory.
Uncivilisation Dark Mountain 2011  Paul Kingsnorth
Uncivilisation 2011. All photography by Amelia Gregory.

As Alabaster Crippens says in his blog: ‘Nobody has many answers about what to do next apart from look after yourself, pay attention, listen to stories, tell your stories, and learn how to live with less.’ There is so much more to do but creating understandable narratives is undoubtedly at the heart of what the Dark Mountain movement can contribute. Although I say it with some trepidation I look forward to what the future brings.

Uncivilisation 2011. All photography by Amelia Gregory.
The Hexayurt, a cheaply built shelter for use in disaster zones.

Don’t forget to check in with Saturday’s review of Uncivilisation too! Musician Marmaduke Dando has also written an interesting blog.

Categories ,2011, ,Alabaster Crippens, ,Benny Wenda, ,Bright Valleys, ,Caroline Pratt, ,Crowd Funding, ,Dark Mountain, ,Dougald Hine, ,Elizabeth Hudson, ,George Monbiot, ,Get Cape. Wear Cape. Fly., ,Hexayurt, ,James Clarkson, ,Jay Griffiths, ,Jim Design, ,John Mitchinson, ,Marmaduke Dando, ,Meat: A Benign Extravagance, ,Monkton Wyld Court, ,Paul Kingsnorth, ,publishing, ,QI, ,review, ,Rima Staines, ,Sam Duckworth, ,Simon Fairlie, ,stories, ,Thomas Bird, ,Unbound, ,Uncivilisation Festival, ,Veganism, ,West Papua, ,Zoe Young

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Amelia’s Magazine | Glastonbury 2010 Climate Camp Tripod Stage Review: Saturday

Illustration by Dan Heffer, what is ed Hat by Angela Bruce

Around the monolithic event that is Graduate Fashion Week at Earl’s Court, there exists what might be known as satellite events. This is no way refers to the quality of work that is on display only to the difference in size between shows. I was lucky enough to visit the millenary on show at Kensington and Chelsea College’s end of year show.

I’m not sure whether it’s the wedding’s I’ve been too recently or the constant press attention regarding the ladies hats at certain races (hello Ainscourt) but recently I’ve been paying more attention to headwear.

Illustration by Lauren

The quality of the work on display was unmistakable and a joy to photograph through the sculpture shapes. Each Milliner had created a story around their final product, some of the topics covered envoked narcassim, Alice in Wonderland

Illustration by Rachael

to old myths and Legends.

Illustration by Krister Selin, Hat by Anna Pulley

Hat by Kate Underdown

Hat by Anna Pulleyn

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, ampoule Hat by Angela Bruce

Around the monolithic event that is Graduate Fashion Week at Earl’s Court, medications there exists what might be known as satellite events. This is no way refers to the quality of work that is on display only to the difference in size between shows. I was lucky enough to visit the millenary on show at Kensington and Chelsea College’s end of year show.

I’m not sure whether it’s the wedding’s I’ve been too recently or the constant press attention regarding the ladies hats at certain races (hello Ainscourt) but recently I’ve been paying more attention to headwear.

Illustration by Lauren

The quality of the work on display was unmistakable and a joy to photograph through the sculpture shapes. Each Milliner had created a story around their final product, cheap some of the topics covered envoked narcassim, Alice in Wonderland

Illustration by Rachael

to old myths and Legends.

Illustration by Charlotte Gibson, Hat by Kate Underdown

Hat by Anna Pulleyn

Illustration by Krister Selin, Hat by Anna Pulley

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, viagra 100mg Hat by Angela Bruce

Around the monolithic event that is Graduate Fashion Week at Earl’s Court, recipe there exists what might be known as satellite events. This is no way refers to the quality of work that is on display only to the difference in size between shows. I was lucky enough to visit the millenary on show at Kensington and Chelsea College’s end of year show.

I’m not sure whether it’s the wedding’s I’ve been too recently or the constant press attention regarding the ladies hats at certain races (hello Ainscourt) but recently I’ve been paying more attention to headwear.

Illustration by Lauren

The quality of the work on display was unmistakable and a joy to photograph through the sculpture shapes. Each Milliner had created a story around their final product, some of the topics covered envoked narcassim, Alice in Wonderland

to old myths and Legends.

Illustration by Krister Selin, Hat by Anna Pulley

Illustration by Charlotte Gibson, Hat by Kate Underdown

Hat by Anna Pulleyn

Illustration by Rachael

Photographs by Sally Mumby-Croft

Illustration by Dan Heffer, pills Hat by Angela Bruce

Around the monolithic event that is Graduate Fashion Week at Earl’s Court, salve there exists what might be known as satellite events. This is no way refers to the quality of work that is on display only to the difference in size between shows. I was lucky enough to visit the millenary on show at Kensington and Chelsea College’s end of year show.

I’m not sure whether it’s the wedding’s I’ve been too recently or the constant press attention regarding the ladies hats at certain races (hello Ainscourt) but recently I’ve been paying more attention to headwear.

Illustration by Lauren

The quality of the work on display was unmistakable and a joy to photograph through the sculpture shapes. Each Milliner had created a story around their final product, some of the topics covered envoked narcassim, Alice in Wonderland

Illustration by Rachael

to old myths and Legends.

Illustration by Krister Selin, Hat by Anna Pulley

Hat by Kate Underdown

Illustration by Charlotte Gibson

Hat by Anna Pulleyn

Photographs by Sally Mumby-Croft

June Chanpoomidole-Get Cape. Wear Cape. Fly.
Get Cape. Wear Cape. Fly. by June Chanpoomidole.

Our Saturday starter was none other than Sam Duckworth of Get Cape. Wear Cape. Fly. who changed his stage time so that he could watch the ill-fated England match on Sunday. Those Climate Campers who knew him were suitably excited and soon stood on the corner of the Craft Field with the megaphone. It’s amazing what a big name does… the festival goers were soon flooding into our small area, more about slightly disbelieving that our wee stage could be hosting such a well known musician.

Glastonbury 2010 Climate Camp Get Cape. Wear Cape. Fly

Meanwhile I stood slightly panicked on the entrance as the minutes slowly ticked by… and then Sam came ambling down the leafy rise, slightly late having come straight from taking part in a debate about the rise of the BNP at the Leftfield Stage. A more mild mannered and charming young man you would be hard to come by, but Sam’s grasp of how important it is to speak out against the ills of this world is admirable. Without undue ceremony he was soon aboard the Tripod Stage, holding a borrowed acoustic guitar. “Can you all hear me? I’ve got a big voice so I can sing louder!”

Glastonbury 2010 Climate Camp Get Cape. Wear Cape. Fly
Glastonbury 2010 Climate Camp Get Cape. Wear Cape. Fly
Glastonbury 2010 Climate Camp Get Cape. Wear Cape. Fly

Sunglassed against the blazing heat Sam sung new songs from his upcoming album alongside old crowd pleasers such as One More With Feeling. Unbidden he spoke with passion of meeting a Bangladeshi woman who had lost her family as a direct result of the effects of climate change, and how important it is to stand up to the big corporations. A truly special young man who has been off my radar for awhile, I now remember why I featured Get Cape. Wear Cape. Fly. in Amelia’s Magazine all those years ago. What a star. Sam’s new single Collapsing Cities is out in August, followed by a 22 date tour in September and October.

Kyla La Grange by Barbara Ana Gomez
Kyla La Grange by Barbara Ana Gomez.

Next up we had Kyla La Grange, a beautiful girl with a stunning voice (does it matter that she was beautiful? It shouldn’t, but she really was, what can I say? And talented…) She arrived without fanfare and I found her practicing behind our van on the same acoustic guitar that Sam had borrowed.

Glastonbury 2010 Climate Camp Kyla La Grange

This was the first time in awhile that the husky voiced Kyla had played her songs without added production but she’s an accomplished songwriter and songs like the catchy single Vampire Smile worked just as well without backing. Definitely a talent to watch: her debut album is currently in production.

Glastonbury 2010 Climate Camp Kyla La Grange

Kyla’s favourite bits of Glastonbury: Arcadia was absolutely brilliant but as far as performances go it was a tie between Laura Marling and Florence and the Machine. They were both faultless.

colin-stewart-patch-william
colin-stewart-patch-william
Patch William by Colin Stewart.

Patch William were another band we shared with the BBC Introducing stage (or should that be the other way around). They arrived complete with their own recording facilities, although I will hopefully attempt to cobble together some of the footage I shot myself (oh Final Cut Pro, how I yearn to learn your charms).

Glastonbury 2010 Climate Camp Kyla La Grange

Fronted by William and his god sister Ali, Patch William braved the blazing heat dressed as if they had just stepped out of a fairytale, all flowing hair, wide trousers and Ali crowned in a flower garland so beloved of festival goers this year. Their melodic harmonies were perfect for a lazy summer day such as this, and culminated in the Ivor Novello nominated The Last Bus, a stunning song that saw Ali nimbly swap from guitar to cello. Just gorgeous.

Patch William liked playing the Tripod Stage because: It was great to be able to play a set which was powered solely by a solar panel! 
Patch William’s favourite bits of Glastonbury: Discovering a naked mermaid at Shangri La and being able to say ‘hello glastonbury’ during our set (something which we’d only dreamed of before).

Patch William play the Firefly Music Festival and Belladrum Festival in Scotland. Their next single release will be Skinny White Boy and they plan to go on tour in September. Watch their set at BBC Introducing here.

Glastonbury 2010 Climate Camp Patch William

Then we were supposed to host The Federals, but unfortunately some misunderstood information meant that they hadn’t come prepared for our particular stage set up and all I got was this picture.

Glastonbury 2010 Climate Camp The Federals

Oh well! You win some you lose some: they seemed like nice lads, and went on to play, yes, you’ve guessed it, the BBC Introducing stage. Instead we had a bit of a gap before an exclusive secret set from the wonderful Robin Ince… who turned up a good hour early so we all sat around having a cup of tea and a chinwag.

Abi Daker - Robin Ince - Glastonbury
Robin Ince by Abigail Daker.

Robin was determined to perform his set back to front, so I would be introducing him after he’d finished, and Danny Chivers could come on as a warm up act at the end. This meant that Robin also started sat on the floor with his back to the audience. To another disbelieving crowd – “Yes, we really do have Robin Ince performing here in a minute” – Robin gave a brilliant performance that touched on themes of favourite suicides, the use of jazz hands in the popularisation of science and banality in politics.

Glastonbury 2010 Climate Camp Robin Ince

I’ve uploaded part of his performance for your delection here:

At the end he called on me to come up and introduce him, but then carried on heckling me from the floor. Can anyone tell me, did he do his gig in the Comedy Tent during the England match on Sunday dressed as an octopus? Muchos love going out to you Robin.

dry-the-river-by Lisa Stannard
Dry the River by Lisa Stannard.

Last but by no means least the Tripod Stage was delighted to host Dry the River, a folk band from East London attired in vaguely matched check shirts. Accompanied by guitar, bass, violin, glockenspiel and snare drum, Dry the River sing of history, culture, religion – often in gorgeous four part falsetto boy harmonies. Lead singer Peter Liddle studied anthropology and is now en route to become a doctor; a background that clearly informs his unusual lyrics. If there is any sense in this world Dry the River will be a major success: in fact if I were the betting kind I would lay the notes down hand over fist for this unsigned band. Really really brilliant, I feel so blessed to have found them.

Glastonbury 2010 Climate Camp Dry the River
dry-the-river-by Lisa Stannard
Glastonbury 2010 Climate Camp Dry the River
dry-the-river-by Lisa Stannard
Dry the River by Lisa Stannard.

I asked bearded bassist Scott to answer a few questions:

Scott’s feelings on the Tripod Stage gig: The Climate Camp Tripod Stage was awesome! We played as the sunshine beamed down on our faces, and the people around were so laid back and friendly. Plus we all got a cup of tea while we played which was like a dream after two days of camping. We even got a chance to road-test a new tune we’ve been working on because of the relaxed atmosphere of the show, and it went down well!
 
Scott’s favourite part of Glastonbury: It’s tough to pick a ‘best bit’ for the whole weekend but for me heading out to get lost in the maze of Shangri La at night was amazing, and bumping into Neville Staple backstage in the Dance Arena was pretty cool. Obviously the gigs we were able to play while we were there all stand out too, the Climate Camp for the friendly hospitable people there, the Crow’s Nest for the amazing view of the whole festival at sunset and of course the BBC Introducing set was just so exciting with the cameras and everything.

Glastonbury 2010 Climate Camp Dry the River
Glastonbury 2010 Climate Camp Dry the River

Make sure you catch up with Dry the River live – they’re playing Standon Calling, the Big Chill and Underground Festival in Gloucester. You can download a FREE 3 track EP from their myspace which includes an unreleased version of Coast, a never before heard track recorded earlier this summer. Dry the River headline the Lexington on September 30th and you can buy tickets here. In the meantime see them on BBC Introducing here.

Read on here for the Tripod Stage Sunday review.

Categories ,Abigail Daker, ,Barbara Ana Gomez, ,BBC Introducing, ,Belladrum Festival, ,Climate Camp, ,Colin Stewart, ,Comedy Tent, ,Crow’s Nest, ,Dance Arena, ,Danny Chivers, ,Dry the River, ,Firefly Music Festival, ,Florence and The Machine, ,Get Cape. Wear Cape. Fly., ,glastonbury, ,June Chanpoomidole, ,Kyla la Grange, ,Lisa Stannard, ,Neville Staple, ,Patch William, ,Robin Ince, ,Sam Duckworth, ,Shangri La, ,Tripod Stage

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